Specifikacija proizvoda Boja Crna/siva

Aruba JX966A, spoljašnji, 11/54/108Mbps,802.11a/b/g,802.11n,802.11ac, 2 ,4 / 5GHz, Način rada AP, Priključci RJ45,RJ45 (PoE), Integrisana antena ,Napajanje vanjski adapter/PoE

Sound Like A Legend The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own. The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. Design The classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. A Look Inside All Brass Capsule The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. The Tube A Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. We auditioned 3 tube brands and fell in love with the JJ 12AY7. The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. The Capacitors The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. The Cable One component of a tube microphone that is often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7 pin “GAC-7 cable”. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package. Technical Specification CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (<0.5% THD) RATED LOAD IMPEDANCE: ≥2KOHMS S/N RATIO: 80DBA EQUIVALENT NOISE: 12DBA (IEC651) EXTERNAL IEC GROUNDED PSU TOTAL WEIGHT (MIC, PSU, SHOCKMOUNT, CABLES) - 12 LBS MIC DIMENSIONS: 247MM X 46MM DYNAMIC RANGE: 125DBA INCLUDES: MICROPHONE, WOOD BOX, PSU, SHOCK-MOUNT AND GOTHAM CABLE.

SPECIFIKACIJE: Great-sounding, easy-to-use 24-track multitrack recording solution Boasts a classic analog mixer-style design that's both intuitive and immediate 100mm faders provide precise control Familiar EQ and Aux controls for tweaking your tracks Generous complement of I/O including 16 high-grade mic preamps Internal recording to SD card at 24-bit/48kHz resolution Flexible routing and onboard effects Built-in 24-in/22-out audio interface for easy DAW integration Lightweight yet rugged design Type:Analog Mixer with USB Interface/Recorder Channels:22 input channels, 24-track Computer Connectivity:USB (24 x 22) A/D Resolution:24-bit/48kHz Faders:21 x 100mm Long Throw Inputs - Mic Preamps:16 x XLR Phantom Power:16 channels Inputs - Line:12 x 1/4" (mono), 8 x 1/4" (4 stereo), 2 x 1/4" (line/Hi-Z), 1 x 1/8" (stereo), 1 x Dual RCA Stereo Outputs - Main:2 x XLR (main), 2 x 1/4" (control room) Outputs - Other:2 x 1/4" (L/R subgroup) Aux Sends:2 x Monitor, 1 x FX Send/Return I/O:2 x 1/4" (monitor send), 1 x 1/4" (FX send) Busses/Groups:1 x Subgroup Inserts:2 x 1/4" (channel) Headphones:1 x 1/4" USB:1 x Type B Bluetooth:v4.0 Other I/O:1 x 1/4" (footswitch) EQ Bands:3-band EQ with Sweepable Mid Frequency, 100Hz Low-cut, 7-band Graphic EQ Signal Processing:12 x Channel Compressor Effects:Reverbs, Delays, Chorus, Flanger Storage:SD Card Slot, SDHC (4GB-32GB), SDXC (64GB-512GB) OS Requirements - Mac:Dual Core 2GHz Processor or higher, OS X 10.11 or later OS Requirements - PC:Dual Core 2GHz Processor or higher, Windows 7 SP1, 8.1, 10 1803 update or later Power Source:Standard IEC AC cable

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip