Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Karijatide Filosofija se tokom cijele svoje istorije sastojala iz dva dijela, koja su bila neskladno pomiješana: sa jedne strane teorija o prirodi svijeta, a sa druge strane etičko i političko učenje o tome koji je način života najbolji. Nemogućnost da se ovo dvoje jasno odvoji bila je izvor mnogih zbrkanih mišljenja. Filosofi, od Platona do Vilijama Džemsa, dopustili su da njihova mišljenja o sastavu vaseljene budu pod uticajem njegove sklonosti ka moralisanju; pošto su pretpostavljali da znaju koja bi vjerovanja mogla učiniti ljude moralno savršenim, oni su izmislili argumente, često vrlo sofističke da bi dokazali da su vjerovanja istinita. Bertrand Rasel (engl. Bertrand Russell; Trelek, 18. maj 1872 — Penhrindejdrajt, 2. februar 1970), bio je britanski filozof i matematičar, kao i dobitnik Nobelove nagrade za književnost 1950. godine. U matematici je poznat po Raselovom paradoksu koji je ukazao na propuste u naivnom (neaksiomatskom) zasnivanju Kantorove teorije skupova. Privatni život Bertrand Artur Vilijam Rasel, 3. erl Rasel (engl. Bertrand Arthur William Russell, 3rd Earl Russell) rođen je 18. maja 1872. godine u plemićkoj porodici. Veoma rano je ostao bez roditelja, majka mu je umrla kada je imao 2 godine, a otac kada je imao 4. Ostali su on i njegov stariji brat Frenk (budući drugi Erl Rasel). O njima se brinuo njihov deda Erl Rasel (lord Džon Rasel) koji je bio predsednik britanske vlade 40-ih godina 19. veka, i baba, dedina žena iz drugog braka. Kum mu je bio filozof Džon Stjuart Mil. Rasel nije ispunio njihova očekivanja što se tiče ženidbe i decembra 1894. se oženio Amerikankom Alis Smit (engl. Alys Pearsall Smith). Alis je bila protestantkinja i to puritanskih shvatanja. Njihov brak je završen razvodom 1911. godine. Rasel nije bio uvek veran bračnom životu, poznate su bile dve ljubavne afere sa čuvenim damama od kojih je jedna bila glumica. Bertrand Rasel je studirao filozofiju i logiku na Univerzitetu Kembridž od 1890. godine. Postao je član Triniti koledža 1908, godine. 1920. je putovao u Rusiju i posle toga predavao u Pekingu filozofiju jednu godinu dana. 1921. kada je izgubio profesorski posao oženio se Dorom Rasel (rođenom Blek) i sa njom je imao sina Džona (John Conrad Russell, kasnije ga nasledio kao četvrti Erl Rasel) i ćerku Ketrin (Katharine Russell udata Tait). Rasel se u ovo vreme ispomagao tako što je pisao popularne knjige iz oblasti fizike, etike i obrazovanja za laike. Sa suprugom Dorom on je osnovao eksperimentalnu školu `Beacon Hill` (u prevodu „Svetionik na bregu“) 1927. godine.[1] Posle smrti starijeg brata, Rasel 1931. godine postaje treći Erl Rasel. Međutim on se veoma retko pozivao na ovu titulu. Supruga Dora ga je izneverila u preljubi sa jednim američkim novinarom i Rasel se 1936. oženio po treći put. Nova supruga mu se zvala Patriša, bila je oksfordski student i guvernanta Raselove dece 1930. godine. Sa njom je imao jednog sina po imenu Konrad. U proleće 1939. preselio se u Santa Barbaru i predavao na univerzitetu Kalifornija u Los Anđelesu. Bio je postavljen za profesora na Gradskom koledžu u Njujorku odmah posle toga, ali posle javnog negodovanja postavljenje je povučeno; njegovo radikalno mišljenje učinilo ga je moralno nepodobnim za predavača na ovom koledžu. U Britaniju se vratio 1944. i ponovo je predavao na Triniti koledžu. Godine 1952, u svojoj osamdesetoj godini, Rasel se ponovo razveo i oženio četvrti put suprugom Edit, sa kojom se poznavao još od 1925. godine. Bertrand Rasel je napisao tri toma svoje autobiografije krajem 1960-ih godina i preminuo je 2. februara 1970. u Velsu u svojoj 98. godini. Njegov pepeo je rasejan u planinama Velsa. Treba pomenuti i da je Rasel poznat kao osnivač i vođa poznatog „Prekog suda“ u kome su bili osuđivani svi zločini SAD u Vijetnamskom ratu tokom 50-ih i 60-ih godina dvadesetog veka. Titulu grofa od Bertranda Rasela nasledio je najpre njegov sin Džon Rasel (kao 4. Erl Rasel), a potom mlađi sin Konrad Rasel (kao 5. Erl Rasel). Konrad Rasel je izabran za naslednog plemića u britanskom Domu lordova, on je ugledni britanski naučnik...

Istorija zapadne filosofije B.Rasel Istorija zapadne filozofije B.Rasel Kosmos karijatide filozofska biblioteka, Beograd 1962, strana 849, tvrd povez Stanje: Veoma dobro.

Praxis and democratic socialism: The critical social theory of Marković and Stojanović / David A. Crocker Posveta autora. Njudžersi,SAD 1983. Tvrd povez, engleski jezik, XIII + 335 strana. Napomena: na tridesetak strana tragovi grafitne olovke (obeležen tekst; ako se to izuzme, knjiga je odlično očuvana. D7 Sadržaj: Preface Abbreviations Introduction PART ONE. CRITICAL SOCIAL THEORY AND HUMAN NATURE I. THE NATURE OF CRITICAL SOCIAL THEORY 1. Description and Explanation 2. Estimate of Possible Futures 3. Critique of Present and Selection of Optimal Future 4. Formulation and Defense of Evaluative Norms 5. Union of Theory and Practice II. THE DESCRIPTIVE CONCEPTION OF HUMAN NATURE 1. Dispositions and Behavior A. Universal Dispositions B. Particular Dispositions C. Individual Dispositions 2. Opposing Dispositions 3. Historical Variability PART TWO. THE GOOD LIFE: PRAXIS AS HUMAN EXCELLENCE III. THE NATURE AND STRUCTURE OF PRAXIS Alternative Concepts of Praxis A. Ordinary Meanings B. Aristotle and Arendt C.nBernstein D. Fisk E. Habermas and Wellmer 2. The Nature of Praxis as Norm 3. The Components of Praxis A. Intentionality B. Freedom as Self-determination C. Creativity D. Sociality E. Rationality F. Individual Self-realization IV. AN ASSESSMENT OF PRAXIS 1. Priority Rules 2. Auxiliary Principles 3. Teleological Expansion 4. Individual Moral Rights 5. Group Rights PART THREE. THE JUSTIFICATION OF PRAXIS V. IN DEFENSE OF MARXIST ETHICS 1. The `Marx Has No Ethics` Challenge 2. The `Marxism Is Science` Challenge A. Metaphysical Determinism B. Economic Determinism 3. The `Morality Is Ideology` Challenge 4. The `Moral Relativism` Challenge 5. The `Fact-Value` Challenge 6. The `Irrelevance of Moral Norms` Challenge A. Realistic Antiutopianism B. Revolutionary Teleology C. Revolutionary Antimoralism D. Marxist Utopian Optimism VI THE THEORY AND PRACTICE OF JUSTIFICATION 1. Hard Justificationism 2. Soft Justificationism A. Initial Normative Attitudes B. Critical Self-construction C. Theory Construction of Reflective Equilibrium D. The Social Extension of Reflective Equilibrium E. Realizability F. Actual Consensus G. Ideal Consensus? H. Settling Moral Disputes 3. Succumbing to Temptation A.The Argument from Psychology B. The Argument from History 4. Beyond Absolutism and Relativism PART FOUR. THE GOOD SOCIETY: PRAXIS SOCIAL IDEALS AND INSTITUTIONS VII. THE SOCIAL IDEALS 1. Freedom A. Political and Economic Decision Making B. Employment and Leisure Time C. Social Roles D. Education 2. Equality A. Political Decision Making B. Economic Decision Making 3. Justice A. Social Power and Status B. Income and Wealth i. Socialism I ii. Socialism II C. Education 4. Community VIII. DEMOCRATIC SOCIALISM 1. The Self-management Model A. The Basic Ideal of Democratic Self-management B. The Network of Self-managing Institutions C. Preconditions for Self-management 2. The Praxis Justification of Democratic Socialism BIBLIOGRAPHY Index of Names Index of Subjects

