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vinil: 5 mint omot: 5 unutrasnji omot: 5 odlicno stanje David + David – Boomtown Label: PGP RTB – 2420384, A&M Records – SP 6-5134 Format: Vinyl, LP, Album Country: Yugoslavia Released: Mar 1987 Genre: Rock Style: Alternative Rock A1 Welcome To The Boomtown A2 Swallowed By The Cracks A3 Ain`t So Easy A4 Being Alone Together B1 A Rock For The Forgotten B2 River`s Gonna Rise B3 Swimming In The Ocean B4 All Alone In The Big City B5 Heroes Recorded At – Skyline Recording Recorded At – A&M Studios Recorded At – Mad Hatter Studios Recorded At – Capitol Studios Mixed At – Capitol Studios Phonographic Copyright ℗ – A&M Records, Inc. Copyright © – A&M Records, Inc. Printed By – GIP `Beograd` Artwork [Art Direction] – Chuck Beeson, Melanie Nissen Design, Photography By – Melanie Nissen Drums – Ed Greene (2) Engineer – John Beverly Jones Engineer [Assistant Engineer] – Judy Clapp Mastered By – Bernie Grundman Percussion – Paulinho Da Costa Producer – Davitt Sigerson Programmed By [Programming] – Phil Shenale* Recorded By, Mixed By – John Beverly Jones Vocals [Additional Vocals] – Camille Henry, Noland Void, Toni Childs Vocals, Guitar, Bass, Mandolin, Resonator Guitar [Dobro], Piano, Drums, Keyboards, Harmonica, Lap Steel Guitar – David + David Written-By – David Baerwald, David Ricketts (tracks: A1 to B4)

Stanje kao na fotografijama! 49cm x 69cm Silovanje je britanski triler iz 1971. u režiji Sidneyja Hayersa, a u glavnim ulogama su Suzy Kendall, Frank Finlay, Freddie Jones, i Lesley-Anne Down; David Essex također ima malu ulogu. Temelji se na romanu Klisura Kendala Younga iz 1962. godine, a govori o policijskom pokušaju pronalaska opasnog silovatelja / ubojice na slobodi. U SAD-u je preimenovan u Vražji vrt. Suzy Kendall as Julie West Frank Finlay as Det. Chief Supt. Velyan Freddie Jones as Reporter James Laurenson as Greg Lomax Lesley-Anne Down as Tessa Hurst Tony Beckley as Leslie Sanford Anthony Ainley as Mr. Bartell Dilys Hamlett as Mrs. Sanford James Cosmo as Det. Sgt. Beale Patrick Jordan as Sgt. Milton Allan Cuthbertson as Coroner Anabel Littledale as Susan Miller Tom Chatto as Police Doctor Kit Taylor as Doctor Jan Butlin as Day Receptionist William Hoyland as Chemist in Hospital John Swindells as Desk Sergeant Jill Carey as Night Receptionist David Essex as Man in Chemist Shop Valerie Shute as Girl in Chemist Shop John Stone as Fire Chief Siobhan Quinlan as Jenny Greenaway Marianne Stone as Matron Janet Lynn as Girl in Library Directed by Sidney Hayers Produced by George H. Brown Peter Rogers Written by John Kruse Based on The Ravine by Kendal Young Starring Suzy Kendall Frank Finlay Freddie Jones Lesley-Anne Down Music by Eric Rogers Cinematography Ken Hodges Edited by Anthony Palk Production company George H. Brown Productions Distributed by J. Arthur Rank Film Distributors Release date 11 February 1971 Running time 91 minutes Country United Kingdom Language English Originalan filmski plakat Vesna Film

Original, made in UK Knjizica od 4 str. Odlicno ocuvano knjizica 5 Cd 5 Label: Telstar – TCD 2296 Format: CD, Compilation Country: UK Released: Nov 1988 Genre: Rock, Pop, Stage & Screen Style: 1 It`s Not Unusual Written-By – Mills*, Reed* 2:03 2 Delilah Written-By – Mason*, Reed* 3:24 3 Daughter Of Darkness Written-By – Stephens*, Reed* 3:18 4 Help Yourself Written-By – Donida*, Fishman* 2:56 5 (It Looks Like) I`ll Never Fall In Love Again Written-By – Currie*, Donegan* 4:15 6 Without Love Written-By – Small* 3:47 7 With These Hands Written-By – Silver*, Davis* 2:45 8 Funny, Familiar, Forgotten Feelings Written-By – Newbury* 2:59 9 I`m Coming Home Written-By – Mason*, Reed* 3:08 10 Green Green Grass Of Home Written-By – Putman* 3:06 11 Till Written-By – Sigman*, Gaiano*, Danvers* 2:20 12 Detroit City Written-By – Dill*, Tillis* 3:34 13 Something `Bout You Baby I Like Written-By – Supa* 3:27 14 The Young New Mexican Puppeteer Written-By – Shuman*, Carr* 4:34 15 She`s A Lady Written-By – Anka* 2:55 16 Love Me Tonight Written-By – Mason*, Pace*, Pilat*, Panzeri* 3:14 17 What`s New Pussycat Written-By – David/Bacharach* 2:07 18 I (Who Have Nothing) Written-By – Seago*, Leander* 2:57 Copyright © – Telstar Records Ltd. Glass Mastered At – Nimbus Sleeve [Design] – Quick On The Draw This album was compiled in association with Polygram and Chrysalis.

disk: 5 omot, booklet: 5 Robbie Williams – I`ve Been Expecting You Label: Chrysalis – 7243 5 40004 2 3, Chrysalis – 540 0042 Format: CD, Album, Reissue Country: Europe Released: 2002 Genre: Rock, Pop Style: Pop Rock, Ballad 1 Strong Backing Vocals – Andre Barreau*, Gary Nuttall Backing Vocals, Electric Guitar – Steve McEwan Bass Guitar, Acoustic Guitar, Backing Vocals – David Catlin-Birch* Bass Guitar, Guitar [Solos], Guitar – Fil Eisler Drums – Jeremy Stacey Keyboards, Piano, Electric Guitar, Acoustic Guitar – Guy Chambers Percussion – Andy Duncan 4:38 2 No Regrets Acoustic Guitar – David Catlin-Birch* Backing Vocals – `Planet` Claire Worrall*, Neil Hannon, Neil Tennant Drums – Chris Sharrock Electric Guitar – Gary Nuttall Keyboards, Piano, Sampler [Orchestral Samples], Synthesizer [Bass] – Guy Chambers Percussion – Andy Duncan 5:10 3 Millennium Arranged By [Orchestral Arranger] – Nick Ingham* Backing Vocals – Beverley Skeet*, Claudia Fontaine, Gary Nuttall, Nicole Patterson Drums – Chris Sharrock Keyboards, Electric Guitar, Acoustic Guitar, Synthesizer [Bass] – Guy Chambers Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Percussion – Andy Duncan 4:05 4 Phoenix From The Flames Arranged By [Orchestral Arranger] – Nick Ingham* Bass Guitar – David Catlin-Birch* Choir [Gospel Choir] – Bryan Jones*, Carol Riley (2), David Danniel, Lain Gray, Marion Powell, Patricia Scott, Prisilla Mae-Jones* Choir [Gospel Choir], Leader – Laurence Johnson* Drums – Chris Sharrock Electric Guitar – Alex Dickson Electric Guitar, Backing Vocals – Gary Nuttall Guitar [Solos], Guitar – Fil Eisler Keyboards, Piano, Organ, Vibraphone – Guy Chambers Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Percussion – Andy Duncan 4:02 5 Win Some Lose Some Backing Vocals – `Planet` Claire Worrall*, Gary Nuttall Bass Guitar – David Catlin-Birch* Drums – Chris Sharrock Electric Guitar, Acoustic Guitar – Alex Dickson Keyboards, Organ – Guy Chambers Percussion – Andy Duncan Voice [Telephone] – Nicole Appleton 4:18 6 Grace Acoustic Guitar – Alex Dickson Arranged By [Orchestral Arranger] – Nick Ingham* Backing Vocals – `Planet` Claire Worrall* Bass Guitar – David Catlin-Birch* Drums – Chris Sharrock Electric Guitar – Gary Nuttall Electric Guitar, Acoustic Guitar, Vibraphone – Guy Chambers Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Percussion – Andy Duncan 3:11 7 It`s Only Us Backing Vocals – `Planet` Claire Worrall*, Gary Nuttall Bass Guitar – Fil Eisler Drums – Chris Sharrock Electric Guitar – Alex Dickson Keyboards, Organ, Synthesizer [Bass] – Guy Chambers 2:52 8 Heaven From Here Acoustic Guitar, Backing Vocals – Gary Nuttall Backing Vocals – Andre Barreau* Backing Vocals, Electric Guitar – Steve McEwan Bass Guitar, Backing Vocals – David Catlin-Birch* Drums – Chris Sharrock Keyboards, Organ, Electric Guitar, Acoustic Guitar – Guy Chambers Percussion – Andy Duncan 3:05 9 Karma Killer Arranged By [Orchestral Arranger] – Nick Ingham* Backing Vocals – Gary Nuttall Bass Guitar, Guitar, Backing Vocals – Fil Eisler Drums – Jeremy Stacey Electric Guitar, Backing Vocals – Alex Dickson Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Percussion – Andy Duncan Piano – Guy Chambers 4:26 10 She`s The One Acoustic Guitar, Backing Vocals – Gary Nuttall Arranged By [Orchestral Arranger] – Nick Ingham* Backing Vocals, Electric Guitar, Acoustic Guitar – Steve McEwan Bass Guitar – David Catlin-Birch* Drums – Chris Sharrock Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Piano – Guy Chambers 4:18 11 Man Machine Backing Vocals – Andre Barreau*, David Catlin-Birch*, Steve McEwan Bass Guitar – Fil Eisler Drums – Chris Sharrock Electric Guitar – Alex Dickson Electric Guitar, Acoustic Guitar, Backing Vocals – Gary Nuttall Keyboards, Electric Guitar, Acoustic Guitar, Guitar [Solo] – Guy Chambers 3:34 12.1 These Dreams Acoustic Guitar, Backing Vocals – Alex Dickson Arranged By [Orchestral Arranger] – Nick Ingham* Backing Vocals – Fil Eisler Bass Guitar – David Catlin-Birch* Drums – Chris Sharrock Electric Guitar, Acoustic Guitar, Backing Vocals – Gary Nuttall Keyboards, Piano, Organ – Guy Chambers Leader [Orchestra Led By] – Gavin Wright* Orchestra – London Session Orchestra* Percussion – Andy Duncan 5:08 12.2 (silence) 6:20 12.3 Stand Your Ground 3:28 12.4 (silence) 12:39 12.5 Stalker`s Day Off (I`ve Been Hanging Around) 3:48 Phonographic Copyright ℗ – Chrysalis Records Ltd. Copyright © – Chrysalis Records Ltd. Marketed By – EMI Marketed By – Chrysalis Distributed By – EMI Pressed By – EMI Uden Published By – BMG Music Publishing Published By – Copyright Control Published By – EMI Music Publishing Published By – Polygram Music Publishing Ltd. Recorded At – Abbey Road Studios Recorded At – Angel Studios Recorded At – Blah Street Studios Recorded At – Jacobs Studios Recorded At – Swanyard Studios Recorded At – Trident Studios Recorded At – Wheeler End Mastered At – Metropolis Mastering Designed At – Tom Hingston Studio Glass Mastered At – EMI Uden

Original, made in Germany Knjizica od 16 str. Omot 5 Cd 4+ August and Everything After is the debut studio album by American rock band Counting Crows, released September 14, 1993, on Geffen Records. The album was produced by T Bone Burnett and featured the founding members of the band: Steve Bowman (drums), David Bryson (guitar), Adam Duritz (vocals), Charlie Gillingham (keyboards), and Matt Malley (bass). Among the several session musicians used for the album was multi-instrumentalist David Immerglück, who later joined the band as a full-time member in 1999, as well as Burnett, who also provided additional guitar work. Four singles were released from the album, the highest charting of which was `Mr. Jones`, which peaked at number 5 on the Billboard Hot 100 and number 2 on several genre-specific Billboard charts. The album itself was well received by critics and has gone multi-platinum in several countries, including the U.S. where it has sold over seven million copies, and peaked at number 4 on the Billboard 200 album chart. The album cover depicts handwritten lyrics to a song called `August and Everything After`, but the band decided against featuring the song on the album; it was not until over a decade later that it was played as part of one of their live concerts. The song `August and Everything After` was released on January 24, 2019, as an Amazon Original.[8] On September 18, 2007, a two-disc deluxe edition of the album was issued. The first disc contains the original album, remastered by Adam Ayan and Stephen Marcussen, with six demos added as bonus tracks. The second disc is taken from the band`s penultimate performance during the August tour, recorded at the Élysée Montmartre in Paris, France, on December 9, 1994. The album August & Everything After: Live at Town Hall was released on August 29, 2011, featuring live recordings of the songs from this album. More than 6 million copies of the album have been sold by February 2002 in the US All tracks written by Adam Duritz unless otherwise indicated. Standard edition `Round Here` (Duritz, Dave Janusko, Dan Jewett, Chris Roldan, David Bryson) – 5:32 `Omaha` – 3:40 `Mr. Jones` (Duritz, Bryson) – 4:33 `Perfect Blue Buildings` – 5:01 `Anna Begins` (Duritz, Bryson, Marty Jones, Toby Hawkins, Lydia Holly) – 4:32 `Time and Time Again` (Duritz, Bryson, Charlie Gillingham, Steve Bowman, Don Dixon) – 5:13 `Rain King` (Duritz, Bryson) – 4:16 `Sullivan Street` (Duritz, Bryson) – 4:29 `Ghost Train` – 4:01 `Raining in Baltimore` – 4:41 `A Murder of One` (Duritz, Bryson, Matt Malley) – 5:44 Personnel Steve Bowman – drums, vocals David Bryson – guitars, vocals Adam Duritz – vocals, piano, harmonica Charlie Gillingham – piano, Hammond B3, accordion, Chamberlin, vocals Matt Malley – bass, guitar, vocals Additional personnel T Bone Burnett – guitar, producer Bill Dillon – guitar, guitorgan Denny Fongheiser – percussion, drums on track 3 David Immerglück – guitars, mandolins, pedal steel guitar, mandocello, vocals Gary Louris – backing vocals Maria McKee – backing vocals Mark Olson – backing vocals

