Product Award 2019 - Best home wireless speaker over £500 "Just a few tweaks make for a superb second version" 5 Star Review "The original Qb is still a mighty fine little speaker, but if you have the cash to spare, you won't be disappointed by taking the step up. And for Qb newbies, you're in for a real treat." The compact Mu-so Qb 2nd Generation evolves the look and performance of the Just like its Mu-so 2nd Generation big brother introduced in May, the new Mu-so Qb eclipse it’s predecessor by featuring Naim’s unique music-streaming platform, developed by 25 engineers over 3 years to offer the very best performance whether playing your own digital music collection, a world of Internet radio, or music streaming services such as TIDAL and Spotify. What's New? Intelligent Controls Like Mu-so, Mu-so Qb 2nd Generation features an all-new intuitive interface has 15 touch sensitive buttons and a bold, illuminated volume dial. A proximity sensor wakes the display as your hand approaches. Digital Signal Processing Mu-so Qb 2nd Generation features a new advanced multicore Digital Signal Processor (DSP). Providing over 13 times the performance of the existing single core processor, its superior accuracy allows you to hear even more from your music. Upgraded Speaker Drivers Together the Naim and Focal R&D departments have developed new custom designed mid range units and bass drive units for Mu-so 2nd Generation to deliver superior performance. New Multiroom Combine it with other networked Naim products (from the reference ND 555 to the 1st Generation Mu-so and Mu-so Qb) via the Naim app. Naim App Update The Naim App has been updated for seamless multiroom, discovering and pairing with wider Naim portfolio. Remote Control Original Mu-so Qb did not come with a remote control; the new design comes with the same handset as the Mu-so 2nd Generation speaker as standard. Unique Streaming Mu-so Qb 2nd Generation features a totally new streaming platform, as seen in our flagship network-connected products, to deliver the latest music streaming technology in true hi-fi performance. New features include Google Chromecast built-in allowing seamless playback from your smart phone of hundreds of apps including Deezer, Qobuz and TuneIn..Mu-so Qb 2nd Generation features the very latest WiFi standards; five times faster compared to the previous generation. Increased stability and full support for both 2.4GHz and 5GHz bands deliver the most reliable connection. New Customisation Mu-so Qb 2nd Generation is available with a black grille as standard, with three new colour grille options available as optional accessories – Peacock, Olive and Terracotta. The new grilles are also backward compatible with the original Mu-so Qb Connectivity Multiroom Sync up to five Naim Streaming products and control via the Naim App. Network Ethernet (10/100Mbps), Wi-Fi (802.11a/b/g/n/ac), BLE v4.2 Audio Inputs Streaming Apple AirPlay 2 Chromecast Built-in UPnPTM Spotify® Connect TIDAL Roon Ready Bluetooth Internet Radio Analogue Input 3.5mm Jack USB USB 2 (Type A connector) Digital (S/PDIF) Optical S/PDIF up to 96khz Other information Warranty Two Years Power Amplifier Output 300W – (4 x 50W, 1 x 100W) Mains Supply 100V, 115V or 230V, 50/60Hz Power Consumption Typical use: 15W Standby mode: < 2W Deep sleep (No-network standby mode): < 0.5W Speaker Speaker System Stereo 3-way; dsp-optimised dual auxiliary bass radiator acoustic system Physical Dimensions 210mm x 218 mm x 212 mm Finishes Burnished and anodised aluminium casework, CNC milled, bead blasted and anodised aluminium heatsinks. Dual-tone grey and black fabric grille. Grille colour options in Olive, Peacock and Terracotta. Weight 5.6kg Supplied with Supplied with Dual-tone grey and black grille, remote control, mains cables (market dependent), reset pin-hole tool and information booklets. User Control Handheld Remote handset included and optional control app for iPad, iPhone, iPod Touch and Android devices Product Touch control user interface with rotary volume control Remote Control Infra-red (RC5) Formats Internet Radio Formats Internet Radio Provider vTuner Premium 5* Audio Formats WAV, FLAC and AIFF – up to 24bit/384kHz ALAC (Apple Lossless) – up to 24bit/384kHz MP3 – up to 48kHz, 320kbit (16 bit) AAC – up to 48kHz, 320kbit (16bit) OGG and WMA – up to 48kHz (16bit)

Ultra-compact micro-tower design, providing ultimate positional flexibility Convenience: 2 x 100 watts of built-in amplification means no extra boxes required High-resolution wireless streaming via Bluetooth® 5.0 with aptX™ HD compatibility Numerous connectivity options means M40 can deal with any sound source, such as a TV, turntable (with a built-in preamp), games console, set-top box, CD player, network streamer. C3 (pronounced ‘C-cubed’) Continuous Curved Cone™ design in the mid/bass driver ensures smooth, nuanced tweeter integration and extremely capable, but controlled bass Ultra-compact micro-tower design At just 71cm high, these petite pillars are compact and discreet. They’ll fit seamlessly into any interior space, and their high-quality finish – available in Black, White and Walnut - will complement any home decor vocabulary. And they do so without compromising on the established Q Acoustics strengths of powerful, precise and engrossing sonic performance. A system for every setting M40 is designed to serve up extraordinary high-resolution stereo sound no matter the setting. It’s ideal as a main audio system in settings where space is at a premium, it’s perfect as a step on the hi-fi ladder for those who don’t want a component-heavy system of hi-fi separates, and it’s the ultimate second-room system. There are no circumstances in which the M40 micro-tower powered audio system isn’t the correct answer. High-resolution wireless stereo experience Specified to meet every eventuality, the M40 is able to deliver stunning stereo sound no matter where it’s coming from. On board Bluetooth® 5.0 provides rock-solid wireless connectivity and is compatible with aptX HD and aptX Low Latency technology - so high-resolution sound (up to 24bit/48kHz) can be streamed from any compatible device such as a smartphone, laptop or tablet- and even appropriately specified televisions. Connect the M40 to a computer via its USB input and 24bit/192kHz resolution is available. A host of connectivity options M40 has enough inputs to let your games console, your TV, a set-top box, pre-amplified turntable or any other source of sound that takes your fancy join in the high-resolution audio action. You can even attach a subwoofer in case you really want to shake the room. Whatever you want to listen to, the M40 can deal with it, in style. 200 watts of Class D amplification provides the impetus. All you need to do is cue up your favourite tunes and let the M40 bring your music, movies and games vividly to life. Special grille design Specified to meet every eventuality, the M40 is able to deliver stunning stereo sound no matter where it’s coming from. On board Bluetooth® 5.0 provides rock-solid wireless connectivity and is compatible with aptX HD and aptX Low Latency technology - so high-resolution sound (up to 24bit/48kHz) can be streamed from any compatible device such as a smartphone, laptop or tablet- and even appropriately specified televisions. Connect the M40 to a computer via its USB input and 24bit/192kHz resolution is available. C3 Continuous Curved ConeTM driver design The M40 features with the latest Q Acoustics advancement in driver technology: the C3 Continuous Curved Cone™ mid/bass driver. First seen and heard in the award-winning 5000 Series of loudspeakers, C3 (pronounced ‘C cubed’) combines the outstanding bass performance of a traditional straight cone with the high/midrange control and fidelity of a flared cone. The best of both worlds, in other words. Award-winning cabinet technology In addition, the M40 features a decoupled tweeter for crisp, pure high frequency performance, along with Helmholtz Pressure Equaliser™ (HPE™) technology to reduce unwanted standing waves inside the cabinet. The cabinet itself is beautifully sculpted, flawlessly finished, and features Q Acoustics’ proprietary Point to Point™ (P2P™) internal bracing to keep the speaker as rigid and inert as possible. In The Box 1x Powered M40 speaker 1x Passive M40 speaker 4x Rear Stabiliser 8x M5 screw 8x Spike Feet 8x Spike Cover 1x Remote Handset (including batteries) 1x Speaker Cable (4 metres) 1x UK Power Cord (2 metres) 1x EU Power Cord (2 metres) 2x Foam Bungs Power Supply Voltage 100V-240 VAC, 50-60 Hz Power Consumption Standby <0.5 Watts Power Consumption Typical use ~10 W Peak Power Output 2 x 100 W Rated Output Power 2 x 50 W RMS THD @ Rated Power <0.7% Enclosure type 2-way reflex (ported) Mid/Bass unit 2 x 125 mm (5.0 in) Treble unit 1 x 22 mm (0.9 in) Crossover frequency 2.5 kHz Frequency Response (-6dB) 38 Hz – 22 kHz Analogue (2 x Phono) Sensitivity 700 mV RMS, Max. input level 2.15 V RMS Analogue (3.5mm Jack) Sensitivity 400 mV RMS, Max. input level 1.25 V RMS Optical (S/PDIF) TOSLINK Maximum resolution: 24 bit/192 kHz USB Type B connector Maximum resolution: 24 bit/192 kHz Bluetooth® version 5.0 Supported codecs aptX™, aptX™ HD, aptX™ Low Latency, SBC, AAC Sub out (Phono) Max. Output 1 V RMS Dimensions (W x H x D) 250 mm x 710 mm x 296 mm (10” x 28” x 11.7”) with stabilisers Weight Amplified speaker 12.4kg (27 lb 5 oz) Weight Passive speaker 11.8g (26 lb)

LAPC LAPC is an original Technics speaker load adaptive technology. It measures the amp's frequency amplitude phase characteristics with speakers connected to the unit, and performs digital signal processing to achieve the ideal impulse response. Characteristic parameters optimised for the low-frequency and high-frequency speaker load characteristics of speakers are already pre-set in the LAPC computation circuit of the unit to realise ideal frequency and phase characteristics over the entire frequency range. Space Tune To provide the OTTAVA S SC-C50's excellent sound in every room and listening position, Space Tune optimises the listening environment to the sound space. In addition to offering 3 preset modes to suit the mounting location, a microphone built into the main unit enables an Auto function to optimise the sound and an iOS device can also be used to measure and compensate the frequency response with greater precision. This allows the user to enjoy higher sound quality regardless of where the unit is placed. Twin Power Supply Circuit System Regular power supplies use one transformer to supply power to the amp, and digital circuits, and so if there is any load fluctuation or if noise occurs on a circuit, other circuits are affected, which results in degradation of the sound quality. This power supply system includes independently installed switch mode power supply circuitry for the amp and the other circuits, which eliminates mutual interference, thereby reducing degradation of sound quality caused by noise or power supply fluctuations. In addition, a layout with dedicated transformer and amp circuits enables the shortest possible connection to further reduce noise. Multi-room and Stereo Pairing With a number of Chromecast built-in speakers, the variety of music streaming services can be played in several rooms, or different music can be played from room to room (Google Home App required). In addition, if you use Technics Audio Center app and have another app compatible Technics devices, you can also enjoy other music source in multi-room such as Bluetooth, AUX, Optical input, USB, Internet radio and also OTTAVA S SC-C50 compatible streaming music. If two OTTAVA S SC-C50s are arranged and set to stereo, you can enjoy highly ambient stereo sound. In addition to USB playback and analogue/optical input, the OTTAVA S SC-C50 supports Bluetooth, AirPlay, Chromecast built-in, Spotify, Tidal, Deezer, Internet Radio and Network Playback, allowing comfortable playback of a diverse range of music sources from a single unit. High connectivity also supports multi-room, stereo pairs, and Wi-Fi, as well as iOS and Android control apps. Works with Google Assistant If a Google Assistant built-in device is included in the same network, Google Assistant can be used to operate OTTAVA S SC-C50 music playback and other functions. When the user doesn't have a smartphone app in hand, or when hands are full, music can be easily played by voice command. Chromecast built-in The Chromecast built-in function supports a wide variety of music streaming services for easy casting from a smartphone app. And since the data is streamed directly to the main unit, there is no degradation in sound quality, and the user can select from a diverse range of music. The arc-shaped body houses 3 midranges, 3 tweeters and 1 subwoofer, while left- and right-angled speakers and a centre speaker create rich stereo imaging and crisp vocals. A “directivity-control horn” eliminates mutual speaker interference to achieve wide directivity, and a coaxial midrange and tweeter ensure vertical directivity with less frequency disorder from the compact body. The OTTAVA S SC-C50 combines practical function with elegant design. The thick aluminium top panel increases the rigidity of the chassis, and the iconic OLED is surrounded by ring keys for easy operation. Rear louvers add further elegance while enhancing the function of an internal heat-reducing mechanism. And the beautiful arc form, which helps to eliminate unwanted vibration and standing wave in the chassis, incorporates acoustic technology to achieve a wide sound stage. This lets you freely place the OTTAVA S SC-C50 to suit the listening position. Output Power Front Speaker 20 W + 20 W (1 kHz, T.H.D. 1.0 %, 8, 20 kHz LPF) Front speaker (Centre) 20 W (1 kHz, T.H.D. 1.0 %, 8, 20 kHz LPF) Subwoofer 40 W (100 Hz, T.H.D. 1.0 %, 4, 20 kHz LPF) Speaker Unit Woofer : 6.5 cm Cone Type x 3 Tweeter: 1.6 cm Dome Type x 3 Noiseless Signal Technology Twin Power Supply Circuit System Emotive Acoustic Technology Coaxial Speaker Layout Directivity-control Horn Structure Analogue Input Terminal AUX IN x 1 (DIA = 3.5mm) Digital Input Terminal Optical Digital x 1, USB-A Headphone Output Yes (DIA=3.5mm) Disc Compatibility Audio CD, CD-R/CD-RW (CD-DA, Discs recorded and finalized on recording devices) USB-A / Network Playback Support Codec IPod/iPhone/iPad No WAV / AIFF Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit) FLAC / ALAC Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit) DSD Yes (2.8 MHz, 5.6 MHz, 11.2MHz) AAC Yes (32, 44.1, 48, 88.2, 96 kHz / 16-320 kbps) MP3 Yes (32, 44.1, 48 kHz / 16-320 kbps) Specification Ethernet Interface LAN (100 Base-TX / 10 Base-T) Wi-Fi IEEE 802.11 b/g/n, 2.4 GHz Band (1-13 Channel) Chromecast built-in Yes Works with the Google Assistant Yes Multi-room Yes Stereo Pairing Yes (*compatible with Technics Audio Center app) (*coming soon) AirPlay Yes Bluetooth (Support CODEC) Yes (AAC, SBC) Spotify / TIDAL / DEEZER / Internet Radio Yes Power Supply AC 220-240 V, 50 Hz / 60 Hz Power Consumption 42 W Weight Approx. 5.9 kg Accessories AC Cord, Owner's Manual

Akademije Akademske elite na fonu evropskih protivurečnosti Izdaje Arhiv Vojvodine - Novi Sad Б иобиблиографи ја Бошка И. Бо јовића (1987–2020), ко ју је марљиво, струч- но и савесно приредио Добрило Аранитовић, садржи бројна имена и наслове, ко ји наводе на ближе одређивање контекста и текста, нарочито подстичу сећања на оне посленике у науци и култури ко ји су сво јим на-учним и педагошким радом заслужни за стасавање научног и ауторског профила об једињених библиографских јединица у наведеној Биобиблио- графи ји , у издању Архива Војводине (Нови Сад 2021). Оживљавање успо-мене на личности и остварења научника и културних посленика, као и се-ћања и њихове заслуге обавезу ју, да јући нам ужи и шири оквир у ко јем сунастале библиографске јединице обухваћене Биобиблиографи јом , а чи ји је сво јеврсни наставак ово сећање с насловом Ака де ми је . Личности најутицајни јих српских, француских, грчких, итали јанских,руских и румунских историчара, еминентних професора и научника, као савременика и сведока свога времена, удеоници су доживљеног и пређе-ног пута, од првих корака у науци Бошка Бо јовића. Биле су то веома плод- не интелектуалне и духовне симбиозе, укршта ји, или тек сусрети ко ји су на известан начин доприносили разво ју међународне сарадње како у науци и уметности, тако и култури уопште.Просторни распон ових сећања креће се од југоистока и панонских равница до запада Европе, од Југослави је и Балкана до Француске, од Бео-града до Париза, Атине, Рима, Букурешта, Венеци је, Дубровника, Црне Горе и Дурмитора, Свете Горе, Солуна и Цариграда, од источног до западног Медитерана. Временски оквир је друга половина или тачни је залазак XX,с почетком XXI века. Време завршетка једног и настанка другог историјског раздобља, с тектонским покретима ко је те врсте промена подразумева ју 5 Бошко И. Бо јовић, Акаемије 6 на брдовитом Балкану, када земља ко ја је повезивала подељену Европу и свет, поста је камен спотицања при настанку новог светског поретка. Најважни ји састо јак тих сећања јесу личности савременика, од ко јих су неки више, а други мање репрезентативни за след збивања, али су сви живи одраз свога времена, у првом реду у амби јенту академске средине, њеног културног и друштвеног окружења. Различитих колико и компле- ментарних средина, чи је су интеракци је достизале сво је успоне у истомвеку у коме је настао и највећи пад сарадње и утица ја, разумевања и пошто-вања. Јединствени преокрет од дивљења и поштовања, све до идеализа- ци је и егзалтаци је још од почетака XIX, па све до средине XX, ко ји се кра јем тог века претвара ју у ништа мање неумерени оди јум и осуду пре суда, процес без преседана у коме се генераци је жртава нацизма прогла- шава ју његовим најнови јим починиоцима и виновницима.Огледало тог парадокса у академским круговима пружа разливенуслику елите лабилног вредносног и сазнајног путоказа, са ретким по је-динцима ко ји одудара ју од сивила конформизма и лини је мањег отпора.Призор раскорака између постауторитарне позне транзици је и постиде-олошког вакуума у коме је негаци ја различитости једини пут постизањаглобалног консензуса. Свилена свирепост ( férocité de velours ) академског амби јента у оваквом раздобљу налази место лагодном конформизму када се немушта пасива претпоставља ратнохушкачкој естради милитантногинтервенционизма, императива хуманитарне и правне ингеренци је, све до војне деструкци је и ратне агреси је. Током највеће геостратешке кризе од Другог светског рата у Европи, ако не и у свету, на релаци ји између две историјски блиске и академски тесно повезане земље, нови односи снага доводе до антагонистичке полариза- ци је чи ји се трагови још дуго неће моћи опозвати. Земље ко је су имале слична одступања од блоковских и идеолошких табора, ко јима су мање од осталих припадале, постале су окоснице нове врсте поларизаци је у ко јој се сви против једнога, реалсоци јалистичке Југослави је, неким чудомпрелило у оди јум нове мултикулти еврократуре и једноумног атлантизма.Како је Ернест Ренан прокламовао откриће примитивне културе као највећи допринос XIX века, тако и једностран однос према терци јалној Европи, оличеној такозваним „Западним Балканом”, поста је стожер оку- пљања евролатри је, све док балканизаци ја не почиње да ступа на праговеконтиненталне Уни је. Академским представницима балканске истори је и друштвених про- цеса, колико малобројни и маргинализовани били, било је теже или тачни је практично немогуће да опстану у јавном дискурсу, осим као честице уни- Бошко И. Бо јовић, Акаемије соног рефрена политичког и медијског једноумља. Стога је деловање мало- бројних установа и по јединаца ко ји су, упркос тим „силама немерљивим”, како се изражавао Радован Самарџић, давали свој глас и научни, академ- ски, грађански и људски допринос, насупрот непосредног и посредног окружења и свеколиког јавног контекста, утолико важни је и потребни је знати да је посто јало и упознати као јединствену по јаву на највишем сте- пену академских ауторитета и универзитетских установа. Коликогод је њихов глас био недоступан широј јавности, њихов допринос друштвеним наукама оста је као сведочење отпора доминаци ји лажне савести, несаве- сне мистификаци је прошлости и инструментализаци је савремености. Уступак или изузеће из овог пресека савремености учињен је по- следњем полихисторику српске историографи је, комитетски изопштеном Владимиру Ћоровићу, чи је животно дело коначно бива об јављено, посленеуспелог покуша ја и забрана, молени јем његовог светогорског савреме-ника, игумана Хиландара, старца Никанора. Ликови колега, савременика, посленика културе и уметности, студената и предавача, свих профила, различите језичке и културне припадности, ко ји су оличење шароликог људског и педагошког окружења једног времена на различитим странама за једничке стварности. Личности историчара, ментора и узора, знаменитих научника и ака- демских посленика, окупљених простором и истори јом Југоистока Евро- пе, смештени су у медаљоне сећања уоквиреног клатном кретања из више комплементарних углова посматрања, поимања и спозна је колевке ко ја поста је камен спотица ја и последња станица европског за једништва. Њи- хови педагошки, људски, научни, методолошки утицај и допринос уоб- личавању приступа прошлости и савремености, сложеној проблематици Балкана, суштинска је тематика писања ко је им ода је признање, захвал- ност и поштовање њиховом стваралаштву, савесности, компетентности, знању, предусретљивости и племенитости. Проф.

Veoma dobro očuvano! Autor - osoba Stipčević, Svetlana, 1940-2008 = Stipčević, Svetlana, 1940-2008 Naslov Književni arhiv Srpske književne zadruge : 1892-1970 / Svetlana Stipčević Vrsta građe knjiga Ciljna grupa odrasli, ozbiljna (nije lepa knjiž.) Jezik srpski Godina 1982 Izdavanje i proizvodnja Beograd : Srpska književna zadruga, 1982 (Beograd : Kultura) Fizički opis XXXIII, 564 str. ; 19 cm Zbirka Srpska književna zadruga ; ǂkolo ǂ75, ǂknj. ǂ501 (Karton) Napomene Tiraž 3.000 Registar. Predmetne odrednice Srpska književna zadruga (Beograd) -- Arhivi -- 1892-1970MG133 Srpska književna zadruga je naša najstarija izdavačka ustanova i jedna od retkih kulturnih institucija srpskog naroda osnovanih u XIX veku koje su uspele da se održe do danas, uprkos teškoćama i iskušenjima kroz koje su prolazile. Osnivači Srpska književna zadruga osnovana je 29. aprila 1892. godine (16. aprila po starom kalendaru) u Beogradu, u zgradi tadašnje Srpske kraljevske akademije, u Brankovoj ulici broj 15. Njeni osnivači bili su: Stojan Novaković, Jovan Jovanović Zmaj, Ljubomir Stojanović, Ljubomir Kovačević, Svetislav Vulović, Milan Jovanović Batut, kao i drugi tadašnji značajni srpski pisci i naučnici. Za prvog predsednika Zadruge izabran je istoričar, državnik i filolog Stojan Novaković, a za potpredsednika pesnik Jovan Jovanović Zmaj, koji je i autor čuvenog znaka SKZ. Kroz dugu istoriju, koja povezuje čak tri veka, uvek su na čelu Zadruge bili najznačajniji srpski pisci i naučnici. Čuvajući tradicionalne i prepoznatljive vrednosti, Zadruga je uvek bila otvorena prema novim pravcima i strujama u književnoj, teorijskoj i naučnoj misli, držeći se najviših estetskih i izdavačkih kriterijuma u svom radu. Iz Pravila SKZ Osnivači su potpisali Pravila Srpske književne zadruge kao glavni osnivački akt, u kojima je naglašeno da se SKZ osniva „u nameri da pomogne pravilnije širenje odabranih dela iz lepe književnosti i iz opšte korisne pouke i tako da stvara knjižnicu za sve redove naroda“. U drugoj tački Pravila stoji da će se Srpska književna zadruga starati: „da kritički priređuje izdanja starijih i novijih književnika srpskih, da izdaje izabrana dela iz suvremene lepe i opšte korisne književnosti, da prednjači izborom u prevođenju i pozajmici iz slovenskih, inostranih i klasičnih književnosti, da u opšte pripomogne širem razviću narodne književnosti, olakšavajući izdavanje i širenje knjiga svima sredstvima koja joj budu na raspoloženju“. Osnovni organ Srpske književne zadruge je Skupština. Prva Skupština SKZ održana je 22. maja (9. maja po starom kalendaru) 1893. godine. Na njoj je Stojan Novaković izgovorio poznate reči, da su osnivači Srpske književne zadruge „ostavljali na stranu sve što bi nas moglo deliti“, da bi, s druge strane, „jače potražili ono što nas može zbližiti i sastaviti“, što je ostao jedan od osnovnih principa u našem radu do danas. Ustanovljeno je da će Zadruga svake godine izdavati po jedno kolo knjiga, koje „ne može obuhvatiti manje od šest knjiga ni manje od šest štampanih tabaka” u knjizi. Tako je stvorena prva biblioteka SKZ – „Kolo“, jedna od najstarijih živih biblioteka u Evropi, prepoznatljiva po svojim plavim koricama. Do danas je izašlo 114 kolâ Srpske književne zadruge, sa preko 750 naslova. „Kolo“ je lična karta SKZ, u njemu je sadržana srpska istorija, kultura, nauka, književnost, umetnost, naša i svetska klasika i naša i svetska savremenost. Posle „Kola“ osnovane su i druge biblioteke: „Zabavnik“ sa izabranim delima svetske klasike, „Poučnik“, „Savremenik“, a posle Drugog svetskog rata i niz novih, prateći savremeno domaće i svetsko stvaralaštvo i odgovarajući na potrebe i interesovanja čitalaca. Upravljanje Srpskom književnom zadrugom upravljaju njeni članovi. Upravni odbor ima dva odseka – Književni i Ekonomski, i nekoliko posebnih komisija – za „Kolo“, za članstvo, za pravila. Zadrugine biblioteke imaju uređivačke odbore sastavljene od najpozvanijih stručnjaka za pojedine periode i žanrove književnosti i pojedine oblasti nauke i kulture, tako da se provera vrednosti i značaja primljenih rukopisa i objavljenih knjiga vrši na najdemokratičniji način i u nekoliko neophodnih nivoa. Priznanja Među priznanjima koja je Srpska književna zadruga dobila za svoj rad najznačajnija su: Orden Svetog Save prvog stepena, koji je Zadruzi za njenu stogodišnjicu (1992) dodelio Njegova svetost patrijarh srpski gospodin Pavle i Orden Vuka Karadžića prvog stepena, koji joj je za sto desetu godinu rada (2002) dodelio predsednik SR Jugoslavije dr Vojislav Koštunica. Zadruga je dobila Vukovu nagradu, kao i Povelju Matice srpske za doprinos razvoju srpskog jezika. Od 1992. godine Zadruga dodeljuje Nagradu za životno delo, a dosadašnji dobitnici su: Desanka Maksimović, Radovan Samardžić, Vojislav Đurić, Branko V. Radičević, Milorad Ekmečić, Miodrag B. Protić, Branimir Živojinović, Milorad Đurić, Stevan Raičković i Miodrag Pavlović, Momo Kapor, Milovan Danojlić, Zoran Radisavljević, Ljubomir Simović, Branislav Baćović. Takođe, iz Fonda Dušana Baranina pri Srpskoj književnoj zadruzi dodeljivala se nagrada za delo sa istorijskom temom ili za značajnu istoriografsku studiju. Čuvar tradicije i ćirilske knjige Srpska književna zadruga, kao izdavač i ustanova kulture od posebnog nacionalnog značaja, ima i poseban Zakon o Srpskoj književnoj zadruzi, donesen maja 1997. godine u Narodnoj skupštini Srbije. Na taj način se i Srpska književna zadruga pridružila onim malobrojnim ustanovama srpske kulture osnovanim u XIX veku, poput Matice srpske, Srpske akademije nauka i umetnosti i drugih. SKZ je u vreme osnivanja bila prvi i pravi moderni izdavač među Srbima, sa posebnim mestom i zadatkom u kulturnom prostoru svoga naroda. Njeni osnovni zadaci bili su da objavljuje i širi u narodu najznačajnija dela starije, narodne i savremene srpske književnosti i nauke, kao i da upoznaje srpske čitaoce sa značajnim ostvarenjima svetske književnosti svih vremena. Zahvaljujući svom mnogobrojnom članstvu koje je živelo u nekoliko tadašnjih država, ubrzo je postala stožer okupljanja srpskog naroda preko značajnih kulturnih i književnih vrednosti s kojima ga je upoznavala. Zato je njena misija oduvek bila koliko književna i kulturna, toliko i nacionalna i društvena. Izdanja Srpske književne zadruge bila su najsigurniji putokaz vrednosti, bogatstva i raznovrsnosti koje poseduje srpska kultura. Danas, kada srpski narod, kao u vreme osnivanja Zadruge, živi u rasejanju širom sveta, njena kulturna, književna i nacionalna misija jednako je neophodna kao što je bila i krajem XIX i u prvim decenijama XX veka. Duh tradicije i duh savremenosti dva su ključna principa kojima se rukovodi Srpska književna zadruga u svom radu. Krunu svoga nacionalnog i kulturnog rada u poslednjoj deceniji XX veka ostvarila je monumentalnom desetotomnom „Istorijom srpskog naroda“, najobimnijom i najpouzdanijom političkom, ekonomskom i kulturnom istorijom koju Srbi i srpska nauka i kultura imaju. MG133

The multi-award winning LS50 Wireless speaker system set the bar high for high-performance wireless speakers, and in the same spirit of invention and innovation that created the original, the LS50 Wireless II is much more than just a new generation. The result of three years intensive research and development, the new KEF LS50 Wireless II is a fully active wireless stereo speaker system that delivers pristine, KEF signature sound coupled with great usability and high-performance wireless capability. LS50 Wireless II has been built on a whole new acoustic platform, the LS50 Meta passive loudspeakers, while the brand-new wireless platform has been engineered from the ground up. Active electronics, Digital Signal Processing (DSP), wireless streaming platform and the new KEF Connect app all combine to set a new benchmark of class-leading acoustic and user experience. All The Music, All The Time The new wireless platform that sits at the digital heart of the LS50 Wireless II ensures that no matter how you like to listen to your music, you will be able to do so with the minimum of fuss and in fantastic sound quality. LS50 Wireless II gives you direct access to your favourite music services, including Spotify (via Spotify Connect), Tidal, Amazon Music, Qobuz and Deezer. You can even tune in to Internet Radio Stations and catch up on the latest podcasts through the KEF Connect app. AirPlay 2 and Google Chromecast seamlessly connects your compatible Apple or Android device, whilst Bluetooth expands the options even further. There are also wired connections for your TV, turntable, CD player and games console, via the HDMI, analogue, optical and coaxial inputs. LS50 Wireless II has audiophiles covered with support for streaming music files up to 24bit/384kHz, as well as MQA Decoding, DSD256, and Roon Ready. These features mean that even the experienced hi-fi enthusiast will marvel at this exceptional loudspeaker’s ability; LS50 Wireless II really does offer something to everybody Let You Be You Even beyond the flawless musical performance, the LS50 Wireless II speaker system is a breeze to set up, intuitive to use and offers over-the-air firmware updates for bringing you new and improved features with the minimum of fuss. You can choose to connect the speakers with the supplied cable (24bit/192kHz resolution) or wirelessly (with 24bit/96kHz resolution) for a completely clutter-free set up. You can even select your favourite source to wake up LS50 Wireless II whenever it comes on, giving you immediate access to your favourite source. Plus, when using AirPlay 2, Chromecast or ROON you can stream to multiple speakers, so you can play music all over your house. The brand-new dedicated KEF Connect app walks you through the set-up and controls the system on a day-to-day basis, including intuitive sound settings, so you can tune LS50 Wireless II to your own personal tastes. Attention To Every Detail The LS50 Wireless II will also fits comfortably into your living space when it comes to style. The lowdiffraction, curved baffle is precision modelled around the Uni-Q driver array, while eye-catching heat sinks and colour-matched ports are located on the well-equipped rear. LS50 Wireless II is available in three matt finishes, Carbon Black, Titanium Grey, Mineral White as well as a Crimson Red Special Edition. All the colours are mirrored on both the drive units and the rear-facing port means the LS50 Wireless II looks fantastic from any angle. On the LS50 Wireless II’s underside, each corner has a threaded inset allowing the speaker to lock onto the top of the new KEF S2 Floor Stands, which also boast integrated cable management and a mass loadable column. The stands are all colour matched to your finish of choice. For even more impact and bass extension, LS50 Wireless II features two subwoofer outputs, one on each speaker. When paired with KEF’s KUBE range or KF92 subwoofers, music and film becomes even more impactful. Most Accurate, Immersive Sound When it comes to physical technology, LS50 Wireless II takes its lead from KEF’s LS50 Meta passive loudspeakers. A truly revolutionary tool in the KEF acoustic armoury, Metamaterial Absorption Technology (MAT) is a highly complex maze-like structure, where each of the intricate channels efficiently absorbs a specific frequency. When combined, the channels act as an acoustic black hole, absorbing 99% of the unwanted sound that comes from the rear of the tweeter, eliminating the resulting distortion and providing a purer, more natural sound. Model LS50 Wireless II Drive units Uni-Q Driver Array LF: 130 mm (5.25 in.) aluminium cone HF: 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption Technology Frequency range (-6dB) measured at 85dB/1m 40Hz – 47kHz *Depends on EQ settings Frequency response (±3dB)measured at 85dB/1m 45Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 280W, HF: 100W Amplifier class (per speaker) LF: Class D, HF: Class AB Max SPL measured at 1m 108 dB Wireless streaming features AirPlay 2 Google Chromecast ROON Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal Amazon Music Qobuz Deezer QQ Music via QPlay, Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit Coaxial up to 192kHz/24bit HDMI up to 192kHz/24bit *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 96kHz/24bit PCM Wired: all sources resampled to 192kHz/24bit PCM Supported format (all inputs) MP3 M4A AAC FLAC WAV AIFF ALAC WMA LPCM Ogg Vorbis Supported format (network) MQA: MQA Core Decoder DSF: DSD64, DSD128, DSD256 DFF: DSD64 Dimensions (HWD per speaker) 305 x 200 x 311 mm Weight (per set) 20.1kg Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) Inputs Primary Speaker HDMI eARC TOSLINK Optical Digital Coaxial Analog 3.5mm Auxiliary USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs Secondary Speaker USB Type A (service) RJ45 Ethernet (interspeaker) Output Primary Speaker RCA Subwoofer output Output Secondary Speaker RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4 IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

The multi-award winning LS50 Wireless speaker system set the bar high for high-performance wireless speakers, and in the same spirit of invention and innovation that created the original, the LS50 Wireless II is much more than just a new generation. The result of three years intensive research and development, the new KEF LS50 Wireless II is a fully active wireless stereo speaker system that delivers pristine, KEF signature sound coupled with great usability and high-performance wireless capability. LS50 Wireless II has been built on a whole new acoustic platform, the LS50 Meta passive loudspeakers, while the brand-new wireless platform has been engineered from the ground up. Active electronics, Digital Signal Processing (DSP), wireless streaming platform and the new KEF Connect app all combine to set a new benchmark of class-leading acoustic and user experience. All The Music, All The Time The new wireless platform that sits at the digital heart of the LS50 Wireless II ensures that no matter how you like to listen to your music, you will be able to do so with the minimum of fuss and in fantastic sound quality. LS50 Wireless II gives you direct access to your favourite music services, including Spotify (via Spotify Connect), Tidal, Amazon Music, Qobuz and Deezer. You can even tune in to Internet Radio Stations and catch up on the latest podcasts through the KEF Connect app. AirPlay 2 and Google Chromecast seamlessly connects your compatible Apple or Android device, whilst Bluetooth expands the options even further. There are also wired connections for your TV, turntable, CD player and games console, via the HDMI, analogue, optical and coaxial inputs. LS50 Wireless II has audiophiles covered with support for streaming music files up to 24bit/384kHz, as well as MQA Decoding, DSD256, and Roon Ready. These features mean that even the experienced hi-fi enthusiast will marvel at this exceptional loudspeaker’s ability; LS50 Wireless II really does offer something to everybody Let You Be You Even beyond the flawless musical performance, the LS50 Wireless II speaker system is a breeze to set up, intuitive to use and offers over-the-air firmware updates for bringing you new and improved features with the minimum of fuss. You can choose to connect the speakers with the supplied cable (24bit/192kHz resolution) or wirelessly (with 24bit/96kHz resolution) for a completely clutter-free set up. You can even select your favourite source to wake up LS50 Wireless II whenever it comes on, giving you immediate access to your favourite source. Plus, when using AirPlay 2, Chromecast or ROON you can stream to multiple speakers, so you can play music all over your house. The brand-new dedicated KEF Connect app walks you through the set-up and controls the system on a day-to-day basis, including intuitive sound settings, so you can tune LS50 Wireless II to your own personal tastes. Attention To Every Detail The LS50 Wireless II will also fits comfortably into your living space when it comes to style. The lowdiffraction, curved baffle is precision modelled around the Uni-Q driver array, while eye-catching heat sinks and colour-matched ports are located on the well-equipped rear. LS50 Wireless II is available in three matt finishes, Carbon Black, Titanium Grey, Mineral White as well as a Crimson Red Special Edition. All the colours are mirrored on both the drive units and the rear-facing port means the LS50 Wireless II looks fantastic from any angle. On the LS50 Wireless II’s underside, each corner has a threaded inset allowing the speaker to lock onto the top of the new KEF S2 Floor Stands, which also boast integrated cable management and a mass loadable column. The stands are all colour matched to your finish of choice. For even more impact and bass extension, LS50 Wireless II features two subwoofer outputs, one on each speaker. When paired with KEF’s KUBE range or KF92 subwoofers, music and film becomes even more impactful. Most Accurate, Immersive Sound When it comes to physical technology, LS50 Wireless II takes its lead from KEF’s LS50 Meta passive loudspeakers. A truly revolutionary tool in the KEF acoustic armoury, Metamaterial Absorption Technology (MAT) is a highly complex maze-like structure, where each of the intricate channels efficiently absorbs a specific frequency. When combined, the channels act as an acoustic black hole, absorbing 99% of the unwanted sound that comes from the rear of the tweeter, eliminating the resulting distortion and providing a purer, more natural sound. Model LS50 Wireless II Drive units Uni-Q Driver Array LF: 130 mm (5.25 in.) aluminium cone HF: 25 mm (1 in.) vented aluminium dome with Metamaterial Absorption Technology Frequency range (-6dB) measured at 85dB/1m 40Hz – 47kHz *Depends on EQ settings Frequency response (±3dB)measured at 85dB/1m 45Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 280W, HF: 100W Amplifier class (per speaker) LF: Class D, HF: Class AB Max SPL measured at 1m 108 dB Wireless streaming features AirPlay 2 Google Chromecast ROON Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal Amazon Music Qobuz Deezer QQ Music via QPlay, Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit Coaxial up to 192kHz/24bit HDMI up to 192kHz/24bit *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 96kHz/24bit PCM Wired: all sources resampled to 192kHz/24bit PCM Supported format (all inputs) MP3 M4A AAC FLAC WAV AIFF ALAC WMA LPCM Ogg Vorbis Supported format (network) MQA: MQA Core Decoder DSF: DSD64, DSD128, DSD256 DFF: DSD64 Dimensions (HWD per speaker) 305 x 200 x 311 mm Weight (per set) 20.1kg Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Inputs Primary Speaker HDMI eARC TOSLINK Optical Digital Coaxial Analog 3.5mm Auxiliary USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs Secondary Speaker USB Type A (service) RJ45 Ethernet (interspeaker) Output Primary Speaker RCA Subwoofer output Output Secondary Speaker RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4 IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz