SPECIFIKACIJE: OSCILLATORS Two authentic CEM 3340 voltage-controlled oscillators per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: Oscillator A syncs to Oscillator B Low frequency mode (Oscillator B) Keyboard tracking on/off (Oscillator B) MIXER Oscillator A amount Oscillator B amount White noise amount LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneously Both Initial Amount and mod wheel control Mod destinations: oscillator A frequency, Oscillator B frequency, Oscillator A and B pulse width, filter cutoff POLY MOD Sources: filter envelope and Oscillator B Destinations: Oscillator A frequency, Oscillator A pulse width, filter cutoff VINTAGE KNOB Recreates the characteristics of various Prophet-5 models by varying the behavior of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. AFTERTOUCH Channel (mono) aftertouch Destinations: filter cutoff frequency, LFO amount BI-TIMBRAL OPERATION Layer mode: two different 5-voice programs stacked together simultaneously Split mode: two independent, user-assignable performance zones, with a different 5-voice program assigned to each. PERFORMANCE CONTROLS Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all five voices and key modes Preset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 200 user and 200 factory programs in 5 banks of 40 programs each Direct program access, including Prophet 5-style single-button access to the current set of 8 programs IN/OUT Mono output (1 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Control voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation. Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-5. Outputs a 15-volt on/off used to gate the envelopes of an external synth. Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; Prophet-5: 20 watts maximum power consumption. PHYSICAL SPECS 20.75″ L x 7.4″ W x 3″ H (52.70 cm x 18.8 cm x 7.62 cm) Roadworthy all-steel case with premium black walnut heartwood trim

SPECIFIKACIJA: Dual-manual - 2 x 61 keys With Hammond drawbars Piano and vintage sounds Sound production: Organ Section 2-VASE III 8-Fold polyphony (for pedal) 63-Fold polyphony (for organ only) 9 Drawbars, assignable for Upper, Pedal, Lower Voicing Manual: 6 Settings selectable -B-Type1, B-Type2, Mellow, Vx, Farf, Pipe Pedal: 4 Settings selectable -Normal, Muted, Synth1, Synth2 Integrated effects Equalizer Internal Leslie 100 Preset and 100 user patches Integrated Wav- / MP3 File Player Display Dimensions (W x H x D): 944 x 454 x 170 mm Weight: 16.9 kg Includes power supply Connections: USB port for external storage medium MIDI input and output Line output: L / R 6.3 mm Headphone jack 11-Pin Leslie connector Footswitch, damper and expression pedal connector

Savršena simbioza modernog i vintage sveta kada je zvuk orgulja u pitanju, pravo "malo-umetničko-delo" unutar mobilnog pakovanja! Najjači mobilni model od Hammonda koji sadrži vrhunski dizajn zasnovan na originalnoj B-3 shemi , sadrži legendarni zvuk, osećaj i dušu - sa neverovatnom preciznosti. Iznutra, nova tehnologija sadrži prvoklasni pogon zvuka koji kombinuje modleing i sempliranje kako bi se reprodukovao svaki detalj .

SPECIFIKACIJE: Oscillators Two authentic CEM 3340 VCOs per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Mixer Oscillator 1 amount Oscillator 2 amount White noise amount Low-Pass Filter Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full Filter Envelope Four-stage (ADSR) envelope generator Velocity modulation of envelope amount Amplifier Envelope Four-stage (ADSR) envelope generator Velocity modulation of envelope amount Low Frequency Oscillator Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneously Both Initial Amount and mod wheel control Mod destinations: oscillator A frequency, oscillator B frequency, oscillator A and B pulse width, filter cutoff Poly Mod Sources: filter envelope and oscillator B Destinations: oscillator A frequency, oscillator A pulse width, filter cutoff Vintage Knob Recreates the characteristics of various Prophet-5 models by varying the behaviour of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. Aftertouch Channel (mono) aftertouch Destinations: filter cutoff frequency, LFO amount Performance Controls Full-sized, semi-weighted, premium Fatar 5-octave keyboard with velocity and aftertouch Mod wheel Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all five voices (10 voices for Prophet-10) and key modes Preset switch: when off, the front panel is live; what you see is what you hear Patch Memory 200 user and 200 factory programs in 5 banks of 40 programs each Direct program access, including Prophet 5-style single-button access to the current set of 8 programs In/Out Mono output (1 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Control voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation. Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-5. Outputs a 15-volt on/off used to gate the envelopes of an external synth. Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Power IEC AC power inlet for internal power supply Physical 37.5” L x 16.4 W x 4.9" H (95.25 cm x 41.6 cm x 12.4 cm) 31 lbs (14.06 kg) Roadworthy all-steel construction with premium black walnut heartwood body and trim SPECIFIKACIJE: Oscillators Two authentic CEM 3340 VCOs per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Mixer Oscillator 1 amount Oscillator 2 amount White noise amount Low-Pass Filter Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full Filter Envelope Four-stage (ADSR) envelope generator Velocity modulation of envelope amount Amplifier Envelope Four-stage (ADSR) envelope generator Velocity modulation of envelope amount Low Frequency Oscillator Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneously Both Initial Amount and mod wheel control Mod destinations: oscillator A frequency, oscillator B frequency, oscillator A and B pulse width, filter cutoff Poly Mod Sources: filter envelope and oscillator B Destinations: oscillator A frequency, oscillator A pulse width, filter cutoff Vintage Knob Recreates the characteristics of various Prophet-5 models by varying the behaviour of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. Aftertouch Channel (mono) aftertouch Destinations: filter cutoff frequency, LFO amount Performance Controls Full-sized, semi-weighted, premium Fatar 5-octave keyboard with velocity and aftertouch Mod wheel Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all five voices (10 voices for Prophet-10) and key modes Preset switch: when off, the front panel is live; what you see is what you hear Patch Memory 200 user and 200 factory programs in 5 banks of 40 programs each Direct program access, including Prophet 5-style single-button access to the current set of 8 programs In/Out Mono output (1 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Control voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation. Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-5. Outputs a 15-volt on/off used to gate the envelopes of an external synth. Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Power IEC AC power inlet for internal power supply Physical 37.5” L x 16.4 W x 4.9" H (95.25 cm x 41.6 cm x 12.4 cm) 31 lbs (14.06 kg) Roadworthy all-steel construction with premium black walnut heartwood body and trim

The Drawbar Has Been Raised In the authenticity sweepstakes, the Hammond XK-5 blows away the barrier between vintage and modern, redefining the state of the art in portable digital organs. Hammond's flagship portable, the XK-5, features a ground-up design that draws on original B-3 schematics, capturing that legendary sound, feel - and soul - with unerring accuracy. Onboard, new technologies include a cutting-edge sound engine that combines modeling and sampling to reproduce every nuance of vintage electro-mechanical tonewheel generators. The new custom waterfall keybed provides the inimitable feel of a vintage B-3 and is ideal for palm slides and other classic playing techniques. Other features include four sets of drawbars plus pedal drawbars, an uber-realistic Digital Leslie, and downloadable tonewheel profiles. The foundation of Hammond's new Heritage Series, the XK-5 is modular, letting you configure as large a system as your music requires. Hammond XK-5 at a Glance: Hybrid Multiple-key Contact System for realism and versatility Redesigned Keybed gives you incredible playing feel All-new Sound Engine delivers a stunning re-creation of classic Hammonds Virtual Matching Transformer lets you dial in hysteresis and saturation Streamlined operation makes the XK-5 a joy to use Hybrid Multiple-key Contact System for realism and versatility Play a key on a classic Hammond, and you're closing nine mechanical contacts - one for each drawbar. You hear these multiple harmonics as one note, but press a key slowly, and you'll hear the harmonics come in sequentially. In normal playing, this creates a characterful, albeit subtle, slop on the slow attacks; the more drawbars you have pulled out, the more that chewy, soulful personality comes out. Hammond knows this can't be realized with a simple MIDI note-on (which is how most contemporary organ and synth actions work). Instead, they use three mechanical contacts at different locations in the key travel. Each of these, in turn, triggers three virtual contacts, giving you separate note-on connections for every drawbar frequency, after the fashion of the original 9-contact electro-mechanical Hammond organs. The payoff is a fingers-to-sound relationship that duplicates playing a vintage B - without the cost and weight. A bonus is that you can program the time spread between these note-ons, and the order in which the harmonics speak. Moreover, because the contacts receive and transmit MIDI note data, you can capture the harmonic nuances of your performance in your DAW, to which you can connect the XK-5 via USB. Redesigned Keybed gives you incredible playing feel Hammond doesn't outsource the XK-5 keyboard action - they build it in-house. Designed to replicate the bounce, heft, key dip, and multi-contact actuation of a well-maintained new-old-stock B-3, this keybed has absolutely delighted hardcore B connoisseurs here. Equipped with waterfall key fronts, this keybed facilitates palm slides and other classic Hammond playing techniques. Contrast the XK-5 playing experience with contemporary organs from other brands, and you'll see there's really no comparison. This is the real deal. All-new Sound Engine delivers a stunning re-creation of classic Hammonds Hammond's storied tonewheel generator has been digitally re-created with stunning accuracy in the XK-5. Hammond employed both modeling and sampling techniques to capture the frequencies of all 91 tonewheels found in their vintage organs, as well as other signature sonic artifacts like key clicks, harmonic percussion, vibrato/chorus, and more. Tonewheel generators left the factory all sounding the same, but after years of use, no two are exactly alike. And with the XK-5, you can program individual tonewheel behavior and generator characteristics, such as leakage and crosstalk between pickups, as well as replicate particular Hammonds, right down to the year, model, serial number, and condition. What's more, you can call up presets of your favorite Hammond artists' instruments - and Hammond will be providing additional downloadable tonewheel profiles from preeminent Hammond organists. Virtual Matching Transformer lets you dial in hysteresis and saturation The tonewheels of vintage Hammonds generated small voltages that required stepping up, and you could draw on some of the same wheels simultaneously by playing similar notes with similar drawbar settings on both manuals. All the signals from the upper, lower, and pedal manuals passed through a matching transformer that evened out the signal before it advanced to the preamp and vibrato/chorus scanner. Transformers have a "memory" based on how hard they have been driven. This is called hysteresis, and it's responsible for the organic, breathing quality you hear in vintage Hammonds - and in the XK-5. Now, as the transformer in question is digitally modeled, you have complete control over the amount of hysteresis and saturation in your sound. Streamlined operation makes the XK-5 a joy to use Hammond incorporated the best new ideas into the design of the XK-5, and naturally kept the features that made the XK-3C and compact SK series a joy to play, such as their streamlined patch naming and copying conventions. In the XK-5, the intuitive display lets you hold any button and the first page of relevant parameters pops up. For example, when you hold the Leslie speed button, you'll see all the Digital Leslie settings. Not having to deal with annoying, time-consuming menu diving when you're customizing your sounds makes for quick sound changes and an enjoyable overall playing experience. Hammond XK-5 Features: 4 complete sets of Harmonic Drawbars, plus pedal drawbars: Just like a classic B-3 12 additional virtual tonewheels dedicated to harmonically complex pedal tones: In addition to the 8' and 16' sine waves found on Hammonds starting in 1945 Custom tonewheel profiles are available for download Hammond's premium digital Leslie effect: This is no ordinary "rotary simulator" Continuously variable Digital Leslie speed 12 reverse-color keys for selecting presets Dedicated Octave Shift and Transpose buttons DSP-based overdrive assisted by a vacuum tube preamp Optimized vibrato/chorus Dedicated on/off buttons and amount knobs for Reverb, Overdrive, and assignable Multi-FX Lower B drawbars may alternatively control 9 MIDI CC messages for external gear Left and right 1/4" outputs may be used concurrently with Leslie output: Run the XK-5 through a real Leslie in parallel with monitors, sub, or house PA Manual Bass function: key-triggering modes for pedal-to-lower coupler Updatable firmware via USB flash drive or directly from your computer Crisp OLED display is readable under variable lighting conditions Hammond's XK-5: classic sound and feel, without the weight or cost!

SPECIFIKACIJE: Four sound engines which can be used separately or in any combination - all samples are at a higher resolution than the previous SK series Drawbar organ section derived from the top-of-the-line XK-5 Virtual multi-contact keyboard New digital Leslie Expanded transistor ("ACE") and classical pipe organ voices (including 32' pedal and theatre pipe organ voices) Piano section with a wide variety of keyboard instruments including hi-res grand and electric piano sounds New "S" style grand piano (legendary European instrument) Ensemble section with essential brass, reed, string, choir and percussion instruments Analog-modeled mono synth section Pitch bend and modulation wheels Real AC connection, no wall wart Multiple, assignable outputs with discrete organ and bass outputs 11-pin Leslie jack Onboard bulk storage for all programming A & B USB ports (for storage and MIDI-Over-USB functions) Seamless switching of tones while playing Patches, combinations, and centrally located FAVORITE/ALLOCATE buttons allow quick and easy access to performance needs Large color display with essential information gives the player instant status of the instrument

Specs: 8-voice analog drum machine with powerful sequencer and sampling capabilities Each drum voice allows you to combine the analog tone generator with a digital sample Analog overdrive, analog multimode filter, effects sends, envelope, and LFO for each voice Sensitive performance pads can trigger sounds or play a sound chromatically Rich, deep-sounding reverb and delay send effects Perfect for both stage and studio, with individual outputs for each voice plus a main stereo output and headphone out 1GB of onboard storage for your own sample library, plus plenty of storage for patterns, kits, and drum sounds Overbridge VST/AU plug-in provides control and audio input for your DAW Balanced audio inputs for sampling Vivid OLED screen for exceptional visibility Rugged backlit buttons rated for 50 million presses Precision hi-res encoders Performance controls and dedicated function buttons for a fast workflow Expression/CV inputs for external control Cast aluminum enclosure Pads:12 x pads, 16 x trigger key buttons Sounds:8 drum voices Patterns:128 patterns per project, 16 songs per project Sequencer:64-steps per pattern, 12 drum tracks, 1 FX track Effects Types:Delay, Reverb, Distortion, Compression Analog Inputs:2 x 1/4" (audio in), 2 x 1/4" (external) Analog Outputs:2 x 1/4" (main out) Headphones:1 x 1/4" MIDI I/O:In/Out/Thru/USB Other I/O:8 x 1/4" (track outs), 2 x 1/4" (expression/CV in) USB:1 x Type B Storage:Overbridge Basic sample manager/librarian Power:12V DC power supply (included) Dimensions (W x D x H): 385 x 225 x 82 mm incl. Buttons, power switch and rubber feet Weight: about 2.5 kg

The SkxPRO Stage Keyboard SkxPRO Demo Notes The SkxPRO Demos here were recorded live and direct into ProTools or Audacity. No additional processing was applied. All LESLIE™ sounds in these demos feature the SkxPRO’s on-board Digital LESLIE™. The SkxPRO Stage Keyboard The Hammond SkPRO has quickly become the preferred stage keyboard for musicians of all genres, and we’ve heard the call for a dual manual version. No matter which style you play, the SkxPRO will meet your demands for a genuine dual-manual Hammond Organ with all the required additional sounds any keyboard player requires, for any performance or recording session. The SkxPRO shares all the sounds and features of the 61 & 73 key SkPRO. Learn about the SkxPRO Essential Features: AUTHENTIC HAMMOND ORGAN derived from our TOP-OF-THE-LINE XK-5. 3 INDEPENDENT SETS OF DRAWBARS: UPPER/LOWER/PEDAL EXPANDED TRANSISTOR and PIPE ORGAN voices (including Classical and Theatre Organ ranks) PIANO SECTION with a wide variety of keyboard instruments, including new high-resolution Grand and Electric Piano sounds, ENSEMBLE SECTION with essential Brass, Reed, String, Choir and Percussion instruments. ANALOG-MODELLED MONO SYNTH SECTION. PITCH BEND and MODULATION WHEELS. SEAMLESS SWITCHING of tones while playing. PATCHES, COMBINATIONS and CENTRALLY LOCATED FAVORITE/ALLOCATE buttons for quick and easy access to performance needs. DIRECT POWER CONNECTION (no “wall-wart” Power-adapter). MULTIPLE, ASSIGNABLE, OUTPUTS, with discrete Organ and Bass outputs. 1/8" STEREO INPUT JACK for External Audio Sources 11-PIN LESLIE JACK. ON-BOARD BULK STORAGE for all programming. USB TYPE "A" and "B" PORTS for USB MIDI and MASS STORAGE functions. LARGE COLOR DISPLAY giving essential instrument information instantly. More SkxPRO features Effects Each of the 4 Voice Sections can receive Overdrive and 2 types of comprehensive DSP Multi-Effects. All the DSP Effects listed below can be saved as part of a Patch: Overdrive: Tube, Solid, Clip, EP Amp. Multi-effect 1: Tremolo, Wah-Wah, Ring Modulator, Compressor Multi-effect 2: Phaser, Flanger, Chorus, Delay, Auto Pan Controls The SkxPRO incorporates Pitch Bend and Modulation Wheels, giving the player the ability to add full expressiveness to the music. Each Voice Section has an individual Volume Control allowing the different Sections to be “mixed” in real time. Sophisticated Design The panel of the SkxPRO is an eye-catching “British Racing Green” color that will blend in any environment. For those desiring a more traditional organ style, a set of easily self-installed walnut side panels is available as an option. (Model number: SBW-SKXPRO) Pedal/Bass Many players use the lower manual for their bass parts. The SkxPRO allows you to “couple” the Pedal part up to the lower manual. In addition to the Drawbar Pedal voices, each of the 3 other sections may be played as “pedal” voices. You can also assign the LOWER voices to the Pedal part. "Half Moon" Leslie Speed Switch The iconic “Half Moon” Leslie speed switch is available in two colors to match the side panels of the SkxPRO. CU-1 (brown) and CU-1BK (black) Connections The SKX PRO includes LINE OUT left & right jacks as well as a HEADPHONE jack and an AUX IN jack with its own volume control for connecting an external sound source such as a music player. In addition, individual outputs allow the assignment of the PIANO, ENSEMBLE or MONO SYNTH Sections to two separate audio outputs. ROTARY OUT and ORGAN PEDAL (BASS) OUT jacks are provided.

How do you reproduce the warm, authentic sound of an organ in a stage keyboard? You build an organ engine the Yamaha way, from the ground up. Yamaha puts your favorite classic organ sounds in one powerful, stage keyboard. YC models three organ vintages - just out of the box, well-traveled and character-rich vintage. Need more? Go under the hood to adjust key click, leakage, rotary speaker speed and more to get the one-of-a-kind organ tone you've been searching for. YC brings you the authentic sounds of classic rotary speakers with no maintenance required. Choose from two faithfully modeled rotary speaker profiles - warm and full or dirty and aggressive - and adjust top or bottom rotor speed for total control. [New to OS v1.2] Based on your feedback, we’ve added a new “Studio” Rotary Speaker, featuring a wider stereo field, increased low rotor and high horn separation, as well as an increased presence to cut through mixes. VCM re-creates the sound and behavior of vintage effects and high-end studio signal processors by modeling the circuits down to the original analog component level. In 1983, Yamaha introduced the iconic sounds of FM (Frequency Modulation) synthesis to the world with the launch of the synthesizer DX7. Now YC brings FM synthesis to the organ for a new generation of players. Simply switch to FM Organ and your drawbars control 8 FM Operators that send a pure sound with massive low end. Add rotary speaker or amp sim effects for character and vibe. Intuitive controls make it easy to discover new sounds. Or recreate classic transistor organ tones from warm to reedy to buzzy by choosing one of three popular FM Organ modes. [New to OS v1.2] Helping to broaden your creativity are three new FM organ types – titled F4, F5, and F6. These delve deeper into FM synthesis by adding modulators – or operators – that add upper harmonics to carriers, yet do not sound. The user interface of drawbars, coupled with modulators, create vastly new approaches to the traditional drawbar organ experience, bringing the traditional drawbar concept into the 21st century. Keyboard Number of Keys 73 Type BHS (Balanced Hammer Standard) keyboard: matte black keytops Voices Tone Generation Tone Generating Technology VCM Organ, AWM2, FM Polyphony Number of Polyphony (Max.) [VCM Organ + AWM2]:128 *Total of VCM Organ and AWM2, [FM]:128 Number of Live Set Sound 160 (Preset Live Set Sounds:136) Number of Voices 190 (Organ:9 / Keys:181) Effects Types Insertion Effect Organ 1 systems (Pre Drive) / Key A 2 systems (1: 35 types, 2: 35 types) / Key B 2 systems (1: 35 types, 2: 35 types) Effect 35 types Speaker/Amp 7 types (Rotary Speaker: 3 types, Amp: 4 types) Reverb 1 type Master EQ 3 band (with sweepable Mid) Connectivity Connectors Line Out OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED), OUTPUT [L]/[R] (XLR jacks, BALANCED) Headphones [PHONES] (6.3 mm, standard stereo phone jack) Foot Controller FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE] MIDI MIDI [IN]/[OUT] USB USB [TO HOST]/[TO DEVICE] AUX INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Other Connectors [AC IN] Display Full Dot LCD (128 x 64 dots) Additional package contents Owner’s Manual x 1, Power cord x 1, Foot pedal (FC3A) x 1 Size/Weight Dimensions Width 1086 mm (42-3/4") Height 145 mm (5-11/16") Depth 355 mm (14") Weight Weight 13.4 kg (29 lb, 9 oz) Packing Box Width 1,358 mm (53-7/16") Height 291 mm (11-7/16") Depth 524 mm (20-5/8")

The Next Evolution of the Prophet The Sequential Prophet X is a potent fusion of samples-plus-synthesis and is Sequential’s most ground-breaking evolution of the Prophet yet. At its heart, it’s a bi-timbral, 8-voice-stereo, 16-voice mono/stereo, 32-voice paraphonic synth with a newly developed sound engine that powers two simultaneous 16-bit, 48kHz sample-based instruments plus two high-resolution digital oscillators — all processed through analog filters. . With 150 GB of internal samples from acclaimed sound developers 8Dio, and all of the powerful synthesis tools you’ve come to expect from Sequential, the Prophet X has a musical voice uniquely its own. Sample Engine On the sample side of things, in 8- and 16-voice mode, the Prophet XL provides two independent, stereo, digitally sampled instruments per voice (4 in Stack or Split mode). The 150 GB of internal sample content was created by 8Dio, known for pioneering “deep sampling.” You’ll find a diverse collection of acoustic and electronic instruments as well as plenty of edgy ambient and cinematic effects. You can shape the samples through loop manipulation, sample stretching, and the Prophet X’s sound-sculpting modulation functions. Each sample instrument has its own Tone control for high-pass or low-pass filtering. 50 GB of additional internal storage is dedicated to importing user samples and 3rd party sample libraries. Synth Engine On the synth side, the Prophet X gives you the power of a classic Prophet, with two high-resolution digital oscillators that feature both classic waveshapes and a supersaw for more timbral possibilities. Using the Shape Mod control, you can manually dial in a desired waveshape width for any of the classic sine, sawtooth, or pulse waves, or use an LFO or other mod source for continuously shifting timbre. You can shape the raw sounds with all of the classic synthesis functions you’d expect, including 4 syncable LFOs with slew and phase offset, 4 loopable five-stage envelope generators, and a 16-slot mod matrix with dozens of modulation sources and destinations. Stereo Filters for Depth and Impact At the heart of the Prophet XL’s powerful sound are its new, 24 dB-per-octave resonant low-pass filters, which are based on a vintage design. In 8-voice mode, there are separate filters in the left and right channels for a true stereo signal path. These