Ilustrovana enciklopedija - životinje Zašto Vuk Bojović kaže da je ovo najbolja knjiga o životinjama koju je ikada imao u rukama? Čudesno carstvo životinja oživeće pred Vašim očima u ovoj knjizi koju ćete godinama čitati sa istim žarom! Enciklopedija Životinje je oda raznolikosti, lepoti i bogatstvu sveta životinja u vreme kada sa planete Zemlje nestaju mnoge vrste živih organizama. Uz mnoštvo vrhunskih fotografija i zanimljivih tekstova predstavljamo vam preko 2.000 vrsta životinja, od dobro poznatih koje svakodnevno srećemo pa sve do krajnje retkih koje je videlo svega nekoliko ljudi. Tu je i niz novih priloga svetskom katalogu životinja: novootkrivene vrste majmuna, treća vrsta slona, retke vrste kitova... sve do sićušnih, malo poznatih grupa beskičmenjaka i liste kritično ugroženih životinja. Knjiga je namenjena malim i velikim ljubiteljima prirode, stručnjacima i radoznalcima. Dragocena enciklopedija jedinstvena na našem tržištu - knjiga uz koju ćete naučiti puno toga, uz koju će se promeniti vaš pogled na svet. BOGATSTVO BOJA I PRIZORA Izuzetna, jedinstvena kolekcija originalnih fotografija životinja u njihovom prirodnom staništu, uključujući i nagrađivane portrete i slike retkih vrsta, snimljene kamerom profesionalnih fotografa nakon višemesečnih istraživanja. Enciklopedija Životinje dolazi sa čak 5.000 fenomenalnih fotografija u kojima ćete beskrajno uživati i diviti se lepoti prirode i živog sveta. DA NIŠTA NE PROPUSTITE Na kraju knjige nalaze se iscrpan pojmovnik, u kojem se tumače zoološki i tehnički pojmovi koji su korišćeni u knjizi i indeks, koji vam omogućava brzo pretraživanje. Svaki od opisa donosi očaravajuću priču o vrsti kao i kartu rasprostranjenosti i fotografiju u boji, čak i za najređe životinjske primerke. Ilustrovana enciklopedija Životinje će biti sjajan pratilac tokom svih istraživanja životinjskog sveta i prava riznica znanja. STRUKTURA ENCIKLOPEDIJE Knjiga je podeljena u tri glavna dela, od kojih svaki sistematično objašnjava obilje životinjskog sveta na jednostavan i svakom pristupačan način. Uvod U uvodnom delu knjige uopšteno se govori o životinjama i njihovom načinu života. Iako su se razvile posle ostalih živih bića, životinje danas predstavljaju dominantan oblik života na Zemlji. Jedan od faktora koji je to omogućio jeste njihova sposobnost prilagođavanja u ponašanju i kretanju. Ovaj deo knjige proučava izgled životinja, prikazuje puteve njihove evolucije, njihov odgovor na životne uslove i način na koji su ih biolozi klasifikovali. Na kraju, daje se i osvrt na glavne uzroke njihove ugroženosti i nestajanja. Staništa Jedino mesto u svemiru za koje se zna da je na njemu moguć život jeste Zemlja. Kao i ostala živa bića, životinje su zauzele sva područja između donjeg sloja Zemljine atmosfere i dna okeana . Bez obzira na to gde žive, životinje stupaju u međusobne odnose, odnose sa drugim živim bićima i sa svojom okolinom, stvarajući složeno okruženje koje se stalno menja i koje nazivamo stanište. U ovom poglavlju obrađuju se sva svetska staništa, kao i životinje koje u njima žive. Životinjsko carstvo Do danas je opisano oko dva miliona vrsta – smatra se da je stvaran broj nekoliko puta veći. Carstvo životinja obuhvata kako beskičmenjake jedva vidljive golim okom, tako i kičmenjake (kitove) duže od 30 m. Način života vrlo je raznolik: neke vrste su nepokretne, a druge su pokretne grabljivice, koje mogu da se kreću brzinom i do 100 km na sat. Ovo poglavlje pruža uvid u carstvo životinja, opisujući više od 2.000 vrsta – od najvećih i najpoznatijih do najmanjih i najređih. Životinjsko carstvo je u ovoj knjizi podeljeno na šest delova: sisari, ptice, gmizavci, vodozemci, ribe i beskičmenjaci. Svaki deo počinje uvodom za pojedinu grupu životinja a završava se spiskom ugroženih vrsta. Autori poglavlja: SISARI: dr Juliet Clutton-Brock PTICE: dr Francois Vuilleumier REPTILI: Chris Mattison VODOZEMCI: Professor Tim Halliday RIBE: Professor Richard Rosenblat BESKIČMENJACI: dr George C. McGavin, dr Richard Barnes, dr Frances Dipper Ostali saradnici: dr Richard Barnes, dr Paul Bates, dr Simon K. Bearder, Deborah Behler, John Behler, Keith Betton, dr Michael de L. Brooke, dr Charles R. Brown, dr Donald Bruning, George H. Burgess, dr Kent E. Carpenter, Norma G. Chapman, Ben Clemens, Dr. Richard Cloutier, Malcolm C. Coulter, Dominic M. Couzens, dr Timothy M. Crowe, dr Kim Dennis-Bryan, dr Christopher Dickman, Joseph A. DiConstanzo, dr Philip Donoghue, dr Nigel Dunstone, dr S. Keith Eltringham, Prof. Brock Fenton, Joseph Forshaw, Susan D. Gardieff, dr Anthony Gill, dr Joshua Ginsberg, dr Colin Groves, dr Jurgen H. Haffer, Prof. Tim Halliday, Gavin Hanke, dr Cindy Hull, dr Barry J. Hutchins, dr Paul A. Johnsgard, dr Angela Kepler, dr Jiro Kikkawa, dr Nigel Leader-Williams, dr Douglas Long, dr Manuel Marin, Chris Mattison, dr George C. McGavin, dr Jeremy McNeil, dr Rodrigo A. Medellin, dr Fridtjof Mehlum, Chris Morgan, Rick Morris, dr Bryan G. Nelson, dr Gary L. Neuchterlein, Jemima Parry-Jones, Malcolm Pearch, prof. Christopher Perrins, dr Ted Pietsch, dr Tony Prater, dr Galen B. Rathbun, dr Ian Redmond, dr James D. Rising, Robert H. Robins Jeff Sailer, dr Scott A. Schaeffer, dr Karl Schuchmann, prof. John D. Skinner, dr Andrew Smith, dr Ronald L. Smith, dr David D. Stone, dr Mark Taylor, dr David H. Thomas, dr Dominic Tollit, dr Jane Wheeler, dr Ben Wilson, dr David B. Wingate, dr Hans Winkler, dr Kevin Zippel Prikaži više

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Mladinska knjiga! Velika ilustrovana enciklopedija SVEOBUHVATNА • AUTORITATIVNА • PUNА ŽIVOTA • VIZUELNO ZADIVLJUJUĆА • neverovatno vizuelno putovanje kroz životinjsko carstvo: na nebu, u vodi, na zemlji i pod njom • više od 2.000 divljih životinjskih vrsta na jednom mestu – od milimetarskih knjiških moljaca do džinovskih plavih kitova, velikih kao košarkaški teren • plod istraživanja međunarodnog tima od preko 70 zoologa i prirodnjaka NAUČITE kako da razlikujete afričkog slona od indijskog na osnovu surle. SAZNAJTE kako se kreću zmije i kako kornjače uvlače glavu u oklop. PRONAĐITE najveću kopnenu životinju ili najmanju pticu na svetu. PROVERITE da li svi delfini žive u slanoj vodi. OTKRIJTE koju poruku šimpanze šalju pokazivanjem zuba a koju keženjem. RASPOZNAJTE divlje mačke na osnovu šara na krznu. POGLEDAJTE IZBLIZA kako bogomoljke love plen, kako se rađa mladunče gnua, kako se slonovi posipaju prašinom, kako majmuni koriste prosto oruđe, kako izgleda svadbeni ples ždralova... OTKRIJTE koji sisari nose jaja, koje životinje lete a nemaju perje i koje ribe na mesto gde će položiti jaja putuju kopnenim putem! Zašto Vuk Bojović kaže da je ovo najbolja knjiga o životinjama koju je ikada imao u rukama? Čudesno carstvo životinja oživeće pred Vašim očima u ovoj knjizi koju ćete godinama čitati sa istim žarom! Enciklopedija Životinje je oda raznolikosti, lepoti i bogatstvu sveta životinja u vreme kada sa planete Zemlje nestaju mnoge vrste živih organizama. Uz mnoštvo vrhunskih fotografija i zanimljivih tekstova predstavljamo vam preko 2.000 vrsta životinja, od dobro poznatih koje svakodnevno srećemo pa sve do krajnje retkih koje je videlo svega nekoliko ljudi. Tu je i niz novih priloga svetskom katalogu životinja: novootkrivene vrste majmuna, treća vrsta slona, retke vrste kitova... sve do sićušnih, malo poznatih grupa beskičmenjaka i liste kritično ugroženih životinja. Knjiga je namenjena malim i velikim ljubiteljima prirode, stručnjacima i radoznalcima. Dragocena enciklopedija jedinstvena na našem tržištu - knjiga uz koju ćete naučiti puno toga, uz koju će se promeniti vaš pogled na svet. BOGATSTVO BOJA I PRIZORA Izuzetna, jedinstvena kolekcija originalnih fotografija životinja u njihovom prirodnom staništu, uključujući i nagrađivane portrete i slike retkih vrsta, snimljene kamerom profesionalnih fotografa nakon višemesečnih istraživanja. Enciklopedija Životinje dolazi sa čak 5.000 fenomenalnih fotografija u kojima ćete beskrajno uživati i diviti se lepoti prirode i živog sveta. DA NIŠTA NE PROPUSTITE Na kraju knjige nalaze se iscrpan pojmovnik, u kojem se tumače zoološki i tehnički pojmovi koji su korišćeni u knjizi i indeks, koji vam omogućava brzo pretraživanje. Svaki od opisa donosi očaravajuću priču o vrsti kao i kartu rasprostranjenosti i fotografiju u boji, čak i za najređe životinjske primerke. Ilustrovana enciklopedija Životinje će biti sjajan pratilac tokom svih istraživanja životinjskog sveta i prava riznica znanja. STRUKTURA ENCIKLOPEDIJE Knjiga je podeljena u tri glavna dela, od kojih svaki sistematično objašnjava obilje životinjskog sveta na jednostavan i svakom pristupačan način. Uvod U uvodnom delu knjige uopšteno se govori o životinjama i njihovom načinu života. Iako su se razvile posle ostalih živih bića, životinje danas predstavljaju dominantan oblik života na Zemlji. Jedan od faktora koji je to omogućio jeste njihova sposobnost prilagođavanja u ponašanju i kretanju. Ovaj deo knjige proučava izgled životinja, prikazuje puteve njihove evolucije, njihov odgovor na životne uslove i način na koji su ih biolozi klasifikovali. Na kraju, daje se i osvrt na glavne uzroke njihove ugroženosti i nestajanja. Staništa Jedino mesto u svemiru za koje se zna da je na njemu moguć život jeste Zemlja. Kao i ostala živa bića, životinje su zauzele sva područja između donjeg sloja Zemljine atmosfere i dna okeana . Bez obzira na to gde žive, životinje stupaju u međusobne odnose, odnose sa drugim živim bićima i sa svojom okolinom, stvarajući složeno okruženje koje se stalno menja i