Original, made in Italy Knjizica od 12 str. knjizica 5 Cd 4/4+ Joe Cocker Live is a live album by Joe Cocker, released in 1990. It was recorded live 5 October 1989 at Memorial Auditorium in Lowell, Massachusetts with the exception of the last two tracks which were recorded in the studio. The album was re-released in 2011 under the title Joe Cocker`s Greatest Hits Live. Track listing `Feelin` Alright` (Dave Mason) – 4:43 `Shelter Me` (Nick Di Stefano) – 4:26 `Hitchcock Railway` (Donald Lewis Dunn, Tony McCashen) – 3:58 `Up Where We Belong` (Jack Nitzsche, Buffy Sainte-Marie, Will Jennings) – 4:35 `Guilty` (Randy Newman) – 2:40 `You Can Leave Your Hat On` (Randy Newman) – 4:20 `When the Night Comes` (Bryan Adams, Jim Vallance, Diane Warren) – 4:52 `Unchain My Heart` (Robert W. `Bobby` Sharp Jr.) – 5:50 `With a Little Help from My Friends` (John Lennon, Paul McCartney) – 9:13 `You Are So Beautiful` (Billy Preston, Bruce Fisher) – 4:23 `The Letter` (Wayne Carson Thompson) – 4:31 `She Came in Through the Bathroom Window` (Paul McCartney) – 2:30 `High Time We Went` (Joe Cocker, Chris Stainton) – 7:58 `What Are You Doing With a Fool Like Me` (Diane Warren) – 4:51 – Studio bonus track `Living in the Promiseland` (David Lynn Jones) – 3:55 – Studio bonus track Live album by Joe Cocker Released May 1990 Recorded 5 October 1989 Genre Rock Length 72:45 Label Capitol Producer Michael Barbiero, Michael Lang, Steve Thompson Joe Cocker chronology One Night of Sin (1989) Joe Cocker Live (1990) Night Calls (1991) Personnel Joe Cocker – lead vocals with: Phil Grande – guitar Keith Mack – rhythm guitar, guitar solo on `The Letter` T.M. Stevens – bass, backing vocals Deric Dyer – tenor saxophone, percussion, keyboards Jeff Levine – keyboards Chris Stainton – keyboards Steve Holley – drums Crystal Taliefero – percussion, backing vocals Doreen Chanter – backing vocals Maxine Green – backing vocals, duet on `Up Where We Belong` The Memphis Horns on 6, 8, 9, 11, 12 & 13 Andrew Love – tenor saxophone Gary Buho Gazaway – trumpet Wayne Jackson – trumpet studio tracks only: Earl Slick – guitar Keni Richards – drums Bashiri Johnson – percussion Fonzi Thornton – backing vocals Tawatha Agee – backing vocals Vaneese Thomas – backing vocals Technical Michael Barbiero – production, engineering Michael Lang – production Steve Thompson – production Guy Charbonneau – engineering Herb Ritts – photography

Original, made in USA Knjizica od 16 str. Odlicno ocuvano Paul Anka – A Body Of Work Label: Epic – EK 69405 Format: CD, Album Country: US Released: 1998 Genre: Pop Style: Ballad, Vocal Tracklist Hide Credits 1 Paul Anka– She`s My Woman, She`s My Friend 4:41 2 Paul Anka With Celine Dion*– It`s Hard To Say Goodbye Arranged By [Strings] – Bebu Silvetti Arranged By [Strings] – Bebu Silvetti 4:31 3 Paul Anka With Tevin Campbell– One Kiss 4:19 4 Paul Anka– No Goodbyes Music By – Walter Afanasieff Music By – Walter Afanasieff 5:50 5 Paul Anka– I Can`t Take This Anymore 5:29 6 Paul Anka With Anthea Anka– Do I Love You 4:42 7 Paul Anka With Patti LaBelle– You Are My Destiny 4:10 8 Paul Anka– Let Me Get To Know You 4:20 9 Paul Anka With Tom Jones– She`s A Lady 4:19 10 Paul Anka– Hold Me Til The Morning Comes Music By – David Foster Music By – David Foster 4:48 11 Paul Anka With Frank Sinatra– My Way 5:33 Companies, etc. Copyright © – Sony Music Entertainment Inc. Phonographic Copyright ℗ – Sony Music Entertainment México, S.A. De C.V. Manufactured By – Epic Credits Executive Producer – Paul Anka Notes This package consists of previously released material. (c) 1998 Sony Music Entertainment, Inc./(p) 1998 Sony Music Entertainment México, S.A. De C.V.(back cover)

vinil: 5 omot, unutrasi omot: 5/5- odlcino stanje Sheena Easton – The Lover In Me Label: Jugoton – LSMCA 73281, MCA Records – 256 008-1 Format: Vinyl, LP, Album, Stereo Country: Yugoslavia Released: 1989 Genre: Electronic, Funk / Soul, Pop Style: Rhythm & Blues, Synth-pop, Funk, Soul A1 No Deposit, No Return Backing Vocals [Background Vocals] – Babyface, Karyn White, Sheena Easton Co-producer – Kayo (4) Drums, Percussion – L.A. Reid Engineer [Assistant Engineers] – Don Sullivan*, Fred Howard, Toni Greene Engineer [Assistant Mixing Engineer] – Andy `Opie` Batwinas* Engineer [Engineered By] – Jon Gass Engineer [Mixing Engineer] – Jon Gass Keyboards – Babyface, Kayo (4) Mixed By – L.A. Reid And Babyface* Producer – L.A. & Babyface Written-By – D. Simmons*, Kayo (4), L.A. Reid - Babyface* 5:55 A2 The Lover In Me Backing Vocals [Background Vocals] – Babyface, Daryl Simmons, Karyn White, Sheena Easton Drums, Percussion – L.A. Reid Engineer [Assistant Engineers] – Don Sullivan*, Fred Howard, Toni Greene Engineer [Assistant Mixing Engineer] – Andy `Opie` Batwinas* Engineer [Engineered By] – Jon Gass Engineer [Mixing Engineer] – Jon Gass Keyboards – Babyface, Kayo (4) Mixed By – L.A. Reid And Babyface* Producer – L.A. & Babyface Saxophone – Larry Williams Written-By – D. Simmons*, L.A. Reid - Babyface* 5:03 A3 Following My Rainbow Backing Vocals [Background Vocals] – Babyface, Sheena Easton Bass – Kayo (4) Drums – L.A. Reid Engineer [Assistant Engineers] – Jon Guggenheim, Spence Chrislu*, Toni Greene Engineer [Assistant Mixing Engineer] – Andy `Opie` Batwinas* Engineer [Engineered By] – Jon Gass Engineer [Mixing Engineer] – Jon Gass Keyboards – Babyface Mixed By – L.A. Reid And Babyface* Percussion – Daryl Simmons, L.A. Reid Producer – L.A. & Babyface Written-By – Babyface 4:55 A4 Without You Backing Vocals [Background Vocals] – Timothy B. Schmidt* Drums – John Robinson (2) Engineer [Assisted By] – Dennis Stefani Engineer [Engineered By] – Mitch Gibson Guitar [Guitars] – Danny Jacob, Tony Maiden Keyboards, Percussion – Angela L. Winbush* Mixed By – Jon Gass Mixed By [Assistant] – Robin Laine Sequenced By [Keyboard Sequencing], Synthesizer [Additional], Percussion, Synthesizer [Solo], Synthesizer [Bass] – Jeff Lorber Written-By, Producer – Angela L. Winbush* 5:37 A5 If It`s Meant To Last Backing Vocals [Background Vocals] – Alfa Anderson, Janice Pendarvis, Robin Clark (2) Coordinator [Production] – Doreen Dorion-Reed* Drums – Jellybean* Engineer [Assistant Engineers] – Jeff Poe, Paul Logus, Scott Gootman Engineer [Engineered By] – Dave McNair, Eddy DeLena* Guitar [Guitars] – Felicia Collins Mixed By – Dave McNair, Jellybean* Producer – Jellybean* Synthesizer – Davie Lebolt*, Ed Terry Words By, Music By – Allee Willis, Danny Sembello 4:07 B1 Days Like This Backing Vocals [Background Vocals] – Babyface, Karyn White, Sheena Easton Drums, Percussion – L.A. Reid Engineer [Assistant Engineers] – Don Sullivan*, Fred Howard, Toni Greene Engineer [Assistant Mixing Engineer] – Andy `Opie` Batwinas* Engineer [Engineered By] – Jon Gass Engineer [Mixing Engineer] – Jon Gass Keyboards – Babyface, Kayo (4) Mixed By – L.A. Reid And Babyface* Producer – L.A. & Babyface Written-By – D. Simmons*, L.A. Reid - Babyface* 5:07 B2 One Love Backing Vocals [Background Vocals] – Babyface, Dee Bristol, Sheena Easton Drums, Percussion – L.A. Reid Engineer [Assistant Engineers] – Don Sullivan*, Fred Howard, Toni Greene Engineer [Assistant Mixing Engineer] – Andy `Opie` Batwinas* Engineer [Engineered By] – Jon Gass Engineer [Mixing Engineer] – Jon Gass Keyboards – Babyface, Kayo (4) Mixed By – L.A. Reid And Babyface* Producer – L.A. & Babyface Rap [Deele Rap] – The Deele Written-By – L.A. Reid - Babyface* 4:54 B3 101 Engineer [Assistant Engineer] – Dan Marnien Engineer [Engineered By] – Susan Rogers Engineer [Second Engineer] – Coke Johnson Mixed By – David Leonard Producer – Prince Written-By, Instruments [All] – Joey Coco 4:06 B4 Cool Love Arranged By [Vocal Arranger] – Randy Peterson (6) Engineer [Assistant Engineer] – Dan Marnien Engineer [Engineered By] – Eddie Miller Mixed By – David Leonard Producer – Prince Producer [Additional Production By] – David Leonard Written-By, Instruments [All] – Joey Coco 4:03 B5 Fire And Rain Backing Vocals [Background Vocals] – Angela L. Winbush*, Sheena Easton Drum Programming [Additional], Synthesizer [Additional] – Jeff Lorber Drum Programming, Synthesizer, Piano [Acoustic Piano] – Angela L. Winbush* Engineer [Assisted By] – Dennis Stefani Engineer [Engineered By] – Mitch Gibson Guitar – Tony Maiden Mixed By – Jon Gass Mixed By [Assistant] – Robin Laine Synthesizer, Tom Tom [Toms] – Rayford Griffin Written-By, Producer – Angela L. Winbush*

vinil: 5 omot: 5 odlicno stanje Lipps, Inc. – Mouth To Mouth Label: ZKP RTVL – LL 0628, RTV Ljubljana – LL 0628, Casablanca – LL 0628 Format: Vinyl, LP, Album, Stereo Country: Yugoslavia Released: 1980 Genre: Electronic Style: Disco A1 Funkytown A2 All Night Dancing Soloist, Piano – Ivan Rafowitz B1 Rock It B2 Power Pressed By – Jugoton – ULS-706 Phonographic Copyright ℗ – Casablanca Record And FilmWorks, Inc. Printed By – GIP `Beograd` Recorded At – Sound 80 Studios Mastered At – Allen Zentz Mastering Art Direction, Design – Gribbitt!, Michael Kevin Lee Backing Vocals – Dana Greenberg, Joyce Lapinsky, Marylin & Danny, Vera Jenkins Bass – Terry Grant (2) Engineer [Assistant] – Mike Severson Engineer, Guitar – David Rivkin Executive-Producer – Steven Productions Guitar – Tom Riopelle Horns – Bruce Allard, Dale Mendenhal*, Jack Gillespie, Richard Jorgensen Illustration – Jan Kovaleski, Michael Kevin Lee Keyboards – Ivan Rafowitz Lacquer Cut By – SB* Lead Vocals, Backing Vocals – Cynthia Johnson Other [Charts] – Scott Jones Programmed By [Synthesizer] – Roger Dumas (3) Violin – Bob Zelnick, Brian Mintz, Bruce Allard, Herman Straka, Karl Nashan Vocals [Assistant] – Sandy Atlas Written-By, Producer, Drums, Synthesizer, Percussion, Keyboards, Vocals, Bass, Backing Vocals – Steven Greenberg Mentioned on label: `Casablanca Record And Filmworks`