add exceptional presence and fullness to both the samples and the oscillators. For additional polyphony, you can switch the Prophet XL from 8-voice stereo mode to 16-voice mono/stereo mode, which is useful for stacks and splits, or 32-voice paraphonic performance mode when using a single sampled instrument and oscillator. Poly Step Sequencing The polyphonic step sequencer provides up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer if working in stacked or split voice mode, making it a powerful tool for composition or performance. Sequences can have ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Two Effects per Layer A dual effects engine provides multiple reverbs, 2 delays (standard and BBD), chorus, phase shifter, flanger, ring mod, vintage rotating speaker, high-pass filter, and distortion. In stacked or split voice mode, you can apply two different effects to each layer. Effects parameters can be modulated through the mod matrix. Road-worthy and Studio-ready With loads of sonic firepower and personality, a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch, an integrated power supply, MIDI USB support, and three crisp OLED displays, the Prophet X fits into any music rig or gig — in the studio or on the road. Prophet X Specifications SAMPLE PLAYBACK 2 multi-sampled stereo instruments per voice with editable sample start, sample end, loop size, and loop center, loop on/off, sample reverse, sample stretch, bit-rate reduction, and sample rate reduction Forward and forward/reverse loop modes 150 GB of factory-installed 16-bit, 48 kHz sampled instruments created by 8Dio 50 GB of additional storage for user-imported samples or 3rd-party sound libraries High-pass and low-pass filter per instrument Instrument 1 and instrument 2 delay as mod destinations OSCILLATORS 2 digital oscillators per voice with selectable sine, sawtooth, pulse, and supersaw waves. You can vary the shape of any of the waveshapes. Glide (portamento): separate rates per oscillator; (samples can glide in Sample Stretch mode) Hard sync FILTERS 2 x analog 4-pole resonant low-pass filter per voice Digital high-pass filter in Effects section ENVELOPES 4 loopable, five-stage (ADSR plus delay) envelope generators: Filter, VCA, and two assignable SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. MIDI note output Sequences can be copied between Layer A and Layer B AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATORS 4 LFO’s with key sync, phase offset, and slewing per LFO Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) MODULATION 16-slot modulation matrix 28 sources 92 destinations 11 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch, LFO 1, LFO 2, LFO 3, LFO 4, Env 3, Env 4 ARPEGGIATOR Fully-featured arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat Beat sync MIDI note output ALTERNATIVE TUNINGS 64 preset alternative tunings Additional alternative tunings can be imported via SysEx DIGITAL EFFECTS 2 digital effects on each layer Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, spring reverb, room reverb, hall reverb, super plate reverb CLOCK Master clock with tap tempo BPM control and display MIDI clock sync PERFORMANCE CONTROLS Full-sized, semi-weighted, 5-octave keyboard with velocity and channel (mono) aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count PATCH MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru USB MIDI Sample import jack for USB Stick Main stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Output B stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Pedal/CV: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Volume: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Sustain pedal input: accepts normally on or normally off momentary footswitch. Sequencer: accepts normally on or normally off momentary footswitch to trigger sequencer playback. Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 25 watts maximum PHYSICAL SPECS Dimensions: 38.44″ L x 13.53″ W x 4.13″ H (97.6 cm L x 34.3 cm W x 10.9 cm H) Weight: 24 lbs

How do you reproduce the warm, authentic sound of an organ in a stage keyboard? You build an organ engine the Yamaha way, from the ground up. Yamaha puts your favorite classic organ sounds in one powerful, stage keyboard. YC models three organ vintages - just out of the box, well-traveled and character-rich vintage. Need more? Go under the hood to adjust key click, leakage, rotary speaker speed and more to get the one-of-a-kind organ tone you've been searching for. YC brings you the authentic sounds of classic rotary speakers with no maintenance required. Choose from two faithfully modeled rotary speaker profiles - warm and full or dirty and aggressive - and adjust top or bottom rotor speed for total control. [New to OS v1.2] Based on your feedback, we’ve added a new “Studio” Rotary Speaker, featuring a wider stereo field, increased low rotor and high horn separation, as well as an increased presence to cut through mixes. VCM re-creates the sound and behavior of vintage effects and high-end studio signal processors by modeling the circuits down to the original analog component level. In 1983, Yamaha introduced the iconic sounds of FM (Frequency Modulation) synthesis to the world with the launch of the synthesizer DX7. Now YC brings FM synthesis to the organ for a new generation of players. Simply switch to FM Organ and your drawbars control 8 FM Operators that send a pure sound with massive low end. Add rotary speaker or amp sim effects for character and vibe. Intuitive controls make it easy to discover new sounds. Or recreate classic transistor organ tones from warm to reedy to buzzy by choosing one of three popular FM Organ modes. [New to OS v1.2] Helping to broaden your creativity are three new FM organ types – titled F4, F5, and F6. These delve deeper into FM synthesis by adding modulators – or operators – that add upper harmonics to carriers, yet do not sound. The user interface of drawbars, coupled with modulators, create vastly new approaches to the traditional drawbar organ experience, bringing the traditional drawbar concept into the 21st century. Keyboard Number of Keys 88 Type NW-GH3 (Natural Wood Graded Hammer) keyboard: synthetic ebony and ivory keytops Voices Tone Generation Tone Generating Technology VCM Organ, AWM2, FM Polyphony Number of Polyphony (Max.) [VCM Organ + AWM2]:128 *Total of VCM Organ and AWM2, [FM]:128 Number of Live Set Sound 160 (Preset Live Set Sounds:136) Number of Voices 190 (Organ:9 / Keys:181) Effects Types Insertion Effect Organ 1 systems (Pre Drive) / Key A 2 systems (1: 35 types, 2: 35 types) / Key B 2 systems (1: 35 types, 2: 35 types) Effect 35 types Speaker/Amp 7 types (Rotary Speaker: 3 types, Amp: 4 types) Reverb 1 type Master EQ 3 band (with sweepable Mid) Connectivity Connectors Line Out OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED), OUTPUT [L]/[R] (XLR jacks, BALANCED) Headphones [PHONES] (6.3 mm, standard stereo phone jack) Foot Controller FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE] MIDI MIDI [IN]/[OUT] USB USB [TO HOST]/[TO DEVICE] AUX INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Other Connectors [AC IN] Display Full Dot LCD (128 x 64 dots) Additional package contents Owner’s Manual x 1, Power cord x 1, Foot pedal (FC3A) x 1 Size/Weight Dimensions Width 1298 mm (51-1/8") Height 142 mm (5-9/16") Depth 364 mm (14-5/16") Weight Weight 18.6 kg (41 lb, 0 oz) Packing Box Width 1,548 mm (60-15/16") Height 291 mm (11-7/16") Depth 524 mm (20-5/8")

A Modern Classic Reinvented The Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.” The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. Best of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments. An 8-voice version is also available, which can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other. Prophet Rev2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix 22 sources 53 destinations 5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS 5-octave keyboard with semi-weighted action, velocity, and aftertouch 55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

The SkxPRO Stage Keyboard The Hammond SkPRO has quickly become the preferred stage keyboard for musicians of all genres, and we’ve heard the call for a dual manual version. No matter which style you play, the SkxPRO will meet your demands for a genuine dual-manual Hammond Organ with all the required additional sounds any keyboard player requires, for any performance or recording session. The SkxPRO shares all the sounds and features of the 61 & 73 key SkPRO. Essential Features: AUTHENTIC HAMMOND ORGAN derived from our TOP-OF-THE-LINE XK-5. 3 INDEPENDENT SETS OF DRAWBARS: UPPER/LOWER/PEDAL EXPANDED TRANSISTOR and PIPE ORGAN voices (including Classical and Theatre Organ ranks) PIANO SECTION with a wide variety of keyboard instruments, including new high-resolution Grand and Electric Piano sounds, ENSEMBLE SECTION with essential Brass, Reed, String, Choir and Percussion instruments. ANALOG-MODELLED MONO SYNTH SECTION. PITCH BEND and MODULATION WHEELS. SEAMLESS SWITCHING of tones while playing. PATCHES, COMBINATIONS and CENTRALLY LOCATED FAVORITE/ALLOCATE buttons for quick and easy access to performance needs. DIRECT POWER CONNECTION (no “wall-wart” Power-adapter). MULTIPLE, ASSIGNABLE, OUTPUTS, with discrete Organ and Bass outputs. 1/8" STEREO INPUT JACK for External Audio Sources 11-PIN LESLIE JACK. ON-BOARD BULK STORAGE for all programming. USB TYPE "A" and "B" PORTS for USB MIDI and MASS STORAGE functions. LARGE COLOR DISPLAY giving essential instrument information instantly. The SkxPRO is equipped with FOUR Sound Engines available separately or in any combination. Sound Engine #1: GENUINE HAMMOND ORGAN with DIGITAL LESLIE™ ● The SkxPRO incorporates the state-of-the-art “Modelled Tone Wheel 1” (MTW1) sound engine pioneered by our flagship Hammond XK-5 Organ, recognized everywhere as the standard in digital "tone wheel" sound. ● The Virtual Multi-Contact system replicates the keyboard performance of a vintage Hammond Organ, allowing the distinctive Hammond “feel” in every detail. For even greater versatility, our optional Hammond MIDI Pedalboards such as XPK-130G, XPK-200G or XPK-200GL can be added for traditional organ play. ● An on-board new-generation Digital Leslie™ brings deeper authenticity, including the airflow of Leslie rotors, faithfully reproducing the Leslie ’s unique tone and three-dimensional effect. ● A tube modeling system provides the essential Hammond “tube-warmth". ● A special system emulating the Matching Transformer of a vintage Hammond Organ adds striking authenticity to the Hammond Drawbar tones. ● In addition to the great Hammond Drawbar sounds, the SkxPRO also models Italian ("Farf"), British ("Vx"), and Japanese ("Ace") transistorized Combo Organs. ● The Church/Classical organist can also call upon 32 ranks of Classical Pipe Organ Voices, (including a 32’ Pedal stop). For the first time in any modern keyboard, a range of Theatre Pipe Organ (“Mighty Wurlitzer”) ranks are now included. Sound Engines #2 & #3 : PIANO/ENSEMBLE ● All Piano/Ensemble voices are at a HIGHER RESOLUTION than the classic Sk Series. ● All Piano/Ensemble voices can be FULLY EDITED. Sample choice, EG, Filter, LFO and other parameters are now in your control and can be saved as a Patch. ● The SkxPRO contains high-quality samples of the world's leading Grand Piano sounds, including a brand-new sample of a legendary European Concert Grand Piano. ● High-definition digital voices (upgraded in resolution from previous Sk models) provide a wide variety of tonal possibilities, many of them new to the Sk-series. ● 12 Category Buttons allow easy and instant tone/patch selection. ● Hammond's exclusive Pro Chord feature permits the player to reproduce complex harmonies by playing a single-note melody based on chords played on lower manual. (Pro Chord feature also available on Drawbar Voices) Sound Engine #4: MONO SYNTH The SkxPRO incorporates a physically-modeled Synthesizer faithfully providing the sounds and playing experience of classic analog synthesizers. All traditional synth controls are on the top panel, allowing the creation and editing of sounds in real-time just as on a classic analog synth. Performance-Oriented Patch Selection Combinations/Patches/Favorites Like the SkPRO, the SkxPRO features our new system of Combinations, combining up to 4 Patches, and 3 External MIDI Instrumetns along with desired performance parameters. Combinations “set the scene” for each performance and may be changed in an instant. The 4 ALLOCATION buttons located in the center of the keyboard, call up any part of a Combination in real-time, giving the equivalent of FOUR discrete keyboards. 200 Combinations are available (100 Factory and 100 User). The Setup of the entire SkxPRO may be saved or recalled in seconds through onboard data storage, or optional USB "thumb" drive. Patches The basic voice unit of the SkxPRO is a “Patch”, storing the source sound or sounds and all programming for each sound. There are Factory and User Patches available - 100 of each for the ORGAN and MONO SYNTH Sections and 300 Factory / 400 User for the PIANO and ENSEMBLE Sections. Favorites Any ten Combinations may be assigned to the FAVORITES buttons (as on previous Sk instruments) for instant access. The selection of Favorites has been expanded to include Ten (10) Banks with 10 Favorites each: for a total of 100 Favorites providing quick and easy selection More SkxPRO features Effects Each of the 4 Voice Sections can receive Overdrive and 2 types of comprehensive DSP Multi-Effects. All the DSP Effects listed below can be saved as part of a Patch: Overdrive: Tube, Solid, Clip, EP Amp. Multi-effect 1: Tremolo, Wah-Wah, Ring Modulator, Compressor Multi-effect 2: Phaser, Flanger, Chorus, Delay, Auto Pan Controls The SkxPRO incorporates Pitch Bend and Modulation Wheels, giving the player the ability to add full expressiveness to the music. Each Voice Section has an individual Volume Control allowing the different Sections to be “mixed” in real time. Sophisticated Design The panel of the SkxPRO is an eye-catching “British Racing Green” color that will blend in any environment. For those desiring a more traditional organ style, a set of easily self-installed walnut side panels is available as an option. (Model number: SBW-SKXPRO) Pedal/Bass Many players use the lower manual for their bass parts. The SkxPRO allows you to “couple” the Pedal part up to the lower manual. In addition to the Drawbar Pedal voices, each of the 3 other sections may be played as “pedal” voices. You can also assign the LOWER voices to the Pedal part. "Half Moon" Leslie Speed Switch The iconic “Half Moon” Leslie speed switch is available in two colors to match the side panels of the SkxPRO. CU-1 (brown) and CU-1BK (black) Connections The SKX PRO includes LINE OUT left & right jacks as well as a HEADPHONE jack and an AUX IN jack with its own volume control for connecting an external sound source such as a music player. In addition, individual outputs allow the assignment of the PIANO, ENSEMBLE or MONO SYNTH Sections to two separate audio outputs. ROTARY OUT and ORGAN PEDAL (BASS) OUT jacks are provided.

The Skx Stage Keyboard - the smallest, lightest, full-featured dual-manual in the company’s history. Evolving from the highly successful line of Sk series Stage Keyboards, the Skx has embraced design recommendations from Professionals and Hobbyists alike. The result is a comprehensive instrument combining an authentic Hammond Organ featuring 3 sets of Harmonic Drawbars™, Vibrato-Chorus, Touch-Response Percussion™, and digital Leslie™; with a complete array of the most desired Keyboard Voices, such as Grand Pianos, Electric Pianos, Clavs, Orchestral and Percussive voices, and more. These may be combined with the Tonewheel voices, or with each other, in the twin Extravoice divisions. The Organ division is further equipped with 32 ranks of Hi-Def Classical Pipe Organ voices, and accurate models of the two most popular combo organs of the Sixties, which may be registered and played exactly as the originals. Further improvements are found in the expanded Voice Library memory allowing users to install their choices of custom voices obtained without charge from the Hammond Website. Multiple banks of favorite preset collections are now standard, as is a new set of factory presets created by Hammond’s Artist Roster. New to this instrument is the traditional 11-pin Leslie jack for connecting a Leslie™ Speaker cabinet. The classic “Half-Moon” switch (optional) can be added to control the speed of either the onboard digital Leslie or external Leslie Cabinet. More about the Skx THREE SETS OF DRAWBARS The Professional Organist desires an independent set of DRAWBARS for each Manual as well as the Pedal clavier, The Skx offers exactly that: REAL Drawbars in the style and operation of every classic HAMMOND ORGAN, allow you to register each manual and the pedal in the traditional manner. DUAL INDEPENDENT EXTRA VOICE DIVISIONS The Skx features TWO independent EXTRA VOICE Divisions, allowing you to layer different voices on one Manual, or assign a different voice to either Manual. You may also combine the EXTRA VOICES with the Tonewheel, Transistor or Pipe Organ voices. Balance between the chosen EXTRA VOICES is easily controlled with a dedicated MIX/BALANCE knob. EASY TO PLAY, READY