Iskusite čari multikanalngo surround zvuka i kreirajte kvalitetan zvučni sistem! Hardverski ubrzani EAX efekti vam omogućavaju generisanje različitih tipova zvučnih efekata sa lakoćom! - 7,1 / 5.1 kanala - Frekvencija 24-bit- rate 192 kHz- Tip Interni- Model Sound Blaster Audigy FX PCIe - Povezivanje Slušalice / Prednji: 1 x 3.5mm džek Zadnji: 1 x 3.5mm džek Centar/Subwoofer: 1 x 3.5mm džek Linija U: 1 x 3.5mm džek Mikrofon U: 1 x 3.5mm džek - Digital-audio 600 Ohms - OS: Windows® 10, Windows® 8, Windows® 7, Windows Vista® SP1 i više.

PREGLED Mikrofonska pretpojačala: 2 Fantomsko napajanje: Da Ulazi za instrumente: 2 Linijski ulazi: 2 Air mod: Da Auto pojačanje: Da Clip Safe: Da Linijski izlazi: 4 Izlazi za slušalice: 1 Loopback: Da Povezivost: USB Type-C Protokol: USB 2.0 Forma: Desktop Simultani I/O: 6 x 6 (uključujući Loopback ulaze) A/D rezolucija: 24-bit/192 kHz USB napajanje: Da (1.5A) PODRŽANI SAMPLE RATES 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz MIKROFONSKI ULAZI Frekventni odziv: 20-20kHz ± 0.06dB Dinamički opseg: 116dB (A-Weighted) THD+N: -100dB pri 8dB pojačanju EIN šum: -127dBu (A-Weighted) Maksimalni ulazni nivo: 16dBu Opseg pojačanja: 69dB Impedanca: 3kΩ VARIJABILNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.05dB Dinamički opseg: 115dB (A-Weighted) THD+N: -100dB pri pri 8dB pojačanju Maksimalni ulazni nivo: 22dBu Opseg pojačanja: 69dB Impedanca: 60kΩ FIKSNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 115.5dB (A-Weighted) THD+N: -105dB Maksimalni ulazni nivo: 22dBu Impedanca: 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv: 20-20kHz ± 0.15dB Dinamički opseg: 113dB (A-Weighted) THD+N: -80dB pri minimalnom pojačanju Maksimalni ulazni nivo: 12dBu Opseg pojačanja: 62dB Impedanca: 1MΩ LINIJSKI IZLAZI (balansirani) Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 120dB THD+N: -112dB Maksimalni izlazni nivo: 16dBu Impedanca: 100Ω IZLAZI ZA SLUŠALICE Frekventni odziv: 20-20kHz ± 0.1dB @ 33Ω / 300Ω Dinamički opseg: 112dB @ 33Ω 115dB @ 300Ω THD+N: -99dB @ 33Ω -108dB @ 300Ω Maksimalni izlazni nivo: 5dBu u 33Ω 11dBu u 300Ω Maksimalna izlazna snaga: 57mW u 33Ω 27mW u 300Ω Impedanca: 11Ω ANALOGNO - DIGITALNI KONVERTER THD+N: -110dB Dinamički opseg: 120dB DIGITALNO - ANALOGNI KONVERTER THD+N: -115dB Dinamički opseg: 130dB (A-Weighted) NAPAJANJE USB: 1.5A Eksterno (opciono): 7.5W

Stara zvučna kartica Creative Sound Blaster Live 5.1 SB0220 sa originalnim diskom sa drajverima za windows 98/SE i XP,ispravna. What exactly makes 5.1 better than existing 4-channel sound cards? The most significant change is the addition of a centre channel. With the centre channel, the front soundstage is expanded. Sounds from movies make use of the centre channel to localize dialogue and on-screen sound effects, while using the other speakers for ambience, music and surround effects. This could translate very well when used for games that support 3D sound, and playback of Dolby Digital encoded material on the PC! Features/Specifications: Sound Blaster Live! 5.1 PCI Sound Card OEM General Features: Hollywood-Quality Digital Audio Engine User-selectable bit rates from 8-bit to 16-bit. User-selectable sample rates from 8kHz to 48kHz. All sound sources are handled with 32-bit precision for highest quality output. Analog and Digital I/O modes supported. Hardware full-duplex support Utilizes AC97 audio codec. Supports MPU-401 UART mode. IBM® compatible 15-pin joystick port with analog support. Support for digital and DirectInput™ game devices. Playback and Recording Sources: Sound Blaster® 16 Emulation in DOS box and real mode DOS. 64 audio channels Each channel can operate in 8 bit or 16 bit mode. 48kHz recording from AC97 sample rate converted to 8 common rates to host memory. Playback Recording Sources: CD_IN, AUX_IN, LINE_IN, MIC_IN, TAD, MIDI andWave, CD-SPDIF IN. Full duplex recording and playback. MIDI Interface via MIDI/Game port EMU10K Music Synthesis Engine Features: 64-voice hardware polyphony 64 hardware and 1024 PCI wave-table synthesis 48 MIDI channels with 128 GM & GS-. compatible instruments and 10 drum kits Uses SoundFont technology for user-definable wave-table sample sets Loads up to 32MB of samples into host memory for professional music reproduction. Effects Engine: E-mu Systems EMU10K1™ patented effects processor. Supports real-time digital effects like reverb, chorus, echo, flanger, etc. Customizable effects architecture allows audio effects and channel control. Full bass, treble, and effects controls Bass management functionality for center & subwoofer channels in 5.1 mode. Only Bass Management Configuration 0 with Bass (LFE) redirection implemented. Environmental Audio and 3D Audio Technology User-selectable settings are optimized for headphones, 2, 4, and 5.1 speaker setups. Accelerates Microsoft DirectSound and DirectSound3D, EAX. Technical Specs: Frequency Response: 10Hz - 44KHz SPDIF Output: 48 KHz Signal to Noise Ratio: 96db Sampling Rate for Playback/Recording (Stereo) 8KHz-48KHz Supply Voltage Requirement (Loading) +5, +12, -12 Volt Current Consumption (Typical) 300, 500, 30 mA respectively Microphone Impedance: 600 Ohms Line-In Impedance: 50 KOhms CD Audio-In Impedance: 50 KOhms Microphone Sentivity 10 - 200mVpp Connectors: TAD, CD-In, Aux-In, CD-SPIDF, SPIDIF-10 (internal) 3 Line Out jacks, Line in, Microphone, Digital Out jacks (external) Package Includes: Soundblaster 5.1 Digital PCI card Drivers CD

