Postignite sjajan vokal sa Sennheiserovim ev 100-945 G4. Ručni predajnik ovog bežičnog sistema SKM 100 G4-S karakteriše čvrst superkardioidni uzorak, tako da hvata vokalistu dok eliminiše povratne informacije. ev 100-945 G4 takođe uključuje prijemnik EM 100 G4 za montažu u stalak, koji nudi 1.680 podesivih UHF frekvencija u opsegu od 42MHz za prijem bez smetnji. Ovaj sistem je veoma proširiv — možete povezati do dvanaest prijemnika za istovremeno podešavanje. I imaćete koristi od dometa prenosa od 330 stopa i do osam sati rada. Osim toga, ev 100-945 G4 je kompatibilan sa prethodnim evolutivnim sistemima, osiguravajući da se vaša prošla investicija isplaćuje u budućnosti.

Body-pack Transmitter UwMic9-TX9 This transmitter is a compact transmitter that employs a crystal-controlled PLL synthesizer. It is equipped with a muting function and a locking type microphone input connector. The RF power output can be switched among high, middle and low. Plug-on Receiver UwMic9 RX-XLR9 The Saramonic UwMic9 RX-XLR9 is a compact XLR plug-on wireless receiver. It plugs directly into a video camera or recorder’s XLR microphone input without getting in the way of other accessories. The XLR connector rotates both clockwise and counter clockwise. The receiver can be powered by two AA batteries or DC power via the USB Type-C jack. It features a wide switching RF bandwidth, an easy-to-read LCD screen, a 3.5mm headphone jack and infrared synchronization between transmitter and receiver. • Reliable, broadcast-quality audio • Compact XLR receiver • 514 MHz – 596 MHz • 96 selectable channels • Easy-to-read LCD displays • Infrared detector • Power lock switch Specifications： Transmitter Channels: 96 Groups: A or B Oscillator Type: PLL synthesizer Frequency Range: 514 MHz – 596 MHz Reference Deviation: +/- 5 kHz (-60dBV, 1kHz input) Signal to Noise Ratio: 70 dB or more Spur Suppression: -60 dB Voice Delay: 12 ms Antenna: 1/4λ wire antenna Audio input connector: TX9:3.5mm mini jack HU9: none TX-XLR9: XLR-3-11C type (female) Reference audio input level: -60dBV (MIC input, 0dB attenuation) Distortion: 0.5% or less Weight: TX9: 170.9 x 63.5 x 30.0 mm HU9: 254.0 x 52.0 x 52.0 mm TX-XLR9: 105.5 x 43 x 34.7 mm Operating temperature: 0℃ to 50℃ Storage temperature: -20℃ to +55℃ Receiver: Channels: 96 Groups: A or B Oscillator Type: PLL synthesizer Audio output connector: XLR-3-11C type (male) Antenna: 1/4λ wire antenna Audio output level: –60 dBV Spur Suppression: -60 dB Headphone output level: 30mW (16 Ω) Receive frequencies: 514 MHz – 596 MHz Receive sensitivity: -95 dBm Signal to noise ratio: 70 dB or more Voice delay: 12 ms Reference deviation ±5 kHz (–60 dBV, 1 kHz input) Frequency response: 40 Hz to 18 kHz (+/-3dB) Distortion: 0.5% or less Spur suppression: -60 dB Reference audio input level: –60 dBV (MIC input, 0 dB attenuation) Weight (excluding batteries): Approx. 96g Battery: Two AA size batteries DC input connector: Type-C jack Dimensions: 112 × 63 × 26 mm Operating temperature: 0 °C to 50 °C Storage temperature: –20 °C to +55°C

Discrete Dual Ultra-Linear Microphone Preamp & Edge Modeling Mic Introducing the new Edge Strip — an all-in-one solution for high-quality studio recordings with vintage analog sound. This compact package delivers the same audio quality as a locker full of vintage mics and a rack full of outboard gear. The days of spending tens of thousands of dollars on a vintage mic collection are over. Most engineers only ever dream of using such expensive microphones. The Edge Strip makes that dream a reality. Now you can add high-end studio equipment to your collection for a fraction of the price. The Edge Strip is designed to model a variety of vintage microphones, preamps, and even signal processors such as EQs and compressors. It contains Antelope Audio’s renowned Edge Modeling Microphone — a dual-capsule condenser large-diaphragm microphone, specifically designed to reproduce the expressiveness and character of expensive classic microphones. It also includes the Discrete MP — an all-analog dual-channel microphone pre-amplifier, designed to deliver Antelope’s signature pristine audio quality. Edge Strip owners also enjoy a package of free native effects plug-ins, including a compressor designed by Antelope Audio’s founder Igor Levin — the Stay Levin. Experience EDGE At Its Maximum Antelope Audio’s engineering team designed the Discrete MP to perfectly match the character of the Edge Modeling Microphone. Both Discrete MP and Edge Modeling Microphone are fully analog, which means they’ll work with any system. Thanks to its dedicated calibration oscillator, Discrete MP is easily adaptable to all studio setups, even those without precise gain linking between two channels. When connecting to a new system, simply engage the built-in oscillator to calibrate the Discrete MP for perfect gain staging. Use the Discrete MP to capture the tone of your favorite mic in crystal clear detail. Or, pair the Edge Modeling Microphone with your favorite preamp to create unique sounds. However, using the Discrete MP with the Edge Modeling Microphone unlocks its full potential. Both units utilize discrete analog circuitry and were designed by Igor Levin himself to complement each other perfectly. By using the free native plug-ins, you can audition countless combinations of microphones, preamps, and vintage outboard gear to get the perfect tone. Discrete Analog Design The Edge Strip bundle offers natural analog sound, combined with the benefits of precise digital control. The Discrete MP includes two XLR+TRS combo inputs, as well as two TRS outputs. The discrete analog circuits in the Discrete MP offer up to 61dB of maximum gain, and total control over the coloration, clarity, and character of the preamps. Meanwhile, the USB connection offers a simple way to control the Edge Strip remotely, from the comfort of your computer. Each Edge Modeling Microphone consists of a special double-sided capsule with 3 microns gold sputtered membranes. This allows us to accomplish multi-dimensional modeling and emulate a variety of different microphones, polar patterns and even control the proximity effect. Special AFX The Edge Strip bundle includes our custom AFX signal processors, including a growing list of superior microphone emulations, bringing field-proven microphone legends into your setup. The AFX experts, in cooperation with analog engineers and mic designers, developed these microphone emulations. The Edge Strip includes 4 vintage mic emulations, 3 classic German preamp emulations, our famous Stay-Levin compressor, and a vintage EQ to help you sculpt the perfect tone - all for free! However, if that’s not enough, you can upgrade with dozens of other modeled units featured in our FPGA FX library. Bring your recordings to life using the remarkable sounds of vintage gear. Hear the past and record the future with Antelope’s native DSP effects. Each plug-in uses a high degree of oversampling and precise floating-point calculations to accurately model vintage effects with unparalleled detail. Even when emulating microphones, preamps, and signal processors, you can breathe easy, knowing the Edge Strip offers minimal latency, and Antelope Audio’s signature sound. Pick up an Edge Strip today, and say goodbye to your bulky vintage gear! Technical Specifications: Analog Inputs 2 × Mic Inputs (combo 3 pin XLR + TRS) Analog Outputs 2 × TRS Microphone Preamp Gain Range: 0dB to 61dB; 1dB step Phantom Power Callibration Oscillator 1kHz hardware OSC USB 2.0 I/O Used only for remote control USB 2.0 Type B connector Operating Temperature 0 – 50°C, 32 – 122°F Weight (Approx.) Unit weight: 950 grams Adaptor weight: 180 grams Dimensions (Approx.) 190 × 157 × 46.5 mm /W×D×H/ Power Consumption 5W System Requirements Computer USB 2.0 equipped Mac or PC Core 2 Duo minimum, Core i3/i5/i7/Xeon recommended 4 GB RAM minimum, 8 GB RAM recommended Operating system OS X 10.11 (El Capitan) or greater Windows 10

The UWMIC9S KIT2 features lightweight, all-metal components built for the rough-and-tumble world of production. It includes two bodypack transmitters and two high-quality, DK3A miniature omnidirectional lavalier mics with a variety of foam and furry windscreens for indoor and outdoor shoots. The bodypacks are equipped with dedicated, 3.5mm mic and line inputs that can be used individually or simultaneously to transmit a line and a mic signal combined together. The two-channel, camera-mount receiver is equipped with two 3.5mm audio outputs. It comes with a variety of cables for connecting to DSLR/mirrorless cameras, professional camcorders, recorders, mixers, and audio interfaces with either 3.5mm or XLR microphone inputs. The receiver features an external mic/line input (with plug-in power), allowing you to mix a wired mic, mixer, or even a second wireless system into the camera with ease. If your camera doesn't have a headphone jack, you can monitor your sound via the receiver's 3.5mm headphone output while recording to ensure that you are capturing a clean signal. A watertight, impact-proof hard case is provided to keep your system neatly packaged and protected during storage and transport. Designed with simplicity in mind for both experienced and beginner videographers, the UWMIC9S KIT2 is easy to operate with minimal setup required, so you're ready to shoot right out of the box. The frequency scan function automatically searches two banks of 96 frequencies to find the cleanest frequency at your location for reliable transmission at up to 330'. The transmitters and receiver quickly sync via IR at the press of a button. Vivid and easy-to-read OLED displays on the transmitters and receiver let you make quick adjustments to the intuitive menus—in the brightest or darkest environments. Both the transmitters and receiver feature rechargeable 2000mAh lithium-ion batteries that run for up to 10 and 8 hours respectively. The batteries are recharged through the USB Type-C power ports, which will also power the components, even while in use during extended shoots. The system can be expanded with additional transmitters and receivers to allow up to 16 wireless microphones in use on set at one time. Versatile and Lightweight TX9S Transmitter Works with Any Audio Source The TX9S transmitter features dedicated locking 3.5mm mic and line-level inputs, allowing you to simultaneously transmit microphones and/or line-level signals wirelessly (both signals are combined). The 9-step input gain control allows you to adjust your levels. Connect the mic-level input to the included DK3A lavalier, a mini-shotgun microphone, headset microphone, or any 3.5mm TRS mic. Connect the line-level input to mixers, music players, or any line-level device output you want to transmit wirelessly to the receiver. Locking 3.5mm input connectors ensures that your lav or line-level device doesn’t detach at a critical moment. The transmitter features a selectable High/Med/Low transmission power output setting, allowing users to conserve batteries and control wireless intermodulation that occurs when several transmitters operate near each other. The On/Off switch can be used to mute the transmitter. The built-in rechargeable battery provides up to 10 hours of operation. Use the USB Type-C port to charge and power the unit, even while in use. Premium DK3S Omnidirectional Lavalier Mics The two DK3A omnidirectional lavalier microphones are designed to greatly enhance the sound quality of your productions with their high-quality sonic performance. Featuring a low-profile, 4mm form factor, the lavaliers offer a professional look and are easily concealed on camera. The lavaliers are tailored for speech, delivering a natural sound with high vocal intelligibility. The omnidirectional pickup pattern helps to deliver consistent audio levels even when the subject turns away form the mic. Lavalier accessories include four alligator-style mic clips, two metal mesh windscreens, four fitted foam windscreens, four furry high-wind windscreens, and two cable wraps. Versatile RX9S Dual Receiver with Advanced Connectivity and Functionality The 3.5mm mic/line input with a 16-step level control and plug-in power enables you to connect and mix in a wired external mic, mixer, or audio source. The 3.5mm headphone output lets you monitor the sound in real time. The receiver features two locking 3.5mm outputs. Cables include a right-angle, locking 3.5mm TRS male to dual 3.5mm TRS male Y-cable, one locking 3.5mm TRS to 3.5mm TRS coiled cable, and two locking 3.5mm TRS to XLR male cables. A selectable Mono/Stereo output lets you control how the audio is recorded. In mono, the two mics are mixed together and recorded as an identical mono signal on both the left and right channels in your camera. In stereo, each mic is kept separate and recorded discretely to the left and right channels in your camera. A selectable 150 Hz low-cut filter eliminates excessive low-frequency rumble and noise. The two detachable whip antennas offer 360° positioning to help optimize wireless reception. Physical group A & B power switches allow users to easily conserve power when using only one transmitter. The rechargeable battery provides up to 8-hour runtime. The USB Type-C power port allows you to charge and power the unit, even while in use. Saramonic UWMIC9S Specs System Wireless Technology Analog UHF Number of RF Channel Frequencies 192 Included Transmitters 2 x Bodypack with Microphone Diversity Non-Diversity RF Frequency Band 514 to 596 MHz RF Channel Scanning Auto-Scan Max Operating Range 328.1' / 100 m (Line of Sight) Max Transmitters per Band 16 Built-In Recorder No Latency 12 ms Encryption None Receiver Receiver Type Camera-Mount Mounting Options Shoe-Mount Antenna 2 x 1/4 Wave Wire, Detachable (Top-Mount) Number of Audio Channels 2 Audio I/O 2 x 1/8" / 3.5 mm TRS Female Unbalanced Output (Lockable) 1 x 1/8" / 3.5 mm TRS Female Unbalanced Mic/Line Input (Lockable) 1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output (Lockable) Audio Output Level -60 dBV Frequency Response 40 Hz to 18 kHz ±3 dB Word Clock I/O None USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Spurious Rejection: -60 dB Power Requirements Battery, Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included) Internal Battery Capacity 2000 mAh Approx. Battery Life 8 Hours Display & Indicators 1 x OLED (AF Level, Battery Status, Channel) Housing Metal Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 131°F / -20 to 55°C Dimensions 8.7 x 2.5 x 1" / 220 x 64 x 25 mm Weight 6.8 oz / 193 g Transmitter Transmitter Type Bodypack RF Output Power 6 / 20 / 64 mW Audio I/O 2 x 1/8" / 3.5 mm TRS Female Unbalanced Input (Lockable) Muting Off/On Switch Audio Input Level -4 to +20 dB (Mic Level) -14 to +10 dB (Line Level) Auto-Level Control No Signal Processing High-Pass Filter: 150 Hz Sync Method IR Antenna 1 x 1/4 Wave Wire, Detachable (Beltpack) Power Requirements Battery, Bus Power (USB) Battery Type 1 x Rechargeable (Included) Internal Battery Capacity 2000 mAh Approx. Battery Life 10 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 1 x OLED (Audio Level, Battery Status, Channel, Group, High-Pass Filter) Housing Metal Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 131°F / -20 to 55°C Dimensions 8.7 x 2.5 x 1" / 220 x 64 x 25 mm Weight 5.5 oz / 157 g Microphone Microphone Type Lavalier Sound Field Mono Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 20 Hz to 18 kHz SNR 58 dB Sensitivity -40 dB at 1 Hz Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced (Lockable) Cable Length 5.9' / 180 cm Operating Temperature -4 to 140°F / -20 to 60°C Packaging Info Package Weight 5.065 lb Box Dimensions (LxWxH) 12.7 x 10.4 x 4.3"