How do you reproduce the warm, authentic sound of an organ in a stage keyboard? You build an organ engine the Yamaha way, from the ground up. Yamaha puts your favorite classic organ sounds in one powerful, stage keyboard. YC models three organ vintages - just out of the box, well-traveled and character-rich vintage. Need more? Go under the hood to adjust key click, leakage, rotary speaker speed and more to get the one-of-a-kind organ tone you've been searching for. YC brings you the authentic sounds of classic rotary speakers with no maintenance required. Choose from two faithfully modeled rotary speaker profiles - warm and full or dirty and aggressive - and adjust top or bottom rotor speed for total control. [New to OS v1.2] Based on your feedback, we’ve added a new “Studio” Rotary Speaker, featuring a wider stereo field, increased low rotor and high horn separation, as well as an increased presence to cut through mixes. VCM re-creates the sound and behavior of vintage effects and high-end studio signal processors by modeling the circuits down to the original analog component level. In 1983, Yamaha introduced the iconic sounds of FM (Frequency Modulation) synthesis to the world with the launch of the synthesizer DX7. Now YC brings FM synthesis to the organ for a new generation of players. Simply switch to FM Organ and your drawbars control 8 FM Operators that send a pure sound with massive low end. Add rotary speaker or amp sim effects for character and vibe. Intuitive controls make it easy to discover new sounds. Or recreate classic transistor organ tones from warm to reedy to buzzy by choosing one of three popular FM Organ modes. [New to OS v1.2] Helping to broaden your creativity are three new FM organ types – titled F4, F5, and F6. These delve deeper into FM synthesis by adding modulators – or operators – that add upper harmonics to carriers, yet do not sound. The user interface of drawbars, coupled with modulators, create vastly new approaches to the traditional drawbar organ experience, bringing the traditional drawbar concept into the 21st century. The authentic Waterfall keyboard action of the YC61 was created by painstaking research into traditional organ keyboards and constant feedback from top keyboard artists. The result is a keyboard that not only provides the distinctive touch of an organ, it gives artists new ways to express themselves on acoustic and electric pianos, synth leads, brass sections and more. Keyboard Number of Keys 61 Type Semi-weighted Waterfall keyboard, initial touch Voices Tone Generation Tone Generating Technology VCM Organ, AWM2, FM Polyphony Number of Polyphony (Max.) [VCM Organ + AWM2]:128 *Total of VCM Organ and AWM2, [FM]:128 Number of Live Set Sound 160 (Preset Live Set Sounds:136) Number of Voices 190 (Organ:9 / Keys:181) Effects Types Insertion Effect Organ 1 systems (Pre Drive) / Key A 2 systems (1: 35 types, 2: 35 types) / Key B 2 systems (1: 35 types, 2: 35 types) Effect 35 types Speaker/Amp 7 types (Rotary Speaker: 3 types, Amp: 4 types) Reverb 1 type Master EQ 3 band (with sweepable Mid) Connectivity Connectors Line Out OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED) Headphones [PHONES] (6.3 mm, standard stereo phone jack) Foot Controller FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE] MIDI MIDI [IN]/[OUT] USB USB [TO HOST]/[TO DEVICE] AUX INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Other Connectors [AC IN] Display Full Dot LCD (128 x 64 dots) Additional package contents Owner’s Manual x 1, Power cord x 1 Size/Weight Dimensions Width 896 mm (35-1/4") Height 108 mm (4-1/4") Depth 309 mm (12-3/16") Weight Weight 7.1 kg (15 lb, 10 oz) Packing Box Width 1,035 mm (40-3/4") Height 240 mm (9-7/16") Depth 444 mm (17-1/2")

How do you reproduce the warm, authentic sound of an organ in a stage keyboard? You build an organ engine the Yamaha way, from the ground up. Yamaha puts your favorite classic organ sounds in one powerful, stage keyboard. YC models three organ vintages - just out of the box, well-traveled and character-rich vintage. Need more? Go under the hood to adjust key click, leakage, rotary speaker speed and more to get the one-of-a-kind organ tone you've been searching for. YC brings you the authentic sounds of classic rotary speakers with no maintenance required. Choose from two faithfully modeled rotary speaker profiles - warm and full or dirty and aggressive - and adjust top or bottom rotor speed for total control. [New to OS v1.2] Based on your feedback, we’ve added a new “Studio” Rotary Speaker, featuring a wider stereo field, increased low rotor and high horn separation, as well as an increased presence to cut through mixes. VCM re-creates the sound and behavior of vintage effects and high-end studio signal processors by modeling the circuits down to the original analog component level. In 1983, Yamaha introduced the iconic sounds of FM (Frequency Modulation) synthesis to the world with the launch of the synthesizer DX7. Now YC brings FM synthesis to the organ for a new generation of players. Simply switch to FM Organ and your drawbars control 8 FM Operators that send a pure sound with massive low end. Add rotary speaker or amp sim effects for character and vibe. Intuitive controls make it easy to discover new sounds. Or recreate classic transistor organ tones from warm to reedy to buzzy by choosing one of three popular FM Organ modes. [New to OS v1.2] Helping to broaden your creativity are three new FM organ types – titled F4, F5, and F6. These delve deeper into FM synthesis by adding modulators – or operators – that add upper harmonics to carriers, yet do not sound. The user interface of drawbars, coupled with modulators, create vastly new approaches to the traditional drawbar organ experience, bringing the traditional drawbar concept into the 21st century. Keyboard Number of Keys 88 Type NW-GH3 (Natural Wood Graded Hammer) keyboard: synthetic ebony and ivory keytops Voices Tone Generation Tone Generating Technology VCM Organ, AWM2, FM Polyphony Number of Polyphony (Max.) [VCM Organ + AWM2]:128 *Total of VCM Organ and AWM2, [FM]:128 Number of Live Set Sound 160 (Preset Live Set Sounds:136) Number of Voices 190 (Organ:9 / Keys:181) Effects Types Insertion Effect Organ 1 systems (Pre Drive) / Key A 2 systems (1: 35 types, 2: 35 types) / Key B 2 systems (1: 35 types, 2: 35 types) Effect 35 types Speaker/Amp 7 types (Rotary Speaker: 3 types, Amp: 4 types) Reverb 1 type Master EQ 3 band (with sweepable Mid) Connectivity Connectors Line Out OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED), OUTPUT [L]/[R] (XLR jacks, BALANCED) Headphones [PHONES] (6.3 mm, standard stereo phone jack) Foot Controller FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE] MIDI MIDI [IN]/[OUT] USB USB [TO HOST]/[TO DEVICE] AUX INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Other Connectors [AC IN] Display Full Dot LCD (128 x 64 dots) Additional package contents Owner’s Manual x 1, Power cord x 1, Foot pedal (FC3A) x 1 Size/Weight Dimensions Width 1298 mm (51-1/8") Height 142 mm (5-9/16") Depth 364 mm (14-5/16") Weight Weight 18.6 kg (41 lb, 0 oz) Packing Box Width 1,548 mm (60-15/16") Height 291 mm (11-7/16") Depth 524 mm (20-5/8")

MONTAGE M8x, the next-generation flagship synthesizer from Yamaha. Realize amazing sound with its three engines that recreate warm vintage analog synths, cutting-edge FM synths, and ultra-realistic instruments. The Motion Control engine enhances these capabilities, adding a unique fourth dimension of control to your music making. Unlike traditional hardware synthesizers, MONTAGE M8x seamlessly bridges stage and studio workflows with computer connectivity and integration. For pianists wanting 88-key weighted action, and synth players wanting expressive polyphonic aftertouch, the MONTAGE M8x introduces a new era of sound, control and workflow in music creation. MONTAGE M8x Size/Weight Dimensions Width 1,446 mm (56-15/16") Height 170 mm (6-11/16") Depth 460 mm (18-1/8") Weight Weight 28.1 kg (61 lbs., 15 oz.) Packing Box Width 1,647 mm (64-7/8") Height 261 mm (10-1/4") Depth 572 mm (22-1/2") Control Interface Keyboard Number of Keys 88 Type GEX Keyboard Initial Touch Yes Aftertouch Yes (Polyphonic After Touch) Tone Generator Tone Generator Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise Maximum Polyphony AWM2: 256 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 16 (max.) Multi Timbral Capacity 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part Wave Preset: 10 GB (when converted to 16-bit linear format), User: 3.7 GB Performance 3,369 Filter 18 types Effects Reverb x 12 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Other Controllers Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Slider x 8, Knob x 8, Super knob, Display knob x 6, Portament knob, Data Dial, Assignable switch x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch, Ribbon Controller hold switch Display 7" TFT Color Wide VGA LCD touch screen, 512 x 64 Full-dot LCD Connectors [USB TO DEVICE] x 2, [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Power Consumption 36 W Accessories AC Power cord, Quick Guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M Download Information Live Sets Preset: 128 and more, User: 2,048 Performance Recorder Note Capacity 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) Note Resolution 480 ppq (parts per quarter note) Tempo (BPM) 5 – 300 Sequence formats MONTAGE original format, SMF formats 0, 1 Arpeggio Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types Sequencer Patterns 128 patterns Pattern tracks 16 Sequence tracks Pattern Recording type Real time replace, Real time overdub Songs 128 songs Song tracks 16 Sequence tracks, Tempo track, Scene track Song recording type Real time replace, Real time overdub, Real time punch in/out Functions USB audio interface [Sampling Frequency = 44.1 kHz] Input: 6 channels (3 stereo channels), Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1 kHz - 192 kHz] Input: 6 channels (3 stereo channels), Output: 8 channels (4 stereo channels)

