Steinberg UR22 MKII je zvučna kartica koja se izdvaja po svojoj izuzetnoj kvaliteti zvuka i prenosivosti. Ovaj kompaktni, a moćni uređaj donosi vrhunski kvalitet zvuka u vaš studio. Sa dva ulaza za mikrofon ili instrument, pruža vam slobodu da snimate vokale ili instrumente. Uronite u svet profesionalnog snimanja s mogućnošću sample rate-a od 192kHz, čime ćete uhvatiti svaki detalj vaših kompozicija. Ako ste producent, muzičar ili podcaster, Steinberg UR22 MKII je vaš idealan partner. Osim što je idealan za studio, Steinberg UR22 MKII je i prenosiv, što ga čini savršenim za snimanje na terenu. Zahvaljujući MIDI ulazima, možete povezati svoje omiljene sintisajzere i kontrolere i stvarati muziku gde god vas inspiracija odvede. I ne zaboravimo njegov robustan dizajn - izrađen od metala, ovaj uređaj je spreman za sve izazove na terenu. Ulazi: 2 ulaza za mikrofon/liniju (XLR/TRS) sa phantom napajanjem Izlazi: 2 izlaza za slušalice (TRS), 2 izlaza za linijski izlaz (TRS) Sample rate: Maksimalni sample rate 192kHz za visokokvalitetno snimanje MIDI ulaz/izlaz: Za povezivanje sa MIDI uređajima kao što su sintisajzeri i kontroleri USB 2.0: Jednostavno povezivanje sa računarom ili prenosnim uređajima Loopback funkcionalnost: Idealno za snimanje vodiča za video tutorijale ili striming Robustan dizajn: Metalno kućište za izdržljivost Mac OS X Mac OS X 10.7/10.8/10.9/10.10/10.11 Windows Windows 7 SP1/8/8.1/10 2 GB RAM 4 GB of free HD space CD-ROM drive USB 2.0/3.0* port * Tested with Intel USB 3.0 host controller CC mode requires Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter and an external 5 V DC adaptor or an external battery pack UR22mkII requires iOS 7 (or higher) on iPad 2 (or higher) Internet connection required for installation, activation, account setup and personal / product registration. To complete the Cubase AI installation, a download of approximately 500 MB is required. Please download and use the latest driver from the download page.

Authentic TR-808 and TR-909 experience in a modern, performance-ready instrument The TR-8 is a performance rhythm machine that melds the legendary sound and vibe of the TR-808 and TR-909 with features and functions for the modern age. Genre-defining sounds, classic effects, unprecedented live pattern manipulation, and solid, intuitive performance controls. It’s the TR…evolved. SPECIFICATIONS User Drum Kits 16User Patterns 16Steps per 1 measure 1 – 16 steps x 2 (Variation A/B) Tempo 40 – 300Instruments & Controls BASS DRUM: LEVEL, TUNE, ATTACK, COMP, DECAY, INST SELECT SNARE DRUM: LEVEL, TUNE, SNAPPY, COMP, DECAY, INST SELECT LOW TOM, MID TOM, HIGH TOM, RIM SHOT, HAND CLAP, CLOSED HIHAT, OPEN HIHAT, CRASH CYMBAL, RIDE CYMBAL: LEVEL, TUNE, DECAY, INST SELECT Effects and Controls ACCENT: LEVEL, STEP REVERB: LEVEL, TIME, GATE, STEP DELAY: LEVEL, TIME, FEEDBACK, STEP EXTERNAL IN: LEVEL, SIDE CHAIN, STEP Mode TR-REC, PATTERN SELECT, INST PLAY, INST REC, DRUM KIT SEL, DRUM INST SELControllers VOLUME knob SCATTER knob TEMPO knob FINE knob SHUFFLE knob PADS: 16 MODE buttons: 6 CLEAR button VARIATION buttons: A, B SCALE button LAST STEP button START/STOP button SCATTER ON button SCATTER DEPTH button TAP button Power Switch (Rear)Display 7 segments, 4 characters (LED)Effects REVERB, DELAY, SIDE CHAINScatter Types: 10Nominal Input Level -10 dBuInput Impedance 100 k ohmsNominal Output Level -10/+4 dBu (Selectable)Output Impedance MIX OUT, ASSIGNABLE OUT: 1 k ohm PHONES: 130 ohmsConnectors PHONES jack: 1/4-inch stereo phone type MIX OUT (L/MONO, R) jacks: 1/4-inch phone type ASSIGNABLE OUT (A, B) jacks: 1/4-inch phone type EXTERNAL IN (L, R) jacks: 1/4-inch phone type USB port: USB type B (Audio, MIDI) DC IN jackUSB Audio, MIDIPower Supply AC adaptorCurrent Draw 1,000 mAAccessories Owner's manual Leaflet "USING THE UNIT SAFELY" AC adaptor SIZE AND WEIGHT Width (W)400 mm15-3/4 inchesDepth (D)260 mm10-1/4 inchesHeight (H)65 mm2-9/16 inchesWeight 1.9 kg4 lbs. 4 oz.

