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Potreban radnik za poslove dezinsekcije, deratizacije i dezinfekcije. Obavezan polozen srednji strucni ispit. Obavezna B kategorija. NAPOMENA; Molimo Vas da ako ne posedujete B kategoriju da nam se ne javljate. Obavezno poznavanje grada "Beograda". Plata : 60.000 rsd, Posao zagarantovan na duze staze. Dajemo prednost osobama sa iskustvom !! Kontakt; 060/4047158 Marko Lazić [email protected] Eko-Stanprom doo

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Text Oglasa Prodavac prihvata svu odgovrnost za ovaj predmet oglasavanja. IN predmet broj: 52105 Potreban radnik za poslove dezinsekcije, deratizacije i dezinfekcije Potreban radnik za poslove dezinsekcije, deratizacije i dezinfekcije. Obavezan polozen srednji strucni ispit. Obavezna B kategorija. NAPOMENA; Molimo Vas da ako ne posedujete B kategoriju da nam se ne javljate. Obavezno poznavanje grada „Beograda“. Plata : 60.000 rsd, Posao zagarantovan na duze staze. Dajemo prednost osobama sa iskustvom !! Kontakt; 060/4047158 Marko Lazić [email protected] Eko-Stanprom doo

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Aruba JX966A, spoljašnji, 11/54/108Mbps,802.11a/b/g,802.11n,802.11ac, 2 ,4 / 5GHz, Način rada AP, Priključci RJ45,RJ45 (PoE), Integrisana antena ,Napajanje vanjski adapter/PoE

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This built-in speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages.The CORE140 is an active built-in speaker with an on-board amplifier of 20 W (tweeter) + 30 W (woofer). Its sleek shape houses a very thin chassis, a patented filter and a unique driver. It is finished with a sleek grille that fits with your ceiling seamlessly. The range of the CORE140 effortlessly fills any room of up to 40 m2. Not only is the CORE140 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, vTuner, etc. This allows you to effortlessly create a flexible multi-room system. Inwall You decide when, where, and how loud you want to listen to your music. Powerful but discreet speakers provide superior sound reproduction. ArtSound Built-in is every bit as unique. Specs: Artcore : compatible Multiroom : yes Range : < 50m2 System : 2-way coaxial Woofer : 5,25” aluminium cone rubber edge Tweeter : 0,75" richtbare neodymium alu dome Frequency range : 80 Hz - 18 kHz Power : 20W + 30W Power supply : 19V - 90W DC Dimensions cut-out : 148 x 148mm (h x b) Dimensions : 170 x 170 x 75mm (h x b x d) Weight/piece : 1 kg Composition : ABS / aluminium grill Colour : white Features : paintable grill / water repellent Options : acoustic kit (KITSQ1) Options : black grill (GRILL SQ525 B) Extra : 2 Gigabit Ethernet Switch Features : water repellent

Sound Like A Legend The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own. The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. Design The classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. A Look Inside All Brass Capsule The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. The Tube A Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. We auditioned 3 tube brands and fell in love with the JJ 12AY7. The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. The Capacitors The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. The Cable One component of a tube microphone that is often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7 pin “GAC-7 cable”. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package. Technical Specification CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (<0.5% THD) RATED LOAD IMPEDANCE: ≥2KOHMS S/N RATIO: 80DBA EQUIVALENT NOISE: 12DBA (IEC651) EXTERNAL IEC GROUNDED PSU TOTAL WEIGHT (MIC, PSU, SHOCKMOUNT, CABLES) - 12 LBS MIC DIMENSIONS: 247MM X 46MM DYNAMIC RANGE: 125DBA INCLUDES: MICROPHONE, WOOD BOX, PSU, SHOCK-MOUNT AND GOTHAM CABLE.

Profesionalna IP box smart megapixel kamera za dnevni i noćni video nadzor, VELIKIH POVRŠINA HikVision DS-2CD883 F E, 5 MAGAPIXELA Samostalni audio video snimač, rešenje za objekte visokog rizika. Isporučuje se bez memoriske kartice i objektiva. Megapixelna IP kamera Dan/noć, 5 Megapixela (6 fps@2560×1920, 12.5 fps@2048×1536, 30 fps@1600×1200); 1/2.5" Progressive Scan CMOSsenzor, auto iris, Osetljivost od 0.08 Lux B/W(Sense-up); mehanički IR; kompresija sa regulaciju protoka kroz mrežu (32K ~ 16M); Cut filter, Kompresija H.264 ili Mpeg4/MJPEG dual stream; ОNVIF kompatibilna dvosmerni audio; analogni video izlaz; slot za SD karticuza lokalni zapis; Napajanje 12Vdc/PoE Snimak na linku; https: //www. youtube. com/watch? v=7Z1mgwSiF_s CENA, 729e Uponudi i ostala oprema ovog vodećeg prozvođača CCTV opreme Hikvision, protiv provalnih sistema Paradox, Kanada. . Servis i održavanje postojećih sistema tehničke zaštite na celoj teritoriji Srbije. 065/245-22-99

