StudioLogic Numa Organ 2 su nove virtualne Tone wheel orgulje. Opremljene su sa 73 poluotežane dirke (od kojih dirke prve oktave imaju obrnutu boju), sq 9 registara na izvlačenje i MIDI upravljačkim funkcijama te mnoštvom kontrola koje su nadahnute Hammondovim orguljama B-3. Uz klasične zvukove modela B, tu su još i rjeđi modeli A, C i G, kao i klasične crkvene orgulje i par modela popularnih električnih orgulja. Kad je u pitanju simulator rotacijskog zvučnika (Leslie), Numa Organ 2 neće vas razočarati. Uz njega su tu i orguljaški klasični efekti, a maksimalnu fleksibilnost sviranja nudi mogućnost pohranjivanja sopstvenih preseta, kao i MIDI i USB povezivanje sa kompom.

Specs: Sample-based drum machine with 64MB sample memory and over 1GB of onboard storage 8 stereo audio tracks support one-shot samples and sample chains 1 multimode-filter per audio track and 1 assignable LFO per track Delay and Reverb send effects onboard 8 MIDI tracks for sequencing external instruments Powerful Elektron sequencing with Trig Conditions and Parameter Locks MIDI sequencer features +3 note offset for every step for sequencing chords up to four notes USB 2.0 connectivity, with support for Overbridge MIDI In, Out, and Thru ports Type:8-voice Drum Machine/Sequencer Pads:16 Patterns:128 patterns per project Sequencer:8 x MIDI tracks, 8 x audio tracks Sampler:Yes Effects Types:Delay, Reverb Analog Inputs:2 x 1/4" (left, right) Analog Outputs:2 x 1/4" (main out) Headphones:1 x 1/4" MIDI I/O:In, Out (sync A), Thru (sync B) USB:1 x Type B Storage:64MB sample memory, 1GB +Drive Sound Library (up to 2048 sounds stored) Software:Elektron Overbridge Basic Power:12V DC power supply (included) Dimensions (W x D x H): 215 x 184 x 63 mm Weight: 1.45 kg

SPECIFIKACIJE: Monophonic 3 VCOs with adjustable pulse width Oscillator 1 with outputs for sawtooth and pulse Oscillators 2 and 3 with switchable oscillator synchronization and outputs for triangle, sawtooth, sine and pulse Low-pass filter with resonance and 2 switchable filter characteristics Noise generator Ring modulator Sample & Hold stage Preamp and envelope follower for external signals Voltage processor ADSR envelope AR envelope Stereo VCA with adjustable panorama Mixable reverb effect Extensive modulation options for oscillators and filters are possible thanks to a specified signal path and free interconnection of all sections via patch sockets (3.5 mm jack) Stereo line output: 2x 6.3 mm jack Stereo headphone output: 3.5 mm jack Footswitch inputs for Interval Latch and Portamento: 6.3 mm jack MIDI In / Thru USB-B port Format: 19"/ 8 U Includes external power supply (12 V DC, 2000 mA)

Specs: Keyboard : New RHA Polyphony Note : Max. 256 Sound : Preset Sound - 36 Source :ROS V.6 Rhythm : 20 Piano Assist: 20 Display: 3 Digit LED Piano: String Resonance - Yes Setting : Damper Resonance -Yes Cabinet Resonance - Yes Adjustable Music Rest : Yes Bluetooth : Audio/MIDI (5.0) DSP : Reverb -HD Reverb Effects: HD Effects Pedal : 3(Soft/Sostenuto/ Damper), Support Half Damper Pedal USB: MIDI Interface - Yes Conection-: Audio Interface -Yes (48KHz 24bit) ,Compatibility USB 2.0 , PC/ Mac/ iOS/ Android Function : Record 2 Track X 3 Song Layer: Yes Split : Yes Twin Piano : Yes Master Tune : Yes Master Key- Transpose :Yes Touch : Yes Metronome : Yes Terminal : Headphone , 1 X Phone Jack, 1 X 3.5mm Jack USB to Host : USB Type B Stereo Audio Out Stereo 3.5mm , Stereo Audio In (MP3 in) ,Stereo 3.5mm Output : 20W X 2 , 2 Speakers Dimension (W x L x H) : 1375 x 405 x 840 mm

Specs: Keyboard : New RHA Polyphony Note : Max. 256 Sound : Preset Sound - 36 Source :ROS V.6 Rhythm : 20 Piano Assist: 20 Display: 3 Digit LED Piano: String Resonance - Yes Setting : Damper Resonance -Yes Cabinet Resonance - Yes Adjustable Music Rest : Yes Bluetooth : Audio/MIDI (5.0) DSP : Reverb -HD Reverb Effects: HD Effects Pedal : 3(Soft/Sostenuto/ Damper), Support Half Damper Pedal USB: MIDI Interface - Yes Conection-: Audio Interface -Yes (48KHz 24bit) ,Compatibility USB 2.0 , PC/ Mac/ iOS/ Android Function : Record 2 Track X 3 Song Layer: Yes Split : Yes Twin Piano : Yes Master Tune : Yes Master Key- Transpose :Yes Touch : Yes Metronome : Yes Terminal : Headphone , 1 X Phone Jack, 1 X 3.5mm Jack USB to Host : USB Type B Stereo Audio Out Stereo 3.5mm , Stereo Audio In (MP3 in) ,Stereo 3.5mm Output : 20W X 2 , 2 Speakers Dimension (W x L x H) : 1375 x 405 x 840 mm

The ideal on-the-go organ Weighing less than eight pounds, the Hammond M-Solo is the perfect go-anywhere organ. Toss it in a gig bag for pickup shows, add it to your keyboard rig, or set it on top of your piano to access a rich collection of organ sounds and more in a space-saving format. Despite its compact form factor, you’ll find the M-Solo is a fully featured digital organ with velocity-sensitive keys, an expression pedal input, a “Lesile Fast” jack, MIDI I/O, USB, and even an auxiliary input for piping in external sounds, like backing tracks or your digital piano. Rich selection of organ tones and more In addition to the M-Solo’s incredible-sounding B-3 tonewheel organ emulation, you can access three of the most historically significant and popular transistor organs (Vx, Farf, and Ace). A ’70s-style string and voice ensemble is included for lush pad-like accompaniments, and a dual-oscillator polyphonic synth with four selectable waveforms, an envelope generator, pulse-width modulation, and a 4-pole filter! Customize your sounds in real time The M-Solo offers an impeccable balance of customization and ease of use! Like the drawbar organs of yesteryear, all the M-Solo’s buttons and drawbars are primarily “what you see is what you get.” For ease of use during performances, you can store up to three patches for instant recall. But the real fun of the M-Solo lies in the physical controls to dial in your organ, ensemble, and synth sounds in real time. Organ players at Sweetwater attest that the hands-on interaction is an excellent way to spark creativity and elicit engaging, expressive performances! Hammond M-Solo Portable Organ Features: The most lightweight and portable Hammond ever! Virtual Multi-Contact Keyboard with 49 velocity-sensitive keys has a responsive feel B-3 emulation delivers a classic tonewheel organ sound 3 additional transistor organ emulations (Vx, Farf, Ace) expand your palette of organ tones ’70s-style string machine and dual-oscillator polyphonic synth are great for adding textural pads 9 multifunction drawbars let you dial in your ideal tone with ease Ornament your sound with onboard effects, including a digital Leslie simulation, delay, reverb, chorus/vibrato, and overdrive 3 preset slots for quickly accessing sounds during performances Connect to your rig or DAW via 5-pin DIN MIDI I/O and USB