koje nazivamo stanište. U ovom poglavlju obrađuju se sva svetska staništa, kao i životinje koje u njima žive. Životinjsko carstvo Do danas je opisano oko dva miliona vrsta – smatra se da je stvaran broj nekoliko puta veći. Carstvo životinja obuhvata kako beskičmenjake jedva vidljive golim okom, tako i kičmenjake (kitove) duže od 30 m. Način života vrlo je raznolik: neke vrste su nepokretne, a druge su pokretne grabljivice, koje mogu da se kreću brzinom i do 100 km na sat. Ovo poglavlje pruža uvid u carstvo životinja, opisujući više od 2.000 vrsta – od najvećih i najpoznatijih do najmanjih i najređih. Životinjsko carstvo je u ovoj knjizi podeljeno na šest delova: sisari, ptice, gmizavci, vodozemci, ribe i beskičmenjaci. Svaki deo počinje uvodom za pojedinu grupu životinja a završava se spiskom ugroženih vrsta. Autori poglavlja: SISARI: dr Juliet Clutton-Brock PTICE: dr Francois Vuilleumier REPTILI: Chris Mattison VODOZEMCI: Professor Tim Halliday RIBE: Professor Richard Rosenblat BESKIČMENJACI: dr George C. McGavin, dr Richard Barnes, dr Frances Dipper Ostali saradnici: dr Richard Barnes, dr Paul Bates, dr Simon K. Bearder, Deborah Behler, John Behler, Keith Betton, dr Michael de L. Brooke, dr Charles R. Brown, dr Donald Bruning, George H. Burgess, dr Kent E. Carpenter, Norma G. Chapman, Ben Clemens, Dr. Richard Cloutier, Malcolm C. Coulter, Dominic M. Couzens, dr Timothy M. Crowe, dr Kim Dennis-Bryan, dr Christopher Dickman, Joseph A. DiConstanzo, dr Philip Donoghue, dr Nigel Dunstone, dr S. Keith Eltringham, Prof. Brock Fenton, Joseph Forshaw, Susan D. Gardieff, dr Anthony Gill, dr Joshua Ginsberg, dr Colin Groves, dr Jurgen H. Haffer, Prof. Tim Halliday, Gavin Hanke, dr Cindy Hull, dr Barry J. Hutchins, dr Paul A. Johnsgard, dr Angela Kepler, dr Jiro Kikkawa, dr Nigel Leader-Williams, dr Douglas Long, dr Manuel Marin, Chris Mattison, dr George C. McGavin, dr Jeremy McNeil, dr Rodrigo A. Medellin, dr Fridtjof Mehlum, Chris Morgan, Rick Morris, dr Bryan G. Nelson, dr Gary L. Neuchterlein, Jemima Parry-Jones, Malcolm Pearch, prof. Christopher Perrins, dr Ted Pietsch, dr Tony Prater, dr Galen B. Rathbun, dr Ian Redmond, dr James D. Rising, Robert H. Robins Jeff Sailer, dr Scott A. Schaeffer, dr Karl Schuchmann, prof. John D. Skinner, dr Andrew Smith, dr Ronald L. Smith, dr David D. Stone, dr Mark Taylor, dr David H. Thomas, dr Dominic Tollit, dr Jane Wheeler, dr Ben Wilson, dr David B. Wingate, dr Hans Winkler, dr Kevin Zippel

Jazz Piano History (20 x CD) Jazz / Blues / Funk / Fusion Documents / 2006 / Made in Germany Jedinstvena istorija klavirske džez muzike, kolekcija od 380 snimaka koja obuhvata sve stilove džez muzike (Ragtime, Harlem, Stride, Boogie, Blues, White Chicago, New York Jazz, Swing, Kansas City, Be Bop, Modern Jazz, Funk, Fusion, Introspection, Free Jazz, Jazz Rock, Contemporary...). Muzički vremeplov koji počinje od veoma retkih snimaka (prvu kompoziciju na prvom disku snimio je Scott Joplin 15.03.1899, a dalji snimci se prostiru kroz čitav XX i zalaze u XXI vek. Diskovi su pakovani u 5 celina po 4 CD-a, a svi zajedno su u zaštitnoj čvrstoj kutiji. Ukupno 124 stranica booklet-a u kojima su detaljji o stilovima, muzičarima i detaljima vezanim za svaki snimak. Svi diskovi su u odličnom stanju (MINT), preslušani samo jedanput. Na omotu ima nekoliko sitnih ogrebotina; najveći nedostatak je na zajedničkoj kutiji, koja je po ivici izguljena u ukupnoj dužini od oko 10 cm, dovoljno je čvrsto ali možda na tom mestu treba dodatno pojačati lepljivom trakom da ne bi došlo do odvajanja gornje strane; ako treba, tražite dodatne fotografije. Tracklist: Ragtime 1-1 –Scott Joplin Original Rags 1-2 –Scott Joplin Maple Leaf Rag 1-3 –Scott Joplin The Entertainer 1-4 –Scott Joplin Fig Leaf Rag 1-5 –Tom Turpin St. Louis Rag 1-6 –James Scott Grace And Beauty 1-7 –James Scott Ragtime Oriole 1-8 –Joseph Lamb American Beauty Rag 1-9 –Unknown Artist The Entertainer`s Rag 1-10 –Unknown Artist Chinatown Rag 1-11 –Frank Banta/Jack Austin Kitten On The Keys 1-12 –Frank Banta Wonder Where My Baby Is Tonight 1-13 –Eubie Blake Boll Weevil Blues 1-14 –J. Russel Robinson That Da Da Strain 1-15 –Lemuel Fowler Steppin` Ol` Fool 1-16 –Ferd (Jelly Roll) Morton New Orleans (Blues) Joys 1-17 –Ferd (Jelly Roll) Morton Frog-I-More Rag 1-18 –Ferd (Jelly Roll) Morton Perfect Rag 1-19 –Ferd (Jelly Roll) Morton Original Rags 1-20 –James P. Johnson Harlem Strut 1-21 –James P. Johnson Keep Off The Grass 1-22 –James P. Johnson Carolina Shout 1-23 –Thomas `Fats` Waller Muscle Shoals Blues Harlem/Stride 2-1 –Fletcher Henderson Chime Blues 2-2 –Duke Ellington Black Beauty 2-3 –James P. Johnson Weeping Blues 2-4 –James P. Johnson Runnin` Wild Medley 2-5 –James P. Johnson Snowy Morning Blues 2-6 –James P. Johnson Riffs 2-7 –James P. Johnson You`ve Got To Be Modernistic 2-8 –James P. Johnson Jingles 2-9 –James P. Johnson Carlina Shout 2-10 –Clarence Williams Wildflower Rag 2-11 –Clarence Williams & James P. Johnson How Could I Be Blue? 2-12 –Thomas `Fats` Waller Squeeze Me 2-13 –Thomas `Fats` Waller Handful Of Keys 2-14 –Thomas `Fats` Waller Ain`t Misbehavin` 2-15 –Thomas `Fats` Waller Alligator Crawl 2-16 –Thomas `Fats` Waller Honeysuckle Rose 2-17 –Thomas `Fats` Waller Hock Shop Blues 2-18 –Willie `The Lion` Smith Passionette 2-19 –Willie `The Lion` Smith Echoes Of Spring 2-20 –Willie `The Lion` Smith Concentratin` 2-21 –Willie `The Lion` Smith Finger Buster 2-22 –Willie `The Lion` Smith Cuttin` Out Willie 2-23 –Willie `The Lion` Smith Relaxin` Blues & Boogie 3-1 –Lemuel Fowler Blues Mixture 3-2 –Hersal Thomas Hersal Blues 3-3 –Meade Lux Lewis Honky Tonk Train Blues 3-4 –Pinetop Smith Pine Top`s Boogie Woogie 3-5 –Pinetop Smith Jump Steady Blues 3-6 –Cow Cow Davenport Cow Cow Blues 3-7 –Cow Cow Davenport Chimes Blues 3-8 –Cow Cow Davenport Slow Drag 3-9 –Montana Taylor Detroit Rocks 3-10 –Romeo Nelson Head Rag Hop 3-11 –Speckled Red The Dirty Dozen 3-12 –Speckled Red Wilkins Street Stomp 3-13 –Wesley Wallace No. 29 3-14 –Wesley Wallace Fanny Lee Blues 3-15 –Henry Brown Henry Brown Blues 3-16 –Henry Brown Deep Morgan Blues 3-17 –Henry Brown Eastern Chimes Blues 3-18 –Charles Avery Dearborn Street Breakdown 3-19 –Blind Leroy Garnett Loisiana Glide 3-20 –Jabo Williams Jab Blues 3-21 –Jabo Williams Pratt City Blues 3-22 –Cripple Clarence Lofton I Don`t Know 4-1 –Will Ezell Barrel House Man 4-2 –Will Ezell West Coast Rag 4-3 –Will Ezell Barrel House Woman 4-4 –Will Ezell Heifer Dust 4-5 –Jimmy Yancey Jimmy`s Stuff 4-6 –Jimmy Yancey Two O`clock Blues 4-7 –Jimmy Yancey Janie`s Joys 4-8 –Jimmy Yancey Yancey Limited 4-9 –Jimmy Yancey Yancey Stomp 4-10 –Jimmy Yancey State Street Special 4-11 –Jimmy Yancey Five O`clock Blues 4-12 –Jimmy Yancey The Mellow Blues 4-13 –Jimmy Yancey 35th And Dearborn 4-14 –Jimmy Yancey How Long Blues 4-15 –Jimmy Yancey Salute To Pinetop 4-16 –Jimmy Yancey Yancey Special 4-17 –Pete Johnson Let `Em Jump 4-18 –Pete Johnson Boogie Woogie 4-19 –Pete Johnson Basement Boogie 4-20 –Pete Johnson Dive Bomber 4-21 –Pete Johnson Zero Hour 4-22 –Pete Johnson Swingin` The Boogie Boogie Woogie 5-1 –Meade Lux Lewis Yancey Special 5-2 –Meade Lux Lewis Honky Tonk Train Blues 5-3 –Meade Lux Lewis/Albert Ammons/Pete Johnson Boogie Woogie Prayer Part 1 & 2 5-4 –Meade Lux Lewis/Albert Ammons Twos And Fews 5-5 –Meade Lux Lewis Bass On Top 5-6 –Meade Lux Lewis Tell Your Story 5-7 –Meade Lux Lewis Rising Tide Blues 5-8 –Meade Lux Lewis Lux`s Boogie 5-9 –Meade Lux Lewis Chicago Flyer 5-10 –Albert Ammons Shout For Joy 5-11 –Albert Ammons Boogie Woogie Stomp 5-12 –Albert Ammons Boogie Woogie Blues 5-13 –Albert Ammons Albert`s Special Boogie 5-14 –Albert Ammons The Boogie Rocks 5-15 –Albert, Meade, Pete And Their Three Pianos Cafe Society Rag 5-16 –Pete Johnson/Albert Ammons Boogie Woogie Jump 5-17 –Pete Johnson/Albert Ammons Sixth Avenue Express 5-18 –Ralph Sutton Boogie Joys 5-19 –Bob Zurke/Bob Crosby Little Rock Getaway 5-20 –Bob Zurke/Bob Crosby Yancey Special 5-21 –Bob Zurke/Bob Crosby Honky Tonk Train Blues 5-22 –Bob Zurke & His Orchestra Cow Cow Blues Chicago 6-1 –Richard M. Jones Jazzin` Babies` Blues 6-2 –Jimmy Blythe Chicago Stomps 6-3 –Jimmy Blythe Armour Ave. Struggle 6-4 –Jimmy Blythe Mr. Freddie Blues 6-5 –Clarence Jones Swanee Blues 6-6 –Alex Hill/Albert Wynn Parkway Stomp 6-7 –Alex Hill Stompin` `Em Down 6-8 –Alex Hill Tack Head Blues 6-9 –Alex Hill And His Orchestra Toogaloo Shout 6-10 –Ferd (Jelly Roll) Morton King Porter 6-11 –Ferd (Jelly Roll) Morton Shreveport Stomp 6-12 –Ferd (Jelly Roll) Morton Grandpa`s Spells 6-13 –Ferd (Jelly Roll) Morton The Pearls 6-14 –Ferd (Jelly Roll) Morton Wolverine Blues 6-15 –Ferd (Jelly Roll) Morton Pep 6-16 –Ferd (Jelly Roll) Morton The Naked Dance 6-17 –Earl Hines/Louis Armstrong Weather Bird 6-18 –Earl Hines Blues In Thirds (Caution Blues) 6-19 –Earl Hines Panther Rag 6-20 –Earl Hines A Monday Date 6-21 –Earl Hines I Ain`t Got Nobody 6-22 –Earl Hines Fifty-Seven Varieties 6-23 –Earl Hines Glad Rag Doll New York 7-1 –Frank Melrose Jelly Roll Stomp 7-2 –Joe Sullivan/Eddie`s Hot Shots I`m Gonna Stomp Mr. Henry Lee 7-3 –Joe Sullivan/Red Nichols China Boy 7-4 –Joe Sullivan Gin Mill Blues 7-5 –Joe Sullivan Little Rock Getaway 7-6 –Joe Sullivan Just Strolling 7-7 –Joe Sullivan Minor Mood 7-8 –Joe Sullivan Summertime 7-9 –Jess Stacy In The Dark (Flashes) 7-10 –Jess Stacy Barrelhouse 7-11 –Jess Stacy The World Is Waiting For The Sunrise 7-12 –Jess Stacy/Eddie Condon Carnegie Drag 7-13 –Dave Bowman/Bud Freeman 47th And State 7-14 –Art Hodes A Selection From The Gutter 