Powered by eight SHARC processors, the standalone DSP accelerator provides extensive plug-in instantiation for large mixes without taxing the host computer, and while delivering world-class analog emulation. The Custom edition goes a little further: it gives you three additional UAD plug-ins of your choice, provided you download them within forty days of your purchase. Other benefits of the Thunderbolt 3 equipped DSP accelerator include greater UAD plug-in instances (the interface requires less of its own DSP to function when compared with previous versions), improved performance at higher sample rates, and reduced UAD plug-in latency. Additionally, the unit can supercharge existing Apollo interfaces and other UAD-2 DSP Accelerator systems by creating expanded systems for running complex mixes. Included with the unit is the company's Analog Classics bundle, featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizers, UA Precision Enhancer Hz, CS-1 Precision Channel, and RealVerb Pro plug-ins. Note: Thunderbolt cable required and available separately. Run UAD Powered plug-ins via Thunderbolt 3 connections on new Macs Run UAD Powered Plug-Ins via Thunderbolt 1 and 2 connections with an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (available separately) 8 SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Download any three UAD plug-ins of your chance, so long as you do so within 40 days of purchase Access over 100 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins on the road for mixing on Thunderbolt-equipped Macs Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Combine with other UAD-2 devices, including UAD-2 PCIe card(s), Apollo audio interfaces, and additional Satellites Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Universal Audio UAD-2 Satellite TB3 Specs Form Factor Tabletop Connectivity Host Connection / USB 2 x USB Type-C (Thunderbolt 3) Compatibility OS Compatibility Windows 10 (64-Bit Only) macOS 10.12 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) Audio Units (AU) RTAS VST Storage Requirements 6 GB Required Hardware Thunderbolt 3 Cable (Not Included) Available Thunderbolt Port Thunderbolt 3 to Thunderbolt Adapter (Not Included, Required for Thunderbolt 1 and 2 Connections) Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 4.96 lb Box Dimensions (LxWxH) 8.5 x 8.5 x 5.6"

Powered by four SHARC processors, the standalone DSP accelerator provides extensive plug-in instantiation for large mixes without taxing the host computer, and while delivering world-class analog emulation. Other benefits of the Thunderbolt 3 equipped DSP accelerator include greater UAD plug-in instances (the interface requires less of its own DSP to function when compared with previous versions), improved performance at higher sample rates, and reduced UAD plug-in latency. Additionally, the unit can supercharge existing Apollo interfaces and other UAD-2 DSP Accelerator systems by creating expanded systems for running complex mixes. Included with the unit is the company's Analog Classics bundle, featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizers, UA Precision Enhancer Hz, CS-1 Precision Channel, and RealVerb Pro plug-ins. Note: Thunderbolt cable required and available separately. Run UAD Powered plug-ins via Thunderbolt 3 connections on new Macs Run UAD Powered Plug-Ins via Thunderbolt 1 and 2 connections with an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (available separately) 4 SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Access over 100 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins on the road for mixing on Thunderbolt-equipped Macs Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Combine with other UAD-2 devices, including UAD-2 PCIe card(s), Apollo audio interfaces, and additional Satellites Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Universal Audio UAD-2 Satellite TB3 Specs Form Factor Tabletop Connectivity Host Connection / USB 2 x USB Type-C (Thunderbolt 3) Compatibility OS Compatibility Windows 10 (64-Bit Only) macOS 10.12 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) Audio Units (AU) RTAS VST Storage Requirements 6 GB Required Hardware Thunderbolt 3 Cable (Not Included) Available Thunderbolt Port Thunderbolt 3 to Thunderbolt Adapter (Not Included, Required for Thunderbolt 1 and 2 Connections) Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 4.95 lb Box Dimensions (LxWxH) 8.5 x 8.5 x 5.6"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x6 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features two XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the six 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x6's face. In addition to the six primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x6. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x6, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x6 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), six 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x6 is capable of acting as a 5.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x6 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x6. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 16x22 audio interface with two Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 6x6 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional six 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 5.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x6 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X6 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 6 Inputs / 12 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 6 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 6 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Maximum Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Maximum Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.45 lb Box Dimensions (LxWxH) 23 x 16.5 x 6.8"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x8 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features four XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the eight 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x8's face. In addition to the eight primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x8. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x8, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x8 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), eight 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x8 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x8 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x8. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 18x24 audio interface with four Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 8x8 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional eight 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 7.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X8 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 8 Inputs / 14 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 4 Preamps Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 4 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 8 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 8 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Maximum Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Maximum Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 17.55 lb Box Dimensions (LxWxH) 23 x 16.8 x 6.8"

Furnished with Universal Audio's flagship 24-bit / 192 kHz conversion, the Apollo x16 gives engineers in commercial recording studios, concert tours, and postproduction facilities the confidence of recording and mixing with detailed imaging, unbelievably low distortion (-129 dB), and unmatched dynamic range (133 dB). Additionally, its switchable headroom setting facilitates proper level-matching with large-format consoles and a variety of boutique and pro-level audio equipment. The interface features 16 balanced analog line-level inputs and outputs on DB25 connectors, perfect for patching in external mic preamps and custom signal chains or hooking up to a bunch of channels on a classic analog mixing board. You also get a pair of XLR monitor outputs and stereo AES/EBU I/O, which can be utilized when you need to connect a dedicated feed to a mastering system or if you wish to incorporate alternative stereo converters. Utilize the BNC wordclock input and output jacks to accurately clock to house sync or lock other digital equipment to the Apollo x16. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x16 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls as well as full input and output metering capabilities. In addition to the dedicated stereo XLR monitor output, the 16 line outputs can feed alternate monitors and outboard processors. In fact, the Apollo x16 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x16 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x16. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with UA's flagship AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Commercial Studio 18x20 audio interface with 16 balanced analog line-level inputs and outputs via DB25 multipin connectors Stereo XLR monitor output with level control Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Stereo AES/EBU input and output on XLR jacks, ideal for interconnecting mastering converters BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Workflow-Enhancing Features Built-in multichannel monitor controller with assignable dim or mono mode, works with main, alt, or even 7.1 surround sound speaker setups Integrated talkback and cues for easy communication and slate functionality Extensive front-panel metering and indication Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8p becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X16T Specs Form Factor Rackmount Display 18 x Multi-Segment LED Meter Channels of I/O Analog: 16 Inputs / 18 Outputs at 192 kHz Digital: 2 Inputs / 2 Outputs at 192 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Mic Preamps None Solo/Mute Mute per Master Pad None High-Pass Filter None Expansion Slots None Connectivity Analog Audio I/O 2 x DB-25 25-Pin Balanced Line/8-Channel Input 2 x DB-25 25-Pin Balanced Line/8-Channel Output 2 x XLR 3-Pin Balanced Monitor Output Phantom Power None Digital Audio I/O 1 x XLR 3-Pin AES3 Input 1 x XLR 3-Pin AES3 Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Line Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.02 dB Monitor Outputs: 20 Hz to 20 kHz ±0.2 dB Maximum Input Level Line Inputs: +24 dBu (Balanced, +4 dBu) +6.2 dBV (Balanced, -10 dBV) Maximum Output Level Line/Monitor Outputs: +24 dBu (+4 dBu) +10 dBV (-10 dBV) Impedance Line Inputs: 10 Kilohms Line/Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Line Inputs: 124 dBA Line Outputs: 127 dBA Monitor Outputs: 133 dBA THD+N Line Inputs: -115 dB / 0.00018% (1 kHz, +23 dBu Input) Line Outputs: -123 dB / 0.000068% (1 kHz, at -1 dBFS) Monitor Outputs: -129 dB / 0.000037% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources AES3, Internal, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 17.15 lb Box Dimensions (LxWxH) 23 x 16.5 x 6.8"

Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power Mix with UAD plug-ins like the included Teletronix® LA-2A and 1176 compressors, Pultec® EQs, and 610-B Preamp Track with near-zero latency through preamp emulations from Neve,® API,® Manley® and more using Unison™ technology† Unison Technology: The Genuine Sound of Neve, SSL, API & Manley Preamps Apollo Twin features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, SSL, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps. A Full Suite of Classic Analog Processing Onboard Right out of the box, Apollo Twin USB provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged. From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound. Access the World of UAD Powered Plug-Ins Beyond the included Realtime Analog Classics plug-ins, Apollo Twin USB lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing. Next-Generation A/D and D/A Conversion Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo Twin provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more. Now with Vintage Amps New for Apollo Twin USB is Unison technology on the front panel instrument input, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier. A Sleek, Low-latency App With Apollo Twin’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more. Features Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately. Unison™ technology offers stunning models of classic tube and transformer-based mic preamps USB 3 connection for easy connectivity on Windows-based recording systems Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output Two digitally controlled analog monitor outputs for full resolution at all listening levels Up to eight channels of additional digital input via Optical connection Uncompromising analog design, superior components, and premium build quality Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs USB System Requirements Windows 10 64-Bit Edition Available built-in USB 3 SuperSpeed port* Intel Core i3, Core i5, Core i7, or Xeon processor* 6 gigabytes available storage USB 3.0 SuperSpeed cable (included) Internet connection to download software and authorize UAD plug-ins Compatible VST, RTAS, or AAX 64 plug-in host DAW software For additional compatibility information, visit help.uaudio.com *Notes: Quad Core i7 or better recommended 2-in-1 systems (notebook/tablet) are not recommended USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

USB zvučna kartica 3D Sound Kartica je nova nekorišćena, samo testirana. Služi kao zamenska ili dodatna zvučna kartica. Nisu potrebni drajveri za instalaciju. Radi pod svim operativnim sistemima. Predmete šaljem kao preporučeno ili vrednosno pismo (na Vašu odgovornost) nakon uplate ili Postexpressom pouzećem. Poštarinu plaća kupac po važećem cenovniku Pošte ili Postexpress kurirske službe. Ne odgovaram za štetu nastalu u transportu. Trudim se da maksimalno upakujem predmete u odgovarajuću ambalažu, da ne bi došlo do oštećenja u transportu. Ne vršim povraćaj novca za pogrešno kupljene predmete. Cene su uglavnom fiksne, ali je moguć dogovor. Svaki predmet je pre postavljanja na oglas detaljno testiran i kao takav ispravan ukoliko u oglasu nije navedeno drugacije. Ako nemate poverenja, nemojte kupovati kod mene. Zadržavam pravo da ne odgovorim na nepristojne ponude. Lično preuzimanje znači na adresi ili u centru kad meni odgovara i kad se dogovorimo oko preuzimanja.

Ima tastere za pojačanje i smanjenje zvuka, kao i gašenje tj mutiranje zvuka i gašenje mikrofona USB zvučna kartica, koja podrzava 7.1 zvuk. Mozete je koristiti na laptopima i na desktop racunarima. Na sebi poseduje dugmad za smanjivanje i pojacavanje jacine zvuka kao i MUTE dugme za podpuno utisavanje. Koristi USB 1.0, 1.1 i 2.0 standarde. Ako Vam je zvucna kartica na laptopu pokvarena ili je nemate, uz pomoc ovog uredjaja mozete da imate zvuk, a jeftinije je nego rad servisera. Ne zaboravite da podesite izlaz na kome želite da pustite zvuk sa računara, a to je koja od zvučnih kartica ako ih imate dve sa priključivanjem nove USB zvučne kartice. To činite iz Control Panela, idete na Hardware and sound, pa Sound- Manage audio devices, gde birate default device, desni klik na karticu tj zvučnik gde stoji USB Audio device, pa birate Default, i na toj kartici će biti reprodukovan zvuk. ILI - isključite postojeću zvučnu karticu na matičnoj ploči ako je već menjate sa ovom USB karticom, to radite u windowsu tako što idete na "My computer" desni klik, pa manage, pa "Device manager" stavka i pod "Sound, video and game controllers" na postojeću zvučnu karticu kliknete desnim klikom i odaberete "Disable", ili u control Panelu nađete stavku device Manager i uradite dalje isto. Time je stara zvučna zvučna kartica isključena, pa tek onda priključite novu USB karticu i imaćete zvuk na njoj iz svakog programa. Za koriscenje 7.1 zvuka ove USB kartice, neophodan Vam je Xear3D (Virtual

Eksterna zvucna kartica na usb. Kartica je ispravna i ide kao na slikama.

Ispravna muzička kartica OPIS СБ0410 Соунд Бластер Ливе! 24-битна ПЦИ звучна картица Реалистични ЕАКС напредни ХД ефекти - дају вам реализам еколошког звука у свим врстама ПЦ игара Свеобухватно вишеканално окружење са 3Д играма - нуди 3Д позициони звук, софистициране ефекте ревербације и подршку система звучника 5.1, 6.1 или 7.1 у преко 400 постојећих 3Д игара Комплетни кинематографски окружујући звук са ДВД филмовима Патентирана ЦМСС 3Д Аудио технологија - омогућава вам преслушавање свих стерео снимака, укључујући МП3 / ВМА и ЦД музику у упечатљивом 7.1 сурроунд ЕАКС музичка побољшања - појачавање баса, вишепојасни графички еквилајзер, чишћење звука и још много тога