Original, made in Germany Knjizica od 8 str. Odlicno ocuvano Greatest Hits: 1980–1994 is the million-selling RIAA Platinum-certified first greatest hits album released by Aretha Franklin since she signed with Arista Records in 1980. It compiles her hits from 1980`s Aretha through her most recent album at the time: 1991`s What You See Is What You Sweat. Songs from her 1989 album Through the Storm were not included in the set, nor were either of her duets with Elton John and Whitney Houston. Songs from her second Arista set, 1981`s Love All the Hurt Away were not included either. Neither the title track hit duet with George Benson nor her Grammy Award-winning cover of `Hold On I`m Comin`` were in the set. Other omissions include her hit duet with the Eurythmics` `Sisters Are Doin` It for Themselves` and her 1983 Top 10 R&B hit `Every Girl (Wants My Guy)`, produced by Luther Vandross. Label: Arista ‎– 74321 16202 2 Format: CD, Compilation Country: Europe Released: 22 Feb 1994 Genre: Electronic, Rock, Funk / Soul, Pop Style: House, Rhythm & Blues, Pop Rock, Ballad, Funk Tracklist Hide Credits 1 –Aretha Franklin Freeway Of Love Backing Vocals – Jeanie Tracy, Jim Gilstrap, Kitty Beethoven, Laundon Von Kendricks, Preston Glass, Sylvester, Vicki Randle Bass [Synth] – Randy Jackson (2) Drums, Percussion – Narada Michael Walden Engineer [Chief] – David `Frazemen` Frazer* Guitar – Corrado Rustici Keyboards – Walter Afanasieff Keyboards [Vibes] – Preston Glass Mixed By [Additional] – Michael Brauer* Percussion – The `Santana` Rhythm Section* Producer – Narada Michael Walden Saxophone [Solo] – Clarence Clemons Tambourine – Greg `Gigi` Gonaway* Written-By – Jeffrey Cohen, Narada Michael Walden 5:52 2 –Aretha Franklin Duet With George Michael I Knew You Were Waiting (For Me) Arranged By [Strings] – Jerry Hey Backing Vocals – Claytoven Richardson, Jeanie Tracy, Jennifer Hall, Jim Gilstrap, Kevin Dorsey, Kitty Beethoven, Myrna Matthews Bass Guitar – Randy Jackson (2) Drums – Narada Michael Walden Engineer [Additional] – Dana Jon Chappelle, Maureen Droney Featuring [Duet] – George Michael Guitar [Charvel Gtm6 Midi Guitar Synthesizer] – Corrado Rustici Producer – Narada Michael Walden Programmed By [Percussion] – Preston Glass Recorded By, Mixed By – David `Frazemen` Frazer* Synthesizer, Programmed By – Walter Afanasieff Tambourine, Percussion – Greg `Gigi` Gonaway* Written-By – Dennis Morgan, Simon Climie 4:00 3 –Aretha Franklin Jump To It Arranged By [Rythm, Synthesizer] – Marcus Miller Arranged By [Vocal] – Luther Vandross Backing Vocals – Brenda White*, Cissy Houston, Fonzi Thornton, Luther Vandross, Michelle Cobbs, Phillip Ballou, Tawatha Agee* Bass – Marcus Miller Congas – Crusher Bennett* Drums – Yogi Horton Guitar – Doc Powell Keyboards – Nat Adderley Jr. Producer – Luther Vandross Recorded By, Mixed By – Michael H. Brauer Synthesizer – Marcus Miller Written-By – Luther Vandross, Marcus Miller 4:14 4 –Aretha Franklin Willing To Forgive Bass – Nathan East Engineer – Jim `Z` Zumpano* Engineer [Assisted By] – Jason Shablik Keyboards, Drum Programming – Babyface Mixed By – Barney Perkins Producer – Babyface, Daryl Simmons Saxophone – Everette Harp Written-By – Babyface, Daryl Simmons 4:14 5 –Aretha Franklin Duet With Luther Vandross Doctor`s Order Backing Vocals – Cynthia Mizelle*, Alfonso Thornton*, Tawatha Agee* Bass – Marcus Miller Drum Programming, Keyboards – Hubert Eaves, III* Engineer – Paul Brown, Ray Bardani Featuring [Duet] – Luther Vandross Guitar – Paul Jackson Jr. Keyboards – Jason Miles (2), Nat Adderley Jr., John `Skip` Anderson* Mixed By – Ray Bardani Percussion – Paulinho Da Costa Producer – Luther Vandross Written-By – Hubert Eaves, III*, Luther Vandross 4:34 6 –Aretha Franklin United Together Backing Vocals – Aretha Franklin, Charles Jackson*, Cissy Houston, Edie Lehman*, Estelle Brown, Marti McCall, Myrna Matthews, Myrna Smith, Sylvia Shemwell, The Original Sweet Inspirations, Tony Coleman Bass – James Jamerson, Sr.*, Scott Edward* Bass [Overdubs] – Tony Coleman Engineer – Frank Kejmar, Lee DeCarlo Guitar – Cornell Dupree, Michael McGloiry, Paul Jackson Jr. Keyboards – Aretha Franklin, Michael Lang*, Richard Tee, Tony Coleman Mixed By – Reggie Dozier* Producer – Chuck Jackson (2) Written-By – Chuck Jackson (2), Phil Perry (2) 5:02 7 –Aretha Franklin Who`s Zoomin` Who Backing Vocals – Jeanie Tracy, Jim Gilstrap, Laundon Von Kendricks, Preston Glass, Randy Jackson (2), Sylvester, Vicki Randle Bass [Synth] – Randy Jackson (2) Drums, Piano [Acoustic] – Narada Michael Walden Engineer [Chief] – David `Frazemen` Frazer* Guitar – Corrado Rustici Keyboards – Preston Glass, Walter Afanasieff Mixed By [Additional] – Michael Brauer* Producer – Narada Michael Walden Written-By – Aretha Franklin, Narada Michael Walden, Preston Glass 4:43 8 –Aretha Franklin A Deeper Love Backing Vocals – Cindy Mizelle, David Cole, Deborah Cooper, Lisa Fischer, Paulette McWilliams Drums, Percussion – Robert Clivillés Keyboards – David Cole Producer, Arranged By, Mixed By – C+C Music Factory*, David Cole, Robert Clivillés Programmed By – Ricky Crespo Recorded By, Mixed By – Bob Rosa Written-By – David Cole, Robert Clivillés 4:34 9 –Aretha Franklin Honey Drum Programming – L.A. Reid Engineer – Jim `Z` Zumpano* Engineer [Assisted By] – David Ward Keyboards – Babyface Mixed By – Barney Perkins Producer – Babyface, Daryl Simmons, L.A. Reid Written-By – Babyface 4:14 10 –Aretha Franklin Get It Right Arranged By [Rythm] – Marcus Miller Arranged By [Vocal] – Luther Vandross Backing Vocals – Brenda White*, Fonzi Thornton, Luther Vandross, Michelle Cobbs, Phillip Ballou, Tawatha Agee*, Yvonne Lewis Bass – Marcus Miller Congas, Triangle – Steve Kroon Drums – Yogi Horton Guitar – Doc Powell, Georg Wadenius Keyboards – Nat Adderley Jr. Percussion – Paulinho Da Costa Producer – Luther Vandross Recorded By, Mixed By – Michael H. Brauer Synthesizer – Marcus Miller Vibraphone – Dave Friedman* Written-By – Luther Vandross, Marcus Miller 4:15 11 –Aretha Franklin Another Night Backing Vocals – Jeanie Tracy, Jim Gilstrap, Kitty Beethoven, Laundon Von Kendricks, Nikita Jermaine*, Preston Glass, Sylvester, Vicki Randle Bass – Randy Jackson (2) Drums, Percussion – Narada Michael Walden Engineer [Chief] – David `Frazemen` Frazer* Guitar [Solo] – Ray Gomez Guitar, Synthesizer [Guitar Synth] – Corrado Rustici Keyboards – Preston Glass, Walter Afanasieff Mixed By [Additiona] – Michael Brauer* Producer – Narada Michael Walden Written-By – Beppe Cantarelli, Roy Freeland 4:30 12 –Aretha Franklin Featuring Michael McDonald Ever Changing Times Featuring – Michael McDonald Guitar – Dean Parks Keyboards – Burt Bacharach, David Foster Keyboards, Programmed By – Michael Boddicker Mixed By – Humberto Gatica Producer – Burt Bacharach, Carole Bayer Sager Programmed By – Larry Williams Written-By – Bill Conti, Burt Bacharach, Carole Bayer Sager 4:53 13 –Aretha Franklin Jimmy Lee Alto Saxophone – Marc Russo Arranged By [Horn] – Jerry Hey Bass [Acoustic] – Randy Jackson (2) Bells – Preston Glass Engineer [Additional] – Dana Jon Chappelle, Maureen Droney Guitar [Charvel Gtm6 Midi Guitar Synthesizer] – Corrado Rustici Piano [Acoustic, Intro], Drums – Narada Michael Walden Piano [Acoustic], Synthesizer – Walter Afanasieff Producer – Narada Michael Walden Recorded By, Mixed By – David `Frazemen` Frazer* Synthesizer – David Sancious Tenor Saxophone – Kenny G (2) Trombone – Wayne Wallace Trumpet – Jerry Hey Written-By – Jeffrey Cohen, Anukampa Lisa Walden*, Narada Michael Walden, Preston Glass 5:45 14 –Aretha Franklin Featuring Bonnie Raitt And Gloria Estefan You Make Me Feel (Like A Natural Woman) Arranged By – Harold Wheeler Conductor – Leon Pendarvis Featuring – Bonnie Raitt, Gloria Estefan Mixed By – Michael Barbiero Musician – Alan Prubin, Alex Foster, Bernard Purdie, M. Birch Johnson*, David Taylor, Earl Gardner, Frank Crawford, Jr.*, Lawrence Frantangelo*, Lou Marini, Robbie Kondor, Ronald Cuber*, Rudolph Stanfield, Theodore Richard White, Thomas Barney Narrator [Introduction] – Bonnie Raitt, Rod Stewart Producer – Ken Ehrlich (2) Written-By – Carole King, Gerry Goffin*, Jerry Wexler 4:26 15 –Aretha Franklin I Dreamed A Dream Acoustic Guitar, Guitar [Lead] – Rick Iantosca Arranged By [Rythm] – Bobby Wooten Bass, Keyboards, Synthesizer [String], Drum Programming – Bobby Wooten Co-producer – Aretha Franklin, Bobby Wooten Mixed By – Michael R. Hutchinson* Narrator [Introduction] – Edward James Olmos Piano [Acoustic] – Aretha Franklin Producer – David `Pic` Conley* Recorded By [Vocals] – Michael Iacopelli* Written-By – Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer, Jean Marc Natel* 4:18 16 –Aretha Franklin Jumpin` Jack Flash Backing Vocals – Brenda Corbett, Margaret Branch, Ortheia Barnes Bass – Randy Jackson (2) Drums – Steve Jordan Engineer – Steve Lillywhite Engineer [Assistant] – Mike Iacopelli Guitar – Allen Rogan*, Ron Wood Guitar [Lead] – Keith Richard* Keyboards – Chuck Leavell Mixed By – Michael Frondelli Piano – Aretha Franklin Producer – Keith Richards Written-By – Keith Richards, Mick Jagger 5:10 Companies, etc. Pressed By – Sonopress – I-0593 Credits Art Direction – Maude Gilman, Susan Mendola Design – Christopher Stern, Susan Mendola Design [Front Cover Type] – Jim LeBadd Executive-Producer – Clive Davis Liner Notes – David Nathan (2) Other [Hair] – Bruno Marrocchio Other [Jewelery] – Kenneth Jay Lane Other [Make-up] – Kevin Aucoin Other [Shoes] – Vanessa Noel Other [Styling] – Bernard Jacobs Photography By – Timothy White (3)

Original, made in Austria Knjizica od 8 str. Odlicno ocuvano Deseti studijski album iz 1992. Bruce Springsteen ‎– Lucky Town Label: Columbia ‎– 471424 2, Columbia ‎– COL 471424 2 Format: CD, Album Country: Europe Released: 1992 Genre: Rock Style: Pop Rock, Classic Rock Tracklist Hide Credits 1 Better Days Backing Vocals – Lisa Lowell, Patti Scialfa, Soozie Tyrell Bass – Randy Jackson (2) 4:08 2 Lucky Town Bass – Bruce Springsteen 3:27 3 Local Hero Backing Vocals – Lisa Lowell, Patti Scialfa, Soozie Tyrell 4:04 4 If I Should Fall Behind 2:57 5 Leap Of Faith Backing Vocals – Lisa Lowell, Patti Scialfa, Soozie Tyrell Keyboards – Roy Bittan 3:27 6 The Big Muddy Keyboards [Keyboard Bass] – Roy Bittan 4:06 7 Living Proof Keyboards – Roy Bittan 4:49 8 Book Of Dreams 4:24 9 Souls Of The Departed 4:18 10 My Beautiful Reward Organ [Hammond] – Ian McLagen* 3:55 Companies, etc. Phonographic Copyright (p) – Bruce Springsteen Copyright (c) – Bruce Springsteen Pressed By – DADC Austria Distributed By – Sony Music Mastered At – Masterdisk Recorded At – Thrill Hill Recording Recorded At – A&M Studios Mixed At – A&M Studios Credits Art Direction – Sandra Choron Cover [Cover Photography], Photography By [Cover Photography], Photography By [Interior Photography] – David Rose (7) Drums – Gary Mallabar* Edited By [Digital Editing A&M] – Dave Collins Edited By [Digital Editing Masterdisk] – Scott Hull (2) Engineer [Assistant] – Greg Goldman, Randy Wine, Rob `RJ` Jaczko* Management – Barbara Carr (2), Barbara Carr (2), Jon Landau, Jon Landau Mastered By – Bob Ludwig Mixed By – Bob Clearmountain Photography By [Interior Photography] – Pam Springsteen* Producer – Chuck Plotkin, Jon Landau Producer [Additional Production] – Roy Bittan (tracks: 5 to 7) Producer, Written-By, Instruments [All] – Bruce Springsteen Recorded By – Toby Scott Typography [Design] – Victor Weaver

Stanje kao na fotografijama 49cm x 69cm Bob & Carol & Ted & Alice je američka filmska komedija snimljena 1969. godine u režiji Paula Mazurskog, kome je to predstavljao režijski debi. Protagonisti su sineast Bob Sanders i njegova supruga Carol (čije likove tumače Robert Culp i Natalie Wood) , koji nakon posjeta New Age institutu prihvaćaju odlučuju početi prakticirati otvoreni brak, prema čemu su skeptični njihovi najbolji prijatelji, bračni par Ted i Alice Henderson (koje glume Elliott Gould i Dyan Cannon). Radnja prikazuje kako prilikom zajedničkog druženja u Las Vegasu razmjena iskustava vodi do ideje da pokušaju eksperimentirati sa razmjenom partnera. Bob & Carol & Ted & Alice je nastao za vrijeme seksualne revolucije i drugih burnih društvenih promjena krajem 1960-ih, i u mnogo čemu je prikazivao zbunjenost generacije koja je bila premlada da zadrži konzervativna uvjerenja svojih roditelja, a prestara da prihvati radikalne antiestablišmentske ideje tadašnje omladine. Upravo zbog toga se nastojanje protagonista da se po svaku cijenu bude `hip`, čak i kada im to izaziva očiglednu neugodu, bio zahvalan izvor humora, ali i satirični odraz promjena u dotadašnjim vrijednostima urbane srednje i više klase, uključujući hollywoodsku elitu kojoj je pripadao i sam Mazursky. U situacijama kroz koje prolaze protagonisti su se mnogi prepoznali, te je Bob & Carol & Ted & Alice postigao izuzetan uspjeh kod publike, ali i kod kritike. I Dyan Cannon i Elliott Gould (koji će za svoj nastup biti nominiran za Oscar za najboljeg sporednog glumca) su zahvaljujući njemu postali velike zvijezde u sljedećoj deceniji, a Natalie Wood, koja je odbila fiksni honorar u zamjenu za udio profita, je stekla poprilično bogatstvo. Uspjeh filma je 1973. godine potakao snimanje istoimenog televizijskog sitkoma koji je, lišen brojnih motiva i sadržaja koji, za razliku od filmskog predloška, nisu mogli proći tadašnju televizijsku cenzuru, propao kod publike i brzo skinut sa programa. Uloge Natalie Wood ... Carol Robert Culp ... Bob Elliott Gould ... Ted Dyan Cannon ... Alice Horst Ebersberg ... Horst Lee Bergere ... Emilio Donald F. Muhich ... Psihijatar Noble Lee Holderread Jr. ... Sean Sanders K.T. Stevens ... Phyllis Celeste Yarnall ... Susan Lynn Borden ... Montažer Greg Mullavey ... Vođa grupe Linda Burton ... Stjuardesa Leif Garrett ... Jimmy Henderson Režija Paul Mazursky Producent Larry Tucker Scenario Paul Mazursky Larry Tucker Uloge Natalie Wood Robert Culp Elliott Gould Dyan Cannon Muzika Quincy Jones pjesme: Burt Bacharach (muzika) Hal David (stihovi) Fotografija Charles Lang Montaža Stuart H. Pappe Distribucija Columbia Pictures Datum(i) premijere 17. septembar 1969 Trajanje 101 min. Zemlja Sjedinjene Države Jezik engleski Budžet 2 mil. $ Bruto prihod 31,897.253 Filmski plakat

Stanje kao na fotografijama 49cm x 69cm Ledeni pakao anglo-kanadski je triler iz 1979. godine, a temelji se na romanu Medvjeđi otok Alistaira MacLeana iz 1971. godine. Režirao ga je Don Sharp, a glumili su Donald Sutherland, Vanessa Redgrave, Richard Widmark, Christopher Lee i Lloyd Bridges. Directed by Don Sharp Written by Don Sharp David Butler additional material Murray Smith Based on novel Bear Island by Alistair MacLean Produced by Peter Snell William Hill Starring Donald Sutherland Vanessa Redgrave Richard Widmark Christopher Lee Lloyd Bridges Cinematography Alan Hume Edited by Tony Lower Music by Robert Farnon Production companies Selkirk Films Canadian Film Development Corporation Bear Island Films Distributed by United Artists Release date 1 November 1979 (United States) 5 December 1979 (South Africa) 26 December 1979 (UK) Running time 118 minutes Countries United Kingdom Canada Languages English, German Budget $CAD12,100,000 (estimated) or $9.3 million Donald Sutherland as Frank Lansing Vanessa Redgrave as Heddi Lindquist Richard Widmark as Otto Gerran Christopher Lee as Lechinski Lloyd Bridges as Smithy Bruce Greenwood as Technician Tommy Barbara Parkins as Judith Rubin Patricia Collins as Inge Van Zipper Mark Jones as the Cook August Schellenberg as the Marine Technician Candace O`Connor as the Laboratory Assistant Michael Collins as the Ship`s Captain Michael J. Reynolds as Heyter Lawrence Dane as Paul Hartman Nicholas Cortland as Jungbeck Joseph Golland as the Meteorological Assistant Richard Wren as the Radio Operator Hagan Beggs as Larsen Robert Stelmach as the Ship`s Radio Operator Terry Waterhouse as the Helicopter Crewman Originalan filmski plakat Kinema Sarajevo

