Specs ANALOG INPUTS: INPUTS 1–8 Connectors: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot) Input gain: 0–60 dB (1 dB steps) Input impedance: 5 kΩ 1 MΩ (When IN1/IN2 Hi-Z on) Maximum input level: +13 dBu (XLR at 0 dBFS) +21 dBu (TRS at 0 dBFS) Phantom power: +48 V ANALOG OUTPUTS: MASTER OUTPUTS L/R Connectors: TRS jacks (balanced) ANALOG OUTPUTS: LINE OUTPUTS 1-8 Maximum output level: +14 dBu (at 0 dBFS) Output impedance: 150 Ω ANALOG OUTPUTS: PHONES 1/2 Connectors: Standard stereo phone jacks 20 mW × 2 (into 32 Ω load) Maximum output level: +10 dBu Output impedance: 33 Ω DIGITAL IN/OUT: ADAT OPTICAL Connectors: ADAT Optical (lightpipe) 8 IN/OUT: 44.1 kHz/48 kHz 4 IN/OUT: 88.2kHz/96kHz, S/MUX compatible 2 IN/OUT: 176.4kHz/192kHz, S/MUX4 compatible DIGITAL IN/OUT: S/PDIF Connectors: RCA (coaxial) Supported sampling frequencies: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz DIGITAL IN/OUT: WORD CLOCK Connectors: BNC Supported sampling frequencies: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Output impedance: 75 Ω OTHER Frequency characteristics : 44.1 kHz: −1.0 dB, 20 Hz–20 kHz 96 kHz: −1.0 dB, 20 Hz–40 kHz 192 kHz: −1.0 dB, 20 Hz–60 kHz Input conversion noise: Measured EIN: 125 dB (IHF-A) at 60dB, 150Ω input Dynamic range: AD: 120 dB typical (IHF-A) DA: 120 dB typical (IHF-A) Sampling frequencies: 192 kHz, 176.4 kHz, 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Bit depth: 24-bit Interface: USB 3.0 / 2.0 MIDI IN/OUT: 5-pin DIN jacks Power supply: AD-19 DC12V 2A AC adapter External dimensions: 6.2 in. (D) × 19 in. (W) × 1.8 in. (H) 157.65 mm (D) × 482.6 mm (W) × 46.03 mm (H) Weight (main unit only): 4.4 pounds / 2.02 kg Note: 0dBm＝0.775Vrms Number of recording and playback channels AUDIO INTERFACE AND STANDALONE MODES: At 44.1 kHz and 48 kHz: Recording: 18 channels (ANALOG: 8, S/PDIF: 2, ADAT Optical: 8) Playback: 20 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 8) AUDIO INTERFACE AND STANDALONE MODES: At 88.2 kHz and 96 kHz: Recording: 14 channels (ANALOG: 8, S/PDIF: 2, ADAT Optical: 4) Playback: 16 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 4) AUDIO INTERFACE AND STANDALONE MODES: At 176.4 kHz and 192 kHz: Recording: 12 channels (ANALOG: 8, S/PDIF: 2, ADAT OPTICAL: 2) Playback: 14 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 2) CLASS COMPLIANT MODE: At 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz: Recording: 8 channels (ANALOG: 8) Playback: 10 channels (ANALOG: 10) USB 3.0 SuperSpeed The USB 3.0 SuperSpeed transfer protocol used by the UAC-8, with a speed of 2.0 ms roundtrip @ 96 kHz / 32 samples, is ten times faster than USB 2.0 and six times faster than FireWire 800. That not only ensures low latency, it provides a data stream that's unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. The Hardware INPUTS The UAC-8 provides a wide variety of both analog and digital connectors. 8 front panel combo XLR/TRS inputs accept mic- and line-level signals, and you can even plug instruments directly into Inputs 1 and 2. Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a Phantom Power switch enables the use of condenser microphones. OUTPUTS The UAC-8 has dual balanced analog TRS output jacks for connection to monitors, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices. A large front-panel Output knob offers fast control over output level, and there are two independent ¼" stereo headphone jacks, each with its own dedicated volume control, for private monitoring. DIGITAL I/O 8 ADAT and stereo S/PDIF digital inputs/outputs allow for the connection of up to 10 external channels, and built-in Word Clock enables easy integration into any system. In addition, MIDI In and Out is provided to allow interfacing with devices such as electronic keyboards and drum machines. Upsampling, Standalone Mode The UAC-8 uses high-end components such as the AKM AK5388 analog-to-digital converter and AKM AK4413 digital-to-analog converter. In addition, the UAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-8 processes the signal at high resolution 176.4 kHz or 192 kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity. In standalone mode, the UAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer. Extend your capabilities with software UAC-8 MixEfx is a free Macintosh and Windows compatible application designed specially by Zoom for the UAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. UAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes. In addition, MixEfx features effects like reverb and echo, and complete mixes can be stored in three different memory slots, allowing instant recall. Features at a glance 18‐in/20‐out USB 3.0 SuperSpeed audio interface Standalone mode allows use as an 8-channel mic preamp and A/D or D/A converter without connection to a computer Support for recording and playback of up to 24‐bit/192 kHz high‐resolution audio Low latency audio streaming 8 combo balanced XLR/TRS analog input connectors accept both mic and line‐level signal High‐performance mic preamps with up to +60dB of amplification Hi‐Z switches allow direct connection of electric guitar or bass (INPUT1, INPUT2) Independent gain controls and clip LEDs for each input Switchable +48 V phantom power (INPUTS 1‐4, INPUTS 5‐8) 10 balanced TRS output jacks for connection to mixers, amplifiers, self‐powered speakers, headphones, or effects devices Dual front-panel 1/4" headphone outputs with dedicated volume controls Large knob output volume control 4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity Asynchronous transfer system unaffected by computer jitter S/PDIF IN/OUT: 2IN / 2OUT, up to 24‐bit/192 kHz ADAT Optical IN/OUT: 2 IN / 2 OUT at 192/176.4 kHz (S/MUX4 compatible), 4 IN/4 OUT at 96/88.2 kHz (S/MUX compatible), 8 IN / 8 OUT at 48/44.1 kHz Word Clock in/out Clock source indicator MIDI in/out Rack-mountable (1U space) Robust metal housing Works with all USB 3.0-equipped Mac and Windows computers and Apple iPad* * Apple Camera Connection kit or Lightning to USB Camera Adapter required Accessories Here's what comes included with the UAC-8: Operation manual USB 3.0 cable (1m) Cubase LE download Cubase LE startup guide

Thunderbolt 2 Mac audio interfejs ADC (analog-to-digital) konverzija za snimanje do 24-bit/192kHz Pripadajući Thunderbolt audio driver i ESS Sabre32 DAC daju pun 32-bitni plejbek 2 OLED displeja visoke rezolucije, dugmići za ugodno biranje parametara i podešavanja (4 dugmeta dodeljivih funkcija; Talkback MIC (integriasni ili eksterni) Najniža latencija među svim audio interfejsima (1.1 ms punog kruga) - "Ansamblov" jedinstveni Thunderbolt drajver od početka stvaran za Mac OS X Mavericks, donosi efikasnost bez premca, koja će vas osloboditi briga - da li da se opredelite za snagu ili za brzinu Kastomizirani drajver uključuje i dve inventivne funkcije koji maksimalno iskorišćavaju performanse na softver-hardver relaciji: 1) pun 32-bitni signal od vašeg DAW izlaza pravo do ESS DAC (najvišeg kvaliteta), i 2) revolucionarni DMA (Direct Memory Access) endžin za efikasnije iščitavanje/pisanje memorije direktno na Mac-ovoj memoriji, nezavisno od rada samog Mac-a 8 analognih ulaza, do 8 mikrofona ili kombinacija instrumenata, eksternih mikrofonskih pretpojačanja, ili drugih analognih uređaja 10 analognih izlaza, integrisani mikrofon + Talkback Do 18 digitalnih I/O - ADAT, SMUX, S/PDIF optičkih i S/PDIF koaksijalnih formata, za laku integraciju ekspandera, hardver sintova i digitalnih efekata Koristite "Ansambl" kao master clock za punu upotrebu superiorne Apogee-jeve integrisane Clocking tehnologije Dizajnirano u Kaliforniji, Made in the U.S.A. Specifikacije: Zahtevnost radnog sistema: Mac (iMac, Macbook Pro, Macbook Air, Mac Pro) sa Thundertbolt-om, Memorija: 4 GB RAM minimum, preporučeno 8 GB; OS: 10.9.3 ili noviji Preporučeni programi: Logic Pro, Pro Tools, GarageBand, MainStage, Final Cut, Ableton Live, Digital Performer, Studio One, Cubase, Nuendo Sadržaj paketa: Apogee Ensemble, IEC 3-pinski kabl za napajanje, gumeni držač, uputstvo za upotrebu, garantni list AC IN 100-240V, 50-60 HZ, 65W MAX Dimenzije: 483 mm x 308 mm x 439 mm; Težina: 5.1 kg Analogni ulazi: 4 x Combo mic/line/instrument, 2 x 1/4″-ni balansirani analog insert(i), 4 x XLR mic/line, 2 x 1/4″-ni Hi-Z gitarski/instrument ulazi sa Class-A JFET input stejdžom Digitalni ulazi i izlazi: Optical IN/Optical OUT - podržani ADAT, SMUX & S/PDIF ADAT: 16 kanala 44.1-48 kHz na 2 Toslink konektora SMUX: 8 kanala 88.2-96 kHz na 2 Toslink konektora S/PDIF: 4 kanala, do 96 kHz na 2 Toslink konektora Coax IN/Coax OUT: (2 x) 2 kanala S/PDIF, do 192 kHz na 1 x RCA konektoru Integrisani microfon: Mono višedirekcionalni kondenzator kapsule na prednjem panelu Pretpojačaka za mikrofone: 8 x Gain: do 75 dB i napredni Stepped Gain dizajn kola Selektivnih 48v fantom napajanja, hi-pass filter, Soft Limit ̈ & polarity invert EIN: 129dB (un-weighted) @ 60dB, 150 Ohm input Maksimalni ulazni nivo: +20dBu Ulazna impedansa: 3K Ohm Hi-Z: Maksimalni ulazni nivo - 14 dBu, Ulazna impedansa: >2MOhm Analogni izlazi: 2 x 1/4″-ni balansirani monitorski izlazi, 8 balansiranih izlaza na 1 x DSUB 25-pin konektoru, 2 x nezavisna 1/4″-na stereo izlaza za slušalice, 2 x 1/4″-ni dual-mode gitarski/instrument izlazi A/D konverzija: Maksimalni ulazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Ulazna impedansa: 5 KOhm Rel. THD + N: -110dB (@ 96Khz) D/A konverzija: Maksimalni ulazni nivo (+4dBu ref): +20dBu, Maksimalni izlazni nivo (-10dBV ref): +6dBV Izlazna (line) impedansa: 90 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB (@96Khz) Dinamički opseg: 123dB (A-weighted) Gitarski izlaz na prednjem panelu: balansirana impedansa maksimalnog nivoa 14 dBu Max output level slušalica: 19dBu Slušalice Rel THD + N into 600 Ohm: -109dB Dinamički opseg (slušalice): 120dB (A-weighted)

