vinil 1: 5- omot: 5 vinil 2: 5-/4+ omot: 5 omot na otvaranje: 4 Various – Tommy (Original Soundtrack Recording) Label: PGP RTB – 2 LP 5501/5502, Polydor – 2625 028 Format: 2 x Vinyl, LP, Album, Repress, Gatefold Country: Yugoslavia Released: 1976 Genre: Rock, Stage & Screen Style: Soundtrack, Pop Rock A1 Prologue - 1945 Brass – John Entwistle 3:00 A2 Captain Walker / It`s A Boy Vocals – Margo Newman, Vicki Brown 2:37 A3 Bernie`s Holiday Camp Vocals – Alison Dowling 3:43 A4 1951 / What About The Boy? Drums – Mike Kelly Guitar – Mick Ralphs 2:49 A5 Amazing Journey 3:19 A6 Christmas Drums – Keith Moon Vocals – Alison Dowling 3:39 A7 Eyesight To The Blind Guitar, Vocals – Eric Clapton Written-By – Sonny Boy Williamson (2) 3:21 B1 Acid Queen Guitar – Ron Wood Vocals – Tina Turner 3:47 B2 Do You Think It`s Alright (1) 0:56 B3 Cousin Kevin Bass – Dave Wintour Vocals – Paul Nicholas Written-By – John Entwistle 3:07 B4 Do You Think It`s Alright (2) 0:45 B5 Fiddle About Brass – John Entwistle Vocals – Keith Moon Written-By – John Entwistle 1:40 B6 Do You Think It`s Alright (3) 0:30 B7 Sparks 3:05 B8 Extra, Extra, Extra Bass – Tony Stevens Piano – Pete Townshend Vocals – Simon Townshend 0:45 B9 Pinball Wizard Bass – Dee Murray Drums – Nigel Olsson Guitar – Davey Johnstone Percussion – Ray Thomas Piano, Vocals – Elton John Producer – Gus Dudgeon 5:14 C1 Champagne 4:42 C2 There`s A Doctor Guitar – Ron Wood Piano – Chris Stainton 0:22 C3 Go To The Mirror Drums – Richard Bailey Vocals – Jack Nicholson 3:57 C4 Tommy Can You Hear Me? Acoustic Guitar – Chris Stainton 0:56 C5 Smash The Mirror 1:22 C6 I`m Free 2:36 C7 Mother And Son 3:26 C8 Sensation 2:49 D1 Miracle Cure Bass – Tony Stevens Piano – Pete Townshend Vocals – Simon Townshend 0:23 D2 Sally Simpson Guitar – Eric Clapton 5:13 D3 Welcome 4:15 D4 T.V. Studio 1:15 D5 Tommy`s Holiday Camp Arranged By [Organ] – Martyn Ford Organ – Gerald Shaw Vocals – Keith Moon Written-By – Keith Moon 1:30 D6 We`re Not Gonna Take It Bass – Calvin `Fuzzy` Samuels Drums – Mike Kelly 5:47 D7 Listening To You / See Me, Feel Me 3:13 Licensed From – Polydor International GmbH Recorded At – Ramport Studios Recorded At – Eel Pie Sound Printed By – GIP `Beograd` Acoustic Guitar – Alan Ross (2) (tracks: A5, B2, B4, B6, B8, C2, C4, C5, C8, D1, D6) Arranged By [Assistant] – Nicky Hopkins Art Direction – Bill Levy Bass – John Entwistle (tracks: A6 to B1, C5, C6), Phil Chen (tracks: A5, B2, B4, B6, C3, C8, D2) Chorus – Alison Dowling (tracks: D6, D7), Billy Nicholls (tracks: D6, D7), Helen Shappell (tracks: D6, D7), Jess Roden (tracks: D6, D7), John Entwistle (tracks: D6, D7), Kit Trevor (tracks: D6, D7), Liza Strike (tracks: D6, D7), Margo Newman (tracks: D6, D7), Mylon La Fevre* (tracks: D6, D7), Paul Gurvitz (tracks: D6, D7), Pete Townshend (tracks: D6, D7), Sarah McIntosh (tracks: D6, D7), Simon Townshend (tracks: D6, D7), Vicki Brown (tracks: D6, D7) Design – Fred Marcellino Drums – Graham Deakin (tracks: B2, B4, B6, D2), Kenny Jones (tracks: A7, B1, B8, C2, C5, C6, D1), Tony Newman (tracks: A5, B3, C8) Engineer – Ron Nevison Guitar – Caleb Quaye (tracks: A4, C3, D6) Horns – John Entwistle (tracks: C8, D6, D7) Keyboards – Pete Townshend Organ – Chris Stainton (tracks: A4, D6, D7) Piano – Nicky Hopkins (tracks: A4 to A6, B1, B2, B4, B6, C3, C4, C6, C8, D2, D6, D7) Producer – Ken Russell (tracks: A1 to B8, C1 to D7), Pete Townshend (tracks: A1 to B8, C1 to D7) Producer [Album] – Kit Lambert Vocals – Ann Margret (tracks: A3, A4, A6, B2, B4, B6, C1 to C5, C7, D3, D4), Oliver Reed (tracks: A3, A4, A6, B2, B4, B6, C2, C3, D3, D4), Pete Townshend (tracks: A2, A5, D2), Roger Daltrey (tracks: C1, C3, C6, C7, C8, D2, D3, D6, D7) Written-By – Pete Townshend (tracks: A1 to A6, B1 to B2, B4, B6 to D4, D6, D7)

OMOT KAO NA SLIKAMA CD 4+ BOOKLET IMA 8 STRANA Label: EMI – CDP 7 46012 2, EMI – CDP 7460122, EMI – UK-CD-FA 3207 Format: CD, Album, Reissue Country: UK & Europe Genre: Rock, Pop Style: Folk Rock, Art Rock, Prog Rock, Ballad 01 Moving 3:01 02 The Saxophone Song 3:52 03 Strange Phenomena 2:58 04 Kite 2:57 05 The Man With The Child In His Eyes 2:41 06 Wuthering Heights 4:29 07 James And The Cold Gun 3:36 08 Feel It 3:02 09 Oh To Be In Love 3:18 10 L`Amour Looks Something Like You 2:28 11 Them Heavy People 3:05 12 Room For The Life 4:05 13 The Kick Inside 3:34

vinil1, vinil2: 4+ omot: 4+ Szörényi Levente* - Bródy János* – István, A Király (Rockopera) Label: Hungaroton – SLPM 13973-74, Hungaroton – SLPM 13973, Hungaroton – SLPM 13974 Format: 2 x Vinyl, LP, Stereo Country: Hungary Released: 1983 Genre: Rock, Stage & Screen Style: Rock Opera I. Az Örökség 25:05 A1 Te Kit Választanál? (Illés Együttes) A2 Töltsd El Szívünk Fényesség / Veni Lumen Cordium (Asztrik És A Térítők, Gizella, István) A3 Gyarló Az Ember (Sur, Solt, Bese) A4 Nem Vagyunk Még Hozzád Méltók / Nem Kell Ilyen Isten (Réka, Laborc) A5 Géza Fejedelem Temetése / Kyrie Eleison (Asztrik És A Térítők) A6 Nincs Más Út Csak Az Isten Útja (István, Koppány) II. Esztergom 21:09 B1 Adj Békét Uram / Da Pacem Domine (Réka, Gizella, István, Asztrik És A Nép) B2 Üdvöz Légyen Géza Fia / Koppány Küldött Jó Úrnőm (Regősök, Sarolt, Laborc) B3 Abcug Koppány (Sur, Solt, Bese) B4 István Fiam! (Sarolt, István) B5 Unom A Politikát (Gizella, Vecellin) B6 Fejedelmünk István! (Asztrik És A Nép) B7 Oly Távol Vagy Tőlem (És Mégis Közel) (István, Réka) III. Koppány Vezér 23:28 C1 Szállj Fel, Szabad Madár (Koppány És A Nép) C2 Te Vagy A Legszebb Álmunk (Koppány És Feleségei) C3 Abcug István (Sur, Solt, Bese) C4 Szemtől Szembe (Koppány, Torda És A Nép) C5 Áldozatunk Fogadjátok (Torda És A Nép) C6 Elkésett Békevágy (Réka, Koppány, István) C7 Véres Kardot Hoztam / Vezess Minket István (Torda És A Nép) IV. István, A Király 23:28 D1 Gyászba Öltözött Csillagom / Töltsd El Szívünk Fényesség (Regös, Asztrik, A Térítők És A Nép) D2 Hála Néked Fejedelem! (Urak, Lovagok, Vecellin, István, Asztrik, Sarolt És A Nép) D3 Halld Meg Uram A Kérésem / Felnégyelni! (Réka, István, Sarolt, Az Urak És A Nép) D4 Oly Távol Vagy Tőlem (István, Gizella) D5 Koppány Felnégyelése / Glória, Glória / István, A Király (Asztrik, A Térítők, István) D6 István, A Király / Felkelt A Napunk (Asztrik, A Térítők, István És A Nép) Printed By – Globus Nyomda Recorded At – MHV Stúdió Recorded At – Főnix Stúdió Acoustic Guitar – Bródy János* Acoustic Guitar, Electric Guitar, Percussion, Vocals – Szörényi Levente* Bagpipes – Lányi György*, Berán István*, Kozák József* Bagpipes, Contralto Vocals – ifj. Csoóri Sándor* Bass Guitar, Synthesizer, Vocals – Szörényi Szabolcs* Chorus Master – Szalai Miklós* Composed By, Written-By – Bródy János*, Szörényi Levente* Conductor – Makláry László* Drums – Pásztory Zoltán* Drums, Percussion – Németh Oszkár Electric Guitar, Vocals – Móricz Mihály Engineer [Sound] – Bohus János*, Kálmán Sándor Graphic Design – Aba Béla Instrumentation By [Orchestral] – Mártha István* Instrumentation By [Wind Istruments] – Dés László Lacquer Cut By [Runout Stamp] – MG* Music Director – Szörényi Szabolcs* Organ [Hammond] – Papp Gyula* Performer [Asztrik, Főpap] – Victor Máté* Performer [Bese, Magyar Főúr] – Balázs Péter Performer [Boglárka, Koppány Felesége] – Nyertes Zsuzsa Performer [Enikő, Koppány Felesége] – Tóth Enikő Performer [Hont, Német Lovag] – Körtvélyessy Zsolt Performer [István, A Király] – Pelsőczy László Performer [Koppány, A Lázadó] – Vikidál Gyula Performer [Laborc, Magyar úr] – Nagy Feró Performer [Picur, Koppány Felesége] – Hűvösvölgyi Ildikó Performer [Pázmány, Német Lovag] – Halmágyi Sándor (2) Performer [Réka, Koppány Lánya] – Kovács Ottilia Performer [Sarolt, István Anyja] – Berek Kati Performer [Sebestyén, Pap] – Juhász Jácint Performer [Solt, Magyar Főúr] – Sörös Sándor Performer [Sur, Magyar Főúr] – Szakácsi Sándor Performer [Sára, István Felesége] – Sára Bernadett Performer [Torda, A Táltos] – Deák `Bill` Gyula* Performer [Vecellin, Német Lovag] – Balázsovits Lajos Photography By – Aba Béla, Kende Tamás Piano, Organ [Hammond] – Illés Lajos* Piano, Synthesizer, Vocals – Tolcsvay László* Saxophone – Dés László Timbales – Zempléni László Trombone – Friedrich Károly*, Gőz László* Trumpet – Csizmadia Gábor, Palotai István* Tuba – Szabó László* Tárogató – Bige József* Violin – Sipos Mihály* Vocals [István, A Király] – Varga Miklós Vocals [Réka, Koppány Lánya] – Sebestyén Márta* Zurna – Pásztó György*, Róbert György*, Éri Péter*, Szijjártó Csaba Zurna, Flute – Koltay Gergely

Split 89 Kutija ima par ogrebotina od vremena i stajanja, nista mnogo bitno, same kasete mislim da nisu ni slusane, odlicne, pogledajte slike. A1: OLIVER DRAGOJEVIĆ i BLIZANCI `SMOJE` - Od sveg tebi srca fala (3:11); A2: TUTTI FRUTTI - Kad sam bio lijep i mlad (3:05); A3: MERI CETINIĆ - Dome moj (3:36); A4: MILO HRNIĆ - Ne daj im da nas rastave (2:54); A5: JOJO i NAVIGATORI - Kukumar (3:06); A6: NENAD VETMA - Dođe mi nekad da te ostavim živote (3:07); A7: HELENA BLAGNE - Ivo, najdraži (3:10); A8: DRAŽEN ŽANKO i KLAPA `TROGIR` - Oj, joj, Vlaju moj (3:22); B1: MATKO JELAVIĆ - Ti si samo za me rođena (3:20); B2: TRIO RIO - Pola Splita traži kita (2:50); B3: IVO PATTIERA i ZLATNI DUKATI - Ne budi me, majko, rano (3:18); B4: RADOJKA ŠVERKO - Prostrili me zlatnom strilom (3:41); B5: PERO PANJKOVIĆ - Kad zora svane (3:08); B6: POP DESIGN - Marija Elena (3:23); B7: MAJA ODŽAKLIJEVSKA - Ne idi, dušo (3:15); B8: BORIS KRAINER - Vino za ljubav (2:25); C1: ZLATKO PEJAKOVIĆ - Tamo gdje grožđe zri (3:00); C2: PRAVA KOTKA - Dalmatinac da te štipka (2:58); C3: ZORICA KONDŽA - Daj mi sunca (3:30); C4: ĐUKA ČAIĆ - Pričaj mi, more (3:22); C5: 777 - Tata, volim ga (3:02); C6: JASMIN STAVROS - Maro, Maro, Marice (2:55); C7: DANIJELA MARTINOVIĆ - Zumbuli (3:20); C8: DUŠKO LOKIN i KLAPA `TROGIR` - Spavaj mi, dite moje (3:16); D1: ZDRAVKO ŠKENDER - Ako nas život rastavi (3:05); D2: STIJENE - Kao djevica (3:07); D3: KRUNOSLAV SLABINAC - Nek` se toči staro vino (2:58); D4: VESNA IVIĆ - Tvoj plavi anđeo (2:54); D5: ĐAVOLI - Dugo toplo ljeto (3:35); D6: MIKI JEVREMOVIĆ - Pjesma me vodila (3:06); D7: SIMONA WEISS - Zabranjena ljubav (3:02); D8: ĐANI MARŠAN - Prijatelju moj (3:28); no sob

Original, made in France Knjizica od 8 str. Odlicno ocuvano Omot 5 Cd 5 Brothers in Arms is the fifth studio album by British rock band Dire Straits, released on 13 May 1985 through Vertigo Records internationally and through Warner Bros. Records in the US. It spent a total of 14 non-consecutive weeks at number one on the UK Albums Chart (including ten consecutive weeks between 18 January and 22 March 1986), nine weeks at number one on the Billboard 200 in the US and 34 weeks at number one on the Australian Albums Chart. Brothers in Arms was the first album certified ten-times platinum in the UK[1] and is the eighth-best-selling album in UK chart history.[2] It is certified nine-times platinum in the US and is one of the world`s best-selling albums, having sold more than 30 million copies worldwide.[3][4][5] The album won a Grammy Award in 1986 for Best Engineered Album, Non-Classical and Best British Album at the 1987 Brit Awards; the 20th Anniversary Edition won another Grammy in 2006 for Best Surround Sound Album. Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever. It was also among ten albums nominated for the best British album of the previous 30 years by the Brit Awards in 2010, ultimately losing to (What`s the Story) Morning Glory? by Oasis Brothers in Arms was recorded from October 1984 to February 1985 at AIR Studios on the island of Montserrat, a British overseas territory in the Caribbean.