Original, made in EU Knjizica od 6 str. Odlicno ocuvano knjizica 5 Cd 5 Label: DreamWorks Records – 450 305-2 Format: CD, Album Country: Europe Released: 2001 Genre: Rock, Pop, Stage & Screen Style: Soundtrack, Pop Rock, Indie Rock, Ballad 1 Self– Stay Home Producer, Mixed By – Eric Valentine Written-By – Matt Mahaffey 3:27 2 Smash Mouth– I`m A Believer Producer, Mixed By – Eric Valentine Written-By – Neil Diamond 3:12 3 Leslie Carter (4)– Like Wow! Co-producer – Jimmy Harry Producer – David Ganson*, Oliver Lieber* Written-By – Jimmy Harry, Sandra St. Victor 3:34 4 Dana Glover– It Is You (I Have Loved) Lyrics By – Dana Glover Music By – Gavin Greenaway, Harry Gregson-Williams, John Powell Producer – Gavin Greenaway, Harry Gregson-Williams 3:58 5 Baha Men– Best Years Of Our Lives Lyrics By [Additional Lyrics] – Marvin Prosper, Rick Carey Mastered By – Chris Gehringer Mixed By – Mick Guzauski Producer – Michael Mangini*, Steve Greenberg Written-By – David Jaymes, Geoffrey Deane 2:58 6 Halfcocked– Bad Reputation Producer – Joe Barresi Written-By – Joan Jett, Kenny Laguna, Marty Kupersmith, Ritchie Cordell 2:21 7 Eels– My Beloved Monster Producer – E (4), Jon Brion Written-By – E (4) 2:10 8 Jason Wade– You Belong To Me Producer – Ron Aniello Written-By – Chilton Price, Pee Wee King, Redd Stewart 2:41 9 Smash Mouth– All Star Producer, Mixed By – Eric Valentine Written-By – Greg Camp 3:20 10 Rufus Wainwright– Hallelujah Producer – Patrick Leonard Written-By – Leonard Cohen 4:08 11 The Proclaimers– I`m On My Way Producer – Pete Wingfield Written-By – Charlie Reid, Craig Reid 3:38 12 Eddie Murphy– I`m A Believer (Reprise) Arranged By – Danny Jacob (2) Engineer, Mixed By – Slamm Andrews 1:12 13 Harry Gregson-Williams and John Powell– True Love`s First Kiss Mixed By – Alan Meyerson Producer, Written-By – Harry Gregson-Williams, John Powell Recorded By – Nick Wollage 3:09

Made in Austria. Omot na rasklapanje, 8 strana. Omot: 5 Diskovi: 4, 4+ Die Schönsten Hits Aus Frankreich Label: RTL Musikedition – 07-489989-10 Format: 2 x CD, Compilation Country: Germany Released: 1998 Genre: Classical, Folk, World, & Country Tracklist: 1-1 Céline Dion – D`Amour Ou D`amitiè 1-2 Jean-Jacques Goldman – Je Marche Seul 1-3 Patricia Kaas – Mademoiselle Chante Le Blues 1-4 France Gall – Ella, Ellle L`A 1-5 Rose Laurens – Africa 1-6 Julien Clerc – Hélène 1-7 Les Rita Mitsouko – Marcia Baila 1-8 Niagra – Je Dois M`En Aller 1-9 Stephanie – Ouragan 1-10 Riccardo Cocciante – Sincèritè 1-11 Joëlle Ursull – White & Black Blues 1-12 Marie Myriam – L`Oiseau Et L`Enfant 1-13 Patrick Juvet – La Musica 1-14 Jeane Manson – Vis Ta Vie 1-15 Patrick Bruel – Casser La Voix 1-16 Fredericks Goldman Jones – Chanson D`Amour 1-17 Patricia Kaas – Les Lignes De Nos Mains 1-18 Claude François – Alexandrie Alexanda 1-19 Les Negresses Vertes – Voila L`Etè 2-1 Gilbert Bécaud – L`important C`Est La Rose 2-2 Michel Fugain – Une Belle Histoire 2-3 Gérard Lenorman – La Ballade Des Gens Heureux 2-4 Michel Delpech – Pour Un Flirt 2-5 Pierre Groscolas – Lady Lay 2-6 Pascal Danel – Kilimandjaro 2-7 Dalida – Il Venait D`Avoir 18 Ans 2-8 Julie Pietri – Magdalena 2-9 Les Compagnons De La Chanson – L`Amour Est Bleu 2-10 Jacques Dutronc – Il Est Cinq Heures, Paris 2-11 Hervé Vilard – Capri C`est Fini 2-12 Les Poppys – Non Non Rien N`A Changè 2-13 Anne-Marie David – Tu Te Reconnaitras 2-14 Yves Duteil – Prendre Un Enfant 2-15 Georges Moustaki – Le Metèque 2-16 Salvatore Adamo – Inch` Allah 2-17 Christophe – Aline 2-18 France Gall – Poupèe De Cire, Poupèe De Son 2-19 Françoise Hardy – Comment Te Dire Adieu 2-20 Claudine Longet – Un Homme Et Une Femme 2-21 Marlene Dietrich – La Vie En Rose

Made in Russia Knjizica od 8 str. Knjizica 5 Cd 5 Studio album by Eric Clapton Released 6 November 1989[1] Recorded 1989 Studio Power Station, New York City Skyline, New York City Townhouse, London Genre Rock, blues rock Length 56:59 Label Duck / Reprise Producer Russ Titelman Eric Clapton chronology Crossroads (1988) Journeyman (1989) 24 Nights (1991) Journeyman is the eleventh solo studio album by Eric Clapton. Heralded as a return to form for Clapton, who had struggled with alcohol addiction and recently found sobriety, the album has a 1980s electronic sound, but it also includes blues songs like `Before You Accuse Me`, `Running on Faith`, and `Hard Times.` `Bad Love` was released as a single, reaching the No. 1 position on the Album Rock Chart in the United States, and being awarded a Grammy Award for Best Male Rock Vocal Performance in 1990. `Pretending` had also reached the No. 1 position on the Album Rock Chart the previous year, remaining at the top for five weeks (`Bad Love` had only stayed for three weeks). The album reached number 2 on the UK Albums Chart and 16 on the US Billboard 200 chart, and it went on to become double platinum in the US. Clapton has said Journeyman is one of his favourite albums.[5] Critical reception Reviewing in December 1989 for The Village Voice, Robert Christgau gave the album a B-minus and wrote of Clapton, `What did you expect him to call it – Hack? Layla and 461 Ocean Boulevard were clearly flukes: he has no record-making knack. So he farms out the songs, sings them competently enough, and marks them with his guitar. Which sounds kind of like Mark Knopfler`s.`[6] In a retrospective review for AllMusic, Stephen Thomas Erlewine praised the album for its `convincing` vocals and `consistently strong` songwriting.[7] Track listing Side one `Pretending` (Jerry Lynn Williams) – 4:48 `Anything for Your Love` (Jerry Lynn Williams) – 4:16 `Bad Love` (Eric Clapton, Mick Jones) – 5:11 `Running on Faith` (Jerry Lynn Williams) – 5:27 `Hard Times` (Ray Charles) – 3:00 `Hound Dog` (Jerry Leiber, Mike Stoller) – 2:26 Side two `No Alibis` (Jerry Lynn Williams) – 5:32 `Run So Far` (George Harrison) – 4:06 `Old Love` (Eric Clapton, Robert Cray) – 6:25 `Breaking Point` (Marty Grebb, Jerry Lynn Williams) – 5:37 `Lead Me On` (Cecil Womack, Linda Womack) – 5:52 `Before You Accuse Me` (Ellas McDaniel) – 3:55 Personnel Musicians Track numbers refer to CD and digital releases of the album. Eric Clapton – lead vocals, guitar Jeff Bova – synth horns (1), synth organ (1), synthesizer programming (2, 10), drum programming (10), sequenced bass (10), sequenced organ (10) Alan Clark – synth horns (1), Hammond organ (1, 4), sequenced bass (1), keyboards (3), synthesizers (8), synth strings (9) Greg Phillinganes – acoustic piano (1, 4, 5), keyboards (2, 7, 10), backing vocals (4, 7), synthesizers (8) Richard Tee – acoustic piano (2, 6, 7, 9, 12), Fender Rhodes (11) Robbie Kondor – keyboards (2), vocoder (2), bass harmonica (2), drum programming (2), synthesizers (6, 12), synthesizer programming (7, 8), synth piano (9) Rob Mounsey – synthesizers (8) Robbie Kilgore – synthesizers (11) Jerry Lynn Williams – guitar (1), backing and harmony vocals (1) Robert Cray – guitar (2, 6, 9, 12), guitar solo (9, 12) Phil Palmer – guitar (3) John Tropea – rhythm guitar (5) George Harrison – guitar (8), harmony vocals (8) Cecil Womack – acoustic guitar (11), backing vocals (11) Nathan East – bass (1, 2, 4-7, 9-12), backing vocals (1, 4, 7) Pino Palladino – bass (3) Darryl Jones – bass (8) Jimmy Bralower – drum programming (1, 7, 8) Jim Keltner – drums (2, 6, 8, 9, 10, 12), percussion (6), programming (8, 10) tambourine (9) Phil Collins – drums (3), backing and harmony vocals (3) Steve Ferrone – drums (4, 5, 11), hi-hat (10) Carol Steele – congas (1), tambourine (4), percussion (7, 10, 11) Gary Burton – vibraphone (9) Hank Crawford – alto saxophone (5) David Sanborn – alto saxophone (10) Ronnie Cuber – baritone saxophone (5) David `Fathead` Newman – tenor saxophone (5) Jon Faddis – trumpet (5) Lew Soloff – trumpet (5) Arif Mardin – horn arrangements (5), string arrangements (11) Chaka Khan – backing vocals (1, 7) Katie Kissoon – backing vocals (3) Tessa Niles – backing vocals (3) Lani Groves – backing vocals (4, 7) Rev. Timothy Wright Washington Temple Concert Choir – choir (4) Roger Forrester and Friends – dog barking (6) Daryl Hall – harmony vocals (7) Tawatha Agee – backing vocals (10) Vaneese Thomas – backing vocals (10) Linda Womack – backing vocals (11) Production Produced by Russ Titelman Engineered by Steve `Barney` Chase, Dave O`Donnell, Jack Joseph Puig and Dave Wittman. Assistant Engineers – Richard Arnold, Paul Angelli, Mike Knowles and U.E. Natasi. Additional engineering by Larry Alexander, Ben Fowler, Michael O`Reilly and Steve Rinkoff. Recorded at The Power Station (NYC), Skyline Studios (NYC) and The Town House (London). Mixing – Rob Eaton (tracks 1, 2, 4, 8); Gary Wright and Russ Titelman (tracks 3, 6, 7, 9-12); Steve Chase (track 5). Recording and Mix Assistant – Ben Fowler Mixed at The Power Station and The Town House. Mastered by Ted Jensen at Sterling Sound, NYC. Production Coordination – Jill Dell`Abate Production Assistant – Alexandra Saraspe Conomos Design – Bill Smith Studio Original Design Concept – Eric Clapton Photography – Terry O`Neill Management, `Road` Photography – Roger Forrester

Original, made in France Knjizica od 24 str. Odlicno ocuvano knjizica 5 Cd 5 Back to Front is the first compilation album by American singer Lionel Richie, which was released on May 5, 1992, by Motown Records. It contains songs from both his successful solo career and as part of the band the Commodores, along with three new tracks (1–3). The international version of the album also includes the tracks `Dancing on the Ceiling` and `Stuck on You`. It debuted atop both the UK Albums Chart and the ARIA Albums Chart, and spent 12 weeks at number one on the Dutch Album Top 100. The single `Do It To Me` reached #21 at US Hot 100. Track listing All songs performed by Lionel Richie, unless stated otherwise. No. Title Writer(s) Original album Length 1. `Do It to Me` Lionel Richie Previously unreleased 6:04 2. `My Destiny` Lionel Richie Previously unreleased 4:50 3. `Love, Oh Love` Lionel Richie Previously unreleased 5:48 4. `All Night Long (All Night)` Lionel Richie Can`t Slow Down 4:20 5. `Easy` (The Commodores) Lionel Richie Commodores 4:18 6. `Still` (The Commodores) Lionel Richie Midnight Magic 3:47 7. `Endless Love` (Lionel Richie & Diana Ross) Lionel Richie Endless Love 4:28 8. `Running with the Night` Lionel RichieCynthia Weil Can`t Slow Down 4:10 9. `Sail On` (The Commodores) Lionel Richie Midnight Magic 4:00 10. `Hello` Lionel Richie Can`t Slow Down 4:10 11. `Truly` Lionel Richie Lionel Richie 3:22 12. `Penny Lover` Lionel RichieBrenda Harvey Richie Can`t Slow Down 3:47 13. `Say You, Say Me` Lionel Richie Dancing on the Ceiling 4:03 14. `Three Times a Lady` (The Commodores) Lionel Richie Natural High 3:37 Total length: 61:04 Personnel Tracks 1, 2 & 3 Lionel Richie – lead vocals, keyboards, rhythm arrangements, vocal arrangements, backing vocals (1, 2) Brad Cole – synthesizers, synthesizer programming Michael Landau – guitar David Williams – guitar (2) Freddie Washington – bass Quincy Jones III – drum programming (1, 2) Jim Keltner – drums (3) Lenny Castro – percussion Marc Russo – saxophone solo (1) Stewart Levine – rhythm arrangements Paul Buckmaster – horn and string orchestrations (2, 3) Jim Gilstrap, Terry Holcomb, Marva King, Darlene Koldenhoven, Laura Lombardo, Benjamin McCrary, Quincy McCrary, Eve Reinhardt, Alice Sanderson, Richard Stuart, Carmen Twillie and Myla Twillie – backing vocals (3) Track 7 Lionel Richie – lead vocals, vocal arrangements Diana Ross – lead vocals Reginald `Sonny` Burke – Fender Rhodes Barnaby Finch – acoustic piano Paul Jackson Jr. – electric guitar, acoustic guitar solo Fred Tackett – guitar Nathan East – bass Rick Shlosser – drums Gene Page – horn, rhythm and string arrangements Harry Bluestone – concertmaster Production Stewart Levine – producer (1, 2, 3) Lionel Richie – producer (1-4, 7, 8, 10–15) James Anthony Carmichael – producer (4, 5, 6, 8-16) Commodores – producers (5, 6, 9, 14, 16) Darren Klein – recording (1, 2, 3), mixing (1, 2, 3) Marnie Riley – assistant engineer (1, 2, 3) Reginald Dozier – engineer (7) Guy Costa – mixing (7) Bernie Grundman – mastering Johnny Lee – art direction, design Matthew Rolston – photography Studios Tracks 1, 2 & 3 recorded and mixed at Conway Studios (Hollywood, California). Track 7 recorded at Devonshire Sound Studios (Hollywood, California). Mixed at Motown Recording Studios (West Hollywood, California). Mastered at Bernie Grundman Mastering (Hollywood, California).