Profesionalni aranžer, predstavlja kompaktan I zvučno moćan instrument, sa kvalitetnim zvukovima I ritmovima, I definitivno sjajnim odnosom cena-kvalitet. Kao I starija braća Pa-600 I Pa-900, zasnovan je na Enhanced RX (Real eXperience) sintezi zvuka što doprinosi sjajnim I realističnim bojama. Sa velikom internom memorijom zvukova, klavijatura donosi preko 950 zvukova, preko 310 ritmova I 32mb za skladištenje semplova po Vašoj želji. Klavijatura 61 dirka Sistem Nadogradiv operativni sistem Ton generator 128 zvukova, 128 oscilatora Polifonija 128 nota Efekti 4 Stereo Digitalna Multi-Efekta Vokalni procesor Ne Zvukovi Više od 950 + 64 setova bubnjeva, 256 user mesta + 128 user setova bubnjeva Semplovi/RAM 32 MB Ritmovi Više od 310 fabričkih + 1040 user mesta MP3 plejer/recorder Da Sekvencer Da Ulazi Dodeljiv ulaz/Damper Izlazi Izlaz za slušalice/Linijski izlaz Hard disk/Memorija / Konekcije USB tip A i B Displej TFT u boji osetljiv na dodir Dimenzije 1,030 x 378.3 x 127 mm Tezina 8,35 kg Ukljuceni dodaci Uputstvo za upotrebu, Stalak za note, Adapter za napajanje, DVD Dodatni opis Ugradjeni zvučnici 2x13W

Arturia V Collection 9 na poklon! Uz kupovinu ovog kontrolera na poklon dobijate Arturia V-Collection 9 - Bundle set plug-inova koji sadrži sledeće Arturia softverske instrumente: 33 softverska imena: Analog Lab V, ARP 2600 V, Augmented STRINGS, Augmented VOICES, B-3 V, Buchla Easel V, CMI V, CS-80 V , CZ V, Clavinet V, DX7 V, Emulator II V, Farfisa V, Jun-6 V, Jup-8 V, Korg MS-20 V, Matrix-12 V, Mellotron V, Mini V, Modular V, OP-Xa V, Piano V, Prophet-5 V, Prophet-VS V, SEM V, SQ80 V, Solina V, Stage-73 V, Synclavier V, Synthi V, VOX Continental V, Vocoder V, Wurli V Ako tražite midi klavijaturu sa kvalitetnim teškim dirkama i svim profesionalnim karakteristikama za studio i binu, onda je Arturia Keylab 88 mkII pravo rešenje za vas. Ima najvjerniji osjećaj sviranja pravog koncertnog klavira sa klavijaturom Fatar TP100LR (88 dirki, hammer-action) sa aftertouchom. U uporedi sa prethodnim modelom, KeyLab 88 MKII nudi velika poboljšanja u radu i integraciji softvera preko programa DAW Command Center. Sa ugrađenim priključcima CV / Gate, vaši dragocjeni analogni sintisajzeri lako će se integrisati u postojeći lanac.

Arturia V Collection 8 na POKLON!Uz kupovinu ovog kontrolera na poklon dobijate Arturia V-Collection 8 - Bundle set plug-inova koji sadrže sledeće Arturia softverske instrumente: 28 softverska imena: Jun-6 V, Emulator II V, Vocoder V, OB-Xa V, Analog Lab V, ARP2600 V, B-3 V, Buchla Easel V, Clavinet V, CMI V, CS-80 V, CZ V, DX7 V, Farfisa V, Jupiter-8 V, Matrix-12V, Mellotron V, Mini V, Modular V, Oberheim SEM V, Piano V2, Prophet V (Prophet VS i Prophet 5), Solina V, Stage-73 V, Synclavier V, Synthi V, VOX Continental V, Wurlitzer V i Arturia Software Center. Sa svojom kvalitetnom izradom, izvrsnom ergonomijom, funkcijama koje pružaju prefinjenu i izrazito dinamičku kontrolu virtualnih instrumenata i DAW softvera, Arturia KeyLab MkII 61 'podigla je lestvicu' kada su su pitanju profesionalne MIDI klavijature! Na bini ili u studiju svakako želite kontroler koji će Vam omogućiti da vrhunski odradite posao. Za razliku od mnogih MIDI kontrolera koji su u potpunosti izvedeni od plastike, KeyLab MkII sadrži izrazito čvrsto i lagano aluminijsko kućište. 61 dirka sa aftertouch efektom, 16 RGB osvijetljenih padova, 9 velikih kliznih potenciometara, 9 rotary encodera, 4 CV izlaza, 5 ulaza za expression pedale.Ova verzija nam dolazi u crnoj boji.

Arturia V Collection 9 na POKLON!Uz kupovinu ovog kontrolera na poklon dobijate Arturia V-Collection 9 - Bundle set plug-inova koji sadrže sledeće Arturia softverske instrumente: 33 softverska imena: Analog Lab V, ARP 2600 V, Augmented STRINGS, Augmented VOICES, B-3 V, Buchla Easel V, CMI V, CS-80 V , CZ V, Clavinet V, DX7 V, Emulator II V, Farfisa V, Jun-6 V, Jup-8 V, Korg MS-20 V, Matrix-12 V, Mellotron V, Mini V, Modular V, OP-Xa V, Piano V, Prophet-5 V, Prophet-VS V, SEM V, SQ80 V, Solina V, Stage-73 V, Synclavier V, Synthi V, VOX Continental V, Vocoder V, Wurli V Najnovija Arturijina "flagship" klavijatura ima najverniji osećaj sviranja pravog koncertnog klavira sa klavijaturom Fatar TP100LR (88 tipki, hammer-action) sa aftertouch funkcijom. U poređenju sa prethodnim modelom, MKII nudi velika poboljšanja u radu i integraciji softvera preko programa DAW Command Center. Sa ugrađenim CV / Gate konektorima, vaši analogni sintesajzeri lako će se integrisati u postojeći lanac. Robusne izrade i opsežne upravljačke funkcije za maksimalnu flaksibilnost i kreativnost pri sviranju (16 RGB padova, 9 rotirajućih enkodera, 9 kliznih potenciometara, mod i jog dial) čine Arturiu KeyLab 88 MKII idealnim alatom za najzahtjevnije klavijaturiste.