Hermann Glockner - Hegel-Lexikon. 2 Bände. Frommann-Holzboog, 1957 1377-2777 str. tvrdi povez stanje: dobro, pečat biblioteke. 25-26, Hegel-Lexikon.

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Sigma 500mm f7.2 APO (Minolta) metalno kompaktno telo, stakla dobra, blenda suva, zonerica malo labava kad je izvučena. Zadnji poklopac. Ide sa B+W 72mm Skylight KR-1.5 1.1x filterom.

Stari crno beli kino filmovi od 16 milimetara u produkciji nemacke firme Degeto sa pocetaka kinematografije. Filmovi su nastali izmedju 1930 - 1950. godine, na orginalnim Agfa kolutovima koji su sami za sebe retkost. Nazivi filmova koji se prodaju 1. TETUAN DIE PERLE MAROKOS 2. MENSCHEN TIERE SENSATIONEN 3. SPORT / SKOKOVI NA SNEGU / MOZDA I PRE DRUGOG SVETSKOG RATA Vrlo je moguce da ne postoje kopije odnosno da su ovo jedini primerci.

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Kodak - No.2 Cartridge Hawk-Eye (Model B) Stari fotoaparat proizvođen u periodu od 1926. - 1933. godine Made in USA Pogledajte fotografije za dodatne informacije POGLEDAJTE SVE MOJE FOTOAPARATE NA KUPINDU koje možete kupiti po vrlo pristupačnim cenama klikom na: http://www.kupindo.com/pretraga.php?Pretraga=&CeleReci=1&Okrug=-1&Opstina=-1&Prodavac=nisforex&Grupa=131

➡️ http://www.kupindo.com/Clan/Chuma/SpisakPredmeta Photax sa Heanar Type V objektivom iz kasnih 50tih godina. Ceo aparat je od bakelita sa objektivom koji se izvlači pre slikanja. Sam aparat je lepo očuvan i nigde nije pukao. Ekspozicije rade ali ga nisam probao tako da ne znam koliko su tačne. Uz njega se dobija još samo njegova original kožna futrola. Fali jedino donji šraf koji povezuje aparat sa futrolom. Zatvarač: 1/100, 1/25 i B Dva fiksna otvora blende Format: 6x6 i 6x9 Trenutno stanje vidite na slikama.

Dacora Daci Royal kamera iz 1951 godine . Nemam mogucnosti da je isprobam , ide kao kolekcionarski primerak . Specifikacije sa interneta : Manufacturer : Dacora Produced : 1951 Classification : Medium Format Body Type : Box Construction : Metal Film Type : 120 Film Width : 62mm Image Size : 2¼ x 2¼ in No. of Images : 12 Lens Type : meniscus Focal Length : 95mm Focus Type : variable Focal Range : 1.5m-inf. Aperture Type : Fixed Apertures : f/9 Shutter Type : Rotary Shutter Speeds : B, I*(1/100s) Size (w x h x d) : 90 x 90 x 105 mm Weight : 372g

Dacora Daci Royal kamera iz 1951 godine . Nemam mogucnosti da je isprobam , ide kao kolekcionarski primerak . Specifikacije sa interneta : Manufacturer : Dacora Produced : 1951 Classification : Medium Format Body Type : Box Construction : Metal Film Type : 120 Film Width : 62mm Image Size : 2¼ x 2¼ in No. of Images : 12 Lens Type : meniscus Focal Length : 95mm Focus Type : variable Focal Range : 1.5m-inf. Aperture Type : Fixed Apertures : f/9 Shutter Type : Rotary Shutter Speeds : B, I*(1/100s) Size (w x h x d) : 90 x 90 x 105 mm Weight : 372g

Autor: Grupa Autora Broj strana: 1010 Format: B-5 Povez: Tvrd Cena: 2800 din. Biblioteka: Posebna izdanja Oblast: Filosofija, Ostalo www.logos.in.rs Enciklopedija ruske filosofije predstavlja do sada najpotpuniji pregled ruske filosofije od početka njenog uobličavanja ( 11. vek ) do danas. U njoj su iscrpno predstavljeni najznačajniji ruski mislioci, njihove biografije, ideje, dela, kao i najvažnija literatura o njima. Kao odrednice su navedeni i pojedinačni filosofsko-istorijski periodi, ključni pojmovi ( umozrenje, živoznanje, ličnost itd. ) i specifična shvatanja. Na Enciklopediji ruske filosofije je radila velika grupa vodećih ruskih stručnjaka i specijalista sa Moskovskog državnog univerziteta ( MGU ), Instituta za filosofiju Ruske akademije nauka ( RAN ) i mnogih ruskih visokoškolskih ustanova. Ovo kapitalno delo je od neprocenjivog značaja za sve koji se zanimaju filosofijom, književnošću, istorijom, teologijom i društvenim naukama uopšte.

Prometheus 1994 747 strana odlična očuvanost For the first time since the break up of the USSR, and with the help of 21 leading historians of Russian philosophy from Moscow State University including M. N. Gromov, Z. A. Kamensky, M. A. Maslin, B. G. Safronov, and V. V. Serbinenko, Valery A. Kuvakin presents a comprehensive two-volume work capturing the rich philosophical heritage of this diverse culture. These scholars discuss its interpretation of the universe, the essence of history and human existence, the ideals of knowledge and a decent life, the destiny of Russia, and the life of the world community from the 10th century through the early 20th century. These discussions are augmented with selected excerpts from original works, which served as examples of the main schools of thought.