Hammond SK2 Instrument Keyboard Burgundy & Black (Dual Man 61 Note) We thought about calling this the “Have Your Cake And Eat It, Too” but that would look silly on the back. We agreed on calling it the HAMMOND Sk2 and when you play it you’ll see that first name is indeed appropriate. For many years, HAMMOND has been asked to make a truly portable double 61 note instrument that didn’t share the gross weight of a Refrigerator. The Sk2 can do it all. HAMMOND Drawbar voices up top, Grand Piano on the bottom-or vice versa. Manual Bass and Organ comp on the bottom, Horn section up top for accents. And yes, you can play the Sk2 as a double manual HAMMOND Organ in the traditional fashion, the Pipe Organ voices, too. Add one of our optional pedalboards, and you’ll have the pro rig you’ve always dreamed of, but didn’t have the roadies or van to realize. At A Glance/By The Numbers Genuine & Authentic Hammond Organ – Authentic Chorus-Vibrato/Touch Response Percussion/Overdrive – 12 Hammond Macro Profiles with 17 Tweakable Parameters – 96 Individually Adjustable, Voiceable Digital Tonewheels – Create Your Perfect “B-3” From Showroom New to Road Worn Vintage Digital Leslie 8 Leslie Macro Profiles: – Type 122 – Type 147 – Type 31H (or “TallBoy”-the first Leslie Speaker released in 1941) – Type 722 (Mid 70’s “Home Organ” Model) – Type 760 (Late 70’s Solid State “Combo” Model) – Type 825 (1970’s Solid State Single Rotor Model) – ROCK TYPE (Early 70’s Model 925 High-Power “Combo” Model) – PR-40 (Non-Rotary Vintage Hammond Tone Cabinet) 17 Tweakable Leslie Parameters Create Your Perfect Leslie-Store it in any of 8 User Profiles. Combine The Hammond Organ of Your Choice With The Leslie of Your Choice To Complete Your Dream Rig! 1000’s of Combinations Possible. 32 Ranks of Authentic Pipe Organ Each Rank Adjustable for Custom Voicing Vox & Farfisa Combo Organs 37 Hi-DEF Extravoices with 114 variations – Yamaha C-7 Acoustic Grand – Upright Acoustic Piano – Yamaha CP70 Electric Grand – Rhodes Suitcase Electric Piano – Rhodes Stage Electric Piano – Rhodes Bass – DX7 Piano Electric Piano – Wurlitzer Electric Piano – Harpsichord – Clavinet D6 – Lowery Holiday Organ (“Lucy”) – Clavioline (“Don’t Run”) – Vintage Hammond Extravoice (“Blue Star”) – Suzuki A-120 Accordion – Vox Jaguar Organ – Trumpet – Mute Trumpet – Trombone – Mute Trombone – Flute – Alto Sax – Tenor Sax – Baritone Sax – Glockenspiel – Vibraphone – Solina String – Hammond SX String – Synth String 1 – Synth String 2 – Synth sweep Pad – Synth square Lead – Sawtooth Lead – “Funny” (from vintage Japanese Organ) – Synth Harp Digital Tonewheel Generator Choosing An Organ Laurens Hammond’s original Organ (invented in 1935) had an intricate electro-mechanical mechanism that used 96 Quarter-sized wheels spinning on driveshafts powered by his patented synchronous motor. The wheels were notched according to pitch, and an electromagnetic pickup (much like that on an Electric Guitar) sensed those notches and rendered a musical note. The Drawbars combined those harmonic tones to produce the inimitable Hammond Organ sound The Modern Hammond Organ’s Sk Series’ VASE III “Engine” uses the exact model of Laurens Hammond’s design, executing it in the digital realm, with no moving parts, retaining all of the nuances, imperfections and idiosyncrasies of the original. The wheels are always “spinning”. When a note is played, the tones pass, just as water through a faucet. The random starts of each wave played allow for phase interaction, producing the rich tone so prized in the vintage Hammonds The Digital realization of Laurens Hammond’s System allows sophisticated control of every facet. Each Digital Tonewheel can be voiced for Volume, Timbre, Motor Noise and Leakage; enabling the musician to tailor the Modern Hammond to match the characteristics of any Vintage Hammond, or to create their own vision. Twelve Macro Profiles allow the user to quickly select the most popular “kinds” of Hammond, from Showroom-New to Road-Worn Antique and all points between At our website, You may now download and install custom Tonewheel sets provided by some of our Artists, as well as other vintage Hammond Organs as cloned by our in-house expert staff Classic Hammond Components The Tonewheel Generator wasn’t the only great invention of Laurens Hammond, and no Hammond Organ would be complete without the full spectrum of ingredients that comprised Mr. Hammond’s genius design Drawbars Mr. Hammond used the Pipe Organ Design concept of “Unification” in creating the iconic Drawbars of his Electronic Organ. This concept allowed one or more keyboards to control the pitches of many pipes within one set or “rank” of pipes. Adopting the harmonic standards and nomenclature of the Pipe Organ, Mr. Hammond’s design assured that any organist would be able to play his instrument without a steep learning curve. Unlike the Pipe Organ, Mr Hammond’s design allowed variable volumes of each Harmonic represented by each drawbar. This variation gave the musician millions of combinations of harmonics, and assured that every Hammond player would be able to summon a unique voice. An extra level to the expression a Hammond Organist had at their fingertips was added because the Drawbars could be manipulated in real time. The Sk Series features real drawbars in the size, shape and configuration of Vintage Hammonds. The Drawbars also serve the Combo and Pipe Organ divisions, but with a slightly different function Vibrato/Chorus One of the most distinctive parts of the Hammond sound is the shimmering “Chorus Vibrato”. It adds a silken quality to the sound by adding a second, slightly detuned pitch to the original in the Chorus Mode, and repeat-modulating the pitch slightly in Vibrato mode. Mr. Hammond’s original design used an electromechanical apparatus that looked much like the distributors you would find in the automobiles of the day, and ran off the same synchronous motor that powered the Tonewheel Generator. The Sk’s Chorus-Vibrato is executed in the Digital Realm, without moving parts, and works under the same model. The classic V1/V2/V3/C1/C2/C3 controls are familiar to anyone who has ever played a Hammond. As with the Tonewheel Generator, Digital control allows a wide range of adjustment that was simply not possible on the original. As the Antique organs aged, the components acquired their own unique qualities. Digital control allows the user to shape the Chorus/Vibrato’s various facets, with the added ability to “age” the effect-with the resulting treble emphasis and subtle distortion that marks the organs that develop this patina as “sweeter” than others. The new “Mix” control allows you to temper or boost the Chorus/Vibrato creating the sound of a Vintage Hammond whose Chorus/Vibrato has dimmed with extensive use, or has grown overly intense through the years. These adjustments are saved per preset. Touch-response Percussion The chief feature of the Hammond B-3 upon its release in 1955 was the inclusion of Touch-Response Percussion (Perc). This effect added a high “attack” to the Organ tone at either the octave or the twelfth, with a fast note decay. This sound was reminiscent of an xylophone or clave, and became immensely popular, immediately. Perc gave the Organ a bright highlight, and every generation of music has embraced this sound. Controls for the Perc have the classic nomenclature, familiar to anyone who has ever played a Hammond. On the Sk series, Perc is executed in the Digital realm, allowing a wide range of controls the organists back in the day did not possess. The 1′ drawbar muting, characteristic of the Vintage Organs can be defeated, as can the drop in Drawbar volume level that accompanied the engaging of the Percussion voice. You can control the volumes and decay times as well. Key Click In order that every key (and pedal) of Laurens Hammond’s Organ could access every Tonewheel as predicated by the Drawbar settings, an electro-mechanical apparatus lurked behind the keyboards, with 9 contacts corresponding to each drawbar for that keyboard and a series of contacts attached to each key. As a key was depressed, the contacts sequentially touched, and the circuits were completed to produce the Organ tone registered by the Drawbars. The very nature of Electric circuitry dictated a click could be heard at the top of each note played when the current-carrying key contacts touched. Laurens Hammond considered that click to be a nuisance, and worked to no avail in order to rid his organ of that imperfection. The jazz players who embraced the Hammond Organ, however, found the click to be a percussive highlight, and wanted nothing to do with its eradication. To make matters worse, as the Vintage Hammonds aged, the click became more pronounced, and by the Rock and Roll era, Key Click assumed a role of importance that Laurens Hammond could never imagine. The Sk series allows you to adjust the intensity of the key ON click, and the key OFF click. The timbre of the click may also be adjusted. Mr. Hammond would have greatly approved of the Sk, as you can turn the click all the way off if you desire, creating a Vintage Hammond Organ that could not exist in the physical world. The “tone” Control The inclusion of this obscure feature demonstrates the commitment to authenticity Hammond has brought to the Sk Series. Inside the Vintage Hammond B-3, on one side of the tube preamp, there was a “Screwdriver Pot” with the engraved legend “Tone”. It was introduced as a part of Mr. Hammond’s crusade to temper “key click”, but this was never made clear to the public. The “company line” was this control was to be adjusted by the Technician installing the organ in order to tame the treble response in the instance of the organ’s installation in a Church or Mortuary, where a more “muted” organ was desired. The control was a cocktail of upper Mid and High frequencies (the proportions of which were, until recently, held secret.) The “Tone” control was basically a “hi cut” control and only went “down”. That this control’s presence and location were obscured goes a long way in explaining why there was such a variation in sound among Hammonds. Further, You could not direct the control to go “up” for “boost”. The TONE control is included in the Sk’s menu with the added benefit of being able to BOOST the unique blend of frequencies, which adds a nice “edge” to the Sk tone, if desired. Digital Leslie Chicago Engineer/Inventor Don Leslie bought a Hammond Organ not long after its introduction in 1935, but felt the instrument lacked the warmth of the Mighty Theatre Pipe Organs he so loved. The main difference between Church Pipe Organs and Theatre Organs was the deep Tremulant that took the edge off the Theatre Organ’s pipes and made them emotionally “sob”. Making use of an acoustic phenomenon called the “Doppler Effect”, Mr. Leslie constructed a speaker cabinet that used a simple system of rotating horns and baffles to give the Hammond tone “motion” and “depth”. This created a different instrument altogether, one that could play “Popular” music. Mr. Hammond intended his organ for the Church and Classical Music, looking at “Popular” Music with disdain-he wanted nothing to do with Mr. Leslie’s invention when Mr. Leslie demonstrated it. The public however, took the combination of Hammond and Leslie to heart, and so it remains to this very day. It is difficult to think of one without the other, although Mr. Hammond never allowed Hammond Dealers to sell Leslie Speakers. After Mr. Hammond’s death, the two companies became partners, and now Hammond owns and manufactures Leslie Speakers. For both Hammond and Leslie, the golden goal was to produce a Leslie that did not require motor-driven speakers, and the goal has been reached in the Sk series, with the finest Digital Leslie we have ever produced. Now the elusive effect can be had where space and mobility have heretofore denied it. As an added benefit to being produced in the Digital realm, many aspects of the effect can be adjusted and tailored to ones own taste and requirement. Slow and Fast Rotor speeds, “Ramp Up” and “Ramp Down” speeds, Speaker Size, Amp type, Virtual Mic Placement and other parameters may be combined into “Cabinet” Macros which then may be assigned to any Organ Preset. In addition, 8 factory Cabinets, comprising the most popular Leslie Models like the 122, 