High Quality Audio Distribution Amp 1 input/4 output with output trim adjustments Transformerless design for wide, flat frequency response Works for audio or time code Transformerless High Performance Audio Distribution Model 120B is a high performance audio distribution amplifier with a single high impedance input and four low impedance outputs, all electronically servo-balanced and designed to be as transparent as possible. The 120's transformerless circuits are designed for wide, flat frequency response, free from ringing or overshoot, making it ideal for distribution of time code or audio. Each output has its own amplifier and level control for maximum versatility and isolation. The sturdy steel chassis may be used stand-alone or rackmounted, singly or in pairs. Input The input circuit is adjusted for optimal common-mode rejection. Servo-balancing compensates for high common-mode voltages, so headroom isn't sacrificed. The high input impedance allows bridging of the input signal with minimum loading. This way several amplifiers can be easily driven from the source. Outputs The individual output amplifiers are very low impedance so long lines and capacitive loads are easily driven with no loss of stability or high frequency response. Servo-balancing permits the outputs to be used single-ended at any time without a change in gain by simply grounding the unused pin. Individual output level controls are recessed for bump-proof operation, yet can be easily adjusted without tools. The front panel power LED also acts as a signal present and clip indicator for the input. Rackmount Kit for 120B, 124B and 141B Allows for the rack mounting of one or two "B" series products in one rack space. The new front panel design of the "B" series products and the new rack mount kit design makes installation 100% faster! Specs: Audio Frequency Response: 5Hz - 100 kHz (+0, -0.5dB) Dynamic Range: 94 dB Hum and Noise: Better than -90 dBm at unity gain THD: 0.002% @ +4dBm, 0.005% @ +20dBm IMD: 0.002% @ +10dBm Channel Isolation: 70dB Slew Rate: 13 V/usec Input Connector: XLR 3-pin Female Type: Transformerless, differential servo balanced Impedance: 100k ohms balanced Maximum Level: +25 dBm CMRR (typical): > 45 dB Output Connector: XLR 3-pin Male Impedance: 65 ohms Maximum Level: +25dBm into 600 ohms balanced, +21dBm unbalanced Output Gain Range: ±15 dB Other Specifications Power Requirements: 100, 120, 220, OR 240 VAC, 50-60Hz Dimensions: 1.75"H x 8.25"W x 7.25" D (44.5mm x 209.5mm x 184.2mm) Net Weight: 3.5 lbs (1.6 kg)

ANTMIX 24FX USB 24 CHANNEL MIXING CONSOLE ANTMIX 24FX allows to manage sound in many different applications, even the more complex live music set ups. The smart design of the console helps all kind of user to get the most of any audio performance. It represents a smooth solution featuring pro-details such as an advanced internal DSP with different effects and variations, the built-in compressor for main microphone inputs , 60 mm faders as well as a series of I/O to fulfill a wide range of applications. ANT MIX 24 provides an integrated USB interface allowing direct connetion with a computer, in order to send an audio track to the consolle or record the performance on a stereo track. Moreover, optional cards MPX 1624 and BTX 1624 allow respectively cable or Bluetooth connection to any Mp3 reader device . 24-bit DIGITAL Effects for a more creative MIX USB interface (PC/Mac) Optional USB or Bluetooth cards to connect any MP3 reader device MIC PREAMP for noise reduction and wider dynamic range 6,35 mm Stereo Jack INSERT to connect external devices such as Compressors or EQ GAIN Control Low Cut Filter 4 band EQ on stereo channels I/O matrix featuring 2-track IN/OUT Power Lamp Input Control Room Group Outputs Aux Sends Headphones A/B OUT