Arturia V Collection 8 na POKLON!Uz kupovinu ovog kontrolera na poklon dobijate Arturia V-Collection 8 - Bundle set plug-inova koji sadrže sedeće Arturia softverske instrumente: 28 softverska imena: Jun-6 V, Emulator II V, Vocoder V, OB-Xa V, Analog Lab V, ARP2600 V, B-3 V, Buchla Easel V, Clavinet V, CMI V, CS-80 V, CZ V, DX7 V, Farfisa V, Jupiter-8 V, Matrix-12V, Mellotron V, Mini V, Modular V, Oberheim SEM V, Piano V2, Prophet V (Prophet VS i Prophet 5), Solina V, Stage-73 V, Synclavier V, Synthi V, VOX Continental V, Wurlitzer V i Arturia Software Center. Kvalitetnom izradom, izvrsnom ergonomijom, funkcijama koje pružaju profinjenu i izrazito dinamičku kontrolu VSTova i DAW softvera, Arturia KeyLab MkII 61 "podigla je igru na viši nivo' kada pričamo o profesionalnim MIDI klavijaturama! Na bini ili u studiju svakako želite kontroler koji će vam omogućiti da vrhunski odradite posao. Za razliku od mnogih MIDI kontrolera koji su u potpunosti izrađeni od plastike, KeyLab MkII sadrži izrazito čvrsto i lagano aluminijsko kućište. 61 dirka sa aftertouch efektom, 16 RGB osvijetljenih padova, 9 velikih kliznih potenciometara, 9 rotary encodera, 4 CV izlaza, 5 ulaza za expression pedale...

Specs: Keyboard 73 Keys (61 + 1 reverse colour octave) - TP/8O semi-weighted Action Dual switch detection system Touch Velocity curve 1 Sound generator Max Polyphony 128 voices 7 organ models 3x Tonewheel (A/B/C), 3x Analog, 1x Classic Diapason Physical modelling synthesis Percussion 4'/22/3' + Volume and Decay controls Effects / Processing Master Volume Bass, Treble FX: Reverb, Drive, Leakage, Click Rotary: Slow/Still/Fast Chorus/Vibrato (6 selections) Features 11 Programmable + 1 panel User's Presets Upper/Lower sections with split Pedal section + Pedal to Lower Edit functions Tune, Perc level, Perc length MIDI Dynamic Touch in "local off" mode Controls / UI 9x Drawbars Pitch bend wheel Rotary / Modulation wheel Chorus / Vibrato knob Preset / Sound button 3x Split controls 2x Transpose controls 3x Percussion buttons 4x Effect knobs 3x Output volume / EQ knobs Dynamic touch / [MIDI] button Connections Audio OUT: 2x 6,3 mm mono jack (L+R) Audio IN: 3,5 mm mini stereo jack Headphones: 2x 6,3 mm stereo jack Pedals: Hold (Rotary Slow/Fast), Expression MIDI: In, Out, Thru USB: USB to Host, MIDI Power supply AC IN: 110-240V Size and weight Width: 105 cm / 41,5" Depth: 30 cm / 11,8" Height: 10 cm / 4,1" Weight: 11 Kg / 24,3 lbs Package content Numa Organ 2 Power cord

Yamaha Tyros5 76-ključ aranžer tipkovnica na prvi pogled: Autentične ansambl predstave, prave "divisi" igranje unutar odjeljka Poboljšane DSP za profesionalne zvuče učinaka Organ Svijet omogućuje asa svaku situaciju orguljaš naići Yamaha Tyros5 Značajke 76-ključ aranžer Tipkovnica: Autentične ansambl predstave, prave "divisi" igranje unutar odjeljka Vintage, Home, Euro, koncert, i kazalište organa glasovi, sve vrhunski reproducirati s prekrasnim uzorcima Dodaj ritam svojim nastupima s audio Styles 1279 Glasovi, 480 XG glasove, 37 bubanj setove, i 539 pratnju Stilovi Poboljšane DSP za profesionalne zvuče učinaka Stvarni Reverb nudi glatko, više prirodni ambijent Izvrtanja posljedice po uzoru na klasične gitare i pojačala iz 1960-ih i 70-ih godina VCM (virtualni krug modeliranje) služi se točne reprodukcije berba učinaka jedinica Svestrani visokih performansi audio engine vam daje potpunu kontrolu nad vašim zvuk Audio Link Multi Jastučići omogućuje povezati svoje audio datoteke i potaknuti ih iz jastučići kao što izvode Vokalni Odustani otkaže ili potiskuje vokal i solo, na minus jedan pjesme i karaoke nastupa Time se protežu i nagib pomak omogućuje vam promijeniti ključ bez mijenjanja tempa Desna ruka Style kontrola vam omogućuje stvaranje i do tri Split bodova po tipkovnici Križ prigušenja omogućuje podešavanje balansa zvuka između MIDI Song reprodukciju i datoteka reprodukcije audio Panel Lock vam omogućuje da spriječi postavke od kad se mijenja kada ste daleko od instrumenta Četiri Sub Out Line-out priključci vam dati fleksibilnost u bilo kojoj izvedbi situaciji Učinak Multi Pads: 190 banaka x 4 jastučići Veliki 7.5 "TFT VGA LCD zaslon je lako vidjeti, čak i na tamnoj fazi Tehničke specifikacije Broj tipki 76 Polifonija 128 Bilješke Presets 1279 (glas), 480 (XG Glasovi), 37 (bubanj / SFX) Broj Effects 892 Vrste Effects Reverb, Chorus, DSP, kompresor, EQ, Buka vrata, Vocal Harmony, vokoder, Vokalni Effect Sequencer 16-track Audio ulaza 1 x XLR / TRS Combo Audio Izlazi 2 x Main, 2 x Sub, 2 x Sub (AUX), 1 x slušalice USB 2 x tip A, 1 x Type B MIDI I / O / izlaz Pedala Ulazi 1 x održati, 1 x artikulacije, 1 x Volume, 1 x funkcija Napajanje Unutarnja Visina 5.59 " Širina 53,03 " Dubina 17,72 " Težina 35.27 lbs. Proizvođač broj TYROS5-76

Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation and Arpeggiator MONOPOLY The 1980s was an amazing decade for electronic music. Artists like Vince Clarke and bands like Depeche Mode have used synthesizers to great effect, creating hits such as Just Can’t Get Enough and People are People. What synthesizer could they have used, you might ask? It was none other than the MonoPoly synth, which was only available for 3 years before it was taken off the shelves and has become a true collector’s item. Today, we’re bringing this beauty to the 21st century with the Behringer MONOPOLY. This is an ultra-affordable and even more feature-packed homage to the original. Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic MonoPoly circuitry as well as VCO, VCF and VCA designs from the 80s. Take a walk in the shoes of legends or create your own timeless classics with the MONOPOLY. True to the Original Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – all the way to full-on dreamy ambience from the far reaches of your imagination. Big, Fat Tones The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right! Behringer MonoPoly 4-voice Analog Synthesizer Features: Modern reimagining of a legendary ’80s synth Mono and 4-voice paraphonic modes Variable-angle control panel 37 semi-weighted, full-sized keys 4 VCOs, each with 4 selectable waveforms VCF, 2 LFOs, 2 envelopes, sync and cross modulation Full-featured arpeggiator MIDI in/out/thru (5-pin DIN) USB (Type B) MIDI Main output: 1/4-inch TS, unbalanced Headphones: 1/4-inch TRS, stereo External control inputs: Arpeggiator Sync in, Portamento, VCF cutoff freq mod, VCO freq mod, Trigger in, Trigger in Internal control outputs: Trigger out, CV out, Switch Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation and Arpeggiator MONOPOLY The 1980s was an amazing decade for electronic music. Artists like Vince Clarke and bands like Depeche Mode have used synthesizers to great effect, creating hits such as Just Can’t Get Enough and People are People. What synthesizer could they have used, you might ask? It was none other than the MonoPoly synth, which was only available for 3 years before it was taken off the shelves and has become a true collector’s item. Today, we’re bringing this beauty to the 21st century with the Behringer MONOPOLY. This is an ultra-affordable and even more feature-packed homage to the original. Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic MonoPoly circuitry as well as VCO, VCF and VCA designs from the 80s. Take a walk in the shoes of legends or create your own timeless classics with the MONOPOLY. True to the Original Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – all the way to full-on dreamy ambience from the far reaches of your imagination. Big, Fat Tones The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right! Behringer MonoPoly 4-voice Analog Synthesizer Features: Modern reimagining of a legendary ’80s synth Mono and 4-voice paraphonic modes Variable-angle control panel 37 semi-weighted, full-sized keys 4 VCOs, each with 4 selectable waveforms VCF, 2 LFOs, 2 envelopes, sync and cross modulation Full-featured arpeggiator MIDI in/out/thru (5-pin DIN) USB (Type B) MIDI Main output: 1/4-inch TS, unbalanced Headphones: 1/4-inch TRS, stereo External control inputs: Arpeggiator Sync in, Portamento, VCF cutoff freq mod, VCO freq mod, Trigger in, Trigger in Internal control outputs: Trigger out, CV out, Switch

SPECIFIKACIJE: Keyboard 76-Key, Semi-Weighted Action with Velocity and Pressure (Aftertouch) Sensitive Adjustable Keys Display 480 x 272 Pixel High-Resolution Color LCD with Adjustable Brightness Polyphony 256 Voices, Dynamically Allocated Multitimbral 16 Parts (One per MIDI Channel) Architecture Dynamic VAST with User Programmable DSP Algorithms and Routing 6-Operator FM Engine VA1 Inside: Anti-Aliasing, Power-Shaped Oscillators and DSP Processing from Kurzweil's VA1 Flash Memory 2 GB of Re-Loadable, Non-Volatile, User Flash Memory Factory Programs 1000+ Programs User: 4096 Factory Multis 50+ Featuring up to 16 Independent Zones User Multis 4096 General MIDI No String Resonance Yes Master EQ/Compressor Section Yes Effects Over 1000 Complex Effects Chains, Incorporated in Programs Featuring Effects, Reverbs, Delays, Chorus, Flange, Phaser, EQs, Distortions, Rotary Speaker Simulators, Compressors, and More 32 Total FX Units Controllers 1 x Pitch Wheel 1 x Modulation Wheel, 9 x Front-Panel Sliders 9 x Knobs 9 x Switches (Assignable/Zone Mutes/KB3 Control) 1 x Variation Switch Tempo Controls with Tap Tempo 2 x Transpose Switches Arp Controls Transport Controls 2 x Switch Pedal Inputs, Each Supporting Single-Switch Pedal or Single Half-Damper Pedal (1 x Switch/Sustain Pedal Included) 2 x Continuous Control Pedal Inputs Mono Pressure (Aftertouch) Ribbon Input (Ribbon Controller Sold Separately) Sequencer 16 Tracks, 960 PPQ Resolution Song Editing Function Included Both Event and Track-Based Tools like Quantize, Swing, Remap, Controller Scaling, and More MIDI CC Step Sequencers 16 Simultaneous Riffs 16 per Multi Arpeggiator 1 per Program, 16 per Multi Analog Outputs 4 x 1/4" / 6.3 mm (2 Pairs) Balanced TRS (32-Bit DACs) Automatic Mono Switching on Main Outs, +21 dBu Maximum Output, 50 Ohms Balanced Source Impedance Audio Inputs 2 x 1/4" / 6.3 mm (L/R) 1 x Stereo 1/8" / 3.5 mm (Each with FX) For Connecting MP3 Player or other Audio Source for Accompaniment Playback Headphone Output 1 x 1/4" / 6.3 mm TRS (130 mW into 32 Ohms) MIDI In, Out USB 2 x USB Ports (A-Type / B-Type) Complete MIDI Functionality over USB User Program/Multi File Backup via USB Drive Operating System Updates via USB Drive Software Editors Mac OS X and Windows PC Editors Power Adapter (Included) 15 VDC, 2.5 A Dimensions (H x D x L) 4.2 x 14.1 x 46.5" / 10.8 x 35.7 x 118.2 cm Weight 19.4 lb / 8.8 kg

MODX6+ is a compact, lightweight, 61-key synthesizer designed for keyboardists to create deep sounds that stand out on every stage, studio or stream. Dimensions Width 937mm (36-7/8") Height 134mm (5-1/4") Depth 331mm (13-1/16") Weight Weight 6.6 kg (14 lbs 9 oz) Control Interface Keyboard Number of Keys 61 Type Semi-weighted Keyboard Initial Touch Yes Aftertouch No Tone Generator Tone Generator Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Maximum Polyphony AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) Multi Timbral Capacity 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part Wave Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Performance 2,227 Filter 18 types Effects Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*2, Master Effect x 26 types *2 A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Other Controllers Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial Display 7" TFT Color Wide VGA LCD touch screen Connectors [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Power Consumption 16 W (when using PA-150B AC adaptor) Accessories AC adaptor (PA-150B or an equivalent recommended by Yamaha*), Owner’s Manual, Cubase AI Download Information *May not be included depending on your area. Check with your Yamaha dealer. Live Sets Preset: 256 and more, User: 2,048 Performance Recorder Note Capacity Approx. 130,000 notes Storage Size Approx. 520,000 notes (for Patterns) and approx. 520,000 notes (for Songs) Note Resolution 480 ppq (parts per quarter note) Tempo (BPM) 5 – 300 Songs 128 songs Tracks 16 Sequence tracks Recording type Real time replace, Real time overdub, Real time punch in/out Patterns 128 patterns Arpeggio Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Sequence formats MODX original format, SMF formats 0, 1