Nova knjiga, tvrd povez, 677str, izdavač: CID - Podgorica; Sa nemackog preveo: Bozidar Zec Sadržaj: Šumski putevi -Izvor umetničkog dela ............................7 -Doba slike sveta........................ ........55 -Hegelov pojam iskustva...........................83 -Ničeove reči ’Bog je mrtav’.....................147 -Čemu pesnici?....................................189 -Anaksimandrov sindrom...........................229 - Napomena........................................267 -Valter Bemel, O kompoziciji i jedinstvu’Šumskih puteva...269 Putni znakovi -Predgovor.......................................293 - Napomena o Jaspersovoj ’Psihologiji pogleda na svet’ (1919/1921)............................... 295 - Fenomenologija i teologija (1927)..............329 - Iz poslednjih marburških predavanja (1928).....353 - Šta je metafizika? (1929).......................373 - O suštini razloga (1929).......................389 - O suštini istine (1930)........................433 - Platonovo učenje o istini(1931/1932,1940)......453 - O suštini i pojmu FIZIS-a, u Aristotelovoj fizici B,I (1939)......................................481 - pogovor za ’Šta je metafizika?’(1943)..........531 - Pismo o humanizmu (1946)........................539 - Uvod za ’Šta je metafizika?’ (1949).............579 - K pitanju o bivstvovanju (1955).................595 - Hegel i grci (1958)............................627 - Kantova teza o bivstvovanju (1961)..............641 -Napomena.........................................667 - Priređivačev pogovor............................671 - indeks imena....................................675

Autor: Georgije Gurdžijev Broj strana: 622 Format: B-5 Povez: Tvrd Cena: 3000 din. Biblioteka: S one strane Oblast: Ezoterija www.logos.in.rs Georgije Gurdžijev – Sve i Svja (ili Belzebubovi razgovori sa unukom) Od autora Došao sam do zaključka da savremenici mogu izvući korist iz mojih istraživanja ukoliko prilikom čitanja budu doživeli nove utiske i ukoliko budu čitali sledeći narodnu mudrost koje sam se nedavno setio: „Svaku molitvu, Više Sile mogu da usliše jedino ukoliko je ona izgovorena tri puta: prvi put – za sreću i spokoj duše roditelja; drugi put – za sreću suseda; i tek treći put – za sopstvenu sreću.“ Smatram neophodnim da na prvoj stranici ove knjige, već spremne za objavljivanje, dam sledeći savet: „Čitajte svaku moju knjigu tri puta: Najpre, u krajnjoj liniji, onako kao što čitate sve knjige i novine svoga doba; Zatim – naglas, kao što biste čitali nekoj drugoj osobi; I tek treći put se potrudite da prodrete u suštinu moga pisanja.“ Tek tada ćete moći da računate na formiranje sopstvenog, samo vama svojstvenog nepristrasnog mišljenja o mom pisanju. I jedino tada će biti moguće ostvarenje moje nade da ćete, shvativši sve, uspeti da izvučete za sebe onu osobitu korist u koju se uzdam svim svojim bićem.

Zenit 12s, Helios-44M -4 ,58.mm 1:2,M 52 X 0.75 *Zenit 12s,03.2020 Soviet camera Zenit 12s, Helios-44M 2/58 -35-mm perforated photographic film with a width of 35 mm; cast aluminum alloy; - mechanical shutter; -objective (with a `jumping` diaphragm) - `Helios-44M-4` 58.mm 1:2 M 52 X 0.75 -focusing screen - Fresnel lens with a matte ring and micro-raster; - mechanical self-timer; 1983-1988. 35mm film, SLR camera. TTL metering. Special model for PHotoSniper FS-12 attachment. Brand: Zenit , Type: SLR, No 89248368 Country/Region of Manufacture: Russian Federation Features: 135 reflex camera with interchangeable lens, M42x1 with diaphragm closure control. Through the lens light metering by CdS sensors. Power source: 1x PX625. Fabric curtain shutter, `LeicaII` type, cocking by lever. Speeds: B, 1/30s, 1/60s, 1/125s, 1/250s, 1/500s, flash-sync 1/30s, selftimer. Loading: hinged back. Production: 1982-1990, Like the Zenit ES, this camera has a special baseplate, with an appendix that plugs into the Photosniper butt, allowing to release the shutter through the trigger of the `photographic rifle` -35 mm perforirani fotografski film širine 35 mm; livena aluminijumska legura; - mehanički zatvarač; -objektivna (sa dijafragmom za skakanje) - `Helios-44M` 2/58; -fokusiranje ekrana - Fresnel sočiva sa matiranim prstenom i mikro rasterima; - mehanički samookidač; 1983-1988. 35 mm film, SLR kamera. TTL merenje. Specijalni model za priključak PHotoSniper FS-12. Marka: Zenit, Tip: SLR, No 89248368 Zemlja / regija proizvodnje: Ruska Federacija Poput Zenit ES, i ovaj fotoaparat ima posebnu osnovnu pločicu, s dodatkom koji se ubacuje u stražnjicu Photosniper, omogućavajući puštanje zatvarača kroz okidač `fotografske puške`

-Garancija na android boks, podržava EON ***Molim Vas samo me kontaktirajte pre kupovine porukom ovde na Kupindu da vidim da li trenutno imam ovaj proizvod na stanju. - Pretvorite svoj LCD/LED ili običan CRT televizor u Android TV sa ovim odličnim android tv uređajem na kojem je instalirana poslednja verzija android operativnog sistema 12. NOV model Android TV boksa Transpeed H618 sa ODLIČNIM signalom za WIFI i Android 12 verzijom i 4/32GB DDR3 ram memorijom, 6K Videom, čipsetom Allwinner H618 Quad Core, odličnom grafikom Mali G31™ MP2, HDR standardom HDR10+, 2.4/5.8GHz Dual Wifi signalom, bluetooth-om 5.0, podržava i 6K video reprodukciju do 30 fps-a i 4K do 60fps, USB-om 2.0 i 3.0 velike brzine i najnovijim operativnim sistemom Android 12. - Opciono ako želite uz određenu doplatu Android smart box dolazi sa instaliranim aplikacijama i uz moju besplatnu podršku - Takođe slobodno pitajte šta god vas zanima u vezi android boksa Specifikacija: - Model: Transpeed T-H618 - OS: Android 12 - CPU: Allwinner H618 Quad Core ARM Cortex A53 - GPU: GPU: Mali G31™ MP2 - RAM: 4GB DDR3 (sertifikovana Branded ETT memorija) - ROM: 64GB - BLUETOOTH: v5.0 - WAN 2.4 GHz WiFi 802.11 b/g/n - LAN 10/100 M Base-T - USB 2 High speed USB 2.0, support U DISK and USB HDD - Podržava MicroSD(TF) do 64GB - Podržava: OTA Update online - Video format: 4K i 6K, ASF, AVI, DAT, FLV, ISO, MKV, MOV, MP4, MPEG, MPG, RMVB, TS, WMV1080P, H.264, H.265, MPEG-1, MPEG2, MPEG4, VC-1, VP9 Profile-2, WMV, . . . - Audio format: AAC, AC3, APE, DTS, FLAC, M4A, MP3, OGG, WAV, WMA,... - Photo Format: BMP, GIF, JPEG, JPG, PNG, . . . - Podržava: H265 Main10@L5. 1 decoder up to 4K@60fps or 6K@30fps - Jezici: English, Srpski, Hrvatski, . . . (podrzava jos 36 jezika) Pakovanje sadrži: - 1 x Android Box - 1 x Daljinski upravljac - 1 x Strujni adapter - 1 x HDMI Cable - 1 x Uputstvo na engleskom - Opciono uz android box možete kupiti i bežični miš, zatim bežičnu svetleću tastaturicu sa tačpedom i pozadinskim osvetljenjem tipki za noćni rad i Air mouse pro takođe sa pozadinskim osvetljenjem tipki i IR learning opcijom (možete da prekopirate komande sa nekog daljinskog uređaja na Air mouse) po povoljnim cenama.

Odlično stanje nekorišćeno retko u ponudi! This volume brings together, for the first time, a variety of texts from Certeau`s book and journal publications which have proved important in the various disciplines where Certeau has had an influence. `synopsis` may belong to another edition of this title. Publisher: Wiley-Blackwell The Certeau Reader Michel de Certeau, Graham Ward De Certeau [də sεʀtọ`], Michel, francuski antropolog, povjesničar i teolog (Chambéry, 17. V. 1925 – Pariz, 9. I. 1986). Sveučilišni profesor u Parizu i San Diegu u Californiji. Širinom interesa, usmjerenom prema različitim tipovima drugosti, otvorio školu tzv. kulturalnih studija. Istraživanje novovjekovnih institucija gradivo je modernom razumijevanju povijesti koja ne ulazi u odnos tradicijskoga kontinuiteta sa svojim predmetom, nego operira rascjepom između prošlosti i sadašnjosti, diskursa i zbilje. Glavna djela: Pisanje povijesti (L’Écriture de l’histoire, 1975), Izum svakodnevice (L’Invention du quotidien, 1980), Heterologije (Hétérologies, 1986). Michel de Certeau SJ (French: [sɛʁto]; 17 May 1925 – 9 January 1986) was a French Jesuit priest[1] and scholar whose work combined history, psychoanalysis, philosophy, and the social sciences[2] as well as hermeneutics, semiotics, ethnology, and religion.[3] He was known as a philosopher of everyday life and widely regarded as a historian who had interests ranging from travelogues of the sixteenth and seventeenth centuries to contemporary urban life.[2] A multidisciplinarian, he wrote ground-breaking studies in fields as diverse as mysticism, the act of faith, cultural dynamics in contemporary society, and historiography as an intellectual practice. His impact continues unabated, with new volumes appearing regularly, and perhaps surprisingly his reputation is growing even more rapidly in English and German-speaking countries and the Mediterranean than in his native France. This strong and growing interest in academia is not matched in the public sphere, however, partly due to his being considered a `difficult` author because of his highly personal style which makes translation difficult, and partly due to the declining status of French in the world generally. Nevertheless, portions of his voluminous output have been translated into a dozen languages.[3] Education[edit] Michel Jean Emmanuel de La Barge de Certeau was born in 1925 in Chambéry, Savoie. De Certeau`s education was eclectic, following the medieval tradition of peregrinatio academica.[4] After obtaining degrees in classics and philosophy at the universities of Grenoble and Lyon, he studied the works of Pierre Favre (1506–1546) at the École pratique des hautes études (Paris) with Jean Orcibal. He undertook religious training at a seminary in Lyon, where he entered the Jesuit order (Society of Jesus) in 1950 and was ordained in 1956. De Certeau entered the Society of Jesus hoping to do missionary work in China. In the year of his ordination, de Certeau became one of the founders of the journal Christus, with which he would actively be involved for much of his life. In 1960 he earned his doctorate (`thèse de 3e Cycle`) at the Sorbonne with a study of co-founder of the Society of Jesus Pierre Favre[5] (the Sorbonne is a secular state university where theology may not be taught) before embarking on his celebrated study of Jean-Joseph Surin. Professional life[edit] De Certeau was greatly influenced by Sigmund Freud and was, along with Jacques Lacan, one of the founding members of École Freudienne de Paris, an informal group which served as a focal point for French scholars interested in psychoanalysis. He came to public attention after publishing an article dealing with the May 1968 events in France. He also took part in Robert Jaulin`s department of ethnology at the University of Paris-VII after May 68. De Certeau went on to teach at several universities in locations as diverse as Geneva, San Diego, and Paris. Through the 1970s and 1980s he produced a string of works that demonstrated his interest in mysticism, phenomenology, and psychoanalysis. He died in Paris, aged 60, from pancreatic cancer. The Practice of Everyday Life[edit] De Certeau`s most well-known and influential work in the United States has been The Practice of Everyday Life, cited in fields such as rhetoric,[6][7] performance studies,[8] and law.[9] In The Practice of Everyday Life, de Certeau combined his disparate scholarly interests to develop a theory of the productive and consumptive activity inherent in everyday life. According to de Certeau, everyday life is distinctive from other practices of daily existence because it is repetitive and unconscious. De Certeau’s study of everyday life is neither the study of “popular culture”, nor is it necessarily the study of everyday resistances to regimes of power. Instead, he attempts to outline the way individuals unconsciously navigate everything from city streets to literary texts. The Practice of Everyday Life distinguishes between the concepts of strategy and tactics. De Certeau links `strategies` with institutions and structures of power who are the `producers`, while individuals are `consumers` or `poachers,` acting in accordance with, or against, environments defined by strategies by using `tactics`.[10] In the chapter `Walking in the City`, de Certeau asserts that `the city` is generated by the strategies of governments, corporations, and other institutional bodies who produce things like maps that describe the city as a unified whole. De Certeau uses the vantage from the World Trade Center in New York to illustrate the idea of a synoptic, unified view. By contrast, the walker at street level moves in ways that are tactical and never fully determined by the plans of organizing bodies, taking shortcuts in spite of the strategic grid of the streets. De Certeau`s argument is that everyday life works by a process of poaching on the territory of others, using the rules and products that already exist in culture in a way that is influenced, but never wholly determined, by those rules and products. According to Andrew Blauvelt, who relies on the work of de Certeau in his essay on design and everyday life:[11] De Certeau`s investigations into the realm of routine practices, or the `arts of doing` such as walking, talking, reading, dwelling, and cooking, were guided by his belief that despite repressive aspects of modern society, there exists an element of creative resistance to these structures enacted by ordinary people. In The Practice of Everyday Life, de Certeau outlines an important critical distinction between strategies and tactics in this battle of repression and expression. According to him, strategies are used by those within organizational power structures, whether small or large, such as the state or municipality, the corporation or the proprietor, a scientific enterprise or the scientist. Strategies are deployed against some external entity to institute a set of relations for official or proper ends, whether adversaries, competitors, clients, customers, or simply subjects. Tactics, on the other hand, are employed by those who are subjugated. By their very nature tactics are defensive and opportunistic, used in more limited ways and seized momentarily within spaces, both physical and psychological, produced and governed by more powerful strategic relations. The Writing of History[edit] His work The Writing of History, translated into English after his death, deals with the relationship between history and religion. De Certeau makes a point in linking the history of writing history to the legitimization of political power and that `Western` traditions of history involve using the act of writing as a tool of colonialism; writing their own histories while un-writing the embodied traditions of native peoples. Major works[edit] In French: La Culture au Pluriel. Union Générale d`Editions,1974. L`Ecriture de l`Histoire. Editions Gallimard. 1975. La Fable Mystique. vol. 1, XVIe-XVIIe Siècle. Editions Gallimard. 1982. Histoire et psychanalyse entre science et fiction. Editions Gallimard. 1987. (Rev.ed. 2002) La Faiblesse de Croire. Edited by Luce Giard. Seuil. 1987. L`Invention du Quotidien. Vol. 1, Arts de Faire. Union générale d`éditions 10-18. 1980. With Dominique Julia and Jacques Revel. Une Politique de la Langue : La Révolution Française et les Patois, l`enquête de Grégoire. Gallimard. 1975. La Possession de Loudun. Gallimard. 1970. In English: The Capture of Speech and Other Political Writings. Translated by Tom Conley. University of Minnesota Press. 1998. The Certeau Reader. Edited by Graham Ward. Blackwell Publishers. 1999. Culture in the Plural. Translated by Tom Conley. University of Minnesota Press. 1998. Heterologies: Discourse on the Other. Translated by Brain Massumi. University of Minnesota Press. 1986. The Mystic Fable, Volume One: The Sixteenth and Seventeenth Centuries. Translated by Michael B. Smith. University of Chicago Press. 1995, ISBN 9780226100371. The Mystic Fable, Volume Two: The Sixteenth and Seventeenth Centuries. Translated by Michael B. Smith. University of Chicago Press. 2015, ISBN 9780226209135. The Practice of Everyday Life. Translated by Steven Rendall. University of California Press. 1984. With Luce Giard and Pierre Mayol. The Practice of Everyday Life. Vol. 2, Living and Cooking. Translated by Timothy J. Tomasik. University of Minnesota Press. 1998. The Possession at Loudun. Translated by Michael B. Smith. University of Chicago Press. 2000, ISBN 9780226100357. The Writing of History. Translated by Tom Conley. Columbia University Press. 1988. MISTIČKA FABULA XVI XVII VEK - Mišel de Serto tags: izabrana dela misela de sertoa odabrana sabrana portable works of