iRig Acoustic is another IK Multimedia industry first — it’s an innovative, patent-pending, acoustic guitar microphone pickup that installs in seconds that you use to perform live and record with on an iPhone and iPad. iRig Acoustic provides professional high-quality sound, simple installation and freedom to play and record everywhere. And with the AmpliTube Acoustic companion app, you’ll have in the palm of hand the world’s first and most powerful acoustic tone sculping and refinement studio for playing anywhere, any time. Sound quality of studio mics — only better There’s no argument that the best acoustic guitar sound reproduction comes from placing a high-end condenser studio microphone in just the right position in front of the guitar. iRig Acoustic, when used with AmpliTube Acoustic, is designed to perfectly replicate that ideal mic placement and accurately capture the full frequency range, tonal character and complex harmonics and overtones of acoustic guitars. It's able to do this thanks to the combination of its uniquely designed microphone enclosure, which combines the latest MEMS (MicroElectrical-Mechanical System) microphone technology with an omnidirectional polar pattern, placement of the microphone just inside the sound hole where the output is optimal and the sound is very detailed and focused, and the “calibration” process that optimizes the guitar sound like it is being miked externally with a high quality studio microphone. These technologies combine to capture the "complete picture" of an acoustic guitar — every vibration and sonic interaction — unlike piezo-electric pickups or magnetics that just capture the vibrations of the body top or strings. Simply put, iRig Acoustic delivers a pure and full representation of an acoustic guitar's tonal characteristics. iRig Acoustic utilizes a MEMS microphone to deliver amazingly real acoustic sound. MEMS (MicroElectrical-Mechanical System) is the cutting edge of microphone technology — you are most likely already utilizing this technology without even knowing for many smartphones use MEMS technology mics. These microphones are very efficient and offer outstanding reliability and audio capture. They deliver a very precise compensation and accurate flat frequency response while being very resistant to mechanical vibrations that produce unwanted sounds, thus providing a very clear, open tone. In addition, MEMS mics are very durable and stable so iRig Acoustic will deliver consistent, detailed and focused sound performance after performance. Easy installation – clip on, plug in iRig Acoustic offers you the convenience of being easy to install (or remove) on any guitar — no modification of any instrument is required to use iRig Acoustic. It simply securely clips on to the rim of the soundhole of an acoustic instrument and you’re ready to play. Because you can easily install and remove it, you can use iRig Acoustic on all of your acoustics, even during the same set! True mobility What truly makes iRig Acoustic unique is the fact that it delivers studio-quality sound AND allows players to freely move around on stage or in the studio without feedback or altering the sound. This is virtually impossible to do when utilizing traditional acoustic miking techniques in the studio or in live performance situations. Headphones or Line Out iRig Acoustic plugs into your device headphone/input jack with a standard 1/8” TRRS cable that also allows you to monitor your performance thanks to the female stereo output jack placed on the in-line cable. Plug your headphones into this jack for private practice and monitoring, or you can line out to a mixer or powered speaker for full stereo acoustic performance. Steel String, Classical, Ukes, Oh My! The body of iRig Acoustic is made of soft non-marring rubber material so it prevents scratches and marks when being installed or removed from an instrument. It can be installed on any stringed instruments with a circular sound-hole — steel-string acoustics, nylon-string classicals, ukuleles and more. AmpliTube Acoustic Your complete mobile acoustic tone studio iRig Acoustic comes with AmpliTube Acoustic FREE (download on the App Store), the new acoustic-specific AmpliTube app designed for processing and recording acoustic guitar and ukuleles. First, when used with iRig Acoustic, the AmpliTube Acoustic app features a calibration and setup process that measures and optimizes the frequency response of your acoustic instrument and provides the “sweet spot” sonic clarity, tonal characteristics and projection that you normally get in the studio with an expensive high-end studio condenser microphone positioned in just the right spot. iRig Acoustic and AmpliTube Acoustic deliver that ultimate level of acoustic realness and character as an optimized system for a fraction of the cost. As an acoustic tone studio, AmpliTube Acoustic features top-of-the-line emulations of popular acoustic amplifiers — 2 solid state amps and one tube amp, all with their own built-in effects sections — and stompbox effects, including a live performance “Feed Kill” feedback eliminator (hey, it happens), an acoustic compressor, graphic EQ and Parametric EQ; a 12-String emulator, a “Bass Maker” octave pedal, plus a “Body Modeler” that converts the sound of your guitar into another style of guitar. Need a parlor guitar sound for a specific song? No problem — just use the body modeler! AmpliTube Acoustic also features all the goodies that make AmpliTube the world’s most popular mobile guitar and bass tone studios — a 4-track looper, 8-track recorder/DAW, speed trainer and UltraTuner, the world’s most accurate digital tuner. AmpliTube Acoustic is your new complete mobile Acoustic tone studio! Now, finally go mobile with your Acoustic iRig Acoustic is the first affordable, innovative, patent-pending microphone pickup that installs in seconds — it quickly mounts securely in the soundhole of your flattop acoustic. Plug the 1/8” TRRS jack into the headphone jack of your compatible iPhone, iPad, iPhone touch, and it delivers the full range true natural sound of your Acoustic guitar right to your device and right to your audience. iRig Acoustic works with GarageBand for iPhone/iPad by itself, but for the best sound quality use it with AmpliTube Acoustic (free or full version) and route the audio to a GarageBand track using the Inter-App audio routing feature.

Connector: XLR/TRS combo jack (XLR: 1 hot, TRS: TIP hot) Input gain: 0 – 43 dB Input impedance: 2.6 k Ω (MIC) 484 k Ω (Hi-Z) Maximum input level: -0.8 dBu (MIC) /+8.7 dBu (Hi-Z) Phantom power: +48V ANALOG IN: LINE IN Connector: Stereo mini jack Input impedance: 22 kΩ Maximum input level: +1.0 dBu ANALOG OUT: OUTPUT L/R Connector: RCA (coaxial) Maximum output level: -0.8 dBu (at 0 dBFS) (into 10 kΩ load) Output impedance: 1 kΩ ANALOG OUT: PHONES Connector: Standard stereo phone jack
10 mW x 2 (into 32 Ω load) Output impedance: 10 Ω Frequency characteristics: At 44.1 kHz: ±1.5dB: 20 Hz - 20 kHz
 At 96 kHz: ±2 dB: 20 Hz - 40 kHz Input conversion noise: Measured EIN: -120 dB or less (IHF-A)
 at 43 dB, 150 Ω input Number of audio recording and playback channels: Recording: 2 channels
 Playback: 2 channels Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Bit depth: 24-bit Interface: USB 2.0 Power Source: USB bus power (Type B)
 Zoom AD-17 (Micro-B) 
DC 5V power supply (Micro-B)
 2 AA batteries (About 5 hours continuous operation with phantom power off) Power consumption: 5W maximum Dimensions: 119.2 mm (D) x 91.8 mm (W) x 44.6 mm (H) Weight (main unit only): 151 g *0dBu=0.775Vrms

BEST IN CLASS Audio Quality Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity. ☑ ESS Sabre32 Ultra™ DAC technology for superb analog sound ☑ The same converter technology used in audio interfaces costing thousands ☑ Measured 120 dB dynamic range on outputs ☑ Measured -129 dBu EIN on mic inputs ☑ ESS-driven headphone output BEST IN CLASS Speed The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer). BEST IN CLASS Metering When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right. LIVE STREAMING Loopback The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding! TECH SPECS Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic/line/guitar inputs 2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input Analog outputs 2 x 1/4" TRS line out (balanced, DC coupled) 2 x RCA (unbalanced) analog out (mirrored) 1 x 1/4" TRS stereo headphone Computer I/O 1 x USB-C (compatible with USB Type A) 2.0 audio class compliant MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host Headphone 1 x 1/4" TRS stereo phone Phantom power 2 x individual +48V Front panel 1 x 1/4" TRS headphone output 2 x XLR/TRS combo inputs 1 x potentiometer • monitor vol 1 x potentiometer • phone vol 2 x potentiometer • mic/instr input gain 4 x switches • (2) 48V and (2) MON 160 x 120 pixel full-colored LCD with input and output level meters Power Bus-powered through USB Dimensions and weight (width x depth x height, enclosure only) 7.5 x 4.25 x 1.75 inches 19.05 x 10.8 x 4.5 cm 1.35 lbs / 0.61 kg System Requirements Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording) Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB port A large hard drive (at least 500 GB for recording) Class-Compliant Support USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required) Included Software MOTU Performer Lite Ableton Live 10 Lite 6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU Analog I/O Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Line Output 1/4" TRS, balanced, tip hot 120dB -110dB +16dBu Mic input XLR, balanced, pin 2 hot 115dB -129dBu EIN +10dBu (at minimum gain) Phones 1/4", TRS stereo 115dB -110dB +12.5dBu Compatible Mac Software The M2 ships with standard Core Audio drivers for macOS for compatibility with virtually all Core Audio-compatible apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Presonus Studio One Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The M2 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Native Instruments Kontakt Presonus Studio One Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) M2 Feature Highlights 2-in / 2-out USB audio interface with studio-quality sound Best-in-class audio quality driven by ESS Sabre32 Ultra™ DAC Technology Best-in-class speed (ultra-low latency) for host software processing Best-in-class metering for all inputs/outputs with a full-color LCD 2x mic/line/hi-Z guitar inputs on combo XLR/TRS Individual preamp gain and 48V phantom power for each input Hardware (direct) monitoring for each input (mono or stereo) Measured -129 dB EIN on mic inputs 2x balanced, DC-coupled 1/4-inch TRS outputs Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs 2x RCA (unbalanced) analog out (mirrored) 1x headphone out (driven by ESS converters) with independent volume control MIDI in/out Support for 44.1 to 192 kHz sample rates USB audio class compliant for plug-and-play operation on Mac (no driver required) Windows driver with 2.5 ms Round Trip Latency (32 sample buffer at 96 kHz) Mac driver (optional, for 2.5 ms RTL@32/96 kHz and loopback feature) iOS compatible (USB audio class compliant) Driver loopback for capturing host output, live streaming and podcasting Bus powered USB-C (compatible with USB Type A) with power switch (USB cable included) Rugged metal construction Workstation software included (MOTU Performer Lite 10 and Ableton Live Lite 10) 100+ instruments (in Performer Lite) Over 6 GB of included free loops, samples and one-shots from industry leading libraries Kensington security slot Built in the USA Two-year warranty

Kombinujući dobro znane superiorne performanse, Symphony Desktop sadrži i nove funkcije – emulaciju za mikrofonska pretpojačala, ECS Channel Strip (kontrole EQ-a, kompresije i saturacije), reverb plag-ina Clearmountain’s Spaces, te ultra-nisku latenciju snimanja (hardver DSP, i Apogee FX plag-inova). Sve ovo učiniće da vaša kreativnost u studiju dođe do izražaja, pružajući sve dragocene prednosti Apogee-jevog visokog zvučnog kvaliteta. Kao i kod većeg Symphony I/O Mk II, stejdž konverter analognog-u-digitalno pruža ultra nisku distorziju, visoku brzinu odziva, i punu diferencijaciju operacionih pojačavača. Kreirajte sa samopouzdanjem – da će i najtatnija nijansa vašeg analognog inputa biti verno reprodukovana u digitalnom domenu. Mikrofonsko pretpojačalo AP-57 daje sočan, masivan zvuk AMpex 601 preamp-a iz ’50-ih godina, pažljivo restaurisan i lišen niskog šuma, uz veći dinamički opseg. Apogee FX Plugins, i FX Rack plag-inovi pružaju superioran kvalitet zvuka, i pun propusni opseg (44.1 do 192.kHz) za sve digitalne audio radne stanice na vašem Mac-u (uz moderan vizuelni interfejs). Karakteristike & specifikacije: Najpristupačnija cena za jedan Symphony interfejs ikada! Dinamični displej/ekran na dodir za napredne kontrole hardvera FET ulaz za instrumente sa karakteristikama gitarskog lampaškog pojačala 10 IN x 14 OUT simultanih audio kanala MIDI via USB Digitalni I/O: 2 x optički Toslink (ADAT, S/PDIF) Apogee Alloy Mic Preamp emulacija (analogno procesovanje + DSP modeling) Ugrađeno DSP procesuiranje za Apogee FX plag-inove 2 potpuno izbalansirana ¼”-na izlaza, 2 dodeljiva izlaza za slušalice: 1 x 1/4″, 1 x 1/8” Kompatibilnost: macOS: 10.13 High Sierra (ili noviji), iOS/iPad pro: iOS 13, PC: Windows 10 Anniversary update (ili noviji) Emulacije pretpojačala: AP-66 - British Solid State, AP-57 - 50s American Tube A/D konverzija: Maksimalni ulaz/izlazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Ulazna impedansa: 4 KOhm Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Rel. THD + N: -113dB Dinamički opseg: 123dB (A-weighted) Pretpojačala: Gain – do 75 dB i napredni Stepped Gain dizajn kola, Selektivnih 48v fantom napajanja, Soft Limit ̈ & polarity invert EIN: 129dB (un-weighted) @ 60dB, 150 Ohm input Maksimalni ulazni nivo: +20dBu, Ulazna impedansa: 150 – 4K Ohm (default) Hi-Z: Maksimalni ulazni nivo - 14 dBu, Ulazna impedansa: 220k/470k/>20 MOhm D/A konverzija: Maksimalni ulaz/izlazni nivoi (+4dBu ref): +20dBu, (-10dBV ref): +6dBV Izlazna (line) impedansa: 50 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB Dinamički opseg: 129dB (A-weighted) Maksimalni izlazni nivo za slušalice: 520 mW into 30 Ohm, 90 mW into 600 Ohm Headphone Rel THD+N: -111 dB with 600 Ohm load Dinamički opseg (slušalice): 183dB (A-weighted)