Original, made in West Germany Knjizica od 12 str. knjizica 4/4+ Cd 4- Mystery Girl is the twenty-second album by American singer Roy Orbison. It was his last album to be recorded during his lifetime, as he completed the album in November 1988, a month before his death at the age of 52, and it was released posthumously by Virgin Records on January 31, 1989.[2] It includes the hit singles `You Got It`, which was co-written by Orbison and his Traveling Wilburys bandmates Jeff Lynne and Tom Petty, and `She`s a Mystery to Me`, written by Bono and The Edge. The album was a critical and commercial success; it peaked at number 5 on the Billboard 200 in the United States, the highest position Orbison had achieved on that chart, and number 2 on the UK Albums Chart.[3] Mystery Girl was Orbison`s first album of all-new material since 1979 and its success posthumously continued the resurgence that his career had undergone since 1986. Among the many other contributors to the album were Mike Campbell and other members of the Heartbreakers, T Bone Burnett, George Harrison, Jim Keltner and Rick Vito. For the 25th anniversary of its release, the album was reissued with bonus tracks including `The Way Is Love`, a song recorded by Orbison on a cassette tape in the 1980s that was subsequently completed by his sons and producer John Carter Cash. Recording Before making Mystery Girl, Roy Orbison`s last album of new material had been 1979`s Laminar Flow. This release followed a run of commercial and critical failures in the United States since his years of international stardom in the early 1960s.[4] From 1986,[5] support from admirers such as filmmaker David Lynch and Bruce Springsteen reversed this trend, rescuing him from relative obscurity in his homeland as Orbison again became a popular concert draw.[6] According to The Authorized Roy Orbison, recordings for Mystery Girl began in July 1987 at Ocean Way Studios in Hollywood with the track `(All I Can Do is) Dream You`.[7] Jeff Lynne, another long-time admirer, began writing songs with Orbison in Los Angeles over Christmas 1987. The track `You Got It` was written at this time and was a collaboration between Lynne, Orbison and Tom Petty. With Lynne as his producer, Orbison recorded `You Got It` in April 1988 at the garage studio of Petty`s bandmate in the Heartbreakers, Mike Campbell.[8] Recording for the album continued alongside Orbison`s involvement in the Traveling Wilburys, a supergroup project initiated by George Harrison and Lynne[9][10] that also included Petty and Bob Dylan.[11] Aside from further Lynne-produced sessions for Mystery Girl, to which Petty and Harrison contributed,[12] Orbison recorded some of the songs with Campbell, T Bone Burnett and his wife Barbara Orbison[5] each in the role of producer.[13] The Heartbreakers played on much of the album,[14] while Elvis Costello contributed the song `The Comedians`.[5] The album was named after the chorus from the track `She`s a Mystery to Me`, which was written by U2`s Bono and The Edge. In the documentary In Dreams: The Roy Orbison Story, Bono says he woke up for a concert soundcheck, following a late night listening to the soundtrack to Lynch`s Blue Velvet, and had the tune of the title song in his head, figuring it was another Orbison song (`In Dreams` was the only Orbison song on that album). During the soundcheck, he performed `She`s a Mystery to Me` for the other members of U2, who agreed that it sounded like an Orbison song. Orbison later met the band backstage at one of their concerts and subsequently asked Bono if he would like to write a song either with or for him. Recording for the album was completed in November 1988. Having maintained a busy schedule of concert performances, Orbison told Johnny Cash at this time that he was experiencing chest pains and would need to do something about his health.[15] On December 6, two days after performing a show in Highland Heights, Ohio, Orbison died of a heart attack, at the age of 52.[16] Studio album by Roy Orbison Released January 31, 1989 Recorded July 1987 – November 1988 Studio Rumbo, Los Angeles A&M, Hollywood FPSHOT, Oxfordshire[1] Length 38:17 Label Virgin Producer Roy Orbison, Mike Campbell, Jeff Lynne, T Bone Burnett, Barbara Orbison, Bono Roy Orbison chronology In Dreams: The Greatest Hits (1987) Mystery Girl (1989) A Black & White Night Live (1989) Side one No. Title Writer(s) Producer(s) Length 1. `You Got It` Roy Orbison, Jeff Lynne, Tom Petty Jeff Lynne 3:30 2. `In the Real World` Richard Kerr, Will Jennings Roy Orbison, Mike Campbell, Barbara Orbison 3:44 3. `(All I Can Do Is) Dream You` Billy Burnette, David Malloy T-Bone Burnett 3:39 4. `A Love So Beautiful` Roy Orbison, Jeff Lynne Jeff Lynne 3:33 5. `California Blue` Roy Orbison, Jeff Lynne, Tom Petty Jeff Lynne 3:57 Side two No. Title Writer(s) Producer(s) Length 6. `She`s a Mystery to Me` David Evans, Paul Hewson Bono 4:16 7. `The Comedians` Elvis Costello T-Bone Burnett 3:26 8. `The Only One` Wesley Orbison, Craig Wiseman Roy Orbison, Mike Campbell 3:55 9. `Windsurfer` Roy Orbison, Bill Dees Roy Orbison, Mike Campbell 4:01 10. `Careless Heart` Roy Orbison, Diane Warren, Albert Hammond Roy Orbison, Mike Campbell 4:08 Personnel Core contributors Roy Orbison – vocals, backing vocals, acoustic guitar (tracks 1, 2, 4, 5, 8, 10), electric guitar (track 6) Jeff Lynne – electric guitar (tracks 1, 5), acoustic guitar (4), keyboards (tracks 1, 4, 5), piano (track 1), bass guitar (tracks 1, 4, 5), backing vocals (tracks 1, 4, 5, 9) Tom Petty – acoustic guitar (tracks 1, 5), backing vocals (tracks 1, 2, 5) Mike Campbell – electric guitar (tracks 2, 10), acoustic guitar (tracks 5, 9, 10), bass (tracks 2, 10), mandolin (track 5) Jim Keltner – drums (tracks 2, 6–10) Howie Epstein – bass guitar (tracks 6, 8, 9), backing vocals (tracks 2, 8–10) Benmont Tench – piano (tracks 6, 8–10), organ (track 8), cheap strings (track 6) Additional musicians Phil Jones – drums, percussion (track 1) Michael Utley – string arrangements (tracks 1, 2, 7, 9) Barbara Orbison – backing vocals (track 2) Roy Orbison Jr. – backing vocals (track 2) Al Kooper – organ (track 2) Billy Burnette – acoustic guitar, backing vocals (track 3) Rick Vito – electric guitar, backing vocals (track 3), slide guitar (track 9) Tom `T-Bone` Wolk – bass guitar (track 3) Buell Neidlinger – arco bass (track 3, 7) Mickey Curry – drums (track 3) George Harrison – acoustic guitar (track 4) Ray Cooper – drums (track 4) Louis Clark – string arrangements (tracks 4, 5) Ian Wallace – drums, percussion (track 5) Bono – electric guitar (track 6) David Rhodes – electric guitar (track 7) T Bone Burnett – electric guitar (track 7) Mitchell Froom – piano (track 7) Jerry Scheff – string bass (track 7) David Miner – string bass (track 7) Gary Coleman – percussion (track 7) Steve Cropper – electric guitar (track 8) The Memphis Horns – horns by Jim Horn, arranged by Steve Cropper (track 8)

Original, made in UK Knjizica od 12 str. Odlicno ocuvano knjizica 5- Cd 5- Studio album by Tina Turner Released September 13, 1989 Recorded 1988–1989 Studio The Hit Factory (New York, New York, US); Pathé-Marconi Studios (Paris, France) Genre Pop rock Length 52:16 Label Capitol Producer Dan HartmanRoger DaviesTina TurnerRupert HineGraham LyleTony Joe White Tina Turner chronology Tina Live in Europe (1988) Foreign Affair (1989) Simply the Best (1991) Foreign Affair is the seventh solo studio album by Tina Turner, released on September 13, 1989, through Capitol Records. It was Turner`s third album release after her massively successful comeback five years earlier with Private Dancer and her third and last album with the label.[5] Although the album was not a major success in Turner`s native United States, it was a huge international hit, especially in Europe. The album reached number one on the UK Albums Chart, her first number one album there. Dan Hartman produced most of the tracks on the album, including the hit single `The Best`, which has gone on to become one of Turner`s signature songs.[6] Composition Foreign Affair falls under the adult contemporary genre[7] and features a diverse range of musical styles, from pop-rock anthems (`The Best`, `I Don`t Wanna Lose You`) to bluesy tracks (`Undercover Agent for the Blues`) and power ballads (`Be Tender With Me Baby`). The album features collaborations with prominent musicians, including saxophone solos by Gary Barnacle on at least three tracks and guitar work by Dire Straits frontman Mark Knopfler, who co-wrote Turner`s hit `Private Dancer`, on the title track.[8] No. Title Writer(s) Producers Length 1. `Steamy Windows` Tony Joe White Dan Hartman 4:03 2. `The Best` Mike ChapmanHolly Knight HartmanTina Turner 5:28 3. `You Know Who (Is Doing You Know What)` T. White Hartman 3:45 4. `Undercover Agent for the Blues` T. WhiteLeann White Hartman 5:20 5. `Look Me in the Heart` Tom KellyBilly Steinberg Hartman 3:42 6. `Be Tender with Me Baby` Albert HammondKnight Hartman 4:18 7. `You Can`t Stop Me Loving You` HammondKnight Hartman 4:00 8. `Ask Me How I Feel` HammondKnight HartmanT. Turner 4:46 9. `Falling Like Rain` David MundaySandy Stewart Rupert Hine 4:03 10. `I Don`t Wanna Lose You` HammondGraham Lyle Roger DaviesLyleHammond 4:20 11. `Not Enough Romance` Hartman Hartman 4:04 12. `Foreign Affair` T. White DaviesT. White 4:27 Personnel Musicians Tina Turner – lead vocals (all tracks), backing vocals (3, 7, 8, 10), arrangements (2, 8) Dan Hartman – electric piano (1, 3, 4), organ (1, 4), keyboards (2, 3, 11), acoustic guitar (2, 6, 8, 11), backing vocals (2, 5), percussion programming (5), Moog bass (11), drum programming (11) Jeff Bova – horn section (1, 4, 5), synth bass (3), organ (4), strings (5) Phil Ashley – keyboards (2, 7), bass pulse (2), organ (6), synthesizers (6), strings (6, 7, 8), acoustic piano (8), flute (8) Elliot Lewis – additional keyboards (2, 8), strings (2, 8), flute (11) Philippe Saisse – additional keyboards (2, 3, 6, 8), slap bass (3), flute solo (5), keyboard mallet and chimes (7) Rupert Hine – keyboards (9), bass (9), drum programming (9), backing vocals (9) Nick Glennie-Smith – keyboards (10, 12), strings (10, 12), synth bass (12), drum programming (12), bell tree (12) Casey Young – keyboards (10) Greg Mathieson – synth bass (10) Eddie Martinez – rhythm guitar (1, 3, 4), all guitars (5) Neil Taylor – slide guitar (1), guitar solo (1) Tony Joe White – lead guitar (1, 3, 4, 12), rhythm guitar (1, 3, 4, 12), harmonica (1, 3), synth bass (1, 4) Gene Black – rhythm guitar (2, 7, 8), lead guitar (6, 7), guitar solo (6), guitar (10) James Ralston – rhythm guitar (2, 6, 7, 8), guitar (10) Pat Thrall – guitar solo (2), additional lead guitar fills (6), slide guitar (8), electric guitar (11) Phil Palmer – guitars (9) Mark Knopfler – guitars (12) Carmine Rojas – bass guitar (1, 4, 5) T. M. Stevens – bass guitar (2, 3, 6, 7, 8, 11) J. T. Lewis – drums (1, 3, 4, 5) Art Wood – drums (2, 6, 7, 8) Geoff Dugmore – drums (10) Danny Cummings – percussion (3, 4, 7), shaker (5), congas (7) Albert Hammond – shaker (10), backing vocals (10) Gary Barnacle – all saxophones (1, 12), saxophone solo (10) Edgar Winter – saxophone solo (2) Tim Cappello – saxophone solo (5, 8) Roger Davies – arrangements (5) Lance Ellington – backing vocals (2, 3, 5, 7, 8, 11) Tessa Niles – backing vocals (2, 3, 5–8, 11) David Munday – backing vocals (9) Sandy Stewart – backing vocals (9) Holly Knight – backing vocals (10) Graham Lyle – backing vocals (10) Production Dan Hartman – producer (1–8, 11)[6][13] Tina Turner – executive producer, producer (2, 8)[14] Rupert Hine – producer (9) Roger Davies – executive producer, producer (10, 12) Albert Hammond – producer (10) Graham Lyle – producer (10) Tony Joe White – producer (12)[15] Technical Chris Lord-Alge – recording engineer (1–8, 11), mixing (all tracks) Andrew Scarth – recording engineer (9) Mike Ging – recording engineer (10, 12) Tommy Vicari – recording engineer (10) Nick Froome – recording engineer (12) Vincent Frerebeau – additional engineer John Lee – additional engineer Dave O`Donnell – additional engineer James Allen-Jones – assistant engineer Darren Allison – assistant engineer Lee Curle – assistant engineer Tim Leitner – assistant engineer Paul Logus – assistant engineer Ray Pyle – assistant engineer David Scott – assistant engineer Elliot Singerman – assistant engineer Bob Ludwig – mastering Studios Overdubs recorded at Multi-Level (Westport, Connecticut); The Power Station (New York, New York); Lion Share Recording (Los Angeles, California); E-Zee Studios (London, UK); Mayfair Studios (Primrose Hill, London, UK); Swanyard Studios (Islington, London, UK) Mixed at The Grey Room (Hollywood, California) Mastered at Masterdisk (New York, New York) Other credits Bill Burks – art direction Tommy Steele – art direction Glenn Sakamoto – design Herb Ritts – center photography Peter Lindbergh – photography

Original, made in Austria Knjizica od 12 str. Odlicno ocuvano Na kutiji su vidljivi tragovi koriscenja Deveti studijski album 1994 Songs the ninth studio album by American R&B singer Luther Vandross. It was released by Epic Records on September 20, 1994. The album, a collection of cover versions, produced the singles `Endless Love`, `Always and Forever`, and `Ain`t No Stoppin` Us Now`. According to an interview both Luther and Mariah Carey had in Japan following their release of `Endless Love`, there was mention that Carey had given advice as to what songs Vandross would cover in this album.[5][6] Songs earned Vandross four nominations at the 1995 Grammy Awards for Best Male Pop Vocal Performance for `Love the One You`re With`, Best Pop Collaboration with Vocals for `Endless Love`, Best Male R&B Vocal Performance for `Always and Forever`, and Best R&B Album. Luther Vandross ‎– Songs Label: Epic ‎– 476656 2, Epic ‎– EPC 476656 2, LV Records ‎– 476656 2 Format: CD, Album Country: Europe Released: 1994 Genre: Funk / Soul Style: Soul Tracklist Hide Credits 1 Love The One You`re With Arranged By [Background Vocals] – Luther Vandross Backing Vocals – Alexandra Brown*, Brenda White King, Jim Gilstrap, Johnny Britt, Lynn Davis, Paulette McWilliams, Phil Perry (2), Phillip Ingram, Tamatha Agee Guitar – Dann Huff Keyboards, Synth, Bass Guitar, Drums, Programmed By [Rhythm], Electric Organ [Hammond B-3] – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Stephen Stills 5:04 2 Killing Me Softly Arranged By, Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm] – Dan Shea Backing Vocals – Lisa Fischer, Paulette McWilliams, Tawatha Agee Guitar – Dann Huff Guitar [Additional] – Michael Landau Piano, Synthesizer, Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Charles Fox, Norman Gimbel 5:33 3 Endless Love Arranged By [Orchestra], Conductor – Jeremy Lubbock Guitar, Acoustic Guitar [Nylon Guitar Solo] – Dann Huff Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Vocals [Duet With] – Mariah Carey Written-By – Lionel Richie 4:21 4 Evergreen Arranged By [London Symphony Orchestra], Conductor – Jeremy Lubbock Guitar – Dann Huff Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Barbra Streisand, Paul Williams (2) 3:55 5 Reflections Backing Vocals – Brenda White King, Lisa Fischer, Paulette McWilliams, Tamatha Agee Electric Organ [Hammond B-3], Programmed By [Additional] – Walter Afanasieff Guitar – Dann Huff Guitar [Additional] – Michael Landau Keyboards, Synth, Bass [Moog Bass], Drums, Programmed By [Rhythm] – Dan Shea Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Brian Holland, Edward Holland*, Lamont Dozier 3:21 6 Hello Arranged By [London Symphony Orchestra], Conductor – Jeremy Lubbock Arranged By, Keyboards, Programmed By – Dan Shea Guitar – Dann Huff Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Lionel Richie 4:44 7 Ain`t No Stoppin` Us Now Arranged By [Background Vocals] – Luther Vandross Arranged By, Keyboards, Programmed By – Dan Shea Backing Vocals – Alexandra Brown*, Cindy Mizelle, Fonzi Thornton, Jim Gilstrap, Johnny Britt, Lynn Davis, Paulette McWilliams, Phil Perry, Phillip Ingram, Robin Clark (2), Tawatha Agee Guitar – Dann Huff Guitar [Additional] – Michael Landau Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm] – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Gene McFadden, Jerry Cohen, John Whitehead Written-By [Beats, Breaks And Scratches] – Simon Harris 4:53 8 Always And Forever Arranged By, Keyboards, Synthesizer, Programmed By – Dan Shea Backing Vocals – Claytoven Richardson, Jim Gilstrap, Johnny Britt, Phil Perry, Phillip Ingram Guitar – Dann Huff Guitar [Additional] – Michael Thompson Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Electric Organ [Hammond B-3] – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Rod Temperton 4:54 9 Going In Circles Arranged By [Horns] – Greg Adams Arranged By [Orchestra], Conductor – Jeremy Lubbock Arranged By, Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm] – Dan Shea Backing Vocals – Alexandra Brown*, Cindy Mizelle, Fonzi Thornton, Jim Gilstrap, Johnny Britt, Lynn Davis, Paulette McWilliams, Phil Perry (2), Phillip Ingram, Robin Clark (2), Tawatha Agee Baritone Saxophone – Stephen `Doc` Kupka* Guitar – Dann Huff Keyboards, Drum Programming, Programmed By [Rhythm], Electric Organ [Hammond B-3] – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Tenor Saxophone – David Mann, Emilio Castillo Trumpet, Flugelhorn – Greg Adams Trumpet, Trombone, Flugelhorn – Lee Thornburg Written-By – Anita Poree, Jerry Peters 5:12 10 Since You`ve Been Gone Arranged By [Background Vocals] – Cissy Houston, Luther Vandross Backing Vocals – Cindy Mizelle, Cissy Houston, Darlene Love, Paulette McWilliams, Tawatha Agee Guitar – Dann Huff Keyboards, Programmed By – Dan Shea Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Horns [Synth], Electric Organ [Hammond B-3] – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Aretha Franklin, Teddy White 4:15 11 All The Woman I Need Arranged By [London Symphony Orchestra], Conductor – Jeremy Lubbock Arranged By [Original Arrangements] – Narada Michael Walden Backing Vocals – Alexandra Brown*, Jim Gilstrap, Johnny Britt, Lynn Davis, Phil Perry (2), Phillip Ingram Guitar – Dann Huff Guitar [Additional] – Michael Landau Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Dean Pitchford, Michael Gore 4:54 12 What The World Needs Now Arranged By [London Symphony Orchestra], Conductor – Jeremy Lubbock Guitar – Dann Huff Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Burt Bacharach, Hal David 5:19 13 The Impossible Dream Arranged By [London Symphony Orchestra], Conductor – Jeremy Lubbock Backing Vocals – Cissy Houston, Kevin Owens, Paulette McWilliams, Phillip Ballou, Robin Clark (2), Tawatha Agee Guitar – Dann Huff Keyboards, Synth, Bass [Moog Bass], Drum Programming, Programmed By [Rhythm], Synthesizer [Synclavier], Acoustic Guitar – Walter Afanasieff Programmed By [Digital, Synthesizer] – Ren Klyce Programmed By [MacIntosh, Digital, Synthesizer] – Gary Cirimelli Written-By – Joe Darion, Mitch Leigh 5:17 Companies, etc. Distributed By – Sony Music Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Recorded At – The Hit Factory Recorded At – Right Track Recording Recorded At – Record Plant, Los Angeles Recorded At – Abbey Road Studios Mixed At – The Hit Factory Mixed At – Right Track Recording Mixed At – The Plant Studios Mixed At – Sony Music Studios, New York City Mastered At – Gateway Mastering Credits Co-producer – Luther Vandross Coordinator – Barbara Stout, Marsha Burns Engineer [Assistant] – Andy Smith, Bill Leonard, Chris Ludwinski, David Gleeson, David Reitzas, Gil Morales, Gus Garces, Kent Matcke, Kyle Bess, Mike Reiter (2), Mike Scott (5) Engineer, Recorded By – Dana Jon Chappelle Lead Vocals, Backing Vocals – Luther Vandross Mastered By – Bob Ludwig Mixed By – Dana Jon Chappelle (tracks: 1, 5, 7, 8, 10, 12), Mick Guzauski (tracks: 2-4, 6, 9, 11, 13) Orchestra – The London Symphony Orchestra (tracks: 3, 4, 6, 11, 13) Producer, Arranged By – Walter Afanasieff Recorded By [Luther` Vocals] – Paul Brown Recorded By [Mariah`s Vocals] – Jay Healy Recorded By [Strings] – Haydn Bendall

Original, made in Austria Knjizica od 24 str. Odlicno ocuvano knjizica 4 Cd 5- Studio album by Peter Gabriel Released 28 September 1992[1] Recorded October 1989 – June 1992[2] Studio Real World Studios, Box, Wiltshire Kingsway Studios, New Orleans Studio 2000, Dakar Genre Art rock[3]pop[4]worldbeat[4]progressive rock[5] Length 57:48 Label Real World Producer Daniel LanoisPeter Gabriel Us is the sixth studio album by the English singer-songwriter and musician Peter Gabriel, released on 28 September 1992 by Real World Records. Following the release of his soundtrack album Passion in 1989, Gabriel started work on new material for a new album, his first since So, which became his biggest selling release. Gabriel focused on personal themes on Us, including his divorce in the late 1980s, his subsequent relationship with actress Rosanna Arquette, and the growing distance between him and his first daughter.[10] Us was promoted with an early form of interactive multimedia software for Macintosh computers entitled Xplora1: Peter Gabriel`s Secret World, which featured several music videos from the album. The album was a worldwide chart success, reaching No. 2 in the UK and the US and the top-ten in twelve other countries. Four singles were released: `Digging in the Dirt`, `Steam`, `Blood of Eden`, and `Kiss That Frog`, with `Steam` reaching No. 10 in the UK. Gabriel supported the album with his Secret World Tour in 1993 and 1994 which was documented on the Secret World Live album and same-titled concert film, both released in 1994. Us was reissued in 2002 and 2010. Background In October 1989, Gabriel first worked on prototypes of songs which would end up on the Us album, but he was also preparing new versions of songs for the 1990 compilation album Shaking the Tree: Sixteen Golden Greats, and he was supervising the editing of 1987 concert footage shot in Greece, which was released in 1990 as the live video album POV. Finally, through 1991 and into June 1992 he focused on composing and recording the Us album, mainly at his own Real World Studios in Wiltshire, England, with specialised recording sessions held at Kingsway Studios in New Orleans, and Studio 2000 in Dakar.[10] Gabriel had met Sinéad O`Connor in October 1990 at the Amnesty International human rights benefit concert held in Santiago, Chile.[11] Gabriel tapped O`Connor to sing on his album, and she came to Real World Studios to perform her vocal parts on `Blood of Eden` and `Come Talk to Me`, the latter written by Gabriel to his younger daughter, Melanie – a teenager.[12] Daniel Lanois co-produced the album with Gabriel, with support from David Bottrill in programming and engineering. Lanois and Bottrill were given the task of organising and mixing tracks from approximately one thousand Digital Audio Tapes (DAT) containing various studio performances. The final album ended up being almost 58 minutes long, substantially longer than his earlier releases which held to the 46-minute limit of the analog 12-inch vinyl LP.[13] Track listing All tracks are written by Peter Gabriel. Us track listing No. Title Length 1. `Come Talk to Me` (with Sinéad O`Connor) 7:06 2. `Love to Be Loved` 5:18 3. `Blood of Eden` (with Sinéad O`Connor) 6:38 4. `Steam` 6:03 5. `Only Us` 6:30 6. `Washing of the Water` 3:52 7. `Digging in the Dirt` 5:18 8. `Fourteen Black Paintings` 4:38 9. `Kiss That Frog` 5:20 10. `Secret World` 7:03 Personnel Musicians Peter Gabriel – vocals (all tracks), keyboards (all tracks), triangle (track 1), programming (tracks 1, 2, 7–10), synth bass (tracks 1, 3, 7, 9, 10), percussion (tracks 2, 4, 9), valiha (track 2), horn arrangement (track 4), harmonica (track 9), Mexican flute (track 10) Tony Levin – bass guitar (tracks 1–7 and 10) David Rhodes – guitar (tracks 1, 2, 4, 5, 7–10), twelve-string guitar (track 3), solo guitar (track 4) Manu Katché – drums (tracks 1, 6, 7), electric drums (tracks 2, 4, 5, 10), percussion (track 10) The Babacar Faye Drummers – sabar drums (tracks 1 and 4) Doudou N`Diaye Rose – programming (tracks 1 and 10) David Bottrill – programming (tracks 1–4, 7, 10), additional programming (tracks 5 and 9), studio engineer Chris Ormston – bagpipes (track 1) Daniel Lanois – shaker (track 1), guitar (tracks 1, 10), additional vocals (track 1), hi-hat (track 3), vocals (track 3), horn arrangements (track 4), Dobro (tracks 8, 10) Richard Blair – additional verse keyboards (track 1), programming (tracks 4, 5, 7, 9), additional programming (tracks 2, 3) Levon Minassian – duduk (tracks 1, 3, 8) Sinéad O`Connor – vocals (tracks 1, 3) Dmitri Pokrovsky Ensemble – vocals (track 1) Hossam Ramzy – tabla (track 2), surdo (track 7) Daryl Johnson – drums (track 2) William Orbit – programming (track 2), additional programming (track 5) Bill Dillon – guitar (tracks 2, 5) Mark Rivera – alto saxophone (tracks 4, 6) Brian Eno – additional keyboards (track 2) L. Shankar – violin (tracks 2, 3, 5, 8) Caroline Lavelle – cello (tracks 2, 6, 10), string arrangement (track 2) Wil Malone – string arrangement (track 2, 6) Jonny Dollar – string arrangement (track 2, 6) Richard Evans – additional engineering (track 2), mix engineer (track 8), mandolin (track 8) Gus Isidore – bridge guitar (track 3) Richard Chappell – bridge section mix (track 3) Leo Nocentelli – guitar (tracks 4, 7) Tim Green – tenor saxophone (tracks 4, 6) Reggie Houston – baritone saxophone (tracks 4, 6) Renard Poché – trombone (tracks 4, 6) Wayne Jackson – trumpet (track 4), cornet (track 6) Kudsi Erguner – ney flute (track 5), shaker (track 4) Ayub Ogada – vocals (track 5, 7) Malcolm Burn – horn arrangement (track 6), additional synth cello (track 10), additional production ideas (track 10) Mark Howard – horns recording (track 6) Babacar Faye – djembe (tracks 7, 8) Assane Thiam – tama (track 7), talking drum (track 8) Peter Hammill – vocals (track 7) Richard Macphail – vocals (track 7) John Paul Jones – surdo (track 8), bass (track 8), keyboards (track 8) Adzido Pan African Dance Ensemble – additional percussion loop (track 9) Manny Elias – Senegalese shakers (track 9) Marilyn McFarlane – vocals (track 9) Technical support Mike Large Sue Coulson Brian Gray

Original, made in Germany Knjizica od 16 str. Odlicno ocuvano Release the Stars is the fifth studio album by Canadian-American singer-songwriter Rufus Wainwright, released through Geffen Records on May 15, 2007.[2] Pet Shop Boys` Neil Tennant was the executive producer; the album was mixed by producers Marius de Vries and Andy Bradfield. Wainwright`s most commercially successful album to date, Release the Stars charted in 13 countries, reaching Top 10 positions in Denmark, Norway, and the United Kingdom, and was certified gold in Canada and the UK. The album generated three singles: `Going to a Town`, which peaked at number 54 on the UK Singles Chart,[3] `Rules and Regulations`, and `Tiergarten`. Wainwright planned to create a more simple piano and voice album originally, but began leaning towards more lush sounds once the recording process started. Guests on Release the Stars include: Richard Thompson, longtime friend and fellow singer-songwriter Teddy Thompson, family members Martha Wainwright and Kate McGarrigle, Neil Tennant, Joan Wasser, and actress Siân Phillips.[2] The world tour supporting the album lasted from May 2007 to February 2008, and included appearances in North America, Europe, Asia, and Australia. Wainwright received two Juno Award nominations for Release the Stars, including Adult Alternative Album of the Year and Songwriter of the Year, and won the Outstanding Music Artist award at the 19th GLAAD Media Awards. All tracks are written by Rufus Wainwright. No. Title Length 1. `Do I Disappoint You` 4:40 2. `Going to a Town` 4:06 3. `Tiergarten` 3:26 4. `Nobody`s Off the Hook` 4:27 5. `Between My Legs` 4:26 6. `Rules and Regulations` 4:05 7. `Not Ready to Love` 5:51 8. `Slideshow` 6:21 9. `Tulsa` 2:20 10. `Leaving for Paris N° 2` 4:52 11. `Sanssouci` 5:16 12. `Release the Stars` 5:20 Track listing adapted from Allmusic.[2] Bonus tracks Personnel Rufus Wainwright – vocals (1–12), piano (1–3,5,9,10), string arrangement (2,4,7–9,12), acoustic guitar (5–8), piano arrangement (4,9), horn arrangement (6,8), nylon string guitar (11), percussion (3), orchestral arrangement (1) David Adorjan – cello (1,2,4,9) Gabriel Adorjan – violin (1,2,4,9) Carl Albach – trumpet (1,6,8), piccolo trumpet (1,6,8) Brad Albetta – bass guitar (11) Steven Bernstein – trumpet (1,6,8,12), conducting (1,6,8), horn arrangement (12) Jason Boshoff – programming (1,3,5,6,11) Rob Burger – organ (12) Ozan Cakar – French horn (1,2,5) John Chudoba – trumpet (1,6,8) Barry Danielian – trumpet (12) Marius de Vries – programming (1,3,5,6,11), conducting (7,8,12), breathing (3) Dominic Derasse – trumpet (1,6,8), piccolo trumpet (1,6,8) Florian Dorpholz – trumpet (1,2,5) Lygia Forrest – backing vocals (12) Rachelle Garniez – claviola (6), accordion (6) Pirmin Grehl – flute (1,11) Jason Hart – backing vocals (5), organ (2) Jeff Hill – electric bass (5–8), bass guitar (1,3,10), upright bass (2,6), backing vocals (5) Smokey Hormel – guitar (12) Matt Johnson – drums (2,3,5–8), backing vocals (5), percussion (8), recorder (6) Sharon Jones – backing vocals (12) Briggan Krauss – baritone saxophone (12) Gerry Leonard – guitar (1,5,6,11), electric guitar (3,7) Dan Levine – trombone (1,6,8,12) London Session Orchestra – strings (7,8,12) Kate McGarrigle – piano (7) John Medeski – piano (12) Raphael Mentzen – trumpet (1,2,5) Ronith Mues – harp (3,5,11) Jenni Muldaur – backing vocals (3,11) Larry Mullins – shaker (1,2,6), triangle (1,2,5), timpani (1,5), cymbals (1,5), tambourine (1,6), vibes (1,7), piano percussion (1), bass drum (1), tabla (6), bongos (5), bells (1), cowbells (1), castanets (5), woodblock (6), fish (6), marimba (2), glockenspiel (1) Jack Petruzzelli – acoustic guitar (5,6,11), electric guitar (5,7,8), backing vocals (5), banjo (2) Siân Phillips – spoken word (5) Anna Prohaska – vocals (5) Julianna Raye – backing vocals (2,5,8,11), tambourine (5) Rachel Rilling – violin (1,2,4,9) Lucy Roche – backing vocals (2,5,8,11) Raphael Sachs – viola (1,2,4,9) Jorg Sandnar – piano (4) Tony Scherr – upright bass (12) Louis Schwadron – French horn (5) Paul Shapiro – tenor saxophone (12) Tom Stephan – additional programming (3) Neil Tennant – backing vocals (3,6,7), breathing (3), keyboards (7), synthesizer (6), loops (1), samples (1), vibes (7), executive producer Ian Thomas – drums (5) Richard Thompson – electric guitar (2,5,7,8), acoustic guitar (3) Teddy Thompson – backing vocals (3) Dave Trigg – trumpet (1,6,8), piccolo trumpet (1,6,8) Martha Wainwright – backing vocals (1,8) Joan Wasser – backing vocals (2,5,8,11), electric guitar (5,8), violin (2) Kenny Wollesen – drums (12)

Original, made in Austria Knjizica od 8 str. Omot 4+ Cd 4+ Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on October 3, 1995, by Columbia Records. The follow-up to her internationally successful studio album Music Box (1993), and the holiday album Merry Christmas (1994), Daydream differed from her previous efforts by leaning increasingly towards hip hop and urban music. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her previous albums. With Daydream, Carey took more control over the musical direction as well as the album`s composition. Carey considered the album to be the beginning of her musical and vocal transition, a change that became more evident in her sixth studio album Butterfly (1997). During the album`s production, Carey endured many creative differences with her label and then-husband Tommy Mottola. On Daydream, Carey collaborated with Jermaine Dupri, Kenneth `Babyface` Edmonds, and R&B group Boyz II Men. With Afanasieff`s assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the contemporary R&B market and away from adult contemporary. Daydream received critical acclaim, with reviewers praising the album`s production, its sonic quality, and Carey`s musical progression. It became Carey`s best reviewed album up to that point and garnered six nominations at the 38th Grammy Awards, including for Album of the Year. Daydream became a global success, topping the charts in nine countries, and reaching the top five in almost every major music market. It was Carey`s second album to be certified Diamond by the RIAA. As of 2019, Daydream has sold over 20 million copies worldwide[3] and is one of the best-selling albums of all time. Six singles were released from the album. Its lead single `Fantasy` became the first single by a female artist to debut at number one on the US Billboard Hot 100 and went on to top the chart for eight weeks, and became the second best-selling single of 1995 in the country. The second single `One Sweet Day` topped the Billboard Hot 100 for sixteen weeks and became the longest-running number-one single in Billboard`s history, holding the record for 23 years. Jointly, the singles from Daydream spent a combined six months at the top of the Hot 100. To promote the album, Carey embarked on the short but successful, Daydream World Tour, visiting Japan and Europe. Background Aside from being Carey`s second best-selling record worldwide, Daydream served as her most personal and directly influenced album at the time.[4] During the album`s recording, Carey grew as an artist, as well as a writer. For the first time in her career, Carey was able to make music that she truly related to, R&B and hip hop.[4] While Columbia allowed Carey more leniency with the music she recorded, they became hesitant when she featured Ol` Dirty Bastard in the remix for `Fantasy`.[5] They feared the sudden change was completely left field for her music, and worried it would jeopardize the album`s success.[5] In an interview with Entertainment Weekly, Carey openly spoke of her issues with Columbia: `Everybody was like `What, are you crazy?` They`re nervous about breaking the formula. It works to have me sing a ballad on stage in a long dress with my hair up.`[5] While Carey`s new musical direction caused tension between her and Columbia, it began to severely strain her relationship with her husband at the time, Tommy Mottola.[6] Mottola had always been involved in Carey`s career, because he was the head of Sony Music, the parent company of her label. Since the time of Carey`s debut, Mottola had controlled nearly every aspect of her career, keeping her sound carefully regulated and insisting that she continue recording middle-of-the-road pop music, despite her interest in hip hop.[6] What I tried to do is to put it, sort of, a texture on a lot of songs, like as a background part I did certain things, and you know I just meant to get a little more creative with it. —Carey, in an interview with MTV, on her styling on Daydream[7] Carey confessed that she never tried to change the situation because `[she] used to be insecure and cautious, and so [she] would listen to what the people said.`[4] However, the control Mottola exerted over her career soon `spilled into her personal life` once they were married, increasing the amount of conflict between the two.[6] Soon, it was obvious that their marriage was in shambles; as stated in a Vanity Fair article, `the couple began to argue at the drop of a hat.`[5] Carey was very involved in the project, more so than she had ever been on an album.[4] `I went into this phase of recording, recording, recording and doing it really fast,` she told Time. `This time, I had more time, and I focused more on what I wanted to do.`[8] As Carey`s career and work continued to reflect her views on how it should sound, her marriage to Mottola continued to `deteriorate`.[6] Conception and composition I had the melody idea for `Fantasy` and then I was listening to the radio and I heard `Genius of love,` and I hadn`t heard it in a long time. It reminded me of growing up and listening to the radio and the feeling the song gave me seemed to go along with the melody and the basic idea I had for `Fantasy`. I initially told Dave Hall about the idea and we did it. —Carey, on her idea and inspiration for `Fantasy`, in an interview with Fred Bronson.[9] One of the first songs that was recorded for the album was `Fantasy`. While Carey began developing new ideas for Daydream, she thought of the song `Genius of Love` by Tom Tom Club.[9] She had always been a fan of the song, and presented Dave Hall with the idea of sampling the song`s hook.[9] Hall incorporated a groove that he felt complimented Carey`s voice, while she composed some of the other beats and wrote the lyrics. Carey recorded a remix to the song as well, featuring hip-hop verses from O.D.B of the Wu-Tang Clan, as well as production from Puffy.[9] She spoke highly of the remix, complimenting Puffy and O.D.B, `He`s so known in the street, and he`s one of the best people out there...we kind of did what we both do and having O.D.B took it to another level. He was my ultimate choice, so I was really happy with the way it turned out.`[9] `One Sweet Day` was a song that Carey wrote with the R&B group Boyz II Men. After Carey`s friend and past collaborator David Cole died, she began writing and developing a song that would pay homage to him and all the friends and family her fans had lost along life`s journey.[10] Carey had the chorus and concept composed, and after meeting with Boyz II Men, they realized they too had a similar idea in development.[10] Together, using Carey`s chorus and idea, as well as the melody they had produced, they wrote and composed the song. It was produced by Afanasieff, who built on the song`s melody and added various grooves and beats.[10] While the album`s development was underway, Carey expressed interest in working with Jermaine Dupri, whom she had been a fan of since his 1992 song, `Jump`.[11] Soon after, Carey, Dupri, and Manuel Seal began composing a song for the album, with Carey and Dupri becoming close friends and frequent collaborators on later albums. As Seal played the piano, Carey began humming and playing with certain notes in the B-section, until she came up with the chorus for `Always Be My Baby`.[11] After the rest of the song was written and composed, Carey recorded the song alongside longtime background singers Kelly Price, Shanrae Price, and Melonie Daniels. Together, they built `a wall of background voices` in which she would cover with her final belting notes.[11] The song featured a downbeat rhythm, while its composition was described as `sassy and soft R&B` which displayed a `sexy and slow jam`.[12] `Underneath the Stars` was the first song recorded for Daydream.[7] The song featured a ``70s soul vibe` as well as synthetic record scratches, in order to the give the song an authentic `70s sound.[7] Carey felt the additions were simple steps taken to further display a contemporary R&B groove. Additionally, she felt the song paid homage to the style of Minnie Riperton, who was one of Carey`s biggest vocal influences growing up.[7] The song had a soft sound, and had `a lot [sic] of texture` and bass, showing a more creative side to Carey.[7] [Underneath the Stars] has a real `70s vibe, we even put those scratches you hear on old records to give it that kind of flavor. [It] was a good place to start, because it got me into the head of making an album that was more R&B-more in the vibe of the Minnie Ripperton era, which has always been an inspiration to me. —Carey, talking about the writing and inspiration behind `Underneath the Stars`.[7] For the album, Carey covered the 1982 Journey song `Open Arms`. The song was of Carey`s personal choice, as well as her own idea.[7] Together with Afanasieff, they toned down the song`s arrangement, making it a bit glossy, especially in comparison to the `raw and powerful `One Sweet Day.``[7] Additionally, with the help of her background singers, Carey added a touch of gospel to the song.[7] One of the more gospel-influenced songs on the album was `I Am Free`.[12] The song was created by Carey, Afanasieff and Loris Holland, with whom she had worked previously on Merry Christmas.[12] Carey began humming the melody with the lyrics she had already written, while Holland played the organ and Afanasieff worked on the song`s programming.,[12] giving the song a genuine and unforced gospel feel. The chorus was sophisticated and natural, with each following line `cascading onto one another`, something that would have proved difficult for a `less skilled vocalist`.[12] Carey started leaning away from the `standard Celine Dion ballad` and more towards R&B jams. However, she was not going to completely abandon the type of songs that made her famous.[12] For this reason, Carey wrote `When I Saw You` with Afanasieff, a song that would truly embody some of her earlier work, as well as show off her powerful vocals.[12] Returning to her R&B territory, Carey recorded `Long Ago`, the second song she wrote alongside Dupri and Seal which contains a strong hip hop background. Her vocals in the song were described as `sliding over the insistent bassline like silk.`[12] `Melt Away` was a song Carey produced on her own, and co-wrote with Babyface.[13] The song`s writing and production were `superb`. with each verse gliding into its chorus.[13] According to Chris Nickson, `Underneath the Stars` was as `strong as any slow jam released in the nineties, and one that would find a lot of flavor late at night with dancers.`[13] Another song that brought back reminders of older decades was `Forever`. The throwback was featured through the chord changes and in the way the guitar arpeggios `stayed at the forefront of the music.`[13] The song displayed subtle vocals from Carey, as well as an undeniable richness.[13] `Daydream Interlude (Sweet Fantasy Dub Mix)` was one of the liveliest tracks on the album. The song was a club remix of `Fantasy`, which was tuned and remixed by famed house music producer David Morales.[13] The song was directed to be a dance-club song, further broadening Carey`s `musical horizon`.[13] The song incorporated Carey`s vocals, and added them to a thumping house beat, something he would do for many of her future singles.[13] `Looking In` was the final song on the album. Written in 15 minutes,[14] it was Carey`s most personal song at the time, one in which she let herself appear `naked` and `stripped down; it was written by her and Afanasieff.[15][16] Personnel Adapted from the Daydream liner notes.[68] Mariah Carey – vocals, producer, writer, arranger, crowd noise Walter Afanasieff – producer, arranger, programming, synthesizer, bass, keyboard instruments, drum programming Babyface – keyboards, background vocals Michael McCary – writing, vocals Nathan Morris – writing, vocals Wanya Morris – writing, vocals Shawn Stockman – writing, vocals Manuel Seal – piano, writing Tristan Avakian – guitar Melonie Daniels – crowd noise Jermaine Dupri – producer, arranger, lead and backup vocals Mick Guzauski – mixing Dave Hall – producer, arranger, programming Jay Healy – engineer, mixing Loris Holland – organ, hammond organ Dann Huff – guitar Kurt Lundvall – engineer David Morales – bass, arranger, keyboards, programming, producer Kelly Price – crowd noise Shanrae Price – crowd noise Production Mike Scott – engineer Manuel Seal – producer, lead and backup vocals Dan Shea – synthesizer, bass, keyboards, programming, moog synthesizer, drum programming, synthesizer bass Andy Smith – engineer David Sussman – engineer, mixing Phil Tan – engineer Steve Thornton – percussion Dana Jon Chappelle – engineer Terry Burrus – piano Satoshi Tomiie – bass, keyboards, programming, synthesizer bass Brian Vibberts – engineer Gary Cirimelli – programming, digital programming Randy Walker – programming Acar Key – engineer Frank Filipetti – engineer Mark Krieg – 2nd engineer Kirk Yano – additional tracking engineer Mick Guzauski – mixing