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich full sound using Vintage Mic Preamp mode Add clarity and punch to voice, instruments, and other sources with an analog compressor based on UA’s iconic 1176 Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 276 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture a Classic Vocal with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 276 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Control Volume Peaks with UA Compression Get album-ready punch and presence with Volt 276's onboard 76 Compressor — an innovative analog circuit inspired by UA's classic 1176 Limiting Amplifier. The 76 Compressor features three perfectly tailored presets to tame voice, guitars, synths, and drum machines. Just plug in, pick a setting, and play. Easy In, Easy Out Volt 276 gives you simple 2-in/2-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be creating like a pro, fast. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. iPad & iPhone Ready Traveling light? Plug Volt 276 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged metal construction, retro wood sides, and sleek industrial design, Volt 276 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 2-in/2-out USB 2.0 audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Built-in 76 Compressor adds instant clarity and punch to voice, instruments, and other sources with all-new analog circuit based on UA's iconic 1176 Essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring USB bus powered to reduce cable clutter 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later

Dostupne: crna i bela. Eksterna USB zvučna kartica, koja se može koristiti sa desktop ili laptop sistemima. Kompatibilna sa skoro svim operativnim sistemima: Vindovs 98SE/ME/2000/KSP/Server2003/Vista, Linux, MacOS10 ili noviji Specifikacija: model: HT-04S Item No: HT-04S Supply category: temporary interface: USB Input and output interfa: Linear output (rear), measurement input Support voice: 7.1 channel

Kartica je neispitana, prodajem je kao neispitanu/neispravnu.

The mic preamps provided in this interface are ultralinear, fully discrete designs that work seamlessly with Antelope's mic modeling technology. Should you have a separately available Antelope modeling microphone and software, you'll be able to get the sound of a vintage, prized mic chain, from capsule to preamp. Additionally, the interface offers FPGA Synergy Core FX Processing, so you can run Antelope's FPGA effects. The Zen Tour Synergy offers a bevy of analog connection points. You'll find four mic/line inputs, four instrument inputs, eight line outputs over DB25 connections, two reamp outputs, two monitor outputs, and two independent headphone outputs. The 64-bit clocking ensures you'll have clean, delineated signal in your recording chain and when you're mixing with monitors or through headphones. An intuitive touchscreen on the interface lets you control the Zen Tour Synergy with ease, while a software mixer offers flexible routing. A power adapter is included along with a USB cable. Included FX Zen Tour Synergy Core includes a compelling library of 36 real-time studio effects: Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) VCA160 (VCA Compressor/Limiter) Stay-Levin (Vari-Mu Tube Compressor) FET-A76 (FET Compressor / Limiting Amplifier) VEQ-1A (2-Band Tube EQ) VMEQ-5 (3-Band Tube Mid-Range EQ) X903 (VCA Compressor/Limiter) PowerFFC (Feed-Forward Compressor) Clear Q (Parametric EQ) Power EX (Expander) VEQ-HLF (Tube 2-Band HPF/LPF) Auraverb (Reverb) BA-31 (Germanium Mic Preamp) Power Gate (Noise Gate) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2x12 (Guitar Cabinet) Top30 2x12 (2x12 Guitar Cabinet) Modern 4x12 (4x12 Guitar Cabinet) Green 2x12 (2x12 Guitar Cabinet) Vintage 4x12 (4x12 Guitar Cabinet) Green 4x12 (4x12 Guitar Cabinet) 32. Caliper 50 1x10 (1x10 Guitar Cabinet) 33. Bluelux 1x12 (1x12 Guitar Cabinet) 34. Clst 1x12 (1x12 Guitar Cabinet) 35. England 4x12 (4x12 Guitar Cabinet) 36. Bass Tube 1x15 (1x15 Guitar Cabinet) Multitude of Connections The Zen Tour Synergy Core offers a choice of four instrument/line inputs, four mic/line inputs, eight line outputs, two monitor outputs, two headphone outputs and two reamp outputs. The unit is digitally expandable over ADAT and S/PDIF for an additional 10 digital input and 10 output channels. Additionally, all line outputs are DC coupled and ready for control voltage (CV) applications such as controlling modular synthesizers. As a final touch, an integrated talkback microphone lets you demo vocals and propel your voice to the live room. 4 Discrete Microphone Preamps Fully discrete ultralinear microphone preamps offer stellar studio-quality sound. Musical and transparent, these pres are designed to complement the Antelope Audio Edge and Verge modeling microphones' sonic characteristics and deliver the power of Antelope's Accusonic 3D mic modeling technology right on your desktop. Atomic Clocking Antelope's proprietary 64-bit Acoustically Focused Clocking technology and Jitter Management algorithm helps deliver artifact-free audio with impeccable stereo separation and instrument delineation. Latency-Free Direct Monitoring Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU. You can enjoy latency-free direct monitoring over four independent internal mixers with 32 assignable inputs and stereo outputs. Touchscreen Controls The Zen Tour Synergy Core has touchscreen controls giving immediate access to metering, level controls, presets, and settings. The intuitive interface and precise tactile control facilitate fast, efficient work at all times, without staring at a monitor. Portable Zen Tour Synergy Core is a desktop-sized solution. With it, all you need to make great recordings in your project studio, rehearsal space, or on the road is power, a decent laptop, and reliable headphones. The Synergy Core architecture lets you run processing-heavy projects without carrying external equipment like DSP accelerators, FX processors, and authorization dongles. Easy to Route Built inside the software Control Panel, a comprehensive Routing Matrix houses a full-fledged digital patch bay to freely route audio between the interface's analog and digital inputs and outputs. Run DAW playback through Synergy Core FX, reamp guitar DIs through the Shred Guitar Amps and Cabs, and integrate external equipment. Cross-Platform Connectivity The Zen Tour Synergy Core carries both Thunderbolt 3 (USB Type-C) and USB 2.0 (USB Type-B) ports for cross-platform compatibility with Mac and Windows machines. Other Features at a Glance 4 DSP and 2 x FPGA Synergy Core FX Processing 64-bit acoustically focused clocking and jitter management algorithms Mastering-grade stereo monitor outputs 2 individual stereo headphone outputs 2 transformer-based reamp Outputs ADAT and SPDIF digital I/O 8 line outputs on DB25 connector (DC-coupled) Integrated talkback microphone Antelope Zen Tour Synergy Core Specs Form Factor Tabletop Display 1 x LCD Touchscreen Channels of I/O ADAT: 8 Input / 8 Output at 44.1/48 kHz 4 Input / 4 Output at 88.2/96 kHz 2 Input / 2 Output at 176.4/192 kHz S/PDIF: 2 Input / 2 Output at 44.1/192 kHz USB: 24 Input / 24 Output Thunderbolt: 32 Input / 32 Output Analog: 8 Input / 14 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone Yes Input Level Adjustment via Touchscreen 1 x Knob Expansion Slots None Signal Processing Pad None High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 4 x 1/4" TS Mic/Line/Hi-Z Input 4 x Combo XLR-1/4" TRS Mic/Line Input 8 x DB-25 25-Pin Line Output (on Optional Breakout Cable) 2 x 1/4" TRS Stereo Output 2 x 1/4" TRS Headphone Output 2 x 1/4" TRS Mic/Re-Amp Output Digital Audio I/O 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-B (USB 2.0) 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance THD Mic: -106 dB EIN Mic: -128 dBu Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On All Inputs (44.1 to 192 kHz) Bit Depths Up to 24-Bit Clocking Internal: Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.12 or Later Windows 10 Included Software None Compatible Software (Not Included) Pro Tools Logic Cubase RAM Requirements 4 GB, 8 GB Recommended Storage Requirements 4 GB Mobile Device Compatibility None Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 18 VAC, 60 Hz AC/DC Power Adapter 18 VAC (Included) Power Consumption 25 W Physical Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 10 x 6.6 x 2.4" / 25.4 x 16.8 x 6.1 cm Weight 3.5 lb / 1.6 kg Packaging Info Package Weight 7.535 lb Box Dimensions (LxWxH) 11.7 x 8.9 x 6.7"

PREGLED Mikrofonska pretpojačala: 1 Fantomsko napajanje: Da Ulazi za instrumente: 1 Linijski ulazi: 1 Air mod: Da Linijski izlazi: 2 Izlazi za slušalice: 1 Loopback: Da Povezivost: USB Type-C Protokol: USB 2.0 Forma: Desktop Simultani I/O: 4 x 2 (uključujući Loopback ulaze) A/D rezolucija: 24-bit/192 kHz USB napajanje: Da (900mA) PODRŽANI SAMPLE RATES 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz MIKROFONSKI ULAZI Frekventni odziv: 20-20kHz ± 0.06dB Dinamički opseg: 113dB (A-Weighted) THD+N: -100dB pri minimalnom pojačanju EIN šum: -127dBu (A-Weighted) Maksimalni ulazni nivo: 9.5dBu Opseg pojačanja: 57dB Impedanca: 3kΩ LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.05dB Dinamički opseg: 113dB (A-Weighted) THD+N: -100dB pri minimalnom pojačanju Maksimalni ulazni nivo: 22dBu Opseg pojačanja: 57dB Impedanca: 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv: 20-20kHz ± 0.15dB Dinamički opseg: 112dB (A-Weighted) THD+N: -80dB pri minimalnom pojačanju Maksimalni ulazni nivo: 12dBu Opseg pojačanja: 57dB Impedanca: 1MΩ LINIJSKI IZLAZI (balansirani) Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 120dB THD+N: -109dB Maksimalni izlazni nivo: 16dBu Impedanca: 200Ω IZLAZI ZA SLUŠALICE Frekventni odziv: 20-20kHz ± 0.1dB @ 33Ω / 300Ω Dinamički opseg: 112dB @ 33Ω 115dB @ 300Ω THD+N: -97dB @ 33Ω -102dB @ 300Ω Maksimalni izlazni nivo: 2.5dBu u 33Ω 10dBu u 300Ω Maksimalna izlazna snaga: 32mW u 33Ω 22mW u 300Ω Impedanca: 50Ω ANALOGNO - DIGITALNI KONVERTER THD+N: -110dB Dinamički opseg: 120dB DIGITALNO - ANALOGNI KONVERTER THD+N: -115dB Dinamički opseg: 130dB (A-Weighted) NAPAJANJE USB: 900mA

Prodajem zvučnu kartu Asus xonar D1 7.1 Karakteristike: SNR - 116 dB za prednji stereo izlaz, 112 dB na ostalim izlazima i na stereo ulazu THD - 105 dB za prednji stereo izlaz, -108 dB za linijski ulaz Frekventni odziv - (-3dB, 24-bit/96kHz na ulazu) <10 Hz do 48 KHz Kvalitet semplovanja - 140 dB SNR, 145dB Dynamic Range, najviše 48 kHz / 24 bita, Procesor - Asus AV100 Sertifikati - Dolby® Digital Live, Dolby® Headphone, Dolby® Virtual Speaker, Dolby® Pro-Logic Interfejs - PCI Konektori - 1 x Digitalni S/P DIF (deljeni sa Back Surround izlazom), 1 x 3,5 mm analogni stereo ulaz (Line-In / Mic-In), 3+1 x 3,5mm analogni izlaz (za 7.1) Oprema - metalni profil za alternativni tip kucista, 1 x S/PDIF opt. adapter Softver RightMark Audio Analyzer 6.0.6

Na prodaju TerraTec SoundSystem DMX Promedia sa slike!

Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48V +/-4V @ 10mA/Channel (only 2 channel available on USB-A host computers Mic EIN: <-128dBu CMRR: >85dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: <-105dBu @ 1kHz & 10kHz THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 1MegΩ Unbalanced Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.3% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +8dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -105dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 113dB A-weighted DAC Outputs Maximum Output Level: +11dBu Digital Reference Level: 0dBFS = +11dBu Output Impedance: <100Ω Balanced Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: <-110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted Max Level Into 30ohms: +0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW Max Level Into 60ohms: +4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW Max Level Into 600ohms: +10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) DSP Mixer Roundtrip Latency: (in to out) 44.1 kHz: 0.594ms 48.0 kHz: 0.552ms 88.2 kHz: 0.302ms 96.0 kHz: 0.281ms

Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48v +/-4v @ 10mA/Channel Mic EIN: <-128dBu CMRR: >85dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 1MegΩ Unbalanced Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.3% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +8dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -105dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 113dB A-weighted DAC Outputs Maximum Output Level: +11dBu Digital Reference Level: 0dBFS = +11dBu Output Impedance: <100Ω Balanced Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted Max Level Into 30ohms: +0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW Max Level Into 60ohms: +4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW Max Level Into 600ohms: +10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) DSP Mixer Roundtrip Latency: (in to out) 44.1 kHz: 0.594ms 48.0 kHz: 0.552ms 88.2 kHz: 0.302ms 96.0 kHz: 0.281ms DAW Playback Latency @ 32 Sample Buffer for Software Instrument Playback 44.1 kHz: ~2.5ms 96.0 kHz: ~2ms DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out) 44.1 kHz: 5ms 96.0 kHz: 4.1ms Latency – performance may vary as stability at these low buffer sizes is dependant on many factors including CPU load, operating system and performance of other drivers. USB 2.0 High Speed No. Of Input Channels 2 Analogue No. Of Output Channels 2 Analogue Connector: USB Type-C Included Cables: 1m USB 2.0 Type-C to USB Type-A Weight & Dimensions Weights: Unit: 360g Packaged: 600g Dimensions: Unit: 140mm (w) x 67mm (h) x 67mm (d) Packaged: 172mm (w) x 88mm (h) x 97.5mm (d)

The optimal interface for music/multimedia creators The US-2x2HR is equipped with 2 mic/line inputs with guitar input support that can be used in various music/multi-media production environments such as vocal/guitar simultaneous recordings, as wells as high-quality sound recordings for video production. The unit is also equipped with a USB-C port easily powered by USB bus power. Natural, crisp & clear sound quality thanks to the implemented Ultra HDDA Mic Preamp with 192 kHz support High resolution reproduction in the US-HR series has been pursued based on TASCAM's policy to recreate sound as close to the original as possible. Therefore, the in-house developed Ultra HDDA mic preamp combined with a newly improved audio circuit delivers enhanced audio performance with the most transparent and low-noise sound. Zero-latency direct monitoring function Direct monitoring will diverge signals before sending them to the computer, resulting in smooth, in-time monitoring without any sound delay during both recording and performance. Create quality content with bundled software The US-HR models come bundled with world-renowned software that will enhance the user's production workflow. At the core of music production, Steinberg's Cubase LE/Cubasis LE 3 DAW is included, along IK Multimedia's Sample Tank SE, which comes free of charge with a massive 30 GB sound library encompassing more than 2,000 different musical instruments. US-HR models also come with a free 3-month subscription to Auto-Tune Unlimited, a comprehensive suite of industry standard pitch correction and vocal effects. Interface for podcasts and live streaming The US-2x2HR can be used with computers or smartphones to easily create podcasts or live streams. The audio can be switched between stereo/mono, and the loopback function allows the audio from the computer to be returned to the streaming software for playback during live streams. US-2x2HR also supports OBS, which is popular and used worldwide. Equipped with MIDI IN/OUT The MIDI IN/OUT terminals enable other MIDI external devices such as keyboards, drum machines, controllers, etc. to be synchronized and controlled. Compatible with iPad and other iOS devices The US-2x2HR can be used as an interface for iPad and other iOS devices. New audio interface engine Capitalizing on our experience being one of the pioneers in manufacturing USB audio interfaces, we achieved further stability in our native driver. The audio buffer size can be set starting from 4 samples (Windows only) to give the best performance to every different environment; maximizing the capability of the computer in use while creating a low-latency environment. Robust metal casing The US-HR models share a solid and practical design intended to withstand long hours of hard use. Its robust metal jacket not only improves its durability but, combined with dye-cast aluminum side panels, provides a sleek and eye-catching design. In addition, all models have just the right weight, so they won't move when cables are connected or disconnected. Features at a glance 2-in/2-out USB audio interface Improved TASCAM driver with selectable buffer size from 4 samples provides low-latency and stability (Windows: TASCAM native driver) Supports up to 24-bit/192 kHz audio formats 2 Combo (XLR) combo inputs equipped with Ultra HDDA mic preamps and +48V phantom power 2 Combo (TRS) line inputs with guitar input support TRS line output 1-2 Headphone output Equipped with MIDI IN/OUT terminals USB Type-C connection (USB Type-A to Type-C cable included) Powered by USB bus power Zero-latency direct monitoring Compatible with iPad and other iOS devices Extensive line-up of bundled software Steinberg Cubase LE, Cubasis LE 3 IK Multimedia Sample Tank 4 SE Antares AUTO-TUNE UNLIMITED (available free of charge up to 3 months) Compatible with mainstream DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand, Logic Pro) Stereo/mono selectable loopback function (Windows, Mac, iOS, iPad OS) OBS support Included items US-2x2HR USB cable (Type-A to Type-C) DAW software installation guide DAW plug-in software installation guide set Owner's manual（warranty card included) Spec description Sampling frequency 44.1k/48k/88.2k/96k/176.4k/192k Hz Quantization bit rate 24bit Analog audio inputs MIC IN IN 1 / IN 2 Connector XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED Input impedance 2.2k ohms Maximum input level (GAIN:MIN) +9dBu (2.183Vrms) Gain 56dB INST IN IN 1 / IN 2 Connector 6.3mm(1/4")TS-jack(T:HOT, S:GND), UNBALANCED (When set to "INST" at MIC/LINE INST switch) Input impedance 1M ohms or more Maximum input level (GAIN:MIN) +10dBV(3.162Vrms) Gain 56dB LINE IN IN 1 / IN 2 Connector 6.3mm(1/4")TRS-jack(T：HOT, R：COLD, S：GND), BALANCED (When set to "MIC/LINE" at MIC/LINE INST switch) Input impedance 10k ohms Maximum input level (GAIN:MIN) +20dBu(7.746Vrms) Gain 56dB Analog audio outputs LINE OUT 1-2 Connector 6.3mm(1/4")TRS-jack(T：HOT, R：COLD, S：GND), BALANCED Output impedance 210 ohms Nominal output level +4dBu (1.228Vrms) Maximum output level +20dBu (7.746Vrms) PHONES Connector 6.3mm(1/4") stereo phone jack Maximum output level 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) MIDI IN /OUT Connector Din 5-pin Format Standard MIDI format USB Connector USB Type-C Format USB2.0 HIGH SPEED (480Mbps) Power When connected PC USB bus powered AC Adapter (TASCAM PS-P520E, sold separately) When connected iOS/iPadOS AC Adapter (TASCAM PS-P520E, sold separately) Power consumption 1.75W Dimensions 186(W) × 65(H) × 160(D)mm (including protrusions) Weight 2.43lb (1.1kg) Operating temperature 5 to 35°C Accessories USB cable (Type-A to Type-C), Set of DAW software installation guides, Set of DAW plug-in software installation guides, Owner's Manual (including warranty) Audio performance Mic amp EIN (equivalent input noise) -128dBu or lower Frequency response MIC / LINE IN 44.1k/48k Hz 20Hz to 20kHz, +0dB/-0.4dB(JEITA) 88.2k/96k Hz 20Hz to 40kHz, +0dB/-0.4dB(JEITA) LINE OUT 44.1k/48k Hz 20Hz to 40kHz, +0.2dB/-0.1dB(JEITA) 88.2k/96k Hz 20Hz to 40kHz, +0.2dB/-0.4dB(JEITA) THD + N 0.0013% (MIC IN, 1kHz sine wave, -5dBFS input, GAIN knob at minimum, 20kHz SPCL LPF) 0.0011% (LINE IN, 1kHz sine wave, -5dBFS input, GAIN knob at minimum, 20kHz SPCL LPF) 0.0012% (LINE OUT, 1kHz sine wave, -4dBFS input, MONITOR knob at maximum, 20kHz SPCL LPF) S/N ratio 110dB (MIC IN, GAIN knob at minimum, 20kHz SPCL LPF+A-Weight) 108dB (LINE IN, GAIN knob at minimum, 20kHz SPCL LPF+A-Weight)) 110dB (LINE OUT, MONITOR knob at maximum, 20kHz SPCL LPF+A-Weight) Crosstalk 95dB or more (MIC/LINE IN to LINE OUT, 1kHz sine wave, GAIN knob at minimum) Computer system requirements Windows Compatible computers Windows computer with a USB 2.0 (or higher) port CPU type/speed 2GHz or faster dual core processor (x86) Memory 2GB or more Driver ASIO ASIO2.0, WDM, MIDI Mac Compatible computers Mac with a USB 2.0 (or higher) port CPU type/speed 2GHz or faster dual core processor Memory 2GB or more Driver Core Audio, Core MIDI iOS/iPadOS divice Driver Core Audio* To connect an iOS device that has a Lightning connector, a genuine Apple Lightning to USB Camera Adapter (sold separately) is necessary.

Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. Features With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller. RME’s Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance. Improved DURec (Direct USB Recording) The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives. ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II. TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™ Technical Specifications Analog AD, Line In 1-8, rear • Resolution AD: 24 bit • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum input level: +19 dBu • Input: 6.3 mm TRS jack, electronically balanced • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced • Input sensitivity switchable to Lo Gain, +4 dBu • Input level for 0 dBFS @ Lo Gain: +19 dBu • Input level for 0 dBFS @ +4 dBu: +13 dBu • Variable gain: 0 to +12 dB • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: • Input: XLR, electronically balanced • Input impedance: 3.4 kOhm • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA • Gain range: 75 dB • Maximum input level, Gain 0 dB: +18 dBu • Maximum input level, Gain 75 dB: -57 dBu • CLIP LED: 0 dBFS • SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: • Input: 6.3 mm TS jack, unbalanced • Input impedance: 1 MOhm • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA • Gain range: 42 dB • Maximum input level, Gain 8 dB: +21 dBu • Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear • Resolution: 24 bit • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum output level: +19 dBu • Output: 6.3 mm TRS jack, servo-balanced • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced • Output level switchable Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output XLR (1-2) As DA, but: • Output: XLR, balanced • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ 24 dBu: +24 dBu • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output Phones (9-12) As DA, but: • Output: 2 x 6.3 mm TRS stereo jack, unbalanced • Maximum output level at 0 dBFS, High: +19 dBu • Maximum output level at 0 dBFS, Low: +2 dBV • Output impedance: 2 Ohm • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu) MIDI • 2 x MIDI I/O via 5-pin DIN jacks • Galvanically isolated by optocoupled input • Hi-speed mode: Jitter and response time typically below 1 ms • Separate 128 byte FIFOs for input and output Digital • Clocks: Internal, ADAT, AES, MADI, word clock • Low Jitter Design: < 1 ns in PLL mode, all inputs • Internal clock: 800 ps Jitter, Random Spread Spectrum • Jitter suppression of external clocks: > 30 dB (2.4 kHz) • Effective clock jitter influence on AD and DA conversion: near zero • PLL ensures zero dropout, even at more than 100 ns jitter • Digital Bitclock PLL for trouble-free varispeed ADAT operation • Supported sample rates: 28 kHz up to 200 kHz Digital Inputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958) • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) ADAT Optical • 2 x TOSLINK, format according to Alesis specification • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz • Bitclock PLL ensures perfect synchronisation even in varispeed operation • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1 SPDIF optical (ADAT2) • 1 x optical, according to IEC 60958 • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) Word Clock • BNC • Internal termination 75 Ohm switchable • Automatic Double/Quad Speed detection and internal conversion to Single Speed • SteadyClock guarantees super low jitter synchronization even in varispeed operation • Not affected by DC-offsets within the network • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis • Overvoltage protection • Level range: 1.0 Vpp – 5.6 Vpp • Lock Range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) Digital Outputs AES/EBU • XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp • Format Professional according to AES3-1992 Amendment 4 • Format Consumer (SPDIF) according to IEC 60958 • Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT • 2 x TOSLINK • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz SPDIF optical (ADAT2) • Format Consumer (SPDIF) according to IEC 60958 • Sample rate 28 kHz up to 200 kHz Word Clock • BNC • Max. output voltage: 5 Vpp • Output voltage @ 75 Ohm termination: 4.0 Vpp • Output impedance: 10 Ohm • Frequency range: 27 kHz – 200 kHz General • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts • Idle power consumption: 19 Watts • Typical power consumption: 22-25 Watts • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") • Total depth: 240 mm (9.4”) • Weight: 3 kg ( 6.6 lbs) • Temperature range: +5° up to +50° Celsius (41° F up to 122°F) • Relative humidity: < 75%, non condensing

Building upon the success of the Solid State Logic SSL 2 and SSL 2+, the SSL 12 USB Audio Interface is a highly portable 12-in / 8-out, bus-powered interface that delivers all of the professional, studio-grade quality and legendary analog character one would expect from SSL in a compact form factor, ideal for content creators and producers on a tight budget. With pristine 32-bit / 192 kHz AD/DA conversion, you will capture every detail and nuance of your recorded sounds, while ADAT input and intuitive console-style software mixing allows the SSL 12 to be both a studio centerpiece and a portable production hub all at once. Comprehensive I/O in a Small Desktop Footprint Despite it's compact size, the SSL 12 is loaded with a huge amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity together with onboard talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero-latency performer mixes) handle the most demanding recording sessions. For mixing, alternative monitor switching and assignable front-panel control-room functions put everything you need at your fingertips. For production, USB Loopback, MIDI I/O, and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. Four SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device Four Neutrik combo XLR-1/4" mic/line inputs with +48V phantom power, selectable per input Two Hi-Z instrument inputs for guitars, bass, or vintage instruments Two professional-grade headphone outputs with switchable modes of operation for high-impedance or high-sensitivity headphones and up to four independent headphone mixes Headphone outputs can be repurposed as additional balanced/unbalanced line-level outputs Four dedicated, balanced 1/4" line outputs USB-C for 12 x 8 digital tracking and bus power ADAT input expands input channel count with 8 extra channels of digital audio USB loopback, MIDI 5-pin DIN in and out, and DC-coupled 1/4" outputs for CV control of synths and FX Comes with SSL Production Pack Providing inspirational software from your favorite industry tools, the SSL 12 comes bundled with the SSL Production Pack, a unique collection of SSL and 3rd-party software packed with a selection of must-have virtual instruments, plug-ins, samples, and DAWs. Worth over $1000, this software pack will let your creativity shine and bring your productions to life. 3-months free access to SSL Complete subscription 3-months free access to Auto-Tune Unlimited subscription 3-months free access to Arcade subscription by Output Perpetual plug-in licenses for SSL Vocalstrip 2 and Drumstrip plug-ins IK Multimedia AmpliTube 5 SE Celemony Melodyne essential Native Instruments Hybrid Keys and Komplete Start Ableton Live 11 Lite AAS Session Bundle plug-ins 1.5 GB of samples from Loopcloud Channels of I/O Analog: 4 Inputs / 8 Outputs at 192 kHz ADAT: 8 Inputs Maximum Sampling Rate 192 kHz / 32-Bit Number of Microphone Inputs 4 Preamps Analog Audio I/O 4 x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone Output (Front Panel) Digital Audio I/O 1 x TOSLINK Optical ADAT Input Host Connection 1 x USB-C (on Interface) OS Compatibility macOS 10.15 or Later Windows 10 Windows 11 *As of December, 2022: Check with manufacturer for the most up-to-date compatibility Power Requirements USB Bus Power Channels of I/O Analog: 4 Inputs / 8 Outputs at 192 kHz ADAT: 8 Inputs Built-In DSP None Maximum Sampling Rate 192 kHz / 32-Bit Number of Microphone Inputs 4 Preamps Built-In Microphone None Input Level Adjustment 4 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Combo XLR-1/4" Mic Inputs: 62 dB (Mic Amp Gain) High-Pass Filter None Connectivity Analog Audio I/O 4 x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT Input Host Connection 1 x USB-C (on Interface) Host Connection Protocol USB 2.0 USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Performance Frequency Response 20 Hz to 20 kHz Maximum Input Level Combo XLR-1/4" Line Inputs: +24 dBu 1/4" Hi-Z Inputs: +14 dBu Maximum Output Level 1/4" Line Outputs: +24 dBu Impedance Mic Inputs: 1.2 Kilohms (Balanced, Mic Level) Line Inputs: 15 Kilohms Hi-Z Inputs: 1 Megohm Main Outputs: 75 Ohms (Balanced) Headphone Outputs: < 1 Ohm Dynamic Range Mic Inputs: 111 dBA Line Inputs: 111.5 dBA Hi-Z Inputs: 110.5 dB 1/4" Monitor Outputs: > 120 dBA 1/4" Headphone Outputs: > 112 dBA 108 dBA THD+N Mic/Hi-Z Inputs: 0.0015% (-8 dBFS) Line Inputs: 0.0005% (-1 dBFS at 1 kHz) Monitor Outputs: 0.0005% (-1 dBFS at 1 kHz) Headphone Outputs: 0.005% (Standard Mode, -1 dBFS at 1 kHz) 0.001% (High Sensitivity, -1 dBFS at 1 kHz) 0.001% (High Impedance, -1 dBFS at 1 kHz) 0.005% (Line Mode Balanced, -1 dBFS at 1 kHz) EIN Combo XLR-1/4" Mic Inputs: -130.5 dBu A-Weighted Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (AD/DA Conversion) Sample Rate Conversion On ADAT I/O/All Inputs Bit Depths 32-Bit Latency Zero-Latency Direct Monitoring Sync Sources ADAT, Internal