UKLJUČITE SE UZ STUDIJSKI ZVUK Povežite se, stvarajte i sarađujte sa našim šestoulaznim i šestoizlaznim audio ainterfejsom. Uz visoku definiciju pri snimanju, veoma malu latenciju i fleksibilno povezivanje, AUDIO 6 predstavlja Vaš ceo setap. Možete da priključite mikrofone, gitare i sintisajzere, stvarate povratne lupove sa efektima, kao i da kontrolišete sintisajzere i ritam mašine. Pored toga, dobijate kompletan softver koji Vam je potreban kako biste snimili izvođenja, snimili pesme i izbrusili Vaše snimke – odnosno oživeli svaku Vašu ideju. SPREMAN ZA SNIMANJE, U HODU Bilo da snimate Vaš sledeći album ili Vaš poslednji nastup, Vaš fokus bi trebalo da bude na stvaranju. Sa pro-grade zvukom, nosivošću spremnom za nastup, i ‘’uključi se i sviraj’’ jednostavnošću, AUDIO 6 Vam upravo to omogućava. NAPRAVITE MAGIJU U STUDIJU AUDIO 6 radi sa svim Vašim mikrofonima, instrumentima i slušalicama. Možete da birate način povezivanja i opcije: 48V fantomska struja, MIDI ulaz/izlaz, i 4 analogna izlaza sa dodatnom CV/gate kontrolom za Vašu analognu opremu. Uz to, lako vidljiv top panel LED VU-metri za sva četiri analogna ulaza i glavni stereo izlaz. ZAVLADAJTE SCENOM Bilo da ste solo izvođač, nastupate u duetu, ili kao ceo bend, izvorni audio kvalitet interfejsa AUDIO 6 omogućava Vam da zvučite jednako dobro na bini kao i u studiju. Uključite Vaš laptop u opremu za nastup uživo ili u processor vokala, sa fleksibilnim povezivanjem kako bi se prilagodili bilo kojoj vrsti nastupa. Zahvaljujući USB napajanju imaćete manje kablova i priključaka za struju, a uz veliko dugme za pojačavanje moći ćete da lako podešavate nivoe zvuka dok ste na bini. DVOSTRUKI IZLAZ ZA SLUŠALICE Dva izlaza za slušalice velike snage, sa indivudalnim kontrolama jačine, čine ga lakim za saradnju. Slušajte upravo ono što snimate, u realnom vremenu, uz direktan monitoring bez kašnjenja (latencije) što Vam omogućava da pomešate snimljenu deonicu i praćeni audio snimak prema Vašoj želji. Takođe smo udvostručili izlaznu snagu – što je odlično za upotrebu na bini ili slušalice sa velikom impedansom. POVEŽITE SE Bilo da nastupate sa malim bendom ili se radi o slobodnom nastupu sa modularnim sintisajzerom, fleksibilan set za povezivanje Vam omogućava da na jednom mestu objedinite vaše ideje i snimite muziku u trenutku. XLR, TRS, S/PDIF, i MIDI nisu samo slova, to su načini da se ožive muzičke ideje – i ova povezivanja smo stavili baš tamo gde su Vam potrebna. POGLED IZBLIZA Povezivanje: 6 ulaza:2x combo-XLR/¼” TRS linijska ulaza sa 48V fantomske struje, i kontrola jačine za fleksibilno stereo snimanje, 2x ¼” TRS linijska ulaza, 1x SPDIF digitalni stereo ulaz (RCA) 1x MIDI in 6 izlaza: 4x DC uparena ¼” TRS izlaza za modularnu kontrolu*, 1x SPDIF digitalni stereo izlaz (RCA), 1x MIDI out Audio kvalitet: Prvoklasni kvalitet pri 192 kHz / 24-bit 4x LED ulazni VU indikator 1x LED izlazni VU indikator 48V, USB, i MIDI status LEDs Direktni monitoringsa mono/stereo prekidačem, za menjanje kanala (1-2 / 3-4) za podešavanje audio snimka tokom snimanja Veliko dugme za jačinu zvukaza brzo podešavanje jačine zvuka 2x izlaza za slušalicesa izlazom velike snage i individualnom kontrolom jačine zvuka USB 2.0 napajanje– nije potrebno dodatno strujno napajanje Kompatibilan sa Mac i PC (ASIO®/Core Audio/DirectSound®/WASAPI) Kensington Security Slot Link za specifikacije https://www.native-instruments.com/en/products/komplete/audio-interfaces/komplete-audio-6/specifications/ SISTEMSKI ZAHTEVI macOS 10.12, 10.13, 10.14 ili 10.15 (poslednje ažuriranje), i5, 4 GB RAM Windows 10 (najnovije izdanje), Intel Core i5 ili ekvivalentni CPU, 2 GB RAM USB 2.0 ili veći kabl je uključen) Grafička kartica koja podržava Open GL 2.1 ili veći 3 GB slobodnog prosta na disku za MASCHINE Essentials, plus 1 GB slobodnog prostora na disku za sav ostali softver KOMPATIBILNOST Kompatibilan sa Mac i PC (ASIO/Core Audio/DirectSound/WASAPI) KOMPLETE AUDIO 6: VELIČINA I TEŽINA Dimenzije: 55.6 x 200 x 136.55 mm Težina: 850 g KARAKTERISTIKE HARDVERA KOMPLETE AUDIO 6 Balansirani izlaz Maksimalna izlazna jačina +11.5 dBu (balansirani) Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Slušalice Maksimalna izlazna jačina 2x 25mW @ 33 Ohms Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Ulaz za instrument Maksimalna ulazna jačina +13 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Linijski ulaz Maksimalna ulazna jačina +13 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Mikrofon Maksimalni ulazna jačina +6 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB AD/DA Konvertori AD kanali 6 DA kanali 6 Maks. brzina uzorkovanja 192 kHz Dubina bita 24 bit Uključivanje u struju USB napajanje

The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt™ (Mac), Pro Tools® HD (Mac/PC), Dante™+ Pro Tools® HD (Mac/PC, or Waves SoundGrid (Mac/PC) connectivity. Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X All new, highly customizable Symphony Control software provides easy access to all I/O parameters Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Input and Output Flexibility There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Legendary Sound Quality Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers. Symphony I/O Mk II Select one of three Symphony I/O Mk II connectivity options. Thunderbolt For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit and up to 2 units per system for a maximum of 64 channels of I/O with latency as low as 1.35 ms in Logic Pro X (96kHz / 32 buffer). Pro Tools HD For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. Up to 1 Symphony I/O Mk II unit connected to each HD port (max. 32×32 per unit). Waves SoundGrid Network Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Front Panel Touchscreen with Comprehensive Control All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit. Mic Pre Input Screen Dynamic Temperature Control Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control Software Symphony Control software for Mac, is designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control has been built from the ground up and replaces Apogee’s Maestro software for Symphony I/O Mk II users. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features like Talkback functionality, the simplified “Essentials” control window and an FX Send mixer feature, recently introduced as part of the Element Control software. Symphony Control software is now available. Download here. Apogee Control Hardware Remote Accessory Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. US customers can purchase Apogee Control in the Apogee web store. Multi-unit support for up to 64 channels of I/O With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available with superior quality high-channel count recording at incredibly low latency. Symphony I/O Mk II setup screen for Standalone mode Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touch screen you can set up Symphony I/O Mk II for use in these situations and more: Hi-Fi Systems Connect Symphony I/O MkII to a Blu/Ray, CD Player or Power Amp for high end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations Use Symphony I/O mkII on a Windows computer with Dante™, Pro Tools® HD, Waves SoundGrid®, or as a Standalone converter with a third party ADAT/AES PCI interfacing card. Standalone Converter Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. With Standalone mode you can also bypass the converters of your existing gear. Highlights: Best AD/DA conversion of any Thunderbolt audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools HD (Mac/PC) or Waves SoundGrid connectivity Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dynamic range: 122dB A weighted Maximum input levels: +4dB setting: +24dBu -10dB setting: +6dBV Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Input impedance: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dynamic Range: 126dB A weighted Max output levels – ∞ to +24dBu Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB) Output impedance: 50 Ohm Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) Headphone Output: 1 stereo 1/4″ headphone output on front panel THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dynamic Range: 121db A weighted Output: Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones Power: 90-240VAC, 50-60Hz, 150W Operating System: Thunderbolt: Mac OS only 10.10 and above HD: Any Mac or PC running Pro Tools HD 9 or greater Software Compatibility: Thunderbolt: Logic Pro or any Core Audio compatible application on Mac OS X HD: Pro Tools HD 9 or greater Package Contents: Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet Symphony I/O Mk II Dimensions: Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 Packaging Dimensions: Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3