[7] The album was produced by songwriter Mark Knopfler and Neil Dorfsman, who had engineered Dire Straits’ 1982 album Love over Gold and Knopfler`s 1983 soundtrack album Local Hero.[8] Brothers in Arms was one of the first albums recorded on a Sony 24-track digital tape machine. The decision to move to digital recording came from Knopfler`s constant striving for better sound quality. `One of the things that I totally respected about him,` Dorfsman observed, `was his interest in technology as a means of improving his music. He was always willing to spend on high-quality equipment.`[8] Before arriving at Montserrat, Knopfler had written all the songs and rehearsed them with the band. The studio lineup included Knopfler (guitar), John Illsley (bass), Alan Clark (piano, Hammond B-3 organ and synthesisers) and Guy Fletcher, who was new to the band, playing a synth rig that consisted of a huge new Yamaha DX1, a couple of Roland synthesizers and a Synclavier. The band’s then drummer Terry Williams was present at the start of the sessions before being temporarily replaced.[9] The band`s second guitarist Hal Lindes was either fired or quit at the start of the sessions (Lindes was formally replaced in December 1984 by Jack Sonni, a New York-based guitarist and longstanding friend of Knopfler`s, although Sonni`s contribution to the album was minimal).[10] The studio itself was small, with a 20-by-25-foot (6 m × 8 m) recording space that offered virtually no isolation. `It was a good-sounding studio,` Dorfsman later recalled, `but the main room itself was nothing to write home about. The sound of that studio was the desk,` referring to the Neve 8078 board.[8] Knopfler and Dorfsman utilised the limited space to best effect, placing the drum kit in the far left corner, facing the control room, miked with Sennheiser MD 421s on the toms, an Electro-Voice RE20 and AKG D12 on the kick drum, a Shure SM57 and AKG C451 with a 20 dB pad on the snare, 451s for overheads and the hi-hat, and Neumann U87s set back a little to capture `some kind of ambience`.[8] They placed the piano in a tight booth in the far right corner of the studio, miked with AKG C414s. The Hammond B3 was placed nearby, with its Leslie speaker crammed into an airlock next to the control room. Illsley`s bass amplifier was recorded inside a small vocal booth with a Neumann FET 47 and a DI unit. Knopfler`s amplifiers were miked with 57s, 451s, and Neumann U67s. Fletcher`s synths were placed in the control room.[8] During the recording of `Money for Nothing`, the signature sound of Knopfler`s guitar may have been enhanced by a `happy accident` of microphone placement. Knopfler was using his Gibson Les Paul going through a Laney amplifier. While setting up the guitar amplifier microphones in an effort to get the `ZZ Top sound` that Knopfler sought, guitar tech Ron Eve, who was in the control room, heard the `amazing` sound before Dorfsman was finished arranging the mics. `One mic was pointing down at the floor,` Dorfsman remembered, `another was not quite on the speaker, another was somewhere else, and it wasn`t how I would want to set things up—it was probably just left from the night before, when I`d been preparing things for the next day and had not really finished the setup.`[8] What they heard was exactly what ended up on the record; no additional processing or effects were used during the mix.[8] According to a Sound on Sound magazine interview with Neil Dorfsman, during the first month of the recording sessions the performance of then-permanent drummer Terry Williams was considered to be unsuitable for the desired sound of the album. Williams was not fired from the band, but he was released from the recording sessions and temporarily replaced by jazz session drummer Omar Hakim, who re-recorded all the album`s drum parts during a two-day stay before leaving for other commitments.[8] Both Hakim and Williams are credited on the album,[11] although Williams` only contribution was the improvised crescendo at the beginning of `Money for Nothing`. The remaining tracks all featured Omar Hakim as drummer,[12] as Dorfsman and Knopfler made the decision to erase Williams` contributions and replace them with those of Hakim; however, all the music videos that were released from the album featured Williams.[13] Although Andy Kanavan was briefly recruited as Dire Straits` new drummer, Terry Williams rejoined the band for the promotional concert world tour.[11] A defective batch of recording tape at AIR Studios resulted in the loss of part or all of three album tracks, leading to follow-up sessions being recorded at the Power Station in New York during early 1985[10] (including the addition of a Jack Sonni guitar synthesizer part to `The Man`s Too Strong`)[citation needed]. During this time, overdubs were recorded with further New York musicians including Michael and Randy Brecker, Mike Mainieri (who`d previously contributed vibraphone to Love Over Gold) and Jimmy Maelen, plus trumpeter Dave Plews and Average White Band saxophonist Malcolm Duncan. When Illsey sprained his wrist in a roller-skating accident, several prominent New York studio bassists were hired to record or re-record several basslines on the record (Tony Levin performing on `One World`,[10] with contributions elsewhere from Saturday Night Live house band bassist Neil Jason). Composition Brothers in Arms has been described musically as a pop rock album.[14] The music video for `Money for Nothing` received heavy rotation on MTV, and it was the first to be aired on MTV Europe when the network launched on 1 August 1987.[15] It is one of only two Dire Straits songs on a studio album not to be solely credited to Knopfler (the other being `The Carousel Waltz`, which opens Making Movies), with guest vocalist Sting given a co-writing credit due to the melody of the repeated `I want my MTV` (sung by Sting) in the song`s fadeout echoing the melody of the Police`s `Don`t Stand So Close to Me`.[16] `Walk of Life` was a number two hit in the UK Singles Chart in early 1986 and a number seven hit in the US Billboard Hot 100 later that year. The song was nearly left off the album, but was included after the band out-voted producer Neil Dorfsman. On the second side of the album, three songs (`Ride Across the River`, `The Man`s Too Strong` and `Brothers in Arms`) are lyrically focused on militarism. `Ride Across the River` uses immersive Latin American imagery, accompanied by synthesized pan flute, mariachi trumpet, a reggae-influenced drum part and eerie background noises. `The Man`s Too Strong` depicts the character of an ancient soldier (or war criminal) and his fear of showing feelings as a weakness. Written during the 1982 Falklands War, `Brothers in Arms` deals with the senselessness of war.[17] In 2007, the 25th anniversary of the war, Knopfler recorded a new version of the song at Abbey Road Studios to raise funds for British veterans who he said `are still suffering from the effects of that conflict.`[18] Personnel Credits adapted from album liner notes.[53] Dire Straits Mark Knopfler – guitars and vocals John Illsley – bass guitar and vocals Alan Clark – keyboards Guy Fletcher – keyboards and vocals Omar Hakim – drums Terry Williams – drum intro on `Money for Nothing`[8] Additional musicians Nature of contributions uncredited on album; contributions added where known. Michael Brecker – saxophone on `Your Latest Trick`[10] Randy Brecker Malcolm Duncan Neil Jason Tony Levin – bass on `One World`[10] Jimmy Maelen Mike Mainieri Dave Plews Jack Sonni – guitar synthesizer on `The Man`s Too Strong`[citation needed] Sting – vocals on `Money for Nothing