SPECIFIKACIJE: The Artesia DP-10e Digital Piano will fill your home with Its deeply expressive concert hall sound and enhance any room décor with its timeless traditional furniture style cabinet. This full featured digital piano is everything you need for the beginner or a seasoned professional. The whole family will experience years of musical enjoyment. Keyboard The new full-scale hammer action and velocity sensitive keyboard brings the feel of an acoustic piano to your fingertips. Its advanced, natural acoustic balanced hammer action design offers dynamic response and smooth playability plus five different velocity touch settings to satisfy every style of practice or performance. Incredible Sound The DP-10e offers 3-layer sampling with its acoustic Supra Sound Sample processing. We record the actual acoustic instrument capturing its depth, expression and essence of the instrument itself. The Grand Piano sound was recorded from a 6’ Bosendorfer grand piano. A total of 137 different instrument voices are included such Electric Piano, Harp, Vibes, Nylon Guitar, Organ, Strings, Choir, etc. Play Along Accompaniment The DP-10e automatically produces full backing accompaniment parts. Many types of different accompaniment patterns from R&B, Jazz Ensemble, Classical, Pop, Ballad, Traditional and more. It’s like having an expert band playing with you, following your every move and chord change. USB and MIDI Ports The DP-10e has many connection and interface possibilities to ensure that your piano will never be out of date. The convenient USB and MIDI Ports allow it to be connected to laptops, tablets, smartphones and other compatible devices that offer amazing options for adding additional instrument voices, multi-track recording, fantastic teaching apps and much more. We have included a teaching app to get you started. iPads, iPhones and other devices are as simple as plug and play. Music Recorder An easy-to-use internal song recorder will save your practice sessions or performance at an instant with just a touch of a button. There are three recording tracks available so you could also build your song first with chords and an accompaniment pattern on track one. Add chords or two melody lines on tracks two and three. Duet Function The Duet Function allows both the teacher and student to play on the same keyboard together. The Piano is divided into two keyboard areas, which allows both teacher and student to play the same piano sound in the same octave. Additionally, the pedal function changes so that the left and right pedals are now designated as sustain pedals for both teacher and student to use. Built-In Piano Teacher The DP-10e Play Along Song features are a fun way to enhance your playing skills. There are over 50+ familiar standard play along songs that allows you to practice playing your left and right hand separately first, then using both hands simultaneously as you learn the musical piece. Keyboard: Natural Balanced Hammer Action Number of Keys: 88 • Touch Sensitivity: 5 Levels + Fixed Type of Display: LCD Built-in Tones: 137 Built-in Accompaniment Patterns: 100 plus variation Preset Songs and Exercises: 50+ Built-in Metronome: Yes Preset Scales: 2/2, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 12/8 Recording: 3 Tracks • Instrument Voices: 137 DSP Effects: Reverb, Chorus, EQ Lesson Function: Yes Duet Function: Yes Pedals: 3 Internal Memory: Yes Bluetooth: No USB Port: Yes Number of USB port: 1 Audio In Jacks (stereo): Yes MIDI: Yes Speakers: Yes Number of Speakers: 4 Amplifier Watts: 25 per side Power Jack: Yes Piano Dimensions: 54” W x 17” D x 39.5” H Piano Weight: 121 lb

Subsequent 25 is a 2-note paraphonic analog synthesizer that melds the hands-on analog soul of classic Moog instruments with the convenience and workflow of a modern sound-design machine. Moog’s most compact keyboard synthesizer, the Subsequent 25 delivers all of the rich sonic density that Moog synthesizers are known for. Attain instant gratification with immediate access to expertly programmed preset patches that will have you creating right away, then explore the knob-per-function front panel to create something completely unique. Set yourself apart by designing your own library of signature analog sounds then save and recall an infinite number of patches with the free Subsequent 25 Editor/Librarian Software. Dial-up ground-shaking analog bass by stacking all 3 Oscillators in Unison Mode, or engage the new Duo Mode to split Oscillators 1 & 2, opening new doors of musicality by playing 2 different notes at once. Trigger the Subsequent 25’s analog sound engine any way you like – by integrating with other voltage controlled analog gear via 4 onboard CV inputs, by interfacing with your favorite DAW using DIN & USB MIDI, or go fully manual with the ultra playable fast-action keybed. Subsequent 25’s analog filter section contains the transformative Multidrive circuit, a unique combination of OTA distortion and FET drive – a key sparkplug for the compact synthesizer’s powerful sound. Through the creative use of the Mixer Section (with expanded headroom), Ladder Filter, and Multidrive circuit, a wide range of classic analog colors and aggressive modern tones can be achieved. Designed for portability, Subsequent 25 is the most agile full-size Moog synthesizer, equally reliable moving from stage to studio and every stop in between. Subsequent 25’s compact footprint fits into any situation and won’t overtake your studio desk – yet still fills any room with powerful synth bass, dynamic analog percussion, and harmonic-rich leads. Balancing classic analog sound design with seamless integration into modern digital workflows and DAW environments, the Subsequent 25 features a full MIDI implementation, allowing MIDI automation and recall of all front panel and under-the-hood synthesis parameters. Subsequent 25 is a versatile new instrument for unique sonic expression and realizing artistic vision. With its streamlined interface and dynamic sound design flexibility, this dynamic synthesizer fuses a revolutionary connection between human and machine, opening portals to new musical experiences. Features/Functions: Mono / Duo Mode Duo Osc2 Priority Filter Velocity Sensitivity Volume Velocity Sensitivity Ext. Audio Level Osc2 Beat Frequency CLOSE VCO Gate Reset LFO Gate Reset Pitch Bend Up Amount Pitch Bend Down Amount Glide Legato Glide Type Filter Poles Wave Mod. Destination LFO KB Tracking LFO Range Filter EG Reset Amp EG Reset Legato Gate On/Ext. MIDI Ch. In MIDI Ch. Out Local Control 14-Bit MIDI Output MIDI Path In MIDI Path Out MIDI Merge DIN MIDI Merge USB Specs: SOUND ENGINE TYPE: Analog (2 x Oscillators, 1 x Sub Oscillator, 1 x Noise Generator) NUMBER OF KEYS: 25 TYPE OF KEYS: Semi-weighted, Velocity-sensitive OTHER CONTROLLERS: Pitchbend, Mod Wheel POLYPHONY: Monophonic, 2-Note Paraphonic LFO: Triangle, Square, Sawtooth, Ramp, Sample & Hold FILTER: Moog Ladder Filter with 6/12/18/24 dB per Octave Slopes NUMBER OF PRESETS: 16 (4 Banks of 4) EFFECTS TYPES: Multidrive AUDIO INPUTS: 1 x 1/4" (ext in) AUDIO OUTPUTS: 1 x 1/4" USB: 1 x Type B MIDI I/O: In/Out/USB OTHER I/O: Filter CV in, Pitch CV in, Volume CV in, KB Gate in SOFTWARE: Plug-in and standalone editor for Mac/PC POWER SUPPLY: 110V AC-240V AC (Internal) HEIGHT: 6.75" WIDTH: 20.25" DEPTH: 14.75" WEIGHT: 16 lbs.