Supplies 40 Gb/s bandwidth for peripherals including 4K displays and hard drives Allows music and audio producers to connect their Apollo directly to compatible Mac or Windows systems using Thunderbolt 3 Universal Audio TBOC-3 Specs Bandwidth 40 Gb/s Connectors 2 x USB Type-C, Thunderbolt 3 Port Bus Power 15 W System Requirements macOS Sierra/High Sierra or Windows 10 with Fall Creators Update (64-Bit Edition) Dimensions 14 x 10 x 3" / 35.6 x 25.4 x 7.6 cm Weight 2 lb / 0.9 kg Packaging Info Package Weight 0.85 lb Box Dimensions (LxWxH) 14.45 x 10 x 3.2"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x8 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features four XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the eight 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x8's face. In addition to the eight primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x8. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x8, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x8 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), eight 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x8 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x8 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x8. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x8 interface found in the standard edition, but with more plug-ins. The standard Apollo x8 includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 18x24 audio interface with four Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 8x8 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional eight 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 7.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X8 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 8 Inputs / 14 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 4 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 4 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 8 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 8 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Max Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Max Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.61 lb Box Dimensions (LxWxH) 23.6 x 17.1 x 7.8"

The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt™ (Mac), Pro Tools® HD (Mac/PC), Dante™+ Pro Tools® HD (Mac/PC, or Waves SoundGrid (Mac/PC) connectivity. Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X All new, highly customizable Symphony Control software provides easy access to all I/O parameters Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Input and Output Flexibility There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Legendary Sound Quality Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers. Symphony I/O Mk II Select one of three Symphony I/O Mk II connectivity options. Thunderbolt For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit and up to 2 units per system for a maximum of 64 channels of I/O with latency as low as 1.35 ms in Logic Pro X (96kHz / 32 buffer). Pro Tools HD For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. Up to 1 Symphony I/O Mk II unit connected to each HD port (max. 32×32 per unit). Waves SoundGrid Network Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Front Panel Touchscreen with Comprehensive Control All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit. Mic Pre Input Screen Dynamic Temperature Control Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control Software Symphony Control software for Mac, is designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control has been built from the ground up and replaces Apogee’s Maestro software for Symphony I/O Mk II users. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features like Talkback functionality, the simplified “Essentials” control window and an FX Send mixer feature, recently introduced as part of the Element Control software. Symphony Control software is now available. Download here. Apogee Control Hardware Remote Accessory Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. US customers can purchase Apogee Control in the Apogee web store. Multi-unit support for up to 64 channels of I/O With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available with superior quality high-channel count recording at incredibly low latency. Symphony I/O Mk II setup screen for Standalone mode Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touch screen you can set up Symphony I/O Mk II for use in these situations and more: Hi-Fi Systems Connect Symphony I/O MkII to a Blu/Ray, CD Player or Power Amp for high end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations Use Symphony I/O mkII on a Windows computer with Dante™, Pro Tools® HD, Waves SoundGrid®, or as a Standalone converter with a third party ADAT/AES PCI interfacing card. Standalone Converter Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. With Standalone mode you can also bypass the converters of your existing gear. Highlights: Best AD/DA conversion of any Thunderbolt audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools HD (Mac/PC) or Waves SoundGrid connectivity Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dynamic range: 122dB A weighted Maximum input levels: +4dB setting: +24dBu -10dB setting: +6dBV Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Input impedance: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dynamic Range: 126dB A weighted Max output levels – ∞ to +24dBu Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB) Output impedance: 50 Ohm Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) Headphone Output: 1 stereo 1/4″ headphone output on front panel THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dynamic Range: 121db A weighted Output: Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones Power: 90-240VAC, 50-60Hz, 150W Operating System: Thunderbolt: Mac OS only 10.10 and above HD: Any Mac or PC running Pro Tools HD 9 or greater Software Compatibility: Thunderbolt: Logic Pro or any Core Audio compatible application on Mac OS X HD: Pro Tools HD 9 or greater Package Contents: Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet Symphony I/O Mk II Dimensions: Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 Packaging Dimensions: Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3

Pevači, gitaristi, solo podkasteri USB Type-C konektivnost 1 mikrofonsko / linijsko / instrumentalno pretpojačalo 1 izlaz za slušalice, stereo monitor izlaz 24-bitni / 192 kHz konverteri USB napajanje / Mac, Windows Fantomsko napajanje, direkt monitor Ugrađeni USB hab za kontrolere klavijature Loopback funkcija za content kreatore DAW, Amp Sim, VIs, i FX Brzo pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 1, prenosivi 1x2 USB Type-C audio interfejs koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svojim singl low-noise mic/line/instrument pretpojačalom, MiniFuse 1 pomaže pevačima, gitaristima, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. Takođe ima virtuelni loopback kanal koji omogućava lako snimanje zvuka sa kompjutera uz live ulaz, kao što je voiceover ili sviranje gitare. MiniFuse 1 pruža obilje konekcija. Pored XLR-1/4" kombo ulaza, postoje 1/4" izlazi za zvučnike i slušalice sa pojedinačnim kontrolama jačine zvuka, i ugrađeni USB 2.0 Type-A hub koji je savršen za povezivanje kontrolera klavijature. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Pravite muziku i snimajte zvuk gde god se inspiracija desi, od vašeg kućnog studija do otvorenog prostora, sa prenosivim rikorderom MiniFuse 1. Bez obzira da li ste solo gitarista, vokalista, content kreator ili nešto između, uživajte u kvalitetu preciznog zvuka, pametnim karakteristikama i odličnom integrisanom softveru. Kreativna konektivnost MiniFuse 1 se uklapa u vaš setap sa jednostavnim setom ulaza i izlaza. Njegov singl XLR-1/4" kombinovani ulaz sa Fantomskom snagom od 48V omogućava vam lako povezivanje mikrofona, Hi-Z instrumenta ili line-level izvora. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnom USB Type-A hub utičnicom. Visokokvalitetni zvuk Za audiofile, MiniFuse 1 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn Ponesite svoj studio sa sobom. MiniFuse 1 nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Stavite ga u torbu, krenite i pronađite zvuk koji tražite. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Loopback za content kreatore Lako snimite glas preko zvuka aplikacije ili video igre pomoću MiniFuse-ove Loopback funkcije, za kvalitetan sadržaj u jednom take-u. Vrhunski softver MiniFuse 1 dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style autotjunom sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition, royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

Furnished with Universal Audio's flagship 24-bit / 192 kHz conversion, the Apollo x16 gives engineers in commercial recording studios, concert tours, and postproduction facilities the confidence of recording and mixing with detailed imaging, unbelievably low distortion (-129 dB), and unmatched dynamic range (133 dB). Additionally, its switchable headroom setting facilitates proper level-matching with large-format consoles and a variety of boutique and pro-level audio equipment. The interface features 16 balanced analog line-level inputs and outputs on DB25 connectors, perfect for patching in external mic preamps and custom signal chains or hooking up to a bunch of channels on a classic analog mixing board. You also get a pair of XLR monitor outputs and stereo AES/EBU I/O, which can be utilized when you need to connect a dedicated feed to a mastering system or if you wish to incorporate alternative stereo converters. Utilize the BNC wordclock input and output jacks to accurately clock to house sync or lock other digital equipment to the Apollo x16. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x16 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls as well as full input and output metering capabilities. In addition to the dedicated stereo XLR monitor output, the 16 line outputs can feed alternate monitors and outboard processors. In fact, the Apollo x16 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x16 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x16. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x16 interface found in the standard edition but with more plug-ins. The standard Apollo x16 includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo X Track, overdub, and mix with UA's flagship AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency and 50% more DSP than earlier Apollos, and with no burden on your computer's CPU Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Commercial Studio 18x20 audio interface with 16 balanced analog line-level inputs and outputs via DB25 multipin connectors Stereo XLR monitor output with level control Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Stereo AES/EBU input and output on XLR jacks, ideal for interconnecting mastering converters BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Workflow-Enhancing Features Built-in multichannel monitor controller with assignable dim or mono mode, works with main, alt, or even 7.1 surround sound speaker setups Integrated talkback and cues for easy communication and slate functionality Extensive front-panel metering and indication Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x16 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X16 Specs Form Factor Rackmount Display 18 x Multi-Segment LED Meter Channels of I/O Analog: 16 Inputs / 18 Outputs at 192 kHz Digital: 2 Inputs / 2 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps None Solo/Mute Mute per Master Pad None High-Pass Filter None Expansion Slots None Connectivity Analog Audio I/O 2 x DB-25 25-Pin Balanced Line/8-Channel Input 2 x DB-25 25-Pin Balanced Line/8-Channel Output 2 x XLR 3-Pin Balanced Monitor Output Phantom Power None Digital Audio I/O 1 x XLR 3-Pin AES3 Input 1 x XLR 3-Pin AES3 Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Line Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.02 dB Monitor Outputs: 20 Hz to 20 kHz ±0.2 dB Max Input Level Line Inputs: +24 dBu (Balanced, +4 dBu) +6.2 dBV (Balanced, -10 dBV) Max Output Level Line/Monitor Outputs: +24 dBu (+4 dBu) +10 dBV (-10 dBV) Impedance Line Inputs: 10 Kilohms Line/Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Line Inputs: 124 dBA Line Outputs: 127 dBA Monitor Outputs: 133 dBA THD+N Line Inputs: -115 dB / 0.00018% (1 kHz, +23 dBu Input) Line Outputs: -123 dB / 0.000068% (1 kHz, at -1 dBFS) Monitor Outputs: -129 dB / 0.000037% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources AES3, Internal, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.24 lb Box Dimensions (LxWxH) 23.5 x 17 x 7.9"

In the early days of DAW recording, Apogee’s dedicated converters became an industry standard and were primarily used as a secondary front-end to bypass the converters of Pro Tools interfaces. While Pro Tools interfaces have come a long way since then, Apogee hasn’t been sitting on its hands. Not only have their converters gotten better after 30 years of leading the field, they have been incorporated into all-in-one modular interfaces that are capable of direct connection to Pro Tools via PT HD ports. They also offer your choice of powerful, high-speed Thunderbolt 2.0 connectivity, as well as Waves SoundGrid and Dante network audio systems. To meet the current demands of audio professionals in a volatile marketplace, Apogee offers the Symphony I/O Mk II—a multi-channel audio interface featuring Apogee’s latest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display, and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production centerpiece for any modern studio. Apogee Symphony I/O Mk II—Just the Facts: Thunderbolt 2.0 connectivity (Empty slots) Best AD/DA conversion of any Thunderbolt audio interface in its class Up to 32 channels of modular analog I/O with optional 8 mic preamps Original Symphony I/O modules are compatible with new Mk II chassis Best per-channel value of any interface in its category Ultra-low latency performance; 1.35 ms with Thunderbolt and Logic Pro X Highly customizable Symphony Control software provides easy access to all I/O parameters (Optional Apogee Remote hardware controller for control software, sold separately) Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Apogee Symphony I/O Mk II—Under the Hood Designed for the ultimate in integration flexibility Offering a choice of digital connectivity including Thunderbolt, Pro Tools DigiLink, Waves SoundGrid, and Dante, there’s a Symphony I/O Mk II solution for everyone; home studio, project studio, commercial recording studio, and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of AD/DA conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Comprehensive control via front-panel touchscreen For convenient setup and control, all essential input and output settings can be accessed from Symphony MII’s front-panel touchscreen. It gives you easy access to input selection, monitoring levels, mic pre gain, or system calibration to match the levels of the other analog gear in your studio. All visual feedback critical for recording and monitoring is presented by high-resolution TFT display. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O (32-in x 32-out), signal levels, polarity, muting, phantom power, and Soft Limit. Making modular merriment A common dilemma of gear acquisition facing both manufacturer and customer was hoping that the unit you wanted had the right I/O for your system. Disappointment prevailed when I/O didn’t match up. Some manufacturers went as far as to consult with pro audio salesmen to see what their customers were requesting, but that was still hit or miss. Challenge accepted! Problem solved with the Symphony I/O MKII. The Symphony’s I/O Modules are designed to future-proof your investment in Apogee sound quality. Representing over 30 years of Apogee R&D and design excellence, these powerful modules deliver superior-sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities. Additionally, if you already own an original Symphony I/O, you’re still good to go. The Symphony I/O Mk II chassis can increase the longevity of your system by offering backward compatibility with the first-generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules—investment saved. True Thunderbolt performance Symphony I/O Mk II Thunderbolt is the most powerful multi-channel audio interface for Thunderbolt-based Mac workstations. Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. Low-latency operation Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. * Logic Pro X at 96kHz / 32 buffer setting High track count, low CPU hit Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. Option card slot for future connectivity If you’re currently working in Pro Tools | HD, thinking about going Native with Thunderbolt, or setting up an audio over Ethernet network, the Option card slot offers flexibility for the present as well the future. As new platforms develop and audio recording workflows evolve, Apogee engineers will create new cards to accommodate technological advances, thus prolonging the life and relevance of your Symphony MKII, For example, Dante Audio over IP network connectivity is coming soon to a Symphony I/O MKII near you—so stay tuned. Dynamic temperature control Let's face it, when it comes to prolonging the life of electronics, the only thing running through it that should be hot is your licks. To keep the Symphony I/O Mk II running at optimal temperature, it features advanced controls to ensure the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control software Designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control for Mac has been built from the ground up and replaces Apogee’s Maestro software. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features, such as talkback functionality, a simplified “Essentials” control window, and an FX Send mixer feature, recently introduced as part of the Element Control software. With the introduction of Symphony Control, you can use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection (Mac). Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available, with superior-quality high-channel-count recording with incredibly low latency. Optional hardware remote control via Apogee Control software Symphony Control software also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. The optional hardware remote control features a Symphony-inspired control knob, three control-knob focus buttons, plus 8 user-configurable buttons that grant direct access to a wide range of Apogee Control software functions. Sold separately, Apogee Control hardware remote connects directly to your Mac via included USB cable. Standalone mode Standalone Routing lets you set up and use Symphony I/O Mk II without a computer. From the front-panel touchscreen you can set up Symphony I/O Mk II for use in the following situations and more: Hi-Fi Systems: Connect Symphony I/O MkII to a Blu/Ray, CD player, or power amp for high-end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations: Use a third party ADAT or AES PCI interfacing card to use Symphony I/O MkII converters on a Windows Machine. Standalone Converter: Standalone AD/DA converters can be used alongside other digital gear. For example, to expand other interfaces, connect to live sound or studio digital consoles, or broadcast equipment. With Standalone mode, you can also bypass the converters of your existing gear (just like the days of yore when Apogee saved the day). Apogee’s legendary sound quality Apogee engineers have made it their passion to improve every new product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30-year ongoing mission, raising the bar on all that’s come before, with even better clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt-based systems.

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic inputs 2 x XLR mic inputs Preamp gain: 0 to +60 dB (digitally controlled) Analog inputs 2 x 1/4" hi-Z guitar inputs (front panel) 6 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dBu (digitally adjustable -96 to +22) Analog outputs 8 x 1/4" TRS line out (balanced, DC coupled) Max level: +20 dBu (digitally adjustable -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 1 bank (8 ch) of ADAT optical at 1x sample rates 1 bank (4 ch) of SMUX optical at 2x sample rates Switchable to stereo TOSLink (optical S/PDIF) Total I/O 18 inputs and 18 outputs (36 total) at 1x sample rates 14 inputs and 14 outputs (28 total) at 2x sample rates 10 inputs and 10 outputs (20 total) at 4x sample rates Computer I/O 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host Headphone 1 x 1/4" TRS stereo phone (assignable) Phantom power 2 x individual +48V Network I/O 1 x RJ45 AVB/TSN Ethernet (100 Mbps) AVB streams (8 channels per stream) 3 in / 3 out @ 44.1 or 48 kHz 2 in / 2 out @ 88.2 or 96 kHz 1 in / 1 out @ 176.4 or 192 kHz Front panel 1 x 1/4" TRS headphone output 2 x TRS hi-Z guitar input 1 x digital rotary encoders • main/phone volume 2 x digital rotary encoders • guitar input gain/power 2 x digital rotary encoders • mic preamp gain 4 x switches • (2) Pad and (2) 48V Phantom switch 128 x 48 pixel LCD for level meters / menu nav Power External 12-18V DC power supply 1.0A max • tip pos or neg Dimensions and weight (width x depth x height, enclosure only) 8.6 x 7 x 1.75 inches 22 x 17.75 x 4.5 cm 2.5 lbs / 1.13 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.11 or later Available high-speed USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.11 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -112 dB +20 dBu 24 dB (-4 to +20) Line input 1/4" TRS, bal/unbal, tip hot 110 dB -102 dB +24 dBu 118 dBu (-96 to +22) Mic input XLR, balanced, pin 2 hot 112 dB -104 dB +24 dBu (with pad) 60 dB Phones 1/4", TRS stereo 112 dB -94 dB Max. 80 mw 128 dB Compatible Mac Software The UltraLite AVB ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The UltraLite AVB ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) UltraLite AVB Feature Summary 18 x 18 USB/AVB audio interface with 36 simultaneous audio channels 2 mic inputs, 2 guitar inputs, 6 line inputs, 8 line outputs, headphone out and 8-channel optical I/O for 18 inputs and 18 outputs. Best-in-class audio quality 117 dB dynamic range on analog outputs represents best-in-class analog audio performance for mobile recording. DSP mixing and effects processing Flexible 48-input digital mixer with 7 stereo aux busses, 3 group sends, access to eight network inputs, and DSP effects, including reverb, 4-band EQ, gate, and compression. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. Flexible matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the AVB network. Stand-alone operation with wireless control Connect an Apple® Airport™ or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects. Universal connectivity Connects to your computer with standard AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS). Compatible with all audio software. Web app control from any device Control everything from your favorite web browser on a laptop, tablet and smartphone connected to your local Wi-Fi network. System expansion Add a 2nd MOTU AVB interface (1248, 8M, 16A, 24Ai, 24Ao, etc.) with a simple CAT-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). AVB audio networking Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Comprehensive metering The large backlit LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode Add clarity and punch to voice, instruments, and other sources with an analog compressor based on UA’s iconic 1176 Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Produce with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 476 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Get Classic Sounds with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 476 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Control Volume Peaks with UA Compression Get album-ready punch and presence with Volt 476's onboard 76 Compressor — an innovative analog circuit inspired by UA's classic 1176 Limiting Amplifier. The 76 Compressor features three perfectly tailored presets to tame voice, guitars, synths, and drum machines. Just plug in, pick a setting, and play. Easy In, Easy Out Volt 476 gives you simple 4-in/4-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be producing like a pro, fast. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. iPad & iPhone Ready Traveling light? Plug Volt 476 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged metal construction, retro wood sides, and sleek industrial design, Volt 476 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 4-in/4-out USB audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Built-in 76 Compressor adds instant clarity and punch to voice, instruments, and other sources with all-new analog circuit based on UA's iconic 1176 Essential suite of audio and music software from Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included 5VDC power supply included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later