FOR THE STAGE The Skx is designed for smooth use onstage and off. Define your 10 most-used patches from the 100 “User” and 100 “Factory” patches and assign them to the 10 “Favorite” quick-recall buttons on the Skx control panel. Adding even more versatility, there are now 10 “banks” of “Favorites” available for instant recall. The Skx also has an expanded EXTRA VOICE LIBRARY storage memory, allowing the installation of more downloaded voices from the HAMMOND website than previous models. THE VINTAGE SOUND, WITH NO MOVING PARTS The Skx’s authentic HAMMOND tone is produced by a “Virtual Tonewheel” Generator closely following Mr. Hammond’s original design, but executing it in the Digital Realm, without moving parts. This provides all the characteristics, and yes, all the imperfections that have come to define the classic HAMMOND sound. “Out of the box”, the Skx is set to the same factory tolerances a B-3 was set to during its production run, but the Digital control allows you to tailor nearly every aspect of the tone to your personal taste. Our Wave Composition™ system adds popular “Transistor Combo Organ” Voices, which you can register in the original fashion, plus 32 ranks of High-Definition Digital Classic Pipe Organ Voices. The SKX is perfectly at home in all types of music, from Blues to Rock to Jazz and Sacred, and all points in-between. PERCUSSION Hammond’s exclusive Touch-Response Percussion™ as found on vintage Hammonds is included, and its parameters are user-tweakable. CHORUS-VIBRATO As the Virtual Tonewheel Generator provides tonal accuracy, the classic “Mechanical Scanner” is precisely Digitally-Modeled, providing the timeless Hammond Chorus-Vibrato effect. The effect may be applied independently to each Manual, and again, nearly every aspect of the effect can be tailored to your taste, including the characteristics relating to “age and wear” so desired by discerning players. DIGITAL LESLIE™ Over 80 years of building Don Leslie’s Masterpiece has given us the edge in developing its 21st Century Digital Edition. The HAMMOND’S essential partner is yours at every moment, with 8 factory profiles of the most famous Leslie models (122, 147, et. al.), and 8 User-definable profiles allowing you to tailor the response matching the Hammond you create with its perfect mate. The accuracy of sound is remarkable. Of course, should you wish to hook up a physical Leslie Cabinet, the traditional 11-pin jack is located on the rear panel, and the onboard controls (including the optional CU-1 “half moon” switch) perform exactly as you expect. THE EXTRA VOICE DIVISION The inclusion of Hi-Definition Acoustic and Electric Pianos, Clav, Bass, and Accordion voices compliment the Organ tones, and create in the Skx a comprehensive foundation keyboard, the backbone of any serious keyboard rig. The Skx’s keying system replicates the feel of a weighted keyboard when playing piano-type voices, yet remains supple and responsive to every Hammond Organ technique. Stepping further, the most-wanted Orchestral Voices-Strings, Woodwinds and Brass are represented, many featuring Hammond’s exclusive ProChord™, which brings complex voicing to single key play based on the chords YOU provide. An extensive Library of elective EXTRA VOICES is available without charge from www.hammondorganco.com, to expand the Skx in directions YOU choose. DSP EFFECTS Two independent high-quality DSP units are aboard to provide Overdrive and other multi-effects to both the Organ and Extravoice Divisions. ●Overdrive ●Tremolo ●Auto Pan ●Wah-Wah ●Ring Modulator ●Phaser ●Flanger ●Chorus ●Delay ●Reverb PERFORMANCE OPERATIONS • OCTAVE Digital Control allows flexibility of performance a Vintage Hammond is incapable of. You may independently raise or lower the Upper and Lower Manual’s range by one octave, allowing greater comfort of playing. • PEDAL SUSTAIN A popular option for playing the Pedals or Manual Bass is Pedal Sustain, which allows the Pedal voice to smoothly decay upon release, much in the manner of a string bass. • MANUAL BASS Allows the PEDAL part to be played on the LOWER manual of the Skx.(AKA "Manual Bass") You can choose from 3 modes,: Lowest played note only / Chord / Root notes as discriminated by chord played. The "F-Bass" Bass Guitar voice is now a part of the "Pedal" division. You no longer need to devote an EXTRAVOICE to have this desirable feature. • LOWER to PEDAL Couples the LOWER manual registration to the PEDAL Part. • TRANSPOSE Allows you to shift the entire pitch of the keyboard to match singers, soloists and the other instruments, or to simplify key changes. • MASTER EQUALIZER Bass/Mid Gain/Mid Frequency/Treble • PROCHORD Certain Extra Voice instruments are enhanced with the ProChord™ function. This allows complex voicings to be played with one finger, based on chords played on the lower manual. 26 distinct chords are “parsed” by the ProChord™ function, with proper passing tones provided to insure proper enharmonic continuity. • MIDI MASTER KEYBOARD External Zones are available to enable the Skx to be used as a MIDI master keyboard. 3 on the Upper Keyboard, 2 on the Lower Keyboard, and 1 on the Pedal Clavier. • USB TYPE “A” PORT A USB Type “A” port is included, intended for saving/loading setups, system updates, downloaded Extra Voice libraries, and the music player. The Music Player allows WAV/MP3 audio files to be controlled and played through the Skx Audio Outputs. • LESLIE 11-PIN JACK A standard 11-pin Leslie jack is included on the rear panel. Attaching a Leslie here disables the Digital Leslie effect from the output, and allows the Leslie Cabinet to respond to the onboard Leslie Controls. If the attached Leslie is a 1-channel Model, the EXTRAVOICE Division remains at the LINE OUT Jacks. (requiring an additional non-rotary keyboard amplifier.)