Artesia DP-10E 88-key Digital Piano. The Artesia DP-10e Digital Piano will fill your home with Its deeply expressive concert hall sound and enhance any room décor with its timeless traditional furniture style cabinet. This full featured digital piano is everything you need for the beginner or a seasoned professional. The whole family will experience years of musical enjoyment. Keyboard The new full-scale hammer action and velocity sensitive keyboard brings the feel of an acoustic piano to your fingertips. Its advanced, natural acoustic balanced hammer action design offers dynamic response and smooth playability plus five different velocity touch settings to satisfy every style of practice or performance. Incredible Sound The DP-10e offers 3-layer sampling with its acoustic Supra Sound Sample processing. We record the actual acoustic instrument capturing its depth, expression and essence of the instrument itself. The Grand Piano sound was recorded from a 6’ Bosendorfer grand piano. A total of 137 different instrument voices are included such Electric Piano, Harp, Vibes, Nylon Guitar, Organ, Strings, Choir, etc. Play Along Accompaniment The DP-10e automatically produces full backing accompaniment parts. Many types of different accompaniment patterns from R&B, Jazz Ensemble, Classical, Pop, Ballad, Traditional and more. It’s like having an expert band playing with you, following your every move and chord change. USB and MIDI Ports The DP-10e has many connection and interface possibilities to ensure that your piano will never be out of date. The convenient USB and MIDI Ports allow it to be connected to laptops, tablets, smartphones and other compatible devices that offer amazing options for adding additional instrument voices, multi-track recording, fantastic teaching apps and much more. We have included a teaching app to get you started. iPads, iPhones and other devices are as simple as plug and play. Music Recorder An easy-to-use internal song recorder will save your practice sessions or performance at an instant with just a touch of a button. There are three recording tracks available so you could also build your song first with chords and an accompaniment pattern on track one. Add chords or two melody lines on tracks two and three. Duet Function The Duet Function allows both the teacher and student to play on the same keyboard together. The Piano is divided into two keyboard areas, which allows both teacher and student to play the same piano sound in the same octave. Additionally, the pedal function changes so that the left and right pedals are now designated as sustain pedals for both teacher and student to use. Built-In Piano Teacher The DP-10e Play Along Song features are a fun way to enhance your playing skills. There are over 50+ familiar standard play along songs that allows you to practice playing your left and right hand separately first, then using both hands simultaneously as you learn the musical piece. Specs : Keyboard: Natural Balanced Hammer Action Number of Keys: 88 • Touch Sensitivity: 5 Levels + Fixed Type of Display: LCD Built-in Tones: 137 Built-in Accompaniment Patterns: 100 plus variation Preset Songs and Exercises: 50+ Built-in Metronome: Yes Preset Scales: 2/2, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 12/8 Recording: 3 Tracks • Instrument Voices: 137 DSP Effects: Reverb, Chorus, EQ Lesson Function: Yes Duet Function: Yes Pedals: 3 Internal Memory: Yes Bluetooth: No USB Port: Yes Number of USB port: 1 Audio In Jacks (stereo): Yes MIDI: Yes Speakers: Yes Number of Speakers: 4 Amplifier Watts: 25 per side Power Jack: Yes Piano Dimensions: 54” W x 17” D x 39.5” H Piano Weight: 121 lb

When you thought that the ASM Keyboard couldn't get any better, ASM have just announced the new Hydrasynth Deluxe! With 16-voice polyphony and a new 73-keys keybed, this new powerhouse is guaranteed to boost your music production in no time! Hydrasynth Deluxe is the largest keyboard with ASM Polytouch technology. Each of the two sound engines features 3 Oscillators, dual Wave Mutators and 2 filters, that can be configured in series or parallel, but don't be intimidated! The intuitive design will help you to pick up the workflow instantly. KEY FEATURES: 16-voice polyphonic digital wave morphing synthesizer Single/Multi Dual/Keysplit voicing options POLYTOUCH™ Polyphonic Aftertouch, Note on/off velocity keyboard with 73 full-size keys MPE (MIDI Polyphonic Expression) compatibility Multi-function ribbon controller (Modulation, Pitch bend, Theremin mode) Microtuning support via MIDI Tuning Standard files 1024 Single program locations with Category Search 640 Multi program locations with 1280 embedded program locations Dual stereo audio outputs DUAL SOUND ENGINE FOR YOUR SOUND DESIGN DREAMS The Hydrasynth Deluxe offers 16 voices of polyphony in single mode, which can be split into two completely separate 8 voice sound engines in Multi mode. The two Multi modes for separate sound engine operation includes Keysplit which creates classic keyboard splitting between two patches, and Dual which enables layering of two patches over the whole keyboard. This means you can either split or layer your synth for bi-timbral operations. The oscillators allow you to choose from 219 single cycle waveforms, You can also create your own waves thanks to the Wavelist mode, that allows you to select 8 waves out of 219 and arrange them the way you want. To give even more spice to your waves, you have an array of mutators at your fingertips, including FM Linear, Wavestack, Harmonic Sweep and more! INFINITE SOUND POSSIBILITIES... As we mentioned, Hydrasynth Deluxe is a real dream when it comes to shaping your own sound. ASM also added many features to really give you total power and creative freedom. The brand new 73-keys keyboard features Polytouch, ASM's exclusive technology that provides ON/OFF velocity and aftertouch as well as full polyphonic aftertouch. On top of that you'll also be able to use the Ribbon Controller, which is freely assignable as a source in the Mod Matrix, but it can also be used in Theremin Mode where it will send both trigger and pitch. Hydrasynth Deluxe also features two filters. The first one has 16 different filter models, whilst the second one is a 12db per octave has a continuous sweep from either low pass > bandpass >high pass or low pass > notch > high pass, modelled on the classic SEM filter. ...AND EVEN MORE The Hydrasynth Deluxe is provided with 5 DAHDSR (Delay, Attack, Hold, Decay Sustain Release) envelope generators and 5 LFOs, each of which has 10 standard waveforms to choose from and a Step mode to create sequences up to 64 steps. With 32 user-definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations. Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator. The Modulation matrix points themselves can also become modulation destinations. Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC’s.​​​ Last but not least, the Hydrasynth Deluxe comes with 8 banks of 128 patches in Single mode. There are 5 banks of 128 Multi mode patches and these both hold a Lower and Upper patch which are separate from the Single patches. SPECIFICATIONS: Type: Polyphonic Wave Morphing Synthesizer Sound Engine Type(s): Wavescan Analog/Digital: Digital Number of Keys: 73 Type of Keys: ASM POLYTOUCH™ Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive Other Controllers: Ribbon Controller, Pitch Bend, Mod Wheel Polyphony: 16 voices (Full/Layer/Split) Number of Presets: 1024 Single Programs, 1280 Programs in Multi (Upper/Lower) Number of Multis: 640 Programs Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types) Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff) Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey) LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock Envelopes: 5 per voice, Tempo syncable, Variable trigger sources Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP) Effects: 9 Insert Effects, 5 Delays, 4 Reverbs Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase) Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning Audio Outputs: 4 x 1/4" Balanced (L/Mono Upper, R Upper, L Lower, R Lower) Headphones: 1 x 1/4", 1 x 1/8", Separate volume control USB: 1 x Type B MIDI I/O: In/Out/Thru Pedal Inputs: 2 x 1/4" (expression, sustain) Other I/O: 2 x 1/8" Inputs (Mod 1, Mod2), 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock) Power Supply: 12V DC switchable power supply Additional: Utility shelf Height: 3.62" / 9.2cm Width: 44.45" / 112.9cm Depth: 13.62" / 34.6cm Weight: 29.33lbs / 13.3kg MPN: HSLX

Kyra is a powerful, hardware virtual analog synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians. From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer — as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent ‘parts’ with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection — can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs — OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) — using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules — namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter — with dedicated audio stream via USB (Universal Serial Bus). Patches Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks — A through to Z, each containing 128 patches. That’s a total of 3,328! The first seven banks are ‘user’ patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands. Oscillators As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) — with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator — SUB 1 and SUB 2 — with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups. Get this, though: switching from Wave mode — meaning Kyra adopts a virtual analogue synthesis model which has the advantage that it is easy to construct sounds using intuitive subtractive synthesis — to Hypersaw mode configures the voice to use a special algorithm comprising six real oscillators to quickly create lush-sounding soundscapes. Digging deeper, Hypersaw mode replaces Wave mode’s two oscillator groups with a single source whose tonal content is constructed with just two adjustable controls — Hypersaw Intensity and Hypersaw Spread (geometric detuning). Built entirely out of multiple, harmonically-rich sawtooth waves or ‘partials’ each adjusted to that special algorithm, the Hypersaw provides characteristic soundscapes ideal for a wide range of uses — from high-impact lead sounds through to lush, animated pads. Placed in Dual Mode, the Hypersaw has 12 real oscillator sources with an additional adjustable stereo spread. Filter Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra’s FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation. Envelope and LFOs Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) — with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings — are also available in the MOD MATRIX and additionally as a MIDI clock sync source. Arpeggiator Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra’s ARP is an integral part of a Patch, so settings are always stored. Display and Connections Far from forgetting its helpful high-resolution 256x64 pixel graphic OLED (Organic Light-Emitting Diode) display alongside the traditional array of MIDI In, Out, and Thru connections — complimenting USB 2.0 — on five-pin DIN, as well as full key microtuning capability with MIDI Tuning Standard (MTS support), it is fair to say that Kyra is, indeed, one of the most powerful music synthesizers ever built... a sensational synthesizer with a spectacular specification, set to take performances and compositions to higher states of musicality and sound design! The Creation of the Waldorf Kyra Synthesizer – Frequently Asked Questions What is Kyra? Kyra is a powerful, hardware virtual analog synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians. What type of musician/producer is Kyra aimed at? Kyra is aimed at the semi-professional and professional producer. It is equally at home in live or studio environments. Live musicians will appreciate the big, floor-filling “wall of sound” and built-in effects that means Kyra can go straight to the mixer and venue amplification. Studio producers will appreciate the massive polyphony, multiple parts and ability to integrate completely with their audio workstations via multiple, balanced analog outputs as well as the high-capacity audio streaming via high-speed, class-compliant USB 2.0. Why was Kyra created? Kyra was created to fill a gap in the synthesizer market for a powerful digital, virtual analog synthesizer. Key to the design was to have no compromises on sound quality, ease of use, studio integration and raw power, all with a price tag that puts ownership within reach of producers working to a real-world budget. How would you characterise Kyra’s sound? It really is a wall of sound. With so many oscillators and voices, Kyra really does make an impact. Having said that, it is also capable of delicate sounds too. As Kyra is oversampled, there’s no rolloff at higher frequencies. Kyra has a crystal clear sound. We are discovering new sounds on Kyra all the time and as more programmers create patches for it, we continue to be amazed at what can be achieved. Kyra’s sound is very complementary to other synthesizers in Waldorf’s range. It can be tame and remarkably smooth with very good emulations of classic analog synthesizers but it can also be big, bold and brash. Tell me about this FPGA technology, what does it do for me as a musician? Kyra is, as far we know, the first professional synthesizer to be based entirely on an FPGA (Field Programmable Gate Array). Even though this may be appear to be a technical detail it does have some real benefits for musicians. In particular, it offers the raw processing power of a very high end desktop computer but without the problems that are associated with such machines such as slow start up, unreliable operating systems and copious amounts of heat being generated. Even though Kyra has this sort of processing power, it starts up in under 4 seconds and uses less than ten watts of fan-free power (a typical high end desktop computer would use over 250 watts of power). Another benefit to this technology is reliability. As all of Kyra’s audio generation, filtering and processing is done on a single chip, reduced component counts mean Kyra is less expensive to build and is more reliable. What is unique about Kyra? Why should I buy it? There are few synthesizers, if any, that are as powerful as Kyra. There are some notable features on Kyra that would usually be associated with much more expensive instruments such as a solid, all-metal chassis, 32 bit “Velvetsound” DACs, multiple balanced audio outputs and multi-part audio streaming over USB. So Kyra has four stereo outputs? How is that useful to me? Kyra offers four, balanced, stereo outputs that you can freely assign each of Kyra’s 8 Parts to. Studio producers will find this particularly useful as it means you can use outboard processing and effects, either connected directly or via bus sends on your mixer. With each of Kyra’s four outputs connected to your mixer, you can level, pan, EQ and process each of Kyra’s outputs as you wish. You can choose whether to use Kyra’s on board effects or to use your favourite outboard as you wish, on a Part-by-Part basis. I understand Kyra has a comprehensive USB Audio implementation. Tell me more. One of the design objectives of Kyra was to “do USB audio properly”. Forums are packed with complaints about synthesizers that have unreliable or under-specified USB implementations. We spent a lot of time getting USB right on Kyra and studio producers can take advantage of this. Kyra uses its FPGA and a dedicated processor purely for USB and the result is a rock-solid USB 2.0 High Speed (480Mbits capacity) audio and MIDI implementation that is capable of streaming all 8 of Kyra’s Parts as studio-quality 96kHz 24 bit audio to an audio workstation. In addition, to address the one-driver limitation of ASIO, Kyra will accept a single return audio stream for audio workstation setups so that your final playback can be via Kyra. As Kyra’s USB implementation is completely USB Audio 2.0 compliant, you can be assured of excellent support across a wide range of platforms. Kyra works with MacOS out the box and with Windows 7 and above with a supplied driver. Linux users should be able to use Kyra’s USB too but we do not support Linux officially as there’s so many flavours and distributions to test. Kyra’s USB is fully USB MIDI compliant too so producers who have moved away from DIN MIDI do not need to buy a MIDI interface unit to use Kyra in their studio. With all that power, I bet Kyra is hard to program. Is this true? It’s true that Kyra is powerful but it was designed to be easy to program. Here at Waldorf, we believe that users should be able to create their own sounds and not just rely on the factory presets and commercial patch banks. Kyra builds on familiar foundations – sound sources, filters, modulators and effects. But it takes this all to the next level, in terms of quantity, quality and modulation possibilities. With Kyra, you can use your existing experience and start creating new Patches straight away. OK but I guess there’s a lot of menu diving right? Very little in fact. All of Kyra’s main functions have their own controls. Only a few more obscure functions require some menu navigation. What type of display does Kyra have? Kyra features an OLED display. This is a newer technology than the LCDs found on most synthesizers. It is much clearer and can be viewed from any angle. I’m a power patch programmer, I need an Editor. Does Waldorf offer one? Currently, Waldorf does not offer an Editor for Kyra. However, we expect good support by third party providers. Kyra has a comprehensive MIDI implementation to support this. Is Kyra fully stereo? Yes, Kyra offers a full stereo signal path. When configured for “Dual Mode” operation, there’s two complete sets of oscillators, filters and modulators and these feed into a full stereo effects chain. You can achieve very animated, stereo sounds with Kyra. What’s Kyra’s build quality like? Can I rely on Kyra for live gigs? Kyra is solid, you’ll feel that when you first use it. The chassis is made from high grade steel, the controls are custom made. The connectors are designed for professional use. Tell me about Kyra’s effects? Effects were a design priority for Kyra and it has a lot of effects modules. Each of Kyra’s 8 Parts has a complete, independent effects chain. Effects are an integral part of a Patch in Kyra and you don’t need to share them across the Parts. Kyra features nine effects modules for each Part including a 3-band shelving EQ with sweepable mid, a formant filter, a distortion unit, an input limiter, a 6-stage phaser, a digital delay line, a chorus/flanger/comb unit a reverb unit and a final output limiter. You can use all the effects on all the Parts at the same time and they’re all oversampled and full stereo. You can selectively defeat Kyra’s effects units. This allows live musicians to use Kyra’s multiple analog outputs as effects sends to their favourite outboard and it allows studio producers to use their favourite virtual effects on their workstations. With Kyra, you can pick and choose what is best for you when it comes to effects. Is it true that Kyra really has 1,280 oscillators? Yes, Kyra has 1,280 oscillators available for use. These are actual, real oscillators and not “best effort” or simulations of multiple oscillators. With so many oscillators, Kyra can produce powerful sounds with lots of detuning where required. Stack them up into a stereo hypersaw or slice and dice them with the ring modulator, FM or hard sync. The choice is yours. Is Kyra really 128 note polyphonic? For real sounds not just simple ones? Kyra can play 128 notes at the same time (up to 32 on any single Part). This is always the case regardless of the patch settings and effects used. The only exception is Dual Mode which uses two voice channels per note. Kyra’s polyphony is not a “maximum” or “up to” it is actual. I hear Kyra’s waveforms are static? Is that true? Kyra provides two oscillators per voice each with the huge amount of 4096 possible waveforms to choose from. You can cross-fade between two waveforms as well as apply ring modulation, FM or hard sync between them. When combined the possibilities are almost unlimited. Specifications Sound engine: Virtual analog synthesis 128 voices 8 parts All sound features can be used simultaneously Oscillators per voice: two Wave osc with 4096 waveforms two Pulse osc two Saw osc two Noise osc two Sub osc with several waveforms Hard Sync Hypersaw Mode Oscillator FM and Ring mod Oscillators are in two groups for better overview All osc per voice are available simultaneously Per part: 9 simultaneously available effects 6-slot Mod Matrix with multiple destinations per slot Furthermore: 2 filters: 12/24dB and LP/BP/HP in all configurations 3 envelope generators (EG) 3 LFOs with 128 shapes each Extras: 26 patch banks (A to Z) with 128 slots each Arpeggiator with 128 preset patterns Octave Transpose Double Mode: layers the same sound two times and detunes them against each other Hardware: Sturdy full metal case 256x64 pixel OLED Kensington Lock Connections: USB 2.0 for MIDI and audio 5-pin DIN MIDI In/Out/Thru 8 balanced analog audio outputs plus Headphone out Audio interface Kyra can be used as an audio interface Audio is transmitted to the computer via USB in up to 24bit/96kHz Each Part is transmitted to the computer in stereo (16 channels in total) 2 audio channels from the computer can be played back through Kyra

True Analog 12-Voice Polyphonic Desktop Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-In Wifi Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds Desktop version for stage performance or rack mount operation with rack mount brackets included 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion 12 voices with 2 OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with over 20 sources and 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* and selected Android* App over USB, MIDI or built-in WiFi for extended parameter control Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 12 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Integrated and configurable WiFi client / Access point allows easy and secure connection to home network Designed and engineered in the U.K. With the creation of the DEEPMIND 12D, the ultimate true analog, 12-voice polyphonic synthesizer in a convenient desktop or rack mount format is finally a reality. DEEPMIND 12D allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12D gives you complete control over your soundscape. Plus, DEEPMIND 12D features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12D boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12D also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12D has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12D serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 20 modulation sources and more than 130 destinations, DEEPMIND 12D provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 12D via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12D's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12D a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12D has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 12D provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12D's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12D lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12D's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12D allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 12D is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12D lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12D has: 26 sliders; 33 switches; 1 rotary encoder; and 2 knobs – all are laid out in a highly-intuitive format designed to put the joy back into your music creation. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 12D's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12D provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 12D's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. WiFi Router Not Required You can easily tap into your home network via DEEPMIND 12D's integrated and configurable WiFi client / Access point, without any additional hardware. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 12D gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 12D!

With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation. Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 6 gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 6!