Ortega D558-4 akustična bas gitara. Ortega D558 Medium Scale Electro Acoustic Bass. Natural Spruce offers a solid top and a versatile tonal character combined with a cutaway body and built-in electronics. Perfect for the performing musician. With a solid spruce top and walnut body, the D558 produces a versatile tone with crisp articulation, deep warm bass response, and plenty of resonance. Ortega D558 features a grand auditorium cutaway body accommodating numerous playing styles with ease whilst its cutaway profile provides added comfort and easy access to more challenging chords. Equipped with an Ortega MagusPro Bass preamp system, players are certain to benefit from optional amplified performance. Perfect for the gigging musician and studio sessions. With a satin finish on its solid top, and an open pore natural finish covering the rest of the instrument. As well as chrome hardware and the visually stunning yet exquisite grain pattern of the Walnut body. Ortega D558 offers a stylish yet classic acoustic appearance that is certain to look great on stage.

The guitar Z-Nature is an electro-classical guitar with cutaway and preamp which is very affordable. The steps of the manufacturing process have been reduced as well as its overall cost of production while keeping the recognized quality of Alhambra guitars. The Alhambra Z-Nature is completely made in Spain. With its natural satin finish, the pores of the Z-Nature remain open, allowing the sound to have a great resonance. The Z-Nature has a very simple design which boils down to its natural beauty. This guitar will bring beginners a safe choice and the opportunity to start with an instrument for perfect value for money. The pick up and preamp are the Fishman II with tuner. TOP: Solid Red Cedar or solid German spruce SIDES & BACK: Indian Rosewood NECK: Mahogany FINGERBOARD: Ebony MACHINE HEADS: Gold Plated

LTD AP-4 Pelham Blue bas gitara poseduje klasični izgled AP Serije basova. Proizedena je sa bolt-on maple vratom, dužine 34" i grifom of macassar ebony-a. Telo klasičnog oblika je načinjeno od jove. Potrebno je istaći i izuzetno kvalitetan hardware: Babicz bridž i Grover čivije. Fenomenalni EMG magneti omogućavaju prepoznatljivi ton koji se i očekuje od ovakvog instrumenta, uz odličan odnos snage i odziva. Sa prefinjenim Pelham Blue finišom, matching headstock-om, kvalitetnim crnim hardwareom i EMG magnetima, ovaj bas je, estetski i tonski, pravi izbor za bas gitariste. Posetite sajt proizvođača Pogledajte i ostatak naše ponude LTD bas gitara

The Ortega D3C Long Scale Electro Acoustic Bass, Gloss Paldao offers an all-paldao construction combined with built-in electronics, striking visual appeal, and Florentine cutaway, perfect for the performing musician. With a body built entirely from paldao, the Ortega D3C produces a full, fat, resonant warmth with great projection. Its paldao body also offers a striking visual appeal due to its aesthetically pleasing grain pattern. In addition, the D3C also features a rosewood fingerboard and bridge, adding clarity and enhancing the instrument's overall sound. Furthermore, the D3C also offers easy access to upper frets due to its edgy Florentine cutaway, providing players with more freedom to perform more technical skills. As well as all this, the Ortega D3C comes equipped with a Fishman Isys+ preamp system, offering basic sound tweaking for live and rehearsal settings, providing the gigging guitarist with a performance-ready electro acoustic bass with a stylish appearance.

These mid-range guitars are ideal for intermediate-level musicians who wish to continue their guitar studies. The selection of excellent materials and the special care placed in each of their individual components make these instruments excellent "companions" for advanced students who need a good instrument to improve their technique and musicality.

Body Shape Traditional Western Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1038mm (40 7/8") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Spruce Back Material Nato/Okume Side Material Nato/Okume Neck Material Nato Fingerboard Material Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood or Walnut Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Black Soundhole Inlay Black + White Pickguard Tortoise Pattern (Black for BL color variation) Body Finish Gloss Neck Finish Matt Electronics SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Case None

Body Shape Traditional Western Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1038mm (40 7/8") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Spruce Back Material Nato/Okume Side Material Nato/Okume Neck Material Nato Fingerboard Material Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood or Walnut Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Black Soundhole Inlay Black + White Pickguard Tortoise Pattern (Black for BL color variation) Body Finish Gloss Neck Finish Matt Electronics SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Case None

Body Shape Concert Cutaway Concert Cutaway Scale Length 634mm (25”) 634mm (25”) Body Length 497mm (19 9/16") 497mm (19 9/16") Total Length 1021mm (40 3/16") 1021mm (40 3/16") Body Width 380mm (14 15/16") 380mm (14 15/16") Body Depth 90-110mm (3 9/16”- 4 5/16”) 90-110mm (3 9/16”- 4 5/16”) Nut Width 43mm (1 11/16”) 43mm (1 11/16”) String Spacing * 10.0mm 10.0mm Top Material Solid Spruce Solid Spruce Back Material Mahogany Nato/Okume Side Material Mahogany Nato/Okume Neck Material Nato Nato Fingerboard Material Rosewood or Walnut Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") R400mm (15 3/4") Bridge Material Rosewood or Walnut Rosewood or Walnut Nut Material Urea Urea Saddle Material Urea Urea Bridge Pins Black ABS with White Dot Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Die-cast Chrome(TM29T) Body Binding Cream Black Soundhole Inlay Black + White Black + White Pickguard Tortoise Pattern Tortoise Pattern Body Finish Gloss Gloss Neck Finish Matt Matt Electronics SYSTEM66 SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT LINE OUT Strings Yamaha FS50BT or D'Addario XT Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Hex Wrench Case None None

Standard Features *For optimal performance, stay up to date with the current GX-100 system software and BOSS Tone Studio Download “BTS for GX-100” for iOS Download “BTS for GX-100” for Android Download “BOSS TONE STUDIO for GX-100” for Windows/macOS SPECIFICATIONS Sampling Frequency 48 kHz AD Conversion 24 bits + AF method AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion 24 bits Processing 32-bit floating point Effects 154 Types Maximum Number of Effects 15+3 (DIVIDER/MIXER, SEND/RETURN, PHRASE LOOP) *depending on the circumstances Memories 200 (User) + 100 (Preset) Phrase Loop 38 sec. (MONO) 19 sec. (STEREO) Tuner Internal Detection +/-0.1 cent Nominal Input Level INPUT: -10 dBu RETURN: -10 dBu Maximum Input Level INPUT: +18 dBu RETURN1: +8 dBu Input Impedance INPUT: 1 M ohm RETURN: 1 M ohm Nominal Output Level OUTPUT (L/MONO, R): -10 dBu PHONES: -10 dBu SEND: -10 dBu Output Impedance OUTPUT (L/MONO, R): 1 k ohm PHONES: 44 ohms SEND: 1 k ohm Recommended Load Impedance OUTPUT (L/MONO, R): 10 k ohms or greater PHONES: 44 ohms or greater SEND: 10 k ohms or greater Controls BANK DOWN switch, BANK UP switch, CTL1 switch, CTL2/TUNER switch, 1--4 switches, POWER switch, EXP1 switch, GND LIFT switch EFFECTS button, CTL/EXP button, MENU button, EXIT button, WRITE button, IN/OUT SETTINGS button, PAGE button,1--4 knobs SELECT knob, OUTPUT LEVEL knob, EXP1 pedal Display Color Graphic LCD (480 x 272 dots) Touch screen Connectors INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL3, 4/EXP2 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type MIDI (IN, OUT) connectors USB COMPUTER port: USB B type Bluetooth ADAPTOR connector: Dedicated connector DC IN jack Power Supply AC adaptor Current Draw 1.2 A Accessories AC adaptor (PSB-1U + AC Cord Set) Owner's manual Leaflet "USING THE UNIT SAFELY" Options (sold separately) Footswitch: FS-5U, FS-5L, FS-6, FS-7 Expression Pedal: EV-30, FV-500L, FV-500H, Roland EV-5 Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL Carry Bag: CB-ME80 SIZE AND WEIGHT Width 460 mm 18-1/8 inches Depth 193 mm 7-5/8 inches Height 73 mm 2-7/8 inches Maximum height 94 mm 3-3/4 inches Weight 3.5 kg 7 lbs 12 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

XL snaga i za basiste! Nakon što su CUBE pojačala unapređena u XL, vreme je i za CUBE BASS pojačala da se unaprede. CUBE XL BASS pojačala su i dalje prenosiva, i lagana, kao što je i standardno za CUBE, ali su dobila poboljšanja koje donosi XL generacija.. Ova najnovija pojačala su i dalje veoma jaka, a poseduju i specijalnu FFP i COSM tehnologiju. FFP je jedna od Rolandovih osnovnih tehnologija kod koje svaka komponenta - pojačalo, kućište i zvučnik, izvlači maksimalno efikasan učinak za neverovatnu snagu iz tako male kutije. CUBE-60XL BASS je srednji model bas pojačala i poseduje 60 watta snage u portabl kutiji što je sjajno i za probe i za nastupe. Poseduje i Solo funkciju sa memorijom, osam COSM modela pojačala, tropojasni ekvilajzer, efekte i kao prvo na svetu poseduje i luper za konstruisanje zvuka u realnom vremenu! Rated Power Output 60 W Nominal Input Level BASS INPUT: -10 dBu/1 M ohm AUX IN: -10 dBu Speaker 25 cm (10 inches) + Tweeter (Coaxial, 2-way) Controls POWER Switch, TUNER Switch, POWER SQUEEZER Switch [COMP/DRIVE] COMP/DRIVE Knob (COMP, DRIVE) [COSM AMPLIFIER] TYPE Switch (SUPER FLAT, FLIP TOP, B MAN, T.E, BASS360, SESSION, CONCERT 810, SUPER LOW) SHAPE Switch GAIN Knob VOLUME Knob [SOLO] ON/OFF, MEMORY Switch VOLUME Knob [EQUALIZER] BASS Knob MIDDLE Knob TREBLE Knob [EFX] EFX Knob (CHORUS, POLY OCTAVE) [REVERB] REVERB Knob (ROOM, PLATE) [DELAY/LOOPER] REC/PLAY/DUB Switch TAP/STOP Switch DELAY/LOOPER Knob (DELAY, LOOPER) [DI OUT] GND LIFT Switch (OFF, ON) Indicators Power COMP/DRIVE TUNER SHAPE SOLO EFX DELAY/LOOPER REC/PLAY/DUB REVERB POWER SQUEEZER Connectors BASS INPUT Jack (1/4" phone type) AUX IN Jack (Stereo miniature phone type) LINE OUT Jack (1/4" phone type) DI OUT Jack (XLR type) RECORDING OUT/PHONES Jack (Stereo 1/4" phone type) FOOT SW Jack (TIP:SOLO, RING:COMP/DRIVE) (1/4" TRS phone type) FOOT SW Jack (TIP:EFX, RING:REVERB) (1/4" TRS phone type) FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING:TAP/STOP) (1/4" TRS phone type) Power Consumption 25 W Accessory Owner's Manual Options (sold separately) Footswitch (BOSS FS-5L, FS-5U, FS-6) Size and Weight Width 421 mm Depth 325 mm Height 479 mm Weight 16.2 kg