147, 760, Vintage 31-H, and others are available for instant choice. There is even a model of the original PR-40 (Non-Rotating) Hammond Factory Tone Cabinet. A button on the Control Panel allows the bypass of the Digital Leslie circuit and sends the Organ tones directly to the Stereo Outputsof the original PR-40 (Non-Rotating) Hammond Factory Tone Cabinet. A button on the Control Panel allows the bypass of the Digital Leslie circuit and sends the Organ tones directly to the Stereo Outputs Vintage Combo Organs At the dawn of the Rock and Roll age, many groups could not carry the 500 pound Hammond Console Organ and 450 pound Leslie Speaker. The advent of transistor electronics brought forth smaller, more affordable portable Organs. The Thomas Organ Company in the U.S. and Italy’s Farfisa were at the vanguard of their design, and the Rock and Roll community embraced their instruments fervently. Thomas sold their Combo organs under the Vox name and their premier offerings were the “Continental” and the budget priced “Jaguar”. Farfisa’s organs became Rock icons, and the marque reached its height with its “Professional” model. The sound of the transistor Combo Organ never went out of style, and has even flourished in the “Indy” scene of the 21 st Century. The sounds of all three classic instruments are faithfully reproduced in the Sk series, with the ability to register them in the exact way you were able to on the originals. All three models employed a variation of Hammond’s Drawbars, and an accompanying legend on the control panel marks the functions for each drawbar, for each model. Pipe Organ Division The compact Sk series has a mammoth heart, with the inclusion of 32 Digital Ranks of Classical (Church) Pipe Organ derived from our Flagship 935 Church Organ. The Pipe Organ division uses the Drawbars as Drawknobs to select the stops you choose. Now you can take this majestic sound wherever you desire, whether it is to accompany Worship, Perform Classical Organ Literature, or Practice with Headphones in your Dormitory Room. Progressive Rock groups have relied on the sounds of Classical Pipe Organs, and have had to compromise with the few inflexible samples contained in Synthesizers and Samplers, but now the sky is the limit with a Classical Pipe Organ that can be registered in the traditional manner. As is customary with Hammond, each rank of pipes may be voiced independently to the user’s specification, and stored for instant recall. Your Sk-series instrument has a total of 20 Pipe voices – nine (9) for the Upper Manual, nine (9) for the Lower Manual and two (2) for the Pedals. Below is a list of the voices and the screen abbreviations: Upper – Bourdon 16′ (“Bourdn16″) – Open Diapason 8” (“OpnDiap8”) – Gedeckt 8′ (“Gedeckt8”) – Voix Celeste 8′ (“VnCelst8”) – Octave 4′ (“Octave 4”) – Flute Dolce 4′ (“FlDolce4”) – Flute 2′ (“Flute 2”) – Mixture 3 ranks (“Mixt.III”) – Hautbois 8′ (“Hautboi8”) Lower – Principal 16′ (“Princi16”) – Principal 8′ (“Princi 8”) – Melodia 8′ (“Melodia8”) – Rohr Flute 8′ (“RohrFl.8”) – Prestant 4′ (“Prestnt4”) – Flute 4′ (“Flute 4”) – Super Octave 2′ (“SupOct 2”) – Mixture 4 ranks (“Mixt. IV”) – Trompette 8′ (“Trompet8”) Pedal – Sub Bass 16′ & Bourdon 8′ (“Bass16+8”) – Principal Chorus 8′ & Mixture IV’ (“PC4+Mixt”) Organ Division Dsp and Other Features The Drawbar and Combo Organ Divisions have a number of effects that may be applied. 4 different types of Overdrive, Phase, Flange, Chorus (Stomp Pedal Style-separate from Hammond Chorus), Auto Pan, Ring Modulator, Wah-Wah, Delay and Tremolo. A 3-band EQ is available with Shelf Lo and Hi with sweepable Mid control. Prochord Hammond’s exclusive Prochord feature is added to a number of sounds, on the Sk series. With it, you play a chord on lower keyboard (with the keyboard split function engaged on the Sk1/Sk1-73/Sk1-88, and on the actual lower keyboard of the Sk2) and by playing a single note on the upper keyboard, you will hear complex harmonic voicings based on the chord that you are playing. With this feature, you can instantly produce a foolproof, professional sounding “horn section”, or other unique arrangements. This is not an “auto play” feature you might find on non-pro instruments, but a powerful tool that can add great color to your playing. The instances of Prochord in conjuction with the Symphonic Strings Library voices add another component, that of leading voices in perfect enharmonic form. This allows you to create a rich, orchestral score “on the fly”, playing one finger with playing chords on the lower manual. Extravoice Pianos/Clav/Harpsichord Even at Hammond, we realize that Musicians don’t live on Organ alone. There is a set of keyboard sounds that is basic to every genre of music, centered mostly on the Piano, acoustic and electric. Our goal in designing the Sk series was to create a foundation instrument providing the basic building blocks of a comprehensive keyboard rig, and that meant a serious Piano voice. Acoustic Grand Piano Our engineers meticulously developed the Sk’s Acoustic Grand Piano with the target being the Yamaha C7 Grand, perhaps the most widely admired Acoustic Piano in the World. It was engineered to respond to every nuance a player could ask of it, through all styles of music. It also had to have a comfortable playing feel in sight of the Sk’s Waterfall Keyboard which is a hallmark of Hammond Organs, and make an instant transition between “Organ Feel” and “Piano Feel” should the player make such a program change. One touch of the keyboard confirms and verifies the research and development that went into it. It’s one of the best sounding and playing Pianos anywhere-with a genuine Hammond Organ a switch press away. Electric Pianos After the Acoustic Grand, the next essentials are a pair of instruments that also have found their way into most every corner of music, the Rhodes and Wurlitzer Electric Pianos. These electromechanical instruments are great as rhythm voices, but are equally hot in the solo spotlight. Especially adaptable for many DSP effects, these two voices are tonal chameleons. If you can’t find something to play in a song, chances are a Rhodes or Wurlitzer will fill the void. The Sk features two variations of the Rhodes voice recalling their “Stage” and “Suitcase” models. Your playing velocity will reveal the depth of Hammond’s engineering, as greater velocity will call the various “artifacts” and noises that come with this electromechanical instrument. The Wurlitzer Electric Piano used vibrating metal “reeds” in place of the “tines” used by the Rhodes. The Wurlitzer was lighter in weight and sound than the Rhodes, but only until the Amps were cranked up, then the Wurlitzer became a rock/funk/blues beast. All flavors of the Wurlitzer are available in the SK series. It is difficult now to think of a time when Digital Pianos were not widespread, but it wasn’t long ago if you wanted the sound of a Piano, you either had to move one (insanity for a small band), or hope the venue had one (and it was well enough in tune…). In the late 70’s and 80’s, Yamaha came to the rescue with their ubiquitous CP-70 Electric Grand. Not quite a “real” Piano, but close enough; it became an iconic sound in and of itself. The Sk has captured this sound perfectly for your use. The other dominant keyboard sound in the 80’s was the “FM piano”, used in so many ballads and R&B songs. It, too is at your fingertips in the Sk’s palette Clavs Hohner’s Clavinet was essentially a solid body guitar played with a keyboard. It was a European curiosity for many years until artists like Stevie Wonder and Billy Preston got hold of it and made keyboard history. Funk, R&B and Disco were practically defined by its sound, most often heard with Phaser or AutoWah, usually both. Nearly every modern keyboard has a “Clav” stop, but few offer all the pickup positions and the wide range of sounds they cover. The Sk has all the combinations along with a CryBaby Wah model that morphs any volume pedal attached into a Wah Pedal. Harpsichord The Harpsichord may not be a first call Rock and Roll or Jazz instrument, but is an important part of many other genres. Like most of the Keyboards contained in the Sk, you are able to register the Sk’s Harpsichord traditionally, with a Lute stop available. Use An External MIDI Keyboard You can hook up an external MIDI keyboard to the Sk, such as a weighted 88 note controller, assigning all the Pianos, etc., to that keyboard and maintain the Sk’s keyboard as a dedicated Organ. This gives you a full keyboard rig that is very mobile, yet complete. Extravoice Accordion Like the Hammond Organ, the Accordion is an instrument found in many genres, with few modern keyboards accurately delivering the voice. The Sk features the entire range of a Suzuki 120 Accordion, with spot-on accurate and authentic registration capability. The unique symbols for Accordion registration appear in the display window, and a Musette setting is available as well. Extravoice Orchestral and Synth The Sk is designed to be a comprehensive foundation keyboard, providing the “meat and potatoes” for any performance, but Hammond adds a selection of Orchestral and Synth Instruments for added versatility. Trumpet, Trombone, both also with Mute, Flute, Alto, Tenor and Baritone Sax are offered in solo and ensemble voicings. Glockenspiel and Vibraphone voices are also on the menu. String Synth and Synth A selection of String Synth and Traditional Synth voices are available on the Sk. Like all of the Sk’s Extravoices, they may be played solo or in combination with any of the Drawbar, Pipe or Combo Organ tones. Extravoice Dsp and Other Features The Extravoice division has a DSP independent from the Organ division. 4 different types of Overdrive, Phase, Flange, Chorus, Auto Pan, Ring Modulator, Wah-Wah, Delay and Tremolo. A 3-band EQ is available with Shelf Lo and Hi with sweepable Mid control. Preset, Favorites, and Backup The Sk series has 100 Factory ROM Presets and 100 User-adjustable Presets. A Manual button on the control panel renders the entire control panel current. The ten buttons in the center of the control panel are assignable to any of the 200 presets for instant recall of your favorites. The same panel may be switched to a numeric input pad for direct selection of presets. The entire Sk setup may be saved to a common USB “Thumb Drive” for backup or restoration. Midi Controller Up to three external MIDI zones may be controlled by the Sk, with all settings saved as a preset. You can play these external zones with or without the Sk voices sounding. Other Features The Sk has an onboard Music Player that reads Mp3 or .WAV files stored on an attached USB “Thumb Drive”, and plays the audio signal along with the SK’s output through the Stereo ¼” outputs. A discrete volume control for the player and start/pause controls are located next to the Master Volume control. There is a system-wide reverb available, also a system-wide Equalizer. The Reverb parameters are saved within each preset, but the system-wide EQ is independent of the Presets, its settings remain unchanged regardless of Preset choice. System Upgrades are issued through this Website, and are installed via a USB “Thumb Drive”.

MiniFreak Spontaneous algorithmic synthesizer MiniFreak is a polyphonic hybrid keyboard that unites dual digital sound engines with analog filters, playful modulation, instinctive sequencing, and rich stereo effects for sounds that are immediately curious, beautiful, and chaotic in equal measure. Explore the unconventional In the rift where digital meets analog, engine meets engine, hardware meets software, expression meets impulse, and reality meets boundless imagination, dwells MiniFreak. Discover endless sweet spots between sonic universes and tear up the rulebook with an addictive hybrid synthesizer that invites you to play without consequences. Double the engines, double the fun 2 engines, 6 voices, 22 oscillator modes. From Virtual Analog to FM, Additive to Ring Mod, collide contrasting modes for compound polyphonic timbres, feed Engine 1’s sound into Engine 2 for stacked sonic interplay, and process external audio through its architecture to unleash any sound’s wild side. Whether it’s mix-filling bass, textural percussion, or center-stage synth lead, you can mold MiniFreak’s many voices into whatever shape you desire. Noise Superwave Harmo Karplus Str. BasicWaves Audio In Multi Filter Surgeon Filter Comb Filter Phaser Filter Destroy FM/RM V.Analog Waveshaper Two Op. FM Formant Effortless sound experimentation Immediate modulation means nothing is off-limits. With twin LFOs, polyphonic cycling envelopes, and customizable LFO shapes, modulate your sound engines, filters, effects - even your modulation sources themselves. Anything goes with this simple-but-powerful modulation matrix, putting any flavor of animated, evolving, or untamed sonic alteration at your disposal in seconds. Madness in stereo Savor vivid stereo textures with built-in effects. Embellish your dual-engine sounds with beautifully hypnotic chorus, brutal distortion, immersive borderline-3D atmosphere, and beyond. MiniFreak is armed with stereo outputs and 3 FX slots, each with 10 curated FX algorithms to choose from, ensuring that every patch is mix-ready and as wide as you need it to be. Chorus Phaser Flanger Reverb Delay Distortion Bit Crusher 3-Band EQ Peak EQ Multi Comp Preset Out of the box, explore a curated selection of over 250 patches to whip up your appetite for Freaky hybrid sound. Created by some of the world’s most experienced and prolific sound designers, this library has a little something for everyone. But don’t take it from us, hear it for yourself… Bass Harming Bass A hard bass. The macro 1 controls the HP Filter cutoff and macro 2 adds an octave up. Heavy B Heavy bass sound, as the title suggests. Leads 90 Ravers An old school UK rave lead sound with a lot of artifacts like back in the day with limited sample memory and resolution. DjoTears Supersaw patch on steroids. Pads Cygnus Dreamy dark polyphonic pad. Aevus Aeternu A majestic pad sound where the aftertouch plays a big role in the expressiveness of the sound by increasing the modulation speed. Keys Crusty Pluck A thin and noisy pluck sound. Macro 1 adds dramatic tremolo. Constellation Digital organ sound. Mod wheel adds brightness. FX Sci Fi Slam A huge, texture gesture generator. Plat In Clood Classic ambient eurorack patch using chord engine sent to a digital delay. Hear it in action In 20 Years Time (Dimitris Kordis) An intimate, expressive cinematic track using the Minifreak. No external effects were used. Broken Landscapes (Graphyt) A MiniFreak exploration of textures and sounds finding between something beautiful and broken, something melodic and distorted. Hit The Bass (Lektrique) A hard hitting banger mixing elements of EDM and trap using Minifreak presets. Funk Freak (Louison Pugin) A vibrant funk demo using Minifreak Factory presets. Hypersona (Victor Morello) A hyperpop track using the Minifreak's Engine capabilities. No external effects were used. Inflared Moonset (Trail) A soulful drum & bass beat with some jazz and funky flavours blended. Sounds are balanced between classic synths textures and modern electronic sonic designs. What's in the box Box content MiniFreak Unit Universal PSU - 12V 1A USB A to USB 2.0 Registration card Instrument dimensions Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm) Weight : 6.48 lbs. (2.94 Kg) Main Features 6-voice polyphonic hybrid synthesizer 37-note velocity-sensitive Slim-key keybed with aftertouch 2 sound Engines with 22 oscillator modes in total Engine 2 can be used to process Engine 1 1 envelope per voice 1 cycling envelope per voice 2 LFOs per voice Polyphonic analog filters and VCAs 6-voice polyphonic, 12-voice paraphonic, unison, or mono configuration 3 digital FX slots in insert or send mode, with 10 FX to choose from User-customizable LFO curves Mod Matrix with 7 sources and 13 potential destinations OLED display for real-time visual feedback Intuitive 64-step sequencer (4 pages of 16 steps) 4 lanes of automated modulation Performance Arpeggiator controls including Ratchet, Octave Randomize, and more MIDI in/out/thru USB connectivity Sustain, audio in, and clock in/out connectivity Balanced stereo outputs 256 factory presets 256 user preset slots

From Tribute to Timeless Dimensions Width 1,234 mm (48-9/16") Height 151 mm (5-15/16") Depth 456 mm (17-15/16") Weight Weight 14.2 kg (31 lb, 5 oz) Packing Box Width 1,460 mm (57-1/2") Height 270 mm (10-5/8") Depth 540 mm (21-1/4") Control Interface Keyboard Number of Keys 76 Type Organ (FSX), Initial Touch/Aftertouch Touch Response Normal, Easy1, Easy2, Soft1, Soft2, Hard1, Hard2 Other Controllers Joystick Yes (Assignable) Control Knobs 6 (Assignable, with LED gauge) Sliders 9 Live Control sliders (Assignable, with LED gauge), Cross Fader Art. Switches 3 Pitch Bend - Modulation - Display Type Main Display : TFT Color Wide VGA LCD | Sub Display: VA (Live Control view) Size Main Display : 800 x 480 dots (9 inch) | Sub Display: 512 x 48 dots Touch Screen Main Display : Yes Color Color Language Main Display: English, German, French, Spanish, Italian | Sub Display: English Panel Language English Voices Tone Generation Tone Generating Technology FM, AWM Stereo Sampling, AEM technology Polyphony Number of Polyphony (Max.) 384 (128 for Preset AWM Voices + 128 for Expansion AWM Voices + 128 for FM Voices) Preset Number of Voices 1,991 Voices + 75 Drum/SFX Kits Featured Voices 106 S.Articulation2, 437 S.Articulation, 141 FM, 40 Sweet!, 81 Cool!, 188 Live!, 25 OrganFlutes, 123 MegaVoice, 11 Ambient Drums/SFX, 11 Revo Drums/SFX Compatibility XG Yes (for Song playback) GS - GM Yes (for Song playback) GM2 Yes (for Song playback) Expandability Expansion Voice Yes (approx. 3 GB) Editing Voice Set Part Right 1, Right 2, Right 3, Left Effects Types Reverb 85 Preset + 30 User Chorus 107 Preset + 30 User DSP 363 Preset (with VCM) + 30 User Insertion Effect 1-28: 363 Preset (with VCM) + 30 User Master Compressor 5 Preset + 30 User Master EQ 9 Preset + 30 User Part EQ 28 Parts Others Mic effects: Noise Gate, Compressor, 3 Band EQ, Vocal Effect: 23 Arpeggio Yes Vocal Harmony Number of Presets Vocal Harmony: 54, Synth Vocoder: 20 Number of User Settings 60 *The number is the total of Vocal Harmony and Synth Vocoder Accompaniment Styles Preset Number of Preset Styles 800 Featured Styles 720 Pro, 69 Session, 11 Free Play Fingering Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, Full Keyboard, AI Full Keyboard Style Control INTRO × 3, MAIN VARIATION × 4, FILL × 4, BREAK, ENDING × 3 Other Features One Touch Setting (OTS) 4 for each Style Chord Looper Yes Style Section Reset Yes Unison & Accent - Expandability Expansion Style Yes (Internal Memory) Expansion Audio Style Yes (Internal Memory) Compatibility Style File Format (SFF), Style File Format GE (SFF GE) Songs Preset Number of Preset Songs 9 Demo Songs, 1 Preset Song Recording Number of Songs Unlimited (depends on the drive capacity) Number of Tracks 16 Data Capacity Approx. 3 MB/Song Recording Function Quick Recording, Multi Recording, Step Recording Compatible Data Format Playback SMF (Format 0 & 1), XF Recording SMF (Format 0) Multi Pads Preset Number of Multi Pad Banks 507 Banks x 4 Pads Audio Audio Link Yes Functions Registration Number of Buttons 10 Control Registration Sequence, Freeze Playlist Number of Records 2500 (max.) Records per Playlist file Lesson/Guide Lesson/Guide Follow Lights, Any Key, Karao-Key, Your Tempo Search Yes Demo/Help Demonstration Yes Overall Controls Metronome Yes Tempo Range 5 - 500, Tap Tempo Transpose -12 – 0 – +12 Tuning 414.8 – 440 – 466.8 Hz (approx. 0.2 Hz increments) Octave Button Yes Scale Type 9 types Sub Scale Setting Yes USB Audio Interface Yes Bluetooth Yes (Audio) * May not have this functionality depending on the country Miscellaneous Direct Access Yes Text Display Function Yes Wallpaper Customization Yes Display Out HDMI (1,280 × 720p max.) Voices Harmony/Echo Yes (with Arpeggio) Panel Sustain Yes Mono/Poly Yes Voice Information Yes Styles Style Creator Yes OTS Information Yes Songs Score Display Function Yes Lyrics Display Function Yes Song Creator Yes Multi Pads Multi Pad Creator Yes Audio Recorder/Player Recording Time (max.) approx. 0.8 GB (80 minutes) per Song Recording WAV (44.1 kHz, 16 bit, stereo) Playback WAV (44.1 kHz, 16 bit, stereo), MP3 (44.1/48.0 kHz, 64/96/128/256/320 kbps or VBR, mono/stereo) Lyrics Display Function Yes Time Stretch Yes Pitch Shift Yes Vocal Cancel Yes Storage and Connectivity Storage Internal Memory Yes (approx. 15 GB) External Drives USB flash drive Connectivity Headphones Standard stereo phone jack (PHONES) FOOT PEDAL 1 (SUSTAIN), 2 (ART.1), 3 (VOLUME), Function assignable Microphone Yes (Combo Jack), Phantom Power (+48 V) available MIDI MIDI A (IN/OUT), MIDI B (IN/OUT) AUX IN L/L+R, R Standard phone jack LINE OUT MAIN (L/L+R, R), SUB (1,2), SUB (3,4/AUX OUT) Standard phone jack USB TO DEVICE Yes (x 3) USB TO HOST Yes Wireless LAN Yes (*) Standards: IEEE802.11b/g/n (IEEE802.11n 5 GHz: not compatible), Range of transmit frequency (channels): Models for Europe and Brazil: 2401–2483 MHz (channels 1–13) Others: 2401–2473 MHz (channels 1–11), Maximum RF output power: 14 dBm, Security: WEP, WPA-PSK (TKIP), WPA-PSK (AES), WPA2-PSK (AES), WPA/WPA2 mixed PSK, SAR value: 0.258 W/kg * May not be included, depending on your area. Check with your Yamaha dealer. Amplifiers and Speakers Amplifiers - Speakers - Power Supply Power Supply AC power cord Power Consumption 37 W Auto Power Off Function Yes Accessories Included Accessories Owner’s Manual, AC power cord, Music Rest, two Music Rest brackets