Original, made in Austria Knjizica od 20 str. Odlicno ocuvano knjizica 5- Cd 5 Studio album by Michael Jackson Released October 30, 2001 Recorded October 1997 – September 2001 Studio Hit Factory (New York City)Criteria (Miami)Marvin`s Room (Los Angeles)Darkchild (Los Angeles)Record Plant (Los Angeles)Future Recording (Norfolk, Virginia)Sony (New York City)Record One (Los Angeles)A Touch of Jazz (Philadelphia)Brandon`s Way Recording (Los Angeles)Capitol (Hollywood) Genre R&Bpopsoul Length 77:01 Label EpicMJJ Producer Michael JacksonRodney JerkinsTeddy RileyDr. FreezeAndre HarrisBabyfaceR. Kelly Michael Jackson chronology 20th Century Masters – The Millennium Collection: The Best of Michael Jackson (2000) Invincible (2001) Love Songs (2002) Invincible is the tenth and final studio album by the American singer Michael Jackson, released on October 30, 2001, by Epic Records. It was Jackson`s last album before his death in 2009. It features appearances from Carlos Santana, the Notorious B.I.G., and Slash. It incorporates R&B, pop and soul, and similarly to Jackson`s previous material, the album explores themes such as love, romance, isolation, media criticism, and social issues. The album`s creation was expensive and laborious, featuring the work of ten record producers and over 100 musicians. Jackson started the multi-genre production in 1997 and did not finish until eight weeks before the album`s release. It was reported that it cost $30 million to record; as of January 2024, it remains the most expensive album ever made. Jackson refused to tour to support it, adding to the growing rift between him and Sony Music Entertainment.[1] In July 2002, following Sony`s decision to abruptly end promotion for the album, Jackson alleged that the CEO of Sony Music, Tommy Mottola, was a `devil` and a racist who used his African American artists only for personal gain. Invincible debuted at number one on the Billboard 200 albums chart in the United States and in ten other countries worldwide. It was certified double platinum in the US in January 2002 and has sold more than eight million copies worldwide. The lead single, `You Rock My World`, reached number ten on the US Billboard Hot 100 and was nominated for Best Male Pop Vocal Performance at the 2002 Grammy Awards. `Cry` and `Butterflies` were also released as singles, and `Speechless` was released as a promotional single. Invincible received mixed reviews and became Jackson`s most critically derided album. Retrospective reviews have been more positive, and it has been credited as featuring early examples of dubstep. In 2009, it was voted by online readers of Billboard as the best album of the 2000s decade.[2] Production Prior to the release of Invincible, Jackson had not released any new material since the remix album Blood on the Dance Floor: HIStory in the Mix in 1997. His last studio album was HIStory (1995). Invincible was therefore viewed as Jackson`s `career comeback`.[3] Jackson began recording new material in October 1997, and finished with `You Are My Life` being recorded only eight weeks before the album`s release in October 2001 – the most extensive recording of Jackson`s career.[4] The tracks with Rodney Jerkins were recorded at the Hit Factory in Miami, Florida.[5] Jackson had shown interest in including a rapper on at least one song, and had said that he did not want a `known rapper`.[4] Jackson`s spokesperson suggested a New Jersey rapper named Fats; after Jackson heard the finished product of the song, the two agreed to record another song together for the album.[4] Rodney Jerkins stated that Jackson was looking to record material in a different musical direction than his previous work, describing the new direction as `edgier`.[4] Jackson received credit for both writing and producing a majority of the songs on Invincible. Aside from Jackson, the album features productions by Jerkins, Teddy Riley, Andre Harris, Andraeo `Fanatic` Heard, Kenneth `Babyface` Edmonds, R. Kelly and Dr. Freeze Bill Gray and writing credits from Kelly, Fred Jerkins III, LaShawn Daniels, Nora Payne and Robert Smith.[6] The album is the third collaboration between Jackson and Riley, the other two being Dangerous and Blood on the Dance Floor: HIStory in the Mix. Invincible is Jackson`s tenth and final studio album to have been recorded and released during his lifetime.[7] It was reported that it cost thirty million dollars to make the album,[8] making it the most expensive album ever made.[9] Invincible was dedicated to the fifteen-year-old Afro-Norwegian boy Benjamin `Benny` Hermansen who was stabbed to death by a group of neo-Nazis in Oslo, Norway, in January 2001.[10] The reason for this tribute was partly due to the fact that another Oslo youth, Omer Bhatti, Jackson`s friend, was also a good friend of Hermansen.[10] The dedication in the album reads, `Michael Jackson gives `special thanks`: This album is dedicated to Benjamin `Benny` Hermansen. May we continue to remember not to judge a man by the color of his skin, but the content of his character. Benjamin ... we love you ... may you rest in peace.`[10] The album is also dedicated to Nicholette Sottile and Jackson`s parents, Joseph and Katherine Jackson.[10] Music and lyrics Invincible is an R&B,[11] pop[3] and soul[12] record. The album`s full length lasts over 77 minutes and contains 16 songs – fourteen of which were written (or co-written) by Jackson. It was noted that the album shifts between aggressive songs and ballads.[13] Invincible opens with `Unbreakable`; the last line in the first verse recites the lyrics, `With all that I`ve been through/I`m still around`.[14] In a 2002 interview with the magazine Vibe, Jackson commented on his inspiration for writing `Speechless`, saying: `You`ll be surprised. I was with these kids in Germany, and we had a big water-balloon fight – I`m serious – and I was so happy after the fight that I ran upstairs in their house and wrote `Speechless`. Fun inspires me. I hate to say that because it`s such a romantic song. But it was the fight that did it. I was happy, and I wrote it in it`s [sic] entirety right there. I felt it would be good enough for the album. Out of the bliss comes magic, wonderment, and creativity.`[15] `Privacy`, a reflection on Jackson`s own personal experiences, is about media invasions and tabloid inaccuracies.[14] `The Lost Children` is about imperiled children.[14] Jackson sings in a third person in `Whatever Happens`. The song`s lyrics, described by Rolling Stone magazine as having a `jagged intensity`, narrate the story of two people involved in an unnamed threatening situation.[14] Invincible features four ballads: `You Are My Life`, `Butterflies`, `Don`t Walk Away` and `Cry`.[14] `Cry`, similar to Jackson`s `Man in the Mirror`, is about healing the world together.[3] The lyrics to `Butterflies` and `Break of Dawn` were viewed as `glaringly banal` and it was implied that they could have been written by anyone.[13] `Threatened` was viewed as being a storyteller.[14] The song was viewed as a `Thriller redux`.[13] The song `You Are My Life` is about Jackson`s two children at the time, Prince and Paris.[16] The song features Jackson singing, `You are the sun, you make me shine, more like the stars.` Track listing Invincible track listing No. Title Writer(s) Producer(s) Length 1. `Unbreakable` (feat. The Notorious B.I.G.) Michael JacksonRodney JerkinsFred Jerkins IIILaShawn DanielsNora PayneRobert SmithChristopher George Latore Wallace JacksonJerkins 6:25 2. `Heartbreaker` (feat. Fats) JacksonJerkinsJerkins IIIDanielsMischkeNorman Gregg JacksonJerkins 5:10 3. `Invincible` (feat. Fats) JacksonJerkinsJerkins IIIDanielsGregg JacksonJerkins 4:45 4. `Break of Dawn` JacksonElliot Straite JacksonDr. Freeze 5:32 5. `Heaven Can Wait` JacksonTeddy RileyAndreao `Fanatic` HeardNate SmithTeron BealEritza LauesKenny Quiller JacksonRileyHeard (co)Smith (co) 4:49 6. `You Rock My World` JacksonJerkinsJerkins IIIDanielsPayne JacksonJerkins 5:39 7. `Butterflies` Andre HarrisMarsha Ambrosius JacksonHarris 4:40 8. `Speechless` Jackson Jackson 3:18 9. `2000 Watts` JacksonRileyTyrese GibsonJaRon Henson JacksonRiley 4:24 10. `You Are My Life` JacksonKenneth EdmondsCarole Bayer SagerJohn McClain JacksonBabyface 4:33 11. `Privacy` JacksonJerkinsJerkins IIIDanielsBernard Belle JacksonJerkins 5:05 12. `Don`t Walk Away` JacksonRileyRichard Carlton StitesReed Vertelney JacksonRiley 4:25 13. `Cry` Robert Kelly JacksonKelly 5:01 14. `The Lost Children` Jackson Jackson 4:00 15. `Whatever Happens` JacksonRiley JacksonRiley 4:56 16. `Threatened` JacksonJerkinsJerkins IIIDaniels JacksonJerkins 4:19 Total length: 77:01 Notes The rap verse by the Notorious B.I.G. in `Unbreakable` was originally from the second verse of the song `You Can`t Stop the Reign` by Shaquille O`Neal. `Break of Dawn`, `2000 Watts` and `Threatened` were excluded from the original release in China.[73] In the Chinese edition of the box set The Collection released in 2013, all 16 tracks are included.[74] Credits Personnel Credits adapted from Invincible album liner notes.[6] Michael Jackson – lead vocals (all tracks), background vocals (1–7, 9–12, 15–16), arranger (8, 14), multiple instruments (1, 4, 6, 16), programming (2, 3), drum programming (4, 13), orchestral arrangements and conducting (8), keyboard programming (9, 13, 14) Marsha Ambrosius – background vocals (track 7) Maxi Anderson – vocals (track 8) Gloria Augustus – vocals (track 8) Babyface – acoustic guitar, bass guitar, background vocals, drum programming, and keyboards (track 10) Tom Bahler – youth choir conductor (track 14) Emanuel `Bucket` Baker – drums (track 11) Rose Beatty – youth choir (track 14) Edie Lehmann Boddicker – youth choir (track 14) Robert Bolyard – youth choir (track 14) Norman Jeff Bradshaw – horns (track 7) Brandy – additional background vocals (track 1) Stuart Brawley – whistle solo (track 15) Mary Brown – additional background vocals (track 15) Tim Brown – vocals (track 8) Brad Buxer – drum programming (tracks 4, 13), keyboards (8), keyboard programming (9, 12, 14) David Campbell – string arrangement (track 11) Matt Cappy – horns (track 7) Martha Cowan – youth choir (track 14) Andraé Crouch – vocals (track 8) Sandra Crouch – vocals (track 8) Paulinho da Costa – percussion (track 13) LaShawn Daniels – background vocals (tracks 2, 11) Valerie Doby – vocals (track 8) Dr. Freeze – background vocals (tracks 4, 5), multiple instruments (4) Monique Donally – youth choir (track 14) Kevin Dorsey – vocals (track 8) Marja Dozier – vocals (track 8) Alfie Silas Durio – vocals (track 8) Nathan East – bass guitar (track 11) Jason Edmonds – choir (track 10) Geary Lanier Faggett – vocals (track 8) Vonciele Faggett – vocals (track 8) Fats – rap (tracks 2, 3) Lynn Fiddmont-Lindsey – choir (track 10) Kirstin Fife – violin (track 8) Judy Gossett – vocals (track 8) Harold Green – vocals (track 8) Jonathon Hall – youth choir (track 14) Justine Hall – youth choir (track 14) Andre Harris – multiple instruments (track 7) Scottie Haskell – youth choir (track 14) Micha Haupman – youth choir (track 14) Tess (Teresa) Escoto – youth choir (track 14) Gerald Heyward – drums (track 11) Tabia Ivery – choir (track 10) Luana Jackman – youth choir (track 14) Prince Jackson – narrative (track 14) Rodney Jerkins – multiple instruments (1, 4, 6, 16), programming (2, 3) Tenika Johns – vocals (track 8) Angela Johnson – vocals (track 8) Daniel Johnson – vocals (track 8) Zaneta M. Johnson – vocals (track 8) Laquentan Jordan – vocals (track 8) R. Kelly – choir arrangement (track 13) Peter Kent – violin (track 8) Gina Kronstadt – violin (track 8) Michael Landau – guitar (track 13) James Lively – youth choir (track 14) Robin Lorentz – violin (track 8) Jeremy Lubbock – orchestral arrangements and conducting (tracks 5, 8, 15) Brandon Lucas – youth choir (track 14) Jonathon Lucas – youth choir (track 14) Ricky Lucchse – youth choir (track 14) Melissa MacKay – youth choir (track 14) Alex Martinez – youth choir (track 14) Howard McCrary – vocals (track 8) Linda McCrary – vocals (track 8) Sam McCrary – vocals (track 8) Alice Jean McRath – vocals (track 8) Sue Merriett – vocals (track 8) Bill Meyers – string arrangements (track 10) Mischke – background vocals (track 2) Patrice Morris – vocals (track 8) Kristle Murden – vocals (track 8) The Notorious B.I.G. – rap (track 1) Novi Novog – viola and contractor (track 8) Nora Payne – background vocals (track 2) Que – background vocals (track 5) Teddy Riley – multiple instruments (track 5) additional background vocals (9) John Robinson – drums (track 13) Baby Rubba – narrative (track 14) Carlos Santana – guitar and whistle solo (track 15) Deborah Sharp-Taylor – vocals (track 8) F. Sheridan – youth choir (track 14) Slash – guitar solo (track 11) Andrew Snyder – youth choir (track 14) Sally Stevens – youth choir (track 14) Richard Stites – additional background vocals (track 12) Thomas Tally – viola (track 8) Brett Tattersol – youth choir (track 14) Ron Taylor – vocals (track 8) Michael Thompson – guitar (track 11) Chris Tucker – introduction (track 6) Mario Vasquez – additional background vocals (track 15) Johnnie Walker – vocals (track 8) Nathan `N8` Walton – choir (track 10) Rick Williams – guitar (track 15) Yvonne Williams – vocals (track 8) Zandra Williams – vocals (track 8) John Wittenberg – violin (track 8) Record production Executive producer: Michael Jackson Produced by Michael Jackson (all tracks), Rodney Jerkins (1–3, 6, 11, 16), Dr. Freeze (4), Teddy Riley (tracks 5, 9, 12, 15), Andre Harris (7), Babyface (10), R. Kelly (13) Co-produced by Andreao `Fanatic` Heard` and Nate Smith (track 5), Richard Stites (12) Recorded by Bruce Swedien (tracks 2, 3, 5, 7, 8, 14, 15), Teddy Riley (5, 9, 12, 15), Rodney Jerkins (6, 11), Stuart Brawley (1–3, 6, 8, 14, 16), Brad Gilderman (4, 6, 11, 13), Dexter Simmons (4, 6), George Mayers (4, 5, 9, 12, 15), Jean-Marie Horvat (6, 11), Brad Buxer (8, 14), Mike Ging (4, 13), Paul Boutin (10), Andre Harris (7), Humberto Gatica (4, 13) Assistant engineers: Rob Herrera, Craig Durrance, Kevin Scott, Steve Robillard, Franny Graham, Richard Thomas Ash, Chris Carroll, Dave Ashton, Christine Tramontano, Vidal Davis (track 7) Rap recorded by Bob Brown (tracks 2, 3) Strings recorded by Tommy Vicari (track 10) Assisted by Steve Genewick Production coordinator: Ivy Skoff Mixed by Bruce Swedien (tracks 1–3, 5–9, 12, 14–16), Teddy Riley (4, 5, 9, 12, 15), Rodney Jerkins (1–3, 6, 11, 16), Michael Jackson (13), Mick Guzauski (13), Stuart Brawley (1–3, 16), George Mayers (4, 5, 9, 12, 15), Jean-Marie Horvat (11), Jon Gass (10), Humberto Gatica (4) Assisted by Kb and EQ (track 10) Mastered by Bernie Grundman Digital editing by Stuart Brawley (tracks 1–4, 6, 8, 14, 16), Brad Buxer (8, 14), Rob Herrera, Harvey Mason, Jr. (4, 6, 11), Alex Greggs (2), Fabian Marasciullo (2), Paul Cruz (11), Paul Foley (1), George Mayers (5, 9, 12, 15) Additional digital editing and engineering by Michael Prince Art direction: Nancy Donald, David Coleman, Adam Owett Cover design: Steven Hankinson Photography: Albert Watson Illustration: Uri Geller Make-Up and hair: Karen Faye Vocal consultant: Seth Riggs Archivist: Craig Johnson