A Classic Made Affordable The classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87. It All Starts With The Microphone The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth. Quality Components Make A Better Mic The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones. Born Out Of Need When designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules. The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment. Technical Specification LARGE CONDENSER STUDIO MICROPHONE BASED ON THE CLASSIC “87-STYLE” CIRCUIT. POLAR PATTERNS: CARDIOID, FIGURE OF EIGHT, AND OMNIDIRECTIONAL. WA-87-B-50V CAPSULE. REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR WIRE TERMINATION) K87 CAPSULE. -10DB PAD. CINEMAG USA OUTPUT TRANSFORMER. FREQUENCY RESPONSE: 20HZ - 20KHZ. SPL: .5% THD @ 125DB (WITHOUT PAD),132DB. DIAPHRAGM: 6 MICRON THICKNESS, 1 INCH DIAMETER, GOLD SPUTTERED MEMBRANE, NOS MYLAR (PET FILM). OUTPUT: 150 OHMS, 24K GOLD PLATED, 3 PIN XLR. HIGH PASS FILTER: 80HZ. NOISE: -117DB. MICROPHONE INCLUDES SHOCK MOUNT, HARD MOUNT AND WOOD BOX. COLOR: BLACK

This built-in speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages.The CORE130 is an active built-in speaker with an on-board amplifier of 20 W (tweeter) + 30 W (woofer). Its sleek shape houses a very thin chassis, a patented filter and a unique driver. It is finished with a sleek grille that fits with your ceiling seamlessly. The range of the CORE130 effortlessly fills any room of up to 40 m2. Not only is the CORE130 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, vTuner, etc. This allows you to effortlessly create a flexible multi-room system. Speakers From built-in speakers to personalised streaming services, Artcore is not just the first fully integrated multi-room system: it’s the only one. The speakers are available in different designs and price categories. Take your pick from affordable top quality to dizzying high-end technology. Inwall You decide when, where, and how loud you want to listen to your music. Powerful but discreet speakers provide superior sound reproduction. ArtSound Built-in is every bit as unique. Specs: Artcore : compatible Features : water repellent Multiroom : yes Range : < 50m2 System : 2-way coaxial Woofer : 5,25” aluminium cone rubber edge Tweeter : 0,75" richtbare neodymium alu dome Frequency range : 80 Hz - 18 kHz Power : 20W + 30W Power supply : 19V - 90W DC Dimensions cut-out : 180 mm (O) Dimensions : 200 x 80mm (O x d) Weight/piece : 1,10 kg Composition : ABS / aluminium grill Colour : White Features : paintable grill / water repellent Options : acoustic kit (KITRO2) Options : black grill (GRILL RO525 B) Extra : 2 Gigabit Ethernet Switch

SPECIFIKACIJE: Great-sounding, easy-to-use 24-track multitrack recording solution Boasts a classic analog mixer-style design that's both intuitive and immediate 100mm faders provide precise control Familiar EQ and Aux controls for tweaking your tracks Generous complement of I/O including 16 high-grade mic preamps Internal recording to SD card at 24-bit/48kHz resolution Flexible routing and onboard effects Built-in 24-in/22-out audio interface for easy DAW integration Lightweight yet rugged design Type:Analog Mixer with USB Interface/Recorder Channels:22 input channels, 24-track Computer Connectivity:USB (24 x 22) A/D Resolution:24-bit/48kHz Faders:21 x 100mm Long Throw Inputs - Mic Preamps:16 x XLR Phantom Power:16 channels Inputs - Line:12 x 1/4" (mono), 8 x 1/4" (4 stereo), 2 x 1/4" (line/Hi-Z), 1 x 1/8" (stereo), 1 x Dual RCA Stereo Outputs - Main:2 x XLR (main), 2 x 1/4" (control room) Outputs - Other:2 x 1/4" (L/R subgroup) Aux Sends:2 x Monitor, 1 x FX Send/Return I/O:2 x 1/4" (monitor send), 1 x 1/4" (FX send) Busses/Groups:1 x Subgroup Inserts:2 x 1/4" (channel) Headphones:1 x 1/4" USB:1 x Type B Bluetooth:v4.0 Other I/O:1 x 1/4" (footswitch) EQ Bands:3-band EQ with Sweepable Mid Frequency, 100Hz Low-cut, 7-band Graphic EQ Signal Processing:12 x Channel Compressor Effects:Reverbs, Delays, Chorus, Flanger Storage:SD Card Slot, SDHC (4GB-32GB), SDXC (64GB-512GB) OS Requirements - Mac:Dual Core 2GHz Processor or higher, OS X 10.11 or later OS Requirements - PC:Dual Core 2GHz Processor or higher, Windows 7 SP1, 8.1, 10 1803 update or later Power Source:Standard IEC AC cable