When you thought that the ASM Keyboard couldn't get any better, ASM have just announced the new Hydrasynth Deluxe! With 16-voice polyphony and a new 73-keys keybed, this new powerhouse is guaranteed to boost your music production in no time! Hydrasynth Deluxe is the largest keyboard with ASM Polytouch technology. Each of the two sound engines features 3 Oscillators, dual Wave Mutators and 2 filters, that can be configured in series or parallel, but don't be intimidated! The intuitive design will help you to pick up the workflow instantly. KEY FEATURES: 16-voice polyphonic digital wave morphing synthesizer Single/Multi Dual/Keysplit voicing options POLYTOUCH™ Polyphonic Aftertouch, Note on/off velocity keyboard with 73 full-size keys MPE (MIDI Polyphonic Expression) compatibility Multi-function ribbon controller (Modulation, Pitch bend, Theremin mode) Microtuning support via MIDI Tuning Standard files 1024 Single program locations with Category Search 640 Multi program locations with 1280 embedded program locations Dual stereo audio outputs DUAL SOUND ENGINE FOR YOUR SOUND DESIGN DREAMS The Hydrasynth Deluxe offers 16 voices of polyphony in single mode, which can be split into two completely separate 8 voice sound engines in Multi mode. The two Multi modes for separate sound engine operation includes Keysplit which creates classic keyboard splitting between two patches, and Dual which enables layering of two patches over the whole keyboard. This means you can either split or layer your synth for bi-timbral operations. The oscillators allow you to choose from 219 single cycle waveforms, You can also create your own waves thanks to the Wavelist mode, that allows you to select 8 waves out of 219 and arrange them the way you want. To give even more spice to your waves, you have an array of mutators at your fingertips, including FM Linear, Wavestack, Harmonic Sweep and more! INFINITE SOUND POSSIBILITIES... As we mentioned, Hydrasynth Deluxe is a real dream when it comes to shaping your own sound. ASM also added many features to really give you total power and creative freedom. The brand new 73-keys keyboard features Polytouch, ASM's exclusive technology that provides ON/OFF velocity and aftertouch as well as full polyphonic aftertouch. On top of that you'll also be able to use the Ribbon Controller, which is freely assignable as a source in the Mod Matrix, but it can also be used in Theremin Mode where it will send both trigger and pitch. Hydrasynth Deluxe also features two filters. The first one has 16 different filter models, whilst the second one is a 12db per octave has a continuous sweep from either low pass > bandpass >high pass or low pass > notch > high pass, modelled on the classic SEM filter. ...AND EVEN MORE The Hydrasynth Deluxe is provided with 5 DAHDSR (Delay, Attack, Hold, Decay Sustain Release) envelope generators and 5 LFOs, each of which has 10 standard waveforms to choose from and a Step mode to create sequences up to 64 steps. With 32 user-definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations. Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator. The Modulation matrix points themselves can also become modulation destinations. Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC’s.​​​ Last but not least, the Hydrasynth Deluxe comes with 8 banks of 128 patches in Single mode. There are 5 banks of 128 Multi mode patches and these both hold a Lower and Upper patch which are separate from the Single patches. SPECIFICATIONS: Type: Polyphonic Wave Morphing Synthesizer Sound Engine Type(s): Wavescan Analog/Digital: Digital Number of Keys: 73 Type of Keys: ASM POLYTOUCH™ Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive Other Controllers: Ribbon Controller, Pitch Bend, Mod Wheel Polyphony: 16 voices (Full/Layer/Split) Number of Presets: 1024 Single Programs, 1280 Programs in Multi (Upper/Lower) Number of Multis: 640 Programs Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types) Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff) Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey) LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock Envelopes: 5 per voice, Tempo syncable, Variable trigger sources Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP) Effects: 9 Insert Effects, 5 Delays, 4 Reverbs Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase) Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning Audio Outputs: 4 x 1/4" Balanced (L/Mono Upper, R Upper, L Lower, R Lower) Headphones: 1 x 1/4", 1 x 1/8", Separate volume control USB: 1 x Type B MIDI I/O: In/Out/Thru Pedal Inputs: 2 x 1/4" (expression, sustain) Other I/O: 2 x 1/8" Inputs (Mod 1, Mod2), 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock) Power Supply: 12V DC switchable power supply Additional: Utility shelf Height: 3.62" / 9.2cm Width: 44.45" / 112.9cm Depth: 13.62" / 34.6cm Weight: 29.33lbs / 13.3kg MPN: HSLX

Made to move. Launchkey Mini is Novation's most compact and portable 25-mini-key MIDI keyboard controller. It gives you everything you need to start creating in Ableton Live – and it’ll fit in your bag. Make tracks anywhere with Launchkey Mini’s deep, intuitive Ableton control, arpeggiator, Fixed Chord mode, MIDI out, and tons of sounds in the box. Get creative. Get new melodies, rhythms and sounds flying from your fingertips with Launchkey Mini’s easy yet powerful arpeggiator. Fixed Chord mode takes your ideas further, adding a customisable fixed chord shape that follows you up the keyboard. Add dynamic, expressive rhythms with 16 super-sensitive pads for drumming and clip launch. Plug straight into Live, get your ideas down and create - Launchkey Mini gets any track moving. Your tracks, your way. Step back from the screen and feel the beats. Launchkey Mini’s deep and intuitive integration with Live lets you move where the music takes you. Transport, device and mixer controls mean fewer mouse clicks. Device macros and mixer controls mean more hands-on control of your music. Launchkey Mini puts the sounds from your head into your hands. However you want, wherever you want. Launchkey Mini comes with everything you need to make tracks in the box, including sounds, instruments and effects from Splice, AAS, Softube, Spitfire Audio, XLN Audio and Klevgrand – plus membership of Novation Sound Collective. Throw all this content into the included copy of Ableton Live Lite, or use Launchkey Mini’s integrations with Logic, Reason or any HUI compatible DAW. It's an instrument - play it. Launchkey Mini features a completely new mini-keymech – our finest to date – and is great to play. Two touch strips for pitch and mod let you really feel your sounds. The 16 RGB pads are super-sensitive for precise, dynamic and nuanced drumming. Connect your sustain pedal and add even more expression to your playing. Launchkey Mini feels as good as it looks. You’ll also benefit from a two-year warranty, award-winning customer support and membership of their Sound Collective - offering new, free content every couple of months Key Features Deep and intuitive Ableton Live control - including device macro control, track select, record, capture MIDI, clip and scene launch, stop/mute/solo, volume, pans and sends. Creative arpeggiator – easy to use but deeply controllable: change rhythm, beat, pattern, octave, gate and more. Fixed Chord mode – play a chord with one finger - assign a fixed chord shape to the keys and it’ll transpose as you move up and down the keyboard. MIDI Out – take Launchkey Mini anywhere, send arps and program changes to your hardware synths, or add keys to your groovebox directly over MIDI. Hardware - our finest mini keymech to date, 16 velocity-sensitive RGB, eight rotary controls, pitch and mod touch strips, and sustain input. Included sounds, instruments and effects - Two months of Splice Sounds, AAS Session Bundle, Softube Time & Tone, exclusive Spitfire Audio LABS - Expressive Strings instrument, Klevgrand DAW Casette and R0Verb, and get one XLN Addictive Keys instrument from choice of four the first time you register a product with us. Sound Collective - Novation hardware owners get exclusive access to Sound Collective, bringing new, free content from our plug-in partners every couple of months. Logic, Reason or HUI - Launchkey Mini also has excellent integrations with Logic and Reason, as well as any HUI compatible DAW. Ableton Live Lite in the box - Giving you everything you need to start making tracks right away. Included Software Ableton Live 10 Lite music making software AAS Session Bundle Two month Splice Sounds subscription Softube Time and Tone Bundle Spitfire Audio LABS - Expressive Strings XLN Audio Addictive Keys Klevgrand R0verb and DAW Cassette Access to the Novation Sound Collective Warranty Enjoy two years of warranty Wherever you happen to be in the world, you can rely on a two-year warranty if any Novation hardware needs repairing or replacing due to a manufacturing fault. What's in the box Novation Launchkey Mini [MK3] 1 x USB Cable Technical specifications Product Hardware Specifications 25 x Mini-keys 1 x Touch Strip for Pitch-bench with centre zero 1 x Touch Strip for Modulation 8 x Knobs 16 x RGB Backlit, Velocity Sensitive Pads Transpose Buttons Octave Up/Down Buttons (with Preset function as shift) Play and Record Buttons Arp and Fixed Chord Buttons Stop/Solo/Mute Button ^^ Scene Launch Button ^^ 3.5mm jack socket for MIDI Out (MIDI din break-out cables NOT included) USB Socket Kensington MiniSaver Slot Midi Channel Selection* Capture MIDI function*^^ Tracks function* Scene Down function*^^ Scene Up function*^^ Function accessed with Shift ^^Ableton Live specific function Comprehensive DAW Integration Scripts for Ableton, Logic and Reason (Device Control for Ableton, Logic and Reason) All other DAWs through HUI i.e. Pro Tools, Reaper, Studio One Take control of Volume, Pan, Sends, Record, Play, Preset and Assign Custom Mapping Ableton Integration Volume, Pan, Sends A and Sends B through knobs Record and Play Assign Custom Mapping to knobs and pads Track navigation Ableton specific integrations such as Device Control Capture MIDI Clip Launch Clip Stop Scene Launch Scene Navigation Track Solo/Mute Arpeggiator Creative Arpeggiator with Mutate Mode and Deviate Rhythm Mode: Up, Down, Up/Down, Played, Random, Chord, Mutate Rate: 1/4, 1/8, 1/16, 1/32 and all associated triplets Octave: 1, 2, 3, 4 Rhythm: o, oxo, oxxo, Random, Deviate Latch: on/off Tempo, Swing and Gate through pots when pressing 'Arp' When Mode is set to Mutate, access all Mutate possibilities through the pot while pressing 'Arp' When Rhythm is set to Deviate, access all Deviation of the rhythm through the pot while pressing 'Arp' 3 x symbols at the left side of the keyboard reserved for future arp updates Fixed Chord Fixed Chord, to play chords with one finger Software Compatibility Ableton Live Lite is included Logic script, Reason script; all other DAWs through HUI i.e. Pro Tools, Reaper, Studio One Power Requirements USB bus powered Power supply not included Product Dimensions 330mm length x 172mm depth x 31mm (40mm including knob-caps) height

A Modern Classic Reinvented The Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.” The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. Best of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments. An 8-voice version is also available, which can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other. Prophet Rev2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix 22 sources 53 destinations 5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS 5-octave keyboard with semi-weighted action, velocity, and aftertouch 55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