7-15 –Art Hodes Bed Rock Blues 7-16 –Art Hodes Trio Eccentric 7-17 –George Zack Black And Blue 7-18 –George Zack Lazy River 7-19 –Tram, Bix & Lang For No Reason At All In C 7-20 –Bix Beiderbecke In A Mist (Bixology) 7-21 –Ralph Sutton Candlelights 7-22 –Rube Bloom Soliloquy 7-23 –Arthur Schutt/Red Nichols Delirium 7-24 –Arthur Schutt Lover, Come Back To Me Swing 8-1 –Teddy Wilson Somebody Loves Me 8-2 –Teddy Wilson/Benny Goodman Trio After You`ve Gone 8-3 –Teddy Wilson Liza (All The Clouds`ll Roll Away) 8-4 –Benny Goodman Quartet Handful Of Keys 8-5 –Teddy Wilson Tiger Rag 8-6 –Teddy Wilson China Boy 8-7 –Teddy Wilson Trio Fine And Dandy 8-8 –Teddy Wilson/Benny Goodman Quartet Avalon 8-9 –Earl Hines Rosetta 8-10 –Earl Hines And His Orchestra Boogie Woogie On St. Louis Blues 8-11 –Earl Hines Child Of A Disordered Brain 8-12 –Earl Hines/Sidney Bechet Trio Blues In Thirds 8-13 –Earl Hines My Melancholy Baby 8-14 –Earl Hines Trio Honeysuckle Rose 8-15 –Earl Hines Trio Fine And Dandy 8-16 –Art Tatum Tiger Rag 8-17 –Art Tatum Sophisticated Lady 8-18 –Art Tatum (I Would Do) Anything For You 8-19 –Art Tatum Humoresque 8-20 –Art Tatum Get Happy 8-21 –Art Tatum Trio I Got Rhythm 8-22 –Art Tatum The Man I Love 8-23 –Art Tatum Makin` Whopee 8-24 –Art Tatum/Benny Carter/Louis Bellson Blues In B-flat 9-1 –Fats Waller And His Buddies The Minor Drag 9-2 –Fats Waller And His Rhythm Dinah 9-3 –Fats Waller And His Rhythm 12th Street Rag 9-4 –Fats Waller And His Rhythm Sweet Fue 9-5 –Fats Waller And His Rhythm Truckin` 9-6 –Fats Waller And His Rhythm Fractious Fingering 9-7 –A Jam Session At Victor`s (RCA All Stars) Honeysuckle Rose 9-8 –Fats Waller London Suite-Bond Street 9-9 –Fats Waller And His Rhythm Ain`t Misbehavin` 9-10 –Pee Wee, Zutty And James P. Everybody Loves My Baby 9-11 –Jimmy Johnson And His Orchestra Old Fashioned Love 9-12 –James P. Johnson If I Could Be With You One Hour Tonight 9-13 –Willie (The Lion) Smith And His Cubs Harlem Joys 9-14 –Willie (The Lion) Smith, Joe Bushkin The Lion And The Lamb 9-15 –Jess Stacy/Benny Goodman And His Orchestra Sing, Sing, Sing 9-16 –Jess Stacy Ramblin` 9-17 –Jess Stacy Complainin` 9-18 –Jess Stacy (I Got A Woman Crazy For Me) She`s Funny That Way 9-19 –Jess Stacy Ec-Stacy 9-20 –Billy Kyle Finishing Up A Date 9-21 –Billy Kyle And Louis Armstrong All-Stars St. Louis Blues 10-1 –Duke Ellington/Jimmy Blanton Pitter Panther Patter 10-2 –Duke Ellington Solitude 10-3 –Duke Ellington & Billy Strayhorn Tonk 10-4 –Sammy Price Boogin` With Big Sid 10-5 –Sammy Price And His Bluesicians Paris Lament 10-6 –King Cole Trio Honeysuckle Rose 10-7 –Lester Young/King Cole Trio Indiana 10-8 –King Cole Trio It`s Only A Paper Moon 10-9 –King Cole Trio What Is This Thing Called Love? 10-10 –King Cole Trio/Lester Young/Buddy Rich Back To The Land 10-11 –Jimmy Jones Trio Easy To Love 10-12 –Jimmy Jones Trio Just Squeeze Me 10-13 –Sir Charles Thompson/Coleman Hawkins Stuffy 10-14 –Sir Charles Thompson Swingtime In The Rockies 10-15 –Eddie Heywood Begin The Beguine 10-16 –Mel Powell And His Orchestra The World Is Waiting For The Sunrise 10-17 –Mel Powell And His Orchestra Blue Skies 10-18 –Lionel Hampton And His Orchestra China Stomp (Chinatown) 10-19 –Lionel Hampton And His Orchestra Piano Stomp (Shine) 10-20 –Johnny Guarnieri Swing Men Salute To Fats 10-21 –Johnny Guarnieri Swing Men Basie English 10-22 –Johnny Guarnieri Trio Gliss Me Again 10-23 –Joe Bushkin/Muggsy Spanier Relaxin` At The Touro 10-24 –Joe Bushkin/Eddie Condon Stars Fell On Alabama Kansas City 11-1 –Count Basie The Dirty Dozens 11-2 –Count Basie Boogie Woogie 11-3 –Count Basie Oh! Red 11-4 –Count Basie Dupree Blues 11-5 –Count Basie Red Wagon 11-6 –Count Basie And His All American Rhythm Way Back Blues 11-7 –Count Basie St. Louis Blues 11-8 –Mary Lou Williams Night Life 11-9 –Mary Lou Williams Overhand (New Froggy Bottom) 11-10 –Mary Lou Williams Clean Pickin` 11-11 –Mary Lou Williams Mary`s Special 11-12 –Mary Lou Williams The Rocks 11-13 –Mary Lou Williams And Her Kansas City Seven Baby Dear 11-14 –Pete Johnson Roll `Em 11-15 –Pete Johnson And His Boogie Woogie Boys Cherry Red 11-16 –Pete Johnson Kaycee On My Mind 11-17 –Pete Johnson`s Band 627 Stomp 11-18 –Pete Johnson/`Big` Joe Turner Rebecca 11-19 –Jay McShann Vine Street Boogie 11-20 –Jay McShann Hold `Em Hootie 11-21 –Jay McShann So You Won`t Jump 11-22 –Jay McShann Hootie Boogie 11-23 –Joe Turner/Sam Price Nobody In Mind 11-24 –Sam Price And His Texas Bluesicians Teed Up Be Bop 12-1 –Bud Powell Trio I`ll Remember April 12-2 –Bud Powell Trio Bud`s Bubble 12-3 –Bud Powell Trio Strictly Confidential 12-4 –Bud Powell`s Modernists Bouncing With Bud 12-5 –Bud Powell`s Modernists Dance Of The Infidels 12-6 –Bud Powell Trio Ornithology 12-7 –Bud Powell Trio Get Happy 12-8 –Bud Powell Trio Un Poco Loco 12-9 –Bud Powell Trio Glass Enclosure 12-10 –Dodo Marmarosa, Charlie Barnet The Moose 12-11 –Dodo Marmarosa Trio Dodo`s Blues 12-12 –Dodo Marmarosa Trio Bopmatism 12-13 –Dodo Marmarosa Trio Dodo`s Dance 12-14 –Al Haig, Wardell Gray Quartet Twisted 12-15 –Al Haig, Stan Getz Quartet Indian Summer 12-16 –Al Haig Trio Opus Caprice 12-17 –Duke Jordan, The Charlie Parker Quintet Dexterity 12-18 –Duke Jordan, The Charlie Parker Quintet Dewey Square 12-19 –Duke Jordan, The Charlie Parker Quintet Scrapple From The Apple 12-20 –George Wallington Trio Fairyland 12-21 –George Wallington Trio I`ll Remember April 12-22 –Thelonious Monk Trio Well You Needn`t 12-23 –Thelonious Monk Quartet Epistrophy 12-24 –John Lewis, The Charlie Parker All-Stars Parker`s Mood 12-25 –John Lewis, J.J.Johnson Be-Boppers Afternoon In Paris Modern Jazz 13-1 –Lennie Tristano Trio Out On A Limb 13-2 –Lennie Tristano Trio Interlude 13-3 –Lennie Tristano Trio Coolin` Off With Ulanov 13-4 –The Metronome All-Stars Victory Ball 13-5 –Lennie Tristano Quintet Subconscious Lee 13-6 –Lennie Tristano Sextette Crosscurrent 13-7 –Lennie Tristano Sextette Marionette 13-8 –Lennie Tristano Sextette Disgression 13-9 –Lennie Tristano Requiem 13-10 –John Lewis, Miles Davis Nonet Rouge 13-11 –John Lewis, Zoot Sims Quartet Dancing In The Dark 13-12 –John Lewis, The Milt Jackson Quartet D & E 13-13 –John Lewis, The Milt Jackson Quartet Softly As In A Morning Sunrise 13-14 –John Lewis, The Modern Jazz Quartet All The Things You Are 13-15 –John Lewis, The Modern Jazz Quartet Vendome 13-16 –John Lewis, The Modern Jazz Quartet Django 13-17 –John Lewis, The Modern Jazz Quartet La Ronde Suite Part 1-4 13-18 –John Lewis, The Modern Jazz Quartet Concorde 13-19 –Claude Williamson, Barney Kessel Quintet On A Slow Boat To China 12-20 –Barney Kessel Quintet, Art Pepper Quintet Cinnamon 13-21 –Barney Kessel Quintet, Art Pepper Quintet Straight Life Cool 14-1 –Hampton Hawes, Art Pepper Surf Ride 14-2 –Hampton Hawes, Art Pepper Holiday Flight 14-3 –Hampton Hawes, Shorty Rogers And His Giants Diablo`s Dance 14-4 –Hampton Hawes, Barney Kessel Quintet You Stepped Out Of My Dream 14-5 –The Dave Brubeck Trio Indiana 14-6 –The Dave Brubeck Trio Body And Soul 14-7 –The Dave Brubeck Quartet Stardust 14-8 –The Dave Brubeck Quartet The Way You Look Tonight 14-9 –The Dave Brubeck Quartet Le Souk 14-10 –The Dave Brubeck Quartet Take Five 14-11 –Dave Brubeck Group Blue Rondo A La Turk 14-12 –Russ Freeman, Art Pepper Quartet Chilli Pepper 14-13 –Russ Freeman, Art Pepper Quartet Everything Happens To Me 14-14 –Russ Freeman, Art Pepper Quartet Tickle Toe 14-15 –Russ Freeman, Chet Baker Quartet Russ Job 14-16 –Russ Freeman, Chet Baker Quartet Lullaby Of The Leaves 14-17 –The Pete Jolly Trio I`ve Got You Under My Skin West Coast 15-1 –The Horace Silver Trio Opus De Funk 15-2 –The Horace Silver Trio Buhaina 15-3 –Horace Silver, Miles Davis All Star Sextet Walkin` 15-4 –The Horace Silver Quintet Doodlin` 15-5 –Horace Silver, Nat Adderley Quintet Blues For Bohemia 15-6 –Wynton Kelly, The J.J. Johnson Quintet Too Marvelous For Words 15-7 –Wynton Kelly, Art Farmer Quartet Gone With The Wind 15-8 –Richie Powell, Clifford Brown, Max Roach George`s Dilemma 15-9 –Richie Powell, Clifford Brown, Max Roach Sandu 15-10 –Thelonious Monk Quintet Straight No Chaser 15-11 –Thelonious Monk Sextet Hornin` In 15-12 –Thelonious Monk Trio Bemsha Swing 15-13 –Thelonious Monk Trio Blue Monk 15-14 –Ray Bryant, Miles Davis Sextet Bitty Ditty Hard Bop 16-1 –Erroll Garner Trio Trio 16-2 –Erroll Garner Trio The Way You Look Tonight 16-3 –Erroll Garner Indiana 16-4 –Erroll Garner Trio Misty 16-5 –Erroll Garner Trio They Can`t Take Away From Me 16-6 –The Oscar Peterson Quartet Stompin` At The Savoy 16-7 –The Oscar Peterson Trio Tenderly 16-8 –The Oscar Peterson Trio I Can`t Give You Anything But Love 16-9 –Mary Lou Williams Quartet Perdido 16-10 –Hank Jones Trio Odd Number 16-11 –Hank Jones, The Cannonball Adderley Quintet A Little Taste 16-12 –The George Shearing Quintet September In The Rain 16-13 –The George Shearing Quintet East Of The Sun 16-14 –The George Shearing Quintet Conception 16-15 –The George Shearing Quintet Lullaby Of Birdland 16-16 –Billy Taylor, Coleman Hawkins Cheek To Cheek 16-17 –Kenny Drew, Buddy DeFranco Quartet When Your Lover Has Gone Funk 17-1 –Horace Silver Quintet Creepin` In 17-2 –Horace Silver Quintet The Preacher 17-3 –Horace Silver Quintet Senor Blues 17-4 –Bobby Timmons, Chet Baker & Crew Lucius Lu 17-5 –Cedar Walton, Eddie Harris Quartet St. Thomas 17-6 –Gene Harris, Ray Brown Trio Night Train 17-7 –Ramsey Lewis Quintet Blues For The Night 17-8 –Junior Mance Trio Blue Monk 17-9 –Les McCann And His Magic Band Compared To What Fusion / Introspection / Free 18-1 –Bill Evans I Got It Bad, And That Ain`t Good 18-2 –Bill Evans Waltz For Debbie 18-3 –Bill Evans My Romance 18-4 –Bill Evans Trio Easy Living 18-5 –Bill Evans Trio Speak Low 18-6 –Ahmad Jamal Waltz For Debbie 18-7 –Ahmad Jamal Autumn In New York 18-8 –Chick Corea Fiesta Piano Solo 18-9 –McCoy Tyner Giant Steps 18-10 –McCoy Tyner Rhythm-a-Ning 18-11 –McCoy Tyner Trio Senor Carlos 18-12 –Cecil Taylor Trio This Nearly Was Mine 18-13 –Cecil Taylor Trio Port Of Call Jazz Rock 19-1 –Cedar Walton, Eddie Harris Quartet Freedom Jazz Dance 19-2 –Dave Brubeck Group Tritonis 19-3 –Dave Brubeck Group Benjamin Christopher David Brubeck 19-4 –Danilo Perez, Roy Haynes I Hear A Rhapsody 19-5 –Danilo Perez, Roy Haynes Bright Mississippi 19-6 –Chick Corea Yes My Dear 19-7 –Chick Corea Better Match Contemporary 20-1 –Monty Alexander Ellington Medley 20-2 –Kenny Barron I`m Confessin` 20-3 –Kenny Barron, Mulgrew Miller Softly, As In A Morning Sunrise 20-4 –Marcus Roberts Blues In The Evening Time 20-5 –Randy Weston Medley