The class-AB circuit used in the EQ-81 is similar to the eq section in the classical 1081 module, without the high and low pass filters. The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. The EQ-81 has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands are switchable between shelving and bell and the MID frequency bands is of the bell type with a switchable Hi Q setting. The control range is +/- 18dB. All four bands can be set in an off mode. The EQ-81 is not intended to be used as a standalone EQ. It is designed to be used together with one of the Golden Age Project models that has an insert jack. It can also be used with some other product that has a low level (about -18 dBu to -10 dBu) unbalanced insert connector. Combining one of our PRE-73 units and an EQ-81 and using a UNITE rack kit to mount them together, one will get a 19-inch 1081-style unit at a low cost and with a great sound! - Vintage Style electronics. No intergrated circuits in the signal path - 4-band with inductor based mid frequency bands - Stepped frequency selection - A wide selection of frequencies from 33 Hz to 15 kHz - Control range up to +/- 18 dB - Each band has an off mode - Tantalum capacitors in the signal path - Designed to be used together with one of our models with an insert jack - TRS jack for in-and output connection, the nominal working level is around -18 dBu - Selectable ground lift switch - External power supply to avoid interaction with the audio circuits - Great sound that suits most sound sources and genres - A solid build quality that will last many years of normal use

The iconic grid instrument for Ableton Live. If you use Ableton Live, you need a Launchpad. Its 8 x 8 grid has become ubiquitous with the evolution of electronic music, letting you launch clips, play drum racks and control your mixer, all while creating impressive lightshows. Get Creative Launchpad's 64 pads integrate immediately with Ableton Live. They're also lit by RGB LEDS, which match the colour of your clips - so you can see at a glance what clips are loaded, playing or recording. What is RGB? As well as using your pads to launch clips and create entire songs, you can also use them to control your mixer: start and stop loops, arm tracks, and control volumes, pans and sends. Control Your Music Software Launchpad integrates immediately and seamlessly with Ableton Live, without any setup whatsoever. Just plug in and start making music. Throw It in Your Bag Launchpad is totally portable: lightweight, easy to pack and carry around, and fully USB bus powered - so there's no need for power sockets. You can also combine it with more Launchpads or other Launch products to build yourself a fully hands-on Ableton Live studio. Just add Launch Control, Launch Control XL or Launchkey. Make Music Straight Away Complete with Ableton Live Lite, 1GB of royalty-free Loopmasters samples and the Novation Bass Station and V Station VST and AU plug-in synthesisers, Launchpad comes with everything you need to start making great music. Product Hardware Specifications 64 (8x8 grid) square RGB backlit buttons 8 round RGB backlit system buttons (assignable) 8 round RGB backlit function buttons (not assignable) Orange rubber base mat USB socket Software Compatibility Ableton Live Lite 9 is included If you already have Ableton Live it must be version 8 or greater to work with Launchpad. We recommend that you update to the latest version as previous versions of Ableton Live do not include the Launchpad integration. Power Requirements Fully USB bus powered on Mac or PC. Powered USB hub and camera connection kit or USB camera adapter (not included) required for use with iOS devices Product Dimensions 240mm (9.45”) width x 240mm (9.45”) depth x 25mm (0.98”) height

Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software OK, it was a tall order. We admit it. People loved the original MPDs so much that we didn’t want to mess with success. But we did. The MPD2 Series is a product of over six years of detailed customer research and user feedback. We asked what you wanted and we listened closely. We took what you told us and turned it into the most capable and user-friendly line of pad controllers Akai Professional has developed to date. Nitty-Gritty The MPD218 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production. Experience the Difference First, we stepped up our game by adding new, ultra sensitive Thick Fat MPC pads, creating an amazingly responsive user experience. The MPD218 also has an expanded control set of six knobs in three banks versus one control on the previous MPD18 model. This will enable you to maximize your sound and give you increased control over effects. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers. The USB connection powers the MPD218 so the included USB cable is all you need. Goodies Along with the improved functionality we’ve added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: MPC Beats, Big Bang Drums and Big Bang Cinematic Percussion from Sonivox, Ableton Live Lite, and Software Preset Editor. Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we’ve ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

The class-A circuit used in the EQ-73 is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response. The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. The EQ-73 has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz. The Low and High frequency bands are shelving and the mid frequency band is of the bell type. The control range is +/-15 dB for the two lower bands and +/- 18dB for the high frequency band. There are separate bypass switches for all three bands. The EQ-73 is made to be used together with one of our PRE-73 models that has an Insert jack. It can also be used with many other units that has a low level insert jack. Combining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound! - Vintage Style electronics. No intergrated circuits in the signal path - 3-band with a dual inductor based mid frequency band - Stepped frequency selection - A wide selection of frequencies from 20 Hz to 24 kHz - Control range up to +/- 18 dB - Separate Bypass switches for each band - Tantalum capacitors in the signal path - Made to be used together with one of our PRE-73 models with an Insert jack or any other unit with a low level Insert jack - TRS jack for in-and output connection, the nominal working level is around 18 dBu - Selectable ground lift switch - External power supply to avoid interaction with the audio circuits - Great sound that suits most sound sources and genres - A solid build quality that will last many years of normal use

The COMP-3A is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market. The circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain. This gives the COMP-3A a unique, program dependent compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-3A. - Vintage style electronics. No integrated circuits in the signal path. - Transformer balanced input and output. Can drive almost any load - balanced or unbalanced. - Selectable output transformer loading resistors by an internal jumper, will affect the high end frequency response. - Uses a classic T4-style electro-optical attenuator to control gain with program dependent attack and release times. - Very simple to operate with only two main controls, Gain and Peak Reduction. - HF control can make the side-chain circuit more sensitive to mid and high frequency content. - A big meter selectable to show gain reduction or output level at two different reference levels. - Hardwire bypass switch for easy comparisons. - XLR and TRS input and output jacks for flexible connections. - Link jack and switch for connecting to another unit for stereo operation. - All external controls located on the front panel. - External power supply to avoid interaction with the audio circuits and transformers. - Compact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG. - A solid build quality that will last many years of normal use.

Comprehensive iPad Control Meets Professional Mixing Console World Class Sound Quality in an All-In-One Console – the M-200i V-Mixer - 32 Channel Mixer w/Moving Faders - 4 Band PEQ / Comp & Gate (w/Key-in Filter) per channel - 8 AUX / 4 Matrices - with EQ, Dynamics & Delay - 8 DCAs / 4 Mute Groups - 4 Stereo Effects / 4 GEQ (31 Band) - 24 Analog Inputs, 12 Analog Outputs and Stereo Digital Output (AES/EBU) - REAC Expandable - 19'' Rackmount Compatible PROCESSING Channels/Buses CHANNELS: 32 BUSES: MAIN L/R, 8 AUX, 4 MATRIXInputs/Outputs INPUTS: 24 (64 when using optional REAC devices) OUTPUTS: 14 (Max 54 ports when using REAC Devices) Signal Processing AD/DA Conversion: 24 bit Sample Rate: 48.0 kHz or 44.1 kHzConsole Latency 2.0 mS (typ.) *1 * Total Latency of audio signal from M-200i's console inputs to M-200i's outputs. * Sample Rate: 48.0 kHz * Effects: No insert effectsNetwork Latency 2.5 mS (typ.) *1 * Total System Latency of audio signal from S-1608 inputs to outputs via M-200i's REAC ports. * Sample Rate: 48.0 kHz * Effects: No insert effects CONNECTORS Inputs/Outputs/Others INPUT jacks (1 to 16): XLR-3-31 type (balanced, phantom power) INPUT jacks (17 to 22): 1/4 inch Phone type (balanced) INPUT jacks (23 to 24): RCA Phono type ASSIGNABLE OUTPUT jacks (1 to 6): XLR-3-32 type (balanced) ASSIGNABLE OUTPUT jacks (7 to 10): 1/4 inch Phone type (balanced) MAIN OUTPUT jacks (L, R): XLR-3-32 type (balanced) PHONES jack: Stereo 1/4 inch phone type, Miniature phone type AES/EBU OUT jacks: Optical type REAC port: RJ-45 EtherCon type RS-232C connector: 9-pin D-sub type MIDI connectors (OUT/THRU, IN): 5-pin DIN type USB MEMORY port: USB Type A USB WLAN ADAPTOR port: USB Type A USB COMPUTER port: USB Type B LAN port: RJ45 type DOC CABLE port : 10-pin mini DIN type DOC CABLE port : 10-pin mini DIN type DC IN jack Grounding terminal * XLR type: 1 GND, 2 HOT, 3: COLD * Phantom power: DC+48V (unloaded maximum), 14mA (maximum load, All XLR type inputs) INPUT/OUTPUT CHARACTERISTICS Frequency Response ASSIGNABLE OUTPUT jacks (1 to 10): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.) MAIN OUTPUT jacks (L, R): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.) PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.) * Sample Rate: 48.0 kHz or 44.1 kHz * Input Connector: INPUT 1 to 24 (Pad: ON, Input sens: +4 dBu, 20 Hz to 20 kHzTotal Harmonic Distortion + Noise ASSIGNABLE OUTPUT jacks (1 to 10): 0.05 % (+4 dBu, typ.) MAIN OUTPUT jacks (L, R): 0.05 % (+4 dBu, typ.) PHONES jack: 0.05 % (40 ohms load, 150 mW, typ.) * Sample Rate: 48.0 kHz or 44.1 kHz * Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)Dynamic Range ASSIGNABLE OUTPUT jacks (1 to 10): 102 dB (typ.) MAIN OUTPUT jacks (L, R): 102 dB (typ.) * Sample Rate: 48.0 kHz or 44.1 kHz * Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)Crosstalk@ 1 kHz INPUT jacks (1 to 24): -80dB (Input sens: +4 dBu, IHF-A, typ.) ASSIGNABLE OUTPUT jacks (1 to 10): -88 dB (typ.) MAIN OUTPUT jacks (L, R): -88 dB (typ.) * Sample Rate: 48.0 kHz or 44.1 kHzNominal Input Level (Variable) INPUT jacks (1 to 16): -65 to +4 dBu INPUT jacks (17 to 24): -28 to +4 dBuInput Impedance INPUT jacks (1 to 16): 14 k ohms INPUT jacks (17 to 24): 10 k ohmsNon Clip Maximum Input level INPUT jacks (1 to 24): +22dBu (1 kHz, 20 k ohms load, typ.)Nominal Output Level ASSIGNABLE OUTPUT jacks (1 to 10): +4 dBu (Load impedance: 10 k ohms, typ.) MAIN OUTPUT jacks (L, R): +4 dBu (Load impedance: 10 k ohms, typ.)Output Impedance ASSIGNABLE OUTPUT jacks (1 to 10): 600 ohms (typ.) MAIN OUTPUT jacks (L, R): 600 ohms (typ.) PHONES jack: 49 ohms (typ.)Recommended Load Impedance ASSIGNABLE OUTPUT jacks (1 to 10): 10 k ohms or greater MAIN OUTPUT jacks (L, R): 10 k ohms or greater PHONES jack: 40 ohms or greaterMinimum Load Impedance PHONES jack: 16 ohmsNon Clip Maximum Output level ASSIGNABLE OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.) MAIN OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.) PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)Residual Noise Level (IHF-A, typ.) -88 dBu (All faders: Min) -80 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Min) -61 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Max) * Input 150 ohms terminate * Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R) * Sample Rate: 48.0 kHz or 44.1 kHzEquivalent Input Noise Level (E.I.N.) -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max) * Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R) * Sample Rate: 48.0 kHz or 44.1 kHz OTHERS Display Graphic LCD 132 x 64 dots with backlightCurrent Draw 3.6 AOperation Temperature +5 to +40 degrees Celsius +41 to +104 degrees FahrenheitAccessories DOCK CABLE, TABLET STAND, AC Adaptor, Power Cord, Owner's Manual Options Rackmount Kit: RA-10U, Wireless USB Adapter: WNA1100-RL USB Flash Memory SIZE AND WEIGHT Width (W)491 mm19-3/8 inchesDepth (D)490 mm19-5/16 inchesHeight (H)198 mm7-13/16 inchesWeight 9.8 kg21 lbs. 10 oz.