INTEGRATION More streamlined workflow, less clutter The interface is designed to be the hub of your entire recording environment that eliminates the need for any expansion modules and cards, thus centralizing your entire setup. Switching from project to project is effortless with the fast recall of presets and adapting to different workflows is made easier by allowing you to address numerous applications using a single hardware frame. CONNECTIVITY World’s first 64-channel AD/DA converter in 2U rack space Galaxy 64 Synergy Core is the only interface to offer two Dante ports for audio networking, four HDX ports for a full array of 128 channels in Pro Tools as well as Thunderbolt connectivity. These features can be used simultaneously with multiple systems for easy adaptation to different workflows with preferred DAW applications. This is all made possible by utilizing our exclusive FPGA configuration and advanced digital routing. DANTE® AUDIO OVER IP Build your network Dante is the number one audio over IP choice for installations, live events, production facilities, and any situation where large volumes of high-definition digital audio must be reliably transferred over long distances. Achieved using just an Ethernet port, Dante connection is preferred among other digital network standards, due to its easy configuration and variety of product support. The configuration provides straightforward integration and reliable redundancy, with the secondary RJ-45 port serving as a backup 64-channel Dante route. Galaxy 64 Synergy Core allows extensive real-time backup and multi-level recording options throughout every production stage. HDX CONNECTION 128 channels in Pro Tools at 192kHz sample rate The only interface to offer four HDX ports provides primary or secondary recording solution per card or a full array of 128 channels of recording split to two systems. What is especially impressive about our exclusive FPGA configuration is that it allows this channel count to be maintained at high sample rates such as 192kHz. Unlike modular systems, all I/O is available at any time without the need to exchange boards or change setups. This is the easiest way to interface multiple Pro Tools sessions through several hosts. SOUND High-fidelity conversion High-spec AD/DA converters provide low total harmonic distortion and signal-to-noise ratio for artifact-free recording sessions. The Galaxy 64 Synergy Core does not require external converters for monitoring because of the dedicated mastering-grade monitor converter. It facilitates audio reproduction with a wider soundstage for critical listening without coloration or signal degradation. Industry-leading clocking technology Our proprietary 64-bit Acoustically Focused Clocking and Jitter Management algorithm ensure the kind of audio quality that sets apart the legendary Isochrone Trinity master clock. The Galaxy 64 Synergy Core delivers the same increased width, separation, and detail in your musical performances. D/A STAGE DYNAMIC RANGE 128 dB A/D STAGE DYNAMIC RANGE 121 dB MONITOR CONVERTER DYNAMIC RANGE 130 dB galaxy64SC FX EFFECTS PROCESSING 36 Real-time effects included Galaxy 64 Synergy Core includes a massive expandable library of 36 real-time effects. It is largely composed of software emulations of vintage analog gear found in world-renowned recording studios. The collection does not lack in variety – you can find rarities like a boutique autowah pedal from Finland, a Danish master-grade compressor or emulation of famous units like American-design EQs. 18 EQUALIZERS, 12 COMPRESSORS & LIMITERS, 2 PREAMPS & CHANNEL STRIPS, 1 REVERB, 1 DE-ESSER, 1 TREMOLO, 1 AUTOWAH PEDAL Synergy Core is currently one of the fastest-growing real-time effects processing platforms in the pro audio industry. In short, the Antelope Audio Synergy Core technology is a combination of the best of FPGA and DSP processing, brought together to give you a powerful, yet simple to use effects platform. It allows you to: offload all processing to the interface thus saving your host computer CPU & memory load effects while tracking or mixing and process with imperceptible latency HDX Ports 3535 CONTROL PANEL Intuitive control over all features Take charge of each aspect of the unit’s functionalities with a convenient software Control Panel. It provides intuitive control of all settings, gain adjustments, real-time effects, metering, and presets. From the Control Panel you have immediate access to the flexible Routing Matrix and the low latency internal mixers. Every Galaxy 64 Synergy Core feature works seamlessly once you establish your Control Panel workflow. ROUTING MATRIX The comprehensive Routing Matrix houses an advanced digital patch bay to freely route audio between the unit’s analog and digital inputs and outputs. This happens with simple drag and drop functionality, while user labeling, and color-coding facilitate immediate and intuitive operation. LOW LATENCY INTERNAL MIXERS The Control Panel houses 8 low latency 32-channel mixers that can be split into individual cue mixes and sub-mixes, allowing you to distribute headphone mixes for your musicians while applying pan, reverb, other effects and stereo link. Each mixer has 32 inputs and a stereo output which makes them ideal for real-time multi-channel hardware-based monitoring and signal summing. REMOTE CONTROL & STANDALONE OPERATION The interface allows interfacing to a second computer via USB-C for the purposes of remote control. This way, you can run dedicated live/recording and Control Panel setups without being tied to a single computer. Network control is also a possibility through a proprietary client/server system. With the interface, you also have the option to work without being connected to a computer. CUSTOMIZABLE PRESETS Create custom presets for any scenario, complete with signal routing, level adjustments, mixer settings and sub-mixes. Everything can be custom configured for individual recording sessions, live events, and pre/post-production sessions. Preset files can be shared across multiple studios and devices to ease workload and optimize the production process. LOW LATENCY DIRECT MONITORING Record and monitor with analog-modeled effects processed with imperceptible latency in real-time. This feature will help you find creative solutions faster and commit to your sound early in the process, thus speeding up your workflow and avoiding the need to ‘fix it in the mix’. TOUCHSCREEN CONTROLS The touchscreen functionality saves time and offers efficiency when immediate access to the Control Panel application is not there. The precise touch control facilitates fast and immediate access to metering, level controls, presets and settings. ANALOG & DIGITAL CONNECTIVITY • 64 analog input channels over 8 D-Sub 25 connectors with AC/DC coupling switch (TASCAM standard) • 64 analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard) • Dante™ audio over IP with primary/secondary port for audio transfer over long distances • Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration • Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application • Digital I/O: 64 channels of optical MADI, 2 channels over AES/EBU, and 2 channels over S/PDIF CLOCKING & CONVERSION • Proprietary 64-bit Acoustically Focused Clocking technology for increased width, separation, and detail in musical performances • Proprietary Jitter Management algorithm delivering truthful and expanded soundstage • High-resolution A/D and D/A conversion ensuring artefact-free recordings and mastering-grade converter with 130dB headroom for critical listening without coloration or signal degradation ONBOARD REAL-TIME EFFECTS • Collection of 36 analog-modeled effects featuring classic as well as rare compressors, EQs, mic preamps and pedals • 12×DSP, 2×FPGA Synergy Core proprietary onboard real-time plugin processing platform • Up to 256 plugin instances per session loaded simultaneously on 64 individual virtual racks WORKFLOW-ENHANCING FEATURES • Advanced digital routing matrix that allows execution of complicated input/output routing with a simple drag and drop functionality • 8 low latency hardware-accelerated 32-channel mixers that can be split into individual cue mixes and sub-mixes while applying pan, reverb, other plugins and stereo link • Customizable presets complete with signal routing, level adjustments, mixer settings and sub-mixes • Direct monitoring with plugins, processed in real-time with imperceptible latency • Intuitive touchscreen interface with recallable hardware-based presets • Daisy chain over Thunderbolt™ 3 & remote control over USB Type-C • Option to work without being connected to a computer (standalone operation) • Wireless control of software features from a separate computer connected to the same network 36 INCLUDED SYNERGY CORE EFFECTS VEQ-55A (3-Band EQ / HPF / LPF) VEQ-4K BLACK (4-Band EQ / HPF / LPF) VEQ-4K BROWN (4-Band EQ / HPF / LPF) VEQ-4K ORANGE (4-Band EQ / HPF / LPF) VEQ-4K PINK (4-Band EQ / HPF / LPF) VEQ-HA32C (4-Band EQ / HPF / LPF) VEQ-STU 900 (4-Band EQ / HPF / LPF) NEU-W492 (4-Band EQ) VMEQ-5 (3-Band Tube Mid-Range EQ ) BAE-1084 (3-Band EQ / HPF / LPF) VEQ-STU 089 (3-Band EQ / HPF / LPF) BAE-1023 (3-Band EQ / HPF) VEQ-1A (2-Band Tube EQ) VEQ-HLF (Tube 2-Band HPF / LPF) VEQ-STU 169 (3-Band EQ / HPF) NEU-PEV (3-Band EQ) NEU-W495 (3-Band EQ) Clear Q (Parametric EQ) VCA160 (VCA Compressor / Limiter) X903 (VCA Compressor / Limiter) ALT-436C (Vari-Mu Tube Compressor Amplifier) Tube 176 (Vari-Mu Tube Compressor / Limiter) Stay-Levin (Vari-Mu Tube Compressor) SMT-100A (Tube Leveling Amplifier / Limiter) FET-A78 (FET Compress Stereo Peak Limiter) FET-A76 (FET Compressor / Limiting Amplifier) BAE 10DCF (Compressor / Limiter) PowerEX (Expander) PowerFFC (Feed-Forward Compressor) PowerGate (Noise Gate) BA-31 (Germanium Mic Preamp) Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) Marble White AutoWah (Auto-Wah Pedal) Vari-Speed Tremolo (Tremolo) Auraverb (Reverb) Master De-Esser (De-Esser)

Onyx Artist 1x2 interfejs je veoma lagan uprkos robusnoj čeličnoj šasiji, koja čuva analogna kola i Onyx-ovo pretpojačalo za mikrofon. Tu su i čvrsti potenciometri za sve vrste rada/opterećenja Direktni monitoring za signal (iz) pretpojačala - dok snimate, tako da se latencija čujenja zvuka kroz DAW (digitalnu radnu stanicu) eliminiše Ključne karakteristike: 2x2 interfejs za snimanje do 24-bitne / 192 kHz rezolucije, Onyx-ovo pretpojačanje za MIC +48V fantomsko napajanje za kondenzatorski mikrofon 1/4" TRS ulaz sa Hi-Z prekidačem za povezivanje gitare, basa ili klavijature Direktni monitoring za inpute sa nultom latencijom 1/4" TRS izlaz za povezivanje studijskih monitora USB 2.0 povezivanje (i napajanje istim putem) 1/4" izlaz za slušalice Svi Pro Tools | First & Waveform plag-inovi, plus 23 ekskluzivna iz kolekcije Mackie Musician: Avid 304E EQ, Avid 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri-Knob Fuzz, Vari-Fi, Vibe Phaser, White Boost

Snimajte do 6 kanala simultano, nezavisno od sample rate-a. Dva mikrofonska pretpojačala sa opcionim fantomskim napajanjem i 80 Hz high-pass filterima. Na prednji panel (putem ¼“-nih džekova) mogu se priključiti instrumenti poput gitare, basa ili klavijature. Zadnji panel sadrži pristup za 6 ¼“-nih TRS ulaza, stereo RCA, 3.5 mm-ski input, S/PDIF digitalni I/O, i MIDI I/O. Dupli izlazi za slušalice i integrisani Phonitor Matrix sa podesivim Crossfeed intenzitetom pružaju monitoring idealan za miksovanje i praćenje. Za efikasno snimanje i overdabing tu su i talkback mikrofon i potenciometar koji kontroliše funkciju miksovanja monitora. Form Factor: Tabletop Display: None Channels of I/O: 6 Input / 6 Output Maximum Sampling Rate: 192 kHz / 24-Bit, Number of Microphone Preamps: 2 Preamps Built-In Microphone: None, Expansion Slots: None, Pad: None Gain/Trim Range - Mic Inputs: +7 dB to +60 dB, Hi-Z Inputs: -6 dB to +31 dB High-Pass Filter 80 Hz, 6 dB/Octave; Solo/Mute: None Analog Audio I/O - 2 x XLR 3-Pin Mic Input, 4 x 1/4" TRS Line Input, 2 x 1/4" TRS Aux Input 2 x 1/4" TS Hi-Z Input, 2 x Stereo RCA TS Aux Input, 1 x 1/8" / 3.5 mm TRS Aux Input 2 x XLR 3-Pin Balanced Monitor Output, 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power: 48 V Digital Audio I/O: 1 x RCA Coaxial S/PDIF Input, 1 x RCA Coaxial S/PDIF Output Host Connection / USB: 1 x USB Type-B (Class-Compliant USB 2.0) USB (Non-Host): None, Sync I/O: None, Network I/O: None MIDI I/O - 1 x DIN 5-Pin Input, 1 x DIN 5-Pin Output Wireless Connectivity: None Frequency Response: 10 Hz to 200 kHz Maximum Input Level - Mic Inputs: +14.5 dBu (Min Gain) Line Inputs: +22.5 dBu Hi-Z Inputs: +24 dBu Aux Inputs: +22.5 dBu Maximum Output Level Monitor Outputs: +22.5 dBu Headphone Output Power: 13 mW into 47 Ohms (0 dBu), 670 mW into 47 Ohms (Max) 1.7 mW into 300 Ohms (0 dBu), 265 mW into 300 Ohms (Max) 1 mW into 600 Ohms (0 dBu), 150 mW into 600 Ohms (Max) Impedance - Mic Inputs: 10 Kilohms Line Inputs: 10 Kilohms (Unbalanced), 20 Kilohms (Balanced) 1/4" Aux Inputs: 10 Kilohms (Unbalanced), 20 Kilohms (Balanced) RCA Aux Inputs: 10 Kilohms 1/8" / 3.5 mm Aux Inputs: 10 Kilohms Monitor Outputs: 75 Ohms (Unbalanced), 150 Ohms (Balanced) Headphone Outputs: 33 Ohms Dynamic Range A/D Converters: 113 dB (44.1/48 kHz Sample Rate), 110 dB (88.2/96 kHz Sample Rate) D/A Converters: 109 dB (44.1/48 kHz Sample Rate), 107 dB (88.2/96 kHz Sample Rate) SNR - Mic Inputs: -90 dBu (+30 dB Gain, 150-Ohm Load) Hi-Z Inputs: -85 dBu (100-Kilohm Load, Unity Gain) Line Inputs: -95 dBu (600-Ohm Load, Unity Gain) Inputs: -95 dBu (600-Ohm Load, Unity Gain) Inputs: -90 dBu (600-Ohm Load, Unity Gain), -85 dBu (-10 dBV, 600-Ohm Load) Inputs: -88 dBu (600-Ohm Load, Unity Gain), -76 dBu (+15 dB Gain, 600-Ohm Load) A/D Converters: -113 dBFS (A-Weighted, 44.1/48 kHz), -110 dBFS (A-Weighted, 88.2/96 kHz) D/A Converters: -109 dBFS (A-Weighted, 44.1/48 kHz), -107 dBFS (A-Weighted, 88.2/96 kHz) THD+N - Mic Inputs: 0 dB (1 kHz, +30 dB Gain, 150-Ohm Load) Hi-Z Inputs: 0.01 dB (1 kHz, Unity Gain, 100-Kilohm Load) Line Inputs: 0 dB (1 kHz, Unity Gain, 600-Ohm Load) Aux Inputs: 0 dB (1 kHz, Unity Gain, 600-Ohm Load) RCA Inputs: 0 dB (1 kHz, Unity Gain, 600-Ohm Load), 0 dB (-10 dBV Input, 600-Ohm Load) 1/8" / 3.5 mm Aux Inputs: 0 dB (1 kHz, Unity Gain, 600-Ohm Load), 0.01 dB (+15 dB Input, 600-Ohm Load), Headphone Outputs: 0 dB (Unity Gain, 47-Ohm Load), 0 dB (Unity Gain, 300-Ohm Load) A/D Converters: 0 dB (1 kHz, at -1 dBFS, 44.1/48 kHz), 0 dB (1 kHz, at -1 dBFS, 88.2/96 kHz) EIN: -128 dBu CMRR Mic Inputs: < -70 dBu, Line Inputs: < -60 dBu Digital Audio dBFS Reference Level: +15 dBu = 0 dBFS Sample Rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion: None, Bit Depths: 24-Bit, Sync Sources: None Clocking – Internal; Memory Card Slot: None OS Compatibility: macOS 10.6 or Later, iOS 6 or Later, Windows XP, Windows 7 / 8 / 10 (32-Bit, 64-Bit) Included Software: None, Supported Drivers/API & Plug-Ins: ASIO Mobile Device Compatibility: None, Required Hardware: Lightning to USB Adapter Power Requirements: USB Bus Power Rail Voltage - Analog: ±17 V, Digital: +5 V, +3.3 V AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter: 12 VDC at 1.5 A, Power Consumption: 16.8 W Dimensions: 67 x 330 x 212 mm, Weight: 2.8 kg

Novi Symphony I/O Mk II dolazi sa direktnim povezivanjem za 4 različite platforme: Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, ili Waves SoundGrid network. Najbolja AD/DA konverzija od svih Thunderbolt™ audio interfejsa Do 32 kanala modularnih analognih I/O, sa opcionim pretpojačalima za mikrofone Najbolja kanalna vrednost u odnosu na bilo koji interfejs iz njegove kategorije Izbor između konekcija sa: Thunderbolt™ (za Mac), Pro Tools® HD (za Mac ili PC), Dante™+ Pro Tools® HD (Mac/PC), ili Waves SoundGrid (Mac/PC) Ultra niska performanse kašnjenja (latency) - 1.35 ms sa Thunderbolt & Logic Pro X Potpuno novi, veoma podesivi Symphony Control softver nudi lak pristup svim I/O parametrima Intuitivni ekran na dodir/displej sa kontrolama na prednjem panelu Dizajnirano u Kaliforniji, Made in the U.S.A. Symphony I/O Mk II je kulminacija tridesetogodišnje posvećenosti Apogee Advantage-a, koji podiže lestvicu svih Apogee proizvoda zvučnom tačnošću i soničnom transparentnošću. Bilo da se radi sa 8x8 ili 16x16 modulima, Symphony I/O Mk II svojim performansama prevazilazi sve ostale multikanalne audio interfejse za Thunderbolt™ ili Pro Tools® HD sisteme, čime se pozicionira kao vodeći uređaj u čitavom svetu profesionalne audio industrije. Što dokazuju i izbori mnogih producenata, autora/izvođača koji su laureati nagrade GRAMMY. Specifikacije: Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dinamički opseg: 122dB A (weighted) Maksimalni ulazni nivoi: na +4dB: +24dBu, na -10dB: +6dBV Odziv (frekvencija) na 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Ulazna impedansa: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dinamički opseg: 126dB A weighted Maksimalni izlazni nivoi: – ∞ do +24dBu Odziv (frekvencija) na 44.1kHz: dc to 20kHz (+/- 0.05dB) Izlazna impedansa: 50 Ohm Izlazi su balansirani ekskluzivnom Apogee-jevom Perfect Symmetry Circuitry (PSC) Izlaz za slušalice: 1 x stereo 1/4″-ni na prednjem panelu THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dinamički opseg: : 121db A (weighted) Izlaz: Apogee-jev patentirani Constant Current Drive™ pruža gladak frekvencijski odziv na svakim slušalicama; ultra high-fidelity DAC Snaga: 90-240VAC, 50-60Hz, 150W Operativni sistemi: Thunderbolt: za Mac OS 10.10 ili noviji HD: Svaki Mac ili PC na kojem radi Pro Tools HD 9 (ili noviji) Kompatibilnost softvera: Thunderbolt: Logic Pro ili bilo koja aplikacija kompatibilna sa Core Audio za Mac OS X HD: Pro Tools HD 9 ili novije verzije Sadržaj paketa: Symphony I/O Mk II Interface, kabl za napajanje, uputstvo za upotrebu, garantni list Dimenzije: 450 (482) mm x 292 mm x 89 mm

Plug and Play Option We recommend running Win XP or later, or Mac OS X. Plug the USB I/O VSR into an unused USB port on the computer and it will be recognised as ARX Systems USB, and ready to use. About Variable Sample Rate The USB I/O VSR has a default sample rate of 44.1KHz, the same as used for audio CDs. This is the sample rate you get when you Plug and Play with the USB I/O VSR. But, by installing the ARX ASIO driver you can sample the music at 48KHz or 96KHz, for even greater definition. Full Download and Installation instructions are on the ARX website. USB I/O VSR Specifications Broadcast standard USB Audio Interface Connector USB type B port Codec High Resolution 24 bit, 44.1 KHz Plug and Play; switchable sample rates of 48 and 96 KHz with ASIO driver Selectable Buffers : Streaming Buffer 1mS, 2mS, 4mS, 8mS, 16mS, or 32mS ASIO Buffer 64, 128, 512, 1024, 2048, 4096, or 8192 samples ASIO Driver http://www.arx.com.au/drivers.htm Important - make sure the USB I/O VSR is connected to the computer before installing the Driver Maximum Analogue Input Level +12dB Digital recording and playback level for 0dB analog in –18dBFS (full scale) Maximum Analog Output Level +12dB Input Impedance 10 KOhms Transformer Balanced Output Impedance 300 Ohms Transformer Balanced Maximum Input Level Nominal 0 dB Maximum Output Level Nominal 0 dB Input/Output Noise USB - System dependent Frequency Response 20 - 20 KHz ± 0.5 dB Power Operating current via USB Port 80mA Input Connectors 2 x Female XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Output Connectors 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Construction All-steel baked enamel coated chassis, fibreglass PCB, epoxy printing, non-slip rubber base. Package includes a premium quality USB-A to USB-B cable System Requirements Windows PC running Windows XP, 7/8/10, Mac running OS X or later USB port Audio software installed ARX ASIO Driver loaded http://www.arx.com.au/drivers.htm Note: The sample rate will default to 44.1 Khz if ARX ASIO Driver is not used.

In addition to the eight mic/line preamps (two with Hi-Z capability), the interface offers ADAT and S/PDIF I/O for digital input and output expansion, MIDI I/O for integration of MIDI equipment such as a keyboard or drum machine, and a BNC wordclock output for syncing other digital gear. Stereo monitor outputs, two headphone outs, and eight line outputs let you properly hook up monitors, headphones, and outboard processors. The Clarett+ 8Pre includes a software package featuring Focusrite Red plug-ins and a channel strip that accurately models the rare Focusrite Studio Console. Also provided is the Focusrite Control software that enables you to configure routing and monitor mixes from Mac and Windows computers, or iPad, iPhone, and iPod touch mobile devices. New to the Clarett+ Independent A/D and D/A converters bring you closer than ever to your music and let you hear the truth, whether you're in the studio or on the road. Greatly improved D/A dynamic range enables you to hear every detail and have greater control over your mix. Lower A/D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. Great for Bands, Project Studios, and Large Home Setups With its 1 RU size, USB Type-C connectivity, and AC powering (via the included power cable), the Clarett+ 8Pre is well suited for bands, project studios, and large home setups in need of plenty of analog and digital I/O in a rackmountable form factor. Pristine, High-Resolution Conversion Capture more detail than ever before; the carefully engineered design means the Clarett+ 8Pre gives you stunning results. At a class-leading 124 dB dynamic range, the ultralow-noise 24-bit / 192 kHz converters give your recordings clarity and nuance. Clarett+ Mic Preamps Capture clear and powerful recordings with preamps that bring masses of headroom, low distortion, and ultralow noise. Phantom power is switchable for channels 1-4 and 5-8, so you can use dynamic or condenser microphones as you desire. Tone-Enhancing Analog Air Circuitry Premium, relay-controlled analog circuitry on every preamp emulates the classic Focusrite ISA 110 by switching the impedance to 2.2 kilohms and adding two cumulative high shelves, totaling a 4 dB boost in the high frequencies. JFET Instrument Inputs Dedicated, ultrahigh-impedance JFET instrument inputs, with extremely wide audio bandwidth, mimic guitar-amp inputs to preserve the natural tone of guitars and capture their true character. Software Instrument/Line Input Switches At the press of a button in the control software, the first two 1/4" inputs can be used for line-level sources (like a mixer's stereo output or the line outs from guitar and bass amps) or direct connection of instruments such as electric guitar and bass, synthesizers, or drum machines—no need for DI boxes. Rear-Panel Line Inputs With six XLR-1/4" combo mic/line inputs on the back of the Clarett+ 8Pre, you can patch in line-level sources such as external mic preamps, an outboard mixer, or synthesizer sound modules while leaving the front-panel inputs free for direct connection of mics, instruments, or other line-level sources. Straightforward Controls and Level Indication The Clarett+ 8Pre's eight independent gain knobs and 10 multi-segment meters mean that you'll have no trouble getting set up and dialing in the perfect levels. Dual Independent Headphone and Monitor Outputs The two balanced 1/4" TRS monitor outputs on the rear panel enable connectivity with active studio monitors, while two front-panel 1/4" headphone jacks fed by a powerful and tonally linear headphone amp allow critical listening through headphones for two people. Separate knobs are provided for quick and independent adjustment of the monitor and headphone volumes, and dedicated dim and mute buttons are present for effective monitor control. Eight Line Outputs Eight additional balanced 1/4" TRS line outputs can be found on the rear panel of the Clarett+ 8Pre. Use these to route tracks from your session into separate analog inputs on a console or summing mixer, or to feed outboard effects processors. MIDI I/O Spin the Clarett+ 8Pre around, and you'll find traditional 5-pin MIDI I/O ports, perfect for hooking up a MIDI keyboard controller, a synthesizer/workstation, or a sound module, for MIDI recording, editing, and sequencing. 8-Channel ADAT Optical I/O In addition to having flexible analog I/O, the Clarett+ 8Pre offers a TOSLINK optical input, which can accept an 8-channel ADAT input at up to 48 kHz (four channels at 88.2 / 96 kHz) or a stereo S/PDIF source. Connect any external microphone preamp equipped with an ADAT or S/PDIF output to this optical input to record additional microphones. An ADAT optical output is also present, should you wish to send tracks digitally (skipping a D/A stage) to a headphone distribution system, an external converter, or a digital mixer. Stereo S/PDIF Digital I/O The interface also includes S/PDIF stereo digital input and output ports via coaxial jacks. Use the S/PDIF input to record the output of a digital DJ mixer or an external mic preamp outfitted with an A/D converter and S/PDIF output. Run the Clarett's S/PDIF output to a high-end D/A converter for extra processing or mastering with analog gear. Wordclock Output A BNC output provides a stable wordclock signal for synchronizing external digital equipment such as other audio interfaces or a digital mixing console. Universal Power Supply The Clarett+ 8Pre utilizes an internal universal power supply and a supplied power cable to ensure its proper operation. The interface can be connected to your Mac/Windows computer with either of the two supplied USB cables (one USB Type-C and one USB Type-C to Type-A). Powerful Software Control Route your audio, cue mix, loopback, and monitor mixes from your Mac or Windows computer via the Focusrite Control desktop software. Tap into even more convenience by using the Focusrite Control iOS app on your iPad, iPhone, or iPod touch to remotely control your Clarett+ 8Pre when connected to Focusrite Control Desktop. All the Tools You Need to Start Recording The Clarlett line of interfaces comes with some of the best loved software tools in the business. Click here to see the complete list! Focusrite Plus 8 Pre Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 8 Inputs / 10 Outputs Digital: 10 Inputs / 10 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Input Level Adjustment 8 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Mic/Line/Hi-Z Inputs: +57 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TRS Balanced Monitor Output 8 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (on 8 Channels) Digital Audio I/O 1 x TOSLINK Optical ADAT Input (S/MUX Support) 1 x TOSLINK Optical ADAT Output (S/MUX Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (USB 2.0) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Output Network I/O None MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.03 dB 20 Hz to 35 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB 20 Hz to 35 kHz ±0.15 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB 20 Hz to 35 kHz ±0.15 dB Line, Monitor Outputs: 20 Hz to 20 kHz ±0.02 dB 20 Hz to 35 kHz ±0.02 dB Headphone Outputs: 20 Hz to 20 kHz ±0.06 dB 20 Hz to 35 kHz ±0.07 dB Maximum Input Level Mic Inputs: +18 dBu Line Inputs: +26 dBu Hi-Z Inputs: +15 dBu Maximum Output Level Line/Monitor Outputs: +18 dBu Headphone Outputs: +16 dBu Impedance Inputs: 2.2 Kilohms Dynamic Range Mic Inputs: 118 dB (Min Gain) Line Inputs: 118 dB (Min Gain) Hi-Z Inputs: 116 dB Line/Monitor Outputs: 124 dB Headphone Outputs: > 118 dB THD+N Mic Inputs: -110 dB (+20 dB Input, at -1 dBFS) Line Inputs: -100 dB (Min Gain, at -1 dBFS) Hi-Z Inputs: -96.5 dB (Min Gain, at -1 dBFS) Line/Monitor Outputs: -106 dB Headphone Outputs: -104 dB EIN Mic Inputs: < -129 dBu Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Sync Sources ADAT, Internal, S/PDIF Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.11 or Later macOS 11 Windows 7 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: Brainworx bx_console Focusrite SC Dynamics: Focusrite Red 3 Compressor Equalization: Focusrite Red 2 Equalizer Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available USB 2.0 Port, USB 3.0 / 3.1 Gen 1 Port, or USB Type-C Port USB Cable (Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC Input AC Input Power Universal: 100 to 240 VAC, 50 / 60 Hz Physical Rackmount Size 1 RU Dimensions 19 x 11.5 x 1.7" / 48.3 x 29.2 x 4.3 cm Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 11.5 lb Box Dimensions (LxWxH) 23.8 x 13.7 x 3.5"

Furnished with elite-class 24-bit / 192 kHz conversion rivaling dedicated high-end converters, the Apollo x8p gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear, high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features eight XLR-1/4" mic/line inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the 8-channel DB25 connector on the rear panel can be used to patch in line-level signal from virtually any outboard mic preamp, or direct output from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x8p's face. In addition to the eight primary analog inputs, you can record up to eight more channels by connecting ADAT-equipped external preamps to the Apollo x8p's TOSLINK optical input ports (SMUX is supported for sample rates over 48 kHz). ADAT optical outputs are also featured on the Apollo x8p, allowing it to route up to eight channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately sync clock to the house, or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x8p offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for alt speakers, dim, and mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), eight line outputs are available on a DB25 connector for hooking up a second set of monitors and outboard processors. In fact, the Apollo x8p is capable of acting as a 7.1 surround-sound monitor controller. At any point, you can increase the power and capability of the Apollo x8p through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x8p. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x8p interface found in the standard edition, but with more plug-ins. The standard Apollo x8p includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC power (secure locking external power supply included) Free industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 16x22 audio interface with eight Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards Eight analog line-level inputs via a DB25 multipin connector for tapping straight into the A/D converters Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Eight additional line-level outputs on a DB25 connector may be used for feeding alternate monitor outputs, analog outboard processors, or a 7.1 surround-sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8p becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA Instruments and Extensions such as Studer multitrack tape and Neve Summing Universal Audio Apollo X8P Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 8 Inputs / 14 Outputs at 192 kHz Digital: 8 Inputs / 8 Outputs at 96 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 8 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 8 x Combo XLR-1/4" TRS Balanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 1 x DB-25 25-Pin Balanced Line/8-Channel Input 1 x DB-25 25-Pin Balanced Line/8-Channel Output 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT / S/PDIF Output (S/MUX4 Support) Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.04 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Max Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu Max Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line/Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Line Outputs: 127 dBA Monitor Outputs: 129 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt 3 Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.43 lb Box Dimensions (LxWxH) 23.6 x 17 x 7.8"

STUDIO JE SVUDA GDE STE VI 18i8 has a way in for everyone, sa četiri linijska ulaza za mikrofon, od kojih su dva ulaza i za priključenje instrumenata, i četiri fiksna ulaza. Potom, postoje četiri balansirana linijska izlaza i prekidač za zvučnik i dva nezavisna izlaza za slušalice ka monitoru, takoda možete da miksujete i svirate kako god hoćete. Šta god da snimate, gde god da se nalazite, možete poneti sa sobom ceo studio. VAŠI SNIMCI SE RAZVIJAJU VEĆ 30 GODINA Mi proizvodimo pretpojačala za mikrofone već 30 godina, a pretpojačala treće generacije su najbolja za koje je Scarlett ikad čuo. 24-bitni/192kHz konverteri omogućavaju da Vaši snimci budu jasni i precizni. Air modalitet unosi živost u vokale, dodavajući jedinstvene precizne detalje. Decenije našeg iskustva znače da Scarlett zvuči baš kao i Vi. NAPRAVITE NEVEROVATNE SNIMKE BUBNJA Uz pomoć ADAT-a, možete unaprediti Vaše mogućnosti za snimanje, uz još 8 ulaza u Vaš Scarlett 18i8 uz pomoć pretpojačala za mikrofon kao što je Scarlett OctoPre ili Scarlett OctoPre Dynamic. To je dovoljan broj kanala da se ozvuči mikrofonom cela ritam sekcija. OVO JE NAČIN ZA VAŠE ZVUČNO OGLAŠAVANJE Focusrite Control omogućava Vam da na jednostavan način usmerite Vaš audio i zvučni miks, povratnu petlju (loopback) i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch® uređaja. Pošaljite, strimujte, uzorak – jednostavno. NAŠA TEHNOLOGIJA JE ZVUK Neverovatno pouzdan, Focusrite hardver Vas neće izneveriti. Ukoliko pak naiđete na problem, možete se osloniti na naš globalni tim za podršku i dvogodišnu garanciju kako bi se problem rešio. Zvuk. SVI ALATI KOJI SU VAM POTREBNI ZA PRODUKCIJU, NA ISPRAVAN NAČIN, ODMAH Vaš18i8 audio interfejs dolazi sa celokupnim asortimanom softvera za snimanje, zvukovima i priključcima koje možete odabrati: Avid® Pro Tools® | First Focusrite Creative Pack: stotine virtuelnih instrumentalnih zvukova, 500MB lupova, i efekata sjajnog zvuka Ableton® Live Lite™: vodeći softver za snimanje muzike u industriji Tromesečna Splice Sounds pretplata: Pristupite milionima snimaka, lupova i zvučnih preseta visokog kvaliteta, bez plaćanja autorskih prava, sa svakodnevnim novim izdanjima XLN Audio Addictive Keys: Pristupite jednoj od četiri virtuelne tastature kada registrujete vaš prvi Focusrite ili Novation hardver. Softube Time and Tone Bundle: tri od Softube eha svetske klase, priključaka za odlaganje i distorziju kao i mastering alatka laka za upotrebu Focusrite Crveni Plug-in Suite: precizno oblikuje naš klasični Red 2 ekvilajzer i Red 3 kompresor Focusrite Control: usmerite vaš audio i cue miks, povratnu petlju i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch uređaja. DETALJNE SPECIFIKACIJE Uvek navodimo vrednosti performansi 'iz stvarnog sveta' (merene prema AES17 standardu). Neke kompanije navode chipset performanse, što može dovesti do zabune, a evo i zašto. Da biste provetili podržane operativne sisteme, kliknite ovde. PODRŽANE FREKVENCE UZORKOVANJA 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz ULAZI ZA MIKROFON Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 111dB (A-weighted) THD+N <0.0012% Buka EIN -128dBu (A-weighted) Maksimalna ulazna jačina 9dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 3kΩ LINIJSKI ULAZI 1-4 (PROMENLJIVA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 22dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 60kΩ LINIJSKI ULAZI 3-6 (FIKSNA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 18dBu (pri minimalnoj jačini) Impedansa 44kΩ ULAZI ZA INSTRUMENTE Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110dB (A-weighted) THD+N <0.03% Maksimalna ulazna jačina 12.5dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 1.5MΩ LINIJSKI/IZLAZI ZA MONITOR Dinamički opseg (linijski izlazi) 108dB THD+N <0.002% Maksimalna izlazna jačina (0 dBFS) 15.5dBu Impedansa 430Ω IZLAZI ZA SLUŠALICE Dinamički opseg 104dB (A-weighted) THD+N <0.002% Maksimalna izlazna jačina 7dBu Impedansa <1Ω

U108 PRE provides a total of 10 high quality professional microphone preamps. Two XLR connectors are on the front panel, the others on the rear panel of the device. For all separate preamps, +48V phantom power can be enabled when needed and the input level can be adjusted separately for each channel. The input level is also displayed via LEDs on the front panel. Of course you can use all input channels simultaneously. In addition, there are two alternatively usable Hi-Z instrument inputs for electric guitars. For playback, 8 independent line outputs and a separate mix output (via the integrated monitor mixer) are provided. U108 PRE provides drivers that work with very low latency - with support for WDM, ASIO 2.0 and CoreAudio, based on our EWDM- and DirectWIRE-Technology. That means that the unit can be used wih all common applications on both Mac and PC. With the bundled software you can start using it right away and simply start working out of the box. U108 PRE is the perfect solution for multichannel recording when using a multiple number of microphones! Features 10 input / 8 output 24-bit / 96kHz USB 2.0 Hi-Speed 24-bit Audio Interface 10 professional microphone preamps with XLR input and +48V phantom power support 2 Hi-Z high performance instrument inputs with 1/4" connector 8 line outputs with balanced 1/4" TRS connectors adjustable headphone output with 1/4" stereo phone connector separate stereo mix output with integrated monitoring mixer controlled on front panel ADC with 107dB(a) dynamic range DAC with 112dB(a) dynamic range supports up to 24-bit / 96kHz powered by included DC power supply supports Windows 7, Windows 8.1 and Windows 10 with ASIO 2.0, MME, WDM and DirectSound incl. DirectWIRE support supports Mac OS X (10.7 and above) via CoreAudio USB audio driver includes license of Deckadance LE from Stanton includes Bitwig Studio 8-Track digital audio workstation software includes license of inTone 2 ESI Edition from Audified dimensions roughly 45.0cm x 14.5cm x 4.5cm Bundled Software In order to get you started right out of the box, U108 PRE ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included: Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians! Deckadance LE v2 from Stanton - a powerful professional DJ software that continues to elevate the freedom of creative expression for remix and groove producers, turntablists as well as club, mobile and home DJs. With the included license, you can quickly load your favorite tracks and instantly mix them like a professional DJ through the outputs of U108 PRE. inTone 2 ESI Edition by Audified is a powerful jamming tool to produce mixes of multiple audio signals and instruments, play files, change tracks, prepare streams for podcasts and recordings. As an effects host you can use it with the included GK Amplification 2 LE and ampLion Free as a bass and guitar amp simulator and much more - anything you need for your creativity!

Komplete Audio 1 sa uključenim softverom: Maschine Essentials: Kompletan Maschine softver (isti kao MIKRO, Maschine MK3, JAM) sa 1.6 GB Maschine fabričkom slelekcijom uzoraka, snimaka, lupova i instrumenata. Mogućnost apgrejdovanja na celu Maschine Factory Library i na Komplete 12 Select Replika: profesionalni kreativni delay plugin Solid Bus Comp: moćni kompresor za miksovanje i mastering Phasis: bezremeni fazni efekti za dodavanje pokreta bilo kom zvuku Monark: topli vintage tonovi od neospornog kralja mono zvuka do akustičnih analognih sintisajzera Komplete Start: NI’s besplatan paket za produkciju je automatski uključen Ableton Live Lite: softver za komponovanje muzike Besplatna dvomesečna pretplata na Sounds.com Native Instruments Komplete Audio 1 USB Audio interfejs sadrži: XLR ulaz za mikrofon sa 48V fantomske snage DI ulaz sa kontrolom jačine Izlazi: stereo RCA izlaz za povezivanje sa hi-fi zvučnicima VU Metar za precizno podešavanje nivoa Direktni Monitoring: bez kašnjenja (latencije), izlaz visoke snage Veliko dugme za jačinu zvuka za lako podešavanje nivoa izlaza Input/host miks omogućava opciju slušanja snimka tokom snimanja USB 2.0 prilagođen za maksimalnu prenosivost Prvoklasni audio kvalitet na 24-bit/192kHz Drajveri za Mac/PC (ASIO/Core Audio/DirectSound/WASAPI) Tehničke karakteristike Povezivanje sa kompjuterom:USB 2.0 Vrsta:Desktop Simultani I/O:2 x 2 Broj pretpojačala:1 x mikrofon, 1 x instrument Fantomska struja:Da A/D Rezolucija:24-bit/192kHz Analogni ulazi:1 x XLR (mikrofon), 1 x 1/4" (Hi-Z/line) Analogni izlazi:1 x Dual RCA Stereo Slušalice:1 x 1/4" USB:1 x Tip B Softver:Ableton Live 10 Lite, Maschine Essentials, Komplete Start Operativni sistem - Mac:MacOS 10.12 ili noviji, Intel Core i5 ili veći Operativni sistem - PC:Windows 10 ili noviji, Intel Core i5 ekvivalent ili veći Priključak preko USB:Da Dubina:51" Širina:62" Visina:04" Težina:79 lbs (0.35 kg) Fabrički broj:26142

How can one audio interface offer this much I/O? We pack it in, like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Technicial Specifications Converters 24-bit Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 2 x XLR/TRS combo-style mic/guitar inputs 8 x 1/4" TRS line inputs (balanced/unbalanced) Analog outputs 2 x XLR balanced main out 8 x 1/4" balanced TRS line out 2 x 1/4" TRS stereo headphone Digital I/O 16 channels of ADAT optical at 1x sample rates 8 channels of SMUX optical at 2x sample rates 2-channel TOSlink (optical S/PDIF) up to 96 kHz 2-channel RCA S/PDIF up to 96 kHz Total I/O 28 inputs and 30 outputs at 1x sample rates 20 inputs and 22 outputs at 2x sample rates 10 inputs and 10 outputs at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 (compatible with 3.0) Sync I/O 1 x SMPTE time code in (LTC) 1 x SMPTE time code out (LTC) 1 x word clock in 1 x word clock out Headphone output 1 x 1/4" TRS stereo phone (assignable) 1 x 1/4" TRS stereo phone (mirrors main outs) Phantom power 2 x individual +48V Front panel 2 x XLR/TRS combo mic/guitar in 2 x 1/4" TRS phone 2 x digital rotary encoders • phone/main volume 2 x digital rotary encoders • mic trim 4 x switches • Pad and 48V Phantom 4 x digital rotary encoders for LCD control 2 x 16 character LCD 8 x 4-segment ladder LEDs • 1/4-inch analog in 8 x activity LED • 1/4-inch analog out 2 x 4-segment ladder LEDs • RCA S/PDIF in 2 x activity LED • RCA S/PDIF out 2 x 10-segment LEDs • mic in with V-Limit 2 x 5-segment ladder LEDs • main outs 6 x LED • sample rate indicator 1 x LED • LOCK/TACH indicator 2 x activity LEDs • optical bank A/B 1 x activity LED • MIDI in/out 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 20 Watts

For over a decade now the Orion 32 line of interfaces has been revolutionizing the world of professional audio recording and production. The latest revision of this iconic 1RU studio centerpiece steps up the game by taking the best of its predecessors and adjusting it to the ever-growing needs and standards of the industry. The Antelope Audio Orion 32+ Gen4 incorporates the Antelope's latest technology drastically boosting the unit’s potential. MAJOR CONVERSION PERFORMANCE IMPROVEMENTS: D/A monitor converter: 130 dB dynamic range, -115 dB THD + N D/A converters: 130 dB dynamic range, -115 dB THD + N, DC coupled A/D converters: 122 dB dynamic range, -116 dB THD + N, DC coupled Line input/output levels: 24 dBU max STANDARD-SETTING CONVERSION AND CLOCKING Antelope Audio interfaces are globally renowned for their industry-leading conversion and clocking and Orion 32+ Gen4 gives you the latest Antelope technology. Its AD/DA converters are capable of achieving up to 130dB dynamic range, ensuring Gen4 its leading position among 1U studio centerpieces. Antelope Audio’s signature 64-bit Acoustically Focused Clocking technology powers the high-performing conversion and the unit’s two Word Clock outputs are there to keep your whole studio in line. Additionally, the available 10MHz input is compatible with the cream of the crop of clocking – the unrivaled 10M & 10MX Atomic Clocks by Antelope Audio. 128-CHANNELS OF AUDIO VIA THUNDERBOLT AND MADI Orion 32+ Gen4 can stream twice as many channels over Thunderbolt as its predecessor and has twice as much MADI connectivity, now at 128 channels for both. These significant upgrades allow for up to four units to be daisy-chained for 128 channels of AD/DA via a single computer connection. This makes the unit a top choice for large recordings, live sound applications, complex post-production setups and broadcast facilities. It’s a preferred companion to large mixing consoles, hardware effects processing chains, analog summing boxes, reel-to-reel setups, hardware synthesizers and pretty much anything else you can throw at it. EMBRACE THE FUTURE OF AUDIO PRODUCTION Orion 32+ Gen4 is compatible with the latest Antelope Audio Atmos-ready surround and immersive audio monitoring system. The integrated platform supports over 23 audio formats from stereo to Dolby Atmos 9.1.6 and offers precise speaker and room calibration tools. The system’s intuitive monitoring controls and fast preset recall functionality are designed to increase productivity. It is available as an optional upgrade for the Orion 32+ Gen4. As a physical extension of the system, the compatible Antelope MRC hardware controller provides streamlined and tactile controls that are key for effortless yet advanced monitoring. REDESIGNED WORKFLOW FOR IMPROVED PRODUCTIVITY Orion 32+ Gen4 comes not only with an updated look and drastically boosted hardware but with a redesigned Software Control Panel for an even smoother workflow. It now features a powerful preset recall system complete with signal routing, level adjustments, mixer settings and monitoring controls, among others. A handy monitoring pop-out widget has been introduced for hands-on output level control and preset recall, featuring an always-on-top function. The unit’s signal routing matrix is now fully customizable with convenient patching and less complexity in mind. EASY INTEGRATION IN ANY SETUP Orion 32+ Gen4 is more than generous when it comes down to its available connectivity options. The unit is designed for quick and effortless integration in a variety of studio configurations – be that Thunderbolt or USB based. The interface is compatible with both Windows and macOS systems and with extra options such as its ADAT port is guaranteed to fit all possible applications – from recording, mixing, interfacing, and conversion to being used as an advanced patch bay or monitor controller. Orion 32+ Gen4 is also ready to become your modular synth’s best friend as it features DC Coupled I/O allowing you to send CV signal from your DAW of choice straight up to your hardware instruments. FEATURES: 32×32 channels of DC coupled analog I/O plus dedicated stereo monitor output 128 I/O channels over Thunderbolt 3 or 32ch via USB, at up to 192kHz 128 I/O channels over optical MADI at up to 48kHz High-performing conversion with up to 130dB dynamic range Acclaimed 4th Generation AFC 64-bit clocking and jitter management Optional multi-channel, Atmos-ready monitoring calibration system built-in Software control panel with powerful preset system, monitoring pop-out widget and customizable signal routing matrix Additional ADAT and S/PDIF connectivity macOS & Windows compatible over both Thunderbolt and USB

Furnished with studio-class 24-bit / 192 kHz conversion, the Apollo Solo USB gives musicians, producers, and songwriters the appreciable value of high-resolution recording and mixing with distortion and dynamic performance beyond its price point. The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Solo USB's face. It offers a dedicated stereo monitor feed and a front-panel headphone output, plus full input and output metering capabilities. The built-in SOLO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Please note, the Apollo Solo USB requires an external power supply (included) and a USB 3.0 port on your computer in order to operate. To see if your computer is compatible with the Apollo Solo USB, refer to the manufacturer website for compatibility information. Heritage Edition The Heritage Edition features the same Apollo Solo USB interface found in the standard edition but with more plug-ins. The standard Apollo Solo USB includes the Realtime Analog Classics bundle (14 plug-ins) and the Heritage Edition adds 11 more plug-ins for a total of 25 revered UA powered plug-ins. UA Sound in a Portable Form Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins UAD-2 SOLO Core processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency, and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres by matching the input impedance, gain-stage sweet spots, and component-level circuit behaviors of the original hardware High-speed USB 3.0 Type-C connectivity Windows computers (USB SuperSpeed cable available separately) Convenient desktop form factor with an external power supply Comprehensive front-panel metering and fast, intuitive controls; no menu-diving is required Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Home Studio 2x4 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Universal Audio Apollo Solo Specs Form Factor Tabletop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 4 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute None Pad Mic: -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB 1 x USB Type-C (USB 3.0 / 3.1 Gen 1) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response System: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: +25.2 dBu (Min Gain, with Pad) Line Inputs: +20.7 dBu Hi-Z Inputs: +12.5 dBu (Min Gain) Max Output Level Monitor Outputs: +20.7 dBu Headphone Output Power 240 mW into 32 Ohms 62 mW into 300 Ohms Impedance Mic Inputs: 5.5 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Monitor Outputs: 100 Ohms Dynamic Range Mic/Line/Hi-Z Inputs: 118 dBA Monitor Outputs: 115 dBA Headphone Outputs: 115 dBA (600-Ohm Load) THD+N Mic Inputs: -108 dBFS Line Inputs: -107 dBFS Hi-Z Inputs: -105 dBFS Monitor Outputs: -106 dBFS Headphone Outputs: -97 dB (600-Ohm Load) -88 dB (32-Ohm Load) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources Internal Compatibility OS Compatibility Windows 10 (64-Bit Only) Included Software None Supported Drivers/API & Plug-Ins Windows Driver Downloadable from Manufacturer Processor Requirement PC: Intel Core i3 Intel Xeon Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available USB 3.0 / 3.1 Gen 1 Port USB Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 10 W Physical Operating Humidity 20 to 80% Operating Temperature 32 to 95°F / 0 to 35°C Storage Temperature -40 to 176°F / -40 to 80°C Dimensions 7.1 x 4.8 x 1.8" / 18.03 x 12.19 x 4.57 cm Weight 1.4 lb / 0.6 kg Packaging Info Package Weight 3.255 lb Box Dimensions (LxWxH) 8.5 x 6.4 x 4.6"