Jezik: Hrvtasko-srpski Autori: Strani i domaći Mek povez, manjeg formata. Biblioteka znanstvene (naučne) fantastike. Izlazio je od 1976. do 1989., a izdavala ga je zagrebačka novinsko-izdavačka kuća Vjesnik. List se ugasio 1990. godine. U svakom broju romana ima više priča, ovde sam naveo prve priče iz sadržaja po kojem roman i nosi ime. Dobro očuvani romani. U ponudi je ceo komplet, (1-164 + special), po rednom broju objavljivanja: 1. Ne ubijte Rulla! - A. E. van Vogt, 143. strana, 2. Mjuhuov štap - T. Sturgeon, 144. strana; Tiho, molim! - A. Clarke, 3. Majk Invencije - Tom Godwin, 144. strana, 4. Žrtvovani - Walter M. Miller, 144. strana, 5. Svijet samo utorkom - Philip Jose Farmer, 144. strana, 6. Pametna odluka - Garrett Silverberg, 143. strana, 7. Preživjeli - Harry Harrison, 144. strana, 8. Vrijeme oluje - Roger Zelazny, 143. strana, 9. Izazov razumu - J. i D. Le Mey, 144. strana, 10. Etička ravnoteža - Murray Leinster, 144. strana, 11. Claine i Solandre - J. i D. Le May, 144. strana, 12. Crna torbica - C. M. Kornbluth, 144. strana, 13. Čovek koji nije postojao - Miroslav Trbović, 144. strana, 14. A onda je stigla mačka - Yves Dermez, 144. strana, 15. Una - John Wyndham, 144. strana, 16. Napast sa zemlje - Robert A. Heinlein, 144. strana, 17. Sally - Isaac Asimov, 144. strana, 18. Htio bih se zvati Joe - Paul Anderson, 144. strana, 19. Kuc - kuc - Frederic Brown, 144. strana, 20. I ne prvi put - A. E. van Vogt, 144. strana, 21. Delfinov san – Slobodan Šnajder, 144 strana 22. Tajna drevne ljepotice - Ivan Antonović Jefremov, 144. strana, 23. Gdje se djenuo profesor? - Henry Kuttner, 144. strana, 24. Antikni predmet - Lidija Razumović, 144. strana, 25. Posljednje pitanje - Isaac Asimov, 144. strana, 26. Ljeto na Ikarusu - Arthur C. Clarke, 144. strana, 27. Jastogov glas - Henry Kuttner, 144. strana, 28. Prvi kontakt - Murray Leinster, 143. strana, 29. Preludij za kristalnu pjesmu - Anne McCaffrey, 144. strana, 30. Bumerang - Eric Frank Russell, 144. strana, 31. Djevica iz legende - Radivoj Papić, 144. strana, 32. Noć mutanta - Paul Anderson, 144. strana, 33. Strah - Ursula K. Le Guin, 144. strana, 34. Posljednji slučaj najvećeg detektiva - Mack Reynolds, 144. strana, 35. Ljubav na ektoplazmičan način - Thomas M. Disch, 143. strana, 36. Metalni čovjek - Jack Williamson, 144. strana, 37. Noć kad je provalilo sve vrijeme - Brian W. Aldiss, 144. strana, 38. Psihophor - Zvonimir Furtinger, 144. strana, 39. Prikrivanje - Henry Kuttner, 144. strana, 40. Nešto me voli odozgo - Alfred Bester, 144. strana, 41. Caliban - Robert Siverberg,144. strana, 42. Vrijeme sađenja - Pete Adams i Charles Nightingale, 144. strana, 43. Osuđeni brod - J. T. Mclntosh, 144. strana, 44. Pokretna skulptura - J. G. Ballard, 144. strana, 45. Posljednja noć - Mladen Jurčić, 144. strana, 46. Nimfa - Snežana Bulić, 144. strana, 47. Prekršaj - William F. Nolan, 144. strana, 48. Sindrom viteštva - Vesna Popović, 144. strana, 49. Posljednja odluka - Ben Bova, 144. strana, 50. Mea zauvijek među zvijezdama - Branko Belan, 144. strana, 51. Susret s meduzom - Arthur C. Clarke, 144. strana, 52. Pothvat pilota J-20 - Eric Frank Russell, 144. strana, 53. Kiborška strana - Roger Zelazny, 144. strana, 54. Borilište - Fredric Brown, 144. strana, 55. Tu negdje blizu sola - Larry Niven. 144. strana, 56. Čudovište - Philip K. Dick, 144. strana, 57. Ratni brod - George R. R. Martin, 144. strana, 58. Kronojektor - Tatjana Vranić, 144. strana, 59. Slaba točka - Eric Frank Russell, 144. strana, 60. Možda u nekom trećem svemiru - Snežana Bulić Atanasković, 144. 61. Zemljani - Ray Bradbury, 144. strana, 62. Jamesonov satelit - Neil R. Jones, 144. strana, 63. Dan gnjeva - Sever Gansovski, 144. strana, 64. Neobična putovanja Amelije Bertrand - Joanna Russ, 144. strana, 65. Zastor - Orson Scott Card, 144. strana, 66. Mladost - Isaac Asimov, 144. strana, 67. Deset kratkih priča - Arthur C. Clarke, 144. strana, 68. Pela, Sveta zmija - Damir Mikuličić, 144. strana, 69. Brod koji je pjevao - Anne McCaffrey, 144. strana, 70. Perzefona i Had - Scott W. Schumack, 144. strana, 71. Besprijekorna posada - Daniel F. Galouye, 144. strana, 72. Konačno naređenje - A. E. Van Vogt, 144. strana, 73. Krletka - Bertram Chandler, 144. strana, 74. Pobjeda – Fred Saberhagen, 144. strana 75. Dnevnik mlade djevojke iz 25. stoljeća - Alain Doremieux, 144, 76. Put u zbilju - Robert Silverberg, 144. strana, 77. Isključivanje - Ron Goulart, 144. strana, 78. Akvila- Somtow Suchartikul, 144 strana 79. DZING - A. E. Van Vogt, 144. strana, 80. Kiborg - M. Puhov, 144. strana, 81. Sjećanja na svemirsko doba - J. G. Ballard, 144. strana, 82. Roboti ubojice - Murray Leinster, 128. strana, 83. Posljednja poruka - Branko Pihač, 128. strana, 84. Rašomon prvoga kontakta - Godon Eklund, 128. strana, 85. Draga kompjuterka - Christopher Stork, 128. strana, 86. Amijum - Snežana Bulić Atanasković, 128. strana, 87. Dokaz - Isaac Asimov, 128. strana, 88. Do Marsa! - Jack Williamson, 128. strana, 89. Šume, kiše, grad i zvezde - Slobodan Ćurčić, 128. strana, 90. Umjetni mrav - Philip K. Dick, 128. strana, 91. Među dlakavim zemljanima - R. A. Lafferty, 128. strana, 92. Svijet po izboru - Bob Shaw, 128. strana, 93. Skok u svemiru - Jean-Gaston Vandel, 128. strana, 94. Prvi dan rata - Živko Prodanović, 128. strana, 95. Neplanirani let - Juanita Coulson, 128. strana, 96. Zvjezdana - George R. R. Martin, 127. strana, 97. Zarobljenici vremena - Philip K. Dick, 128. strana, 98. Pijavica - Robert Sheckley, 128. strana, 99. 900 baka - R. A. Lafferty, 128. strana, 100. Bumerang - Branko Pihač, 144. strana, 101. Rana ptica - Theodore R. Cogswell i Theodore L. Thomas, 128, 102. Divni svetrani transmutator - Barry N. Malzberg, 128. strana, 103. Zatočenici Kape - Dan Dastier, 128. strana, 104. Bani - Sol Nad, 128. strana, 105. Tri priče - Mirta Stupin, 128. strana, 106. Najblaža kazna - Theodore R. Cogswell, 128. strana, 107. Opsjenometaši - Bob Shaw, 128. strana, 108. Razbojstva s dozvolom - Robert Sheckley, 128. strana, 109. Ylla - Ray Bradbury, 128. strana, 110. Ratnici - Larry Niven, 128. strana, 111. Mjesečev moljac - Jack Vince, 128. strana, 112. Na licu mu vrata, u ustima svjetiljke - Roger Zelazny, 128. strana, 113. Kineska zagonetka - John Wyndham, 128. strana, 114. Kako smo popalili Kromu - William Gibson, 128. strana, 115. Catman - Harlan Ellison, 128. strana, 116. Demonski ugovor - Darije Đokić, 128. strana, 117. Druga vrsta samoće - George R. R. Martin, 128. strana, 118. Pritisni `ENTER` - John Varley, 128. strana, 119. Slijepa Bakara - Jack Dann, 128. strana, 120. Glazbotvorac - Lloyd Biggle, jr., 128. strana, 121/122. Euroconski dvobroj, 192. strane, 123. Planet žena - John Wyndham, 128. strana, 124. Sonata smuka - Olga Larionova, 128. strana, 125. Zvjerinjak - Gene Roddenberry, 128. strana, 126. Najduže putovanje - Poul Anderson, 128. strana, 127. R. U. R. - Karel Čapek, 128. strana, 128. Vilinski vatrogasci - Pavao Pavličić, 128. strana, 129. Podsjetnik Johnny - William Gibson, 128. strana, 130. Kamen - Edward Bryant, 128. strana, 131. Žrtva mira - C. J. Cherryh, 128. strana, 132. Petogodišnjak - Harlan Ellison, 128. strana, 133. Tor susreće kapetana Ameriku - David Brin, 128. strana, 134. Div - Keith Laumer, 128. strana, 135. Dar umjetnosti - Harlan Ellison, 128. strana, 136. Ruka - Larra Niven, 128. strana, 137. Snaga požude - Wayne Wightman, 128. strana, 138. Plovidba u Bizant - Robert Silverberg, 128. strana, 139. Zimska tržnica - Wiliam Gibson, 128. strana, 140. Antologija nagrađenih priča, 128. strana, 141. SF erotika, 128. strana, 142. Cyberpunk, 128. strana, 143. Tvrdi SF, 128. strana, 144. Barbie ubojstva - John Varley, 128. straana, 145. Smrt srži - Michael Swanwick, 128. strana, 146/147. Ceste moraju ići - Robert Heinlein, 144. strana, 148. Jaren - Frederick Longbeard, 128. strana, 149. Vrijeme je spirala - Samuel R. Delany, 128. strana, 150. Kraljica Cikada - Bruce Sterling, 128. strana, 151. Papreni narednik - Karl Hansen, 128. strana, 152. Morski vukovi - Michael Moorcock, 128. strana, 153. Ni zvuka rata - Harry Harrison, 128. strana, 154. Napršnjacima, viljuškama i nadom - Kate Wilhelm, 128, 155/156. Sjetite se Rulla - E. A. van Vogt, 144. strana, 157/158. Majka čovječanstva - Richard Wilson, 144. strana, 159/160 Prsten sjećanja – Aleksandar Jablokov, 144 strana 161/162. Zmija drevnog Nila - Charles Sheffield, 144. strana, 163/164. Posljednji winnebago - Connie Willis, 144. strana, - Posebno izdanje YUSIRIUS, 191. strana.

str. 54, kompletno stanje : LOŠE samo srbija ne saljem ovaj predmet u inostranstvo serbia only I do not send this item abroad Endi Vorhol (6. avgust, 1928. – 22. februar, 1987.) bio je američki umetnik, koji se smatra tipičnim predstavnikom pop arta. Bio je slikar, filmski reditelj, pisac i zvezda. Osnivač je časopisa Interview. Rođen je kao Andrew Warhola u Pittsburghu u Pennsylvaniji. Njegov otac Andrej Warhola (prezime se pisalo Varhola u Evropi, ali je promenjeno na Warhola kada je emigrirao u SAD) i majka Ulja Justina Zavacka bili su imigranti radničke klase, rusinkog porekla iz sela Mikó, Ugarska. (Danas Slovačka: Miková). Porodica je pripadala Rusinskoj katoličkoj crkvi istočnog obreda. U trećem razredu Worhol se razboleo od horeje, koja izaziva bezvoljne trzaje mišića. Ova bolest je dovela i do promena u pigmentaciji kože, a kasnije je razvio i hipohondriju i strah od lekara i bolnica. Pošto je bio vezan za krevet kao mali, bio je isključen od društva svojih vršnjaka i veoma je postao vezan za majku. Kada je bio u krevetu voleo je da crta, sluša radio i skuplja sličice filmskih zvezda, koje je lepio oko kreveta. Warhol je kasnije svoje bolešljivo detinjstvo opisao kao veoma važno za razvoj njegove ličnosti i njegovih sposobnosti. Rano je pokazao svoj talenat za umetnost i studirao je dizajn na Carnegie Mellon University u Pittsburghu. Godine 1949. preselio se u New York City i počeo je uspešnu karijeru u magazinu, baveći se ilustracijom i advertisingom. Postao je poznat po svojim neobaveznim potezima pri crtanju cipela. To je dovelo do njegove prve izložbe u New Yorku u galeriji Bodley. Tokom 1960-ih Warhol je od ilustratora postao jedan od najpoznatijih umetnika Amerike. Na mnogo načina su Warhol i krug ljudi okupljeni oko njega definisali ovu deceniju. Tokom ove decenije Warhol je počeo da slika poznate američke proizvode, kao što su Campbell’s Soup Cans i Coca-Cola, kao i poznate popularne ikone, kao Marilyn Monroe, Troy Donahue i Elizabeth Taylor. Godine 1963. osnovao je „The Factory“ na Midtown Manhattnu i oko sebe je skupio slikare, pisce, muzičare i poznate underground ličnosti. Počeo je da se bavi štampom na tkanini i slike je radio u serijama, postižući time ne samo da se bavi umetnošću masovne proizvodnje, već i da sama umetnost postaje masovni produkt. Izjavljujući da želi da bude mašina i umanjujući značaj svoje kreativnosti u produkovanju svoje umetnosti, Warhol je načinio revoluciju u umetnosti. Njegov rad veoma brzo postaje kontroverzan i popularan. Od ovog perioda njegov rad se kreće oko američke pop (popularne) kulture. Štampao je slike novčanica, zvezda, brendiranih proizvoda i slike iz novina. Teme njegove umetnosti bile su prepoznatljive i dostupne masi – ovaj aspekt ga je najviše interesovao. Na primer, Warhol komentariše dostupnost Coca-Cole: Odlična stvar u vezi sa ovom zemljom je to da je Amerika započela tradiciju u kojoj najbogatiji ljudi kupuju suštinski iste stvari kao i najsiromašniji. Možete da gledate TV i vidite Coca-Colu i znate da i predsednik pije Colu, Liz Taylor poje Colu i, zamislite, i vi možete da pijete Colu. Cola je Cola i ne postoje pare kojima možete kupiti bolju Colu od one koju pije propalica na uglu. Sve Cole su iste i sve Cole su dobre. Liz Taylor to zna, Predsednik to zna, propalica to zna i vi to znate. Tokom 1950-ih Warhol je, kao ilustrator, koristio asistente da bi povećao svoju produktivnost. Sarađivanje sa drugima će ostati prepoznatljiv (i kontroverzan) aspekt njegovog načina rada tokom cele karijere, a posebno tokom 1960-ih. Jedan od njegovih najvažnijih saradnika iz ovog perioda je Gerard Malanga, koji mu je pomagao u štampi, snimanju filmova, skulpturi i drugim radovima. Među drugima koji su činili njegovu grupu bili su i Freddie Herko, Ondine, Ronald Tavel, Mary Woronov, Brigid Berlin (od koje je dobio ideju da snima svoje telefonske razgovore). Tokom decenije Warhol je negovao boemsku ekscentričnost sa kojom je prezentovao svoje „Superstars“, među kojima su Edie Sedgwick, Viva, Nico, Candy Darling, Ultra Violet, Jackie Curtis, Holly Woodlawn i dr. Ovi ljudi su učestvovali u snimanju filmova u Factory-u i neki su, kao Berlin, ostali Warholovi prijatelji do njegove smrti. Vazne ličnosti iz njujorškog underground umetničkog i filmskog sveta (kao pisac John Giorno i reditelj Jack Smith) pojavljivale su se u njegovim filmovima, što ukazuje na Warholovu povezanost sa različitim umetničkim krugovima u tom periodu. Krajem decenije Warhol je već i sam bio zvezda i pojavljivao se često u štampi zajedno sa svojim Superstarovima iz Factory-a, kao što je Sedgwick. Valerie Solanas se 3. juna, 1968. pojavila u Factory-u i pucala u Warhola. Mario Amaya je takođe bio meta. Pre ovoga Solanas je bila marginalna ličnost u Factory-u. Osnovala je „grupu“ (ona je bila jedina članica) pod nazivom S.C.U.M. - Society for Cutting Up Men (Društvo za sečenje muškaraca) i napisala je S.C.U.M Manifest, radikalno feministički napad na patrijarhat. Solanas se pojavljuje u Warholovom filmu iz 1968. godine I, A Man. Nešto ranije tog dana Solana je tražila da joj vrate scenario koji je dala Factory-u, ali joj nisu vratili. Scenario je bio, zapravo, zaturen. Warhol je bio ozbiljno ranjen i jedna je preživeo (lekari su morali da mu otvore grudni koš i masirali su mu srce da bi ga stimulisali). Fizičke posledice je trpeo do kraja života (morao je, recimo, da nosi korset, koji mu je držao abdomen). Pokušaj ubistva je imao trajne posledice i na njegov život i umetnost. Solanas je uhapšena narednog dana. Tokom ispitivanja izjavila je: „Imao je preveliku kontrolu nad mojim životom.“ Posle pokušaja ubistva Factory je postao krući zbog kontrole i mera opreza. Ovo je za mnoge značio kraj Factory-a 60-ih. U poređenju sa uspehom i skandalima iz 1960-ih, nova decenija je bila mnogo mirnija. Warhol je sada počeo da okuplja nove, bogatije ličnosti, među kojima su Mick Jagger, Liza Minnelli, John Lennon, Diana Ross, Brigitte Bordot i Michael Jackson, koje je portretisao. Njegov čuveni portret Mao Zedonga napravljen je 1973. zajedno sa Malangom osniva magazin Interview i objavljuje knjigu The Philosophy of Andy Warhol (1975). U knjizi prezentuje ideje o prirodi umetnosti: Pravljenje para je umetnost i rad je umetnost i dobar biznis je najbolja umetnost. Warhol je izlazio u Serendipity 3, a kanije u Studio 54, poznate noćne klubove na Manhattanu. Opisan je kao povučen, stidljiv i kao posmatrač koji uviđa detalje. Umetnički kritičar Robert Hughes ga naziva „bela krtica Union Square-a“ Tokom 1980-ih Warhol je ponovo doživljavao uspeh kod kritičara i u finansijama, delom i zbog njegovih novih prijateljstava sa mladim umetnicima, među kojima su Jean-Michel Basquiat, Julian Schnabel, David Salle, kao i sa takozvanim neo-ekspresionistima: Francesco Clemente, Enzo Cucchi i članovima Transavanrguardia grupe, koji su tada postali uticajni. Warhol je, takođe, cenio intenzivan hollywoodski glamur. Jednom je rekao: „Volim Los Angeles. Volim Hollywood. Tako su lepi. Sve je plastično, ali ja volim plastiku. Želim da budem plastičan.“ Warhol je bio jedan od prvih vodećih gej američkih umetnika koji su bili otvoreni po pitanju svoje seksualnosti. Mnogi su o njemu mislili kao o aseksualnoj osobi ili tek voajeru. To je međutim odbačeno od strane njegovih biografa (kao što je Victor Bockris), kao i članova scene Factory-a, poput Boba Colacella (u njegovoj knjizi Holy Terror: Andy Warhol Up Close) i akademaca, poput istoričara umetnosti Richarda Meyera. Pitanje kako je njegova seksualnost uticala na njegovu umetnost i oblikovala njegov odnos prema umetničkom svetu je glavna tema istoričara umetnosti, kao i pitanje koje je Warhol sam postavljao u intervjuima, u razgovorima sa savremenicima i u publikacijama (na primer: Popism: The Warhol Sixties). Tokom karijere Warhol je pravio erotske fotografije i crteže golih muškaraca. Mnogi njegovi čuveni radovi (poput portreta gej ikona, kao što su Liza Minnelli, Judy Garland, Elizabeth Taylor i fimovi kao My Hustler, Blow Job i Lonesome Cowboys) crpe snagu iz gej kulture i/ili otvoreno ispituju složenost seksualnosti i seksualne želje. Mnogi njegovi filmovi su premijerno pokazani u gej porno bioskopima. Neke od najinteresantnijih priča o njegovom razvoju kao umetnika jesu u vezi sa preprekama koje je njegova seksualnost u početku predstavljala dok se trudio da pokrene svoju karijeru. Prvi radovi koje je podneo galeriji bili su homoerotski crteži koji su odbijeni jer su bili isuviše otvoreno gej[1]. U Popism-u Warhol se seća svog razgovora sa rediteljem Emile de Antoniom o teškoćama koje je imao da bude prihvaćen od umetnika, kao što su Jasper Johns i Robert Rauschenberg, koji su takođe bili gejevi, ali ne outovani u to vreme. De Antonio objašnjava da je Warhol bio isuviše „swich“ (da je lako bilo pretpostaviti da je gej) i da ih je to plašilo. Warhol odgovara: „Nisam ništa mogao da kažem na to. Bio je isuviše istinito. Samo sam odlučio da ne brinem, jer su sve to bile stvari koje ionako nisam želeo da menjam, za koje sam mislio da ne treba da menjam... Drugi ljudi mogu da menjaju svoj stav o meni[2]. Ispitujući njegovu biografiju, mnogi definišu ovaj period – kasne 1950-e i početak 1960-ih – kao ključni za razvoj njegove ličnosti. Neki tvrde da njegovo često odbijanje da komentariše svoj rad i da priča o sebi (odgovarajući na pitanja novinara u intervjuima sa „Uhm, Yes“ i „Uhm, No“ i dozvoljavajući drugima da pričaju o njemu), pa i razvoj njegovog pop stila mogu da se prate do godina kada je Warhol odbijen od strane unutrašnjih krugova njujorškog umetničkog sveta. Warhol je praktikovao Katoličanstvo istočnog obreda. Redovno je volontirao u skloništima za beskućnike i opisivao je sebe kao religioznu osobu. Mnogi njegovi kasniji radovi sadrže skrivene religijske teme. Redovno je posećivao liturgije, a sveštenik crkve Saint Vincent Ferrer na Manhattnu je rekao da je Warhol u crkvu odlazio gotovo svakog dana. Na njegov rad je uticala ikonografska tradicija istočnog Hrišćanstva. Warholov brat je rekao da je Warhol bio „istinski religiozan, ali da nije želeo da ljudi to znaju, jer je to bila privatna stvar“. Warhol umire relativno rano, u svojoj 58. godini, 22. februara, 1987. godine u 6:32 u New Yorku. Prema novinskim izveštajima, Warhol se dobro oporavljao posle rutinske operacije žučne kese u uglednoj New York Hospital pre nego što je umro u snu od iznenadnog infarkta. Bolničko osoblje nije dobro pratilo njegovo stanje i posle operacije su ga „napunili“ tečnošću, zbog čega je došlo do hiperhidratacije, zbog čega je Warholov advokat podneo tužbu. Warhol je sahranjen na grkokatoličkom groblju u Bethel Parku, predgrađu Pittsburgha. Među ljudima koji su održali posmrtni govor bila je i Yoko Ono. Bilo je toliko puno predmeta koje je Warhol posedovao da je Sotheby’s devet dana izlagao njegove stvari na aukciji. Aukcijom se prikupilo više od 20 miliona dolara. Do početka 1960-ih Warhol je bio uspešni reklamni ilustrator. Warhol je bio toliko uspešan kao komercijalni ilustrator, da ga niko nije shvatao kao umetnika. Koristeći istu tehniku koju je koristio u ilustracijama, Warhol je uradio seriju crteža i podneo ih galeriji, koja ga je odbila. Počeo je da promišlja odnos između komercijalne umetnosti i umetnosti i umesto da ih vidi kao suprotnosti (što je bio slučaj sa ostalim umetnicima) počeo je da ih spaja stvarajući pop art. Pop art je bila eksperimentalna forma koju je nekoliko umetnika nezavisno počelo da usvaja. Neki od njih, kao što je Roy Lichtenstein kasnije će postati sinonimi za ovaj pokret. Warhol koji će postati poznat kao „Papa popa“ („Pope of Pop“) prihvatio je ovaj stil. Njegove prve slike prikazuju likove iz crtanih filmova i reklama, koje je radio ručno. Kasnije, Warhol svoje teme traži u samim ikonama popa – brendovima, zvezdama i dolarima – i isključuje svaki trag „ruke“. Warhol je tražio svoje teme, koje bi ga razlikovale od drugih pop-artista. Prijatelji su mu rekli da slika stvari koje najviše voli. Na sebi svojstven način da stvari shvata bukvalno počeo je da slika svoje omiljene stvari. Za svoju prvu veliku izložbu slikao je konzerve Campbell’s Soup, koje je jeo za ručak tokom celog života. Warhol je voleo novac, pa je slikao novčanice. Voleo je zvezde, pa je slikao i njih. Od ovakvih početaka razvio je svoj kasniji stil. Umesto da bira teme po kojima će biti prepoznatljiv, birao je prepoznatljiv stil, iz koga je polako istiskivao ruku u procesu stvaranja. Slike je počeo da radi kao štampu na tkanini. Od slikara Warhol je postao dizajner slike. U vrhuncu svoje slave, Warhol je imao nekoliko asistenata koji su radili po njegovim instrukcijama. Warhol se bavio i komičnim i ozbiljnim temama, birajući predmete od konzerve supe do električne stolice. Koristio je istu tehniku – tekstilna štampa, serijska reprodukcija i upotreba svetlih boja – bez obzira na to da li slika glamurozne zvezde, predmete iz svakodnevnog života ili slike samoubistava, saobraćajnih nesreća i sl. Slike iz serije „Dead and Disaster“ (1962-1963), kao što su „Red Car Crach“, „Purple Jumping Man“, „Orange Disaster“, transformišu ličnu tragediju u javnu spektakl i opominje medije da stalno prikazivanje ovakvih slika u medijima otupljuje publiku. Jedinstveni element njegovog rada je njegov keatonski stil – potpuna bezizražajnost. Ovo se ogledalo i u njegovom ponašanju – često se „pravio glup“ u medijima i odbijao je da objašnjava svoj rad. Poznat je po tome što je rekao da sve što treba da se zna o njemu i njegovom radu je već tu – na površini. U takvoj površnosti, bez oznaka iskrenosti, posmatrač je ostavljen da se pita i otkriva šta „pravi Andy“ misli. Da li je Andy užasnut smrću ili mu je ona smešna? Da li su njegove konzerve supe cinična primedba o bezvredosti popularne kulture, ili su „homage“ jednostavne udobnosti doma? Bez želje da odgovara na ova pitanja, njegov rad postaje interesantniji – ostavlja publici da interpretiraju njegovo značenje. Warhol je radio u mnogim medijima – slikarstvo, fotografija, crtež i skulptura. Pored toga, pravio je i filmove. Između 1963. i 1968. snimio je preko 60 filmova. Jedan od najpoznatijih filmova, Sleep (1963.) prati šestočasovno spavanje pesnika Johna Giorna. Film Blow Job (1963.) 41 minut prati izraz lica Toma Bakera kome Willard Maas čini felacio (kamera, međutim, prikazuje samo Tomovo lice). Film Empire sastoji se od osmočasovnog snimanja zgrade Empire States Building u sumrak. Njegov najpopularniji film koji je dobio i najbolje kritike je Chelsea Girls (1966). Film prikazuje dva filma istovremeno, sa različitim pričama. Posle pokušaja ubistva Warhol, koji je sada živeo povučenije, odustao je od snimanja filmova. Njegov asistent, reditelj Paul Morrissay nastavio je da pravi filmove za Factory, usmeravajući filmsku produkciju sa warholovske na više mainstream i filmove sa narativom, kao što su Flesh, Trash, Heat. Ovi filmovi, uključujući i Andy Warhol’s Dracula i Andy Warhol’s Frankenstein bili su više mainstream od bilo čega što je Warhol režirao. U ovim filmovima pojavljivao se Joe Dallesandro, koji je bio više Morrisseyeva nego Warholova zvezda. Warhol je prihvatio bend Velvet Underground kao jedan od svojih projekata tokom 1960-ih, „producirajući“ njihov prvi album The Velvet Underground and Nico i praveći naslovne slike. Njegova „produkcija“ ovog albuma se sastojala samo u plaćanju vremena u studiju. Posle ovog albuma Warhol i Lou Reed su počeli da se sukobljavaju oko ideje u kom pravcu bend treba da se razvija i konačno su prekinuli kontakt. Warhol je dizajnirao omote za dva albuma The Rolling Stones: Sticky Fingers (1971) i Love You Live (1977). Godine 1975. Warhol je uradio nekoliko portreta Mick Jaggera. Godine 1990. Lou Reed snima album Sons for Drella (jedan od Warholovih nadimaka bio je Drella, kao kombinacija imena Drakula i Cinderella (Pepeljuga)) sa John Caleom. Na albumu Reed se izvinjava Warholu zbog sukoba. Warhol je bio prijatelj sa mnogim muzičarima, uključujući Bob Dylana i John Lennona. Warhol je dizajnirao omot za Lennonov album Menlove Avenue, koji je posthumno izdat 1986. godine. Warhol se pojavljuje kao barmen u spotu pesme „Hello Again“ grupe The Cars i u spotu za singl „Mistif“ grupe Curiosity Killed the Cat. Warhol je imao veoma veliki uticaj na new wave/punk rock bend Devo, kao i na David Bowiea, koji je snimio i pesmu pod nazivom „Andy Warhol“ za album Hunky Dory (1971). Andy Warhol Museum u Pittsbughu je najveći američki muzej posvećen samo jednom umetniku. Čuva zbirku sa više od 12.000 umetničkih predmeta. Warholov brat, John Warhol i Warhol Foundation iz New Yorka osnovali su 1992. Warholov porodični muzej moderne umetnosti u Slovačkoj u mestu Medzilaborce, pored koga su rođeni Warholovi roditelji. U filmu The Doors (1991) Olivera Stona Warhola glumi Crispin Glover. David Bowie ga je glumio u filmu Basquiat Juliana Schnabela. U filmu I Shot Andy Warhol (1996), rediteljke Mary Harron glumio ga je Jared Harris, a Sean Gregory Sullivan u filmu 54. Poslednji film u kome se pojavljuje lik Andy Warhola je Factory Girl (2007) u kome ga glumi Guy Pearce. jon voigt, donyale luna, john lenon Andy Warhol`s Interview October 1974 Donyale Luna Philippe Petit Hiram Keller Michael Winner Martha Donyale Luna 5 Philippe Petit 8 Meet Your Maker 12 Michael Winner 14 Martha Reeves 18 Jon Voigt 20 The Andrews Sisters 24 Hiram Keller 30 Frederic Davies 34 Ray Bolger 36 Les Smiths de Monte Carlo 40 Richard Estes 42 Waylon Jennings 44 Making Faces 47 Buy n` Buy 49 Out 50 Smalltalk 52 I Cover The Waterfront 54 COVER: DONYALE LUNA IN HALSTON 3D LUMILAR SEQUINS: AND HIRAM KELLER IN HALSTON BLACK CASHMERE. PHOTOGRAPHED BY BILL KING. STYLED BY DENNIS CHRISTOPHER. COVER DESIGNED BY RICHARD BER NST E I N.

13CDBOX / Kutija 5 / CD-i 5/5/5/5/5/5/5/5/5/5/5/5/5/ Little Feat – Rad Gumbo: The Complete Warner Bros. Years 1971-1990 Little Feat - Rad Gumbo: The Complete Warner Bros. Years 1971-1990 album cover Label: Warner Music – 8122796057, Warner Bros. Records – 8122796057 Format: Box Set, Compilation CD, Album, Reissue CD, Album, Reissue, Gatefold CD, Album, Reissue CD, Album, Reissue CD, Album, Reissue CD, Album, Reissue 2 x CD, Album, Reissue, Gatefold CD, Album, Reissue CD, Album, Reissue, Gatefold CD, Album, Reissue CD, Album, Reissue CD, Compilation Country: Europe Released: 2014 Genre: Jazz, Rock, Funk / Soul Style: Blues Rock, Fusion, Bayou Funk Little Feat 1-1 Snakes On Everything Written-By – Bill Payne 3:07 1-2 Strawberry Flats Written-By – Bill Payne, Lowell George 2:25 1-3 Truck Stop Girl Written-By – Bill Payne, Lowell George 2:32 1-4 Brides Of Jesus Written-By – Bill Payne, Lowell George 3:23 1-5 Willin` Slide Guitar [Bottleneck Guitar] – Ry Cooder Written-By – Lowell George 2:25 1-6 Hamburger Midnight Written-By – Lowell George, Roy Estrada 2:32 1-7 Forty-Four Blues / How Many More Years Guitar – Ry Cooder Written-By – Chester Burnett 5:32 1-8 Crack In Your Door Written-By – Lowell George 2:19 1-9 I`ve Been The One Pedal Steel Guitar – Sneaky Pete* Written-By – Lowell George 2:24 1-10 Takin` My Time Written-By – Bill Payne 3:50 1-11 Crazy Captain Gunboat Willie Written-By – Bill Payne, Lowell George 1:57 Sailin` Shoes 2-1 Easy To Slip Percussion – Milt Holland Written-By – Lowell George, Martin Kibbee 3:23 2-2 Cold, Cold, Cold Vocals – Debbie Lindsey Written-By – Lowell George 4:01 2-3 Trouble Percussion – Milt Holland Recorded By – Bob Hata* Written-By – Lowell George 2:19 2-4 Tripe Face Boogie Written-By – Bill Payne, Richie Hayward 3:16 2-5 Willin` Steel Guitar – Sneaky Pete* Written-By – Lowell George 2:58 2-6 A Apolitical Blues Electric Guitar – Ron Elliott (2) Written-By – Lowell George 3:28 2-7 Sailin` Shoes Recorded By – Eddie Bracken Vocals – Debbie Lindsey Written-By – Lowell George 2:53 2-8 Teenage Nervous Breakdown Written-By – Lowell George 2:14 2-9 Got No Shadow Written-By – Bill Payne 5:09 2-10 Cat Fever Lead Vocals – Bill Payne Written-By – Bill Payne 4:37 2-11 Texas Rose Cafe Steel Guitar – Sneaky Pete* Written-By – Lowell George 3:43 Dixie Chicken 3-1 Dixie Chicken Written-By – Lowell George, Martin Kibbee 3:56 3-2 Two Trains Written-By – Lowell George 3:07 3-3 Roll Um Easy Written-By – Lowell George 2:34 3-4 On Your Way Down Written-By – Allen Toussaint 5:35 3-5 Kiss It Off Written-By – Lowell George 2:58 3-6 Fool Yourself Written-By – Fred Tackett 3:18 3-7 Walkin` All Night Written-By – Bill Payne, Paul Barrère* 3:36 3-8 Fat Man In The Bathtub Written-By – Lowell George 4:34 3-9 Juliette Written-By – Lowell George 3:31 3-10 Lafayette Railroad Written-By – Bill Payne, Lowell George 3:36 Feats Don`t Fail Me Now 4-1 Rock And Roll Doctor Written-By – Lowell George, Martin Kibbee 2:59 4-2 Oh Atlanta Written-By – Bill Payne 3:29 4-3 Skin It Back Written-By – Paul Barrère* 4:12 4-4 Down The Road Written-By – Lowell George 3:46 4-5 Spanish Moon Clavinet – Gordon DeWitty Written-By – Lowell George 3:06 4-6 Feats Don`t Fail Me Now Written-By – Lowell George, Martin Kibbee, Paul Barrère* 2:28 4-7 The Fan Written-By – Bill Payne, Lowell George 4:29 4-8 Cold Cold Cold / Tripe Face Boogie Written-By – Bill Payne, Lowell George, Richie Hayward 9:59 The Last Record Album 5-1 Romance Dance Written-By – Bill Payne, Ken Gradney*, Paul Barrère* 3:50 5-2 All That You Dream Guitar – John Hall* Written-By – Bill Payne, Paul Barrère* 3:53 5-3 Long Distance Love Backing Vocals – Fran Tate, Valerie Carter Written-By – Lowell George 2:42 5-4 Day Or Night Written-By – Bill Payne, Fran Tate 6:26 5-5 One Love Stand Backing Vocals – Fran Tate, Valerie Carter Written-By – Bill Payne, Ken Gradney*, Paul Barrère* 4:26 5-6 Down Below The Borderline Written-By – Lowell George 3:45 5-7 Somebody`s Leavin` Written-By – Bill Payne 5:08 5-8 Mercenary Territory Written-By – Elizabeth George (2), Lowell George, Richie Hayward 4:24 Time Loves A Hero 6-1 Hi Roller Written-By – Paul Barrère* 3:37 6-2 Time Loves A Hero Written-By – Bill Payne, Ken Gradney*, Paul Barrère* 3:48 6-3 Rocket In My Pocket Written-By – Lowell George 3:24 6-4 Day At The Dog Races Written-By – Bill Payne, Ken Gradney*, Paul Barrère*, Ritchie Hayward*, Sam Clayton 6:31 6-5 Old Folks Boogie Written-By – Gabriel Paul Barrère*, Paul Barrère* 3:33 6-6 Red Streamliner Written-By – Bill Payne, Fran Tate 4:47 6-7 New Delhi Freight Train Written-By – Terry Allen 3:44 6-8 Keepin` Up With The Joneses Written-By – Lowell George, Paul Barrère* 3:48 6-9 Missin` You Written-By – Paul Barrère* 2:21 Waiting For Columbus (Deluxe) 7-1 Join The Band Arranged By – Lowell George Written-By – Trad.* 1:50 7-2 Fat Man In The Bathtub Written-By – Lowell George 4:50 7-3 All That You Dream Written-By – Bill Payne, Paul Barrère* 4:25 7-4 Oh Atlanta Written-By – Bill Payne 4:09 7-5 Old Folks Boogie Written-By – Gabriel Barrère*, Paul Barrère* 4:22 7-6 Dixie Chicken Written-By – Lowell George, Martin Kibbee 9:00 7-7 Tripe Face Boogie Written-By – Bill Payne, Richie Hayward 7:02 7-8 Rocket In My Pocket Written-By – Lowell George 3:42 7-9 Time Loves A Hero Written-By – Bill Payne, Kenny Gradney, Paul Barrère* 4:20 7-10 Day Or Night Written-By – Bill Payne, Fran Tate 5:23 7-11 Mercenary Territory Written-By – Elizabeth George (2), Lowell George, Richie Hayward 4:27 7-12 Spanish Moon Written-By – Lowell George 5:39 The Encore 8-1 Willin` Written-By – Lowell George 4:51 8-2 Don`t Bogart That Joint Written-By – Elliot Ingber, Larry Wagner* 0:57 8-3 A Apolitical Blues Performer – Mick Taylor Written-By – Lowell George 3:41 8-4 Sailin` Shoes Written-By – Lowell George 6:18 8-5 Feats Don`t Fail Me Now Written-By – Lowell George, Martin Kibbee, Paul Barrère* 5:17 Outtakes 8-6 One Love Stand Written-By – Bill Payne, Kenny Gradney, Paul Barrère* 4:43 8-7 Rock And Roll Doctor Written-By – Lowell George, Martin Kibbee 4:23 8-8 Skin It Back Written-By – Paul Barrère* 5:39 8-9 On Your Way Down Written-By – Allen Toussaint 6:45 8-10 Walkin` All Night Written-By – Bill Payne, Paul Barrère* 4:20 8-11 Cold, Cold, Cold Written-By – Lowell George 5:18 8-12 Day At The Dog Races Written-By – Bill Payne, Kenny Gradney, Paul Barrère*, Richie Hayward, Sam Clayton 12:09 Outtakes First Issued On `Hoy-Hoy!` 8-13 Skin It Back Written-By – Paul Barrère* 4:42 8-14 Red Streamliner Written-By – Bill Payne, Fran Tate 5:00 8-15 Teenage Nervous Breakdown Written-By – Lowell George 3:46 Down On The Farm 9-1 Down On The Farm Written-By – Gabriel Barrère*, Paul Barrère* 4:16 9-2 Six Feet Of Snow Written-By – Keith Godchaux, Lowell George 2:30 9-3 Perfect Imperfection Written-By – Paul Barrère*, Tom Snow 3:46 9-4 Kokomo Written-By – Lowell George 2:58 9-5 Be One Now Written-By – Fred Tackett, Lowell George 4:05 9-6 Straight From The Heart Written-By – Bill Payne, Lowell George 4:59 9-7 Front Page News Written-By – Bill Payne, Lowell George 5:57 9-8 Wake Up Dreaming Written-By – Bill Payne, Fran Payne 4:09 9-9 Feel The Groove Written-By – Gordon DeWitty, Sam Clayton 4:46 Hoy-Hoy! 10-1 Rocket In My Pocket Lead Vocals, Engineer [Chief] – Lowell* Written-By – George* 0:51 10-2 Rock And Roll Doctor Backing Vocals, Arranged By [Horns] – Allen Toussaint Lead Vocals – Lowell* Vocals [Opposing] – Paul*, Sam* Written-By – George*, Martin* 3:11 10-3 Skin It Back Backing Vocals – Bill*, Sam* Horns [Live Horns] – The Tower Of Power Horn Section* Lead Vocals – Paul* Written-By – Barrère* 4:42 10-4 Easy To Slip Lead Vocals – Lowell* Percussion – Milt Holland Producer – Ted Templeman Written-By – George* 2:58 10-5 Red Streamliner Backing Vocals – Michael McDonald, Patrick Simmons Lead Vocals – Bill* Written-By – Payne*, Tate* 5:00 10-6 Lonesome Whistle Backing Vocals – Lee Lawler, Lowell*, Richie* Lead Vocals – Lowell* Recorded By – Lowell* Written-By – Williams*, Davis* 3:13 10-7 Front Page News Backing Vocals – Emmylou Harris, Fran (Tate) Payne*, Lowell*, Richie* Lead Vocals – Bill* Written-By – Payne* 4:51 10-8 The Fan Backing Vocals – Bill*, Richie* Lead Vocals – Lowell* Written-By – Payne*, George* 6:16 10-9 Forty-Four Blues Bass – Roy Estrada Lead Guitar – Lowell*, Ry Cooder Lead Vocals – Lowell* Producer – Russ Titleman* Written-By – Burnett* 3:20 10-10 Teenage Nervous Breakdown Bass – Roy Estrada Guitar – Elliott Ingber* Lead Vocals – Lowell* Written-By – George* 1:27 10-11 Teenage Nervous Breakdown (Live) Lead Vocals – Lowell* Written-By – George* 3:46 10-12 Framed Backing Vocals – Bill*, Richie*, Roy* Bass – Roy Estrada Guitar – Elliott Ingber* Lead Vocals – Lowell* Written-By – Leiber/Stoller* 2:44 10-13 Strawberry Flats Backing Vocals – Bill*, Richie* Bass – Roy Estrada Lead Vocals – Lowell* Producer – Russ Titleman* Written-By – Payne*, George* 2:21 10-14 Gringo Acoustic Guitar – Robben Ford Backing Vocals – Bobby LaKind, Fran Payne, Nicolette Larson Lead Vocals – Bill* Percussion [Additional] – Paulinho Da Costa Producer – Bill Payne, George Massenburg Programmed By [Synclavier II Programming] – Denny Yeager* Saxophone – David Sanborn Written-By – Payne* 6:36 10-15 Over The Edge Backing Vocals – Bill*, Richie* Lead Vocals, Guitar – Paul* Written-By – Barrère* 4:20 10-16 Two Trains Lead Vocals – Lowell* Written-By – George* 3:19 10-17 China White Backing Vocals – Maxine Dixon, The Waters Bass – Chuck Rainey Drums – Jim Keltner Guitar – Dean Parks, Fred Tackett Horns – Jerry Jumonville, Lee Thornberg* Lead Vocals, Lead Guitar – Lowell* Organ – Gordon DeWitty Piano – David Foster Written-By – George* 3:14 10-18 All That You Dream Backing Vocals – Nicolette Larson, Rosemary Butler, Sam* Drums – Rick Shlosser Lead Vocals – Linda Ronstadt Percussion – Bobby LaKind, Ted Templebean* Written-By – Payne*, Barrère* 4:50 10-19 Feats Don`t Fail Me Now Backing Vocals – Little Feat Lead Vocals – Lowell* Written-By – George*, Martin*, Barrère* 1:54 Let It Roll 11-1 Hate To Lose Your Lovin` Written-By – Fuller*, Barrère* 4:22 11-2 One Clear Moment Written-By – Payne*, Fuller*, Barrère* 4:49 11-3 Cajun Girl Written-By – Payne*, Kibbee* 4:42 11-4 Hangin` On To The Good Times Written-By – Payne*, Fuller*, Tackett*, Barrère* 4:46 11-5 Listen To Your Heart Written-By – Payne*, Fuller* 5:51 11-6 Let It Roll Written-By – Payne*, Kibbee*, Barrère* 4:30 11-7 Long Time Till I Get Over You Written-By – Fuller*, Barrère* 4:51 11-8 Business As Usual Written-By – Payne*, Fuller*, Barrère* 4:25 11-9 Changin` Luck Written-By – Payne*, Fuller*, Tackett* 6:17 11-10 Voices In The Wind Written-By – Payne*, Fuller*, Tackett*, Barrère* 6:17 Representing The Mambo 12-1 Texas Twister Written-By – Payne*, Tackett*, Kibbee*, Barrère* 4:45 12-2 Daily Grind Written-By – Payne*, Fuller*, Barrère* 5:06 12-3 Representing The Mambo Written-By – Payne*, Tackett*, Park*, Barrère* 5:54 12-4 Woman In Love Written-By – Payne*, Tackett*, Barrère* 3:49 12-5 Rad Gumbo Written-By – Payne*, Gradney*, Kibbee*, Park*, Barrère*, Clayton* 3:29 12-6 Teenage Warrior Written-By – Payne*, Fuller*, Tackett*, Barrère* 4:53 12-7 That`s Her, She`s Mine Written-By – Payne*, Barrère*, Clayton* 4:09 12-8 Feelin`s All Gone Written-By – Fuller* 4:59 12-9 Those Feat`ll Steer Ya Wrong Sometimes Written-By – Payne*, Fuller*, Tackett*, Barrère*, Hayward* 5:01 12-10 The Ingenue Written-By – Payne*, Fuller*, Tackett*, Barrère* 4:22 12-11 Silver Screen Written-By – Payne*, Tackett*, Barrère* 4:22 Outtakes From Hotcakes 13-1 Jazz Thing In 10 Written-By – Payne*, George*, Hayward* 3:32 13-2 Rat Faced Dog Written-By – Payne*, George* 4:54 13-3 Doglines Written-By – Payne* 2:47 13-4 Wait Till The Shit Hits The Fan Written-By – Payne*, George* 2:49 13-5 Easy To Fall (Easy To Slip) (Demo) Written-By – George*, Kibbee* 2:41 13-6 Texas Rose Café (Demo) Written-By – George* 3:24 13-7 Doriville Written-By – George* 2:44 13-8 Boogie (Tripe Face Boogie) Written-By – Payne*, Hayward* 3:46 13-9 Two Trains (Lowell Demo) Written-By – Lowell George 3:19 13-10 Roto/Tone Written-By – Ingber* 4:07 13-11 Ace In The Hole (Hi Roller) Written-By – Barrère* 3:28 13-12 Eldorado Slim Written-By – Payne*, George* 4:42 13-13 Feats Don`t Fail Me Now Written-By – Payne*, George*, Kibbee* 2:30 13-14 Brickyard Blues Written-By – Toussaint* 3:01 13-15 All That You Dream Written-By – Payne*, Barrère* 3:34 13-16 Spanish Moon (Single Version) Written-By – George* 2:44 13-17 Down Below The Borderline (Lowell Demo) Written-By – George* 1:54 13-18 Rockin` Shoes I & II (Lowell Demo) Written-By – George* 2:34 13-19 Front Page News Written-By – Payne* 4:45 13-20 High Roller Written-By – Barrère* 3:37 13-21 All That You Dream (Single Version) Written-By – Payne*, Barrère* 3:33 13-22 Roll `Em Easy Written-By – George* 2:41 13-23 Boogie Wigwam (Short Jazz Piece) Written-By – Payne* 1:10 13-24 Teenage Nervous Breakdown (Live) Written-By – Lowell George 4:15 Phonographic Copyright ℗ – Rhino Entertainment Company Copyright © – Rhino Entertainment Company Marketed By – Rhino Entertainment Company Published By – Abraham Music Published By – Arc Music (2) Published By – Naked Snake Music Published By – Streetlights Music Published By – ARPS Published By – Quintet Music, Inc. Published By – Bienstock Publishing Co. Published By – Barrère Music Inc. Recorded At – Amigo Studios Recorded At – Sunset Sound Recorded At – T.T.G. Studios Recorded At – Clover Recorders Recorded At – Blue Seas Recording Studios Engineered At – The Sound Factory Recorded At – Rainbow Theatre London Recorded By – Manor Mobile Recorded At – Lisner Auditorium Mixed At – Sunset Sound Recorded At – Saddle Peak Studios Recorded At – RCA Studios, New York Recorded At – Sea-Saint Studio Recorded At – Sound Factory West Recorded At – Ultrasonic Studios Produced At – GMS (3) Recorded At – GMS (3) Recorded At – The Forum, Los Angeles Recorded At – Tower Theater Mixed At – George Massenburg Studios Mastered At – The Mastering Lab Pressed By – Cinram GmbH Accordion – Bill Payne (tracks: 2-1 to 2-11) Acoustic Guitar – Fred Tackett (tracks: 3-1 to 3-10) Arranged By [Horns] – Greg* (tracks: 7-1 to 8-12) Arranged By [Orchestration], Conductor [Orchestration] – Kirby Johnson (tracks: 1-1 to 1-11) Art Direction [CD1, CD4] – Ed Thrasher Artwork [Cover Art CD3, CD5], Design [CD3, CD4], Art Direction [CD9, CD10], Painting [Cover, CD9, CD10] – Neon Park Backing Vocals – Bonnie Bramlett (tracks: 3-1 to 3-10), Bonnie Raitt (tracks: 3-1 to 4-8, 9-1 to 9-9), Dan Smith (47) (tracks: 9-1 to 9-9), Daring Dan Hutton* (tracks: 3-1 to 3-10), Debbie Lindsey (tracks: 3-1 to 3-10), Emmylou Harris (tracks: 4-1 to 4-8), Fran Payne (tracks: 9-1 to 9-9), Fran Tate (tracks: 4-1 to 4-8), Gloria Jones (tracks: 3-1 to 3-10), Little Feat (tracks: 9-1 to 9-9), Richard Hayward* (tracks: 2-1 to 2-11, 4-1 to 4-8), Rosemary Butler (tracks: 9-1 to 9-9), Roy Estrada (tracks: 2-1 to 2-11), Stephanie Spurville* (tracks: 3-1 to 3-10), The Waters (tracks: 9-1 to 9-9), Trett Fure* (tracks: 3-1 to 3-10) Bass – Kenny Gradney (tracks: 3-1 to 5-8), Roy Estrada (tracks: 1-1 to 2-11) Congas – Sam Clayton (tracks: 3-1 to 3-10, 5-1 to 5-8) Coordinator [Album Coordination] – Elizabeth George (2) (tracks: 9-1 to 9-9) Coordinator [Design/Coordination CD10] – Brad Kanawyer Coordinator [Production Coordinator] – Golen Olson-Logan* (tracks: 4-1 to 4-8) Cowbell – Lowell George (tracks: 3-1 to 3-10) Design Concept [Cover Concept CD1], Photography By [Liner Photos CD1, Inner Spread CD2] – Susan Titelman Design [CD9] – Eddy Herch Drums – Richard Hayward* (tracks: 1-1 to 5-8) Engineer – Bob Kovach (tracks: 1-1 to 1-11), George Massenburg (tracks: 5-1 to 5-8), Rudy Hill (2) (tracks: 1-1 to 1-11), Sneedurn (tracks: 4-1 to 4-8) Engineer [Assisted By] – Fran Tate (tracks: 5-1 to 5-8) Engineer [With Occasional Help From] – Dave Hassinger (tracks: 5-1 to 5-8), Jim Niper* (tracks: 5-1 to 5-8) Executive-Producer – Lenny Waronker (tracks: 2-1 to 2-11) Guitar – Lowell George (tracks: 1-1 to 4-8) Guitar, Vocals – Paul Barrere (tracks: 3-1 to 3-10, 5-1 to 5-8), Paul Barrere (tracks: 4-1 to 4-8) Harmonica – Lowell George (tracks: 1-1 to 2-11) Horns – Jerry Jumonville (tracks: 9-1 to 9-9), Lee Thornberg* (tracks: 9-1 to 9-9), Tower Of Power Horns* (tracks: 7-1 to 8-12) Keyboards – Bill Payne (tracks: 1-1 to 5-8) Lead Vocals – Lowell George (tracks: 2-1 to 2-11) Management – Bob Cavallo (tracks: 5-1 to 5-8), Cavallo-Ruffalo Inc.* (tracks: 3-1 to 4-8, 7-1 to 8-15), Joe Ruffalo* (tracks: 5-1 to 5-8), Premier Talent (tracks: 4-1 to 4-8) Mastered By – Mike Reese (tracks: 10-1 to 10-19) Mixed By – Donn Landee (tracks: 2-1 to 2-11), GM* (tracks: 10-1 to 10-19) Mixed By [Assistance] – Barbara Rooney (tracks: 10-1 to 10-19), Billy Youdelman (tracks: 10-1 to 10-19), Ken Fowler (tracks: 10-1 to 10-19), Ron Pendragon (tracks: 10-1 to 10-19) Mixed By [Assisted By] – Steve Hodge (tracks: 7-1 to 8-12) Mixed By [With The Help Of] – Bill Robinson (8) (tracks: 7-1 to 8-12), Jim Isaacson (tracks: 7-1 to 8-12), Peggy McCreary (tracks: 7-1 to 8-12) Painting [CD1] – Los Angeles Fine Arts Squad Percussion – Richard Hayward* (tracks: 2-1 to 2-11) Percussion, Vocals – Sam Clayton (tracks: 4-1 to 4-8) Performer – Bill Payne (tracks: 9-1 to 9-9), David Lindley (tracks: 9-1 to 9-9), Fred Tackett (tracks: 9-1 to 9-9), Kenny Gradney (tracks: 9-1 to 9-9), Lowell George (tracks: 9-1 to 9-9), Paul Barrère* (tracks: 9-1 to 9-9), Richard Hayward* (tracks: 9-1 to 9-9), Robben Ford (tracks: 9-1 to 9-9), Sam Clayton (tracks: 9-1 to 9-9), Sneaky Pete* (tracks: 9-1 to 9-9) Photography By [Back Cover Photos CD9] – Susan Rothchild Photography By [CD7/8, Feat Photo CD9, CD10], Research [CD10] – Elizabeth George (2) Photography By [CD7/8] – Debby Chesher, Nancy Goldfarb Photography By [Cover Photo CD1] – Frank Bez Photography By [Liner Photo CD4] – Mary Lowenbach Photography By [Portraits CD3] – Chick Strand Piano [Acoustic], Electric Piano, Synthesizer [Moog] – Bill Payne (tracks: 5-1 to 5-8) Producer – Bill Payne (tracks: 8-13 to 8-15, 10-1 to 10-13, 10-14 to 12-11), George Massenburg (tracks: 8-13 to 8-15, 10-1 to 10-13, 10-14 to 12-11), Lowell George (tracks: 3-1 to 5-8, 7-1 to 8-12, 9-1 to 9-9, 13-1 to 13-24), Michael O`Bryant (tracks: 13-1 to 13-24), Paul Barrère* (tracks: 10-1 to 10-3, 10-5 to 10-8, 10-9 to 10-12, 10-14 to 10-19), Richard Moore (2) (tracks: 13-1 to 13-24), Russ Titelman (tracks: 1-1 to 1-11, 13-1 to 13-24), Ted Templeman (tracks: 2-1 to 2-11, 6-1 to 6-9, 13-1 to 13-24), Van Dyke Parks (tracks: 13-1 to 13-24) Producer [Prod Assistance] – Clyde Bakkemo (tracks: 4-1 to 4-8) Producer [Production Reduction] – Benita Brazier (tracks: 2-1 to 2-11) Recorded By – Donn Landee (tracks: 2-1, 2-2, 2-4 to 2-6, 2-8 to 2-11) Recorded By [Assistance Offered By] – John Haeny (tracks: 3-1 to 3-10) Recorded By [Lisner Auditorium] – Warren Dewey (tracks: 7-1 to 8-12) Recorded By [Rainbow Theatre, Lisner Auditorium] – Andy Bloch (tracks: 7-1 to 8-12) Recorded By [Rainbow Theatre] – George Massenburg (tracks: 7-1 to 8-12) Recorded By [With The Help Of] – Michael Boshears (tracks: 3-1 to 3-10), Robert Appere* (tracks: 3-1 to 3-10) Remix – Bob Kovach (tracks: 1-1 to 1-11) Slide Guitar – Lowell George (tracks: 5-1 to 5-8) Synthesizer – Bill Payne (tracks: 3-1 to 3-10), Malcolm Cecil (tracks: 3-1 to 3-10) Tabla – Milt Holland (tracks: 3-1 to 3-10) Technician [Mixing Protected By] – Glenn Phoenix (tracks: 7-1 to 8-12), Patti Atkinson (tracks: 7-1 to 8-12) Technician [Monitors] – Ron (Rocket) Pendragon* (tracks: 7-1 to 8-12) Tour Manager [Road Manager] – R. Harper* (tracks: 2-1 to 2-11) Vocals – Bill Payne (tracks: 1-1 to 1-11, 3-1 to 5-8), Lowell George (tracks: 1-1 to 1-11, 3-1 to 5-8), Richard Hayward* (tracks: 1-1 to 1-11, 3-1 to 3-10, 5-1 to 5-8), Roy Estrada (tracks: 1-1 to 1-11) This box set includes the albums Little Feat (1970), Sailin` Shoes (1972), Dixie Chicken (1973), Feats Don`t Fail Me Now (1974), The Last Record Album (1975), Time Loves A Hero (1977), Waiting For Columbus (1978), Down On The Farm (1979), Hoy-Hoy! (1981), Let It Roll (1988), Representing The Mambo (1990) and a one disc compilation of rarities from the box set Hotcakes & Outtakes (2000). CD2: Recorded at Amigo Studios, Sunset Sound and T.T.G. CD3: Principally recorded at Clover Recorders. CD4: Recorded at Blue Seas Recording Studio in Hunts Valley Maryland on a 3M 16trk machine using the ITI parametric sixteen trk board. CD5: Engineered at Sound Factory. Tracks 7-1 to 8-12: Recorded at The Rainbow Theatre with The Manor Truck. Recorded again at Lisner Auditorium. Mixed at Sunset Sound on the Westlake SMPTE. Track 10-1: Recorded at Saddle Peak Studios, 1978. Track 10-2: Recorded live, 1974 through 1976, for WLIR. Re-recorded at Blue Seas Baltimore, RCA N.Y.C., Sea-Saint Studios, New Orleans, and Sound Factory West L.A. Tracks 10-3, 10-5, 10-11: Recorded live at Lisner, 1977. Track 10-4: Recorded 1971 for Sailin` Shoes. Track 10-6: Recorded at Blue Seas in late 1974. Track 10-7: Recorded during Feats Don`t Fail Me Now at Blue Seas, 1974. Track 10-8: Recorded live for WLIR at Ultrasonic, 1974. Tracks 10-9, 10-13: Recorded for Little Feat, 1970. Tracks 10-10, 10-12: Recorded at TTG, 1969. Track 10-14: Produced at GMS, 1981. Track 10-15: Recorded at GMS, 1981. Track 10-16: Recorded live at Ultrasonic for WLIR, 1973. Track 10-17: Recorded at Sunset Sound, 1978. Track 10-18: Recorded live at The Forum for the Lowell George Tribute, 1979. Track 10-19: Recorded live at The Tower Theater, Philadelphia, 1976. CD 10: Mixed at The George Massenburg Studios, West Los Angeles, December 1980 through March 1981. Mastered at The Mastering Lab. Tracks 13-2 to 13-4, 13-7, 13-8, 13-10 to 13-15, 13-19, 13-20 are outtakes. This Collection ℗ & © 2014 Rhino Entertainment Company, a Warner Music Group Company. Printed in EU. Made in EU. (discs) CD1: ℗ & © 1971 Warner Bros. Records Inc. CD2: ℗ & © 1972 Warner Bros. Records Inc. CD3: ℗ & © 1973 Warner Bros. Records Inc. CD4: ℗ & © 1974 Warner Bros. Records Inc. CD5: ℗ & © 1975 Warner Bros. Records Inc. CD6: ℗ & © 1977 Warner Bros. Records Inc. CD7/8: ℗ & © 2002 Warner Bros. Records Inc. CD9: ℗ & © 1979 Warner Bros. Records Inc. CD10: ℗ & © 1981 Warner Bros. Records Inc. CD11: ℗ & © 1988 Warner Bros. Records Inc. CD12: ℗ & © 1990 Warner Bros. Records Inc. CD13: ℗ & © 2014 Rhino Entertainment Company CD1: All songs published by Abraham Music (ASCAP) except track 1-7 by Arc Music (BMI) CD2: All songs published by Naked Snake Music (ASCAP) except track 2-5 Abraham Music (ASCAP) c/o Kant Gordon & Meyer CD5: All lyrics Naked Snake Music (ASCAP) CD10: All songs published by Naked Snake Music (ASCAP) except tracks 10-5, 10-7, 10-14 Streetlights Music ASCAP track 10-6 ARPS BMI tracks 10-8, 10-18 Naked Snake Music / Streetlights Music ASCAP track 10-9 ARC Music Corp., BMI track 10-12 Quintet Music Inc. / Bien Stock Pub. Co. ASCAP track 10-13 Abraham Music / ASCAP track 10-15 Barrère Music Inc. ASCAP CD3: Bonnie Bramlett courtesy of Columbia Records / Trett Fure courtesy of Uni Records / Bonnie Raitt courtesy of Reprise Records / Daring Dan Hutton courtesy of ABC Dunhill Records CD7/8: Tower Of Power Horns courtesy of Columbia Records. CD9: Robben Ford courtesy of Elektra Records CD10: Robben Ford appears courtesy of Elektra Records / Paulinho da Costa appears courtesy of Pablo Records / Linda Ronstadt appears courtesy of Asylum Records Barcode (Text): 0 81227 96057 5 Barcode (String): 081227960575 Label Code: LC02982 Other (Catalog number CD1): 8122796057-1 Other (Catalog number CD2): 8122796057-2 Other (Catalog number CD3): 8122796057-3 Other (Catalog number CD4): 8122796057-4 Other (Catalog number CD5): 8122796057-5 Other (Catalog number CD6): 8122796057-6 Other (Catalog number CD7 & 8): 8122796057-7 Other (Catalog number CD9): 8122796057-8 Other (Catalog number CD10): 8122796057-9 Other (Catalog number CD11): 8122796057-10 Other (Catalog number CD12): 8122796057-11 Other (Catalog number CD13): 8122796057-12 Matrix / Runout (CD1): [Warner logo] 8122796057A V01 ZKR Mastering SID Code (CD1): IFPI L016 Mould SID Code (CD1): IFPI 05L2 Matrix / Runout (CD2): [Warner logo] 8122796057B V01 DMJ Mastering SID Code (CD2): IFPI L016 Mould SID Code (CD2): IFPI 05F9 Matrix / Runout (CD3): [Warner logo] 8122796057C V01 USC Mastering SID Code (CD3): IFPI L017 Mould SID Code (CD3): IFPI 05M3 Matrix / Runout (CD4): [Warner logo] 8122796057D V01 MOD Mastering SID Code (CD4): IFPI L017 Mould SID Code (CD4): IFPI 053Z Matrix / Runout (CD5): [Warner logo] 8122796057E V01 PIZ Mastering SID Code (CD5): IFPI L016 Mould SID Code (CD5): IFPI 05M3 Matrix / Runout (CD6): [Warner logo] 8122796057F V01 CPP Mastering SID Code (CD6): IFPI L017 Mould SID Code (CD6): IFPI 05R2 Matrix / Runout (CD7): [Warner logo] 8122796057G/1 V01 PMW Mastering SID Code (CD7): IFPI L016 Mould SID Code (CD7): IFPI 05R1 Matrix / Runout (CD8): [Warner logo] 8122796057G/2.3 V01 QXH Mastering SID Code (CD8): IFPI L017 Mould SID Code (CD8): IFPI 053Z Matrix / Runout (CD9): [Warner logo] 8122796057H V01 YEB Mastering SID Code (CD9): IFPI L016 Mould SID Code (CD9): IFPI 055S Matrix / Runout (CD10): [Warner logo] 8122796057I V01 XLX Mastering SID Code (CD10): IFPI L016 Mould SID Code (CD10): IFPI 05L2 Matrix / Runout (CD11): [Warner logo] 8122796057J.2 V01 RCK Mastering SID Code (CD11): IFPI L016 Mould SID Code (CD11): IFPI 05R1 Matrix / Runout (CD12): [Warner logo] 8122796057K V01 LHP Mastering SID Code (CD12): IFPI L017 Mould SID Code (CD12): IFPI 053Z Matrix / Runout (CD13): [Warner logo] 8122796057L V01 PGR Mastering SID Code (CD13): IFPI L017 Mould SID Code (CD13): IFPI 053Z

Podešavanje kosine: - Orbitalni hod: - Tip ručice: - Dubina reza u drvetu: 50 mm Brzina udara u praznom hodu (maks.): - KORISNIČKE POGODNOSTI: Ergonomski dizajniran gumirani mekani rukohvat LED radno svetlo sa funkcijom osvetljenja pre uključivanja Lako prilagođavanje papuče sa odvrtanjem/pritezanjem vijka, za komforan rad Kompaktna i lagana konstrukcija Dva prekidača za kontrolu brzine Sistem promene lista testere bez korišćenja alata, omogućava brzu i laku izmenu lista Karakteristike Podešavanje kosine - Orbitalni hod - Tip ručice - Performanse Dubina reza u drvetu 50 mm Brzina udara u praznom hodu (maks.) - Menadžment potrošnje Napon baterije 18V Tehnologija baterije Litijum-jon (Li-Ion) Težina i dimenzije Težina 1.7kg Deklaracija Model Makita DJR183Z akumulatorska testera Naziv i vrsta robe Akumulatorske testere Uvoznik Tačan podatak o uvozniku će biti naveden na deklaraciji koju dobijate uz proizvod. 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U dobrom stanju! Dve knjige su u pitanju, jedna na Madjarskom jedna na Srpskom Redje u ponudi! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh