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SV 9 61700) RESURRECTIONS , David B. Axelrod , Nasa knjiga Skoplje i CROSS Cultural Communications New York 1989 , ĐĐĐĄĐĐ ĐĐĄĐĐŁĐĐĐĐ , ĐĐ”ŃĐČОЎ Đ. ĐĐșŃДлŃĐŸĐŽ ; RESURRECTIONS represents an important new direction in the poetry of David B. Axelrod. Here, together with the personal, familial and experiential poems those who know his work have come to expect and appreciate, are poems for those who have surmounted great hardships, recovered from serious illnesses, even returned from the grip of death. RESURRECTIONS is Axelrod`s twelfth publication of poems in an incredibly prolific and highly prized career. His art as a poet, his humor and panache as a perfomer and skills as a prosist and editor have earned him grants from New York and Virginia Arts Councils; The Academy of American Poets C.W. Post Poetry Award; in 1979, a Medal for the Arts and in 1988, two plaques as awards in Sicily, Italy; Official commendations from his home Country of Suffolk and Town of Brookhaven, and literally dozens more awards. In 1988, he represented the United States at the Struga Festival of Poetry Evenings in Struga, Macedonia, Yugoslavia. mek povez, dvojeziÄno englesko - makedonski , potpis i posveta autora na predlistu , 115 strana
Poezija Branimira Ć tuliÄa. Izdanje iz 1988. godine. Stanje â VEOMA DOBRO Autor - osoba Ć tuliÄ, Branimir, 1953- = Ć tuliÄ, Branimir, 1953- Naslov `Anonymous epigrams` / Johan B. Ć tuliÄ Vrsta graÄe knjiga Jezik hrvatski, srpski Godina 1988 Izdavanje i proizvodnja Sarajevo : J. B. Ć tuliÄ, 1988 (Sarajevo : Biroset) FiziÄki opis 42 str. ; 20 cm DĆŸoni Ć tuliÄ, Azra, Balkan, ZadovoljĆĄtina, novi val, novi talas, Zagreb MG76 (N)
Opis Proel MSLL 06 lampa za notni stalak Proel MSLL 06 je led lampa za muziÄki notni stalak sa dva fleksibilna metalna vrata, svaka sa tri visoko energetski efikasne LED diode, tri komada AAA 1,5 baterije su ukljuÄene u paket. Ova led lampa je opremljen USB mini B utiÄnicom za direktnu upotrebu sa namenskim kablom (nije ukljuÄen). Dostupan u mat crnoj boji. Individually controllable lighting level Six bright white energy efficient LED's Flexible gooseneck Robust clip that can be used as a free standing base Can be powered by 3x AAAbatteries (included). Can be powered an AC adaptor with power cord (not included). Zemlja porekla: Kina
IZABRANE PESME SLOBODAN MARKOVIÄ (Libero Markoni) Srpska knjiĆŸevna zadruga B e o g r a d 1 9 9 6 SLOBODAN MARKOVIÄ (1928-1990) gradski pesnik, susreti, prijateljstva, ljubavi, pijanstva, pribiranja, neMir i teskoba, seÄanja i slutnje, sve se javlja u gradskom okruĆŸenju... sve kuca /p u l s o m/ grada. Njegov reÄnik je gradski, bez folklornih primesa... (ĐĐžŃ Đ°ŃĐ»ĐŸ ĐŃŃŃĐžŃ) ĐŁĐĐ Đ ĐąĐЧРУĐČĐ”ŃĐ” Đ·Đ° ŃŃĐŸĐ»ĐŸĐŒ ĐŽĐŸĐș ŃŃпаŃ, ĐłĐŸŃĐž ŃĐČĐ”ŃĐ° Đ° /ĐŒ Đž Đœ Ń Đ”/ ĐșĐŸ ĐșŃĐșŃŃĐ”Đș ŃĐ° ŃĐČĐžŃ ŃŃŃĐ°ĐœĐ° ĐœĐžŃŃ... Ćœicar ko ĆŸicar, veÄiti putnik u nigde, nije imao love, ali je imao gnjide. Nije imao nikog da kaĆŸe: `DoÄi, jedi!` A sada se uz teÄu ludog dva-tri dana sedi. Ja love za kovÄeg nemam, ni za krst, ni za popa. JaviÄu Paliluli. Nemamo. TeÄa je tropa! A grobar ako hoÄe, nek na veresiju kopa! ........................................................... KOLO LXXXXIX KNJIGA 591 Predgovor BORISLAV RADOVIÄ ĐŃОга Оз Đ»Đ”ĐłĐ”ĐœĐŽĐ°ŃĐœĐŸĐł плаĐČĐŸĐł ĐĐŸĐ»Đ° ĐĄĐĐ Bibliografija Äirilica Tvrde korice Äirilica Ć iven povez 150 stranica ĐажŃĐ° !!! ĐĐĐĐĐ ĐĐšĐĐĐĐ ĐĐĐ ĐĐĐŠĐĐĐ ĐĐРЀĐĐĐą ĐĐĐĐĐĐŠĐĐĐĐĐ ĐĄĐĐ, 1996. ĐĐșŃŃŃĐ° Đ·Đ° ĐĐĐĐĐĐ *******
Knjiga odliÄno oÄuvana G1 FRIDRIH HELDERLIN HLEB I VINO IZABRANE PESME SRPSKA KNJIĆœEVNA ZADRUGA BEOGRAD 1 9 9 3 FRIDRIH HELDERLIN (1770-1843) genijalni nemaÄki pesnik. Godine 1790-1791 ĆŸivi za/Jedno sa vrĆĄnjakom i dalekim roÄakom, filozofom /H e g e l o m/ i s` neĆĄto mlaÄim, pesnikom /Ć e l i n g o m/, u augustinskoj sobi tibingenskog Seminara `u opĆĄtoj zajednici`. ЄДлЎДŃĐ»ĐžĐœĐŸĐČĐ° ŃĐ”ĐŽĐžĐœŃŃĐČĐ”ĐœĐ° ŃŃĐŽŃĐșĐ° Đž пДŃĐœĐžŃĐșĐ° ŃŃĐŽĐ±ĐžĐœĐ° ŃŃагОŃĐœĐ° ŃĐ” Đž ĐżĐŸŃŃĐ”ŃĐœĐ°. Vrhunac stvaralaĆĄtva dostiĆŸe sa trideset pet godina i povlaÄi se u odricanje... Umire u Tibingenu 35 godina posle po/MraÄenja uma, /i z o l o v a n!/ od sveta i ĆŸivota... (Mihajlo GruĆĄiÄ) ......................................................... MeÄu pesnicima Helderlin danas stoji u prvom redu. ********* ZaĆĄto? SavrĆĄena je i /d i v n a/ lepota njegovih pesama, a kroz njegovo delo i njegovo biÄe /o b j a v lj u j e/ se sama esencija pesniĆĄtva !!! HLEB I VINO Hajneu I Uokrug poÄiva grad. StiĆĄava se osvetljena ulica i zubljama ukraĆĄena ĆĄumno proHuje kola. Radosti dnevnih siti idu na poÄinak ljudi, a razborita glava odmerava dobit i ĆĄtetu zadovoljno kod kuÄe; bez groĆŸÄa stoji i cveÄa i tvorevina ruku, poÄiva radeni trg. Al zvuÄe st/Rune negde daleko u vrtovima; moĆŸda neko za/Ljubljen svira tamo, il Usamljenik na daleke se prijatelje seÄa, i mladosti; a Äesme u stalnom sveĆŸem toku ĆŸubore uz mirisnu leju. Mirno od/Jekne zvona zvuk su/MraÄnim vazduhom, a noÄobdija prati Äasove, uz/Vikne broj. Evo i povetarca, po/KreÄe vrĆĄike gaja, gle, i zemlje naĆĄe lik senoviti, mesec po/Tajno stiĆŸe sad; sanjarska stiĆŸe noÄ, puna zvezda i zbog nas ne mnogo briĆŸna, blista zadivljujuÄa tamo, tuÄinka meÄu ljudima, tuĆŸna i krasna gore nad brdskim visovima.... ............................................. G R O B LJ E Pre/Tiho mesto, zeleno od trave, gde leĆŸe muĆŸ i ĆŸena i gde krstovi stoje, kud ispraÄaju prijatelje moje, gde prozorska se svetla sjaje. Kad te u podne neba svetiljka obaSJAva, kada proleÄe Äesto onde naÄe stan, kad oblak duhovni, siv, vLaĆŸan, proHITAva i zaJedno s lepotom proMiÄe blago dan! Kako je tiho kraj sive ograde duge, nad kojom drvo teĆĄko od roda je nadneseno; plodovi crni, rosni, liĆĄÄe pre/Puno tuge, ali veoma lepo voÄe je zbijeno. Onde u crkvi tiĆĄine tamne ima i oltar je u ovoj noÄi mali, joĆĄ su unutra neke lepe stvari, a leti cvRÄci glase se poljima. Kad onde neko sluĆĄa paroha, dok veran krug prijatelja uNaokolo stoji, uz PokoJnika, kakav tu sopstven ĆŸivot poStoji i koji duh, dok svak je neOmetano smeran. .................................................. ĐĐ ĐĐĐĐ ĐĄĐŁ ĐĐĐ ĐĐĐĐĐąĐ... ĐĐ° ĐŒĐœĐŸĐŒ ŃŃ ĐČĐ”Ń Đ»Đ”ĐżĐŸŃĐ” ĐŸĐČĐŸĐł ŃĐČĐ”ŃĐ°, ĐČĐ”ŃĐ”ŃĐ” ĐŒĐ»Đ°ĐŽĐŸ ĐŒĐžĐœŃ ŃĐŸŃ ĐżŃĐ” ŃĐŸĐ»ĐžĐșĐŸ лДŃĐ°! ĐĐżŃОл Đž ĐŒĐ°Ń Đž ŃŃĐ» ĐŽĐ°ĐČĐœĐŸ ŃĐ” ŃĐșŃĐžŃĐ”; ŃŃĐ° ŃĐ°ĐŒ ŃĐ°ĐŽ? - ĐœĐžŃŃĐ°; ĐœĐ” жОĐČĐž ĐŒĐž ŃĐ” ĐČĐžŃĐ”! V r s a n prevod sa nemaÄkog/ V r s n i prevodioci/ BRANIMIR ĆœIVOJINOVIÄ i IVAN V. LALIÄ Predgovor: PJER BERTO Napomene: MIRKO KRIVOKAPIÄ ĐĐĐĐĐ ĐĐ ĐĐĐĐĐĐĐĐ ĐĐĐ ĐĐĐĐĐĐ ĐĐĐĐ ĐĄĐĐ ĐąĐĐ ĐĐ ĐĐĐ ĐĐŠĐ ĐĐĐ ĐĐĐĐŠĐ ĐšĐĐĐĐ ĐĐĐĐĐ 295 ХйРĐĐĐĐŠĐ ĐĐРКйĐĐĐĐĐ ĐĄĐĐĐ„ ĐĐ ĐĐšĐĐĐ ĐĐĐ ĐĐĐĐĐĐЧĐĐĐĐ„ ХйРĐĐĐĐŠĐ ĐĐĐ ĐĐĐąĐĐĐĄĐ ĐĐĐ ĐĐЧĐйРĐĐĐĐĐĐŠĐĐĐĐĐ ĐĄĐĐ ĐĐ ĐĐĐĐ ĐРОз 1993. ********
Prvo izdanje Äetvrte knjige poezije Branka V. RadiÄeviÄa. Korice kao na slikama, unutra dobro. Knjigu je likovno opremio slikar MiloĆĄ BajiÄ. Autor - osoba RadiÄeviÄ, Branko V., 1925-2001 = RadiÄeviÄ, Branko V., 1925-2001 Naslov Zemlja / Branko V. RadiÄeviÄ ; [oprema knjige MiloĆĄ BajiÄ] Vrsta graÄe poezija odrasli, opĆĄte (lepa knjiĆŸevnost) Jezik srpski Godina 1954 Izdavanje i proizvodnja Beograd : Mladost, 1954 (Beograd : âSlobodan JoviÄâ) FiziÄki opis 94 str. : ilustr. ; 17 cm Drugi autori - osoba BajiÄ, MiloĆĄ Zbirka CvrÄak : dĆŸepna knjiga. 3, Savremeni pisci ; 1 Napomene Str. [95]: O piscu. Branko V. RadiÄeviÄ (ÄaÄak, 14. maj 1925 â Beograd, 11. januar 2001) bio je srpski knjiĆŸevnik i novinar. Pisao je poeziju, romane, pripovetke, scenarija i knjiĆŸevnost za delu. Ćœivot i stvaralaĆĄtvo PotiÄe iz graÄanske porodice, od oca Velimira i majke Kosare, roÄ. MilikiÄ. U ranoj mladosti, tokom Drugog svetskog rata, joĆĄ kao ĆĄesnaestogodiĆĄnjak, bio je partizanski kurir Ratka MitroviÄa. Odveden je i u logor, u Smederevskoj Palanci, gde se teĆĄko razboleo, jedva preĆŸiveo, i tek onda nastavio ĆĄkolovanje u ÄaÄanskoj Gimnaziji. Posle rata, jedno vreme je ĆŸiveo u Sarajevu, gde poÄinju njegovi stvaralaÄki dani. Seli se u Beograd, gde zavrĆĄava Pravni fakultet. Uporedo s studiranjem, radi kao novinar za Dugu i kao saradnik u mnogim listovima i Äasopisima. Kao urednik edicija âĆœar pticaâ, viĆĄe godina radi u Borbi. Bio je i predsednik izdavaÄke kuÄe Srpska knjiĆŸevna zadruga iz Beograda. Pokrenuo je kulturne manifestacije: Disovo proleÄe u ÄaÄku i DragaÄevski sabor trubaÄa u GuÄi. StvaralaĆĄtvo mu sadrĆŸi i preko sto naslova pesama, pripovedaka, romana i knjiga za decu. IstraĆŸivao je i spomenike- âkrajputaĆĄeâ, (krajputaĆĄi- njegova reÄ), napravio je i dve monografije o seoskim spomenicima - krajputaĆĄima. Bio je i veliki istraĆŸivaÄ i poznavalac srpskog jezika. Dela Najpoznatija dela su mu âPesme o majciâ, âPriÄa o ĆŸivotinjamaâ, âSa OvÄara i Kablaraâ, âVojniÄke pesmeâ, âPonoÄni sviraÄiâ, âSeljaciâ i âAntologija srpskog pesniĆĄtvaâ. Aktivan je u knjiĆŸevnom i druĆĄtvenom ĆŸivotu do pred kraj svoga ĆŸivota. Veliki uspeh stiÄe i njegovo poslednje delo âSujevericeâ. Dobitnik je Vukove i Sedmojulske nagrade. Pesme Sutonski dani, 1945. Pesme, 1949. Lirika, 1951. Zemlja, 1954. VeÄita peĆĄadija, 1956. Tri Äokota stihova a o vinu ni reÄi, 1961. BoĆŸja krÄma, 1965. Sa OvÄara i Kablara, 1970. SeljaÄka poema, 1971. Izabrane pesme, 1971. Pohvalice i pokudice, 1974. Zemljosanke, 1978. Tekla reka Lepenica, 1979. Vita jela, zelen bor, 1986. Kadionik, 1990. Romani Bela ĆŸena, 1955. Izgubljeni grad, 1957. Äetvrta noÄ, 1957. PonoÄni sviraÄi, 1959. NoÄ tela, 1963. GrubiÄi i neĆŸniÄi, 1968. Seljaci, 1971. Äorava posla, 1972. Svedok, 1977. Praznina, 1992. Knjige pripovedaka Ljubav i smrt, 1982. Gorka grla, 1986. Takav je ĆŸivot, 1989. BuduÄnost, 1991. Knjige za decu PriÄe o deÄacima, 1952. Duh livada (priÄe), 1954. UÄeni maÄak (novela), 1957. PoslastiÄarnica kod veselog Äarobnjaka, 1950. Äudotvorno oko (priÄe i bajke), 1964. Bajka o ĆĄaljivÄini i druge priÄe, 1967. Bajke o guslama, 1967. Gvozden Äovek i druge priÄe, 1967. Äavolije i druge priÄe, 1967. Pesme o majci, 1979. Devetaci, 1976. Skitnica ili pesme i priÄe za decu, 1988. PriÄe o ĆŸivotinjama, 1990. Kako je JoĆĄika otiĆĄao na nebo, priÄe iz ciganskog ĆŸivota, 1992. Monografije Plava linija ĆŸivota â srpski spomenici i krajputaĆĄi, 1961. Srpski nadgrobni spomenici i krajputaĆĄi, 1965. Filmski scenario Poruke (Dokumentarni kratki) 1960. Uzrok smrti ne pominjati (film) 1968. Lazar GavriloviÄ vodeniÄar (TV kratki) Ostalo Sujeverice i druge reÄi, Srpska knjiĆŸevna zadruga, 1990. Sujeverice i druge reÄi â knjiga druga, Srpska knjiĆŸevna zadruga, 1992. Sujeverice i druge reÄi â knjiga treÄa, Srpska knjiĆŸevna zadruga, 1995. Sujeverice i druge reÄi IV, Prosveta, 1999. MiloĆĄ BajiÄ (1915, Resanovci kod Bosanskog Grahova â 1995) bio je srpski slikar. RoÄen je u Resanovcima kod Grahova (BiH). Od 1922. ĆŸiveo je u Beogradu tu je zavrĆĄio Gimnaziju i UÄiteljsku ĆĄkolu. Kao Äak objavljivao je likovne priloge i karikature u listovima Skamija, Ć tipavac, OĆĄiĆĄani jeĆŸ, Politika, Jutarnji list. Od 1935. slikarstvo uÄi kod Petra DobroviÄa. 1937. zavrĆĄio je prvu godinu UmetniÄke ĆĄkole u Beogradu u klasi Bete VukanoviÄ. PoÄetkom septembra 1941. stupio je u Valjevski partizanski odred. Oktobra 1942. uhapĆĄen je u Beogradu od strane specijalne policije i interniran u logor Banjica. Septembra 1942. sa Banjice je transportovan u koncentracioni logor Mauthauzen. Tokom zarobljeniĆĄtva beleĆŸio je scene iz ĆŸivota interniraca, o Äemu je kasnije govorio: â U koncentracionom logoru Banjica, Mauthauzen, Ebenze crteĆŸom sam izazivao sudbinu. Crtao sam olovÄicom veliÄine malog prsta i na papiru kakvog se dokopam. To sam radio tajno, rizikujuÄi ĆŸivot. CrteĆŸe sam potom zakopavao u zemlju.â Bio je oĆŸenjen Danicom KariĆĄiÄ-BajiÄ, prof. biologije i dugogodiĆĄnjom direktorkom Prve beogradske gimnazije. Imali su dvoje dece: Äerku Jesenku BajiÄ i sina Darka BajiÄa. Jesenka BajiÄ, dugogodiĆĄnja urednica u redakciji programa za decu i mlade RTS-a. Darko BajiÄ, reditelj i profesor FDU u Beogradu. Za svoja filmska ostvarenja dobitnik je niza nagrada u zemlji i inostranstvu. Nakon osloboÄenja nastavio je studije na Akademiji za likovne umetnosti u Beogradu. Studirao je u klasama Mila MilunoviÄa, Ivana TabakoviÄa, Nedeljka GvozdenoviÄa. Diplomirao je 1949. a posle specijalke kod Marka ÄelebonoviÄa postaje jedan od prvih asistenata na ALU gde kao profesor slikarstva radi do penzionisanja 1979. U klasi profesora BajiÄa studirali su mnogi danas poznati i afirmisani slikari u naĆĄoj zemlji i svetu. Bio je Älan grupe Samostalni (1951â1955) i Decembarske grupe (1955â1960) koje su se svojim modernim izrazom obraÄunavale sa vladajuÄim socrealizmom. Prvu samostalnu izloĆŸbu imao je u galeriji ULUS-a u Beogradu 1952. (...)on je u svojoj generaciji prvi apstraktni slikar. A biti prvi Äesto je isto ĆĄto i biti vrednost (Miodrag B. ProtiÄ). UÄestvovao je u osnivanju umetniÄke kolonije u BaÄkoj Topoli (1953), gde je nastao njegov prvi mozaik velikog formata i obelisk posveÄen osvajanju kosmosa. U njegovom kasnijem radu istiÄu se mnogobrojni mozaici i freske (kompozicije u prostoru) a posebno spomen kosturnica Partizanska nekropola u Resanovcima (1971). 1967. po prvi put izlaĆŸe svoj novi ciklus slika velikog formata Mauthauzen, inspirisan autentiÄnim crteĆŸima nastalim u logoru. UzbuÄenje koje i sada oseÄamo pred oporim i muĆĄkim radovima MiloĆĄa BajiÄa, istinsko je i trajno, kao ĆĄto su i ove slike trajne baĆĄ zato ĆĄto su istinite (Slobodan NovakoviÄ). 1975. objavio je monografiju Mauthauzen 106621 u Äijem predgovoru BajiÄ piĆĄe: âNeka mladost koja ne zna za tragiku toga vremena, niti za ĆŸivot u njemu, svoje beskrajno zanesenjaĆĄtvo uputi do najudaljenijih zvezda, ali nikada viĆĄe tamo.â KC (N)
NEPREKIDNA NESANICA POEZIJE - antologija francuske / frankofone nadrealistiÄke poezije Priredio i preveo - DuĆĄan StojkoviÄ IzdavaÄ - DruĆĄtvo za afirmaciju kulture Presing, Mladenovac Godina - 2020 896 strana 21 cm Edicija - Biblioteka Antologije ISBN - 978-86-6341-499-0 Povez - Tvrd Stanje - Kao na slici, tekst bez podvlaÄenja AUTORI ZASTUPLJENI U ZBIRCI: Danijel Abel, Marsel Avren, Artur Adamov, Maksim Aleksandr, Pjer AleĆĄinski, Moris Anri, Fernando Arabal, Luj Aragon, Noel Arno, Ćœan Arp, Antonen Arto Andre Baltazar, Ćœan Klod Barbe, Ćœak Baron, ĆœorĆŸ Bataj, Iv Batistini, Marsel Beali, Ćœan Luj Beduen, Hans Belmer, Rober Benaion, Moris BlanĆĄar, Ćœak-Andre Buafar, Iv Bonfoa, Alen Born, Viktor Brauner, Ramon Brea, Andre Breton, Simon Breton, Ćœak-B. Brinius, Luj Brokije, Moni De Buli, Luis Bunjuel, Vinsent Bunur, Pol Burguonji, Ćœoe Buske Mariana Van Irtum, Ćœan Venturini, Boris Vijan, RoĆŸe Vitrak, Ilarie Voronka Andre Gajar, Tom Git, Klod Govro, Kamil Goemans, Ivan Gol, ĆœorĆŸ Goldfejn, Ćœilijen Grak, Leon Gabrijel Gros, Ćœan MiĆĄel Gutije Salvador Dali, Leon-Gontran Dama, Liza Dearm, Lik Dekon, Delkur Leona, Andre Delon Ćœozef Deltel, Pjer Deno, Gabrijel Der, Rober Desnos, Moamed Dib, Fernan Dimon, Ćœan Pjer Dipre, Marsel DiĆĄan, Fransoa Doda, Rene Domal, Oskar Dominge, Kristijan Dotremon, Ć arl Dits Alberto Äakometi, Äovana Emanuel Ejdu, Iv Eleue, Pol Elijar, ĆœorĆŸ Enen, Ćœil Eno, Maks Ernst, Ćœak Erold Eduar Ćœagije, Ernet ĆœenĆŸenbaĆĄ, Rolan Ćœiger, RoĆŸe Ćœilber Lekont, Alen Ćœufroa, Pjer Ćœan Ćœuv MiĆĄel Zimbaka, Unika Zirn Radomir IvĆĄiÄ, Pjer Inik, ĆœorĆŸ Inje, Tikaia I`tam`si, Lorens IĆĄe Gi Kabanel, Moamed Kair-Edin, RoĆŸe Kajoa, Leonora Karington, Jasin Kateb, Rejmon Keno, ÄorÄo De Kiriko, Greta Knutson, Pol Koline, Petr Kral, Rene Krevel Ćœak Lakomble, Pol-Mari Lapuant, Ani Lebren, Ćœerar Legran, Marel Lekont, Ćœilber Leli, MiĆĄel Leris, Etijen Lero, ĆœorĆŸ Lembur, Meri Lou, Gerasim Luka Kleman Maglior-Sent-Od, Rene Magrit, Ćœean Maiu, Leo Male, Ćœan Malrije, ĆœorĆŸ Malkin, Bona De Mandijarg, Mansur Ćœojs, Marsel Marien, Andre Mason, Pjer De Maso, Roberto Mata, E. L. T.. Mesens, Pjer Mine, Ćœuan Miro, Nora Mitrani, Anri MiĆĄo, Maks Moris, Sezar Moro Pjer Navil, Ćœerald Neve, Madlen Novarina, Pol NuĆŸe Pjer Odar, Ćœak Odiberti, Gabrijel Odizio, Mere Openhajm, Ćœak Orize Oktavio Paz, Anri Pasturo, Mark Paten, ĆœoaĆĄin Paulin, Valentina Penroz, BenĆŸamen Pere, Andre Pjer De Mandijarg, Fransis Pikabija, Pablo Pikaso, Anri PiĆĄet, Ćœizela Prasinos, Ćœak Prever Ćœan-Ćœozef Rabearivelo, Alisa Raon, Man Rej, Andre Rolan De Renevil, ĆœorĆŸ Ribmon Desenj, Ćœak Rigo, Rober Ris, Marko RistiÄ, Andre De RiĆĄo, Arman Roben, Stanislas Rodanski, Gi Roze Alberto Savinio, Eme Sezer, Kej SejdĆŸ, Ćœan Senak, Ektor De Sen Deni Garno, Leoold Sedar Sengor, Klod Serne, Ćœan Klod Silberman, Luj Skitener, Rene De Solije, Filip Supo Ćœan Tardije, Klod Tarno, Ćœan Tierselen, Andre Tirion, Ćœilijen Torma, Frederik Tristran, Aleksandar Turski Visente Uidobro Alber FanĆŸo, MiĆĄel Farduslis-LagranĆŸ, Leo Fere, Eli Ć arl Flaman, BenĆŸamen Fondan, Andre Frederik Jindrih Hajsler Tristran Cara Ćœan Fransoa Ć abren, AĆĄil Ć ave, Malkolm De Ć azal, Rene Ć ar, ĆœorĆŸ Ć eade, Andre Ć edid, Ćœan Ć uster `Antologija sadrĆŸi poeziju 191 pesnika, njihove biografije, ilustracije i fotografije. Antologija koja je pred vama pruĆŸa maksimalno ĆĄirok uvid u nadrealistiÄku poeziju napisanu na francuskom jeziku. Njeni tvorci, njih sto devedeset jedan, roÄeni su, osim u Francuskoj, joĆĄ u trideset dve zemlje. Unutar Neprekidne nesanice poezije nalazi se bonus-antologija pesniĆĄtva belgijskog nadrealizma koja obuhvata devetnaest pesnika i ĆĄezdeset pet pesme, kao i mini antologija nadrealistiÄke kanadske poezije sa pet pesnika i devetnaest pesama. Tu je, takoÄe, i antologija pesniĆĄtva pesnika koji su pripadali grupi Le Grand Jeu. Jedanaest ih je (Anri, de Buli, Delon, Domal, Ćœilber-Lekont, Mine, Odar, de Renevil, Ribmon-Desenj, Serne i Ć abren) a prevedene su trideset tri njihove pesme. Mogla bi se oformiti mala antologija od priloga onih pesnika koji su saraÄivali unutar Pokreta otpora u Äasopisu La Main Ă plume. Dovoljno je i pesnikinja da bi se od njihovih pesama dala skladati antologija ĆŸenskog nadrealistiÄkog pesniĆĄtva. Veliki broj zastupljenih pesnika su slikari (mnogi su mnogo poznatiji i cenjeniji kao takvi). Termin nadrealizam uzet je od Gijoma Apolinera koji je kao nadrealistiÄku odredio svoju dramu Tiresijine dojke (napisana 1916, igrana 1917). U isto vreme istu reÄ je koristio i u programu za mjuzikl Parada Ćœana Koktoa i Erika Satija. Pamtimo i njegovu reÄenicu: âKada je Äovek odluÄio da oponaĆĄa hod izmislio je toÄak koji ne naliÄi nozi. Tako je, i ne znajuÄi, stvorio nadrealizam.â ` Ako Vas neĆĄto zanima, slobodno poĆĄaljite poruku. Daniel Marcel Havrenne Arthur Maxime Alexandre Pierre Alechinsky Maurice Henry Fernando Enrico - Arrabal Louis Aragon NoĂ«l Arnaud Jean Arp Antonin Artaud Balthazar Jean-Claude Barbier Jacques Baron Georges Bataille Yves Battistini Marcel Bealu Jean-Louis BĂ©douin Hans Bellmer Robert Benayoun Maurice Blanchard Jacques-AndrĂ© Boiffard Yves Bonnefoy Alain Borne Victor Brauner Juan Ramon Brea Andre Breton Simone Breton Jacques Brunius Jacques Henri Cottance Louis Brauquier Luis Bunuel Vincent Bounoure Bourgoin Joe Bousquet Marianne Van Hirtum Jean Venturini Boirs Vian Roger Vitrac Ilarie Voronca Andre Gaillard Tom Gutt Claude Gauvreau Camille Goemans Ivan Goll Goldfein Julien Gracq Leon Gabriel Gros Jean-Michel Goutier LĂ©on Gontran Damas Lisa Deharme Luc Decaunes LĂ©ona Delcourt AndrĂ© Delons Joseph Delteil Pierre Dhainaut Gabriel Dheur Robert Desnos Mohammad Dib Fernand Dumont Jean Pierre Duprey Marcel Duchamp Francois Dodat Rene Daumal Oscar Dominguez Christian Dotremont Charles Duits Alberto Giacometti Giovanna Anna Voggi Emmanuel Eydoux Yves EllĂ©ouĂ«t Paul Eluard Georges Henein Gilles HĂ©nault Max Ernst Jacques Herold Ădouard Jaguer Gengenbach Roland GiguĂšre Roger Gilbert Lecomte Alain Jouffroy Pierre Jean Jouve Michel Zimbacca Unica ZĂŒrn Pierre Unik Georges Hugnet Tchicaya U Tam`Si Laurence IchĂ© Guy Cabanel Mohammed KhaĂŻr-Eddine Roger Caillois Leonora Carrington Kateb Yacine Raymond Queneau Giorgio De Chirico Greta Knutson Paul Colinet Petr Kral Rene Crevel Krevel Jacques Lacomblez Paul-Marie Lapointe Annie Le Brun GĂ©rard Legrand Marcel Lecomte Gilbert Lely Michel Leiris Etienne Lero Georges Limbour Mary Low Gherasim Luca Clement Magloire Saint Aude Rene Magritte Jehan Mayoux Leo Malet Jean Malrieu Georges Malkine Bona De Mandiargues Joyce Mansour Marcel Marien Pierre De Massot Roberto Matta Ădouard LĂ©on ThĂ©odore Mesens Pierre Minet Joan MirĂł Nora Mitrani Henri Michaux Max Morise CĂ©sar Moro Pierre Naville GĂ©rald Neveu Madeleine Novarina Paul Nouge Pierre Odar Jacques Audiberti Gabriel Audisio Meret Oppenheim Jean Orizet Octavio Paz Henri Pastoureau Marc Patin Paulin Joachim Valentine Penrose Benjamin PĂ©ret AndrĂ© Pieyre De Mandiargues Francis Picabia Pablo Picasso Henri Pichette GisĂšle Prassinos Jacques PrĂ©vert Jean-Joseph RabĂ©arivelo Alice Rahon Man Ray Rolland De RenĂ©ville Georges Ribemont-Dessaignes Jacques Rigaut Robert Rius AndrĂ© De Richaud Armand Robin Stanislas Rodanski Guy Rosey Alberto Savinio AimĂ© CĂ©saire Kay Sage Jean Senac Hector De Saint-Denys Garneau LĂ©opold SĂ©dar Senghor Claude Sernet Jean Claude Silbermann Louis Scutenaire Rene De Solier Philippe Soupault Jean Tardieu Claude Tarnaud Jean Thiercelin AndrĂ© Thirion Julien Torma Frederick Tristan Alexandre Toursky Vicente Huidobro Albert Fanjeaux Michel Fardoulis-Lagrange Leo Ferre Ălie-Charles Flamand Benjamin Fondane AndrĂ© FrĂ©dĂ©rique JindĆich Heisler Tristan Tzara Jean-François Chabrun Achille ChavĂ©e Malcolm De Chazal RenĂ© Char Georges SchĂ©hadĂ© AndrĂ©e Chedid Jean Schuster
TIN UJEVIÄ ODABRANA DJELA TINA UJEVIÄA 1-6 Priredio - Ć ime VuÄkoviÄ IzdavaÄ - `August Cesarec`, Zagreb; Slovo ljubve, Beograd Godina - 1979 21 cm Edicija - Odabrana djela Tina UjeviÄa Povez - Tvrd Stanje - Kao na slici, tekst bez podvlaÄenja 1. PJESNIĆ TVO I 412 str SADRĆœAJ: Popratna rijeÄ Proslov pred Äitanjem LELEK SEBRA Sanjarija Äestitka za roÄendan Molitva Bogomajci za rabu boĆŸju Doru Remebot Hektor za Astijanakta VjeÄni prsten SvakidaĆĄnja jadikovka Romar Ćœene meÄu kraljicama NeĆĄto kao zaglavak Misao na nju Rotonda Pokrajina Vivijani Dah Odsutni Ćœene Meni bez mene Tajanstva Duhovna klepsidra Ćœelja Odlazak NoÄu Vremena SlaboÄa MaĆĄtovita noÄ Na povratku SuviĆĄni epitaf Vedrina Zavjetrina Zvijezde u visini Molitva iz tamnice Rusi i Rusija Bdijenje Perivoj KOLAJNA I Stupaj sa svojim mrakom II UhapĆĄen u svojoj magli III Puca, u ognju, naĆĄa glava IV Miris ljepote struji u toj kosi V Ove su rijeÄi crne od dubine VI Je l` ikad Äovjek omamljenim vinom VII Kad vidim njenu bijelu sliku VIII Iz tvoga doma zijaju ovamo IX BoĆŸanska ĆŸeno, gospo nepoznata X ZnaĆĄ da mi ÄeĆŸnja u Äekanju sniva XI BlaĆŸeno jutro koje padaĆĄ XII Pod gluvim batom noÄna daĆŸda XIII Jer ti si doĆĄla s druge strane svijeta XIV U ovoj guĆŸvi, ovoj stisci XV U svili skuta ĆĄuĆĄtavoj Superna XVI Kakva Äudna svjetla iskre se i gasnu XVII Lijepa ĆŸenska imena XVIII Osmjejak svaki ljuto plane XIX Diljem dana ĆĄto me svojom Äamom plaĆĄi XX U ovom mraku mirisavu XXI NoÄas se moje Äelo ĆŸari XXII Svjetlosti moje vjere, tugo tuge XXIII Kud god pogled bacim, poniĆŸena Äela XXIV Ako ÄeĆŸnja ĆŸivca stremi u taj vis XXV HoÄe li iko kad da shvati XXVI Dok na nju mislim, ja silazim s uma XXVII Devet mjeseci ĆĄto ja sidoh s uma XXVIII Golublje perje ili krila laste XXIX Uzalud muka miĆĄice i uma XXX Zelenu granu s tugom ĆŸuta voÄa XXXI S ranom u tom srcu, tamnu i duboku XXXII Ponore! more povrh moje glave XXXIII NoÄu kad hara zraÄni uĆŸas Gota XXXIV Dubina svijeta munjom tvojih ruku XXXV O Previsoka, Preduboka XXXVI U kiti svjetla slavna Izabela XXXVII OÄajno naĆĄe bolovanje XXXVIII Danas me davi teĆĄko nebo XXXIX U mojem vrisku bez prestanka XL Po ovom gustom, straĆĄnom daĆŸdu XLI Veliki DuĆĄe, ako u tom slomu XLII DuĆĄe ĆĄto vidiĆĄ kroz prozirno srce XLIII TiĆĄino noÄna, mlijeko utaĆŸenja XLIV Ti ĆĄto snivaĆĄ Äesto zvuÄnu smrt slavuja XLV GrÄevi srca za pijanstvom duha XLVI Ljubi i poznaj kroz tu vatru krotku XLVII I ja ĆĄto evo bezumno ispisah XLVIII I tako dakle u to prozno vrijeme AUTO NA KORZU Polihimnija UzviĆĄenje Robovanje Protiv milosti vijeka Nostalgija svjetlosti Suza virtuoza Visoki jablani DesetgodiĆĄnjica vlaĆŸnoga humka Äin sputanih ruku Iz gospoÄe Tlapnje TraĆŸenja na miljokazu Äitulja buduÄega Beznadni povratak Razapeta Afrodita Autom kroz korzo OJAÄENO ZVONO SLAVA DuĆĄin ĆĄipak Pozdravi majske grane Äarobni pelivan Zapis na pragu Orfika Cvrkutanje srca u pokrajini sanja ProstoduĆĄni sati Duhovno veÄe Dobrote dobroga sunca MistiÄki prostor noÄi HRPE Pobratimstvo lica u svemiru Stihovi su postali grad UliÄni pjevaÄi PamÄenje ploÄnika MeÄu spratovima ZadrĆŸane sile biÄa NoÄ pijanica ProdavaÄice cvijeÄa Strmoglavi voz Kiklop na vodi Fotoreporter s krilima arhanÄela Djetinja tlapnja i nijema Äarolija lutaka Vasionac Ulica fantoma Automati Satanove ĆŸalosti DjeÄji ugao UnutraĆĄnje jezgro Majdani u biÄu na dvije noge Oporuka pjesnicima DaĆŸd PomrÄina MISAO Pogledi u praskozorju VoÄke blagoslova Sablasti putovanja Tumaranja bezazlenog srca ProduĆŸeni svijet MaĆĄta povodom oÄiju NoÄ u kojoj pljuĆĄte zvijezde Pojave starenja SunÄeva kolijevka Basne Äarobnjaka PjesniÄko razbojiĆĄte MrtvaÄeva veza IgraÄka vjetrova Odmorni uranci ZEMLJA I DOBA ZRAKA Svetkovina ruĆŸa Da bi duĆĄine rijeÄi bile ispovjeÄene za plemenita stabla Uresi zemlje Ogledam se u jezeru Drhtavi park Ć to ĆĄapÄe vodoskok SunÄani park Odmor pokrajine Most na Miljacki Bura na BraÄu Predznaci proljeÄa Treptave preÄe jeseni BuÄenje NagovjeĆĄtaj zime Ć umska odaja LJUBAV UnutraĆĄnji harem Turris eburnea Äari ĆŸene VruÄica od ĆŸene KovÄeĆŸiÄ s biserjem Cjeloviti cjelov i ti Agonija Boja uspomene MAMURLUCI I POBJEĆ NJELA KRAVA Hymondia to mou somati SvratiĆĄte sub iove divo Stabla po zimi Maslina i smokva uz morsku obalu Äar magle Strovo Tramvaji do Selske ceste Kozmogonije PJESNI RAZLIKE Za novim vidicima OproĆĄtaj NaĆĄe vile Ogledalo Crvene zvijezde Kotao Smrt cvijeÄa Sutrusni tramvaji Nadmiris ProbuÄeni Orfeus San i ludilo Vjetru Survanje u prazninu Dubre duĆĄa KozmiÄke ruke DuĆĄa u praĆĄini Bezglavi dromedar Zimski utisak VruÄi vjetar u noÄi Oblak u prozorskom staklu Mucanje nad tratinom PokuĆĄati biti ganut na IlidĆŸi Pakt sa demonom Mizantrop AnÄeo tuge Jedan Äovjek priÄa o sebi Kada u paradi svetkovine LoĆŸnice u kovÄegu krajolika Suton u Äovjeku Nimbusi nad vidnim poljima Blagoglasja Äesme mlijeka DoĆŸivljaj noÄi Cika trĆŸnice Krotki kruh i blago duhovnosti NoÄ okrvavljenih zvijezda Äardak uspomene Susreti na putu Sve se stvari ne mogu reÄi ni do kraja svijeta Zaboravljeno ja Kostur vremena Pogled u noÄ (O Tine) Snohvatica Smak svijeta i rasulo kaosa Grob Mamurluk ili sni vidovitoga pijanca StoljeÄa Autoportret JoĆĄ jedan cvrÄak (Penzionirac Franta, bik iz Zagrastoka) Glasanje vjetra u noÄi Jesenje neveselje Napomena 2. PJESNIĆ TVO 404 str SADRĆœAJ: ĆœEDAN KAMEN NA STUDENCU Ćœedan kamen na studencu MekoÄa perina Pet stabala Odmazda cvijeÄa Okomito ÄovjeÄanstvo Pokop oÄiju OvjenÄanja Vesela luka Kretanje grana Otkuda dolazi veÄer Obred utapljanja biserja Mladi slijepci Okamine MjehuriÄi Pedepsani pjeĆĄaci Ukleta djevojaĆĄtva Vitezovi ĆĄafrana Vlati u paĆĄnjacima sanjivosti SiromaĆĄki put Fluidi sutraĆĄnjosti Stare razglednice Svirala modre uvale Krilati skupĆĄtinari Moje nepoznato biÄe Pomorci PoniĆŸenja ljepote Ilustracija Izjava svijetu Äarolija rijeÄi Pisma u daljine Stihovi Meluzini Zaravan u ljeÄiliĆĄtu Nostalgija prozora suÄelice Sjena i njena slava Glad Tragika oÄiju Varnice u stepi Sklonidbe ruku U spuĆŸevoj kuÄici Subota uveÄer poslije 9 Odar u arki snova KruĆŸna cesta sreÄe VruÄice od peluda Arteske vode PjeĆĄaÄenje fakira k duĆĄama Svjetlo na rukama Gruda zemlje Fisharmonika Ćœuti mjehuri oko svjetiljaka Himnika i retorika zvona Molitva za koru kruha i zdjelu leÄe Legenda svijeÄa Ganutljive opaske PeÄi Mrki Äempresi Prozor na ulicu Majstori dlijeta Ridokosi Mesije PreobraĆŸaj oblaka i Äeona mjeseÄina Tarma na obroncima Dozrijevanje ljepote Eros slika krajolik San meÄu stvarima Poniznost usuda konja VerpeĆŸa Na rukama zefira Prozor Odgajanje Pana Ćœuta stabla na mjeseÄini Improvizacija u katakombi Naviranje krvi Zelena sirena LjubiÄasti pozivi daljine DuĆĄa, klepsidra i tijek rijeke Ushiti cigarete Sloj proĆĄastih ganuÄa Vjetar u zastorima Postelja, stan golotinje Brza tipkaÄica San uskrsava sablasti Ć umovi u kutiji za miĆĄljenje Spremajmo kovÄege Tajna znanost VriĆĄtanja u polutami, I VriĆĄtanja u polutami, II Pjesma vatre u peÄi PjesniÄka proza Predigra bure MODRICE Pjesma o biseru Drugovima NeĆĄto i za me Agni Utjeha MAMURNE JAMATVE Obala Maske Hora Povratak Putovanje Zbogom Uzdanje Posljednja mudrost BADNJACI Putovanje Dva puta jao Povijest duĆĄa Ćœivci U predzorje Naprijed Moj grijeh Bor zeleni Poj tmine DepeĆĄa zemlji sa Budhina pupka Priznanje Manima nacija BiljeĆĄke iz kafane Topole Dva Äovjeka (1921?) El sentimiento tragico de la vida Uspavanka iz Krivodola Egipatski, ili kaldejski, sanovnik? PendĆŸeri Uvala Trstenik Zvjezdari KauÄuk djevojka Pismo sebi Ć etnja nehotiÄnih misli Alkoholni sni Jedna okultna sredina NaĆĄa ljubavnica tlapnja OsjeÄaj proljeÄa Prestali smo se smijati Esquire Rijeka teÄe Sat kasnih spoznaja Mala oda radosti Glave Simon Stilita Borba s anÄelom Moj demon je sviraÄ OGNJENI USOVI Kaleidoskop prozora Hypnosis cerebri Äovjek u prahu GrabeĆŸljivost mozga Ćœivci Nema sabiraÄa Kavez na prozoru Panika samoÄe Nerazumljivosti Brzi odgovor Sadite stabla Odijelo i zdravlje Celibat beskuÄnika Snovi Mistika strasti IspaĆĄtanje dara Pronevjeritelji Duh i kasta DugogodiĆĄnji bolesnik Poluistine Vreva, berba Jedna sam osoba sloĆŸena od viĆĄe drugih Likvidiram stokove LeĆĄine u podrumu Kvarenje muzike Leglo svraba Svetinja bolesti Zbogom, krove Lude i mudre djevice Ponor i pothvat skitnoga viteza Amnezije Kratkotrajni snijezi Mostovi su najopasniji Mali pustolovi Stanimo ovdje Skidam kapu bogovima TruleĆŸ Zastoj SmijeĆĄni veseljaci SnaÄi se, naÄi se Aleja kestenova Fefelli, ergo sum SljepaÄka geometrija Fragmenat DĆŸungla Jesam li poznat u afriÄkoj praĆĄumi? Napomena 3. ZAPISI 400 str SADRĆœAJ: ISPIT SAVJESTI I DRUGI ZAPISI Ispit savjesti Mrsko ja PobjeÄujem hljeb Grohot plaÄa Moja bolovanja Vrgorac i Makarska POLITIÄKI SPISI Natko Nodilo Narodno jedinstvo Srbija za Hrvatsku Proganjana Hrvatska MeÄu francuskim novcem i ruskom silom Srpsko-hrvatska omladina u Parizu BlaÄenje hrvatskog imena Zdravo, Jugoslavijo: narod je vjeÄan! Na ĆŸrtveniku Evrope Od mladosti do omladine Obrisi Jugoslavije O duhu i maÄu grebeĆĄtaku Za obnovu srdaca PolitiÄka inteligencija omladine Prilog ka kritici druĆĄtvene reakcije Demokracije i imperijalizmi Mamon i IĆĄtar u suvremenim revolucijama Talijanski kolonijalni imperijalizam Hljeb komune Istok i Zapad FELJTONI Domus marulorum Kafana intuicije Himnika ulica Svjetovi u bivanju Devet lijuga pred igrokazom O modernom ĆŸurnalizmu Ć aljive opreke Parobrodski rekord Ćœena u duĆĄinom ogledalu Jeronimova pisma Psihoanaliza Savremeni bandit Kolosijek kroz birtije Äuperci magle i koluti dima Dike ter hvaljenja zaĆĄtitniku sloga Auto Ura, zadnja spona na Äovjeku Ulomak podliska protiv podliska PUTOPISI Sto minareta Sjeta pred Supetrom Supetar na BraÄu Bura na BraÄu OtkrivajuÄi Mirce Svjetlost Jadrana Put u Dubrovnik Iz Dubrovnika Nit u srcu mora Teutin dvor PISMA Velja RajiÄ Ante TrumbiÄ Iv de Giullije Milostislav Bartulic Gustav Krklec Ivo HergeĆĄiÄ Stanislav Ć imiÄ Sveta MaksimoviÄ Ivan Krol Ivan VukuĆĄiÄ Ante UjeviÄ Josipu Tabak Marija Ć uĆĄtiÄ Josip Tabak Nika Armandi Danilo Äorka Nikola PoliÄ Josip Tabak Vladimir Ć iffer Dragutin TadijanoviÄ Marija Ć uĆĄtiÄ Niki Armandi Josip Tabak Niki Armandi Danilo Äorko Marija Ć uĆĄtiÄ Vladimir Ć iffer Napomena 4. ESEJI I 390 str SADRĆœAJ: POETIKA Trenutak, vrijeme i vjeÄnost u knjiĆŸevnoj umjetnosti Oroz pred Endimionom Savremeni Äovjek ispovijeda se o poeziji Adonai Muza vremena Sumrak poezije Pah hrizantema Izvori, bit i kraj poezije Otto Rank mitizuje poeziju Picasso, kubizam i purizam Ć etnja kroz modernu - s Karlom Einsteinom NAĆ A KNJIĆœEVNOST Em smo Horvati Luka BotiÄ Split u BotiÄu Trnokop u Silvijevoj baĆĄti Tin UjeviÄ o Augustu (!) MatoĆĄu Grob u ludnici (O Vladimiru VidriÄu) Utopljene duĆĄe Pjesme Alekse Ć antiÄa Milan M RakiÄ: Nove pesme Jovan SkerliÄ u nacionalnom radu Diktatura kritike PrekretniÄke dijalektike metamorfoze nadrealizma STRANA KNJIĆœEVNOST Muza ironije i samilosti Katorga i ludnica Prokletstvo Baudelairea MuÄeniĆĄtvo ĆŸivota i raj u Afionu KljuÄ ljubavi, Arthur Rimbaud Experto Roberto Neman Dostojevski Sudovi i snatrenja u esejima Marcela Prousta De Nerval Zaborav nad Paulom Verlaineom Erazmo i Cervantes Neman Stendhal, posljednji Francuz Cjeloviti Goethe Napomena 5. ESEJI II 384 str SADRĆœAJ: FILOZOFIJSKO-KULTUROLOĆ KI UVIDI Franciscus Patritius Komentari bogumilstvu Markantonije de Dominis Sa sjajem jedne zvijezde GraÄanin Arthur, Älan trusta mozgova Filozofska romantika i filozofi-apstraktiste Tipologija, psihofizika i mentalitet velegrada Reinkarnacije Dionizija i metamorfoze apostolata Pabirci o jeziÄnoj psihologiji Kreta, matica sredozemniĆĄtva MISAO ISTOKA RamakriĆĄna Vivekananda Mahatma Gandhi Gandhi u intimnosti Napredna Kina Dva glavna bogumila Analogija Budhine ĆĄile i PatandĆŸalijeve jame Gautamin labuÄi pjev Arijci u Indiji Pedagogija u Ć antiniketanu RadĆŸajoga prokomentarisana Uloga islama u proĆĄlosti Indije Agresivni vedantizam od Ć ankare do AĆĄokanande Manijevo nasljedstvo Najstarija kultura svijeta i vediÄka Indija Silazak Arijaca Konfucij Goethe u kineskoj svjetlosti Lao-tsea Tagor Tokur ponovo misli Indiju Pod milovidnom maskom Japana Slovo pred gimnosofistom Kalanosom Napomena 6. RUKOVET PREPJEVA / KRITIÄARI O TINU UJEVIÄU 536 str SADRĆœAJ: RUKOVET PREPJEVA FRANĂOIS VILLON - Natpis za grob nama objeĆĄenima HEINRICH HEINE - SJEVERNO MORE Prvi ciklus 1. Krunidba 2. Suton 3. Zalazak sunca 4. NoÄ na ĆŸalu 5. Posejdon 6. Izjava 7. NoÄu u kajiti 8. Oluja 9. TiĆĄina na moru 10. Morska utvara 11. ProÄiĆĄÄenje 12. Mir Drugi ciklus 1. Pozdrav moru 2. Oluja 3. Brodolomac 4. Zalazak sunca 5. Pjesma Oceanida 6. Bogovi GrÄke 7. Pitanja 8. Feniks 9. U luci 10. Epilog EDGAR ALLAN POE - Anabela Lee WALT WHITMAN - Salut au monde! CHARLES BAUDELAIRE - Moje hvale imenu Franciske STĂPHANE MALLARMĂ - PoÄinak u porcelanu EMIL VERHAEREN - U slavu nebesima ARTHUR RIMBAUD - SEZONA U PAKLU Sezona u paklu Pizma NoÄ u paklu Buncanja, I Buncanja, II NemoguÄe Blijesak Jutro Zbogom KRITIÄARI O TINU UJEVIÄU A B Ć IMIÄ - Za UjeviÄa TODOR MANOJLOVIÄ - Augustin UjeviÄ - Lelek sebra DUĆ AN MATIÄ - UjeviÄ RASTKO PETROVIÄ - UjeviÄ ALEKSANDAR VUÄO - UjeviÄ PERE LJUBIÄ - Tin UjeviÄ - Kolajna MILAN V BOGDANOVIÄ - Tin UjeviÄ - Kolajna VELIBOR GLIGORIÄ - Augustin UjeviÄ IVO HERGEĆ IÄ - O pjesmama Tina UjeviÄa NOVAK SIMIÄ - Tin UjeviÄ RANKO MARINKOVIÄ - Tinov alkohol STANISLAV Ć IMIÄ - Automat slobode OSKAR DAVIÄO - Pesme Tina UjeviÄa ÄORÄE JOVANOVIÄ - Pred UjeviÄevom poezijom VLATKO PAVLETIÄ - Kaos na pragu idealnoga GUSTAV KRKLEC - Äetiri feljtona o Tinu JURE KAĆ TELAN - OsloboÄena Afrodita VLADIMIR POPOVIÄ - Pogled u jednu viziju Tina UjeviÄa STANKO LASIÄ - Tin UjeviÄ - SvakidaĆĄnja jadikovka RADE VOJVODIÄ - Pesnik Tin UjeviÄ MILOSAV MIRKOVIÄ - UjeviÄ i mi BRUNO POPOVIÄ - JednoduĆĄni UjeviÄ MARKO GRÄIÄ - Put i kob Augustina UjeviÄa ANTE STAMAÄ - Tin UjeviÄ VUJADIN JOKIÄ - Geneza stvaralaĆĄtva Tina UjeviÄa BOĆœIDAR Ć UJICA - Slediti pesnika MIODRAG RACKOVIÄ - Skriveno pesnikovo pripovedanje DRAGOVAN Ć EPIÄ - Augustin UjeviÄ u Parizu MIRKO ĆœEĆœELJ - Tin u Beogradu Ć IME VUÄETIÄ - Tin UjeviÄ DRAGUTIN TADIJANOVIÄ - Kronologija Tina UjeviÄa Napomena Ako Vas neĆĄto zanima, slobodno poĆĄaljite poruku. Sabrana Izabrana Dela Fransoa Vijon Hajnrih Hajne Edgar Alan Po Volt Vitman Ć arl Bodler Stefan Malarme Emil Verharen Artur Rembo
SpoljaĆĄnjost kao na fotografijama, unutraĆĄnjost u dobrom i urednom stanju! Posveta Autora! 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(Karton) INTERVJU Branislav BabiÄ Kebra: DrĆŸava nam je u skromnom stanju, samim tim i sve ostalo 13. 11. 2019. INTERVJU Branislav BabiÄ Kebra: DrĆŸava nam je u skromnom stanju, samim tim i sve ostalo Svoju zbirku poezije `Reci pravo`, koja je objavljena pre Äetvrt veka, Kebra otvara sa stihovima: `Bio jednom jedan siguran Äovek. 100% siguran. Kakav Äovek!` Pomalo pretenciozno, ali s razlogom, moĆŸemo da kaĆŸemo i da je Obojeni program siguran bend, 100% siguran, kakav bend! U kontekstu jugoslovenskog prostora, na kojem ovaj bend funkcioniĆĄe, ne postoji pojava kao Obojeni program, sa jedinstvenom poetikom, ali i upeÄatljivim muziÄkim izrazom. A sve je poÄelo osamdesete godine u Novom Sadu, naredne godine imali su prvi nastup u `Bronxu`. Imali su svoju `belu fazu` kada su svi Älanovi benda bili obuÄeni u belo. Svirali su okrenuti jedni prema drugima, ali svi su se pitali zbog Äega Kebra okreÄe leÄa publici? Ostaje upamÄeno i to da je Obojeni program bio prvi sastav sa ovih prostora koji je predstavljen u emisiji legendarnog DĆŸona Pila, dok su embargo probili emitovanjem spota za `981` na MTV. PriÄa o Obojenom programu je ujedno i priÄa o istrajnosti, veri u ono ĆĄto se stvara. Na prvu ploÄu Äekali su 10 godina, a kada se ona konaÄno pojavila, drĆŸava u kojoj je objavljena potpuno je nestala. Ipak, opstao je jedinstveni kulturni prostor za one koji su razumeli da su sve nacije, kako je zapisano na jednom zidu, imaginacije. Iako svoju publiku imaju u mnogim gradovima, Kebra istiÄe da je Obojeni program novosadski bend i da mu je ovaj grad super. `I dok Dunav mirno teÄe`, Obojeni program vraÄa se klupskom nastupu u gradu u kom su nastali, a publika moĆŸe da oÄekuje i izvoÄenje novih pesama. `Pesma `UmeĆĄ li da upravljaĆĄ sa vremenom` je veÄ zavrĆĄena, dok je `Ona samo pleĆĄe` uvrĆĄtena u koncertni repertoar. Ostale su joĆĄ dve pesme na kojima trenutno radimo miks i ovih dana imamo miks i probe, poĆĄto se spremamo za koncert u Domu kulture. Stalno radimo na novim pesmama i nama je jako bitno da ĆĄto viĆĄe novih pesama bude prisutno u koncertnom repertoaru. InaÄe, naĆĄ koncertni repertoar se sastoji od pesama iz raznih perioda, ali je uvek akcenat na novim numerama i na onome Äime se bend trenutno bavi. Tako Äe biti i sada u Domu kulture`, kaĆŸe na poÄetku razgovora za 021.rs Branislav BabiÄ Kebra. 021: SledeÄe godine nije samo Äetiri decenije od osnivanja Obojenog programa, nego bi ta godina mogla da se posveti Äitavoj novosadskoj novotalasnoj sceni - Program, La strada, Grad, Boye, Luna - svi su nastali u tom nekom vremenskom periodu. Äini li vam se da je to bio trenutak kada je novosadska scena bila najjaÄa u svom izraĆŸaju? Kebra: SledeÄe godine jeste 40 godina od osnivanja benda i mislim da je uspeh da se takva vrsta muzike zadrĆŸala do dana danaĆĄnjeg. Mislim da je to jako vaĆŸan period za Novi Sad u muziÄkom smislu. MoĆŸda i jeste najbolji period. Svi ti bendovi jesu jako bitni, jer je sam period bitan. Boye, La Strada, Grad, Luna, ali ne samo ti bendovi, bilo je tu joĆĄ dosta sastava. UopĆĄte, taj novi talas, pank, tu je bilo pregrĆĄt energije koja je proĆŸimala sve delove grada i u svakom delu grada postojalo je nekoliko bendova. To je stvarno bilo jedno specifiÄno vreme, ĆĄto ne znaÄi da ovo sada vreme nije specifiÄno, daleko od toga. Mislim da je taj period stvarno bio toliko interesantan da on prevazilazi okvire Novog Sada. To je bio period koji je zabeleĆŸen kao jedan od bitnijih u istoriji tadaĆĄnje jugoslovenske muzike. Äetrdeset godina, prolete... 021: Zapisali ste kako `kretati se polako moĆŸda i nije najbrĆŸe, ali je zato najsigurnije`. Je li to i maksima rada Obojenog programa? Kebra: Rad, pre svega rad. Mi volimo to ĆĄto radimo i stvarno dosta vremena posveÄujemo tome. Nisu to samo probe, nego je to neki estetski kod koji ĆŸiviĆĄ ceo dan, 24 sata si u tom fazonu. Jako je bitno da se bude u radu samokritiÄan, a samim tim kada si samokritiÄan, onda nikad nisi zadovoljan i konstantno insistiraĆĄ na tome da budeĆĄ joĆĄ bolji. Mi i dan-danas imamo tu metodologiju rada i jako nam je bitno da za svaki koncert budemo najbolje pripremljeni. To se prosto zadrĆŸalo i mislim da se to u zvuku na naĆĄim koncertima dosta dobro Äuje. 021: Ć ta je ono ĆĄto vas i posle gotovo 40 godina `gura` u stvaranje? Kebra: Kada smo poÄinjali nije nam ni padalo na pamet da Äe to toliko da traje. To je bila neka lokalna skupina iz kvarta, koja nije bacala dalje od razmiĆĄljanja u kvartu. ZaĆĄto to joĆĄ uvek traje i posle toliko godina? Traje zato ĆĄto postoje neki ljudi koji vole da se bave time. Mislim da je bavljenje muzikom stvarno najbolji moguÄi posao, super je ako je to u nekom smislu posao i ako moĆŸeĆĄ da ĆŸiviĆĄ od toga. Mi uglavnom ne ĆŸivimo samo od toga, svako se bavi joĆĄ nekim drugim stvarima. Ne bavimo se komercijalnom muzikom. Ipak, u Srbiji ima viĆĄe rok muzike nego u Ć vajcarskoj, Belgiji ili Portugalu, ali nema viĆĄe nego u Engleskoj. Mislim da ovde joĆĄ uvek postoji neka publika za rok muziku. Ona nije preterano brojna, ali postoji i mislim da Äe uvek postojati. Srbija po tome jeste specifiÄna zemlja. To traje veÄ ovoliko godina na neki naÄin ne samo zbog nas, nego i zbog ljudi koje to interesuje i svi zajedno stvaramo neku dobru stranu Srbije, u smislu rokenrola. I kad kaĆŸem rokenrol, mislim na muziku uopĆĄte, ne govorim u smislu ĆŸanru. Muzika je jako bitna i dobro je dok ima ljudi koji to oseÄaju i prepoznaju. `PosveÄenost neÄemu niĆĄta to ne boli Mehanizam u tvom telu ne moĆŸe da stoji` 021: Poznato je da poÄetna slova prvih sedam albuma Obojenog programa daje ime grada u kojem ste nastali. Zbog Äega ste se odluÄili na takvu posvetu? Kebra: Mi smo novosadski bend. Nama je Novi Sad sve. To je dovoljno. Da ĆŸivimo u NiĆĄu ili Boru bila bi dovoljna tri albuma. To je neki naĆĄ dug Novom Sadu i to je okej. Novi Sad je super grad. 021: Nezahvalna stvar je porediti dva vremena na nekom prostoru, ali nas uvek interesuje kako je neko posmatrao odreÄenu promenu. U ovom sluÄaju moĆŸemo odrediti vremenski okvir od nastanka Obojenog programa pa do danas - koliko se Novi Sad promenio? Kebra: To je dosta kompleksna priÄa. Naravno da se promenio grad i super je da se promenio. U gradu ĆŸive ĆŸivi ljudi i te promene sa ĆŸivotom, arhitekturom, deĆĄavanjima su neminovne. Ja nisam u tom kontekstu jugonostalgiÄan. Mislim da se svaĆĄta desilo u proteklih 40 godina i sa naĆĄom drĆŸavom i sa susednim drĆŸavama, svaĆĄta loĆĄeg se izdeĆĄavalo, ali je to proĆĄlo i nadam se da se viĆĄe nikada neÄe ponoviti. Zbog svega toga svako mesto je moralo da se promeni, ne samo Novi Sad. Mi smo mali i nebitni da bismo u bilo kakvom smislu uticali na to, mi moĆŸda nismo bili neki nemi posmatraÄi, jer se bavimo muzikom, ali smo gledali da, kao i svi ljudi, ĆĄto bezbolnije proÄemo kroz to. Grad je u meÄuvremenu poÄeo da liÄi na grad, doĆĄlo je dosta ljudi u Novi Sad i on je postao ozbiljniji centar Vojvodine i jedan od vaĆŸnijih gradova u Srbiji. To je tako, sviÄalo se to nekome ili ne. Svaki razvoj ovog grada Äe biti super i trebalo bi da se razvija. Naravno, moglo bi svaĆĄta drugaÄije da se uradi. Ali okej, ne bavimo se time, to je posao politiÄara, mi smo muziÄari. Mislim da je super ĆĄto su se u gradu otvorili neki dodatni prostori u kojima se svira, kao ĆĄto je i Dom kulture, to me raduje. Dolazi i taj dogaÄaj Evropska prestonica kulture i nadam se da Äe to biti korisno za Novi Sad. Kebra: Mi gledamo da se pre svega bavimo time Äime se bavimo, jer je i to dosta teĆĄko. Generalno kultura je u priliÄno skromnom stanju. Mislim, drĆŸava nam je u skromnom stanju, pa samim tim i sve ostalo. Nije lako, ali nije nikada ni bilo lako, pogotovo ako se bavite alternativnom kulturom. To po nekom prirodnom difoltu nikog ne zanima ili zanima baĆĄ neke ljude koji imaju strpljenja i hrabrosti da se time bave. Muzika je super, ako hoÄete da vam bude dobro sluĆĄajte muziku i pritom gledajte da sluĆĄate dobru muziku. 021: Kada se govori o Obojenom programu, posebna tema jeste sama poetika benda. Ć ta je sve uticalo na vaĆĄ izraz, je li to bio pank u koji se uleteli u drugoj polovini sedamdesetih ili druĆŸenja sa TiĆĄmom, Äedom DrÄom, Mandom, Andrlom? Kebra: Sve to zajedno predstavlja neki sklop. Mi smo se kao klinci druĆŸili sa tim starijim novosadskim umetnicima i to je naĆĄe dragoceno iskustvo. To se kasnije pretvorilo u nama bitna prijateljstva. Mi smo se jako lepo druĆŸili sa tom starijom ekipom i oni su nam mnogo pomogli u otkrivanju i spoznaji umetniÄkih vrednosti. Stvarno smo im zahvalni i to Äemo uvek ponavljati. Ta ekipa oko Slobodana TiĆĄme, Miroslava MandiÄa, DrÄe i Andrle, bilo je tu dosta njih, ona je jako bitna. U nekom smislu, drago mi je ĆĄto Novi Sad joĆĄ uvek ne prepoznaje veliÄinu tog vremena i tih ljudi. Moram priznati da mi je to u neku ruku jako drago, zato ĆĄto je to jedna specifiÄnost Novog Sada, koji nikad to nije razumeo u suĆĄtini, uvek je naginjao na tu umetnost koja je bliĆŸa politici, a nije kapirao ostale umetnosti. Zahvalni smo njima i trenutku kada smo se svi mi upoznali, a to je momenat kada u svetu nastaje pank i kada je to sve kljuÄalo u Britaniji i Americi, istog trenutka je kljuÄalo i u Novom Sadu. Tada smo stvarno bili jedan kulturoloĆĄki svet. MoĆŸda sada baĆĄ i nismo, ali tada smo bili. 021: Zanimljiv je taj momenat, jer se ispostavilo da Jugoslavija u kontekstu panka i novog talasa nije kaskala za svetom, ĆĄto se ne moĆŸe reÄi za neke druge civilizacijske tokove... Kebra: U to vreme smo kaskali moĆŸda Äetiri dana, koliko nam je otprilike trebalo da nabavimo ploÄe iz Engleske. Mislim da je to bilo neko najmanje kaĆĄnjenje za svetom. `Srce moje crveno samo kuÄi voljeno Trava ova zelena dugo nije koĆĄena` 021: UÄestvovali ste na antiratnim protestima, pevali ste `Nebo, nebo plavo je` i bili ste mobilisani i poslati u Hrvatsku. Kako na te momente gledate kao osoba sa neposrednim iskustvom? Kebra: Bio je rat i rat svima, osim trgovcima s oruĆŸjem, ne donosi niĆĄta dobro. Meni je straĆĄno ĆŸao ĆĄto se to desilo, jer su mnogi ljudi u svemu tome grozno proĆĄli. Daleko od toga da smo mi dobro proĆĄli, ali mnogi su joĆĄ gore proĆĄli, mnogi nisu sa nama. Ljudi koji bi trebalo da su odgovorni za to verovatno nisu odgovarali ili su neki odgovarali, ali pojam pravde i pravednosti je naravno upitan i svaka strana Äe imati svoju teoriju toga i ne bih ulazio u sve to. Mislim da se teritorija bivĆĄe Jugoslavije oporavlja od toga, koliko Äe joĆĄ trajati taj oporavak, mentalno i u svakom drugom smislu, i na koji naÄin Äe svaka drĆŸava to da reĆĄava, to je opet na nekim viĆĄim nivoima. OÄito da joĆĄ traje taj oporavak i to se vidi u svim tim drĆŸavama. Nadam se da postoje ljudi koji se time bave. Kada ljudi naprave neke gluposti to ne moĆŸe preko noÄi da se ispravi. Svi narodi na prostorima bivĆĄe Jugoslavije su bili uÄesnici u svemu tome i na svima nama je da to dovedemo u neki red, da ĆŸivimo normalno, kao neki normalni ljudi. Ne moĆŸemo 100 godina da se bavimo time, moramo da idemo dalje. 021: VaĆĄ prijatelj Slobodan TiĆĄma nedavno je rekao kako je pozicija umetnika pozicija izdajnika, te da umetnik mora da bude kontra spram sredine u kojoj ĆŸivi, inaÄe ga nema, `adio, umetnosti`. Ć ta mislite o ovoj ideji, mora li umetnik da bude izdajnik i da li se oseÄate tako? Kebra: Mislim da je umetnik po difoltu na nekoj drugoj strani u odnosu na sve, ali to ne znaÄi da je on izdajnik ili ono ĆĄto bi bilo suprotnog od izdajnika, neizdajnik, lojalni umetnik. U svakom sluÄaju, ĆĄta god kaĆŸe TiĆĄma ja se apsolutno slaĆŸem sa tim, jer on je dovoljno pametan Äovek da iz svog ugla sagleda moĆŸda realnije nego ĆĄto gledam ja ili bilo ko od nas. ProÄitao sam taj tekst gde je on to rekao. TiĆĄma je najbitniji umetnik u ovom trenutku u gradu i jako mi je drago ĆĄto ĆŸivim u vreme stvaralaĆĄtva Slobodana TiĆĄme. 021: Ono ĆĄto je konstanta Obojenom programa, osim kvaliteta, i posle 39 godina, jeste margina. Ć ta bi to bila margina u Srbiji, da li je to sloboda, neki kvalitet ili samo joĆĄ jedan prostor za delovanje? Kebra: U stvaralaĆĄtvu viĆĄe ni te pozicije nisu bitne, ti sam stvaraĆĄ poziciju za sebe i ti se pozicioniraĆĄ tamo gde se dobro oseÄaĆĄ. Kako god se to zvalo. Jako je bitno da Äovek, ukoliko ima potrebu u sebi za stvaranjem, da ima moguÄnost i da se izrazi. Nema viĆĄe tih ratova pa onda moĆŸe da se uspostavi nekakva gradska mreĆŸa kulturnih deĆĄavanja koja ne mora da koketira sa politikom i mejnstrimom i sa tim nekim drĆŸavnim kulturama. Ne mislim da su kulture nekulturne, ali one pokrivaju odreÄeni establiĆĄment, bave se istorijskom kulturom i ne zanima ih mnogo avangarda, buduÄnost. ViĆĄe su istoriÄari umetnosti nego ljudi koji gledaju u buduÄnost kao umetnost. Mi imamo neki mali prostor u kojem funkcioniĆĄemo. On nije naravno graÄevinski, nego je i mentalni. To nam je dovoljno. Bitno nam je da nam niko ne remeti rad, da nas te kulturoloĆĄke institucije i politiÄari koji ih vode ostave na miru i da nas puste da radimo. Nikad niĆĄta nismo traĆŸili i margina je mesto na kojem mi veÄ 40 godina funkcioniĆĄemo. Ne mogu da kaĆŸem da smo nezadovoljni, mogli bismo da kaĆŸemo da je moglo sve da bude bolje i da smo mogli mnogo viĆĄe da radimo, ali joĆĄ uvek radimo i oseÄamo potrebu za tim i uĆŸivamo u tome. Obojeni program
Kao na slikama Prisutan miris starih knjiga Extra retko 1971 Katalin Ladik poÄela je svoju karijeru u Novom Sadu u periodu delovanja novosadske neoavangarde ranih sedamdesetih, da bi se devedesetih preselila u BudimpeĆĄtu. Raspon stvaralaĆĄtva Katalin Ladik kreÄe se od knjiĆŸevnosti preko glume do interpretacije eksperimentalnih zvuÄnih kompozicija i radio-igara, fonetiÄne i vizuelne poezije, hepeninga, performansa, akcije pa sve do mail arta. Objavila je 20 samostalnih zbirki poezije i jedan roman, od kojih su na srpski prevedeni Erogen zoon, Ikarova senka i Kavez od trave i roman Mogu li da ĆŸivim na tvom licu (SFO (Re)konekcija, 2021). Svoje izloĆŸbe, performanse, hepeninge, muziÄke performanse i koncerte realizovala je u okviru najznaÄajnijih institucija savremene kulture domaÄe i meÄunarodne scene, kao ĆĄto su: Akademie der Bildenden KĂŒnste Wien âAspekte â GegenwĂ€rtige Kunst aus Jugoslawienâ (Bosch+Bosch grupa), Van Gogh Museum Amsterdam âVizuele poĂ«zieâ, Muzej savremene umetnosti âVerbo-Voko-Vizuelnoâ, Galerija suvremene umjetnosti âNova umjetniÄka praksa 1966â1978â, Centre National Georges Pompidou âRencontres internationales de poesie sonoreâ, Kassel, Neue Galerie, DOCUMENTA, New York, Washingto, DubrovaÄke letnje igre, a trenutno se njen rad predsatavlja na svim znaÄajnim evropskim izloĆŸbama. Rad ove umetnice, prevashodno njena verbo-voko-vizuelna istraĆŸivanja (zvuÄni performansi, video i audio kasete i ploÄe), (tekstualni) performansi tela, baĆĄ kao i obiman i znaÄajan knjiĆŸevni kao i rad u oblasti alternativnog teatra, priznati su i prepoznati i u meÄunarodnim okvirima. Njenu umetniÄku liÄnost svrstavaju u red veÄ gotovo mitskih liÄnosti avangardi na Äitavom centralnoevropskom prostoru. Za svoj umetniÄki rad dobila je Nacionalno priznanje za vrhunski doprinos kulturi Republike Srbije 2009, kao i Nagradu za mir i umetniÄku hrabrost Lennon Ono Grant for Peace 2016. Svoje prve pesme objavila je u Äasopisu Simpozion na maÄarskom jeziku (1962) a njena prva zbirka Balada o srebrnom biciklu (Ballada az ezĂŒstbicikliröl) sa gramofonskim, zvuÄnim zapisima, objavljena je 1969. godine, potom Bludna metla, Erogena zona, Kavez od trave i Ikarova senka. U prevoÄenju na srpski joj je pomagala knjiĆŸevnica Judita Ć algo, takoÄe poznata po svojim performativnim izvoÄenjima poezije. âJudita Ć algo mi je pomogla u prevodu pesama, a Bogdanka PoznanoviÄ me potakla na video-dokumentaciju mog stvaralaĆĄtva. Ona je negde 1980-ih nabavila videorekorder za Akademiju umetnosti gde je bila profesorka na Odseku medija i potakla me da snimimo neki moj rad za video. Ja sam sabrala neke motive i elemente svojih performansa iz prethodnog desetljeÄa koji su mi se Äinili pogodnima za kameru i video, pa sam ih izvela na stepeniĆĄtu hodnika Akademije, a video nazvala Poemim. To je ostalo kao jedini dokument onog vremena.â Pored uticaja Bogdanke PoznanoviÄ, koja je tada osnovala na novosadskoj Akademiji umetnosti prvi studio za nove medije, knjigu Bore ÄosiÄa Mixed Media smatrala je jako vaĆŸnom za njen umetniÄki razvoj. Bila je Älanica grupa Bosch + Bosch od 1973. do 1976, u okviru koje je ipak imala svoju teritoriju zvuka i zvuÄnog performansa i izvodila vizualne i konceptualne radove. Novoosnovanom Novosadskom pozoriĆĄtu â ĂjvidĂ©ki SzĂnhĂĄz pridruĆŸila se 1974. i kao Älanica stalnog ansabla radila do 1992. igrajuÄi u predstavama najznaÄajnijih maÄarskih reditelja, kao ĆĄto je JanÄo MikloĆĄ i predstava Bajer aspirin â pesniÄka monodrama koju je za nju napisao Oto Tolnai. Tokom godina igrala je glavne i sporedne uloge u raznim TV filmovima i igranim filmovima (jedan od poznatijih je i film Lordana ZafranoviÄa Ujed anÄela). Bila je urednica pesniÄke rubrike knjiĆŸevnih Äasopisa Elet es Irodalom (1993â94) i Ciganifuro (1994â99). IzmeÄu 1993. i 1998. predavala je u muziÄkom i pozoriĆĄnom obrazovnom centru Hangar. Katalin najveÄi trag ostavlja u svojoj foniÄnoj i voko-vizelnoj poeziji, ali se najviĆĄe pamte njeni performansi i body art u kojima koristi svoje telo kao instrument, Äesto provocirajuÄi intervenciju publike ritualno igrajuÄi razliÄite ĆŸenske uloge. Performativno izvoÄenje njenih âĆ amanskih pesamaâ, dok je ogrnuta samo ĆŸivotinjskom koĆŸom uz svetlost sveÄe, bio je jedan od najradikalnijih ĆŸenskih umetniÄkih izraza avangardne scene na tadaĆĄnjem jugoslovenskom kulturnom prostoru. âU poÄetku sam na te radove gledala kao na poetske veÄeri â znaÄi, prikazivanje poezije poÄev od njenog Äitanja pa sve do govorenja u obliku foniÄne i gestualne poezije, ĆĄto je na neki naÄin bio uvod putem kojega sam ljudima dala kljuÄ ka otvorenoj, proĆĄirenoj poeziji. Videla sam da ljudi poeziju smatraju samo onom linearnom, koju eventualno recituje glumac ili sam autor, ali govorenje ili pevanje, a kamoli foniÄna poezija, tada nije postojala.â Performansi Ja sam javna ĆŸena, Blackshave, Rupa koja vriĆĄti, Poem, SpuĆĄtanje Novog Sada niz reku Dunav,Mandora, Tesla samo su neki od najvaĆŸnijih, a spacifiÄnost njenog rada vidi se i u tome ĆĄto je neke izvodila potpuno razliÄito u drugim kontekstima. Katalin Ladik, performans â Zagreb, 1970. Katalin Ladik, performans â Zagreb, 1970. Katalin Ladik, Sanja IvekoviÄ i Vlasta Delimar bile su prve konceptualne umetnice novih medija a njihove umetniÄke strategije uticale su na poetiku razliÄitih generacija umetnica, od Marine AbramoviÄ do nama danas savremene ĆŸenske scene. Ali, i one same joĆĄ aktivno uÄestviju u kreiranju iste i sve viĆĄe su prisutne na meÄunarodnoj sceni Sama Katalin je iznenaÄena koliko su mladi umetnici zainteresovani za njen rad: âUskoro idem u Ć vajcarsku gde Äu na MuziÄkoj akademiji u Baselu odrĆŸati radionicu na temu novih eksperimentalnih partitura i improvizacije s kompozitorima. I mene samu Äudi kako se mlaÄe generacije zanimaju za mene i moje stvaralaĆĄtvo.â Zanimljivo je pratiti njen odnos prema ĆŸenskoj i feministiÄkoj kulturi. Sama kaĆŸe da u poÄetku nije znala puno o feministiÄkim teorijama, a one koje su do nje dopirale nisu joj bile bliske. Ali svoju umetniÄku pobunu pokazuje kroz tipiÄno ĆŸenske motive iskazujuÄi ne samo odnos prema patrijarhalnim matricama nego i prema represivnom umetniÄkom kontekstu Äak i meÄu svojim istomiĆĄljenicima. InaÄe, konceptualne umetnice prve problematizuju poziciju autorke u umetniÄkom polju delovanja. âStoga sam izraĆŸavala svoj bunt kroz one sitne stvari koje radi svaka ĆŸena, s uverenjem da to takoÄer moĆŸe da bude predmet umetnosti ili naÄin umetniÄkog izraĆŸavanja. Kada sam poÄinjala, piĆĄuÄi na maÄarskom sredinom 1960-ih, nisam poznavala teoriju feminizma â ne znam ni da li je postojao neki pregled na srpskom. Teorija nije programatski postojala u mom radu, veÄ sam krenula od liÄnog iskustva i zapoÄela svojevrsno oslobaÄanje od porodice i radnog mesta kao neki vid protesta u 1970-ima.â Feministkinje su prepoznale njenu umetnost kao vaĆŸnu elaboraciju pobunjene ĆŸene tako da je bila i gost najveÄe feministiÄke meÄunarodne konferencije u jednoj komunistiÄkoj zemlji Drug-ca 1978. u Beogradu: âTo je bio moj prvi susret s njima i drugim aktivnim feministkinjama iz Zagreba, s kojima sam ostala u kontaktu. Drug-ca Ćœena me liÄno obogatila, i tada sam shvatila da feminizam nije ono ĆĄto sam smatrala ameriÄkim feminizmom usko usmerenim protiv muĆĄkaraca, veÄ da se radi o prostom zalaganju za prava ĆŸena.â Retrospektivna izloĆŸba njenih radova u Muzeju savremene umetnosti Vojvodine 2010. upravo je i nazvana MoÄ ĆŸene prema njenim dominantnim umetniÄkim postulatima. Na konferenciji K.A.T. âUmetnost u obrazovanju: interakcijeâ, u produkciji Saveza feministiÄkih organizacija (Re)konekcija u Novom Sadu (2017), mogli smo da vidimo njene trenutne umetniÄke preokupacije internet prostorom koje je nazvala âAlisa u zemlji kodovaâ. Katalin Ladik danas, Foto: Sanja AnÄelkoviÄ Fotografija Sanja AnÄelkoviÄ Katalin Ladik bavi se intrigantnim pitanjem, koje je osnovano na materijalu proĆĄirene poezije same umetnice. U unutraĆĄnjoj naraciji svake vizuelne poezije nalazi se promena. NeobiÄajna medijska tranzicija odnosi se na ove objekte (vizuelnu poeziju i konkretnu poeziju), zatim na ĆŸivo izvoÄenje i audio snimanje tih ĆŸivih nastupa. Veza izmeÄu vizuelnog i zvuÄnog je suĆĄtina odnosa izmeÄu poezije Katalin Ladik i njene proĆĄirene poezije, âotelovljenog perfomansaâ. âLepota se pojavljuje kao rezultat na povrĆĄini, na licu dela, ali radost stvaranja se deĆĄava na obrnutom, na naliÄju materijala. Energija koja se oslobaÄa ograniÄenja, raskalaĆĄno se pokazuje i prevladava. Ne poĆĄtuje pravila, pretvara se u radost i bol. To se ne moĆŸete videti s lepe, tj. prednje strane, samo sa âpogreĆĄneâ strane tj. naliÄja umetniÄkog delaâ â objaĆĄnjava autorka. [ĂjvidĂ©k]: [FĂłrum KönyvkiadĂł], [1971]. First edition. In publisherâs illustrated wrappers, designed by GĂĄbor IfjĂș. Printed on differently colored papers. 89, (7) p. Inscribed first edition of Katalin Ladikâs book of surreal poems. Katalin Ladik (b. 1942) is a Yugoslavian-born (today Serbia) Hungarian radical female performance artist, poet, and writer. Besides other prizes, in 2016 she was awarded by the LennonOno Grant for Peace together with Ai Weiwei, Anish Kapoor, and Olafur Eliasson. She was an exhibitor at âdocumenta 14â in 2017. Katalin Ladik (born Novi Sad, 25 October 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Kingdom of Yugoslavia (Hungarian: ĂjvidĂ©k), and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Contents 1 Biography 2 Awards 3 Poetry 4 Prose 5 Publications 5.1 Volumes in original language 5.2 Translated volumes 5.3 E-books 5.4 Audiobooks 6 Discography 6.1 Sound poetry 6.2 Music (experimental music, jazz) 7 Poetry readings, sound poetry performances 7.1 Online Audio 7.2 Live performances 8 Performance art 8.1 A list of performances, happenings, actions 8.2 1960s-`70s 8.3 1980s-`90s 8.4 2000s 8.5 2010s 8.6 2020s 9 Workshops with performances (selection) 10 Concerts, musical performances (selection) 11 Speech-music performances 12 Theatre 12.1 As an actress 12.2 As a director 13 Films 13.1 Feature films 13.2 Short films 13.3 Recitatives 13.4 Television interviews 13.5 Documentary 13.6 Writerâs Credit 14 Radio plays 14.1 Writer and performer 14.2 Performer 15 Artworks in permanent public and private collections 16 Exhibitions 16.1 Solo exhibitions 16.2 Group exhibitions 17 See also 18 References 19 Sources 19.1 Resources 19.2 Literature 20 External links Biography[edit] Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Ălet Ă©s Irodalom (1993â94) and CigĂĄnyfĂșrĂł (1994â99). Between 1993 and 1998 she taught at HangĂĄr musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards[edit] Katalin Ladik has earned various awards, including the KassĂĄk Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International â Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the JĂłzsef Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). Katalin Ladik has earned various awards, including the KassĂĄk Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International â Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the JĂłzsef Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the KlĂĄra Herczeg Award in senior category from the Studio of Young Artistsâ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of UdruĆŸenje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar TelevĂziĂł Elnöki NĂvĂłdĂja / Award of the President of Hungarian Television for Acting Excellence for acting in AndrĂĄs Rajnaiâs TV film series, TelevĂziĂłs mesĂ©k felnĆtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barkerâs The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume âA vĂz emlĂ©kezeteâ (âThe Memory of Waterâ) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for âbeing defiant, provocative, and confrontational towards the actual literary canonsâ 2019 FerencvĂĄros Pro Urbe Award [4] 2020 âMy Countryâ (âHazĂĄm dĂj) Award in recognition of her lifetime achievement [5] 2021 Medal of culture for lifetime achievement, ie. for overall creativity/work awarded by MiloĆĄ Crnjanski Centre 2021 Novi Sad` International Literary Award, which is awarded by the 16th International Novi Sad Literary Festival organized by the Society of Writers of Vojvodina 2022 Hungarian Order of Merit Officer`s Cross, one of the highest Orders in Hungary 2022 Prize in Fiction (Poetry) category of the Society of Hungarian Authors 2022 Alföld Literary Prize Poetry[edit] Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say âperformed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose[edit] Her first novel, entitled Ălhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott KönyvmƱhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artistsâ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications[edit] Volumes in original language[edit] Ballada az ezĂŒstbiciklirĆl (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldĂłzerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrĂłn (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parĂĄzna söprƱ â Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 KiƱzetĂ©s (Exile) | poems | Hungarian | MagvetĆ, Budapest, 1988 JegyessĂ©g (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 FƱketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Ălhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott KönyvmƱhely, Budapest, 2007 BelsĆ vĂzözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A vĂz emlĂ©kezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 IdĆvitorla (Time Sailing), Selected Poems (1962-2022) | poems | Hungarian | Forum, Novi Sad, 2022 BĂ©ranya versek (Surrogacy Poems) | poems | Hungarian | Tipp-Cult Kft, Parnasszus Könyvek, P-Art, Budapest, 2022 Translated volumes[edit] Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko | KnjiĆŸevna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | New Native Press, Sylva, 1992 PoĂšmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarusâ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica hrvatska, Osijek, 2007 Poems | English | Cultural Centre of Vojvodina, `MiloĆĄ Crnjanski`, Novi Sad, 2022 Mogu li da ĆŸivim na tvom licu : romaneskna ĆŸivotna priÄa (Can I Live on Your Face: novelistic life story) | prose | Serbian |(Re) konekcija, Novi Sad, 2021 Raspjevane ĆŸeravice: izbrane pjesme 1962-1982 (Singing embers: selected poems 1962-1982) | poems| Croatian | DAF, Zagreb, 2022 E-books[edit] FƱketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format FƱketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ĂzƱ vagyok? (How Do I Taste?) | poems | Hungarian | A hĂłnap könyve, Szentendre, 2012 | buyable, pdf format Audiobooks[edit] 2020: Liquid mirror (FolyĂ©kony tĂŒkör) presented by Vera SĂpos 00:00:00 â FolyĂ©kony tĂŒkör 1; 00:55:47 â FolyĂ©kony tĂŒkör 2 Audiobooks by contemporary authors published online by DIA, the Digital Literature Academy of PIM [6] Discography[edit] Sound poetry[edit] Ballada az ezĂŒstbiciklirĆl (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 PoĂ©sie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue dâArt Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de PoĂ©sie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 HangĂĄr / Hangar | audio cassette | anthology of sound poetry, Amsterdam â Budapest, 1987 Aki darazsakrĂłl ĂĄlmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakrĂłl ĂĄlmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzĂĄrvĂĄnyok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 VajdasĂĄgi Magyar Zenei EstĂ©k / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 VĂzisĂĄmĂĄn / Water Shaman | CD | Budapest, 1999 Spiritus Noister â Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anÄeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Phonopoetics | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano, 2019 [7] Water Angels | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano,, 2021 [8] Music (experimental music, jazz)[edit] As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir SakaÄ, and Milko Kelemen (1971â73, ensemble ACEZANTEZ); ErnĆ KirĂĄly (1963-2002); DuĆĄan RadiÄ (Oratorio Profano, 1979); Boris KovaÄ (1986-1990); DeĆŸe Molnar ( 1989â91); Zsolt SĆrĂ©s a.k.a. Ahad, and Zsolt KovĂĄcs (1996-, Spiritus Noister). ErnĆ KirĂĄly | LP | UdruĆŸenje Kompozitora Vojvodine, Novi Sad, 1978 Boris KovaÄ: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris KovaÄ: Ritual Nova II | CD | Recommended Records, London, 1989 ErnĆ KirĂĄly - Spectrum | CD | Autobus, Paris, 1999 DeĆŸe Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances[edit] Online Audio[edit] FƱketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, mp3 format A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format KĂƱzetĂ©s - JegyessĂ©g (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Live performances[edit] 2011 NĂ©gy fekete lĂł mögöttem repĂŒl (Four Black Horses Fly Behind Me); JĂ©gmadĂĄr (Icebird); excerpts from BelsĆ vĂzözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art[edit] Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions[edit] 1960s-`70s[edit] 1968 Budapest, Szentendre - Hungary | UFO | TamĂĄs SzentjĂłby, MiklĂłs ErdĂ©ly, Katalin Ladik | happening 1970 Belgrade - Serbia | PozoriĆĄte Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Ćœanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | JĂłzsef Attila MƱvelĆdĂ©si HĂĄz (Cultural Centre JĂłzsef Attila) | with JenĆ BalaskĂł | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 BaÄka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski FaĆĄnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Äetvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance BalatonboglĂĄr - Hungary | KĂĄpolna GalĂ©ria (KĂĄpolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `SpuĆĄtanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, foniÄna i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) KrakĂłw (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. TuciÄ) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), PreĆĄeren Theatre / PreĆĄernovo GledaliĆĄÄe /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / PozoriĆĄte Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Äetvrta dimenzija â krik` (Fourth Dimension â Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `PesniÄki maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja MarinkoviÄ Student Club / Studentski Klub âSonja MarinkoviÄâ: `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ WĂŒrzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetniÄka praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az Ă©neklĆ varrĂłgĂ©p â The Singing Sewing Machine` (with Zsolt KirĂĄly) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole â A sikoltozĂł lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery âT Hoogt / âT Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s[edit] 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / VĂĄrszĂnhĂĄz, Knightsâ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ/ StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin ĂșjvidĂ©ki költĆ Ă©s elĆadĂłmƱvĂ©sz szerzĆi estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre PetĆfi SĂĄndor / PetĆfi SĂĄndor MƱvelĆdĂ©si HĂĄz: `Telepi estĂ©k â Ladik Katalin szerzĆi estje` (Evenings in Telep â with Poet Katalin Ladik) (with OttĂł Tolnai, Zsolt KirĂĄly) /performance/ Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Ladik Katalin szerzĆi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ / StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin szerzĆi Ă©s elĆadĂłi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Ć algo) /performance/ Osijek (Croatia), Studentsâ Youth Centre / Studentski Centar Mladih, OsijeÄko ljeto (Summer in Osijek): `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrouâ (Icarus on the Subway) (with Judita Ć algo, Selimir RaduloviÄ) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ KanjiĆŸa (Serbia), Literary Camp / KnjiĆŸevna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Ć eviÄ: `Sound Poetry Performance` (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Ć ekspira` (Tempest â Based on Shakespeare) â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), JĂłzsef Attila University (Today: University of Szeged) / JĂłzsef Attila TudomĂĄnyegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de PoĂ©sie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / PozoriĆĄte Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of LĂĄgymĂĄnyos / LĂĄgymĂĄnyosi MƱvelĆdĂ©si Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / FĆvĂĄrosi MƱvelĆdĂ©si HĂĄz: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), âSonja MarinkoviÄâCultural Centre / Kulturni Centar âSonja MarinkoviÄâ, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari BeÄej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ PĂ©cs (Hungary): `Alice` /performance/ Budapest (Hungary), VigadĂł Chamber Hall / VigadĂł Kamaraterem, HangĂĄr Est (âWall of Soundâ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ NovĂ© ZĂĄmky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with ZoltĂĄn Pletl) /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, Ex-panziĂł 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), DalmĂĄt Cellar / DalmĂĄt pince, UHF KisĂșjrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, ExpanziĂł 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with LukĂĄcs Bitskey /performance/ ZebegĂ©ny (Hungary): `A helyettesĂtĆ asszony (The Substitute)` /performance/ PĂ©cs (Hungary): `A nĂ©gydimenziĂłs ablak (The Four-dimensional Window)` with TamĂĄs Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de PoĂšsie: `KassĂĄk` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio â Corsica (France): `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s[edit] 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `FƱketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` Budapest (Hungary), A38 Ship / A38 hajĂł: `LomtalanĂtĂĄs` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum: `Torony-LomtalanĂtĂĄs` (Cleaning the Tower-House) /performance/ 2005 TerĂ©ny (Hungary), ExpanziĂł Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-MĂŒller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 NovĂ© ZĂĄmky (Slovakia), Art Gallery / GalĂ©ria Umenia: `Gyakorlatok ĂŒres hĂșrokon â KassĂĄk-kĂłd` (Exercises on Empty Strings - KassĂĄk Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria: `FƱketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz: `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ VerĆce (Hungary), EkszpanziĂł XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar AlkotĂłmƱvĂ©szeti KözalapĂtvĂĄny AlkotĂłhĂĄza, JĂłzsef Attila Kör 18. irodalmi tĂĄbora (18th Literary Camp of the JĂłzsef Attila Circle): `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ 2008 Budapest (Hungary), PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum, A SzĂ©pĂrĂłk TĂĄrsasĂĄga V. Ćszi irodalmi fesztivĂĄlja â NĆk a fĂ©rfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association â Women in a Men`s World): `Diptichon` (with Endre SzkĂĄrosi), performance Belgrade (Serbia), ARTGET Gallery â Cultural Centre Belgrade / Galerija ARTGET â Kulturni Centar Beograda (World Poetry Day): `Tesla â Homo Galacticus` /performance/ Szigliget (Hungary), JĂłzsef Attila Kör 20. irodalmi tĂĄbora (20th Literary Camp of the JĂłzsef Attila Circle): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Bratislava (Slovakia), Ars Poetica MedzinĂĄrodny Festival PoĂ©zie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[9] 2009 VisegrĂĄd (Hungary), The Roof Terrace of King Matthias Museum / A MĂĄtyĂĄs KirĂĄly MĂșzeum tetĆterasza, EkszpanziĂł XXI Festival: âKerub` (Cherub) /performance/ 2010s[edit] 2010 Budapest (Hungary), Gallery A22 / A22 GalĂ©ria, Tibor Papp`s Exhibition Opening: `ĂraköltemĂ©ny` (Poem-Clock) /performance/ Subotica (Serbia), KosztolĂĄnyi DezsĆ Theatre / KosztolĂĄnyi DezsĆ SzĂnhĂĄz: `Tesla â Homo Galacticus` /performance/ Budapest (Hungary), MillenĂĄris Theatre / MillenĂĄris TeĂĄtrum, Book Festival: `SzabadkĆmƱves szex` (Freemason Sex) (with drMĂĄriĂĄs) /performance/ Ć taglinec (Croatia), `Voda` â `Water` MeÄunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis ZsinagĂłga KortĂĄrs GalĂ©ria, artAlom Ă©lĆmƱvĂ©szeti fesztivĂĄl (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) â Subotica (Serbia), Railway line, KultĂșrcsempĂ©sz SĂnbusz FesztivĂĄl (Culture-smuggler Railbus Festival): Megaphone-assisted readings by GĂĄbor VirĂĄg, Slobodan TiĆĄma, GĂĄbor Lanczkor, Tamara Ć uĆĄkiÄ, Vladimir Kopicl, Katalin Ladik, SiniĆĄa TuciÄ, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / MƱcsarnok: `PreparababrakabarĂ©` /performance/ Marseille (France), Museum of Contemporary Art / MusĂ©e d`Art Contemporain, PoĂ©sie Marseille 2011, 8Ăšme Festival (8th Marseille Poetry Festival, 2011): `Le Grand MĂ©nage` (Spring Cleaning) /performance/ TĂąrgu MureÈ (Romania), National Theatre - Small Hall / Teatrul NaĆŁional â Sala MicÄ, Testet öltött szavak rendezvĂ©ny (Words Embodied â Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz, Ismeretlen kutatĂĄsa improvizĂĄciĂłs alkotĂłmƱhely (Searching the Unknown â Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar ĂrĂłszövetsĂ©g: XXIV. EkszpanziĂł Festival, `IdĂ©zet` Szimpozion Ă©s KiĂĄllĂtĂĄs (`Quotation` Symposium and Exhibition): `ĂsĂł, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ KomĂĄrom (Hungary), Fort Monostor â Film Museum / Monostori ErĆd â FilmmĂșzeum, Mediawave 2012 Festival: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ ĆĂłdĆș (Poland), MS2 â Lodz Museum of Art / MS2 â Muzeum Sztuki w Ćodzi: `Alicja w krainie kodĂłw` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, PĂĄl street 6.: Gödör bĂșjĂłcska â irodalom, zene, film, tĂĄnc, szĂnhĂĄz, beszĂ©lgetĂ©s (Gödör Club Hide-and-seek â literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice KĂłdorszĂĄgban` (`Alice in Codeland`) /performance/[10] 2013 Budapest (Hungary), Ăbudai TĂĄrsaskör, KassĂĄk Museum, KassĂĄk Year: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[11] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIÄ, âTesla. Homo Galacticusâ /performance/ SzĂ©kesfehĂ©rvĂĄr (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[12] Budapest (Hungary), Fuga, AutonĂłmia Filmklub 5, âI Belong to the Bandâ: Katalin Ladik`s voice on âpoets of the absurd on chalkâ[13] 2014 SzĂĄzhalombatta (Hungary), Katalin Ladik - Endre SzkĂĄrosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar VigadĂł, JazzaJ, Katalin Ladik â Jean Michel van Schowburg, Katalin Ladik â Zsolt SĆrĂ©s, âSounds to Goâ (Hangok elvitelre) /performance/ [14] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, UniversitĂ€t Wien, `Singende Schnittmuster â Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 PoreÄ (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzoâ /performance/,[15][16] Budapest (Hungary), MĂSZI, @Transart Communication, Katalin Ladik & Zsolt SĆrĂ©s âAlchemical Weddingâ (AlkĂmiai nĂĄsz) /performance/ Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection. Katalin Ladik: âTranzit Zoonâ /performance/ [17] 2017 Athens (Greece), Oval Staircase, Megaron â the Athens Concert Hall, âAll the In-Between Spacesâ, Concept and direction by: Paolo Thorsen-Nagel. Katalin Ladik: âFollow me into mythologyâ /performance/ [18] Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, âLive Lectureâ /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition âLive Lectureâ /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, âWall(ed)â, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), TrafĂł, âAlice in Codelandâ /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation âSound Poemsâ /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), âK.A.T (Culture â Activism â Theory) Conferenceâ, âCreative Transitionsâ/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, âTraNSporteur multilingual poetryâ /poetry reading/ Lodz (Poland), House of Literature, âPuls Literary Festival, 2017, Hungarian Dayâ, âSounds in Lodzâ / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft fĂŒr bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âFollow me into Mythologyâ /live lecture and soloperformance/ Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âDesire of Touchâ /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture with Emese KĂŒrti/ Budapest (Hungary), Közkincs KönyvtĂĄr, `MĆ°VĂSZ + NĆ` (ARTIST + WOMAN), âFeminizmus Ă©s mƱvĂ©szet ma?â (Feminism and Art Today?), âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), âShowroom of Contemporary Soundâ, âTransitionsâ /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), âFountains of Rome - Mouth to Lung!â /live lecture and sound performance/ Budapest (Hungary), HĂĄrom HollĂł â Drei Raben, âAntracit szĂĄjrĂșd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der KĂŒnste, `19. poesiefestival berlin 2018, Weltklang â Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus fâĂŒr Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive 2019 Basel (Switzerland), Music Academy of Basel, Master Class in Free Impovisation, âHomo Ludensâ (live lecture) Dresden (Germany), Lipsiusbau, âAlice in Codelandâ / performance Rotterdam (the Netherlands), DE PLAYER, in collaboration with KRAAK, âBRAUBLFF #8 (Materie und Laut), Memory of Water / sound installation and sound poetry performance Brussels (Belgium), DE PLAYER, in collaboration with KRAAK, âBRAUBLFF #8 (Materie und Laut), âMemory of Waterâ / sound installation and sound poetry performance Madrid (Spain), Elba Benitez Gallery, âO-PUSâ (solo exhibition curated by Adam Budak) / sound poetry performance Paris (France), Palais de Tokyo, The Liberated Voice, Sound Poetry, âMemory of Waterâ /sound installation 2020s[edit] 2020 London (UK), CafĂ© OTO, Tinted Window with issue No.2: Verbivocovisual dedicated to `Materializzazione del Linguaggio`, a 1978 Venice Biennale exhibition curated by Mirella Bentivoglio/ sound installation (Memory of Water) and performance (Tranzit Zoon) [19] Budapest (Hungary), Trafo Gallery, Nyitott mƱterem #21 (Open Studio), Zoom conversation with Emese KĂŒrti Budapest (Hungary), acb Attachments, âSzerelmem, Sing-her!â (My Love, Sing-her!). Opening of solo exhibition âSewn Soundsâ (Bevarrt hangok) 2021 VeszprĂ©m (Hungary), Pannon VĂĄrszĂnhĂĄz (Pannon Castle Theatre), âAlice KĂłdorszĂĄgbanâ (Alice in Codeland)/ performace Budapest (Hungary), Art9 Gallery, âĂj szakralitĂĄsâ (New sacrality) / sound poetry performance Budapest (Hungary), MAMĆ°, Opening of the exhibition âGraphic Scoreâ /sound poetry performance [20] Budapest (Hungary), KassĂĄk MĂșzeum, âA vĂz emlĂ©kezeteâ (âThe Memory of Waterâ), Finissage of the exhibition âPoetry & Performance - Performance Art in Eastern Europeâ /sound installation 2022 Budapest (Hungary), Godot Gallery, opening of the exhibition of drMĂĄriĂĄs / sound poetry performance [21] Vienna (Austria), Alte Schmiede, âakustische Poesieâ (âAcoustic poetryâ) / sound poetry performance [22] Bratislava (Slovakia), Slovak National Gallery, âFollow me into mythologyâ / sound poetry performance and live lecture Budapest (Hungary), KassĂĄk MĂșzeum, âSzkĂĄrosi-emlĂ©kestâ (Memorial evening), âGyaloghĂddal a csillaglejtĆnâ (Footbridge over the stargate )/sound poetry Berlin (Germany), Collegium Hungaricum, âThe Poetsâ Soundsâ / sound poetry performance Cologne (Germany), Loft, âThe Poetsâ Soundsâ / sound poetry performance London (UK), London Woolwich Works, LCMF (London Contemporary Music Festival) âSad and Ruinedâ /sound poetry performance Belgrade (Serbia), âThe Poetsâ Soundsâ / sound poetry performance Limassol (Cyprus), Art Studio 55, SARDAM-Literature Festival, sound poetry and âTranzit Zoonâ performance Workshops with performances (selection)[edit] 2018 Zagreb (Croatia), âShowroom of Contemporary Soundâ, âNoÄna pjesma morskih jeĆŸevaâ (âNight song of sea lizardsâ) /improvisation and sounding in visual and concrete poetry workshop for the students of the Department of Animation and New Media of the Fine Art Academy in Zagreb (OZAFIN), as a part of the project Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union/ [23] 2021 Berlin (Germany), LettrĂ©tage im ACUD Studio, Poetsâ Sound Production Workshop 1, creation of the visual score âDrei Eierâ Cologne (Germany), LOFT Cologne, Poetsâ Sound Production Workshop 2, finalizing the visual score âDrei Eierâ Berlin (Germany), Collegium Hungaricum Berlin, Poetsâ Sound Production Workshop 3, rehearsal of the visual score based performance âDrei Eierâ Concerts, musical performances (selection)[edit] 1969 Opatija (Croatia): Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija) 1970 Opatija (Croatia): Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija; Branimir SakaÄ: Bellatrix - Alleluja) Novi Sad (Serbia): Muzika i Laboratorija (Music and Laboratory) (with ErnĆ KirĂĄly) Osijek (Croatia): Annale komorne opere i baleta (Annual festival of chamber opera and ballet) 1971 Zagreb (Croatia): MuziÄki biennale (Music Biennale â International Festival of Contemporary Music) (MBZ Radionica/Workshop II with ErnĆ KirĂĄly, et al.; Chamber Music - Branimir SakaÄ: Bellatrix - Alleluja) Dubrovnik (Croatia): DubrovaÄke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) 1972 Munich (Germany): (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia): Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), âRadivoj Äirpanovâ Workersâ University / RadniÄki univerzitet âRadivoj Äirpanovâ (ACEZANTEZ Ensemble) Belgrade (Serbia), Studentski kulturni centar (Student Cultural Centre) â Festival Expanded Media (ACEZANTEZ Ensemble) 1979-2012 Belgrade (Serbia), Dom Sindikata â BEMUS Belgrade Music Festival: âOratorio Profanoâ (composer: DuĆĄan RadiÄ, conductor: Oskar Danon) Opatija (Croatia): Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultĂșrintĂ©zet / Istituto Italiano di Cultura, AvantgĂĄrd mƱvĂ©szetek a vilĂĄgban: mi lett a sorsuk? Nemzetközi tanĂĄcskozĂĄs (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 SzekszĂĄrd (Hungary), Spiritus Noister Group, 2012 2016 Budapest (Hungary), MƱvelĆdĂ©si Szint (MĂSZI), â@Transart Communication 2016â, âAlchimist Weddingâ /concert and live sound performance with Zsolt SĆrĂ©s/ VeszprĂ©m (Hungary), House of Arts, âAlkĂmiai mennyegzĆâ (âAlchimist Weddingâ) /concert and live sound performance with Zsolt SĆrĂ©s/ Budapest (Hungary), MĂŒpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ Budapest (Hungary), Kassak Museum, âDadarabokâ /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/[24] 2017 Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio 2018 Debrecen (Hungary), MODEM, Katalin Ladik: âHatĂĄridĆnaplĂłâ (âDiary Bookâ) /concert and live sound performance with Gyula VĂĄrnai/ VeszprĂ©m (Hungary), 2018, House of Arts, âSpring Reopening, We believe in life before deathâ, âClaes Oldenburg: I am for an Artâ /concert and live sound performance with Gyula VĂĄrnai/ Basel (Switzerland), IGNM, Ackermannshof, Free Improvisation based on graphic scores of ErnĆ KirĂĄly and Katalin Ladik Budapest (Hungary), FUGA Centre for Architecture, Design Week, Attila DĂłra (bass clarinate), Katalin Ladik (vocal) Budapest (Hungary), Budapest Music Center (BMC), Wortlaute II, Transparent Sound New Music Festival, Ladik Katalin, âHa mĂșlna e lĂĄngâ 2019 âą Belgrade (Serbia), artist in residence at the Radio Beograd Electronic Studio, Katalin Ladik and Svetlana MaraĆĄ have created three new pieces (Electric Bird, White Bird and Ice Bird) [25] Speech-music performances[edit] Author âDrei Eierâ (German, Serbian, Hungarian), presented by Sprechbohrer (Sigrid Sachse, Harald Muenz and Georg Sachse), âDrei Eierâ (German, Serbian, Hungarian) [26] Theatre[edit] As an actress[edit] Jean-Paul Sartre: The Condemned of Altona; dir. IstvĂĄn LĂĄnyi; IfjĂșsĂĄgi TribĂŒn (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor GellĂ©r; PetĆfi SĂĄndor MƱvelĆdĂ©si EgyesĂŒlet (âPetĆfi SĂĄndorâ Cultural Association); Novi Sad (Serbia); 1963 MoliĂšre: The Imaginary Invalid (BĂ©line); dir. Ljubica Ravasi; Srpsko Narodno PozoriĆĄte (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) SĂĄndor Guelmino: Ăzvegy (Widow); dir. Tibor Vajda; Echo (az ĂjvidĂ©ki RĂĄdiĂł Ă©s az IfjĂșsĂĄgi TribĂŒn szĂnpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc TĂłth (text) â ErnĆ KirĂĄly (composer): JĂłb (Job) (Performer â Recitative); dir. IstvĂĄn SzabĂł, Jr.; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 IstvĂĄn ĂrkĂ©ny: MacskajĂĄtĂ©k (Cats` Play) (Ilus); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav DoriÄ; RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: MukĂĄnyi (Ella); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1977 MoliĂšre: Dom Juan or The Feast with the Statue (Mathurine); dir. DuĆĄan Sabo; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. PĂ©ter Telihay; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 OttĂł Tolnai: VĂ©geladĂĄs (Clearance Sale) (Mrs Csömöre); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 Gyula HernĂĄdi: V.N.H.M. Szörnyek Ă©vadja (V. N. H. M. - Season of Monsters); dir. MiklĂłs JancsĂł; Summer Theatre in Gyula; VĂĄrszĂnhĂĄz; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 OttĂł Tolnai: Bayer Aspirin (The Actress); dir. MiklĂłs JancsĂł; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Ferenc DeĂĄk: Nirvana (Csontos Vali); dir. IstvĂĄn SzabĂł Jr.; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan BelegiĆĄanin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 DezsĆ KosztolĂĄnyi: Anna Ădes ( Mrs Druma); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanovâs) (Mother Puzirjova); dir. Haris PaĆĄoviÄ; Akademsko PozoriĆĄte âPromenaâ (âChangeâ Academic Theater); Novi Sad; (Serbia); 1983 MihĂĄly MajtĂ©nyi: Harmadik ablak (The Third Window) (Mrs LĂłdi); dir. György HernyĂĄk; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby FehĂ©r: A Duna menti Hollywood (Hollywood by the Danube) â Multimedia Performance About the Life of ErnĆ BosnyĂĄk (The Baron`s Lover); dir. KĂĄroly Vicsek; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Ivo BreĆĄan: Anera (Anera); dir. Dimitar Stankoski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich DĂŒrrenmatt: The Visit (First Woman); dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: ForgatĂłkönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: TĂłtĂ©k (The TĂłt Family) (Mrs TĂłt); dir. GĂĄbor SzĂ©kely; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: âRâ (Katerina); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav LaziÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Ćœelimir OreĆĄkoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1989 Ferenc MolnĂĄr (Franz Molnar): Liliom (Mrs MuskĂĄt); dir. LĂĄszlĂł Babarczy; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 Ede TĂłth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs TarisznyĂĄs); dir. HernyĂĄk György; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 OttĂł Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. PĂ©ter Tömöry; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 JĂłzsi JenĆ TersĂĄnszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja SoldatoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 PĂ©ter NĂĄdas (text) â LĂĄszlĂł Vidovszky (composer): TalĂĄlkozĂĄs (Encounter) (MĂĄria); dir. AndrĂĄs Ăry-KovĂĄcs; Shure Studio; Budapesti KamaraszĂnhĂĄz (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (LĂ©on Charles Miqueut sous-ingĂ©nieur principal di CNU / Sub head-engineer at CNU); dir. RĂłbert Csontos; Kolibri SzĂnhĂĄz (Kolibri [âHummingbirdâ] Theatre); Budapest (Hungary); 1997 Sean OÂŽCasey: Bedtime Story (Landlady); dir. PĂĄl Kanda; FĂŒggeten SzĂnpad III tĂĄrsulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [âHummingbirdâ] Cellar Theatre); Budapest (Hungary); 1998 LĂĄszlĂł NajmĂĄnyi: Adieu Monsieur Bloom â Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2003 LĂĄszlĂł NajmĂĄnyi: A szĂĄmƱzött Joyce / The Exiled Joyce (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan DoriÄ: Ne daj BoĆŸe, da se Srbi sloĆŸe / Ne adj isten, szerbek egyesĂŒlnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan DoriÄ; MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; ReJoyce Festival; Szombathely; (Hungary); 2004 György BarĂĄthy: Origami (I Woman); dir. György BarĂĄthy; ArtĂ©ria SzĂnhĂĄzi TĂĄrsasĂĄg (Theatre Company âArtĂ©riaâ); RS9 Studio Theatre; Budapest; (Hungary); 2005 Torkolat/Estuary (Unborn child), dir: Al Farman Petra (Freeszfe), Freeszemle, KirĂĄly fĂŒrdĆ, Budapest (Hungary), 2022 Szabadkai szecessziĂł/Art Nouveau in Subotica based on George Taboriâs My Motherâs Courage (Mother), dir: Zlatko PakoviÄ, KosztolĂĄnyi DezsĆ SzĂnhĂĄz. Subotica, 2021 As a director[edit] The Last Chapter by Navjot Randhawa, performed by theâTheatre of Roots and Wingsâ and Punjab Sangeet Natak Akademi in P
SpoljaĆĄnjost kao na fotografijama, unutraĆĄnjost u dobrom i urednom stanju! Katalin Ladik (roÄena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-maÄarski pesnik, izvoÄaÄ i filmski stvaralac. Katalin Ladik poÄela je pisati 1962. godine radecÌi kao bankarski Äinovnik. Bila je radijska voditeljica i pozoriĆĄna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozoriĆĄta. Kao umetniÄki medij koristi vizuelnu poeziju, umetnost poĆĄte, radio igre, prozu, kolaĆŸ, fotografiju, film i eksperimentalnu muziku. Ladik istraĆŸuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se viĆĄe puta pojavljivao u kontekstu predstava, dogaÄaja i pozoriĆĄnih komada koji se Äesto deĆĄavaju u urbanom okruĆŸenju, ali i u prirodi. Bila je Älan umetniÄkog kolektiva Bosch + Bosch. Katalin Ladik ĆŸivi i radi naizmeniÄno u Novom Sadu (Srbija), BudimpeĆĄti (MaÄarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim ĆĄezdesetim godinama, pre svega kroz feministiÄko-ĆĄamanistiÄku zvuÄnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i meÄunarodnim izloĆŸbama. 1977. Godine dala je ime sebi kao uÄesnica 10. meÄunarodnog festivala zvuÄne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu odrĆŸana je retrospektiva, koja je privukla nacionalnu paĆŸnju, a 2017. godine bila je pozvana da uÄestvuje u dokumentarnoj 14. TakoÄe je ukljuÄena u seriju izloĆŸbi FeministiÄka avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Ălet Ă©s Irodalom (1993â94) and CigĂĄnyfĂșrĂł (1994â99). Between 1993 and 1998 she taught at HangĂĄr musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the KassĂĄk Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International â Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the JĂłzsef Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the KlĂĄra Herczeg Award in senior category from the Studio of Young Artistsâ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of UdruĆŸenje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar TelevĂziĂł Elnöki NĂvĂłdĂja / Award of the President of Hungarian Television for Acting Excellence for acting in AndrĂĄs Rajnaiâs TV film series, TelevĂziĂłs mesĂ©k felnĆtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barkerâs The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume âA vĂz emlĂ©kezeteâ (âThe Memory of Waterâ) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for âbeing defiant, provocative, and confrontational towards the actual literary canonsâ Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say âperformed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Ălhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott KönyvmƱhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artistsâ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezĂŒstbiciklirĆl (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldĂłzerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrĂłn (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parĂĄzna söprƱ â Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 KiƱzetĂ©s (Exile) | poems | Hungarian | MagvetĆ, Budapest, 1988 JegyessĂ©g (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 FƱketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Ălhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott KönyvmƱhely, Budapest, 2007 BelsĆ vĂzözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A vĂz emlĂ©kezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko | KnjiĆŸevna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | New Native Press, Sylva, 1992 PoĂšmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarusâ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books FƱketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format FƱketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ĂzƱ vagyok? (How Do I Taste?) | poems | Hungarian | A hĂłnap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezĂŒstbiciklirĆl (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 PoĂ©sie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue dâArt Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de PoĂ©sie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 HangĂĄr / Hangar | audio cassette | anthology of sound poetry, Amsterdam â Budapest, 1987 Aki darazsakrĂłl ĂĄlmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakrĂłl ĂĄlmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzĂĄrvĂĄnyok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 VajdasĂĄgi Magyar Zenei EstĂ©k / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 VĂzisĂĄmĂĄn / Water Shaman | CD | Budapest, 1999 Spiritus Noister â Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anÄeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir SakaÄ, and Milko Kelemen (1971â73, ensemble ACEZANTEZ); ErnĆ KirĂĄly (1963-2002); DuĆĄan RadiÄ (Oratorio Profano, 1979); Boris KovaÄ (1986-1990); DeĆŸe Molnar ( 1989â91); Zsolt SĆrĂ©s a.k.a. Ahad, and Zsolt KovĂĄcs (1996-, Spiritus Noister). ErnĆ KirĂĄly | LP | UdruĆŸenje Kompozitora Vojvodine, Novi Sad, 1978 Boris KovaÄ: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris KovaÄ: Ritual Nova II | CD | Recommended Records, London, 1989 ErnĆ KirĂĄly - Spectrum | CD | Autobus, Paris, 1999 DeĆŸe Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio FƱketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, mp3 format A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format KĂƱzetĂ©s - JegyessĂ©g (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Live performances 2011 NĂ©gy fekete lĂł mögöttem repĂŒl (Four Black Horses Fly Behind Me); JĂ©gmadĂĄr (Icebird); excerpts from BelsĆ vĂzözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | TamĂĄs SzentjĂłby, MiklĂłs ErdĂ©ly, Katalin Ladik | happening 1970 Belgrade - Serbia | PozoriĆĄte Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Ćœanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | JĂłzsef Attila MƱvelĆdĂ©si HĂĄz (Cultural Centre JĂłzsef Attila) | with JenĆ BalaskĂł | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 BaÄka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski FaĆĄnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Äetvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance BalatonboglĂĄr - Hungary | KĂĄpolna GalĂ©ria (KĂĄpolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `SpuĆĄtanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, foniÄna i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) KrakĂłw (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. TuciÄ) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), PreĆĄeren Theatre / PreĆĄernovo GledaliĆĄÄe /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / PozoriĆĄte Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Äetvrta dimenzija â krik` (Fourth Dimension â Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `PesniÄki maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja MarinkoviÄ Student Club / Studentski Klub âSonja MarinkoviÄâ: `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ WĂŒrzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetniÄka praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az Ă©neklĆ varrĂłgĂ©p â The Singing Sewing Machine` (with Zsolt KirĂĄly) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole â A sikoltozĂł lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery âT Hoogt / âT Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / VĂĄrszĂnhĂĄz, Knightsâ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ/ StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin ĂșjvidĂ©ki költĆ Ă©s elĆadĂłmƱvĂ©sz szerzĆi estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre PetĆfi SĂĄndor / PetĆfi SĂĄndor MƱvelĆdĂ©si HĂĄz: `Telepi estĂ©k â Ladik Katalin szerzĆi estje` (Evenings in Telep â with Poet Katalin Ladik) (with OttĂł Tolnai, Zsolt KirĂĄly) /performance/ Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Ladik Katalin szerzĆi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ / StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin szerzĆi Ă©s elĆadĂłi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Ć algo) /performance/ Osijek (Croatia), Studentsâ Youth Centre / Studentski Centar Mladih, OsijeÄko ljeto (Summer in Osijek): `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrouâ (Icarus on the Subway) (with Judita Ć algo, Selimir RaduloviÄ) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ KanjiĆŸa (Serbia), Literary Camp / KnjiĆŸevna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Ć eviÄ: `Sound Poetry Performance` (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Ć ekspira` (Tempest â Based on Shakespeare) â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), JĂłzsef Attila University (Today: University of Szeged) / JĂłzsef Attila TudomĂĄnyegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de PoĂ©sie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / PozoriĆĄte Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of LĂĄgymĂĄnyos / LĂĄgymĂĄnyosi MƱvelĆdĂ©si Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / FĆvĂĄrosi MƱvelĆdĂ©si HĂĄz: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), âSonja MarinkoviÄâCultural Centre / Kulturni Centar âSonja MarinkoviÄâ, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari BeÄej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ PĂ©cs (Hungary): `Alice` /performance/ Budapest (Hungary), VigadĂł Chamber Hall / VigadĂł Kamaraterem, HangĂĄr Est (âWall of Soundâ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ NovĂ© ZĂĄmky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with ZoltĂĄn Pletl) /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, Ex-panziĂł 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), DalmĂĄt Cellar / DalmĂĄt pince, UHF KisĂșjrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, ExpanziĂł 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with LukĂĄcs Bitskey /performance/ ZebegĂ©ny (Hungary): `A helyettesĂtĆ asszony (The Substitute)` /performance/ PĂ©cs (Hungary): `A nĂ©gydimenziĂłs ablak (The Four-dimensional Window)` with TamĂĄs Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de PoĂšsie: `KassĂĄk` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio â Corsica (France): `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `FƱketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` Budapest (Hungary), A38 Ship / A38 hajĂł: `LomtalanĂtĂĄs` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum: `Torony-LomtalanĂtĂĄs` (Cleaning the Tower-House) /performance/ 2005 TerĂ©ny (Hungary), ExpanziĂł Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-MĂŒller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 NovĂ© ZĂĄmky (Slovakia), Art Gallery / GalĂ©ria Umenia: `Gyakorlatok ĂŒres hĂșrokon â KassĂĄk-kĂłd` (Exercises on Empty Strings - KassĂĄk Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria: `FƱketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz: `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ VerĆce (Hungary), EkszpanziĂł XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar AlkotĂłmƱvĂ©szeti KözalapĂtvĂĄny AlkotĂłhĂĄza, JĂłzsef Attila Kör 18. irodalmi tĂĄbora (18th Literary Camp of the JĂłzsef Attila Circle): `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ 2008 Budapest (Hungary), PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum, A SzĂ©pĂrĂłk TĂĄrsasĂĄga V. Ćszi irodalmi fesztivĂĄlja â NĆk a fĂ©rfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association â Women in a Men`s World): `Diptichon` (with Endre SzkĂĄrosi), performance Belgrade (Serbia), ARTGET Gallery â Cultural Centre Belgrade / Galerija ARTGET â Kulturni Centar Beograda (World Poetry Day): `Tesla â Homo Galacticus` /performance/ Szigliget (Hungary), JĂłzsef Attila Kör 20. irodalmi tĂĄbora (20th Literary Camp of the JĂłzsef Attila Circle): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Bratislava (Slovakia), Ars Poetica MedzinĂĄrodny Festival PoĂ©zie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 VisegrĂĄd (Hungary), The Roof Terrace of King Matthias Museum / A MĂĄtyĂĄs KirĂĄly MĂșzeum tetĆterasza, EkszpanziĂł XXI Festival: âKerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 GalĂ©ria, Tibor Papp`s Exhibition Opening: `ĂraköltemĂ©ny` (Poem-Clock) /performance/ Subotica (Serbia), KosztolĂĄnyi DezsĆ Theatre / KosztolĂĄnyi DezsĆ SzĂnhĂĄz: `Tesla â Homo Galacticus` /performance/ Budapest (Hungary), MillenĂĄris Theatre / MillenĂĄris TeĂĄtrum, Book Festival: `SzabadkĆmƱves szex` (Freemason Sex) (with drMĂĄriĂĄs) /performance/ Ć taglinec (Croatia), `Voda` â `Water` MeÄunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis ZsinagĂłga KortĂĄrs GalĂ©ria, artAlom Ă©lĆmƱvĂ©szeti fesztivĂĄl (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) â Subotica (Serbia), Railway line, KultĂșrcsempĂ©sz SĂnbusz FesztivĂĄl (Culture-smuggler Railbus Festival): Megaphone-assisted readings by GĂĄbor VirĂĄg, Slobodan TiĆĄma, GĂĄbor Lanczkor, Tamara Ć uĆĄkiÄ, Vladimir Kopicl, Katalin Ladik, SiniĆĄa TuciÄ, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / MƱcsarnok: `PreparababrakabarĂ©` /performance/ Marseille (France), Museum of Contemporary Art / MusĂ©e d`Art Contemporain, PoĂ©sie Marseille 2011, 8Ăšme Festival (8th Marseille Poetry Festival, 2011): `Le Grand MĂ©nage` (Spring Cleaning) /performance/ TĂąrgu MureÈ (Romania), National Theatre - Small Hall / Teatrul NaĆŁional â Sala MicÄ, Testet öltött szavak rendezvĂ©ny (Words Embodied â Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz, Ismeretlen kutatĂĄsa improvizĂĄciĂłs alkotĂłmƱhely (Searching the Unknown â Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar ĂrĂłszövetsĂ©g: XXIV. EkszpanziĂł Festival, `IdĂ©zet` Szimpozion Ă©s KiĂĄllĂtĂĄs (`Quotation` Symposium and Exhibition): `ĂsĂł, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ KomĂĄrom (Hungary), Fort Monostor â Film Museum / Monostori ErĆd â FilmmĂșzeum, Mediawave 2012 Festival: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ ĆĂłdĆș (Poland), MS2 â Lodz Museum of Art / MS2 â Muzeum Sztuki w Ćodzi: `Alicja w krainie kodĂłw` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, PĂĄl street 6.: Gödör bĂșjĂłcska â irodalom, zene, film, tĂĄnc, szĂnhĂĄz, beszĂ©lgetĂ©s (Gödör Club Hide-and-seek â literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice KĂłdorszĂĄgban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Ăbudai TĂĄrsaskör, KassĂĄk Museum, KassĂĄk Year: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIÄ, âTesla. Homo Galacticusâ /performance/ SzĂ©kesfehĂ©rvĂĄr (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, AutonĂłmia Filmklub 5, âI Belong to the Bandâ: Katalin Ladik`s voice on âpoets of the absurd on chalkâ[8] 2014 SzĂĄzhalombatta (Hungary), Katalin Ladik - Endre SzkĂĄrosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar VigadĂł, JazzaJ, Katalin Ladik â Jean Michel van Schowburg, Katalin Ladik â Zsolt SĆrĂ©s, âSounds to Goâ (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, UniversitĂ€t Wien, `Singende Schnittmuster â Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 PoreÄ (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzoâ /performance/,[10][11] Budapest (Hungary), MĂSZI, @Transart Communication, Katalin Ladik & Zsolt SĆrĂ©s âAlchemical Weddingâ (AlkĂmiai nĂĄsz) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, âTranzit Zoonâ /performance/ 2017 Athens (Greece), Oval Staircase, Megaron â the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, âFollow me into mythologyâ /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, âLive Lectureâ /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition âLive Lectureâ /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, âWall(ed)â, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), TrafĂł, âAlice in Codelandâ /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation âSound Poemsâ /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), âK.A.T (Culture â Activism â Theory) Conferenceâ, âCreative Transitionsâ/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, âTraNSporteur multilingual poetryâ /poetry reading/ Lodz (Poland), House of Literature, âPuls Literary Festival, 2017, Hungarian Dayâ, âSounds in Lodzâ / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft fĂŒr bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âFollow me into Mythologyâ /live lecture and soloperformance/ Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âDesire of Touchâ /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture with Emese KĂŒrti/ Budapest (Hungary), Közkincs KönyvtĂĄr, `MĆ°VĂSZ + NĆ` (ARTIST + WOMAN), âFeminizmus Ă©s mƱvĂ©szet ma?â (Feminism and Art Today?), âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), âShowroom of Contemporary Soundâ, âTransitionsâ /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), âFountains of Rome - Mouth to Lung!â /live lecture and sound performance/ Budapest (Hungary), HĂĄrom HollĂł â Drei Raben, âAntracit szĂĄjrĂșd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der KĂŒnste, `19. poesiefestival berlin 2018, Weltklang â Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus fâĂŒr Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija; Branimir SakaÄ: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with ErnĆ KirĂĄly) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: MuziÄki biennale (Music Biennale â International Festival of Contemporary Music) (MBZ Radionica/Workshop II with ErnĆ KirĂĄly, et al.; Chamber Music - Branimir SakaÄ: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: DubrovaÄke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, âRadivoj Äirpanovâ Workersâ University / RadniÄki univerzitet âRadivoj Äirpanovâ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) â Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata â BEMUS Belgrade Music Festival: âOratorio Profanoâ (composer: DuĆĄan RadiÄ, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultĂșrintĂ©zet / Istituto Italiano di Cultura, AvantgĂĄrd mƱvĂ©szetek a vilĂĄgban: mi lett a sorsuk? Nemzetközi tanĂĄcskozĂĄs (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 SzekszĂĄrd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), MƱvelĆdĂ©si Szint (MĂSZI), â@Transart Communication 2016â, âAlchimist Weddingâ /concert and live sound performance with Zsolt SĆrĂ©s/ VeszprĂ©m (Hungary), House of Arts, âAlkĂmiai mennyegzĆâ (âAlchimist Weddingâ) /concert and live sound performance with Zsolt SĆrĂ©s/ Budapest (Hungary), MĂŒpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ Budapest (Hungary), Kassak Museum, âDadarabokâ /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: âHatĂĄridĆnaplĂłâ (âDiary Bookâ) /concert and live sound performance with Gyula VĂĄrnai/ VeszprĂ©m (Hungary), 2018, House of Arts, âSpring Reopening, We believe in life before deathâ, âClaes Oldenburg: I am for an Artâ /concert and live sound performance with Gyula VĂĄrnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. IstvĂĄn LĂĄnyi; IfjĂșsĂĄgi TribĂŒn (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor GellĂ©r; PetĆfi SĂĄndor MƱvelĆdĂ©si EgyesĂŒlet (âPetĆfi SĂĄndorâ Cultural Association); Novi Sad (Serbia); 1963 MoliĂšre: The Imaginary Invalid (BĂ©line); dir. Ljubica Ravasi; Srpsko Narodno PozoriĆĄte (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) SĂĄndor Guelmino: Ăzvegy (Widow); dir. Tibor Vajda; Echo (az ĂjvidĂ©ki RĂĄdiĂł Ă©s az IfjĂșsĂĄgi TribĂŒn szĂnpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc TĂłth (text) â ErnĆ KirĂĄly (composer): JĂłb (Job) (Performer â Recitative); dir. IstvĂĄn SzabĂł, Jr.; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 IstvĂĄn ĂrkĂ©ny: MacskajĂĄtĂ©k (Cats` Play) (Ilus); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav DoriÄ; RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: MukĂĄnyi (Ella); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1977 MoliĂšre: Dom Juan or The Feast with the Statue (Mathurine); dir. DuĆĄan Sabo; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. PĂ©ter Telihay; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 OttĂł Tolnai: VĂ©geladĂĄs (Clearance Sale) (Mrs Csömöre); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 Gyula HernĂĄdi: V.N.H.M. Szörnyek Ă©vadja (V. N. H. M. - Season of Monsters); dir. MiklĂłs JancsĂł; Summer Theatre in Gyula; VĂĄrszĂnhĂĄz; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 OttĂł Tolnai: Bayer Aspirin (The Actress); dir. MiklĂłs JancsĂł; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Ferenc DeĂĄk: Nirvana (Csontos Vali); dir. IstvĂĄn SzabĂł Jr.; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan BelegiĆĄanin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 DezsĆ KosztolĂĄnyi: Anna Ădes ( Mrs Druma); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanovâs) (Mother Puzirjova); dir. Haris PaĆĄoviÄ; Akademsko PozoriĆĄte âPromenaâ (âChangeâ Academic Theater); Novi Sad; (Serbia); 1983 MihĂĄly MajtĂ©nyi: Harmadik ablak (The Third Window) (Mrs LĂłdi); dir. György HernyĂĄk; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby FehĂ©r: A Duna menti Hollywood (Hollywood by the Danube) â Multimedia Performance About the Life of ErnĆ BosnyĂĄk (The Baron`s Lover); dir. KĂĄroly Vicsek; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Ivo BreĆĄan: Anera (Anera); dir. Dimitar Stankoski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich DĂŒrrenmatt: The Visit (First Woman); dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: ForgatĂłkönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: TĂłtĂ©k (The TĂłt Family) (Mrs TĂłt); dir. GĂĄbor SzĂ©kely; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: âRâ (Katerina); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav LaziÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Ćœelimir OreĆĄkoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1989 Ferenc MolnĂĄr (Franz Molnar): Liliom (Mrs MuskĂĄt); dir. LĂĄszlĂł Babarczy; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 Ede TĂłth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs TarisznyĂĄs); dir. HernyĂĄk György; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 OttĂł Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. PĂ©ter Tömöry; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 JĂłzsi JenĆ TersĂĄnszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja SoldatoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 PĂ©ter NĂĄdas (text) â LĂĄszlĂł Vidovszky (composer): TalĂĄlkozĂĄs (Encounter) (MĂĄria); dir. AndrĂĄs Ăry-KovĂĄcs; Shure Studio; Budapesti KamaraszĂnhĂĄz (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (LĂ©on Charles Miqueut sous-ingĂ©nieur principal di CNU / Sub head-engineer at CNU); dir. RĂłbert Csontos; Kolibri SzĂnhĂĄz (Kolibri [âHummingbirdâ] Theatre); Budapest (Hungary); 1997 Sean OÂŽCasey: Bedtime Story (Landlady); dir. PĂĄl Kanda; FĂŒggeten SzĂnpad III tĂĄrsulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [âHummingbirdâ] Cellar Theatre); Budapest (Hungary); 1998 LĂĄszlĂł NajmĂĄnyi: Adieu Monsieur Bloom â Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2003 LĂĄszlĂł NajmĂĄnyi: A szĂĄmƱzött Joyce / The Exiled Joyce (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan DoriÄ: Ne daj BoĆŸe, da se Srbi sloĆŸe / Ne adj isten, szerbek egyesĂŒlnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan DoriÄ; MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; ReJoyce Festival; Szombathely; (Hungary); 2004 György BarĂĄthy: Origami (I Woman); dir. György BarĂĄthy; ArtĂ©ria SzĂnhĂĄzi TĂĄrsasĂĄg (Theatre Company âArtĂ©riaâ); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by theâTheatre of Roots and Wingsâ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, SzekszĂĄrd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert KĂșria, Dunaharaszti (Hungary), 2017; Municipal Library, ZebegĂ©ny (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandisâ musical play), dir. Petar TesliÄ (1972, Serbian, Belgrade TV 2) (Kunigunda) DĂŒbörgĆ csend (1978) on IMDb (Thundering Silence), dir. MiklĂłs SzĂjj (Hungarian) (Eta) Szetna, a varĂĄzslĂł (1980) on IMDb (Setna the Wizard), dir. AndrĂĄs Rajnai (Hungarian) (Isis) Gulliver az ĂłriĂĄsok orszĂĄgĂĄban (1980) on IMDb (Gulliver in the Land of Giants), dir. AndrĂĄs Rajnai (Hungarian) (Lady in attendance) Aelita, dir. AndrĂĄs Rajnai (1980, Hungarian)[15] Atlantis, dir. AndrĂĄs Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A vilĂĄgkagylĂł mĂtosza (The Myth of the World Shell), dir. AndrĂĄs Rajnai (1982, Hungarian) BĂĄbel tornya (The Tower of Babel), dir. AndrĂĄs Rajnai (1982, Hungarian) (the Priestess Lagasa) HĂ©roszok pokoljĂĄrĂĄsa (The Heroesâ Journey Through the Underworld), dir. AndrĂĄs Rajnai (1982, Hungarian) (Anna) FajkutyĂĄk ideje (lit. The Time of Purebred Dogs), dir. KĂĄroly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan ZafranoviÄ (Croatian) (Ćœena) KĂ©sdobĂĄlĂł (slang: Pub, lit. Knife-thrower), dir. KĂĄroly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneĆŸi (1985) on IMDb, dir. Miljenko Dereta (Serbian) NapĂłleon (1989) on IMDb (Napoleon), dir. AndrĂĄs SĂłlyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran MaĆĄireviÄ (Yugoslavian â Serbian â Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. DuĆĄan Sabo (Bosnian) (ĆœuĆŸa) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. MĂĄria SĂłs (Hungarian) (The scientistâs wife) A szivĂĄrvĂĄny harcosa (2001) on IMDb (Rainbow`s Warrior), dir. PĂ©ter Havas (Hungarian) (Old Ms Sofia - voice) KolorĂĄdĂł Kid,(2010) on IMDb, dir. AndrĂĄs VĂĄgvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos MoldovĂĄn (1972, Hungarian, BalĂĄzs BĂ©la Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladikâs Sound Project) CsendĂ©let hallal Ă©s mĂĄs tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. NatĂĄlia JĂĄnossy (Hungarian) (AgĂĄta) Deda KovaÄ - Grandpa KovaÄ (2011) on IMDb, dir. Milica ÄjeniÄ (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a vilĂĄg (1989) on IMDb (Where the World Goes Out) (based on KalandozĂĄs a tĂŒkörben (Adventures in the Mirror) by JĂĄnos Pilinszky), dir. KĂĄroly KismĂĄnyoky (1989, Hungarian, Pannonia Film Studio) A pĂĄrduc (The Panther), (Short animated film set to Rilkeâs poem), dir. AndrĂĄs Fiath (1998, Hungarian) Medea (animated study), dir. ZsĂłfia PĂ©terffy (2007) Ărökre valĂł / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. KĂĄroly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka PoznanoviÄ (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad â Novi Sad Art Academy), (Documentary about Katalin Ladik) MonodrĂĄma szĂŒletik (A Monodrama is Born), dir. Gyula RadĂł (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez mĂĄr nem Ă©n vagyok (This Isn`t Me Anymore), dir. Gyula RadĂł (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) KrleĆŸa u videomedijima 5.: TV-usporedbe Adam i Eva (KrleĆŸa in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. JenĆ HartyĂĄndi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol KözĂ©p-EurĂłpĂĄban (Somewhere in Central Europe), dir. IstvĂĄn GrencsĂł, JenĆ HartyĂĄndi (1993, Hungarian â Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetniÄka scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica MrÄa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladikâs art) SzĂĄzfĂ©le szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Ăva SaĂĄry are read by Katalin Ladik), (Documentary about Ăva SaĂĄry) A sikoly ars poĂ©tikĂĄja - Ladik Katalin portrĂ©film (The Ars Poetica of the Scream â Katalin Ladik`s Portrait), dir. KornĂ©l SzilĂĄgyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. KornĂ©l SzilĂĄgyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. GĂĄbor TĂłth, HĂrTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writerâs Credit SĂĄmĂĄn (Shaman), dir. PĂĄl Zolnay (1977, Hungarian, written by the director using poems of Attila JĂłzsef, LĂĄszlĂł Nagy, SĂĄndor Weöres Ă©s Katalin Ladik) Behind the Eye, dir. SebĆ KovĂĄcs (1999, Hungarian, based on Katalin Ladikâs poem: Vers a szerelmes piĂłcĂĄrĂłl / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar RĂĄdiĂł Budapest (Hungarian Radio). Alex Avanesian, Imre JĂłzsef Katona and Katalin Ladik. Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. FƱketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Ălhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by OtĂlia Cseicsner, directed by KornĂ©l SzilĂĄgyi A vĂz emlĂ©kezete (The Memory of Water), RĂĄdiĂłszĂnhĂĄz, Hungarian Radio (Kossuth RĂĄdiĂł), directed by OtĂlia Cseicsner, 27 June 2017, 21:30 Radio Theatre: âLadik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Maryâ (BujĂłcska, Ămagyar MĂĄrai-siralom variĂĄciĂłk), Magyar RĂĄdiĂł (Hungarian Radio), Kossuth RĂĄdiĂł, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az ĂĄrja-kaszt magĂĄnĂ©lete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1963 Miodrag DjurdjeviÄ: A csavargĂł meg Ćk ketten (The Vagabond and the Two of Them) (the Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1963 MiklĂłs GyĂĄrfĂĄs: Kisasszonyok a magasban â FĂ©rfiaknak tilos (Young Ladies Up High â No Men Allowed) (JĂșlia, who is barely even a young lady), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 LĂĄszĂł Kopeczky: HarangszĂł elĆtt (Before the Bell Rings) (FlĂłra), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormĂĄnyzĂł halĂĄla (Death of the Governor) (Silvia), (adapted by IvĂĄn Horovitz), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: TalĂĄlka a âMeseâ kĂĄvĂ©hĂĄzban (A Date in CafĂ© Tale) (Waitress), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 JĂĄnos Herceg: Mindenkinek van egy ĂĄlma (Everyone Has a Dream) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1965 Aleksandar ObrenoviÄ: A tegnapi nap (Yesterday) (performer), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina EgriÄ), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 Miroslav MitroviÄ: MĂ©g szemerkĂ©l az esĆ (The Rain Is Still Dripping) (Announcer), dir. GellĂ©r Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. OlivĂ©r teremĆre (The Guard of Oliver III) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 DuĆĄan RaksandiÄ: MuratrĂłl, PepekrĆl, AngyelĂĄrĂłl Ă©s rĂłlam (About Murat, Pepek, Andjela and Me) (the Professorâs Wife), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1967 GĂŒnter Eich: Carmilla meg Ă©n (The Other and I; orig. Die Andere und Ich) (performer), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas Ășr dĂ©lutĂĄnja (The Afternoon of Mr Andesmas) (ValĂ©rie), (adapted by Milan TopolavÄki) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Miloslav StehlĂk: Bizalomvonal (Helpline) (Telephone Assistant), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Sead FetahagiÄ: Körbe, körbe, karikĂĄba (Round and Round) (Mira), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: CsĂłnak jön a tavon (A Boat Approaches on the Lake â Una barca viene dal lago) (Anna Marabini), (adapted by IvĂĄn Horovitz) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a LĂĄny szerepĂ©ben), dir. GusztĂĄv Barlay, Radio Novi Sad (Serbia), 1968 JĂłzsef SulhĂłf (text), ed. by ErnĆ KirĂĄly: Tavaszi bokrĂ©ta dalest (Spring Bouquet â An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda SzabĂł: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Ăljen az ifjĂș pĂĄr! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc DeĂĄk: ApoteĂłzis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: ĂröklakĂĄs (Condominium) (KlĂĄra), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1970 EugĂšne Ionesco: A kopasz Ă©nekesnĆ (The Bald Soprano), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1970 PĂĄl Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 MihĂĄly MajtĂ©nyi: A szĂĄmƱzött (The Exile) (Sibylla), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre MƱvĂ©szestje: AzĂ©rt is maradok...! (An Evening with Endre Gerich: I Say Iâm Staying...!) (performer) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu â Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: GyertyalĂĄng a szĂ©lben (Candle in the Wind) (Anni), dir. ĂrpĂĄd Benedek, Radio Novi Sad (Serbia), 1972 Ăs mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplĂłja (Jasnaâs Diary) (Jasna), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1973 Svetislav RuĆĄkuc: A hetvennyolcas fordulatszĂĄmĂș ajtĂł (The 78 RPM Door) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1973 DuĆĄan IljiÄ: Beutazni a földet (To Travel the World) (SzitakötĆ /Dragonfly/, a Girl), dir. MiklĂłs CserĂ©s, Dr, Radio Novi Sad (Serbia), 1976 TĂĄrsult humor Ă©ve (The Year of Associated Humour) (performer), dir. RĂłbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idĂ©zĂŒnk! (SĂ©ance!) (performer), dir. György TuriĂĄn, Radio Novi Sad (Serbia), 1977 VidĂĄm est (A Merry Evening) (performer), dir. SĂĄndor SĂĄntha, Radio Novi Sad (Serbia), 1977 IstvĂĄn BosnyĂĄk: Szemben a bĂrĂłval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komĂ©dia (A Little Comedy) (Lady I), dir. IstvĂĄn Vajda, Radio Novi Sad (Serbia), 1978 LĂĄszlĂł Nemes: SzerencseszerzĆdĂ©s (Contract of Luck) (adapted by JĂĄnos BorbĂ©ly) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 OttĂł Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar RĂĄdiĂł (Hungary), 1997 (monodrama) Iris Disse: Ălmodott idĆ â 1956 (Dreamt Time â 1956), dir. Iris Disse, Radio Kossuth / Kossuth RĂĄdiĂł (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA â Museum of Contemporary Art in Barcelona / Museu dâArt Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum (9 works of visual poetry â typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976â1977, Aki miatt a harang szĂłl (For Whom the Bell Rings) â In Memoriam Lajos KassĂĄk collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection â The Art Collection of Erste Group / Kontakt â Die Kunstsammlung der Erste Group (5 items of the âAusgewĂ€hlte Volksliederâ(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art â a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia â Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968â89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards â mail-art â and documentation, 1977-1981) Belgrade (Serbia): TrajkoviÄ Collection (Blackshave Poem â Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago â Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)...
U dobrom stanju! Redje u ponudi! Katalin Ladik (roÄena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-maÄarski pesnik, izvoÄaÄ i filmski stvaralac. Katalin Ladik poÄela je pisati 1962. godine radecÌi kao bankarski Äinovnik. Bila je radijska voditeljica i pozoriĆĄna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozoriĆĄta. Kao umetniÄki medij koristi vizuelnu poeziju, umetnost poĆĄte, radio igre, prozu, kolaĆŸ, fotografiju, film i eksperimentalnu muziku. Ladik istraĆŸuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se viĆĄe puta pojavljivao u kontekstu predstava, dogaÄaja i pozoriĆĄnih komada koji se Äesto deĆĄavaju u urbanom okruĆŸenju, ali i u prirodi. Bila je Älan umetniÄkog kolektiva Bosch + Bosch. Katalin Ladik ĆŸivi i radi naizmeniÄno u Novom Sadu (Srbija), BudimpeĆĄti (MaÄarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim ĆĄezdesetim godinama, pre svega kroz feministiÄko-ĆĄamanistiÄku zvuÄnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i meÄunarodnim izloĆŸbama. 1977. Godine dala je ime sebi kao uÄesnica 10. meÄunarodnog festivala zvuÄne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu odrĆŸana je retrospektiva, koja je privukla nacionalnu paĆŸnju, a 2017. godine bila je pozvana da uÄestvuje u dokumentarnoj 14. TakoÄe je ukljuÄena u seriju izloĆŸbi FeministiÄka avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Ălet Ă©s Irodalom (1993â94) and CigĂĄnyfĂșrĂł (1994â99). Between 1993 and 1998 she taught at HangĂĄr musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the KassĂĄk Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International â Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the JĂłzsef Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the KlĂĄra Herczeg Award in senior category from the Studio of Young Artistsâ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of UdruĆŸenje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar TelevĂziĂł Elnöki NĂvĂłdĂja / Award of the President of Hungarian Television for Acting Excellence for acting in AndrĂĄs Rajnaiâs TV film series, TelevĂziĂłs mesĂ©k felnĆtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barkerâs The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume âA vĂz emlĂ©kezeteâ (âThe Memory of Waterâ) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for âbeing defiant, provocative, and confrontational towards the actual literary canonsâ Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say âperformed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Ălhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott KönyvmƱhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artistsâ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezĂŒstbiciklirĆl (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldĂłzerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrĂłn (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parĂĄzna söprƱ â Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 KiƱzetĂ©s (Exile) | poems | Hungarian | MagvetĆ, Budapest, 1988 JegyessĂ©g (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 FƱketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Ălhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott KönyvmƱhely, Budapest, 2007 BelsĆ vĂzözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A vĂz emlĂ©kezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko | KnjiĆŸevna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | New Native Press, Sylva, 1992 PoĂšmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarusâ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books FƱketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format FƱketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ĂzƱ vagyok? (How Do I Taste?) | poems | Hungarian | A hĂłnap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezĂŒstbiciklirĆl (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 PoĂ©sie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue dâArt Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de PoĂ©sie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 HangĂĄr / Hangar | audio cassette | anthology of sound poetry, Amsterdam â Budapest, 1987 Aki darazsakrĂłl ĂĄlmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakrĂłl ĂĄlmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzĂĄrvĂĄnyok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 VajdasĂĄgi Magyar Zenei EstĂ©k / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 VĂzisĂĄmĂĄn / Water Shaman | CD | Budapest, 1999 Spiritus Noister â Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anÄeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir SakaÄ, and Milko Kelemen (1971â73, ensemble ACEZANTEZ); ErnĆ KirĂĄly (1963-2002); DuĆĄan RadiÄ (Oratorio Profano, 1979); Boris KovaÄ (1986-1990); DeĆŸe Molnar ( 1989â91); Zsolt SĆrĂ©s a.k.a. Ahad, and Zsolt KovĂĄcs (1996-, Spiritus Noister). ErnĆ KirĂĄly | LP | UdruĆŸenje Kompozitora Vojvodine, Novi Sad, 1978 Boris KovaÄ: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris KovaÄ: Ritual Nova II | CD | Recommended Records, London, 1989 ErnĆ KirĂĄly - Spectrum | CD | Autobus, Paris, 1999 DeĆŸe Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio FƱketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, mp3 format A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format KĂƱzetĂ©s - JegyessĂ©g (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Live performances 2011 NĂ©gy fekete lĂł mögöttem repĂŒl (Four Black Horses Fly Behind Me); JĂ©gmadĂĄr (Icebird); excerpts from BelsĆ vĂzözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | TamĂĄs SzentjĂłby, MiklĂłs ErdĂ©ly, Katalin Ladik | happening 1970 Belgrade - Serbia | PozoriĆĄte Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Ćœanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | JĂłzsef Attila MƱvelĆdĂ©si HĂĄz (Cultural Centre JĂłzsef Attila) | with JenĆ BalaskĂł | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 BaÄka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski FaĆĄnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Äetvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance BalatonboglĂĄr - Hungary | KĂĄpolna GalĂ©ria (KĂĄpolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `SpuĆĄtanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, foniÄna i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) KrakĂłw (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. TuciÄ) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), PreĆĄeren Theatre / PreĆĄernovo GledaliĆĄÄe /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / PozoriĆĄte Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Äetvrta dimenzija â krik` (Fourth Dimension â Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `PesniÄki maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja MarinkoviÄ Student Club / Studentski Klub âSonja MarinkoviÄâ: `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ WĂŒrzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetniÄka praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az Ă©neklĆ varrĂłgĂ©p â The Singing Sewing Machine` (with Zsolt KirĂĄly) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole â A sikoltozĂł lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery âT Hoogt / âT Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / VĂĄrszĂnhĂĄz, Knightsâ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ/ StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin ĂșjvidĂ©ki költĆ Ă©s elĆadĂłmƱvĂ©sz szerzĆi estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre PetĆfi SĂĄndor / PetĆfi SĂĄndor MƱvelĆdĂ©si HĂĄz: `Telepi estĂ©k â Ladik Katalin szerzĆi estje` (Evenings in Telep â with Poet Katalin Ladik) (with OttĂł Tolnai, Zsolt KirĂĄly) /performance/ Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Ladik Katalin szerzĆi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ / StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin szerzĆi Ă©s elĆadĂłi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Ć algo) /performance/ Osijek (Croatia), Studentsâ Youth Centre / Studentski Centar Mladih, OsijeÄko ljeto (Summer in Osijek): `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrouâ (Icarus on the Subway) (with Judita Ć algo, Selimir RaduloviÄ) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ KanjiĆŸa (Serbia), Literary Camp / KnjiĆŸevna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Ć eviÄ: `Sound Poetry Performance` (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Ć ekspira` (Tempest â Based on Shakespeare) â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), JĂłzsef Attila University (Today: University of Szeged) / JĂłzsef Attila TudomĂĄnyegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de PoĂ©sie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / PozoriĆĄte Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of LĂĄgymĂĄnyos / LĂĄgymĂĄnyosi MƱvelĆdĂ©si Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / FĆvĂĄrosi MƱvelĆdĂ©si HĂĄz: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), âSonja MarinkoviÄâCultural Centre / Kulturni Centar âSonja MarinkoviÄâ, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari BeÄej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ PĂ©cs (Hungary): `Alice` /performance/ Budapest (Hungary), VigadĂł Chamber Hall / VigadĂł Kamaraterem, HangĂĄr Est (âWall of Soundâ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ NovĂ© ZĂĄmky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with ZoltĂĄn Pletl) /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, Ex-panziĂł 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), DalmĂĄt Cellar / DalmĂĄt pince, UHF KisĂșjrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, ExpanziĂł 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with LukĂĄcs Bitskey /performance/ ZebegĂ©ny (Hungary): `A helyettesĂtĆ asszony (The Substitute)` /performance/ PĂ©cs (Hungary): `A nĂ©gydimenziĂłs ablak (The Four-dimensional Window)` with TamĂĄs Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de PoĂšsie: `KassĂĄk` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio â Corsica (France): `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `FƱketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` Budapest (Hungary), A38 Ship / A38 hajĂł: `LomtalanĂtĂĄs` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum: `Torony-LomtalanĂtĂĄs` (Cleaning the Tower-House) /performance/ 2005 TerĂ©ny (Hungary), ExpanziĂł Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-MĂŒller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 NovĂ© ZĂĄmky (Slovakia), Art Gallery / GalĂ©ria Umenia: `Gyakorlatok ĂŒres hĂșrokon â KassĂĄk-kĂłd` (Exercises on Empty Strings - KassĂĄk Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria: `FƱketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz: `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ VerĆce (Hungary), EkszpanziĂł XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar AlkotĂłmƱvĂ©szeti KözalapĂtvĂĄny AlkotĂłhĂĄza, JĂłzsef Attila Kör 18. irodalmi tĂĄbora (18th Literary Camp of the JĂłzsef Attila Circle): `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ 2008 Budapest (Hungary), PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum, A SzĂ©pĂrĂłk TĂĄrsasĂĄga V. Ćszi irodalmi fesztivĂĄlja â NĆk a fĂ©rfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association â Women in a Men`s World): `Diptichon` (with Endre SzkĂĄrosi), performance Belgrade (Serbia), ARTGET Gallery â Cultural Centre Belgrade / Galerija ARTGET â Kulturni Centar Beograda (World Poetry Day): `Tesla â Homo Galacticus` /performance/ Szigliget (Hungary), JĂłzsef Attila Kör 20. irodalmi tĂĄbora (20th Literary Camp of the JĂłzsef Attila Circle): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Bratislava (Slovakia), Ars Poetica MedzinĂĄrodny Festival PoĂ©zie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 VisegrĂĄd (Hungary), The Roof Terrace of King Matthias Museum / A MĂĄtyĂĄs KirĂĄly MĂșzeum tetĆterasza, EkszpanziĂł XXI Festival: âKerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 GalĂ©ria, Tibor Papp`s Exhibition Opening: `ĂraköltemĂ©ny` (Poem-Clock) /performance/ Subotica (Serbia), KosztolĂĄnyi DezsĆ Theatre / KosztolĂĄnyi DezsĆ SzĂnhĂĄz: `Tesla â Homo Galacticus` /performance/ Budapest (Hungary), MillenĂĄris Theatre / MillenĂĄris TeĂĄtrum, Book Festival: `SzabadkĆmƱves szex` (Freemason Sex) (with drMĂĄriĂĄs) /performance/ Ć taglinec (Croatia), `Voda` â `Water` MeÄunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis ZsinagĂłga KortĂĄrs GalĂ©ria, artAlom Ă©lĆmƱvĂ©szeti fesztivĂĄl (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) â Subotica (Serbia), Railway line, KultĂșrcsempĂ©sz SĂnbusz FesztivĂĄl (Culture-smuggler Railbus Festival): Megaphone-assisted readings by GĂĄbor VirĂĄg, Slobodan TiĆĄma, GĂĄbor Lanczkor, Tamara Ć uĆĄkiÄ, Vladimir Kopicl, Katalin Ladik, SiniĆĄa TuciÄ, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / MƱcsarnok: `PreparababrakabarĂ©` /performance/ Marseille (France), Museum of Contemporary Art / MusĂ©e d`Art Contemporain, PoĂ©sie Marseille 2011, 8Ăšme Festival (8th Marseille Poetry Festival, 2011): `Le Grand MĂ©nage` (Spring Cleaning) /performance/ TĂąrgu MureÈ (Romania), National Theatre - Small Hall / Teatrul NaĆŁional â Sala MicÄ, Testet öltött szavak rendezvĂ©ny (Words Embodied â Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz, Ismeretlen kutatĂĄsa improvizĂĄciĂłs alkotĂłmƱhely (Searching the Unknown â Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar ĂrĂłszövetsĂ©g: XXIV. EkszpanziĂł Festival, `IdĂ©zet` Szimpozion Ă©s KiĂĄllĂtĂĄs (`Quotation` Symposium and Exhibition): `ĂsĂł, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ KomĂĄrom (Hungary), Fort Monostor â Film Museum / Monostori ErĆd â FilmmĂșzeum, Mediawave 2012 Festival: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ ĆĂłdĆș (Poland), MS2 â Lodz Museum of Art / MS2 â Muzeum Sztuki w Ćodzi: `Alicja w krainie kodĂłw` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, PĂĄl street 6.: Gödör bĂșjĂłcska â irodalom, zene, film, tĂĄnc, szĂnhĂĄz, beszĂ©lgetĂ©s (Gödör Club Hide-and-seek â literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice KĂłdorszĂĄgban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Ăbudai TĂĄrsaskör, KassĂĄk Museum, KassĂĄk Year: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIÄ, âTesla. Homo Galacticusâ /performance/ SzĂ©kesfehĂ©rvĂĄr (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, AutonĂłmia Filmklub 5, âI Belong to the Bandâ: Katalin Ladik`s voice on âpoets of the absurd on chalkâ[8] 2014 SzĂĄzhalombatta (Hungary), Katalin Ladik - Endre SzkĂĄrosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar VigadĂł, JazzaJ, Katalin Ladik â Jean Michel van Schowburg, Katalin Ladik â Zsolt SĆrĂ©s, âSounds to Goâ (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, UniversitĂ€t Wien, `Singende Schnittmuster â Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 PoreÄ (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzoâ /performance/,[10][11] Budapest (Hungary), MĂSZI, @Transart Communication, Katalin Ladik & Zsolt SĆrĂ©s âAlchemical Weddingâ (AlkĂmiai nĂĄsz) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, âTranzit Zoonâ /performance/ 2017 Athens (Greece), Oval Staircase, Megaron â the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, âFollow me into mythologyâ /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, âLive Lectureâ /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition âLive Lectureâ /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, âWall(ed)â, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), TrafĂł, âAlice in Codelandâ /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation âSound Poemsâ /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), âK.A.T (Culture â Activism â Theory) Conferenceâ, âCreative Transitionsâ/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, âTraNSporteur multilingual poetryâ /poetry reading/ Lodz (Poland), House of Literature, âPuls Literary Festival, 2017, Hungarian Dayâ, âSounds in Lodzâ / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft fĂŒr bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âFollow me into Mythologyâ /live lecture and soloperformance/ Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âDesire of Touchâ /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture with Emese KĂŒrti/ Budapest (Hungary), Közkincs KönyvtĂĄr, `MĆ°VĂSZ + NĆ` (ARTIST + WOMAN), âFeminizmus Ă©s mƱvĂ©szet ma?â (Feminism and Art Today?), âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), âShowroom of Contemporary Soundâ, âTransitionsâ /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), âFountains of Rome - Mouth to Lung!â /live lecture and sound performance/ Budapest (Hungary), HĂĄrom HollĂł â Drei Raben, âAntracit szĂĄjrĂșd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der KĂŒnste, `19. poesiefestival berlin 2018, Weltklang â Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus fâĂŒr Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija; Branimir SakaÄ: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with ErnĆ KirĂĄly) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: MuziÄki biennale (Music Biennale â International Festival of Contemporary Music) (MBZ Radionica/Workshop II with ErnĆ KirĂĄly, et al.; Chamber Music - Branimir SakaÄ: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: DubrovaÄke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, âRadivoj Äirpanovâ Workersâ University / RadniÄki univerzitet âRadivoj Äirpanovâ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) â Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata â BEMUS Belgrade Music Festival: âOratorio Profanoâ (composer: DuĆĄan RadiÄ, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultĂșrintĂ©zet / Istituto Italiano di Cultura, AvantgĂĄrd mƱvĂ©szetek a vilĂĄgban: mi lett a sorsuk? Nemzetközi tanĂĄcskozĂĄs (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 SzekszĂĄrd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), MƱvelĆdĂ©si Szint (MĂSZI), â@Transart Communication 2016â, âAlchimist Weddingâ /concert and live sound performance with Zsolt SĆrĂ©s/ VeszprĂ©m (Hungary), House of Arts, âAlkĂmiai mennyegzĆâ (âAlchimist Weddingâ) /concert and live sound performance with Zsolt SĆrĂ©s/ Budapest (Hungary), MĂŒpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ Budapest (Hungary), Kassak Museum, âDadarabokâ /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: âHatĂĄridĆnaplĂłâ (âDiary Bookâ) /concert and live sound performance with Gyula VĂĄrnai/ VeszprĂ©m (Hungary), 2018, House of Arts, âSpring Reopening, We believe in life before deathâ, âClaes Oldenburg: I am for an Artâ /concert and live sound performance with Gyula VĂĄrnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. IstvĂĄn LĂĄnyi; IfjĂșsĂĄgi TribĂŒn (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor GellĂ©r; PetĆfi SĂĄndor MƱvelĆdĂ©si EgyesĂŒlet (âPetĆfi SĂĄndorâ Cultural Association); Novi Sad (Serbia); 1963 MoliĂšre: The Imaginary Invalid (BĂ©line); dir. Ljubica Ravasi; Srpsko Narodno PozoriĆĄte (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) SĂĄndor Guelmino: Ăzvegy (Widow); dir. Tibor Vajda; Echo (az ĂjvidĂ©ki RĂĄdiĂł Ă©s az IfjĂșsĂĄgi TribĂŒn szĂnpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc TĂłth (text) â ErnĆ KirĂĄly (composer): JĂłb (Job) (Performer â Recitative); dir. IstvĂĄn SzabĂł, Jr.; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 IstvĂĄn ĂrkĂ©ny: MacskajĂĄtĂ©k (Cats` Play) (Ilus); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav DoriÄ; RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: MukĂĄnyi (Ella); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1977 MoliĂšre: Dom Juan or The Feast with the Statue (Mathurine); dir. DuĆĄan Sabo; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. PĂ©ter Telihay; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 OttĂł Tolnai: VĂ©geladĂĄs (Clearance Sale) (Mrs Csömöre); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 Gyula HernĂĄdi: V.N.H.M. Szörnyek Ă©vadja (V. N. H. M. - Season of Monsters); dir. MiklĂłs JancsĂł; Summer Theatre in Gyula; VĂĄrszĂnhĂĄz; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 OttĂł Tolnai: Bayer Aspirin (The Actress); dir. MiklĂłs JancsĂł; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Ferenc DeĂĄk: Nirvana (Csontos Vali); dir. IstvĂĄn SzabĂł Jr.; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan BelegiĆĄanin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 DezsĆ KosztolĂĄnyi: Anna Ădes ( Mrs Druma); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanovâs) (Mother Puzirjova); dir. Haris PaĆĄoviÄ; Akademsko PozoriĆĄte âPromenaâ (âChangeâ Academic Theater); Novi Sad; (Serbia); 1983 MihĂĄly MajtĂ©nyi: Harmadik ablak (The Third Window) (Mrs LĂłdi); dir. György HernyĂĄk; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby FehĂ©r: A Duna menti Hollywood (Hollywood by the Danube) â Multimedia Performance About the Life of ErnĆ BosnyĂĄk (The Baron`s Lover); dir. KĂĄroly Vicsek; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Ivo BreĆĄan: Anera (Anera); dir. Dimitar Stankoski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich DĂŒrrenmatt: The Visit (First Woman); dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: ForgatĂłkönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: TĂłtĂ©k (The TĂłt Family) (Mrs TĂłt); dir. GĂĄbor SzĂ©kely; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: âRâ (Katerina); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav LaziÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Ćœelimir OreĆĄkoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1989 Ferenc MolnĂĄr (Franz Molnar): Liliom (Mrs MuskĂĄt); dir. LĂĄszlĂł Babarczy; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 Ede TĂłth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs TarisznyĂĄs); dir. HernyĂĄk György; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 OttĂł Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. PĂ©ter Tömöry; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 JĂłzsi JenĆ TersĂĄnszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja SoldatoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 PĂ©ter NĂĄdas (text) â LĂĄszlĂł Vidovszky (composer): TalĂĄlkozĂĄs (Encounter) (MĂĄria); dir. AndrĂĄs Ăry-KovĂĄcs; Shure Studio; Budapesti KamaraszĂnhĂĄz (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (LĂ©on Charles Miqueut sous-ingĂ©nieur principal di CNU / Sub head-engineer at CNU); dir. RĂłbert Csontos; Kolibri SzĂnhĂĄz (Kolibri [âHummingbirdâ] Theatre); Budapest (Hungary); 1997 Sean OÂŽCasey: Bedtime Story (Landlady); dir. PĂĄl Kanda; FĂŒggeten SzĂnpad III tĂĄrsulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [âHummingbirdâ] Cellar Theatre); Budapest (Hungary); 1998 LĂĄszlĂł NajmĂĄnyi: Adieu Monsieur Bloom â Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2003 LĂĄszlĂł NajmĂĄnyi: A szĂĄmƱzött Joyce / The Exiled Joyce (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan DoriÄ: Ne daj BoĆŸe, da se Srbi sloĆŸe / Ne adj isten, szerbek egyesĂŒlnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan DoriÄ; MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; ReJoyce Festival; Szombathely; (Hungary); 2004 György BarĂĄthy: Origami (I Woman); dir. György BarĂĄthy; ArtĂ©ria SzĂnhĂĄzi TĂĄrsasĂĄg (Theatre Company âArtĂ©riaâ); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by theâTheatre of Roots and Wingsâ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, SzekszĂĄrd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert KĂșria, Dunaharaszti (Hungary), 2017; Municipal Library, ZebegĂ©ny (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandisâ musical play), dir. Petar TesliÄ (1972, Serbian, Belgrade TV 2) (Kunigunda) DĂŒbörgĆ csend (1978) on IMDb (Thundering Silence), dir. MiklĂłs SzĂjj (Hungarian) (Eta) Szetna, a varĂĄzslĂł (1980) on IMDb (Setna the Wizard), dir. AndrĂĄs Rajnai (Hungarian) (Isis) Gulliver az ĂłriĂĄsok orszĂĄgĂĄban (1980) on IMDb (Gulliver in the Land of Giants), dir. AndrĂĄs Rajnai (Hungarian) (Lady in attendance) Aelita, dir. AndrĂĄs Rajnai (1980, Hungarian)[15] Atlantis, dir. AndrĂĄs Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A vilĂĄgkagylĂł mĂtosza (The Myth of the World Shell), dir. AndrĂĄs Rajnai (1982, Hungarian) BĂĄbel tornya (The Tower of Babel), dir. AndrĂĄs Rajnai (1982, Hungarian) (the Priestess Lagasa) HĂ©roszok pokoljĂĄrĂĄsa (The Heroesâ Journey Through the Underworld), dir. AndrĂĄs Rajnai (1982, Hungarian) (Anna) FajkutyĂĄk ideje (lit. The Time of Purebred Dogs), dir. KĂĄroly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan ZafranoviÄ (Croatian) (Ćœena) KĂ©sdobĂĄlĂł (slang: Pub, lit. Knife-thrower), dir. KĂĄroly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneĆŸi (1985) on IMDb, dir. Miljenko Dereta (Serbian) NapĂłleon (1989) on IMDb (Napoleon), dir. AndrĂĄs SĂłlyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran MaĆĄireviÄ (Yugoslavian â Serbian â Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. DuĆĄan Sabo (Bosnian) (ĆœuĆŸa) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. MĂĄria SĂłs (Hungarian) (The scientistâs wife) A szivĂĄrvĂĄny harcosa (2001) on IMDb (Rainbow`s Warrior), dir. PĂ©ter Havas (Hungarian) (Old Ms Sofia - voice) KolorĂĄdĂł Kid,(2010) on IMDb, dir. AndrĂĄs VĂĄgvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos MoldovĂĄn (1972, Hungarian, BalĂĄzs BĂ©la Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladikâs Sound Project) CsendĂ©let hallal Ă©s mĂĄs tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. NatĂĄlia JĂĄnossy (Hungarian) (AgĂĄta) Deda KovaÄ - Grandpa KovaÄ (2011) on IMDb, dir. Milica ÄjeniÄ (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a vilĂĄg (1989) on IMDb (Where the World Goes Out) (based on KalandozĂĄs a tĂŒkörben (Adventures in the Mirror) by JĂĄnos Pilinszky), dir. KĂĄroly KismĂĄnyoky (1989, Hungarian, Pannonia Film Studio) A pĂĄrduc (The Panther), (Short animated film set to Rilkeâs poem), dir. AndrĂĄs Fiath (1998, Hungarian) Medea (animated study), dir. ZsĂłfia PĂ©terffy (2007) Ărökre valĂł / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. KĂĄroly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka PoznanoviÄ (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad â Novi Sad Art Academy), (Documentary about Katalin Ladik) MonodrĂĄma szĂŒletik (A Monodrama is Born), dir. Gyula RadĂł (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez mĂĄr nem Ă©n vagyok (This Isn`t Me Anymore), dir. Gyula RadĂł (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) KrleĆŸa u videomedijima 5.: TV-usporedbe Adam i Eva (KrleĆŸa in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. JenĆ HartyĂĄndi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol KözĂ©p-EurĂłpĂĄban (Somewhere in Central Europe), dir. IstvĂĄn GrencsĂł, JenĆ HartyĂĄndi (1993, Hungarian â Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetniÄka scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica MrÄa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladikâs art) SzĂĄzfĂ©le szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Ăva SaĂĄry are read by Katalin Ladik), (Documentary about Ăva SaĂĄry) A sikoly ars poĂ©tikĂĄja - Ladik Katalin portrĂ©film (The Ars Poetica of the Scream â Katalin Ladik`s Portrait), dir. KornĂ©l SzilĂĄgyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. KornĂ©l SzilĂĄgyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. GĂĄbor TĂłth, HĂrTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writerâs Credit SĂĄmĂĄn (Shaman), dir. PĂĄl Zolnay (1977, Hungarian, written by the director using poems of Attila JĂłzsef, LĂĄszlĂł Nagy, SĂĄndor Weöres Ă©s Katalin Ladik) Behind the Eye, dir. SebĆ KovĂĄcs (1999, Hungarian, based on Katalin Ladikâs poem: Vers a szerelmes piĂłcĂĄrĂłl / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar RĂĄdiĂł Budapest (Hungarian Radio). Alex Avanesian, Imre JĂłzsef Katona and Katalin Ladik. Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. FƱketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Ălhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by OtĂlia Cseicsner, directed by KornĂ©l SzilĂĄgyi A vĂz emlĂ©kezete (The Memory of Water), RĂĄdiĂłszĂnhĂĄz, Hungarian Radio (Kossuth RĂĄdiĂł), directed by OtĂlia Cseicsner, 27 June 2017, 21:30 Radio Theatre: âLadik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Maryâ (BujĂłcska, Ămagyar MĂĄrai-siralom variĂĄciĂłk), Magyar RĂĄdiĂł (Hungarian Radio), Kossuth RĂĄdiĂł, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az ĂĄrja-kaszt magĂĄnĂ©lete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1963 Miodrag DjurdjeviÄ: A csavargĂł meg Ćk ketten (The Vagabond and the Two of Them) (the Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1963 MiklĂłs GyĂĄrfĂĄs: Kisasszonyok a magasban â FĂ©rfiaknak tilos (Young Ladies Up High â No Men Allowed) (JĂșlia, who is barely even a young lady), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 LĂĄszĂł Kopeczky: HarangszĂł elĆtt (Before the Bell Rings) (FlĂłra), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormĂĄnyzĂł halĂĄla (Death of the Governor) (Silvia), (adapted by IvĂĄn Horovitz), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: TalĂĄlka a âMeseâ kĂĄvĂ©hĂĄzban (A Date in CafĂ© Tale) (Waitress), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 JĂĄnos Herceg: Mindenkinek van egy ĂĄlma (Everyone Has a Dream) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1965 Aleksandar ObrenoviÄ: A tegnapi nap (Yesterday) (performer), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina EgriÄ), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 Miroslav MitroviÄ: MĂ©g szemerkĂ©l az esĆ (The Rain Is Still Dripping) (Announcer), dir. GellĂ©r Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. OlivĂ©r teremĆre (The Guard of Oliver III) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 DuĆĄan RaksandiÄ: MuratrĂłl, PepekrĆl, AngyelĂĄrĂłl Ă©s rĂłlam (About Murat, Pepek, Andjela and Me) (the Professorâs Wife), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1967 GĂŒnter Eich: Carmilla meg Ă©n (The Other and I; orig. Die Andere und Ich) (performer), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas Ășr dĂ©lutĂĄnja (The Afternoon of Mr Andesmas) (ValĂ©rie), (adapted by Milan TopolavÄki) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Miloslav StehlĂk: Bizalomvonal (Helpline) (Telephone Assistant), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Sead FetahagiÄ: Körbe, körbe, karikĂĄba (Round and Round) (Mira), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: CsĂłnak jön a tavon (A Boat Approaches on the Lake â Una barca viene dal lago) (Anna Marabini), (adapted by IvĂĄn Horovitz) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a LĂĄny szerepĂ©ben), dir. GusztĂĄv Barlay, Radio Novi Sad (Serbia), 1968 JĂłzsef SulhĂłf (text), ed. by ErnĆ KirĂĄly: Tavaszi bokrĂ©ta dalest (Spring Bouquet â An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda SzabĂł: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Ăljen az ifjĂș pĂĄr! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc DeĂĄk: ApoteĂłzis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: ĂröklakĂĄs (Condominium) (KlĂĄra), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1970 EugĂšne Ionesco: A kopasz Ă©nekesnĆ (The Bald Soprano), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1970 PĂĄl Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 MihĂĄly MajtĂ©nyi: A szĂĄmƱzött (The Exile) (Sibylla), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre MƱvĂ©szestje: AzĂ©rt is maradok...! (An Evening with Endre Gerich: I Say Iâm Staying...!) (performer) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu â Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: GyertyalĂĄng a szĂ©lben (Candle in the Wind) (Anni), dir. ĂrpĂĄd Benedek, Radio Novi Sad (Serbia), 1972 Ăs mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplĂłja (Jasnaâs Diary) (Jasna), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1973 Svetislav RuĆĄkuc: A hetvennyolcas fordulatszĂĄmĂș ajtĂł (The 78 RPM Door) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1973 DuĆĄan IljiÄ: Beutazni a földet (To Travel the World) (SzitakötĆ /Dragonfly/, a Girl), dir. MiklĂłs CserĂ©s, Dr, Radio Novi Sad (Serbia), 1976 TĂĄrsult humor Ă©ve (The Year of Associated Humour) (performer), dir. RĂłbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idĂ©zĂŒnk! (SĂ©ance!) (performer), dir. György TuriĂĄn, Radio Novi Sad (Serbia), 1977 VidĂĄm est (A Merry Evening) (performer), dir. SĂĄndor SĂĄntha, Radio Novi Sad (Serbia), 1977 IstvĂĄn BosnyĂĄk: Szemben a bĂrĂłval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komĂ©dia (A Little Comedy) (Lady I), dir. IstvĂĄn Vajda, Radio Novi Sad (Serbia), 1978 LĂĄszlĂł Nemes: SzerencseszerzĆdĂ©s (Contract of Luck) (adapted by JĂĄnos BorbĂ©ly) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 OttĂł Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar RĂĄdiĂł (Hungary), 1997 (monodrama) Iris Disse: Ălmodott idĆ â 1956 (Dreamt Time â 1956), dir. Iris Disse, Radio Kossuth / Kossuth RĂĄdiĂł (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA â Museum of Contemporary Art in Barcelona / Museu dâArt Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum (9 works of visual poetry â typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976â1977, Aki miatt a harang szĂłl (For Whom the Bell Rings) â In Memoriam Lajos KassĂĄk collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection â The Art Collection of Erste Group / Kontakt â Die Kunstsammlung der Erste Group (5 items of the âAusgewĂ€hlte Volksliederâ(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art â a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia â Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968â89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards â mail-art â and documentation, 1977-1981) Belgrade (Serbia): TrajkoviÄ Collection (Blackshave Poem â Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago â Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry â Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre â Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry â Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry â Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna IzloĆŸba 1962â2010. MoÄ Ćœene: Katalin Ladik (Retrospective Exhibition 1962â2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 SzĂ©kesfeh
U dobrom stanju! Dve knjige su u pitanju, jedna na Madjarskom jedna na Srpskom Redje u ponudi! Katalin Ladik (roÄena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-maÄarski pesnik, izvoÄaÄ i filmski stvaralac. Katalin Ladik poÄela je pisati 1962. godine radecÌi kao bankarski Äinovnik. Bila je radijska voditeljica i pozoriĆĄna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozoriĆĄta. Kao umetniÄki medij koristi vizuelnu poeziju, umetnost poĆĄte, radio igre, prozu, kolaĆŸ, fotografiju, film i eksperimentalnu muziku. Ladik istraĆŸuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se viĆĄe puta pojavljivao u kontekstu predstava, dogaÄaja i pozoriĆĄnih komada koji se Äesto deĆĄavaju u urbanom okruĆŸenju, ali i u prirodi. Bila je Älan umetniÄkog kolektiva Bosch + Bosch. Katalin Ladik ĆŸivi i radi naizmeniÄno u Novom Sadu (Srbija), BudimpeĆĄti (MaÄarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim ĆĄezdesetim godinama, pre svega kroz feministiÄko-ĆĄamanistiÄku zvuÄnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i meÄunarodnim izloĆŸbama. 1977. Godine dala je ime sebi kao uÄesnica 10. meÄunarodnog festivala zvuÄne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu odrĆŸana je retrospektiva, koja je privukla nacionalnu paĆŸnju, a 2017. godine bila je pozvana da uÄestvuje u dokumentarnoj 14. TakoÄe je ukljuÄena u seriju izloĆŸbi FeministiÄka avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Ălet Ă©s Irodalom (1993â94) and CigĂĄnyfĂșrĂł (1994â99). Between 1993 and 1998 she taught at HangĂĄr musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the KassĂĄk Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International â Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the JĂłzsef Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the KlĂĄra Herczeg Award in senior category from the Studio of Young Artistsâ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of UdruĆŸenje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar TelevĂziĂł Elnöki NĂvĂłdĂja / Award of the President of Hungarian Television for Acting Excellence for acting in AndrĂĄs Rajnaiâs TV film series, TelevĂziĂłs mesĂ©k felnĆtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvoÄanskih profesionalnih pozoriĆĄta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barkerâs The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume âA vĂz emlĂ©kezeteâ (âThe Memory of Waterâ) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for âbeing defiant, provocative, and confrontational towards the actual literary canonsâ Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say âperformed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Ălhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott KönyvmƱhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artistsâ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezĂŒstbiciklirĆl (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldĂłzerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrĂłn (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parĂĄzna söprƱ â Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 KiƱzetĂ©s (Exile) | poems | Hungarian | MagvetĆ, Budapest, 1988 JegyessĂ©g (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 FƱketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Ălhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott KönyvmƱhely, Budapest, 2007 BelsĆ vĂzözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A vĂz emlĂ©kezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko | KnjiĆŸevna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | New Native Press, Sylva, 1992 PoĂšmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarusâ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir RaduloviÄ, Judita Ć algo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. BâRacz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books FƱketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format FƱketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, multiple formats A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format KiƱzetĂ©s ~ JegyessĂ©g (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ĂzƱ vagyok? (How Do I Taste?) | poems | Hungarian | A hĂłnap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezĂŒstbiciklirĆl (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 PoĂ©sie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue dâArt Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de PoĂ©sie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 HangĂĄr / Hangar | audio cassette | anthology of sound poetry, Amsterdam â Budapest, 1987 Aki darazsakrĂłl ĂĄlmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakrĂłl ĂĄlmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzĂĄrvĂĄnyok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 VajdasĂĄgi Magyar Zenei EstĂ©k / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 VĂzisĂĄmĂĄn / Water Shaman | CD | Budapest, 1999 Spiritus Noister â Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anÄeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir SakaÄ, and Milko Kelemen (1971â73, ensemble ACEZANTEZ); ErnĆ KirĂĄly (1963-2002); DuĆĄan RadiÄ (Oratorio Profano, 1979); Boris KovaÄ (1986-1990); DeĆŸe Molnar ( 1989â91); Zsolt SĆrĂ©s a.k.a. Ahad, and Zsolt KovĂĄcs (1996-, Spiritus Noister). ErnĆ KirĂĄly | LP | UdruĆŸenje Kompozitora Vojvodine, Novi Sad, 1978 Boris KovaÄ: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris KovaÄ: Ritual Nova II | CD | Recommended Records, London, 1989 ErnĆ KirĂĄly - Spectrum | CD | Autobus, Paris, 1999 DeĆŸe Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio FƱketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2003 | downloadable, mp3 format A nĂ©gydimenziĂłs ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijĂ©n (On Icarusâ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format KĂƱzetĂ©s - JegyessĂ©g (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus KönyvtĂĄr (MEK), 2004 | downloadable, mp3 format Live performances 2011 NĂ©gy fekete lĂł mögöttem repĂŒl (Four Black Horses Fly Behind Me); JĂ©gmadĂĄr (Icebird); excerpts from BelsĆ vĂzözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | TamĂĄs SzentjĂłby, MiklĂłs ErdĂ©ly, Katalin Ladik | happening 1970 Belgrade - Serbia | PozoriĆĄte Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Ćœanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | JĂłzsef Attila MƱvelĆdĂ©si HĂĄz (Cultural Centre JĂłzsef Attila) | with JenĆ BalaskĂł | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 BaÄka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski FaĆĄnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Äetvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance BalatonboglĂĄr - Hungary | KĂĄpolna GalĂ©ria (KĂĄpolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `SpuĆĄtanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, foniÄna i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) KrakĂłw (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. TuciÄ) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), PreĆĄeren Theatre / PreĆĄernovo GledaliĆĄÄe /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / PozoriĆĄte Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Äetvrta dimenzija â krik` (Fourth Dimension â Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `PesniÄki maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja MarinkoviÄ Student Club / Studentski Klub âSonja MarinkoviÄâ: `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ WĂŒrzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetniÄka praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az Ă©neklĆ varrĂłgĂ©p â The Singing Sewing Machine` (with Zsolt KirĂĄly) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole â A sikoltozĂł lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery âT Hoogt / âT Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `MesĂ©k a hĂ©tfejƱ varrĂłgĂ©prĆl` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de PoĂ©sie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / VĂĄrszĂnhĂĄz, Knightsâ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ/ StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin ĂșjvidĂ©ki költĆ Ă©s elĆadĂłmƱvĂ©sz szerzĆi estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre PetĆfi SĂĄndor / PetĆfi SĂĄndor MƱvelĆdĂ©si HĂĄz: `Telepi estĂ©k â Ladik Katalin szerzĆi estje` (Evenings in Telep â with Poet Katalin Ladik) (with OttĂł Tolnai, Zsolt KirĂĄly) /performance/ Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Ladik Katalin szerzĆi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Budapest (Hungary), Cultural Centre JĂłkai, Studio âKâ / StĂșdiĂł âKâ JĂłkai MƱvelĆdĂ©si Központ: `Ladik Katalin szerzĆi Ă©s elĆadĂłi estje` (An Evening with Katalin Ladik) (with MiklĂłs ErdĂ©ly, LĂĄszlĂł Beke and Zsolt KirĂĄly) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Ć algo) /performance/ Osijek (Croatia), Studentsâ Youth Centre / Studentski Centar Mladih, OsijeÄko ljeto (Summer in Osijek): `Äudak je ko ÄekiÄe sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrouâ (Icarus on the Subway) (with Judita Ć algo, Selimir RaduloviÄ) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ KanjiĆŸa (Serbia), Literary Camp / KnjiĆŸevna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Ć eviÄ: `Sound Poetry Performance` (with Vujica R. TuciÄ and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Ć ekspira` (Tempest â Based on Shakespeare) â Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), JĂłzsef Attila University (Today: University of Szeged) / JĂłzsef Attila TudomĂĄnyegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de PoĂ©sie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / PozoriĆĄte Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of LĂĄgymĂĄnyos / LĂĄgymĂĄnyosi MƱvelĆdĂ©si Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / FĆvĂĄrosi MƱvelĆdĂ©si HĂĄz: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), âSonja MarinkoviÄâCultural Centre / Kulturni Centar âSonja MarinkoviÄâ, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari BeÄej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ PĂ©cs (Hungary): `Alice` /performance/ Budapest (Hungary), VigadĂł Chamber Hall / VigadĂł Kamaraterem, HangĂĄr Est (âWall of Soundâ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ NovĂ© ZĂĄmky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with ZoltĂĄn Pletl) /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, Ex-panziĂł 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), DalmĂĄt Cellar / DalmĂĄt pince, UHF KisĂșjrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ VĂĄc (Hungary), Greek Chapel / Görög Templom, ExpanziĂł 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with LukĂĄcs Bitskey /performance/ ZebegĂ©ny (Hungary): `A helyettesĂtĆ asszony (The Substitute)` /performance/ PĂ©cs (Hungary): `A nĂ©gydimenziĂłs ablak (The Four-dimensional Window)` with TamĂĄs Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de PoĂšsie: `KassĂĄk` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio â Corsica (France): `Lâ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `FƱketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno PozoriĆĄte Muzike, INTERZONE Festival: `Tesla â Project` Budapest (Hungary), A38 Ship / A38 hajĂł: `LomtalanĂtĂĄs` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum: `Torony-LomtalanĂtĂĄs` (Cleaning the Tower-House) /performance/ 2005 TerĂ©ny (Hungary), ExpanziĂł Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-MĂŒller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 NovĂ© ZĂĄmky (Slovakia), Art Gallery / GalĂ©ria Umenia: `Gyakorlatok ĂŒres hĂșrokon â KassĂĄk-kĂłd` (Exercises on Empty Strings - KassĂĄk Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria: `FƱketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz: `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ VerĆce (Hungary), EkszpanziĂł XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar AlkotĂłmƱvĂ©szeti KözalapĂtvĂĄny AlkotĂłhĂĄza, JĂłzsef Attila Kör 18. irodalmi tĂĄbora (18th Literary Camp of the JĂłzsef Attila Circle): `Az EszmĂ©let szövedĂ©ke` (The Weave of Consciousness) (with PĂ©ter Bajka, Bern Atom Santi, Eszter Bereczky, ZsĂłfia Varga) /performance/ 2008 Budapest (Hungary), PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum, A SzĂ©pĂrĂłk TĂĄrsasĂĄga V. Ćszi irodalmi fesztivĂĄlja â NĆk a fĂ©rfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association â Women in a Men`s World): `Diptichon` (with Endre SzkĂĄrosi), performance Belgrade (Serbia), ARTGET Gallery â Cultural Centre Belgrade / Galerija ARTGET â Kulturni Centar Beograda (World Poetry Day): `Tesla â Homo Galacticus` /performance/ Szigliget (Hungary), JĂłzsef Attila Kör 20. irodalmi tĂĄbora (20th Literary Camp of the JĂłzsef Attila Circle): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika CzapĂĄry), performance Bratislava (Slovakia), Ars Poetica MedzinĂĄrodny Festival PoĂ©zie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 VisegrĂĄd (Hungary), The Roof Terrace of King Matthias Museum / A MĂĄtyĂĄs KirĂĄly MĂșzeum tetĆterasza, EkszpanziĂł XXI Festival: âKerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 GalĂ©ria, Tibor Papp`s Exhibition Opening: `ĂraköltemĂ©ny` (Poem-Clock) /performance/ Subotica (Serbia), KosztolĂĄnyi DezsĆ Theatre / KosztolĂĄnyi DezsĆ SzĂnhĂĄz: `Tesla â Homo Galacticus` /performance/ Budapest (Hungary), MillenĂĄris Theatre / MillenĂĄris TeĂĄtrum, Book Festival: `SzabadkĆmƱves szex` (Freemason Sex) (with drMĂĄriĂĄs) /performance/ Ć taglinec (Croatia), `Voda` â `Water` MeÄunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis ZsinagĂłga KortĂĄrs GalĂ©ria, artAlom Ă©lĆmƱvĂ©szeti fesztivĂĄl (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) â Subotica (Serbia), Railway line, KultĂșrcsempĂ©sz SĂnbusz FesztivĂĄl (Culture-smuggler Railbus Festival): Megaphone-assisted readings by GĂĄbor VirĂĄg, Slobodan TiĆĄma, GĂĄbor Lanczkor, Tamara Ć uĆĄkiÄ, Vladimir Kopicl, Katalin Ladik, SiniĆĄa TuciÄ, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / MƱcsarnok: `PreparababrakabarĂ©` /performance/ Marseille (France), Museum of Contemporary Art / MusĂ©e d`Art Contemporain, PoĂ©sie Marseille 2011, 8Ăšme Festival (8th Marseille Poetry Festival, 2011): `Le Grand MĂ©nage` (Spring Cleaning) /performance/ TĂąrgu MureÈ (Romania), National Theatre - Small Hall / Teatrul NaĆŁional â Sala MicÄ, Testet öltött szavak rendezvĂ©ny (Words Embodied â Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu SzĂnhĂĄz, Ismeretlen kutatĂĄsa improvizĂĄciĂłs alkotĂłmƱhely (Searching the Unknown â Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar ĂrĂłszövetsĂ©g: XXIV. EkszpanziĂł Festival, `IdĂ©zet` Szimpozion Ă©s KiĂĄllĂtĂĄs (`Quotation` Symposium and Exhibition): `ĂsĂł, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ KomĂĄrom (Hungary), Fort Monostor â Film Museum / Monostori ErĆd â FilmmĂșzeum, Mediawave 2012 Festival: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ ĆĂłdĆș (Poland), MS2 â Lodz Museum of Art / MS2 â Muzeum Sztuki w Ćodzi: `Alicja w krainie kodĂłw` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, PĂĄl street 6.: Gödör bĂșjĂłcska â irodalom, zene, film, tĂĄnc, szĂnhĂĄz, beszĂ©lgetĂ©s (Gödör Club Hide-and-seek â literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `NagytakarĂtĂĄs` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice KĂłdorszĂĄgban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Ăbudai TĂĄrsaskör, KassĂĄk Museum, KassĂĄk Year: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIÄ, âTesla. Homo Galacticusâ /performance/ SzĂ©kesfehĂ©rvĂĄr (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice KĂłdorszĂĄgban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, AutonĂłmia Filmklub 5, âI Belong to the Bandâ: Katalin Ladik`s voice on âpoets of the absurd on chalkâ[8] 2014 SzĂĄzhalombatta (Hungary), Katalin Ladik - Endre SzkĂĄrosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar VigadĂł, JazzaJ, Katalin Ladik â Jean Michel van Schowburg, Katalin Ladik â Zsolt SĆrĂ©s, âSounds to Goâ (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, UniversitĂ€t Wien, `Singende Schnittmuster â Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 PoreÄ (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzoâ /performance/,[10][11] Budapest (Hungary), MĂSZI, @Transart Communication, Katalin Ladik & Zsolt SĆrĂ©s âAlchemical Weddingâ (AlkĂmiai nĂĄsz) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, âTranzit Zoonâ /performance/ 2017 Athens (Greece), Oval Staircase, Megaron â the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, âFollow me into mythologyâ /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, âLive Lectureâ /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition âLive Lectureâ /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, âWall(ed)â, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), TrafĂł, âAlice in Codelandâ /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation âSound Poemsâ /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), âK.A.T (Culture â Activism â Theory) Conferenceâ, âCreative Transitionsâ/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, âTraNSporteur multilingual poetryâ /poetry reading/ Lodz (Poland), House of Literature, âPuls Literary Festival, 2017, Hungarian Dayâ, âSounds in Lodzâ / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft fĂŒr bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âFollow me into Mythologyâ /live lecture and soloperformance/ Berlin (Germany), Akademie der KĂŒnste, âUnderground und Improvisationâ, âDesire of Touchâ /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture with Emese KĂŒrti/ Budapest (Hungary), Közkincs KönyvtĂĄr, `MĆ°VĂSZ + NĆ` (ARTIST + WOMAN), âFeminizmus Ă©s mƱvĂ©szet ma?â (Feminism and Art Today?), âTĂșlĂ©lni a documenta 14-etâ (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), âShowroom of Contemporary Soundâ, âTransitionsâ /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), âFountains of Rome - Mouth to Lung!â /live lecture and sound performance/ Budapest (Hungary), HĂĄrom HollĂł â Drei Raben, âAntracit szĂĄjrĂșd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der KĂŒnste, `19. poesiefestival berlin 2018, Weltklang â Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus fâĂŒr Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) (ErnĆ KirĂĄly: Refleksija; Branimir SakaÄ: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with ErnĆ KirĂĄly) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: MuziÄki biennale (Music Biennale â International Festival of Contemporary Music) (MBZ Radionica/Workshop II with ErnĆ KirĂĄly, et al.; Chamber Music - Branimir SakaÄ: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: DubrovaÄke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, âRadivoj Äirpanovâ Workersâ University / RadniÄki univerzitet âRadivoj Äirpanovâ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) â Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata â BEMUS Belgrade Music Festival: âOratorio Profanoâ (composer: DuĆĄan RadiÄ, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muziÄka tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultĂșrintĂ©zet / Istituto Italiano di Cultura, AvantgĂĄrd mƱvĂ©szetek a vilĂĄgban: mi lett a sorsuk? Nemzetközi tanĂĄcskozĂĄs (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 SzekszĂĄrd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), MƱvelĆdĂ©si Szint (MĂSZI), â@Transart Communication 2016â, âAlchimist Weddingâ /concert and live sound performance with Zsolt SĆrĂ©s/ VeszprĂ©m (Hungary), House of Arts, âAlkĂmiai mennyegzĆâ (âAlchimist Weddingâ) /concert and live sound performance with Zsolt SĆrĂ©s/ Budapest (Hungary), MĂŒpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ Budapest (Hungary), Kassak Museum, âDadarabokâ /concert and live sound performance with Endre SzkĂĄrosi, Zsolt SĆrĂ©s, LĂĄszlĂł Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: âHatĂĄridĆnaplĂłâ (âDiary Bookâ) /concert and live sound performance with Gyula VĂĄrnai/ VeszprĂ©m (Hungary), 2018, House of Arts, âSpring Reopening, We believe in life before deathâ, âClaes Oldenburg: I am for an Artâ /concert and live sound performance with Gyula VĂĄrnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. IstvĂĄn LĂĄnyi; IfjĂșsĂĄgi TribĂŒn (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor GellĂ©r; PetĆfi SĂĄndor MƱvelĆdĂ©si EgyesĂŒlet (âPetĆfi SĂĄndorâ Cultural Association); Novi Sad (Serbia); 1963 MoliĂšre: The Imaginary Invalid (BĂ©line); dir. Ljubica Ravasi; Srpsko Narodno PozoriĆĄte (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) SĂĄndor Guelmino: Ăzvegy (Widow); dir. Tibor Vajda; Echo (az ĂjvidĂ©ki RĂĄdiĂł Ă©s az IfjĂșsĂĄgi TribĂŒn szĂnpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc TĂłth (text) â ErnĆ KirĂĄly (composer): JĂłb (Job) (Performer â Recitative); dir. IstvĂĄn SzabĂł, Jr.; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 IstvĂĄn ĂrkĂ©ny: MacskajĂĄtĂ©k (Cats` Play) (Ilus); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav DoriÄ; RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1974 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. RĂłbert Bambach; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: MukĂĄnyi (Ella); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1977 MoliĂšre: Dom Juan or The Feast with the Statue (Mathurine); dir. DuĆĄan Sabo; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Ădön von HorvĂĄth: Tales from the Vienna Woods (Emma); dir. PĂ©ter Telihay; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 OttĂł Tolnai: VĂ©geladĂĄs (Clearance Sale) (Mrs Csömöre); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1979 Gyula HernĂĄdi: V.N.H.M. Szörnyek Ă©vadja (V. N. H. M. - Season of Monsters); dir. MiklĂłs JancsĂł; Summer Theatre in Gyula; VĂĄrszĂnhĂĄz; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 OttĂł Tolnai: Bayer Aspirin (The Actress); dir. MiklĂłs JancsĂł; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Ferenc DeĂĄk: Nirvana (Csontos Vali); dir. IstvĂĄn SzabĂł Jr.; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan BelegiĆĄanin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 DezsĆ KosztolĂĄnyi: Anna Ădes ( Mrs Druma); dir. György Harag; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanovâs) (Mother Puzirjova); dir. Haris PaĆĄoviÄ; Akademsko PozoriĆĄte âPromenaâ (âChangeâ Academic Theater); Novi Sad; (Serbia); 1983 MihĂĄly MajtĂ©nyi: Harmadik ablak (The Third Window) (Mrs LĂłdi); dir. György HernyĂĄk; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby FehĂ©r: A Duna menti Hollywood (Hollywood by the Danube) â Multimedia Performance About the Life of ErnĆ BosnyĂĄk (The Baron`s Lover); dir. KĂĄroly Vicsek; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Ivo BreĆĄan: Anera (Anera); dir. Dimitar Stankoski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; NĂ©pszĂnhĂĄz / Narodno PozoriĆĄte u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich DĂŒrrenmatt: The Visit (First Woman); dir. Radoslav DoriÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: ForgatĂłkönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1986 IstvĂĄn ĂrkĂ©ny: TĂłtĂ©k (The TĂłt Family) (Mrs TĂłt); dir. GĂĄbor SzĂ©kely; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. MihĂĄly VirĂĄg; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: âRâ (Katerina); dir. Ljubisa Georgievski; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav LaziÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Ćœelimir OreĆĄkoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1989 Ferenc MolnĂĄr (Franz Molnar): Liliom (Mrs MuskĂĄt); dir. LĂĄszlĂł Babarczy; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 Ede TĂłth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs TarisznyĂĄs); dir. HernyĂĄk György; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1990 OttĂł Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. PĂ©ter Tömöry; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1991 JĂłzsi JenĆ TersĂĄnszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja SoldatoviÄ; ĂjvidĂ©ki SzĂnhĂĄz (Novi Sad Theatre); (Serbia); 1992 PĂ©ter NĂĄdas (text) â LĂĄszlĂł Vidovszky (composer): TalĂĄlkozĂĄs (Encounter) (MĂĄria); dir. AndrĂĄs Ăry-KovĂĄcs; Shure Studio; Budapesti KamaraszĂnhĂĄz (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (LĂ©on Charles Miqueut sous-ingĂ©nieur principal di CNU / Sub head-engineer at CNU); dir. RĂłbert Csontos; Kolibri SzĂnhĂĄz (Kolibri [âHummingbirdâ] Theatre); Budapest (Hungary); 1997 Sean OÂŽCasey: Bedtime Story (Landlady); dir. PĂĄl Kanda; FĂŒggeten SzĂnpad III tĂĄrsulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [âHummingbirdâ] Cellar Theatre); Budapest (Hungary); 1998 LĂĄszlĂł NajmĂĄnyi: Adieu Monsieur Bloom â Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2003 LĂĄszlĂł NajmĂĄnyi: A szĂĄmƱzött Joyce / The Exiled Joyce (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan DoriÄ: Ne daj BoĆŸe, da se Srbi sloĆŸe / Ne adj isten, szerbek egyesĂŒlnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan DoriÄ; MagyarorszĂĄgi Szerb SzĂnhĂĄz / Srpsko PozoriĆĄte u MaÄarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; Mu SzĂnhĂĄz (Mu Theatre); Budapest; (Hungary); 2004 LĂĄszlĂł NajmĂĄnyi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. LĂĄszlĂł NajmĂĄnyi; ReJoyce Festival; Szombathely; (Hungary); 2004 György BarĂĄthy: Origami (I Woman); dir. György BarĂĄthy; ArtĂ©ria SzĂnhĂĄzi TĂĄrsasĂĄg (Theatre Company âArtĂ©riaâ); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by theâTheatre of Roots and Wingsâ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, SzekszĂĄrd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert KĂșria, Dunaharaszti (Hungary), 2017; Municipal Library, ZebegĂ©ny (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandisâ musical play), dir. Petar TesliÄ (1972, Serbian, Belgrade TV 2) (Kunigunda) DĂŒbörgĆ csend (1978) on IMDb (Thundering Silence), dir. MiklĂłs SzĂjj (Hungarian) (Eta) Szetna, a varĂĄzslĂł (1980) on IMDb (Setna the Wizard), dir. AndrĂĄs Rajnai (Hungarian) (Isis) Gulliver az ĂłriĂĄsok orszĂĄgĂĄban (1980) on IMDb (Gulliver in the Land of Giants), dir. AndrĂĄs Rajnai (Hungarian) (Lady in attendance) Aelita, dir. AndrĂĄs Rajnai (1980, Hungarian)[15] Atlantis, dir. AndrĂĄs Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A vilĂĄgkagylĂł mĂtosza (The Myth of the World Shell), dir. AndrĂĄs Rajnai (1982, Hungarian) BĂĄbel tornya (The Tower of Babel), dir. AndrĂĄs Rajnai (1982, Hungarian) (the Priestess Lagasa) HĂ©roszok pokoljĂĄrĂĄsa (The Heroesâ Journey Through the Underworld), dir. AndrĂĄs Rajnai (1982, Hungarian) (Anna) FajkutyĂĄk ideje (lit. The Time of Purebred Dogs), dir. KĂĄroly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan ZafranoviÄ (Croatian) (Ćœena) KĂ©sdobĂĄlĂł (slang: Pub, lit. Knife-thrower), dir. KĂĄroly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneĆŸi (1985) on IMDb, dir. Miljenko Dereta (Serbian) NapĂłleon (1989) on IMDb (Napoleon), dir. AndrĂĄs SĂłlyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran MaĆĄireviÄ (Yugoslavian â Serbian â Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. DuĆĄan Sabo (Bosnian) (ĆœuĆŸa) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. MĂĄria SĂłs (Hungarian) (The scientistâs wife) A szivĂĄrvĂĄny harcosa (2001) on IMDb (Rainbow`s Warrior), dir. PĂ©ter Havas (Hungarian) (Old Ms Sofia - voice) KolorĂĄdĂł Kid,(2010) on IMDb, dir. AndrĂĄs VĂĄgvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos MoldovĂĄn (1972, Hungarian, BalĂĄzs BĂ©la Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladikâs Sound Project) CsendĂ©let hallal Ă©s mĂĄs tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. NatĂĄlia JĂĄnossy (Hungarian) (AgĂĄta) Deda KovaÄ - Grandpa KovaÄ (2011) on IMDb, dir. Milica ÄjeniÄ (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a vilĂĄg (1989) on IMDb (Where the World Goes Out) (based on KalandozĂĄs a tĂŒkörben (Adventures in the Mirror) by JĂĄnos Pilinszky), dir. KĂĄroly KismĂĄnyoky (1989, Hungarian, Pannonia Film Studio) A pĂĄrduc (The Panther), (Short animated film set to Rilkeâs poem), dir. AndrĂĄs Fiath (1998, Hungarian) Medea (animated study), dir. ZsĂłfia PĂ©terffy (2007) Ărökre valĂł / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. KĂĄroly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka PoznanoviÄ (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad â Novi Sad Art Academy), (Documentary about Katalin Ladik) MonodrĂĄma szĂŒletik (A Monodrama is Born), dir. Gyula RadĂł (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez mĂĄr nem Ă©n vagyok (This Isn`t Me Anymore), dir. Gyula RadĂł (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) KrleĆŸa u videomedijima 5.: TV-usporedbe Adam i Eva (KrleĆŸa in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. JenĆ HartyĂĄndi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol KözĂ©p-EurĂłpĂĄban (Somewhere in Central Europe), dir. IstvĂĄn GrencsĂł, JenĆ HartyĂĄndi (1993, Hungarian â Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetniÄka scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica MrÄa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladikâs art) SzĂĄzfĂ©le szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Ăva SaĂĄry are read by Katalin Ladik), (Documentary about Ăva SaĂĄry) A sikoly ars poĂ©tikĂĄja - Ladik Katalin portrĂ©film (The Ars Poetica of the Scream â Katalin Ladik`s Portrait), dir. KornĂ©l SzilĂĄgyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. KornĂ©l SzilĂĄgyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. GĂĄbor TĂłth, HĂrTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writerâs Credit SĂĄmĂĄn (Shaman), dir. PĂĄl Zolnay (1977, Hungarian, written by the director using poems of Attila JĂłzsef, LĂĄszlĂł Nagy, SĂĄndor Weöres Ă©s Katalin Ladik) Behind the Eye, dir. SebĆ KovĂĄcs (1999, Hungarian, based on Katalin Ladikâs poem: Vers a szerelmes piĂłcĂĄrĂłl / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar RĂĄdiĂł Budapest (Hungarian Radio). Alex Avanesian, Imre JĂłzsef Katona and Katalin Ladik. Furcsa, aki darazsakrĂłl ĂĄlmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. FƱketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Ălhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by OtĂlia Cseicsner, directed by KornĂ©l SzilĂĄgyi A vĂz emlĂ©kezete (The Memory of Water), RĂĄdiĂłszĂnhĂĄz, Hungarian Radio (Kossuth RĂĄdiĂł), directed by OtĂlia Cseicsner, 27 June 2017, 21:30 Radio Theatre: âLadik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Maryâ (BujĂłcska, Ămagyar MĂĄrai-siralom variĂĄciĂłk), Magyar RĂĄdiĂł (Hungarian Radio), Kossuth RĂĄdiĂł, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az ĂĄrja-kaszt magĂĄnĂ©lete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1963 Miodrag DjurdjeviÄ: A csavargĂł meg Ćk ketten (The Vagabond and the Two of Them) (the Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1963 MiklĂłs GyĂĄrfĂĄs: Kisasszonyok a magasban â FĂ©rfiaknak tilos (Young Ladies Up High â No Men Allowed) (JĂșlia, who is barely even a young lady), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 LĂĄszĂł Kopeczky: HarangszĂł elĆtt (Before the Bell Rings) (FlĂłra), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormĂĄnyzĂł halĂĄla (Death of the Governor) (Silvia), (adapted by IvĂĄn Horovitz), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: TalĂĄlka a âMeseâ kĂĄvĂ©hĂĄzban (A Date in CafĂ© Tale) (Waitress), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1964 JĂĄnos Herceg: Mindenkinek van egy ĂĄlma (Everyone Has a Dream) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1965 Aleksandar ObrenoviÄ: A tegnapi nap (Yesterday) (performer), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina EgriÄ), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 Miroslav MitroviÄ: MĂ©g szemerkĂ©l az esĆ (The Rain Is Still Dripping) (Announcer), dir. GellĂ©r Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. OlivĂ©r teremĆre (The Guard of Oliver III) (performer), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1966 DuĆĄan RaksandiÄ: MuratrĂłl, PepekrĆl, AngyelĂĄrĂłl Ă©s rĂłlam (About Murat, Pepek, Andjela and Me) (the Professorâs Wife), dir. Tibor GellĂ©r, Radio Novi Sad (Serbia), 1967 GĂŒnter Eich: Carmilla meg Ă©n (The Other and I; orig. Die Andere und Ich) (performer), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas Ășr dĂ©lutĂĄnja (The Afternoon of Mr Andesmas) (ValĂ©rie), (adapted by Milan TopolavÄki) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1967 Miloslav StehlĂk: Bizalomvonal (Helpline) (Telephone Assistant), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Sead FetahagiÄ: Körbe, körbe, karikĂĄba (Round and Round) (Mira), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: CsĂłnak jön a tavon (A Boat Approaches on the Lake â Una barca viene dal lago) (Anna Marabini), (adapted by IvĂĄn Horovitz) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a LĂĄny szerepĂ©ben), dir. GusztĂĄv Barlay, Radio Novi Sad (Serbia), 1968 JĂłzsef SulhĂłf (text), ed. by ErnĆ KirĂĄly: Tavaszi bokrĂ©ta dalest (Spring Bouquet â An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda SzabĂł: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Ăljen az ifjĂș pĂĄr! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc DeĂĄk: ApoteĂłzis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: ĂröklakĂĄs (Condominium) (KlĂĄra), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1970 EugĂšne Ionesco: A kopasz Ă©nekesnĆ (The Bald Soprano), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1970 PĂĄl Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 MihĂĄly MajtĂ©nyi: A szĂĄmƱzött (The Exile) (Sibylla), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre MƱvĂ©szestje: AzĂ©rt is maradok...! (An Evening with Endre Gerich: I Say Iâm Staying...!) (performer) dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu â Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: GyertyalĂĄng a szĂ©lben (Candle in the Wind) (Anni), dir. ĂrpĂĄd Benedek, Radio Novi Sad (Serbia), 1972 Ăs mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplĂłja (Jasnaâs Diary) (Jasna), dir. LĂĄszlĂł SzilĂĄgyi, Radio Novi Sad (Serbia), 1973 Svetislav RuĆĄkuc: A hetvennyolcas fordulatszĂĄmĂș ajtĂł (The 78 RPM Door) (Girl), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1973 DuĆĄan IljiÄ: Beutazni a földet (To Travel the World) (SzitakötĆ /Dragonfly/, a Girl), dir. MiklĂłs CserĂ©s, Dr, Radio Novi Sad (Serbia), 1976 TĂĄrsult humor Ă©ve (The Year of Associated Humour) (performer), dir. RĂłbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idĂ©zĂŒnk! (SĂ©ance!) (performer), dir. György TuriĂĄn, Radio Novi Sad (Serbia), 1977 VidĂĄm est (A Merry Evening) (performer), dir. SĂĄndor SĂĄntha, Radio Novi Sad (Serbia), 1977 IstvĂĄn BosnyĂĄk: Szemben a bĂrĂłval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. IstvĂĄn Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komĂ©dia (A Little Comedy) (Lady I), dir. IstvĂĄn Vajda, Radio Novi Sad (Serbia), 1978 LĂĄszlĂł Nemes: SzerencseszerzĆdĂ©s (Contract of Luck) (adapted by JĂĄnos BorbĂ©ly) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 OttĂł Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar RĂĄdiĂł (Hungary), 1997 (monodrama) Iris Disse: Ălmodott idĆ â 1956 (Dreamt Time â 1956), dir. Iris Disse, Radio Kossuth / Kossuth RĂĄdiĂł (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA â Museum of Contemporary Art in Barcelona / Museu dâArt Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): PetĆfi Literary Museum / PetĆfi Irodalmi MĂșzeum (9 works of visual poetry â typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976â1977, Aki miatt a harang szĂłl (For Whom the Bell Rings) â In Memoriam Lajos KassĂĄk collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum â Museum of Contemporary Art / Ludwig MĂșzeum â KortĂĄrs MƱvĂ©szeti MĂșzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection â The Art Collection of Erste Group / Kontakt â Die Kunstsammlung der Erste Group (5 items of the âAusgewĂ€hlte Volksliederâ(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art â a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia â Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968â89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards â mail-art â and documentation, 1977-1981) Belgrade (Serbia): TrajkoviÄ Collection (Blackshave Poem â Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago â Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry â Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre â Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry â Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry â Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artistsâ Club / Fiatal MƱvĂ©szek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub GalĂ©ria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna IzloĆŸba 1962â2010. MoÄ Ćœene: Katalin Ladik (Retrospective Exhibition 1962â2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 SzĂ©kesfeh