London, Velika Britanija 1999. Mek povez, engleski jezik, XXIV + 195 strana. Knjiga je, bukvalno, kao nova. V5 Internationally renowned as one of the great French philosophers of the twentieth century, the late Emmanuel Levinas remains a pivotal figure across the humanistic disciplines for his insistence―against the grain of Western philosophical tradition―on the primacy of ethics in philosophical investigation. This first English translation of a series of twelve essays known as Alterity and Transcendence offers a unique glimpse of Levinas defining his own place in the history of philosophy. Published by a mature thinker between 1967 and 1989, these works exhibit a refreshingly accessible perspective that seasoned admirers and newcomers will appreciate. In today`s world, where religious conceptions of exalted higher powers are constantly called into question by theoretical investigation and by the powerful influence of science and technology on our understanding of the universe, has the notion of transcendence been stripped of its significance? In Levinas`s incisive model, transcendence is indeed alive―not in any notion of our relationship to a mysterious, sacred realm but in the idea of our worldly, subjective relationships to others. Without presupposing an intimate knowledge of the history of philosophy, Levinas explores the ways in which Plotinus, Descartes, Husserl, and Heidegger have encountered the question of transcendence. In discourses on the concepts of totality and infinity, he locates his own thinking in the context of pre-Socratic philosophers, Aristotle, Leibniz, Spinoza, Kant, and Descartes. Always centering his discussions on the idea of interpersonal relations as the basis of transcendence, Levinas reflects on the rights of individuals (and how they are inextricably linked to those of others), the concept of peace, and the dialogic nature of philosophy. Finally, in interviews conducted by Christian Chabanis and Angelo Bianchi, Levinas responds to key questions not directly addressed in his writings. Throughout, Alterity and Transcendence reveals a commitment to ethics as first philosophy―obliging modern thinkers to investigate not merely the true but the good. Alterity and Transcendence displays Levinas`s philosophical thinking very well. It is of particular interest to those who try philosophically to ground legal terms such as human rights and especially human dignity without reference to political consensus or foundational explanations. ― Review of Metaphysics About the Author Emmanuel Levinas (1906-1995), a pioneer of the phenomenological method, exerted profound influence on prominent postmodern thinkers including Derrida, Lyotard, Finkielkraut, Irigaray, and Blanchot. Among his seminal works that have been translated into English are Entre Nous (Columbia, 1998), Ethics and Infinity, Totality and Infinity, Time and the Other, and Existence and Existents.Michael B. Smith is professor of French and philosophy at Berry College in Georgia. He has translated several of Levinas`s works, including Outside the Subject, In the Time of Nations, and Proper Names, and, with Barbara Harshav, Entre Nous (Columbia, 1998). Emanuel Levinas

Seling Filozofija umetnosti NECITANO RETKO izuzetno ocuvana NOVA bele stranice ima diskretne exlibrise nema podvlacenja... estetika, filozofija umetnosti, nemački idealizam, umetnost, Šeling „Universitäten sind nicht Kunstschulen“ Šelingov sistem filozofije umetnosti Sreten Petrović Filozofska biblioteka Prevod dela Philosophie der Kunst Friedrich Wilhelm Joseph Schelling Prevod Danilo N. Basta, Olga Kostrešević Godina izdanja 1989. Jezik: Srpski Izdavac: BIGZ, Godina 1989. Br. str. 446 Format 22x15 Povez tvrd sa plastificiranim zastitnim omotom Ključne reči: estetika, filozofija umetnosti, nemački idealizam, umetnost, Šeling Apstrakt Šelingova filozofija umetnosti teži da iz beskonačnog razdvajanja dosegne pomirenje u obliku izvornog identiteta subjektivnog i objektivnog. Prema njegovom mišljenju, ne samo da umetnost može postati predmetom filozofskog znanja, nego van filozofije i pored filozofije o umetnosti ništa ne može biti saznato na apsolutni način. Šeling ne razvija estetiku u uobičajenom smislu, već filozofiju umetnosti, uspostavljajući potpuno novi odnos prema problematici umetnosti, koja, jednom uvažena i filozofski tematizovana, više neće moći da bude zanemarena u bilo kojoj formi filozofske sistematike. Reference Filozofija njemačkog idealizma – Hrestomatija, prir. Barbarić, D., Školska knjiga, Zagreb, 1988. Auburtin, V., Die Kunst stirbt, Ein Essay, Albert Langen, München, 1911. Dobe, J., „Beauty Reconsidered: Freedom and Virtue in Schelling’s Aesthetics“– In- terpreting Schelling, Critical Essays, Edited by Lara Ostaric, Cambridge Uni- versity Press, 2014. Filipović, V., Klasični njemački idealizam, Nakladni zavod Matice hrvatske, Zagreb, 1979. Gerbrand, D., Die Rückwendung zum Mythos, München und Berlin, 1930., Gete, J. V., Šiler, F., Prepiska, Izdavačka knjižarnica Zorana Stojanovića, Sremski Karlovci – Novi Sad, 2010. Grlić, D., Estetika, Naprijed, Zagreb, 1983. Hartmann, N., Die Philosophie des deutschen Idealismus, De Gruyter Verlag, Ber- lin, 1960. Hegel, G. V. F., Istorija filozofije, Kultura, Beograd, 1964. Hegel, G. W. F., Fenomenologija duha, Grafički zavod Hrvatske, Zagreb, 1955. Jähnig, D., Schelling. Die Kunst in der Philosophie, vol. I, Verlag Günther Neske, Pfullingen, 1966. Kroče, B., Estetika, Zograf, Beograd, 1934. Kuhn, H., Die Vollendung der klassischen deutschen Ästhetik durch Hegel, Berlin, 1931. Lauer, Ch., The Suspension of Reason in Hegel and Schelling, Continuum Internatio- nal Publishing Group, 2010. Man, P., Aesthetic Theory from Kant to Hegel, Edinburgh University Press, 1982 (2014). Oeser, E., Die antike Dialektik in der Spätphilosophie Schellings. Ein Beitrag zur Kritik des Hegelschen Systems, R. Oldenbourg o.J., Wien und München, 1965. Perović, M. A., Filozofske rasprave, Hrvatsko filozofsko društvo, Zagreb, 2011. Petrović, S., Negativna estetika, Gradina, 1972. Pikon, G., Uvod u jednu estetiku književnosti, Pisac i njegova senka, Kultura, Beo- grad, 1965. Schelling, F. W. J., Gesamtausgabe in 12 Bdn, Hrsg. von Manfred Schrötter, 1958-59, 6 Ergänzungsbände 1943/50. Schelling, F. W. J. Schellings Werke, C. H. Beck und R. Oldenbourg, München, 1927- 1928. Schelling und Cotta, Briefwechsel, 1803/49, Stuttgart, 1965. Schelling, F. W. J., Filosofija mitologije, Opus, Beograd, 1988. Schelling, F. W. J., Filozofija umjetnosti, Hrvatska sveučilišna naklada, Zagreb, 2008. Schelling, F. W. J., Sistem transcendentalnog idealizma, Naprijed, Zagreb, 1965. Schilling, K., Natur und Wahrheit, Untersuchungen über Entstehung und Entwicklu- ng des Schellingschen System bis 1800., Reinhardt, München, 1934. Šeling, F. V. J., Filozofija slobode, Plato, Beograd, 1998. Šeling, F. V. J., Forma i princip filozofije, Nolit, Beograd, 1988. Šeling, F. V. J., Prvi nacrt sistema filozofije prirode, Izdavačka knjižarnica Zorana Stojanovića, Sremski Karlovci – Novi Sad, 2009. Šeling, F. V. J., Spisi iz filozofije umetnosti, IK Zorana Stojanovića, Sremski Karlo- vci, Novi Sad, 1991

Multikulturalno građanstvo: liberalna teorija manjinskih prava Edicija Polimorfia Аутори Vil Kimlika, Will Kymlicka Превео/ла Vladimir Gvozden Издавач Centar za multikulturalnost, 2002 ISBN 8690228721, 9788690228720 ***Model multikulturnog građanstva (Kimlika) Kimlikin model multikulturnog, multietničkog građanstva nastoji da inkorporira manjinska prava u liberalnu teoriju. On ističe tri grupe manjinskih prava: a) pravo na distinktan tretman ili priznavanje prava b) prava samoupravljanja v) priznavanje prava predstavljanja. Svako od te tri vrste grupnih prava može jednostavno zaštititi članove manjinske kulturne grupe od ekonomskih pritisaka ili političkih odluka većine. Kimlika brani koncept diferenciranog građanstva kao nešto što je naspram koncepta univerzalnog, nediferenciranog građanstva koje mnogi teoretičari smatraju kao esencijalni element liberalno-demokratskog ideala. Međutim, on smatra da grupno diferencirana prava pružaju način ispunjenja liberalnih težnji prema slobodi i jednakosti. ** Knjiga Willa Kymlicke, Multikulturalno graðanstvo bavi se prije svega raspravom o pravima onih nacionalnih zajednica koje nisu veæinska nacio- nalna zajednica u nekom politièkom društvu. Èini mi se da su dvije kljuène stvari u ovoj knjizi. Prije svega, knjiga nam pokazuje da se prava nacionalnih zajednica ne zanemaruju samo s perspektive iskljuèivog nacionalizma, to jest onog nacionalizma koji (u svom idealnom modelu) smatra da dr®ava pripada samo jednoj naciji, te da u njoj nema mjesta za druge nacionalne skupine (pa svim nacionalnim skupinama osim onoj koja posjeduje odre- ðenu dr®avu preostaju samo opcije asimilacije ili iseljenja). Kymlicka se trudi pokazati kako se prava nacionalnih manjina mogu zanemariti i s per- spektive liberalizma. Liberalizam s kojim Kymlicka polemizira ovdje mo®e- mo najopæenitije odrediti kao doktrinu koja stavlja naglasak na prava poje- dinaca, prema kojima se dr®ava treba postavljati neutralno, to jest zajamèiti im isti polo®aj bez obzira na razlike u rasi, naciji, religiji, itd. Ovo bi bio je- dan od moguæih modela koji odgovaraju nazivu “graðanska dr®ava”. Kym- licka smatra da je takva pozicija na nekakav naèin nedosljedna, jer takva dr®ava, ipak, privilegira jednu naciju nad ostalima. Na primjer, javna i slu®be- na upotreba jezika neæe biti neutralna, veæ upravo odgovarajuæa veæinskoj naciji; dr®avni praznici odgovaraju tradiciji jedne nacije; isto vrijedi i za škol- ski program.Dobro ureðena dr®ava, on tvrdi, nije dr®ava koja je slijepa na nacionalne razlike (jer takva dr®ava ne mo®e postojati u uvje- tima multikulturalnosti), veæ dr®ava koja nacionalnim zajednicama (pod odreðenim kvalifikacijama koje se tièu odreðenih okolnosti) jamèi javno manifestiranje, kao i javnu podršku za njihovo opstojanje, u mjeri u kojoj je to moguæe. Slièno tome što Kymlicka ka®e za jedan od oblika liberalizma, ka®e i za neke oblike socijaldemokracije. Dakle, prva je poruka ove knjige da zaštita nacionalnih manjina nije samo specifièna zaštita opæih graðanskih prava i da se zanemarivanje takve postavke pojavljuje i u nekim oblicima liberalizma i u nekim oblicima socijaldemokracije. Druga temeljna poruka koju nam nudi Kymlicka jest ideja da se pošto- vanje manjinskih prava ipak mo®e realizirati unutar drukèije shvaæene libe- ralne teorije pravde. Za liberalizam, va®no je da se svakom pojedincu za- jamèe uvjeti slobodnog djelovanja. Ali, jedan je od temeljnih uvjeta slobod- nog djelovanja i kulturalna pripadnost. Pojedinac èija je kulturalna pripad- nost ugro®ena gubi moguænost autonomnog i slobodnog djelovanja, to jest biranja sadr®aja svog ®ivota u dosljednom ®ivotnom planu. Dakle, ka®e Kymlicka, liberalizam treba aktivno štititi kulturalnu pripadnost. Elvio Baccarini

Digitalni foto aparat Canon PowerShot A70 u potpunosti kao NOV, NIGDE ogreban niti ostecen sa originalnom kutijom, uputstvima, CD-om, kablovima (za vezu sa TV-om, DVD-om, stampacem, kompjuterom, itd), CF karticom, trakom za nosenje Kupljen, a zatim stajao u ormanu, takoreci nije uopste koriscen, a kamoli otvaran, popravljan ... itd. Specifications : Type of Camera Compact digital still camera with built-in flash and 3x Optical/3.2x Digital/10x Combined Zoom Image Capture Device Type 1/2.7 inch charge coupled device (CCD) Total Pixels Approx. 3.2 Million Effective Pixels 3.0 Million Lens Focal Length 5.4 - 16.2mm zoom lens (35mm film equivalent: 35 - 105mm) Digital Zoom 3.2x Focusing Range Normal AF: 46cm/ 1.5 ft. - infinity Macro AF: 5 - 46cm/ 2.0 in. - 1.5 ft. (wide-angle), 26 - 46cm/10 in. - 1.5 ft. (telephoto) Manual focus: 5cm/ 2.0 in. - infinity (wide-angle), 26cm/10 in. - infinity (telephoto) Autofocus System Around most of picture area AF lock and Manual focus are available Viewfinder & Monitor Viewfinder Real-image optical zoom viewfinder LCD Monitor 1.5 inch low temperature polycrystalline silicon TFT color LCD LCD Pixels Approx. 78,000 pixels LCD Coverage 100% Aperture and Shutter Maximum Aperture f/2.8 - 4.8 Shutter Speed 15 - 1/2,500 sec. Slow shutter speed of 1.3 sec. is only available in select modes Exposure Control ISO Sensitivity AUTO/ISO 50/100/200/400 equivalent Light Metering Method Evaluation/Center-weighted average/Spot Exposure Control Method Program AE/Manual Exposure Compensation +/-2 EV in 1/3-stop increments Auto Exposure Bracketing Not Available White Balance Control TTL Auto White Balance, Pre-set (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, or Flash), or Custom Flash Built-in Flash Operation Modes: Auto/ON/OFF, Red-Eye Reduction, Red-Eye Reduction ON/OFF Flash Range WIDE: 46 - 4.2m TELE: 46 - 2.5m MACRO: 26 - 46cm (When sensitivity is set to ISO 100 equivalent) Recycling Time Approx. 10 sec. or less Flash Exposure Compensation Not Available Shooting Specifications Shooting Modes Auto, Creative (P, Av, Tv, M, Custom 1, Custom 2), Programmed Image Control Zone, Image (Portrait, Landscape, Night Scene, Stitch Assist, Movie) Photo Effects Vivid, Neutral, Low Sharpening, Sepia and Black&White Self-Timer Operates with approx. 2 sec. or approx 10 sec. count-down Wireless Control Not Available Continuous Shooting Approx. 2.2 frames/ sec. Image Storage Storage Media CompactFlash (CF) Card Type I File Format Design rule for Camera File system (DCF*1) Print Order Format Digital Print Order Format (DPOF) Version 1.1 Image Compression Still Image: JPEG (Exif 2.2 compliant) JPEG Compression Mode SuperFine, Fine or Normal Number of Recording Pixels 2,048 x 1,536 (Large), 1,600 x 1,200 (Medium 1), 1,024 x 768 (Medium 2), 640 x 480 pixels (Small) Movie: 640 x 480, 320 x 240 or 160 x 120 Playback Specifications Playback Modes File Single, Index (9 thumbnails), Magnification (2x to 10x), Movie, Slide Show Erasing Specifications Erase Modes Single Image, All Images, Movie: Part of movie, All movie Interfaces Computer Interface Universal Serial Bus (USB) (mini-B jack) Video Out NTSC or PAL Other CF card slot (accept type I and type II cards). Direct connection to Canon CP Printers and Direct Photo Printers (no computer required) Power Supply Power Source 1. Size AA Alkaline battery x4 2. Rechargeable size AA NiMH battery x4 (NB-1AH) 3. Compact Power Adapter (ACK-600) Shooting Capacity Approx. 250 shots/ Approx. 800 shots (LCD monitor ON) Approx. 350 shots/ Approx. 1000 shots (LCD monitor OFF) (Alkaline battery/ NB-1AH) Playback Time Approx. 280 min/ Approx 280 min. (Alkaline battery/ NB-1AH) Physical Specifications Operating Temperature 32 - 104°F (0 - 40°C) Operating Humidity 10 - 90% Dimensions (WxHxD) 3.98 x 2.52 x 1.24 in./101.0 x 64.0 x 31.5mm (Excluding protrusions) Weight Approx. 7.58 oz./215g (Camera body only) Prodaje se bez prava na bilo kakvu reklamaciju. Postexpress na teret kupca. *************************************************** Pogledajte moje ostale aukcije: http://www.limundo.com/Clan/ljubaman/SpisakAukcija http://www.kupindo.com/Clan/ljubaman/SpisakPredmeta Molim, uz svaku aukciju procitajte i Ukratko o clanu: http://www.limundo.com/Clan/ljubaman ***************************************************

_H011 _____________________________________________________________________________ Svi moji predmeti na Kupindu > > > http://www.kupindo.com/Clan/novicvrle/SpisakPredmeta Sve moje aukcije na Limundu > > > http://www.limundo.com/Clan/novicvrle/SpisakAukcija _____________________________________________________________________________ Kompletan DVR sa HD audio kamerom, PIR senzorom, IR osvetljenjem, laserom za obeležavanje, u kućištu za spoljnu upotrebu, IP66 zaštita # Snima razne vrste snimaka, raznih kvaliteta i dužina, od `time lapse` - do HD video snimka # Mogućnost rada preko baterija i preko napajanja sa 220V i adaptera # Snima na SD karticu do 32GB kapaciteta # Poseduje jako IR (infracrveno) osvetljenje za noćni režim rada # Ugradjeni PIR senzor omogućava snimanje sa detekcijom pokreta # Koristi 4 x 1.5V B tip baterije # Odlična slika i zvuk # Jednostavna montaža # Pogodno za snimanje divljih životinja # Meri temperaturu i ispisuje na snimku # Imate medju slikama, screenshot ekrana sa mojih test snimaka, dnevnih i noćnih Tehničke karatteristike sa sajta proizvodjača: Technical data Category Camouflaged CCTV camera Features with motion detector Type hidden in a PIR enclosure Viewing angle 110 ° Video resolution 1280 x 720 pix Outputs USB Additional IR light Yes Used at Outdoors Microphone Yes Memory capacity 32 GB Height 140 mm (Ø) 70 mm Weight 280 g Highlights & details Integrated motion detector Infrared lighting for optimal recordings at night. Intelligent Video Recording saves storage space Simple installation without complex laying of cables Description This text is machine translated. Video surveillance has never been so easy was. The compact HD surveillance camera with integrated motion detector is suitable perfectly for the entry into video surveillance, because it combines all the important features in a single device. Integrated motion detector The built-in motion detector is triggered automatically when movement is sensed. Thanks to the HD resolution (1280 x 720 pixels) are of details on the video and photo recordings. Infrared lighting for optimal recordings at night. The, not visible to the human eye, infrared illumination also allows optimal recordings at night. So you can be sure that you do not miss any intruder even in complete darkness. Intelligent Video Recording If a motion is detected, starts the recording. The camera can record up to 600 seconds with continuous motion. After the 600 seconds is a new recording is started. Place within 600 seconds no more movement, the recording stops automatically in order to save space. Simple installation without complex laying of cables The installation is as easy as possible to hold, this camera can either continuously via a plug-in power supply, or with 4 x 1.5V type C batteries. (Neither included). Save yourself a difficult and complex laying of transmission cables. Can also be used in outdoor areas The IP66-protected housing enables the installation of the camera in the outdoor area. Place the camera discreetly and is a very flexible, for example, for wildlife observation. Video recordings are internally on a up to 32GB SD card. (Not included). Settings of the camera, you can take directly via the at the bottom of the camera built-in LC display and the menu buttons. Via the supplied USB and video cable, you can use the recordings stored at any time on your computer or television set. Features Single images and movies aufnehmbar Glass lens Infrared illumination range 20 m Detection angle of the winder of detector 90° Maximum Image Resolution 12 MPx (interpolated) Maximum video resolution: HD 720p 4 MPx Sensor Card slot for SD cards up to 32 GB USB 2.0 interface Kupac dobija (molim videti sliku sa rednim brojevima): 1. DVR kameru (bez memorijske kartice i baterija) 2. AV kabl za priključenje na monitor 3. USB kabl za konekciju sa PC 4. Kaiš za jednostavnu montažu oko drveta 5. Stalak za fiksnu montažu šrafovima 6. Napajanje sa 220V (dajem na poklon, u originalu se ne dobija) 7. Uputstvo 8. Original ambalažu Zumirajte sve slike, pogledajte detalje! Pitajte šta Vas zanima.

Digitalni foto aparat Canon PowerShot A75 POTPUNO ISPRAVAN KORISCEN, odlicno ocuvan, nije nikada otvaran, popravljan, ... itd. sa CF memoriskom karticom, kablovima ( za vezu sa TV-om, DVD-om, stampacem, kompjuterom, itd ), CD-om, trakom za nosenje, futrolom ( 4 AA baterije nisu uz njega ) Specifications: Type of Camera Compact digital still camera with built-in flash and 3.0x Optical/3.2x Digital/10x Combined Zoom Image Capture Device Type 1/2.7 inch type Charge-Coupled Device (CCD) Total Pixels Approx. 3.3 Million Effective Pixels Approx. 3.2 Million Lens Focal Length 5.4 - 16.2mm zoom lens (35mm film equivalent: 35 - 105mm) Digital Zoom 3.2x Focusing Range Normal AF: 46cm/1.5 ft. - Infinity Macro AF: 5 - 46cm/2.0 in. - 1.5 ft. (WIDE), 26 - 46cm/10 in. - 1.5 ft. (TELE) Manual focus: 5cm/2.0 in. - Infinity (WIDE), 26cm/10 in. - Infinity (TELE) Autofocus System 9-point AiAF/1-point AF(Fixed to center) Viewfinder & Monitor Viewfinder Real-image optical zoom viewfinder LCD Monitor 1.8 inch low-temperature polycrystalline silicon TFT color LCD LCD Pixels Approx. 110,000 pixels LCD Coverage 100% Aperture and Shutter Maximum Aperture f/2.8 - 8.0 (W), f/4.8 - 8.0 (T) Shutter Speed 15 - 1/2,000 sec. Exposure Control ISO Sensitivity AUTO*; ISO 50/100/200/400 equivalent *Camera automatically sets the optimum speed. Light Metering Method Evaluative/ Center-weighted average/ Spot* *Metering frame with Spot mode is center fixed. Exposure Control Method Program AE/ Aperture or Shutter-priority AE/ Manual Exposure Compensation +/- 2 EV in 1/3-stop increments ND Filter Not Available White Balance White Balance Control Auto, Pre-set (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H), or Custom White Balance Flash Built-in Flash Operation Modes: Auto, Red-Eye Reduction ON/OFF, Slow-Sync Flash Range WIDE: 46cm - 4.2m (1.5 - 14 ft.) TELE: 46cm - 2.5m (1.5 - 8.2 ft.) MACRO: 26 - 46cm (10 in. - 1.5 ft.) (When sensitivity is set to Auto) Recycling Time Approx. 15 sec. or less (battery voltage=4.3V) Flash Exposure Compensation Not Available Shooting Specifications Shooting Modes Auto, Creative (P, Tv, Av, M), Programmed Image Control Zone (Portrait, Landscape, Night scene, Fast shutter, Slow shutter, Stitch assist), Movies, Special Scene Mode (Foliage, Snow, Beach, Fireworks, Underwater, Indoor) Photo Effects Vivid, Neutral, Low Sharpening, Sepia and Black & White Self-Timer Operates with approx. 2 sec. or approx 10 sec. count-down. Wireless Control Not Available Continuous Shooting Approx. 2.2 shots/sec. Image Storage Storage Media CompactFlash (CF) Card Type I Print Order Format Design rule for camera file system, Digital Print Order Format (DPOF) Version 1.1 Image Compression Exif 2.2 (JPEG) JPEG Compression Mode SuperFine, Fine, Normal Number of Recording Pixels Still Image: 2,048 x 1,536 (Large), 1,600 x 1,200 (Medium 1), 1,024 x 768 (Medium 2), 640 x 480 pixels (Small) Movie: 640 x 480, 320 x 240 or 160 x 120 Playback Specifications Playback Modes File Single, Index (9 thumbnails), Magnification (Approx. 2.0x to 10x), Slide Show or Movie Erasing Specifications Erase Modes Still Images: Single Image, All Images Movie: Part of Movie, All Movie Interfaces Computer Interface Universal Serial Bus (USB) (mini-B jack) Video Out NTSC or PAL Audio Out Monaural Other CF card slot (accept Type I card). Direct connection to Canon CP Printers and select BJ Printers (no computer required) Power Supply Power Source 1. Size AA Alkaline battery x4 2. Rechargeable size AA NiMH battery x4 (NB-1AH) 3. Compact Power Adapter (CA-PS500) 4. Coin-type secondary lithium battery MS-614S Shooting Capacity AA ALKALINE: LCD on - Approx. 250; LCD Off - Approx. 800 AA NIMH: LCD On - Approx. 550; LCD Off - Approx. 1200 Playback Time Approx. 280 minutes (Under Canon`s standard conditions*1 with fully charged battery) Physical Specifications Operating Temperature 32 - 104°F (0 - 40°C) Operating Humidity 10 - 90% Dimensions (WxHxD) 3.98 x 2.52 x 1.24 in./101.0 x 64.0 x 31.5mm (Excluding grip, lens and protrusions) Weight Approx. 7.06 oz./200g (camera body only) Prodaje se bez prava na bilo kakvu reklamaciju. Postexpress na teret kupca. *************************************************** Pogledajte moje ostale aukcije: http://www.limundo.com/Clan/ljubaman/SpisakAukcija http://www.kupindo.com/Clan/ljubaman/SpisakPredmeta Molim, uz svaku aukciju procitajte i Ukratko o clanu: http://www.limundo.com/Clan/ljubaman ***************************************************