Novo Opis: USB Sound je USB audio kontroler. Podržava 32KBz, 44.1khz. (koja dva trebaju podršku za drajver ili aplikativni softver) i stopu uzorkovanja od 48KHZ u digitalnom snimanju, 48KHZ uzorkovanje u analognom snimanju i 48KHZ u digitalnoj/analognoj audio reprodukciji. U režimu digitalne reprodukcije, prima audio tok sa računara preko USB interfejsa i prenosi audio podatke u skladu sa standardima potrošačkog interfejsa AES/EBU, IEC60958, S/PDIF. Samo R, L kanal PCM audio u 5.1 kanalu može se preneti u digitalnoj reprodukciji U analognom načinu reprodukcije, podržava 6-kanalni kodek za analognu reprodukciju. U režimu digitalnog snimanja, prima S/PDIF digitalni audio ulaz i šalje nazad na PC preko USB-a. Tri stope uzorkovanja; uključuje 32KHZ, 44.1KHZ su automatski zaključane interno, u analognom načinu snimanja, fiksna stopa uzorkovanja od 48 kHz je podržana analognim audio snimanjem Karakteristike: uključi i igraj Podržava SES/EBU, IEC60958, S/PDIF potrošačke formate za stereo PCM audio Fiksna brzina uzorkovanja od 48KHZ za 5.1 kanalnu reprodukciju. Podržava funkciju analognog snimanja Podržana SCMS zaštita od kopiranja Kompatibilan sa Windows XP, Vista, Win7, Win10 Potpuno dupleksna reprodukcija/snimanje audio toka bez zvučne kartice na računaru Usklađen sa USB specifikacijom v1.1 Usklađen sa USB audio uređajem klase v1.0 Podržava USB punu brzinu 12Mbit

Na prodaju Digidesign MBOX 2 USB Audio Interface ! Informacije Zbog obaveza i posla a radi brzeg odgovora kontakt putem Poziva ili SMS-a . Dodatne slike ili video klip proizvoda mogu poslati na Viber! Svu moju robu mozete pogledati, probati i preuzeti licno na adresi !

Ispravna muzička kartica Опис Надоградите са основног звука матичне плоче на изванредан звук музике, филмова и игара Уживајте у аудио искуству које једноставно није могуће са основним звуком матичне плоче. Соунд Бластер Аудиги СЕ одликује се висококвалитетним звуком који драматично побољшава слушање музике МП3, подршка за ЕАКС АДВАНЦЕД ХД 3.0 ефекте који оживљавају ПЦ игре и вишеканални 5.1 или 7.1 звук за импресиван сурроунд звук у музици, филмовима и играма. Када је ПЦ Аудио у питању, ништа се не може упоредити са Соунд Бластером! Музика Драматично побољшајте своје искуство слушања музике МП3 помоћу оштрог, јасног НАПРЕДНОГ ХД квалитета звука. Изнесите најбоље из своје музике помоћу Басс Боост-а, паметног управљања гласноћом, чишћења звука и још много тога! Слушајте своју омиљену МП3 музику у прекрасном 7.1 сурроунд окружењу са ЦМСС сурроунд технологијом. Игре Осећајте се као да сте заправо у игри са реалистичним звучним ефектима ЕАКС АДВАНЦЕД ХД 3.0. Слушајте своје непријатеље пре него што вас пронађу са 3Д позицијским звуком преко вишеканалних звучника. Филмови Уживајте у својим хит филмовима у сурроунд звуку уз подршку за све, од слушалица до вишеканалних звучника 5.1 или 7.1.

Osnovne karakteristike Bit depth: 24bit Broj kanala: 6 (5.1) Izlazni priključci: SPDIF optički, 4x 3.5mm Interfejs: PCI Express Sample rate: 192KHz Odnos signal-šum: 116dB Reklamacioni period Reklamacioni period: 24 meseca Osnovne karakteristike Bit depth: 24bit Izlazni priključci: SPDIF optički, 4x 3.5mm Interfejs: PCI Express Broj kanala: 6 (5.1) Odnos signal-šum: 116dB Sample rate: 192KHz Reklamacioni period Reklamacioni period: 24 meseca Neophodni kolačići pomažu da sajt bude upotrebljiv omogućavajući osnovne funkcije kao što su navigacija na stranici i pristup bezbednim oblastima web sajta. Web sajt ne može da funkcioniše pravilno bez ovih kolačića. Trajne kolačiće koristimo za olakšanu funkcionalnost prijave korisnika, kao što je “Ostanite prijavljeni”. Takođe koristimo trajne kolačiće da bismo bolje razumeli navike korisnika, te kako bismo poboljšali web stranicu prema vašim navikama. Statistički kolačići pomažu vlasnicima web sajta da razumeju interakciju posetilaca sa web sajtom anonimnim sakupljanjem informacija i izveštavanjem. Marketing kolačići se koriste za praćenje posetioca na web sajtovima. Namera je da se prikažu reklame koje su relevantne i privlačne za pojedinačnog korisnika a time i od veće vrednosti za izdavače i treće strane oglašivače.

Ulazni priključci 3.5mm Odnos signal-šum 104dB Bit depth 24bit Sample rate 192KHz Podržane tehnologije Sonic Studio Izlazni priključci SPDIF optički, Napomena 0.005% THD Broj kanala 6 (5.1) Garancija 2 godine Čipset C-Media CM6631A Frekventni opseg 10Hz - 44kHz Interfejs USB

Each of the eight Antelope Discrete mic preamps has its own phantom power and up to 65 dB of gain, so the interface is primed and ready for recording all sorts of microphones, instruments, or even line-level signals from outboard gear. Equipped with two independently adjustable headphone outputs, balanced monitor outs, eight line outputs, and two reamp sends, the Discrete 8 Pro Synergy Core can act as your studio's hub for multiple sets of headphones, mixes, monitor feeds, and more. Its ADAT and S/PDIF digital I/O ports are perfect for expanding your setup with digital gear such as external converters, and the wordclock input and outputs ensure professional synchronization with other interfaces and clocks. Updates to the Pro Model Compared to the Discrete 8 Synergy Core, the Discrete 8 Pro Synergy Core delivers improved performance with greater dynamic range, less total harmonic distortion and noise, and double the available channel strips for effects processing. Also, it replaces Thunderbolt 2 connectivity with Thunderbolt 3 (in addition to USB 2.0). High-Fidelity Conversion and Clocking The Discrete 8 Pro has been upgraded with studio-ready 192 kHz converters (up to 130 dB of headroom) and Antelope Audio's proprietary 64-bit AFC clocking. With the interface in your rack, you can experience a new level of detail in your recordings and enjoy a wider soundstage for an exceptional stereo image in audio playback. Transparent Preamps Antelope Audio's discrete preamp topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in high gain (up to 65 dB), minimal noise, and precise sound capture for pristine, transparent recordings. Extensive Connectivity The Discrete 8 Pro Synergy Core offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on a DB25 connector, two reamp outputs, a pair of monitor outputs, two headphone outputs, plus 16-channel ADAT and stereo S/PDIF I/O are at your disposal. For your computer connection, you have USB 2.0 and Thunderbolt 3 ports. All I/O is available at any time and can be used simultaneously without the need to change setups, making it easy to work on multiple sessions. Tools for Guitarists Plug in your guitar directly to one of the two Hi-Z enabled inputs and instantly sculpt your tone with guitar amps and cabinet models. Add compression, EQ, and AuraVerb while playing through your preferred amp, cabinet, and microphone combination. The Discrete 8 Pro's two reamp outputs allow you to connect any of your effect pedals or outboard gear, and record that sound back into your preferred DAW. Word Clock for Pro Sync Three wordclock outputs let you distribute the interface's highly stable clock signal across your studio while the wordclock input allows you to sync the Discrete 8 Pro Synergy Core with other gear. Versatile Control Panel A virtual routing patch-bay on the Discrete 8 Pro Synergy Core streamlines the routing process and even adds creative possibilities. Apart from the intuitive routing, the software control panel allows you to create presets, quickly configure mixes, and more. With the enhanced processing, you can add effects on every input source. Pushing the FX Further The 37 effects included with Discrete 8 Pro are modeled after iconic studio equipment and can be applied in real time during monitoring, postproduction, and live recording. Aside from the exclusive compressors, EQs, and preamps, the interface comes with 22 guitar amps and cabs, a guitar tuner, and a signature reverb that are processed with near-zero latency entirely inside the interface, putting zero load on your host CPU. The onboard Synergy Core contains the processing power of a complex multi-rack setup which enables you to load effects on up to 16 channel strips (double the available channel strips compared to the original Discrete 8 Synergy Core). At any time, you can expand your effects collection by purchasing more classic go-to units, true rarities never before recreated in digital form, and 3rd party effects like Antares Auto-Tune Synergy. Session Recall For every individual recording scenario, you can save session files and create exact snapshots of your effects chains, so you can load them later without losing your progress. Ready for Mic Modeling The interface's Modeling Engine is ready to be paired with the Edge line of microphones (available separately) for real-time use of vintage microphone emulations. Workflow-Enhancing Features Direct hardware monitoring with Synergy Core effects processed in real time with imperceptible latency Expanded routing capabilities—switch audio sources per channel based on a drop-down menu sequence or make use of a virtual routing matrix Customizable presets complete with signal routing, level adjustments, mixer settings, and submixes Front panel with independent headphone and monitor volume knobs and buttons for sample rate configuration, and hands-on control of core parameters Hardware relay-based gain knobs for each preamp plus mode control (mic / line / Hi-Z) via push sequence Supports standalone operation Wireless control of software features from a separate computer connected to the same network Footswitch input supports functionality as a single footswitch to control the dim function and as a dual footswitch to control both the talkback and dim functions 37 Real-Time Effects The collection of 37 Synergy Core effects is powered by the Synergy Core proprietary onboard platform, which uses two DSP chips and one FPGA chip for real-time effects processing with imperceptible latency. BA-31: Germanium mic preamp Gyraf Gyratec IX: Dual tube mic preamp with high-pass filter Clear Q: Parametric EQ VEQ-1A: 2-band tube EQ VMEQ-5: 3-band tube midrange EQ VEQ-HLF: Tube 2-band high- and low-pass filters VCA160: VCA compressor/limiter Stay-Levin: Vari-Mu tube compressor FET-A76: FET compressor/limiting amplifier X903: VCA compressor/limiter PowerFFC: Feed-forward compressor Power Gate: Noise gate Power EX: Expander Auraverb: Reverb A-Tuner: Guitar tuner Plexi 59 (UK): Tube guitar amp Bass SuperTube VR: Tube guitar amp Darkface 65 (US): Tube guitar amp Top30 (UK) Bright: Tube guitar amp Tweed Deluxe (US): Tube guitar amp Overange 120 (UK): Tube guitar amp BurnSphere (DE) Lead: Tube guitar amp Marcus II (US) Lead: Tube guitar amp Modern (US) CH3: Tube guitar amp Rock 75 (UK): Tube guitar amp Rock 22.10 (UK): Tube guitar amp Darkface 65 2x12: Guitar cabinet Top30 2x12: Guitar cabinet Modern 4x12: Guitar cabinet Green 2x12: Guitar cabinet Vintage 4x12: Guitar cabinet Green 4x12: Guitar cabinet Caliper 50 1x10: Guitar cabinet Bluelux 1x12: Guitar cabinet Clst 1x12: Guitar cabinet England 4x12: Guitar cabinet Bass Tube 1x15: Guitar cabinet Antelope DISCRETE 8 PRO SYNERGY CORE Specs Form Factor Rackmount Display 1 x Color Channels of I/O Analog: 8 Inputs / 14 Outputs Digital: 18 Inputs / 18 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone 1 x (Talkback) Input Level Adjustment 8 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Mic Inputs: Up to +65 dB Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x DB-25 25-Pin Balanced Line Output (DC-Coupled) 2 x 1/4" TRS Unbalanced Headphone Output (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Balanced/Unbalanced Monitor/Re-Amp Output Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX Support, S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX Support, S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) 1 x USB Type-B (USB 2.0) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 3 x BNC Word Clock Output Network I/O None MIDI I/O None Other I/O 1 x 1/4" TS Footswitch Input Wireless Connectivity None Performance Maximum Input Level Mic Inputs: +18 dBu Maximum Output Level Line/Monitor Outputs: +20 dBu Dynamic Range Mic Inputs: 122 dB (A-Weighted) A/D Converters: 122 dB D/A Converters: 121 dB Monitor Outputs: 130 dB THD Mic Inputs: -116 dB THD+N A/D Converters: -116 dB D/A Converters: -100 dB Monitor Outputs: -115 dB EIN Mic Inputs: -128 dBu A-Weighted Digital Audio Sample Rates 32 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) 64-Bit (Clocking) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms Input Voltage: 3 V p-p Output Voltage: 3 V p-p Lock Range: 32 to 192 kHz Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS Windows Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: BA-31 Gyraf Gyratec IX Equalization: Clear Q VEQ-1A VEQ-HLF VMEQ-5 Dynamics: FET-A76 PowerFFC Power EX Power Gate Stay-Levin VCA160 X903 Reverb & Room: Auraverb Tuning: A-Tuner Guitar & Bass: Bass SuperTube VR Bass Tube 1x15 Bluelux 1x12 BurnSphere (DE) Lead Clst 1x12 Caliper 50 1x10 Darkface 65 2x12 Darkface 65 (US) England 4x12 Green 2x12 Green 4x12 Marcus II (US) Lead Modern 4x12 Modern (US) CH3 Overange 120 (UK) Plexi 59 (UK) Rock 22.10 (UK) Rock 75 (UK) Top30 2x12 Top30 (UK) Bright Tweed Deluxe (US) Vintage 4x12 Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port or USB 2.0 Port Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements AC/DC Power Adapter (Included) AC/DC Power Adapter 18 V, Center-Positive (Included) Physical Rackmount Size 1 RU Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 19 x 8.7 x 1.7" / 48.3 x 22 x 4.4 cm Weight 6.6 lb / 3.0 kg Packaging Info Package Weight 9.085 lb Box Dimensions (LxWxH) 25.6 x 14.1 x 3.8"

Line, instrument, or microphone sources can be connected via the stereo 1/4" TRS inputs, two 1/4" instrument inputs, and two XLR 3-pin inputs. Phantom power is selectable as are the input pads and built-in limiters. The four 1/4" line outputs are ideal for connecting to speakers and power amps, while the front-panel 1/4" jack offers dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Lyra 2 is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, and XLR to RCA adapters are included. Signal Path Analog and digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, analog and digital outputs, and stereo headphone outputs can be played independently. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors, and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Lyra 2 is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Lyra 2 is UAC2 compliant, it will also work with recent Linux and Android builds, although no control panel is provided. Flexible I/O Utilizing the same mic amps as Orpheus, the Lyra offers software-controlled gain in 1 dB steps, switchable phantom power, 20 dB pads, and low noise and distortion. The inputs are auto-sensing with software override. Inputs one and two can be microphone, instrument, or line. Analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with the four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Stable Clocking State-of-the-art clock generation with proprietary hybrid 2-stage DPLL keeps jitter to a minimum. The sample rate can be sourced from the local clock, BNC word clock, or digital input stream. Prism Sound Lyra 2 Specs Form Factor Desktop Channels of I/O 6 Input / 4 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Built-In Microphone None Expansion Slots None Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 2 Channels) Solo/Mute None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input 2 x 1/4" TRS Balanced/Unbalanced Line Input 4 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input Host Connection / USB 1 x USB-B Host Connection Protocol Not Specified by Manufacturer Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB / Ethernet MIDI I/O None Wireless Connectivity None Performance Impedance Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) Sample Rate Converter: 138 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.5 or Later Windows Vista or Later (32/64-Bit) *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Included Plug-Ins None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Mobile Device Compatibility None Power Power Requirements USB Bus Power AC Input Power 90 to 250 VAC, 50 / 60 Hz Power Consumption 15 W Physical Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 11.2 x 9.5 x 2" / 285 x 242 x 50 mm (with Feet) Weight 4.6 lb / 2.1 kg Packaging Info Package Weight 6.75 lb Box Dimensions (LxWxH) 17.5 x 12.25 x 5.5"

Features Stereo line input over RCA connectors Audio level LED indicators to dial in the right gain fast Up to 48kHz / 24bit resolution for crystal clear sound Pre-mixes audio sources down to stereo or mono Loop-back mixes incoming signals with your device’s audio Headphone out with integrated mic input to talk over your music Powered by your device for use on the go Works with all your favorite apps Custom ASIO driver for superior performance on Windows machines Mix and stream up to 3 audio sources iRig Stream makes it easy to connect all your audio sources and route them to a streaming or recording app. Send the digital output of your smartphone, tablet or laptop into iRig Stream, mix it with external audio sources like mixers, DJ decks, keyboards and more. Add your voice from earbuds (or an iRig Mic) and send all 3 signals back to your device to popular apps like Instagram, or just your built-in camera app. Get connected iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC – even the latest devices. 2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you’re looking to stream your DJ set, record band practice, jam along with your favorite song, or even host a podcast, iRig Stream lets you connect a massive range of gear. Sound your best iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you’ll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly. Make your voice heard iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously. The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation. Designed for apps If you’re ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won’t lose anything panned to one side. Comprehensive compatibility iRig Stream works with any app that records or streams audio or video, so you’ll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) – an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device. Built to go and to last iRig Stream is compact enough to slip into the pocket of your backpack, so it’s ideal for use on the go. It runs off your device’s battery, so there’s no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions. The Creator series from IK Multimedia puts you in the spotlight with fast and easy tools to help you create professional content. Its budget-friendly solutions are ideal for YouTubers, podcasters, live streamers and other social media platforms, and include a variety of mobile and studio-friendly microphones, interfaces and smartphone stands. With convenient features and flexible options, you’ll be covered wherever and whenever inspiration strikes.

Now everyone can plug in their guitar, bass or other instrument and enjoy killer tone on their iPhone, iPad, iPod touch or Mac — with the release of iRig 2, the world’s most popular guitar interface is now better than ever before. Plug and play simplicity on every device If you loved iRig's versatility, you'll love iRig 2's new adjustable gain dial, which works with its built-in 1/8" TRRS output connector to give you a true plug-and-play experience with your iPhone, iPad, iPod touch or Mac. Volume levels vary from instrument to instrument and from device to device. And while the original iRig provided superior sound, it was limited in that you were unable to customize the input gain level to your particular setup. With iRig 2, you get an input gain dial that gives you the power to ensure high-quality sound in every situation. This means that you'll be able to perform at your best no matter whether you're connecting a wailing 3 humbucker electric guitar or a jazzy archtop to your iPhone. Likewise, its 1/4” instrument input works with your guitar, bass or any line-level instrument. Just plug into it like you would into a stompbox or amplifier. It’s as simple as that. A Swiss Army knife for sound Want to take it to the stage? iRig 2's new 1/4” output jack lets you use iRig 2 with an amplifier as a part of your live rig without the use of an adaptor. This opens up a whole world of opportunities when paired with AmpliTube for iOS, IK's powerful guitar and bass multi-effects processor. It provides you with a vast library of meticulously modeled virtual stompbox effects, amplifiers and other gear that you can use as a part of your physical rig when you're jamming with friends, at a practice session, in the recording studio or performing live. Or, if you want to be discreet, plug your headphones into the included 1/8” headphone output. Even better is that iRig 2 features a switch that lets you select between a processed signal and a clean "thru" input signal. This means you can also use your mobile device as a tuner, recorder or other tool while preserving the purity of a 100% analog signal path. iRig 2 is there to help you make your practice and performance sessions as easy as possible. It comes with a microphone stand mount and Velcro strip that allow you to easy attach it for performance alongside other convenient tools like IK's iKlip range of mic supports for all sizes of smartphones and tablets. Features The sequel to the best-selling iRig interface 1/4” instrument input for use with guitar, bass and other line instruments 1/4” amplifier output for use with an external amplifier without an adaptor 1/8” TRRS output for use with iPhone, iPad, iPod touch and Mac 1/8” headphone output Compact and lightweight design Selectable dual-mode switch: FX and THRU Input gain thumbwheel for easy signal control Comes with microphone stand Velcro strip Comes with AmpliTube FREE for iOS (free download on the App Store) iRig HD 2 A digital rig with physical presence With iRig 2, you’ll be able to enjoy AmpliTube for iOS (the #1 app for guitar players). It's ready to go right out of the box. It comes with a powerful cross-platform suite of apps and software that includes free versions of AmpliTube for iOS and AmpliTube for Mac/PC. To use, just download your preferred version for iOS from the App Store. Then plug your guitar or bass into iRig 2, plug your amplifier or headphones into your device and launch the app. Immediately you'll see something very familiar: a complete guitar rig. AmpliTube for iOS recreates your entire guitar or bass signal chain in your mobile device and also — depending on your device — provides you with other advanced features, like multi-track recording and editing, high-quality export and more. And while iRig 2 is the ideal companion to AmpliTube for iOS, it also works with any other recording, processing, tuning or music app.

Overview Two-channel, portable, high-resolution USB audio interface for Mac OS and Windows. Balanced mic/line analog and coaxial/optical SPDIF I/O, with up to 24 bit/192 kHz resolution. 48V phantom, peak limiters and high-pass filter on microphone inputs. Stand-alone operation allows use as microphone preamplifier and A/D converter. USB bus powered. Key Features Extended bandwidth, low-noise microphone preamplifiers with 48 V phantom, limiters, high-pass filters, and 15 dB pad. Dynamic range greater than 114 dB (in 24-bit operation). Flat 10 Hz to 40 kHz (@96 kHz SR) audio bandwidth with very low distortion characteristics. Each input individually selectable between microphone, line, and aux level signals (both channels selected simultaneously for S/PDIF connections). Precision, 23-segment, multicolor LED peak/VU meter, selectable between input and output sources. High-output headphone amplifier can drive a wide range of headphones. Balanced outputs on XLR connectors with dedicated level control can be used to drive line- or mic-level inputs. Mix control enables zero-delay monitoring of source audio, computer audio, or a mix of both source and computer audio for multitrack recording or computer telephony. Phono (RCA) jacks connect Aux Output to external loudspeakers or preamplifiers. Bus powering via USB for convenient, single-cable connection to the computer. In Stand-Alone mode the USBPre 2 operates as a microphone preamplifier and analog-to-digital converter. Hardware loop-through for test and measurement to send computer audio directly back to an input. High-strength extruded aluminum chassis. Mac® OS X 10.4+, Windows®XP/Vista/7, and Linux, class-compliant audio device. Additional features controlled by hardware DIP switches on the back panel; no software-only features and no control panel. USBPre 2 Portable High-Resolution Audio Interface Sound Devices’ USBPre® 2 is a high-resolution, portable hardware interface for Mac- and Windows-based digital audio. The USBPre 2 is the industry’s highest performance and most flexible portable interface, connecting professional microphones, line-level sources, consumer audio electronics, and S/PDIF digital sources with Mac OS and Windows computers via USB. Precision Microphone Preamplifiers USBPre 2 includes two discrete-transistor microphone preamps with 24-bit converters and sampling rates up to 192 kHz. These preamplifiers provide the highest performance in any portable interface. Their topology is shared with Sound Devices’ award-winning 744T Digital Audio Recorder. Peak limiters, high-pass filters, and a 15 dB pad provide overload protection. All analog-to-digital and digital-to-analog conversion is performed by the USBPre 2 for superior audio performance. Computer Connectivity USBPre 2 allows for simple plug-and-play connection to computers running Mac OS, Windows, and Linux. There are no drivers to install for the USBPre 2 and there are no software-only features. All additional controls and settings are available on back panel DIP switches. The USB port also provides power to the unit, both when connected as an audio interface and when used in Stand-Alone operation. As a class-compliant audio device, the USBPre 2 is limited to a maximum data rate of 24-bit, 48 kHz in Windows, Linux, and Mac OS versions 10.4 to 10.5.7. Mac OS 10.5.8 and higher support the audio class 2.0 device and can address the USBPre 2 up to 24-bit, 192 kHz. To enable higher sampling rates in Windows OS, download the available Windows ASIO driver. Output Connectivity Flexibility To interconnect with sound systems big and small, the USBPre 2 includes numerous output connection types, including balanced mic- or line-level on XLR, unbalanced consumer line-level on RCA, S/PDIF coaxial (RCA) and optical (Toslink). The outputs have their own, dedicated front-panel level control. Use the balanced line-level signals to connect to powered loudspeakers. Use the optical S/PDIF to connect to hi-fi systems. Use the coaxial S/PDIF output in Stand-Alone mode for a portable microphone preamplifer with digital output for any production application. Informative Metering Accurate signal level metering is essential for any sound engineer. The USBPre 2 includes a 23-segment, multicolor LED meter for precise level indication. The meter is switchable between input signal metering and playback signal metering. The meter indicates both VU and peak (PPM) ballistics. Field-Tested Reliability Like all of Sound Devices products, the USBPre 2 is designed to stand up to the most demanding environments. Its extruded aluminum chassis and aluminum panels, machined knobs, metal connectors, and laser-etched nomenclature are designed to hold up to years of abuse. Stand-Alone Operation The USBPre 2 can be used in Stand-Alone mode where it operates as a high-quality, portable microphone preamplifier and analog-to-digital converter. Digital signals connected to the USBPre 2 are converted to analog and available at the headphone, XLR, and RCA outputs. Stand-Alone operation requires the unit to be connected to a USB power source. Stand-Alone mode is a great option when an additional microphone preamplifer, A-D converter, or D-A converter is required. One-year standard warranty turns into two-years upon registration. Click here for more information. What’s in the box: USBPre 2 computer audio interface 2-meter USB A to USB B Cable 4 Adhesive Rubber “Bumpers” Analog Inputs Frequency Response (reference 1 kHz, at 96 kHz Sample Rate) 10 Hz – 40 kHz, ± 0.5 dB (any input to PC recording) 10 Hz – 40 kHz, ± 0.5 dB (PC source to AUX output) THD+N (22 Hz – 22 kHz measurement bandwidth) 0.05% max (any input to PC recording, gain control at min, input driven to -6 dB FS) 0.009% max (AUX output, 0 dB V output, 100 ohm load) 0.05% max (HEADPHONES output, 2 V rms output, 600 ohm load) E.I.N. (MIC inputs) -127 dBu min (22 Hz – 22 kHz bandwidth, 150 ohm source, gain control fully clockwise, 15 dB pad out) Input Clipping Level (1% THD) Mic: -10 dBu Mic (15 dB pad): +4 dBu Line: +28 dBu (19.45 V rms) Aux: +9 dBu (2.18 V rms) Input Sensitivity (typical, for 0 dB FS) Mic: -9 dBu min, -60 dBu max Mic (15 dB pad): +6 dBu min, -58 dBu max Line: +29 dBu min, +10 dBu max Aux: +12 dBu min, -7 dBu max. Input Impedance (actual) Mic: 4k ohm, active-balanced Mic (15 dB pad): 4k ohm, active-balanced Line: 60k ohm, active-balanced Aux: 80k ohm, active-balanced Input Limiter Threshold Mic: -4 dBFS Low Cut Mic: 80 Hz, -3 dB, 12 dB per octave Phantom Power 48 V through 6.8k ohm resistors. Each mic input will supply 10 mA Outputs Output Clipping Level (1% THD, PC-controlled output levels at max) Balanced XLR: +18 dBu with 100k ohm load Aux: +8 dBu (2.0 V rms) with 100k ohm load Headphones: +11 dBu (2.75 V rms) with 600 ohm load Output Impedance Headphone (Actual): 22 ohms Balanced XLR (Line level): 500 ohms Balanced XLR (Mic level): 5 ohms Aux: 2k ohms Recording S/PDIF Digital 24 or 16 bit input A/D Converter 24-bit resolution. 114 dB typical dynamic range (22 Hz – 22 kHz bandwidth, A-weighted) D/A Converter 24-bit resolution. 112 dB typical dynamic range (22 Hz – 22 kHz bandwidth, A-weighted) Sample Rates / Bit Depths Recording: 8, 16, or 24-bit at 8, 16, 32, 44.1, 48, 96, or 192 kHz Playback: 24-bit at 8, 16, 32, 44.1, 48, 96, or 192 kHz Master Clock Crystal based, low jitter Metering 48 segments, 44 dB total range, peak ballistics. 0 dB on meter = 0 dB FS (0 dB referenced to full scale digital) Powering USB bus powered, soft-start meets USB hot-plugging power requirements (5 V, 100 mA max current drawn during enumeration) 5 V, 500 mA max current from USB port (USBPre 2 will not function if connected through a passive USB connection or hub) Dimensions (unpackaged) 4.3 cm x 18 cm x 10 cm (H x W x D) 1.7 in. x 7.25 in. x 4.25 in. (H x W x D) Weight 0.5 kg 1.13 lbs. Certifications Meets FCC Part 15 Class B Complies with the Requirements of European Directive 89/336/EEC

Apollo Solo is the world’s finest Thunderbolt 3-powered desktop recording audio interface for Mac and Windows — delivering class‑leading audio conversion, two Unison™ mic preamps, and a suite of onboard UAD plug-ins for recording album‑quality results, in real time. This compact 2x4 interface starts with esteemed Apollo A/D and D/A conversion to sonically outperform anything in its class. And with its Unison technology and built-in UAD‑2 processing, you can record through classic studio tools including the UA 610‑B Tube Preamp & EQ, LA‑2A and 1176 compressors, and more — with near‑zero latency. NOW YOU CAN: Record with class-leading A/D and D/A conversion — as heard on hundreds of hit records Track with near-zero latency through mic preamp and guitar amp emulations from Neve,® API,® Fender,® and more using Unison™ technology* Mix with included UAD plug‑ins like the Teletronix® LA‑2A and 1176 compressors, Pultec® EQs, and more Includes LUNA Recording System — a fully-integrated and inspiring music production application (Mac only) Create on-the-go with a sonically superior, bus-powered interface with rugged all‑metal construction Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class Unison™ Technology for Stunning Mic and Guitar Preamp Emulations Apollo Solo's Unison technology gives you the tone, touch, and “feel” of the world's most sought‑after preamps. These include the bundled UA 610‑B Tube Preamp, plus authentic mic preamp emulations from Neve® and API,® plus guitar amp emulations from Fender® and Marshall® — complete with their signature impedance, gain stage “sweet spots,” and component‑level circuit behaviors.* The secret to Unison is its hardware‑software integration between Apollo Solo’s mic preamps and its onboard UAD-2 processing. Simply place a Unison preamp plug-in on your mic input in Apollo's Console software, and it physically reconfigures Apollo’s impedance and gain staging — giving you the classic tube and transformer sounds of the world’s most recorded mic preamps and guitar amps.

Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with elite-class A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or Windows. Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 22 interface laps the competition with eight Unison™-enabled mic preamps, all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time — plus it includes LUNA Recording System, giving you a fully‑integrated music production application. Record with elite-class A/D and D/A conversion — nearing the widest dynamic range and lowest noise available, at any price Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time Track through 8 Unison-enabled mic preamps — with fully authentic emulations from Neve,® API,® Manley,® Helios,® and more Includes LUNA Recording System — a fully-integrated and inspiring music production applicationElite-Class A/D and D/A Conversion With thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust. With 129 dB dynamic range and -119 dB THD+N, Apollo x8p’s open, natural sound rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing. Realtime UAD HEXA Core Processing Apollo x8p features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide. Unison Technology: The Genuine Sound of Neve, API & Manley Preamps Perfect for engineers, producers, and project studio owners, Apollo x8p features eight Unison-enabled mic preamps, letting you track large projects through exacting mic preamp emulations from Neve, API, Manley, Helios, SSL, and Universal Audio. A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard HEXA Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps. Apollo x8p Features & Specs 16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac) Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size 8 Unison-enabled mic preamps with realtime preamp emulations from Neve, API, SSL, Manley, Universal Audio, and more† Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt) Surround monitor controller up to 7.1 format Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately. UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers Interface Specifications Inputs Combo Mic/Line Inputs 8 Balanced XLR/TRS DB25 Line Inputs 8 Balanced via 25-pin D-sub Instrument (Hi-Z) Inputs 2 Unbalanced ¼" TS Digital Inputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz ADAT: 4 channels @ 176.4 – 192 kHz S/PDIF: 2 channels @ 44.1 to 96 kHz (Switchable ADAT or S/PDIF) A to D Conversion Mic Preamps Dynamic Range: 122 dB (A-weighted) THD+N: -115 dB (0.00019%) Frequency Response: 20 Hz – 20 kHz, ±0.05 dB Line Inputs Dynamic Range: 123 dB (A-weighted) THD+N: -113 dB (0.00022%) Frequency Response: 20 Hz – 20 kHz, ±0.04 dB Outputs DB25 Line Outputs 8 Balanced via 25-pin D-sub Monitor Outputs 2 Balanced ¼" TRS Headphone Outputs 2 Stereo ¼" TRS Digital Outputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz ADAT: 4 channels @ 176.4 – 192 kHz S/PDIF: 2 channels @ 44.1 to 96 kHz (Switchable ADAT or S/PDIF) D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted) THD+N: -118 dB (0.00011%) Frequency Response: 20 Hz – 20 kHz, ±0.07 dB Monitor Outputs Dynamic Range: 129 dB (A-weighted) THD+N: -118 dB (0.00012%) Frequency Response: 20 Hz – 20 kHz, ±0.06 dB Headphone Outputs Dynamic Range: 125 dB (A-weighted) THD+N: -102 dB (0.00080%) Frequency Response: 20 Hz – 20 kHz, ±0.05 dB

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical. The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX). Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs. TotalMix Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. Here are some typical applications for TotalMix: Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends. Unlimited routing of inputs and outputs (free utilisation, patchbay functionality). Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions. Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output. Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions. Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals. Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals. DIGICheck - Test, Measurement and Analysis Tool for Mac & Windows The Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also SPECS Digiface USB Input Optical ADAT / SPDIF 4 x TOSLINK, format according to Alesis specification SPDIF compatible (IEC 60958) Standard: 32 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 16 channels 24 bit 96 kHz Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter when synced to input signal: <1 ns Output Optical ADAT / SPDIF 4 x TOSLINK, format according to Alesis specification SPDIF compatible (IEC 60958) Standard: 32 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 16 channels 24 bit 96 kHz Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz Output Analog Phones 33/34 Dynamic range (DR): 110 dB RMS unweighted, 113 dBA Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz THD@-1dBFS:-96dB,0.0016% THD+N @ -1 dBFS: -95 dB, 0.0017 % Channel separation: > 100 dB Output: 6.3 mm TRS jack, unbalanced Output impedance: 2 Ohm Output level at 0 dBFS, 1 kOhm load: +9.5 dBu Max power @ 0.1% THD: 50 mW Digital Clocks: Internal, ADAT In, SPDIF In Low Jitter Design: < 1 ns in PLL mode, all inputs Internal clock: 800 ps Jitter, Random Spread Spectrum Jitter suppression of external clocks: > 30 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Supported sample rates: 28 kHz up to 200 kHz General Power supply: USB bus power Typical power consumption: 1.2 Watts Current at 5 V bus power operation: 230 mA Max power consumption: below 2 Watts Dimensions (WxHxD): 128 x 22 x 55 mm (5.04" x 0.87" x 2.2") Weight: 220 g (0.49 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing

The USB Dual Pre is powered via the USB bus. An internal 9 Volt battery, or optional external 12V power supply (or any combination of USB, battery & power supply) can be used depending on application. When running powered by battery alone, you should expect in excess of 50 hours of operation with phantom power off. Battery life will drop to approximately 20 hours (depending on microphone) when phantom powering is engaged (still enough time to get through an average session). The built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus. For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs. This lets you use the 1/4-inch outputs as either preamplifier outputs or as the monitor feed to your powered monitors. The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed. USB Connectivity to Desktop and Laptop Computers Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs Up to 48 dB of Clean Gain n Built-in Low Noise Phantom Power Supply Latency Free Monitoring Mix and Level Controls Independent Channel Gain Controls 1/4-inch TRS Balanced Monitor and 1/8-inch Headphone Monitor Outputs Includes Audacity Recording & Production Software Flexible 3-way Power from USB, External Supply, or 9 Volt Battery Includes USB Cable – Everything Needed To Start Recording Today!

2-person audio solution that fits in a pocket delivers professional broadcast-quality sound directly into iPhones, iPads, Android devices, Windows PCs and Mac Computers Includes 2 wired lavalier mics (one with a 9.8-foot cable and the other with a 16.4-foot cable) and 3 output cables (Lightning for Apple devices, USB-C for Android, USB-A for PC and Mac computers) High-quality built-in microphone preamps and analog-to-digital converter provide premium sound quality with no batteries or charging required for operation Features ultra-compact design with durable all-metal construction, omnidirectional lavalier microphones with locking connectors to prevent accidental unplugging and stereo mode for music recording Dedicated 1/8” (3.5mm) headphone output for real-time monitoring during recording (app dependent) and playback, integrated volume buttons Two high-quality wired omnidirectional lavalier microphones are included, one with a 9.8-foot (3m) cable and the other with a 16.4-foot (5m) cable to give you flexible positioning options. Three output cables are included as well. One features an Apple-Certified MFi Lightning connector for direct connection to iPhones and iPads. Another features a USB-C connector for Android devices that have USB-C ports. You also get a standard USB-A output cable for connection to Windows PCs and Mac computers. The Smart V2M features high-quality built-in microphone preamps and a premium analog-to-digital converter that provide the best possible sound quality, no matter what mobile device or computer you connect it to. No batteries or charging is required to operate the Smart V2M. The ultra-compact design features durable, all-metal construction so it can travel with you anywhere. The lavalier microphones have locking connectors that prevent them from accidentally getting unplugged. The microphone inputs on the Smart V2M are also compatible with microphones that are wired with a locking 1/8" (3.5mm) connector that are wired for Sennheiser or Rode. Meaning, you can choose from hundreds of lavaliers, headsets and specialty mics in that wiring configuration to expand or enhance your system. A headphone jack is provided for monitoring during recording and playback, and dedicated buttons control the volume. A Mono/Stereo switch lets you choose how the audio is mixed. Stereo mode is useful for keeping the two connected microphones on separate tracks, which gives you more options for how you can edit the sound in audio or video editing software. Stereo mode is also useful for recording music. Mono mode is often preferable when connecting a single microphone, or you want to mix both microphones into one stereo output for applications like live-streaming or podcasts. Sturdy integrated loops on the Smart V2M enable you to mount it to stands or your belt with included hook-and-loop fasteners. When you need to deliver broadcast quality sound without compromises using the most compact and lightweight equipment possible, the Smart V2M is a completely flexible solution that’s compatible with a wide variety of mobile devices and computers. ITEM INCLUDES 1 x Smart V2M audio interface 1 x Lavalier microphone with a 9.8-foot cable and locking, gold-plated connector 1 x Lavalier microphone with a 16.4-foot cable and locking, gold-plated connector 2 x Alligator-style mic clips 2 x Fitted foam windscreens 1 x Micro USB to Apple Lightning cable 1 x Micro USB to USB-C cable 1 x Micro USB to USB-A cable 1 x Hook-and-loop cable wraps 1 x Storage bag 1 x User manual 1 x Warranty card Specifications Frequency Response: 20Hz to 20kHz Gain: 0-30dBu Sampling Frequency: 44.1 kHz, 48 kHz Bitrate: 16Bit, 24Bit Inputs: 2 x 1/8" (3.5mm) Outputs: 1 x Micro USB port, 1 x 1/8" (3.5mm) headphone jack Power Requirements: Supplied by iOS devices, Android devices, Windows and Mac computers Cables: Micro USB to Apple MFi Certified Lightning, Type-C, USB-A Dimension: 2.5 x 2.5 x 0.98" (6.5 x 6.5 x 2.5 cm) Weight: 8.82 oz (250 g)