The all-new Rumble Series is a mighty leap forward in the evolution of portable bass amps. Re-engineered from the ground up, new Rumble amps are lighter and louder than ever, with even more power and a classic Fender vibe. A newly developed foot-switchable overdrive circuit and versatile three-button voicing palette deliver powerful tones ideal for any gig. Electronics Controls: Gain, Bright On/Off, Contour On/Off, Vintage On/Off, Drive, Overdrive On/Off, Level, Bass, Low-Mid, High-Mid, Treble, Master Volume Voltage: 120V Wattage: 500 Watts @ 4ohms / 350 Watts @ 8–ohms Effects Loop: 1/4" - (Send/Return) Inputs: One - 1/4" Auxiliary Input: 1/8" Stereo Headphone Jack: 1/8" Stereo Line Out: One - (XLR with Ground Lift) Speaker Jack: Two 1/4" Parallel (4-ohm minimum) Channels: One - (with Selectable Bright Switch, Contour, Vintage Switch and Overdrive) Hardware Pilot Light Jewel: Red LED Front Panel: Painted Metal Amplifier Depth: 7.19" (18.26 cm) Amplifier Width: 13.75" (350 mm) Amplifier Height: 2.68" (6.81 cm) Amplifier Weight: 5 lbs. (2.27 kg) Miscellaneous Unique Features: Classic Fender® styling, soft-touch radio knobs, foot-switchable overdrive circuit and 3-button voicing palette, extremely lightweight, padded tote bag included. Accessories FootSwitch: Optional 1-Button Footswitch: Economy (P/N 0994049000), Vintage (P/N 0994054000), LED (P/N 0994052000) Knobs: Ivory Soft Touch Radio Knobs

The L6M features hand-selected premium solid Engelmann Spruce top and Mahogany back and sides. This newly added variation gives powerful low -mid and more open sound. Top Solid Engelmann Spruce A.R.E. Back Mahogany Side Mahogany Neck Mahogany & Rosewood 5ply Fingerboard Rosewood Body Depth 100-120 mm (3 15/16"-4 3/4") Nut Width 44 mm (1 3/7") String Length 650 mm (25 9/16") Body Small Type Tuners Die-cast Gold (TM-29G) Color Natural Finish Urethan Standard Accessary Hard Bag Bridge Rosewood Pickups SRT Zero Impact Pickup

Nakon što su CUBE pojačala unapređena u XL, vreme je i za CUBE BASS pojačala da se unaprede. CUBE XL BASS pojačala su i dalje prenosiva, i lagana, kao što je i standardno za CUBE, ali su dobila poboljšanja koje donosi XL generacija.. Ova najnovija pojačala su i dalje veoma jaka, a poseduju i specijalnu FFP i COSM tehnologiju. FFP je jedna od Rolandovih osnovnih tehnologija kod koje svaka komponenta - pojačalo, kućište i zvučnik, izvlači maksimalno efikasan učinak za neverovatnu snagu iz tako male kutije. CUBE-120XL BASS je najbolji iz linije CUBE bass pojačala i poseduje moćnih 120 watta snage koje gura preko vrhunskog koaxialnog zvučnika od 12-incha. Ovo pojačalo će se čuti u svakom miksu i ima puno mogućnosti za primenu na bini. Jednostavnim izborom između 8 COSM modela na raspolaganju vam je mnoštvo boja zvuka, uključujući i novi SUPER LOW, plus 4-pojasni ekvilajzer, moćne efekte i po prvi put na svetu kod bas pojačala - luper! Rated Power Output 120 W Nominal Input Level BASS INPUT: -10 dBu/1 M ohm AUX IN: -10 dBu Speaker 30 cm (12 inches) + Tweeter (Coaxial, 2-way) Controls POWER Switch, TUNER Switch [BASS INPUT] PAD Switch (OFF, -10 dB) [COMP/DRIVE] COMP/DRIVE Knob (COMP, DRIVE) [COSM AMPLIFIER] TYPE Switch (SUPER FLAT, FLIP TOP, B MAN, T.E, BASS360, SESSION, CONCERT 810, SUPER LOW) SHAPE Switch GAIN Knob VOLUME Knob [SOLO] ON/OFF, MEMORY Switch VOLUME Knob [EQUALIZER] BASS Knob LOW-MID Knob HIGH-MID Knob TREBLE Knob [EFX] EFX Knob (CHORUS, POLY OCTAVE) [REVERB] REVERB Knob (ROOM, PLATE) [DELAY/LOOPER] REC/PLAY/DUB Switch TAP/STOP Switch DELAY/LOOPER Knob (DELAY, LOOPER) [LINE OUT/DI OUT] SELECT Switch (LINE OUT, DI OUT) GND LIFT Switch (OFF, ON) [FOOT SW] FOOT SW TYPE Switch (FS-5L, FS-5U) Indicators Power COMP/DRIVE TUNER SHAPE SOLO EFX DELAY/LOOPER REC/PLAY/DUB REVERB Connectors BASS INPUT Jack (1/4" phone type) AUX IN Jack (Stereo miniature phone type) LINE OUT/DI OUT Jack (XLR type) RECORDING OUT/PHONES Jack (Stereo 1/4" phone type) EXT SPEAKER Jack (1/4" phone type) FOOT SW Jack (TIP:SOLO, RING:COMP/DRIVE) (1/4" TRS phone type) FOOT SW Jack (TIP:EFX, RING:REVERB) (1/4" TRS phone type) FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING:TAP/STOP) (1/4" TRS phone type) *When connecting to an external speaker, make sure the speaker conforms to the following specifications. Impedance: 8 ohms or less Allowable power input: 120 watts or greater Power Consumption 39 W Accessory Owner's Manual Options (sold separately) Footswitch (BOSS FS-5L, FS-5U, FS-6) Size and Weight Width 462 mm Depth 325 mm Height 518 mm Weight 19.7 kg

The AC1M, concert body cutaway guitar, features solid sitka spruce top with scalloped bracing and mahogany back and sides. Yamaha's original SRT piezo pickup ensure solid plugged-in performance. Body Shape Concert Body Cutaway Scale Length 650mm (25 9/16”) Body Length 497mm (19 9/16") Total Length 1038mm (40 7/8") Body Width 380mm (14 15/16") Body Depth 100-120mm (3 15/16" - 4 3/4") Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Sitka Spruce w/Scalloped Bracing Back Material Mahogany Side Material Mahogany Neck Material African Mahogany 3ply Fingerboard Material Rosewood Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Mahogany + Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern Body Finish Gloss Neck Finish Matt Electronics SYSTEM72 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Elixir NANOWEB 80/20 Bronze Light Accessories Soundhole Cover, Hex Wrench Case None

The AC1M, concert body cutaway guitar, features solid sitka spruce top with scalloped bracing and mahogany back and sides. Yamaha's original SRT piezo pickup ensure solid plugged-in performance. Body Shape Concert Body Cutaway Scale Length 650mm (25 9/16”) Body Length 497mm (19 9/16") Total Length 1038mm (40 7/8") Body Width 380mm (14 15/16") Body Depth 100-120mm (3 15/16" - 4 3/4") Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Sitka Spruce w/Scalloped Bracing Back Material Mahogany Side Material Mahogany Neck Material African Mahogany 3ply Fingerboard Material Rosewood Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Mahogany + Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern Body Finish Gloss Neck Finish Matt Electronics SYSTEM72 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Elixir NANOWEB 80/20 Bronze Light Accessories Soundhole Cover, Hex Wrench Case None

Derived from FG820 which has the solid spruce top and mahogany back/sides, FGX820C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. Body Shape Traditional Western Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1038mm (40 7/8") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Spruce Back Material Mahogany Side Material Mahogany Neck Material Nato Fingerboard Material Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood or Walnut Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern (Black for BL color variation) Body Finish Gloss Neck Finish Matt Electronics SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Case None

Derived from FG820 which has the solid spruce top and mahogany back/sides, FGX820C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. Body Shape Traditional Western Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1038mm (40 7/8") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Spruce Back Material Mahogany Side Material Mahogany Neck Material Nato Fingerboard Material Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood or Walnut Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern (Black for BL color variation) Body Finish Gloss Neck Finish Matt Electronics SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Case None

The A1M, traditional western body cutaway guitar, features solid sitka spruce top with scalloped bracing and mahogany back and sides. Yamaha's original SRT piezo pickup ensure solid plugged-in performance. Body Shape Traditional Western Body Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1046mm (41 3/16") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Sitka Spruce w/Scalloped Bracing Back Material Mahogany Side Material Mahogany Neck Material African Mahogany 3ply Fingerboard Material Rosewood Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Mahogany + Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern Body Finish Gloss Neck Finish Matt Electronics SYSTEM72 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Elixir NANOWEB 80/20 Bronze Light Accessories Soundhole Cover, Hex Wrench Case None

The A1M, traditional western body cutaway guitar, features solid sitka spruce top with scalloped bracing and mahogany back and sides. Yamaha's original SRT piezo pickup ensure solid plugged-in performance. Body Shape Traditional Western Body Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1046mm (41 3/16") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Sitka Spruce w/Scalloped Bracing Back Material Mahogany Side Material Mahogany Neck Material African Mahogany 3ply Fingerboard Material Rosewood Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Mahogany + Cream Soundhole Inlay Black + White Pickguard Tortoise Pattern Body Finish Gloss Neck Finish Matt Electronics SYSTEM72 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Elixir NANOWEB 80/20 Bronze Light Accessories Soundhole Cover, Hex Wrench Case None

The first choice in experiencing acoustic-electric music.Derived from FG800 which has the solid spruce top and nato/okume back and sides, FGX800C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. Body Shape Traditional Western Cutaway Scale Length 650mm (25 9/16”) Body Length 505mm (19 7/8") Total Length 1038mm (40 7/8") Body Width 412mm (16 1/4") Body Depth 100-118mm (3 15/16”- 4 5/8”) Nut Width 43mm (1 11/16”) String Spacing * 11.0mm Top Material Solid Spruce Back Material Nato/Okume Side Material Nato/Okume Neck Material Nato Fingerboard Material Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") Bridge Material Rosewood or Walnut Nut Material Urea Saddle Material Urea Bridge Pins Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Body Binding Black Soundhole Inlay Black + White Pickguard Tortoise Pattern (Black for BL color variation) Body Finish Gloss Neck Finish Matt Electronics SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT Strings Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Case None

Derived from FS820 which has the solid spruce top and mahogany back/sides, FSX820C has a cutaway body and the electric system. Yamaha's proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players. Body Shape Concert Cutaway Concert Cutaway Scale Length 634mm (25”) 634mm (25”) Body Length 497mm (19 9/16") 497mm (19 9/16") Total Length 1021mm (40 3/16") 1021mm (40 3/16") Body Width 380mm (14 15/16") 380mm (14 15/16") Body Depth 90-110mm (3 9/16”- 4 5/16”) 90-110mm (3 9/16”- 4 5/16”) Nut Width 43mm (1 11/16”) 43mm (1 11/16”) String Spacing * 10.0mm 10.0mm Top Material Solid Spruce Solid Spruce Back Material Mahogany Nato/Okume Side Material Mahogany Nato/Okume Neck Material Nato Nato Fingerboard Material Rosewood or Walnut Rosewood or Walnut Fingerboard Radius R400mm (15 3/4") R400mm (15 3/4") Bridge Material Rosewood or Walnut Rosewood or Walnut Nut Material Urea Urea Saddle Material Urea Urea Bridge Pins Black ABS with White Dot Black ABS with White Dot Tuners Die-cast Chrome(TM29T) Die-cast Chrome(TM29T) Body Binding Cream Black Soundhole Inlay Black + White Black + White Pickguard Tortoise Pattern Tortoise Pattern Body Finish Gloss Gloss Neck Finish Matt Matt Electronics SYSTEM66 SYSTEM66 Controls Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Connections LINE OUT LINE OUT Strings Yamaha FS50BT or D'Addario XT Yamaha FS50BT or D'Addario XT Accessories Hex Wrench Hex Wrench Case None None

Construction Bolt-on Scale Length 25-1/2" (648.0mm) Body Materials Alder Body Finish Gloss Polyurethane Neck Materials Maple Neck Finish Satin Polyurethane Fingerboard Materials Rosewood Fingerboard Radius 13-3/4" (350mm) Fret wire Medium Number of frets 22 Nut materials Graph Tech TUSQ Neck Width @ 0 Fret / 12th Fret 41.0 / 51.4 mm Thickness @1st Fret / 12th Fret 20.9 / 22.9 mm Neck Pickup P-90 Type Single Coil /Alnico Middle Pickup - Bridge Pickup Humbucker / Alnico Controls Master Volume, Master Tone(Push-Pull Coil Split) Pickup Switch 3-Position Lever Switch Bridge Hardtail Bridge Tremolo Arm - String spacing 10.5mm Tailpiece - Tuning Machines Grover Locking Tuners Pickguard 4-Ply Tortoiseshell String gauge 0.009-0.042 Case - Special Features -

*For optimal performance, stay up to date with the current RC-505mkII system software and BOSS Tone Studio Download “BOSS TONE STUDIO for RC” for Windows/macOS SPECIFICATIONS Sampling Frequency 44.1 kHz AD/DA Conversion 32 bits Processing 32-bit floating point Recording/Playback Number of Tracks: 5 Data Format: WAV (44.1 kHz, 32-bit float, stereo) Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories) Rhythm Type 200 types or greater Rhythm Kit 16 types Effect INPUT FX: 49 types TRACK FX: 53 types MASTER FX: 2 types Memory 99 Nominal Input Level MIC 1, 2 INPUT: -40 dBu INST 1, 2 INPUT: -10 dBu Maximum Input Level MIC 1, 2 INPUT: 0 dBu IINST 1, 2 INPUT: +7 dBu/+20 dBu (selectable) Input Impedance MIC 1, 2 INPUT: 3k ohms INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable) Nominal Output Level MAIN OUTPUT: -10 dBu SUB 1, 2 OUTPUT: -10 dBu Maximum Output Level MAIN OUTPUT: +7 dBu SUB 1, 2 OUTPUT: +7 dBu Output Impedance MAIN OUTPUT: 1 k ohm SUB 1, 2 OUTPUT: 1 k ohm Recommended Load Impedance MAIN OUTPUT: 10 k ohms or greater SUB 1, 2 OUTPUT: 10 k ohms or greater Controls TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders Display Graphic LCD (128 x 64 dots, backlit LCD) Connectors MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type USB port: USB B type MIDI (IN, OUT) connectors DC IN jack Power Supply AC adaptor Current Draw 1.0 A (with phantom power) 0.9 A (without phantom power) Accessories AC adaptor Owner's Manual Leaflet "USING THE UNIT SAFELY" Options (sold separately) Footswitch: FS-5U Dual Footswitch: FS-6, FS-7 Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5 SIZE AND WEIGHT Width 420 mm 16-9/16 inches Depth 234 mm 9-1/4 inches Height 67 mm 2-11/16 inches Weight 1.8 kg 4 lbs * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

L6 offers full of Yamaha's exclusivities. The solid Engelmann Spruce top is treated with A.R.E.. Together with modified bracing design, the sound has become more powerful and loud still maintaining excellent balance. To fit to comtemporary player's needs, L6 is equipped wth Zero-Impact Pickup to be ready for performance or recording at anytime without sacrificing its traditional look or full acoustic resonance. Top Solid Engelmann Spruce A.R.E. Back Rosewood Side Rosewood Neck Mahogany & Rosewood 5ply Fingerboard Rosewood Body Depth 100-120 mm (3 15/16"-4 3/4") Nut Width 44 mm (1 3/6") String Length 650 mm (25 9/16") Body Small Type Tuners Die-cast Gold (TM-29G) Standard Accessary Hard Bag Bridge Rosewood Pickups SRT Zero Impact Pickup

L6 offers full of Yamaha's exclusivities. The solid Engelmann Spruce top is treated with A.R.E.. Together with modified bracing design, the sound has become more powerful and loud still maintaining excellent balance. To fit to comtemporary player's needs, L6 is equipped wth Zero-Impact Pickup to be ready for performance or recording at anytime without sacrificing its traditional look or full acoustic resonance. Top Solid Engelmann Spruce A.R.E. Back Rosewood Side Rosewood Neck Mahogany & Rosewood 5ply Fingerboard Rosewood Body Depth 100-120 mm (3 15/16"-4 3/4") Nut Width 44 mm (1 3/6") String Length 650 mm (25 9/16") Body Small Type Tuners Die-cast Gold (TM-29G) Standard Accessary Hard Bag Bridge Rosewood Pickups SRT Zero Impact Pickup