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic inputs 2 x XLR mic inputs Preamp gain: 0 to +63 dB (digitally controlled) Analog inputs 2 x 1/4" hi-Z guitar inputs (front panel) 4 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dBu (range -96 to +22) Analog outputs 6 x 1/4" TRS line out (balanced, DC coupled 5v) Max level: +20 dBu (range -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 1 bank (8 ch) of ADAT optical at 1x sample rates 1 bank (4 ch) of SMUX optical at 2x sample rates Switchable to stereo TOSLink (optical S/PDIF) Total I/O 16 inputs / 16 outputs (32 total) at 1x sample rates 12 inputs / 12 outputs (24 total) at 2x sample rates 8 inputs / 8 outputs (16 total) at 4x sample rates Computer I/O 1 x Thunderbolt 1 (Mac and Win) Thunderbolt 2 & 3 compatible 1 x USB 3.0 (Mac and Win) USB 2.0 and iOS compatible (class compliant) 1 x AVB/TSN Ethernet (Mac only) Requires OS X 10.11 or later Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 3.0 (44.1 to 96 kHz): 128 in/out USB 3.0 (176.4 to 192 kHz): 64 in/out AVB/TSN Ethernet: 16 to 128 in/out depends on host computer speed Headphone 1 x 1/4" TRS stereo phone (assignable) Phantom power 2 x individual +48V Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 8 in / 8 out @ 44.1 or 48 kHz 8 in / 8out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 1 x 1/4" TRS headphone output 2 x TRS hi-Z guitar input 1 x digital rotary encoder • main/phone volume 2 x digital rotary encoders • guitar gain 2 x digital rotary encoders • mic preamp gain 4 x switches • (2) Pad and (2) 48V Phantom 160 x 128 pixel RGB LCD for level meters / menu nav Power switch Power External 12-18V DC power supply 1.0A max • tip pos or neg Dimensions and weight (width x depth x height, enclosure only) 8.6 x 7 x 1.75 inches 22 x 17.75 x 4.5 cm 2.2 lbs / 1.0 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB or AVB/TSN Ethernet port* A large hard drive (at least 500 GB for recording) *AVB/TSN Ethernet audio interface operation requires OS X 10.11 or later Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available Thunderbolt or USB port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU interface by wire or Wi-Fi. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20) Line input 1/4" TRS, bal/unbal, tip hot 117 dB -110 dB +24 dBu 118 dBu (-96 to +22) Mic input XLR, balanced, pin 2 hot 118 dB -110 dB +24 dBu (with pad) 63 dB Phones 1/4", TRS stereo 108 dB -100 dB Max. 80 mw 128 dB Compatible Mac Software The 624 ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 624 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 624 Feature Summary Superb analog audio quality and high-end converters Renowned ESS Sabre32 Ultra™ DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248. Ultra-low latency and proven, high-performance MOTU drivers Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt™ with high-performance DAW hosts. Mobile operation and universal connectivity Connects to your computer with Thunderbolt™, super-speed USB 3.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and Industry standard drivers work with any audio apps. Connects to iPad™ with a standard camera connection kit (adapter). 32 simultaneous audio channels 2 mic inputs, 2 guitar inputs, 4 x 6 balanced analog with dedicated main outs, 8-channel ADAT optical and independent phone out for 16 inputs and 16 outputs. DSP mixing and effects processing Flexible 48-input digital mixer with 7 stereo aux busses, 3 group sends, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. 32-bit floating point processing The 624's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. Flexible matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network. Stand-alone operation with wireless control Connect an Apple® Airport™ or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects. Web app control from any device Control everything from your favorite web browser on a laptop, tablet and smartphone connected to your local Wi-Fi network. System expansion Add a 2nd MOTU AVB-equipped interface with a simple CAT-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB/TSN Switch (sold separately). AVB/TSN audio networking Build a network with multiple interfaces and computers using standard AVB/TSN switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Optical I/O Connect outboard digital processors, digital mixers or other gear. 8 channels of ADAT at 44.1/48 kHz, 4 channels of SMUX at 88.2/96 kHz or stereo TOSLink (optical S/PDIF) up to 96 kHz. Comprehensive metering The full-color LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk® Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

A local input mixer allows monitoring control for people who want to hear their parts louder over the mix. Conversely, a control lockout parameter ensures your settings remain unchanged when used remotely. On the rear of the interface you'll find two locking, combination XLR-1/4" inputs, as well as two level-controlled XLR outputs that can go up to 24 dBu. On the front of interface, your 1/4" headphone output is powered by an amplifier capable of driving both low- and high-impedance headphones. The Red Evolution mic pres provide clean gain, phantom power, high-pass filtering at 80 Hz, per-channel polarity reversing, and an Air mode that emulates the sound of Focusrite's classic transformer-based mic preamps, giving you a boost at 10 and 20 kHz respectively. The X2P can capture and reproduce audio at sample rates and resolutions of up to 96 kHz and 24 bits. On the output side, the RedNet X2P provides a dynamic range of 120 dB at line level and 117 dB for the headphones. Built out of aluminum and steel, the unit is quite sturdy and can be mounted directly to a mic stand, which keeps it out of the way yet within reach. Key Features at a Glance Stereo 2x2 audio interface for Dante AoIP networks Two Red Evolution mic preamps for mic, line, or instrument level inputs Power-over-Ethernet supplied: IEEE 802.3af compliant Up to 24-bit, 96 kHz sampling rates Robust steel and aluminum chassis Local input mix to allow personalized monitoring Powerful headphone output, even with high-impedance headphones Local control lockout of mic settings, output settings, or both Up to 24 dBu line output levels Independent level control of headphone and line outputs Mute switch for line output Mic stand mount Kensington security slot Integrated network switch allows daisy-chaining of network devices Includes Brainworx bx_console Focusrite, a plug-in that faithfully captures the sound, feel, and style of the original Focusrite ISA 110 Equalizer and ISA 130 Dynamics Modules Focusrite X2P 2x2 Specs Form Factor Desktop Display 1 x LCD Channels of I/O 2 Input / 2 Output Number of Microphone Preamps 2 Preamps Signal Processing Gain/Trim Range Hi-Z Inputs: 0 to 68 dB Mic Inputs: 0 to 68 dB Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Mic/Line Input 1 x 1/4" TRS Headphone Output 2 x XLR 3-Pin Monitor Output Phantom Power 48 V (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB None Host Connection Protocol None USB (Non-Host) None Sync I/O None Network I/O 1 x etherCON/RJ45 Dante 1 x etherCON/RJ45 Dante (PoE) MIDI I/O None Performance Frequency Response Hi-Z Inputs: 20 Hz to 35 kHz ±0.1 dB Mic, Line Inputs: 20 Hz to 35 kHz ±0.1 dB Maximum Input Level Hi-Z Inputs: +15 dBu (Min Gain) Mic Inputs: +24 dBu (Min Gain) Impedance Hi-Z Inputs: 2 Megohms Mic/Line Inputs: 6.2 Kilohms Dynamic Range Mic/Line Inputs: 120 dBA SNR Hi-Z Inputs: 118 dBA Mic/Line Inputs: 120 dBA THD+N Hi-Z Inputs: < -100 dB / < 0.001% Inputs: < -103 dB / < 0.0007% Crosstalk Headphone Outputs: < -85 dB Inputs: < -72 dB System: < -159 dB EIN Mic/Line Inputs: < -130 dBu A-Weighted CMRR Mic/Line Inputs: -80 dB Line Outputs: -80 dB Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 kHz Bit Depths 24-Bit (AD/DA Conversion) Power Power Requirements AC/DC Power Adapter (Included) AC/DC Power Adapter 12 VDC at 1.2 A (Included) Power Consumption 13.3 W Physical Operating Temperature 113°F / 45°C Dimensions 5.5 x 4.1 x 1.9" / 140 x 104 x 47.5 mm Weight 2.3 lb / 1.0 kg Packaging Info Package Weight 4.25 lb Box Dimensions (LxWxH) 15 x 7.9 x 4.85"

Dva mikrofonska pretpojačala vrhunske klase sa fantomskim napajanjem osiguraće robusno pojačanje čak i za dinamičke mikrofone niske izlazne snage, ili klasične dinamike poput Shure-a SM7B. Tu su i Line signali za direktnu povezanost instrumenata poput el. gitare ili basa, kao i dva balansirana analogna 1/4"-na TRS Line/Monitor izlaza + 3.5mm-ski izlaz za slušalice. Na taj način, Duet 3 istovremeno podmiruje set monitora i set slušalica. Niskoprofilni industrijski dizajn iz Kalifornije, napravljeno u S.A.D.-u Brza USB (tip C) konektivnost (preko koje se uređaj i napaja) Kompatibilnost sa macOS, IOS, i Windows 10 operativnim sistemima ECS Channel Strip plug-in: 3-band EQ, Bob-Clearmountain-tuned compressor, analog saturation Pri snimanju je sasvim eliminisano kašnjenje (latencija) monitora – nulta latencija/direktan monitoring Displej: 2 x višesegmentni LED-metar I/O kanali: 2 analogna ulaza, 4 analogna izlaza Broj mikrofonskih pretpojačala: 2; Maximum Sampling Rate: 192 kHz / 24-Bit Procesuiranje signala - Gain/Trim opseg: do 65 dB Povezivost: 2 x XLR 3-pinski balansirani Mic/Line Input, 2 x 1/4" TS nabalansirani Hi-Z ulaz, 2 x 1/4" TRS balansirani Line izlaz, 1 x 1/8" / 3.5 mm TRS nebalansirani izlaz za slušalice Fantomsko napajanje: 48 V USB: 1 x USB tip C (takođe i za napajanje, Non-Host connection) Kompatibilnost sistema: macOS 10.15, Windows 10, iOS Veličina (kutije): 24.6 x 19 x 6.8 cm, Težina: 1 kg

Obavljajte bezbedne handsfree telefonske pozive. Strimujte svoju muziku bežicno na FM radio u automobilu. Savršeno za punjenje vašeg mobilnog telefona ili tableta. -BT transmiter komplet sa audio FM-radio predajnikom -Odlican full-duplex kvalitet zvuka -Dugme jednim dodirom za odgovaranje, odbijanje i ponovno biranje poziva -Ugradeni adapter za napajanje za upaljac za cigarete sa izlazom USB porta za punjenje mobilnih uredaja -USB MP3 audio plejer -Domet signala do 5 m Interfejs: BT v.5.0, A2DP, AVRCP, HFP profili Ulaz BT interfejsa: 2,402 - 2,480 GHz frekvencijski opseg FM-radio izlaz: FM-opseg 87,5 - 108,0 MHz DC ulaz: 12 - 24 V / do 45 mA (ogranicenje 9 - 30 V) Frekvencijski odziv zvuka: 20 Hz - 20 KHz, SNR: > 60 Db; izoblicenje: < 0,1 % USB izlazni portovi za punjenje: 5 V DC do 3,1 A i drugi port do 1 A USB MP3 audio plejer (MP3, VMA datoteke) Dimenzije: 79 x 47 x 36 mm Neto težina: 236g Sistemski zahtevi BT audio izvor (mobilni telefon, PDA, racunar, tablet) sa podrškom za striming muzike (A2DP profil) Obavljajte bezbedne handsfree telefonske pozive. Strimujte svoju muziku bežicno na FM radio u automobilu. Savršeno za punjenje vašeg mobilnog telefona ili tableta. -BT transmiter komplet sa audio FM-radio predajnikom -Odlican full-duplex kvalitet zvuka -Dugme jednim dodirom za odgovaranje, odbijanje i ponovno biranje poziva -Ugradeni adapter za napajanje za upaljac za cigarete sa izlazom USB porta za punjenje mobilnih uredaja -USB MP3 audio plejer -Domet signala do 5 m Interfejs: BT v.5.0, A2DP, AVRCP, HFP profili Ulaz BT interfejsa: 2,402 - 2,480 GHz frekvencijski opseg FM-radio izlaz: FM-opseg 87,5 - 108,0 MHz DC ulaz: 12 - 24 V / do 45 mA (ogranicenje 9 - 30 V) Frekvencijski odziv zvuka: 20 Hz - 20 KHz, SNR: > 60 Db; izoblicenje: < 0,1 % USB izlazni portovi za punjenje: 5 V DC do 3,1 A i drugi port do 1 A USB MP3 audio plejer (MP3, VMA datoteke) Dimenzije: 79 x 47 x 36 mm Neto težina: 236g Sistemski zahtevi BT audio izvor (mobilni telefon, PDA, racunar, tablet) sa podrškom za striming muzike (A2DP profil)