The SkxPRO Stage Keyboard The Hammond SkPRO has quickly become the preferred stage keyboard for musicians of all genres, and we’ve heard the call for a dual manual version. No matter which style you play, the SkxPRO will meet your demands for a genuine dual-manual Hammond Organ with all the required additional sounds any keyboard player requires, for any performance or recording session. The SkxPRO shares all the sounds and features of the 61 & 73 key SkPRO. Essential Features: AUTHENTIC HAMMOND ORGAN derived from our TOP-OF-THE-LINE XK-5. 3 INDEPENDENT SETS OF DRAWBARS: UPPER/LOWER/PEDAL EXPANDED TRANSISTOR and PIPE ORGAN voices (including Classical and Theatre Organ ranks) PIANO SECTION with a wide variety of keyboard instruments, including new high-resolution Grand and Electric Piano sounds, ENSEMBLE SECTION with essential Brass, Reed, String, Choir and Percussion instruments. ANALOG-MODELLED MONO SYNTH SECTION. PITCH BEND and MODULATION WHEELS. SEAMLESS SWITCHING of tones while playing. PATCHES, COMBINATIONS and CENTRALLY LOCATED FAVORITE/ALLOCATE buttons for quick and easy access to performance needs. DIRECT POWER CONNECTION (no “wall-wart” Power-adapter). MULTIPLE, ASSIGNABLE, OUTPUTS, with discrete Organ and Bass outputs. 1/8" STEREO INPUT JACK for External Audio Sources 11-PIN LESLIE JACK. ON-BOARD BULK STORAGE for all programming. USB TYPE "A" and "B" PORTS for USB MIDI and MASS STORAGE functions. LARGE COLOR DISPLAY giving essential instrument information instantly. The SkxPRO is equipped with FOUR Sound Engines available separately or in any combination. Sound Engine #1: GENUINE HAMMOND ORGAN with DIGITAL LESLIE™ ● The SkxPRO incorporates the state-of-the-art “Modelled Tone Wheel 1” (MTW1) sound engine pioneered by our flagship Hammond XK-5 Organ, recognized everywhere as the standard in digital "tone wheel" sound. ● The Virtual Multi-Contact system replicates the keyboard performance of a vintage Hammond Organ, allowing the distinctive Hammond “feel” in every detail. For even greater versatility, our optional Hammond MIDI Pedalboards such as XPK-130G, XPK-200G or XPK-200GL can be added for traditional organ play. ● An on-board new-generation Digital Leslie™ brings deeper authenticity, including the airflow of Leslie rotors, faithfully reproducing the Leslie ’s unique tone and three-dimensional effect. ● A tube modeling system provides the essential Hammond “tube-warmth". ● A special system emulating the Matching Transformer of a vintage Hammond Organ adds striking authenticity to the Hammond Drawbar tones. ● In addition to the great Hammond Drawbar sounds, the SkxPRO also models Italian ("Farf"), British ("Vx"), and Japanese ("Ace") transistorized Combo Organs. ● The Church/Classical organist can also call upon 32 ranks of Classical Pipe Organ Voices, (including a 32’ Pedal stop). For the first time in any modern keyboard, a range of Theatre Pipe Organ (“Mighty Wurlitzer”) ranks are now included. Sound Engines #2 & #3 : PIANO/ENSEMBLE ● All Piano/Ensemble voices are at a HIGHER RESOLUTION than the classic Sk Series. ● All Piano/Ensemble voices can be FULLY EDITED. Sample choice, EG, Filter, LFO and other parameters are now in your control and can be saved as a Patch. ● The SkxPRO contains high-quality samples of the world's leading Grand Piano sounds, including a brand-new sample of a legendary European Concert Grand Piano. ● High-definition digital voices (upgraded in resolution from previous Sk models) provide a wide variety of tonal possibilities, many of them new to the Sk-series. ● 12 Category Buttons allow easy and instant tone/patch selection. ● Hammond's exclusive Pro Chord feature permits the player to reproduce complex harmonies by playing a single-note melody based on chords played on lower manual. (Pro Chord feature also available on Drawbar Voices) Sound Engine #4: MONO SYNTH The SkxPRO incorporates a physically-modeled Synthesizer faithfully providing the sounds and playing experience of classic analog synthesizers. All traditional synth controls are on the top panel, allowing the creation and editing of sounds in real-time just as on a classic analog synth. Performance-Oriented Patch Selection Combinations/Patches/Favorites Like the SkPRO, the SkxPRO features our new system of Combinations, combining up to 4 Patches, and 3 External MIDI Instrumetns along with desired performance parameters. Combinations “set the scene” for each performance and may be changed in an instant. The 4 ALLOCATION buttons located in the center of the keyboard, call up any part of a Combination in real-time, giving the equivalent of FOUR discrete keyboards. 200 Combinations are available (100 Factory and 100 User). The Setup of the entire SkxPRO may be saved or recalled in seconds through onboard data storage, or optional USB "thumb" drive. Patches The basic voice unit of the SkxPRO is a “Patch”, storing the source sound or sounds and all programming for each sound. There are Factory and User Patches available - 100 of each for the ORGAN and MONO SYNTH Sections and 300 Factory / 400 User for the PIANO and ENSEMBLE Sections. Favorites Any ten Combinations may be assigned to the FAVORITES buttons (as on previous Sk instruments) for instant access. The selection of Favorites has been expanded to include Ten (10) Banks with 10 Favorites each: for a total of 100 Favorites providing quick and easy selection More SkxPRO features Effects Each of the 4 Voice Sections can receive Overdrive and 2 types of comprehensive DSP Multi-Effects. All the DSP Effects listed below can be saved as part of a Patch: Overdrive: Tube, Solid, Clip, EP Amp. Multi-effect 1: Tremolo, Wah-Wah, Ring Modulator, Compressor Multi-effect 2: Phaser, Flanger, Chorus, Delay, Auto Pan Controls The SkxPRO incorporates Pitch Bend and Modulation Wheels, giving the player the ability to add full expressiveness to the music. Each Voice Section has an individual Volume Control allowing the different Sections to be “mixed” in real time. Sophisticated Design The panel of the SkxPRO is an eye-catching “British Racing Green” color that will blend in any environment. For those desiring a more traditional organ style, a set of easily self-installed walnut side panels is available as an option. (Model number: SBW-SKXPRO) Pedal/Bass Many players use the lower manual for their bass parts. The SkxPRO allows you to “couple” the Pedal part up to the lower manual. In addition to the Drawbar Pedal voices, each of the 3 other sections may be played as “pedal” voices. You can also assign the LOWER voices to the Pedal part. "Half Moon" Leslie Speed Switch The iconic “Half Moon” Leslie speed switch is available in two colors to match the side panels of the SkxPRO. CU-1 (brown) and CU-1BK (black) Connections The SKX PRO includes LINE OUT left & right jacks as well as a HEADPHONE jack and an AUX IN jack with its own volume control for connecting an external sound source such as a music player. In addition, individual outputs allow the assignment of the PIANO, ENSEMBLE or MONO SYNTH Sections to two separate audio outputs. ROTARY OUT and ORGAN PEDAL (BASS) OUT jacks are provided.

Explore::Create::Perform Sound 256 Voices of V.A.S.T. Polyphony! More polyphony from our acclaimed V.A.S.T. engine than any product in Kurzweil history! 2 Gigabytes of Factory Sounds! Over 1000 hand-selected factory presets organized into 13 Categories of Programs (Piano, E. Piano, Clav, Organ, Strings, Pad, Synth, Brass/Wind, Ensemble, Hybrid, Guitar/Bass, Drum/Perc, Misc) and featuring our optimized German 9 ft. and vintage Japanese 7 ft. concert grand pianos. Patented FlashPlay® Technology Flash-Play® provides the PC4 with a staggering amount of horse-power; 2 GB sample content with zero-loading time, and ultrafast performance. 2 Gigabytes User Sample Memory Load up to 2 GB of your own custom samples into non-volatile flash memory. Supported sample formats: .WAV, .AIF (up to 16 bit / 96kHz) and Kurzweil formats (.P3K, .KRZ, .K25, .K26). V.A.S.T. Editing Deep native editing? Look no further. The PC4 grants full access to Kurzweil's legendary Variable Architecture Synthesis Technology directly from the front panel. With 32-layers per program, each offering its own signal path and a host of modular DSP tools, the PC4 offers a wealth of sound creation and modification that is truly immense. 6-Operator FM Engine 6 Operator FM Engine with the ability to load original FM SysEx files. CC Sequencers Add sonic animation to your sounds via 16 simultaneous MIDI CC Step Sequencers for modulation sequencing. KB3 ToneReal™ Organs Modeled after classic organs. A full compliment of tonewheel controls are immediately accessible including 9 realistic drawbars, rotary speed, chorus/vibrato, brake, percussion and more. Powerful FX Engine Award-winning Reverbs, Delays, Choruses, Flangers, Phasers, Distortions, Rotary Amplifiers, Compressors and more - all fully editable from the user-interface. The PC4 also offers a global Master FX section featuring 3-band EQ and Compression. K.S.R. - Kurzweil String Resonance Piano string resonance modeling for enhanced acoustic piano performance! Performance 88-Note Hammer-Action Keyboard Every sound within the PC4 is perfectly matched to its 88-note fully-weighted hammer-action keyboard with aftertouch. 16-Zone Multi Controller Mode Construct massive sonic combinations via Kurzweil's renowned Multi mode (aka Setup mode) offering 16 zones of unparalleled MIDI controller capabilities. 16-Track Sequencer The PC4 features a 16-track internal sequencer to record/edit/mix/produce your own tracks - all in the box. Import MIDI (.mid) files as well as Kurzweil PC3-family songs. 16 Simultaneous RIFF Generators Trigger and manipulate up to 16 simultaneous MIDI sequences on the fly. Select from an internal library of patterns or record/import your own! 16 Simultaneous Note Arpeggiators Looking for a pulse? Activate up to 16 independent Arps (1 per program, 16 per Multi) and discover the new 'Step Sequencer' environment! Live Audio Input w/ FX Plug in and jam along with your favorite music player via 1/4" pair and/or 1/8" (3.5mm) audio input. The input bus sports its own dedicated real-time FX. Sweeten your backing tracks for live performance and internally mix the signal with the PC4's own output. Controls Front Panel Master Transport Controls Use the buttons in the TRANSPORT section to control recording and playback of the on-board 16-track sequencer. 36 Programmable Physical Controllers 9 Sliders, 9 Knobs, 10 Switches, 2 Wheels, 2 Switch Pedal* Inputs (which support half-damper for pianos), 2 Continuous Control Pedal Inputs, Aftertouch and Ribbon controller input**. *1 sustain/switch pedal is included; half-damper pedal sold separately **ribbon controller sold separately. Easy Access Transpose Controls Dedicated -/+ transpose controls conveniently located right above the LED backlit pitch/modulation wheels (LED lights can be disabled). User interface Widescreen Color Display Navigate the PC4 with a 4.3” 480x272 widescreen color LCD display. Categorized Sound Selection Easy Category and Program/Multi selection featuring customizable category defaults. Features 256 voices of polyphony 2GB of factory sample content plus 2GB of user storage FlashPlay technology with zero load time 1000+ factory programs NEW 6-operator FM Engine with the ability to import original '80s and '90s FM SysEx files KB3 ToneReal Organs with realistic drawbars, rotary speed, chorus/vibrato, brake, percussion 9 sets of programmable knobs, sliders, and buttons 88-note fully-weighted hammer action with velocity-sensitive keys and aftertouch Extensive native V.A.S.T. editing capabilities 16-track Sequencer with dedicated front-panel transport buttons 16 Arpeggiators (Classic or Step sequencers) with dedicated front-panel controls NEW 16 MIDI CC Step Sequencers 16 Riff Generators Dedicated front-panel transposition and tempo controls Ribbon connector input MIDI I/O, USB/MIDI, USB-to-device 2 x 1/4 inch audio input connectors Stereo 3.5mm audio input jack with FX 2 pairs of stereo outputs 4 switch pedals (via 2 stereo jacks) 2 CC pedal inputs Specs Keyboard: RPHA: Real Piano Hammer Action / 88-note, fully-weighted hammer-action with velocity and aftertouch sensitive adjustable keys Display: 480 x 272 pixel high resolution color LCD with adjustable brightness Polyphony: 256 Voice Polyphony, dynamically allocated Multitimbral: 16 parts (one per MIDI channel) Architecture: Dynamic VAST: Powerful synthesis engine, with user programmable DSP algs and routing. More DSP power than even our K Series instruments. 6-Operator FM Engine VA1 Inside: anti-aliasing, power-shaped oscillators and DSP processing from Kurzweil's VA1 concept synth, capable of delivering authentic analog emulations as well as incredibly complex new sounds. Cascade Mode: lets the user route one layer through the DSP of any other layer within a program - up to 32 consecutive layers deep! Sample Flash Memory: 2 GB of re-loadable, non-volatile, user flash memory Factory Programs: 1000+ User Programs: 4096 Factory Multis: 50+ - featuring up to 16 independent zones User Multis: 4096 General MIDI: No Kurzweil String Resonance: Yes Master EQ/Compressor Section: Yes Effects: Over 1000 complex effect chains, incorporated into programs featuring our award winning effects - reverbs, delays, chorus, flange, phaser, EQs, distortions, rotary speaker simulators, compressors, and more 32 total FX units Controllers: 1 pitch wheel 1 modulation wheel 9 front panel sliders 9 Knobs 9 switches (assignable/zone mutes/KB3 control) 1 variation switch Tempo Controls w/ tap tempo 2 transpose switches Arp Controls Transport Controls 2 continuous control pedal inputs Monopressure (aftertouch) Ribbon input (ribbon controller sold separately) Sequencer: 16 Tracks; 960 PPQ resolution. Song editing functions include both event and track-based tools like quantize, swing, remap, controller scaling and more. MIDI CC Step Sequencers: 16 simultaneous RIFFs: 16-per Multi Note Arpeggiators: 1-per Program, 16-per Multi Analog Outputs: Four (2 pairs) 1/4" balanced TRS analog (32-bit DACs) Automatic mono switching on main outs +21dBu maximum output 50Ω balanced source impedance Audio Inputs: Two 1/4" inputs One stereo 1/8" input (each with FX) for connecting your favorite MP3 player or other audio source for accompaniment playback Headphones: 1 back panel 1/4" headphone output 130mW into 32 ohm headphones MIDI: In, Out USB: Two USB ports (one A port / one B port) Complete MIDI functionality over USB User program/multi file backup via USB drive Operating System updates via USB drive Software Editors: External editors for Mac OS X, Windows PC and iOS* devices (*coming soon) FREE OS Updates: OS updates via USB drive Included Accessories: Power cable, Switch pedal, USB cable Height: 6.5" (16.51 cm) Depth: 14.75" (37.46 cm) Length: 50" (127 cm) Weight: 28.7 lb (13.01 kg) Power: External 15VDC 2.5A Power Supply

The Skx Stage Keyboard - the smallest, lightest, full-featured dual-manual in the company’s history. Evolving from the highly successful line of Sk series Stage Keyboards, the Skx has embraced design recommendations from Professionals and Hobbyists alike. The result is a comprehensive instrument combining an authentic Hammond Organ featuring 3 sets of Harmonic Drawbars™, Vibrato-Chorus, Touch-Response Percussion™, and digital Leslie™; with a complete array of the most desired Keyboard Voices, such as Grand Pianos, Electric Pianos, Clavs, Orchestral and Percussive voices, and more. These may be combined with the Tonewheel voices, or with each other, in the twin Extravoice divisions. The Organ division is further equipped with 32 ranks of Hi-Def Classical Pipe Organ voices, and accurate models of the two most popular combo organs of the Sixties, which may be registered and played exactly as the originals. Further improvements are found in the expanded Voice Library memory allowing users to install their choices of custom voices obtained without charge from the Hammond Website. Multiple banks of favorite preset collections are now standard, as is a new set of factory presets created by Hammond’s Artist Roster. New to this instrument is the traditional 11-pin Leslie jack for connecting a Leslie™ Speaker cabinet. The classic “Half-Moon” switch (optional) can be added to control the speed of either the onboard digital Leslie or external Leslie Cabinet. More about the Skx THREE SETS OF DRAWBARS The Professional Organist desires an independent set of DRAWBARS for each Manual as well as the Pedal clavier, The Skx offers exactly that: REAL Drawbars in the style and operation of every classic HAMMOND ORGAN, allow you to register each manual and the pedal in the traditional manner. DUAL INDEPENDENT EXTRA VOICE DIVISIONS The Skx features TWO independent EXTRA VOICE Divisions, allowing you to layer different voices on one Manual, or assign a different voice to either Manual. You may also combine the EXTRA VOICES with the Tonewheel, Transistor or Pipe Organ voices. Balance between the chosen EXTRA VOICES is easily controlled with a dedicated MIX/BALANCE knob. EASY TO PLAY, READY FOR THE STAGE The Skx is designed for smooth use onstage and off. Define your 10 most-used patches from the 100 “User” and 100 “Factory” patches and assign them to the 10 “Favorite” quick-recall buttons on the Skx control panel. Adding even more versatility, there are now 10 “banks” of “Favorites” available for instant recall. The Skx also has an expanded EXTRA VOICE LIBRARY storage memory, allowing the installation of more downloaded voices from the HAMMOND website than previous models. THE VINTAGE SOUND, WITH NO MOVING PARTS The Skx’s authentic HAMMOND tone is produced by a “Virtual Tonewheel” Generator closely following Mr. Hammond’s original design, but executing it in the Digital Realm, without moving parts. This provides all the characteristics, and yes, all the imperfections that have come to define the classic HAMMOND sound. “Out of the box”, the Skx is set to the same factory tolerances a B-3 was set to during its production run, but the Digital control allows you to tailor nearly every aspect of the tone to your personal taste. Our Wave Composition™ system adds popular “Transistor Combo Organ” Voices, which you can register in the original fashion, plus 32 ranks of High-Definition Digital Classic Pipe Organ Voices. The SKX is perfectly at home in all types of music, from Blues to Rock to Jazz and Sacred, and all points in-between. PERCUSSION Hammond’s exclusive Touch-Response Percussion™ as found on vintage Hammonds is included, and its parameters are user-tweakable. CHORUS-VIBRATO As the Virtual Tonewheel Generator provides tonal accuracy, the classic “Mechanical Scanner” is precisely Digitally-Modeled, providing the timeless Hammond Chorus-Vibrato effect. The effect may be applied independently to each Manual, and again, nearly every aspect of the effect can be tailored to your taste, including the characteristics relating to “age and wear” so desired by discerning players. DIGITAL LESLIE™ Over 80 years of building Don Leslie’s Masterpiece has given us the edge in developing its 21st Century Digital Edition. The HAMMOND’S essential partner is yours at every moment, with 8 factory profiles of the most famous Leslie models (122, 147, et. al.), and 8 User-definable profiles allowing you to tailor the response matching the Hammond you create with its perfect mate. The accuracy of sound is remarkable. Of course, should you wish to hook up a physical Leslie Cabinet, the traditional 11-pin jack is located on the rear panel, and the onboard controls (including the optional CU-1 “half moon” switch) perform exactly as you expect. THE EXTRA VOICE DIVISION The inclusion of Hi-Definition Acoustic and Electric Pianos, Clav, Bass, and Accordion voices compliment the Organ tones, and create in the Skx a comprehensive foundation keyboard, the backbone of any serious keyboard rig. The Skx’s keying system replicates the feel of a weighted keyboard when playing piano-type voices, yet remains supple and responsive to every Hammond Organ technique. Stepping further, the most-wanted Orchestral Voices-Strings, Woodwinds and Brass are represented, many featuring Hammond’s exclusive ProChord™, which brings complex voicing to single key play based on the chords YOU provide. An extensive Library of elective EXTRA VOICES is available without charge from www.hammondorganco.com, to expand the Skx in directions YOU choose. DSP EFFECTS Two independent high-quality DSP units are aboard to provide Overdrive and other multi-effects to both the Organ and Extravoice Divisions. ●Overdrive ●Tremolo ●Auto Pan ●Wah-Wah ●Ring Modulator ●Phaser ●Flanger ●Chorus ●Delay ●Reverb PERFORMANCE OPERATIONS • OCTAVE Digital Control allows flexibility of performance a Vintage Hammond is incapable of. You may independently raise or lower the Upper and Lower Manual’s range by one octave, allowing greater comfort of playing. • PEDAL SUSTAIN A popular option for playing the Pedals or Manual Bass is Pedal Sustain, which allows the Pedal voice to smoothly decay upon release, much in the manner of a string bass. • MANUAL BASS Allows the PEDAL part to be played on the LOWER manual of the Skx.(AKA "Manual Bass") You can choose from 3 modes,: Lowest played note only / Chord / Root notes as discriminated by chord played. The "F-Bass" Bass Guitar voice is now a part of the "Pedal" division. You no longer need to devote an EXTRAVOICE to have this desirable feature. • LOWER to PEDAL Couples the LOWER manual registration to the PEDAL Part. • TRANSPOSE Allows you to shift the entire pitch of the keyboard to match singers, soloists and the other instruments, or to simplify key changes. • MASTER EQUALIZER Bass/Mid Gain/Mid Frequency/Treble • PROCHORD Certain Extra Voice instruments are enhanced with the ProChord™ function. This allows complex voicings to be played with one finger, based on chords played on the lower manual. 26 distinct chords are “parsed” by the ProChord™ function, with proper passing tones provided to insure proper enharmonic continuity. • MIDI MASTER KEYBOARD External Zones are available to enable the Skx to be used as a MIDI master keyboard. 3 on the Upper Keyboard, 2 on the Lower Keyboard, and 1 on the Pedal Clavier. • USB TYPE “A” PORT A USB Type “A” port is included, intended for saving/loading setups, system updates, downloaded Extra Voice libraries, and the music player. The Music Player allows WAV/MP3 audio files to be controlled and played through the Skx Audio Outputs. • LESLIE 11-PIN JACK A standard 11-pin Leslie jack is included on the rear panel. Attaching a Leslie here disables the Digital Leslie effect from the output, and allows the Leslie Cabinet to respond to the onboard Leslie Controls. If the attached Leslie is a 1-channel Model, the EXTRAVOICE Division remains at the LINE OUT Jacks. (requiring an additional non-rotary keyboard amplifier.)

Kyra is a powerful, hardware virtual analog synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians. From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer — as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent ‘parts’ with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection — can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs — OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) — using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules — namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter — with dedicated audio stream via USB (Universal Serial Bus). Patches Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks — A through to Z, each containing 128 patches. That’s a total of 3,328! The first seven banks are ‘user’ patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands. Oscillators As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) — with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator — SUB 1 and SUB 2 — with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups. Get this, though: switching from Wave mode — meaning Kyra adopts a virtual analogue synthesis model which has the advantage that it is easy to construct sounds using intuitive subtractive synthesis — to Hypersaw mode configures the voice to use a special algorithm comprising six real oscillators to quickly create lush-sounding soundscapes. Digging deeper, Hypersaw mode replaces Wave mode’s two oscillator groups with a single source whose tonal content is constructed with just two adjustable controls — Hypersaw Intensity and Hypersaw Spread (geometric detuning). Built entirely out of multiple, harmonically-rich sawtooth waves or ‘partials’ each adjusted to that special algorithm, the Hypersaw provides characteristic soundscapes ideal for a wide range of uses — from high-impact lead sounds through to lush, animated pads. Placed in Dual Mode, the Hypersaw has 12 real oscillator sources with an additional adjustable stereo spread. Filter Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra’s FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation. Envelope and LFOs Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) — with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings — are also available in the MOD MATRIX and additionally as a MIDI clock sync source. Arpeggiator Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra’s ARP is an integral part of a Patch, so settings are always stored. Display and Connections Far from forgetting its helpful high-resolution 256x64 pixel graphic OLED (Organic Light-Emitting Diode) display alongside the traditional array of MIDI In, Out, and Thru connections — complimenting USB 2.0 — on five-pin DIN, as well as full key microtuning capability with MIDI Tuning Standard (MTS support), it is fair to say that Kyra is, indeed, one of the most powerful music synthesizers ever built... a sensational synthesizer with a spectacular specification, set to take performances and compositions to higher states of musicality and sound design! The Creation of the Waldorf Kyra Synthesizer – Frequently Asked Questions What is Kyra? Kyra is a powerful, hardware virtual analog synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians. What type of musician/producer is Kyra aimed at? Kyra is aimed at the semi-professional and professional producer. It is equally at home in live or studio environments. Live musicians will appreciate the big, floor-filling “wall of sound” and built-in effects that means Kyra can go straight to the mixer and venue amplification. Studio producers will appreciate the massive polyphony, multiple parts and ability to integrate completely with their audio workstations via multiple, balanced analog outputs as well as the high-capacity audio streaming via high-speed, class-compliant USB 2.0. Why was Kyra created? Kyra was created to fill a gap in the synthesizer market for a powerful digital, virtual analog synthesizer. Key to the design was to have no compromises on sound quality, ease of use, studio integration and raw power, all with a price tag that puts ownership within reach of producers working to a real-world budget. How would you characterise Kyra’s sound? It really is a wall of sound. With so many oscillators and voices, Kyra really does make an impact. Having said that, it is also capable of delicate sounds too. As Kyra is oversampled, there’s no rolloff at higher frequencies. Kyra has a crystal clear sound. We are discovering new sounds on Kyra all the time and as more programmers create patches for it, we continue to be amazed at what can be achieved. Kyra’s sound is very complementary to other synthesizers in Waldorf’s range. It can be tame and remarkably smooth with very good emulations of classic analog synthesizers but it can also be big, bold and brash. Tell me about this FPGA technology, what does it do for me as a musician? Kyra is, as far we know, the first professional synthesizer to be based entirely on an FPGA (Field Programmable Gate Array). Even though this may be appear to be a technical detail it does have some real benefits for musicians. In particular, it offers the raw processing power of a very high end desktop computer but without the problems that are associated with such machines such as slow start up, unreliable operating systems and copious amounts of heat being generated. Even though Kyra has this sort of processing power, it starts up in under 4 seconds and uses less than ten watts of fan-free power (a typical high end desktop computer would use over 250 watts of power). Another benefit to this technology is reliability. As all of Kyra’s audio generation, filtering and processing is done on a single chip, reduced component counts mean Kyra is less expensive to build and is more reliable. What is unique about Kyra? Why should I buy it? There are few synthesizers, if any, that are as powerful as Kyra. There are some notable features on Kyra that would usually be associated with much more expensive instruments such as a solid, all-metal chassis, 32 bit “Velvetsound” DACs, multiple balanced audio outputs and multi-part audio streaming over USB. So Kyra has four stereo outputs? How is that useful to me? Kyra offers four, balanced, stereo outputs that you can freely assign each of Kyra’s 8 Parts to. Studio producers will find this particularly useful as it means you can use outboard processing and effects, either connected directly or via bus sends on your mixer. With each of Kyra’s four outputs connected to your mixer, you can level, pan, EQ and process each of Kyra’s outputs as you wish. You can choose whether to use Kyra’s on board effects or to use your favourite outboard as you wish, on a Part-by-Part basis. I understand Kyra has a comprehensive USB Audio implementation. Tell me more. One of the design objectives of Kyra was to “do USB audio properly”. Forums are packed with complaints about synthesizers that have unreliable or under-specified USB implementations. We spent a lot of time getting USB right on Kyra and studio producers can take advantage of this. Kyra uses its FPGA and a dedicated processor purely for USB and the result is a rock-solid USB 2.0 High Speed (480Mbits capacity) audio and MIDI implementation that is capable of streaming all 8 of Kyra’s Parts as studio-quality 96kHz 24 bit audio to an audio workstation. In addition, to address the one-driver limitation of ASIO, Kyra will accept a single return audio stream for audio workstation setups so that your final playback can be via Kyra. As Kyra’s USB implementation is completely USB Audio 2.0 compliant, you can be assured of excellent support across a wide range of platforms. Kyra works with MacOS out the box and with Windows 7 and above with a supplied driver. Linux users should be able to use Kyra’s USB too but we do not support Linux officially as there’s so many flavours and distributions to test. Kyra’s USB is fully USB MIDI compliant too so producers who have moved away from DIN MIDI do not need to buy a MIDI interface unit to use Kyra in their studio. With all that power, I bet Kyra is hard to program. Is this true? It’s true that Kyra is powerful but it was designed to be easy to program. Here at Waldorf, we believe that users should be able to create their own sounds and not just rely on the factory presets and commercial patch banks. Kyra builds on familiar foundations – sound sources, filters, modulators and effects. But it takes this all to the next level, in terms of quantity, quality and modulation possibilities. With Kyra, you can use your existing experience and start creating new Patches straight away. OK but I guess there’s a lot of menu diving right? Very little in fact. All of Kyra’s main functions have their own controls. Only a few more obscure functions require some menu navigation. What type of display does Kyra have? Kyra features an OLED display. This is a newer technology than the LCDs found on most synthesizers. It is much clearer and can be viewed from any angle. I’m a power patch programmer, I need an Editor. Does Waldorf offer one? Currently, Waldorf does not offer an Editor for Kyra. However, we expect good support by third party providers. Kyra has a comprehensive MIDI implementation to support this. Is Kyra fully stereo? Yes, Kyra offers a full stereo signal path. When configured for “Dual Mode” operation, there’s two complete sets of oscillators, filters and modulators and these feed into a full stereo effects chain. You can achieve very animated, stereo sounds with Kyra. What’s Kyra’s build quality like? Can I rely on Kyra for live gigs? Kyra is solid, you’ll feel that when you first use it. The chassis is made from high grade steel, the controls are custom made. The connectors are designed for professional use. Tell me about Kyra’s effects? Effects were a design priority for Kyra and it has a lot of effects modules. Each of Kyra’s 8 Parts has a complete, independent effects chain. Effects are an integral part of a Patch in Kyra and you don’t need to share them across the Parts. Kyra features nine effects modules for each Part including a 3-band shelving EQ with sweepable mid, a formant filter, a distortion unit, an input limiter, a 6-stage phaser, a digital delay line, a chorus/flanger/comb unit a reverb unit and a final output limiter. You can use all the effects on all the Parts at the same time and they’re all oversampled and full stereo. You can selectively defeat Kyra’s effects units. This allows live musicians to use Kyra’s multiple analog outputs as effects sends to their favourite outboard and it allows studio producers to use their favourite virtual effects on their workstations. With Kyra, you can pick and choose what is best for you when it comes to effects. Is it true that Kyra really has 1,280 oscillators? Yes, Kyra has 1,280 oscillators available for use. These are actual, real oscillators and not “best effort” or simulations of multiple oscillators. With so many oscillators, Kyra can produce powerful sounds with lots of detuning where required. Stack them up into a stereo hypersaw or slice and dice them with the ring modulator, FM or hard sync. The choice is yours. Is Kyra really 128 note polyphonic? For real sounds not just simple ones? Kyra can play 128 notes at the same time (up to 32 on any single Part). This is always the case regardless of the patch settings and effects used. The only exception is Dual Mode which uses two voice channels per note. Kyra’s polyphony is not a “maximum” or “up to” it is actual. I hear Kyra’s waveforms are static? Is that true? Kyra provides two oscillators per voice each with the huge amount of 4096 possible waveforms to choose from. You can cross-fade between two waveforms as well as apply ring modulation, FM or hard sync between them. When combined the possibilities are almost unlimited. Specifications Sound engine: Virtual analog synthesis 128 voices 8 parts All sound features can be used simultaneously Oscillators per voice: two Wave osc with 4096 waveforms two Pulse osc two Saw osc two Noise osc two Sub osc with several waveforms Hard Sync Hypersaw Mode Oscillator FM and Ring mod Oscillators are in two groups for better overview All osc per voice are available simultaneously Per part: 9 simultaneously available effects 6-slot Mod Matrix with multiple destinations per slot Furthermore: 2 filters: 12/24dB and LP/BP/HP in all configurations 3 envelope generators (EG) 3 LFOs with 128 shapes each Extras: 26 patch banks (A to Z) with 128 slots each Arpeggiator with 128 preset patterns Octave Transpose Double Mode: layers the same sound two times and detunes them against each other Hardware: Sturdy full metal case 256x64 pixel OLED Kensington Lock Connections: USB 2.0 for MIDI and audio 5-pin DIN MIDI In/Out/Thru 8 balanced analog audio outputs plus Headphone out Audio interface Kyra can be used as an audio interface Audio is transmitted to the computer via USB in up to 24bit/96kHz Each Part is transmitted to the computer in stereo (16 channels in total) 2 audio channels from the computer can be played back through Kyra

True Analog 12-Voice Polyphonic Desktop Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-In Wifi Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds Desktop version for stage performance or rack mount operation with rack mount brackets included 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion 12 voices with 2 OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with over 20 sources and 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* and selected Android* App over USB, MIDI or built-in WiFi for extended parameter control Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 12 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Integrated and configurable WiFi client / Access point allows easy and secure connection to home network Designed and engineered in the U.K. With the creation of the DEEPMIND 12D, the ultimate true analog, 12-voice polyphonic synthesizer in a convenient desktop or rack mount format is finally a reality. DEEPMIND 12D allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12D gives you complete control over your soundscape. Plus, DEEPMIND 12D features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12D boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12D also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12D has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12D serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 20 modulation sources and more than 130 destinations, DEEPMIND 12D provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 12D via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12D's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12D a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12D has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 12D provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12D's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12D lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12D's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12D allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 12D is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12D lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12D has: 26 sliders; 33 switches; 1 rotary encoder; and 2 knobs – all are laid out in a highly-intuitive format designed to put the joy back into your music creation. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 12D's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12D provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 12D's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. WiFi Router Not Required You can easily tap into your home network via DEEPMIND 12D's integrated and configurable WiFi client / Access point, without any additional hardware. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 12D gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 12D!

With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation. Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 6 gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 6!