Blast From The Past The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire. Designing For A Classic Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world. True '47 Style Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections. A large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. We are proud to be using such a faithful recreation of this classic part in an affordably priced '47 style microphone. A Look Inside The Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone. The Tube A Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. We auditioned 4 different tube brands and fell in love with the JJ 5751. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations. This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone. The Capacitors The WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer. The Cable One component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package. What's inside Microphone Wood Box Power Supply Unit Shockmount Gotham 7 Pin GAC-7 Cable IEC Power Cable Technical Specification Custom True '47 Capsule Reproduction (K47 Style) - Model# WA-47-B-80v Capsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6 Microns NOS Mylar (PET Film) TAB-Funkenwerk (AMI) USA Output Transformer JJ Slovak 5751 Vacuum Tube Gotham 5 meter GAC-7, 7-pin tube microphone cable Wima, Solen French, And Polystyrene Capacitors Self-Noise: 11dBA Polar Patterns: 9 Patterns - Cardioid, Omni, Figure-Of-Eight + 6 Mixed Patterns Dynamic Range: 130dBA Maximum SPL: 140dB (<0.5% THD) Frequency Range: 20 Hz~20 KHz Output Impedance: 200 ohms Rated Load Impedance: ≥2kOhms S/N Ratio: 82dBA Equivalent Noise: 10dBA (IEC651) External IEC Grounded PSU Total Weight - 9 Lbs Mic Diameter: 60mm Mic Length: 254mm

Energy-Efficient, Multi-Function 180-Watt Auto-Mixing Amplifier with Dual 70/100 V and 4 Ohms Outputs Outstanding Performance and Scalability MA6000 Series products are the most powerful, feature-rich mixer-amps, power amps and stand-alone mixers in the EUROCOM family, combining automatic mixing, expandability, dual-channel amplification and a vast array of standard features with a sleek, stylish front panel that focuses on simplicity. Boasting high power, scalability, unprecedented value and reliability, MA6000 Series automixer-amplifiers are destined to set new standards in distributed system designs. Versatile Configurations Mixer and mixer-amplifier models feature 8 universal inputs (expandable up to 32) with 2-band EQ, direct outs, and an automatic proportional gain system that supports multiple open mics. Back-panel controls provide tremendous flexibility in customizing the mixer to the needs of each installation. Add to all this 4 remotely selectable Aux inputs, plus remote control of system volume, source selection and power—and the MA6000 Series becomes the ideal choice for conference rooms, shopping centers, meeting rooms, houses of worship, auditoriums, hotels, sports complexes, restaurants, and anywhere else the ultimate in control and scalability is desired. Remote Control Options Optional CP6000UL (USA) and CP6000EU (Euro) wall controllers provide convenient selection of auxiliary inputs (A, B, C, D), volume control for either auxiliary inputs or the main mix bus (selectable), muting of all sources and the ability to toggle power remotely over distances up to 300' (100 M). Inexpensive CAT5 cable may be used with terminal blocks provided on the wall plate to simplify connection (no RJ45 crimping required!). All soft touch control buttons plus the ergonomic dial are illuminated via power provided from the MA6000 (no local power required) and generous space is provided for input labeling. Multi-function 180-Watt auto-mixing amplifier with dual 70/100 V and 4 Ω outputs, designed for continuous operation in distributed music, paging and AV applications State-of-the-art, energy-saving Switch-Mode Power technology with up to 72% power efficiency drastically reduces energy cost 2 transformerless, cool-running Class-D amplifiers simultaneously drive 70/100 V and 8 Ω loads with adjustable Balance control 8 Mic/Line inputs on XLR/TRS and Euroblock connectors, each with Lo and Hi frequency EQ, individual Trim control and post-trim input level LED Switchable Mic/Line, Phantom power, Main Mix and/or Zone 2 output, Mute Send/RCV, Remote Volume control, Chime, and Auto-mixing on each input 4 pair summed RCA Aux inputs are assignable to the Main Mix, Zone 2, and/or MOH Multi-featured, dedicated page input with assignable Chime, switchable Mic/Line and Phantom power Wired Remote volume, power control and aux channel selection plus remote volume assign switch Individual front panel input Level controls, Lo and Hi Main and Aux EQ, Aux input and Zone 2 Level controls Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control 4 front panel buttons select which four rear-panel Aux inputs are active and feeding the Main mix bus at any given time Main mix output on Euroblock connector with selectable 70/100 V and 4 Ω outputs. Zone 2 and MOH assignable output with independent gain control 2 Preamp Out/Amp In processing loops for each 70/100 V and 4 Ω output Dual bridging input/output connectors allow multiple units to be interconnected Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connectors included Independent DC and thermal overload protection plus automatic limiters for each amplifier prevent overload, clipping and distortion without shutting down audio Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany