Luigi Pareti, Paolo Brezzi i Luciano Petech – STARI SVIJET I-III Historija čovječanstva: kulturni i naučni razvoj 1. Od 1200. do 500. god. pr. n. e. 2. Od 500. god. pr. n. e. Do početka nove ere 3. Od početka nove ere do 500. god. (Naprijed, Zagreb, 1967, tvrd povez, XXXVI+417+XII+430+XI+498 str., ilustrovano) MK-0X

stari svijet luigi pareti, paolo brezzi, luciano petech od 1200. do 500. god. pre n. e. naprijed 1967 knjiga prva/svezak drugi tvrd povez, strana 417 oštećen zaštitni omot, drugih nedostataka nema Informacije ** BESPLATNA ISPORUKA NA TERITORIJI CELE SRBIJE UZ PREDHODNU UPLATU NA TEKUĆI RAČUN ! !! (ne važi za postexpress /dexpress, slanje pošiljaka pouzećem , kao ni za slanje pošiljaka van teritorije Srbije) za sve knjige kupljene sa našeg naloga:

Historija čovječanstva - Kulturni i naučni razvoj Svezak drugi I-III Svezak drugi I-III (Od 1200.god.pr.n.e. Do 500.god.n.e.) Autori: Luigi Pareti, Paolo Brezzi, Luciano Petech 1. Od 1200. do 500. god.pr.n.e. 2. Od 500.god.pr.n.e. do nove ere 3. Od početka nove ere do 500.god. Izdavač: `Naprijed` Zagreb Tvrd povez sa omotom; strana XXXII+417, 430, 498 ( brojne ilustracije i crno/bele fotografije); 24cm Zaštitni omoti oštećeni.. Knjige dobro očuvane. Sitan potpis vlasnika na naslovnim stranama.

ODLICNO OCUVAN BOX SET - knjizic aima 20 strana - prodaje se u stanju kao na slikama Još jedna BOX-kompilacija od 5 diskova u izdanju Reader`s`Digest-izdata 2004-te godine sa čuvenim pevačima 50-tih godina! ONI KOJE SMO VOLELI-Čuveni hitovi iz tog perioda a izvođači su; LUIS ARMSTRONG ELA FICDŽERALD SARA VON GLEN MILER BENI GUDMEN DJUK ELINGTON ŽILBER BEKO MORIS ŠEVALIJE EDIT PJAF NET KING KOL DORIS DEJ BING KROZBI MARIO LANCA DOMENIKO MODUNJO LUČIO BATISTI LUCIANO PAVAROTI i drugi

NEOTPAKOVAN Energy Crew - No More War album cover Label: Transportation Label – TP 97302 Format: CD, Album Country: France Released: 2005 Genre: Reggae Style: Roots Reggae, Dancehall 1 Dem No Know 2 No More War 3 Rastafari Is His Name Featuring – Morgan Heritage 4 Mama Africa Featuring – Junior Kelly 5 Mi Krakti (Stop The War) Featuring – Luciano (2) 6 Change Your Mind 7 Jah Jah Way 8 Billet D`Avion 9 Jah Jah Burn Dem 10 Black Woman 11 Bad Man 12 Dub Vibration 13 Judgement Day 14 Pure Vibration 15 Open The Door Barcode: 3448969279520

OMOT 5-NA OTVARANJE, ima ispisano na ćošku prednje strane ime , LP 5 Label: Suzy ‎– CBS 83335, CBS ‎– CBS 83335 Format: Vinyl, LP, Album Country: Yugoslavia Released: 1979 Genre: Electronic, Rock, Pop Style: Ballad, Pop Rock, Synth-pop, Vocal TracklistHide Credits A1 Con Te Oboe – Jacques Chambon 3:50 A2 Signori Si Chiude 3:40 A3 Ti Amo Ancora Vocals – Paola Massari 4:00 A4 Giorni Di Neve Synthesizer [Arpavatar] – Luciano Ciccaglioni 3:16 A5 Loro Sono Là 4:13 B1 E Tu Come Stai? 5:30 B2 Un Po` Di Più Tenor Saxophone – Rodolfo Bianchi 4:30 B3 Quando E` Così Oboe – Jacques Chambon Tenor Saxophone – Rodolfo Bianchi 3:57 B4 Ancora La Pioggia Cadrà Harp – Francis Pierre 6:08 Companies, etc. Phonographic Copyright (p) – CBS Pressed By – Jugoton – ULS 555 Recorded At – Studio Hérouville Mixed At – Studio Hérouville Mixed At – Studio Aquarium Mastered At – Translab Credits Arranged By – Ruggero Cini Bass – Fabio Pignatelli Chorus – Alice Herald, Anne Germain, Bernard Houdy, Christiane Cour, Claudine Meunier, Danielle Bartoletti, Danielle Licari, Françoise Walle, Graziella Madrigal, Henri Tallourd, Jean Cussac, Jean Stout, Jean-Claude Briodin, Jo Novés*, José Germain, Michel Barouille Conductor – Jean Claude Evreux Drums, Congas, Triangle, Claves, Cabasa, Castanets – Massimo Buzzi Engineer, Remix – Christophe Bonno Grand Piano [Steinway], Electric Piano [Fender Rhodes, Electronic Yamaha], Clavinet [Hohner], Organ [Hammond C3], Synthesizer [Omniarp], Accordion [Fisarmonica], Remix – Ruggero Cini Guitar, Acoustic Guitar, Acoustic Guitar [12 String], Mandolin, Mandolin [Mandola], Synthesizer [Arpavatar, Mandovox] – Luciano Ciccaglioni Horns – Andre Fournier*, Jean Paul Gantiez, Michel Cantin, Wilfrid Fournier Mastered By – Christian Orsini Music By, Lyrics By, Vocals, Autoharp – Claudio Baglioni Photography – Lucky Producer, Remix – Rodolfo Bianchi Synthesizer [Oberheim, Minimoog] – Benoît Widemann (tracks: A1, A5 to B4) Notes Recorded at `Le Château` Herouvillé. Mixed at `Le Château` Herouvillé, Studio `L`Acquarium`, Paris. Mastered at `Translab`, Paris. (p) 1979 CBS. Gatefold inner sleeve contains credits & extra insert with lyrics.

OMOT 5 CD 5 NOV NESLUŠAN Made in Germany Rock, Blues, Pop Style: Soft Rock, Pop Rock Tracklist Hide Credits 1 Voodoo Voodoo Lyrics By – Zucchero Music By – Luciano Luisi, Zucchero 4:10 2 Datemi Una Pompa Written-By – Zucchero Fornaciari* 4:14 3 O.L.S.M.M. Written-By – Zucchero Fornaciari* 3:32 4 Pane E Sale Lyrics By – Francesco De Gregori Music By – Zucchero 5:12 5 X Colpa Di Chi? Written-By – Zucchero Fornaciari* 3:58 6 Il Volo Written-By – Zucchero 5:31 7 Senza Rimorso Lyrics By – Alberto Salerno Music By – Zucchero 4:36 8 Papà Perché Written-By – Zucchero 4:00 9 Così Celeste Written-By – Zucchero Fornaciari* 4:50 Bonus Track 10 Alleluja Lyrics By – Jovanotti Music By – Zucchero

VARIOUS ARTISTS The Spirit Of Reggae (2CD) Made in Germany Izdavač: Polymedia Music Service ‎(536 240-2) 1997. godina 1-1. Buju Banton - Murderer 3:56 1-2. Anthony B - Fire Pon Rome 3:52 1-3. Max Romeo - One Step Forward 5:15 1-4. Wailing Souls - Tom Sprang 3:16 1-5. Freddie McGregor - Rastaman Camp 3:58 1-6. Lee Scratch Perry - Secret Laboratory 6:23 1-7. Luciano - Messenger 3:58 1-8. Burning Spear - Civiliazation 4:05 1-9. The Abyssinians - Satta Massagana 3:27 1-10. Everton Blender - Blend Them 3:49 1-11. Cocoa Tea - Heathen 3:37 1-12. Michael Rose - Badder Than You 3:45 1-13. Black Uhuru - Great Train Robbery 5:53 1-14. Redrose - No Heathen 3:41 1-15. Macka B - Bible Reader 3:02 1-16. Chaka Demus & Pliers - Every Kinda People 4:00 2-1. Lucky (Dube Feel) 5:58 2-2. Julian Marley - Lion In The Morning 3:57 2-3. Cocoa Tea & Cutty Ranks - Waiting In Vain 3:36 2-4. Ninjaman & Richie Stephens - My Experiance 3:45 2-5. Black Uhuru - Iron Storm 3:49 2-6. Culture - A Slice Of Mt. Zion 4:05 2-7. Israel Vibration - Solomon Bloodline 4:37 2-8. Yellowman - What The Girls Them Want 3:24 2-9. Taxi Gang, Beenie Man & Luciano - Crazy Baldhead 3:58 2-10. Shabba Ranks - Heart Of A Lion 3:52 2-11. Mighty Diamonds - Corrupt Cup 3:40 2-12. Mystic Revealers - Space And Time 4:23 2-13. J.Mackey Space - Ah Jah Never Fal I Yet 3:23 2-14. Burning Spear - Appontment With His Majesty 4:19 2-15. Beenie Man - Nuff Gal I 4:27 2-16. Ziggy Marley And The Melody Makers - Get Up, Stand Up 5:15 Očuvanost: Omot 5- I medijum audio CD 5- II medijum audio CD 5-

Original, novo u celofanu Made in Germany Drugi studijski album britanskog post-punk indie rock benda iz Londona Dogs (3) ‎– Tall Stories From Under The Table Label: Weekender Records ‎– WEEK0019 Format: CD, Album Country: Germany Released: Jul 2007 Genre: Rock Style: Garage Rock, Mod Tracklist Hide Credits 1 Dirty Little Shop 3:48 2 Soldier On 3:11 3 Winston Smith Cello – Andy Lewis 3:33 4 This Stone Is A Bullet 3:24 5 Chained To No One 3:18 6 Forget It All 3:42 7 Little Pretenders 2:49 8 On A Bridge, By A Pub 2:36 9 Who Are Yu 3:31 10 These Days 3:40 11 By The River 4:29 12 Let It Lay Piano – Paul Weller 3:16 Credits Bass – Duncan Timms Drums – Rich Mitchell Guitar – Luciano Vargas Lead Guitar – Rikki Mehta Lyrics By, Vocals – Johnny Cooke (2) Producer, Recorded By, Mixed By – Steve Musters Written-By – Dogs (3)

U dobrom stanju! ti gde je presavijen malo je zacepljen na ivici. 49cm x 69cm Najduže dvorište američki je zatvorski sportski komični film iz 1974. U režiji Roberta Aldricha, scenarista Tracy Keenan Wynn, prema priči producenta Alberta S. Ruddyja, a glume Burt Reynolds, Eddie Albert, Ed Lauter i Mike Conrad. Film prati bivšeg igrača NFL-a koji je regrutovao skupinu zatvorenika i igrao nogomet protiv njihovih čuvara. Sadrži mnoge stvarne nogometaše, uključujući legendu Green Bay Packersa Raya Nitschkea. [4] Film je prerađivan tri puta: kao britanski film 2001. godine Mean Machine (skraćena verzija naslova korištenog za originalno izdanje u Velikoj Britaniji), u kojem glumi Vinnie Jones, remake filma iz 2005. godine, The Longest Yard s Adamom Sandlerom i Reynoldsom kao trenerom Nateom Scarborough, a kao egipatski film Kapetan Masr iz 2015. godine. U dva međunarodna remakea iz 2001. i 2015. godine sport je promijenjen iz gridiron nogometa u nogometni savez. Directed by Robert Aldrich Produced by Albert S. Ruddy Screenplay by Tracy Keenan Wynn Story by Albert S. Ruddy Starring Burt Reynolds Eddie Albert Ed Lauter Mike Conrad Music by Frank De Vol Cinematography Joseph Biroc Edited by Michael Luciano Production companies Albert S. Ruddy Productions Long Road Productions Distributed by Paramount Pictures Release date August 21, 1974 (New York) Running time 121 minutes Country United States Language English Budget $2.9 million Box office $43 million Filmski plakat

Booklet 5 / CD 4- Dubrovački Trubaduri ‎– Pusti Da Ti Leut Svira Label: Taped Pictures ‎– CD 2188 Format: CD, Compilation, Reissue Country: Slovenia Released: 2002 Genre: Rock, Pop, Folk, World, & Country Style: Vocal, Ballad, Beat, Chanson, Europop, Folk Rock, Pop Rock, Schlager Tracklist 1 Pusti Da Ti Leut Svira 3:25 2 Jedan Dan 2:28 3 Noćna Muzika 3:40 4 Linđo 3:11 5 Marijana 2:50 6 Dok Palme Njišu Grane 3:28 7 Trubadurska Serenada 2:47 8 Pjesma Puni Život Moj 2:20 9 Dalmatinski Lero 2:32 10 Ona I Prijatelj Moj 3:12 11 Anđele Moj 3:35 12 Luda Mladost 2:48 13 Kad Se Jednom Rastanemo 2:46 14 Shalom Judit 4:05 15 Ljuven Zov 2:18 16 Sva U Crvenom 3:00 17 Lipa Zavidnost 3:10 18 Serenada Dubrovniku 3:43 19 Moja Je Djevojka 3:09 20 Djevojka Mlada 2:20 21 Mi Prepuni Smo Ljubavi 2:08 22 Kako Djeca Spavaju 3:20 23 Znam Da Ima Jedna Staza 4:45 24 Oj, Djevojko, Dušo Moja 2:20 Credits Arranged By – Stipica Kalogjera (tracks: 2) Arranged By, Producer – Đelo Jusić Co-producer, Bass – Marko Brešković Composed By, Mandolin, Guitar – Djelo Jusić* Drums – Ladislav Pađen* Flute – Luciano Capurso Keyboards – Slobodan Bobo Berdović* Vocals – Hamo Hajdarhodžić Notes Includes a booklet with liner notes. Barcode and Other Identifiers Barcode: 3 831020 721883

DELO : POSTMODERNA AURA (II) - GODINA XXXV BROJ 4-5 autori: Peter Sloterdijk - Paul Feyerabend - Eduardo Arroyo - Jean Baudrillard - Maurizio Ferraris - Gianni Vattimo - Lucian Freud - Slobodan Blagojević - Milorad Belančić - Aleš Erjavec - Reiner Fetting - Sreten Ugričić - Pier Aldo rovatti - Cornelius Castoriadis - Michel Serres - Gaspare Polizzi - Charles Newman - Sidney Nolan - Brian McHale - Leslie A. Fiedler - Jurgen Klauke - Joe Bousoquet - Višnja Machiedo - Vladislav Kolar - Richard Goldstein - Bayan Northcott - Jovan Čekić - Mrđan Bajić - Ješa Denegri Mek povez, 388strana, izdavač: NOLIT - Beograd

Original, Made in EU Novo, u celofanu Bajofondo Tango Club Real Name: Gustavo Santaolalla, Juan Campodónico, Luciano Supervielle, Javier Casalla, Martín Ferrés, Gabriel Casacuberta, Adrián Sosa, Verónica Loza Profile: Bajofondo is a South American band of musicians from Argentina and Uruguay. Originally called `Bajofondo Tango Club`, they changed their name to simply `Bajofondo` as they felt their style had broadened beyond just Tango and should be considered `contemporary music from the Río de la Plata`. Gustavo Santaolalla: guitar, percussion, vocals, backup vocals Juan Campodónico: programming, beats, samples, guitar Luciano Supervielle: piano, keyboards, turntable Javier Casalla: violin Martín Ferrés: bandoneon Gabriel Casacuberta: upright bass, electric bass Adrían Sosa: drums Verónica Loza: VJ, vocals Bajofondo* ‎– Mar Dulce Label: Surco ‎– 0602517429321, Vibra ‎– 0602517429321, Universal ‎– 0602517429321 Format: CD, Album, Digipak Country: UK & Europe Released: 04 Sep 2007 Genre: Electronic, Latin Style: Tango, Downtempo, Breaks TracklistHide Credits 1 –Bajofondo* Grand Guignol Arranged By, Directed By [Strings] – Alejandro Terán Written-By – C. García*, G. Santaolalla*, J. Campodónico* 5:05 2 –Bajofondo* Cristal Arranged By – Terán*, Casalla* Written-By – G. Santaolalla*, J. Campodónico* 5:27 3 –Bajofondo* featuring Santullo Ya No Duele Arranged By, Directed By [Strings] – Alejandro Terán Programmed By – Sebastián Peralta Vocals [Featuring] – Fernando Santullo* Written-By – J. Campodónico*, F. Santullo*, S. Peralta* 3:43 4 –Bajofondo* featuring Juan Subirá Hoy Arranged By, Directed By [Strings] – Alejandro Terán Bass [Electric] – Gabriel Casacuberta Vocals [Featuring] – Juan Subirá Written-By – G. Santaolalla*, H. García*, J. Subirá* 5:15 5 –Bajofondo* featuring Ryota Komatsu Pa` Bailar Arranged By, Directed By [Strings] – Alejandro Terán Bandoneon [Featuring] – Ryota Komatsu Written-By – A. Tagle Lara*, B. Tagle Lara*, G. Santaolalla*, J. Campodónico* Written-By [Variation] – Casalla* 3:52 6 –Bajofondo* Pulmón Arranged By, Directed By [Strings] – Alejandro Terán Written-By – G. Casacuberta*, G. Santaolalla*, J. Casalla* 3:22 7 –Bajofondo* featuring Elvis Costello Fairly Right Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Elvis Costello Written-By – G. Santaolalla* 6:01 8 –Bajofondo* featuring Gustavo Cerati El Mareo Arranged By, Directed By [Strings] – Alejandro Terán Guitar – Juan Campodónico Programmed By – Omar (11) Vocals [Featuring] – Gustavo Cerati Written-By – J. Campodónico*, F. Santullo* 4:35 9 –Bajofondo* featuring Mala Rodríguez El Andén Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Mala Rodriguez* Written-By – J. Casalla*, M. Rodríguez*, M. Ferres* 3:50 10 –Bajofondo* Infiltrado Arranged By, Directed By [Strings] – Alejandro Terán Programmed By – Anibal Kerpel Written-By – A. Kerpel*, J. Campodónico* 3:38 11 –Bajofondo* Borges Y Paraguay Arranged By, Directed By [Strings] – Alejandro Terán Programmed By, Keyboards, Vocals – Daniel Martín Written-By – D. Martín*, G. Santaolalla* 4:32 12 –Bajofondo* Tuve Sol Arranged By, Directed By [Strings] – Alejandro Terán Vocals – Veronica Loza Written-By – G. Santaolalla*, J. Casalla*, J. Campodónico*, V. Loza* 3:54 13 –Bajofondo* No Pregunto Cuantos Son Arranged By, Directed By [Strings] – Alejandro Terán Organ [Hammond] – Anibal Kerpel Programmed By, Keyboards, Vocals – Daniel Martín Written-By – D. Martín*, E. Rovira*, G. Santaolalla* 4:55 14 –Bajofondo* featuring Nelly Furtado Slippery Sidewalks Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Nelly Furtado Written-By – G. Santaolalla*, J. Casanova*, L. Supervielle* 3:34 15 –Bajofondo* Zitarrosa Arranged By, Directed By [Strings] – Alejandro Terán Guitar – Juan Campodónico Guitar [Spanish Guitars] – Toto Méndez Programmed By – Alejandro Tuana Written-By – A. Tuana*, J. Campodónico* 4:04 16 –Bajofondo* featuring Lágrima Ríos Chiquilines Arranged By – Terán*, Supervielle* Vocals [Featuring] – Lágrima Ríos Written-By – G. Santaolalla*, H. Correa*, L. Supervielle*, O. Falero Frías* 5:47 Companies, etc. Phonographic Copyright (p) – Surco Records J.V. Copyright (c) – Surco Records J.V. Manufactured By – Universal International Music B.V. Distributed By – Universal International Music B.V. Credits Bandoneon – Martin Ferres Cello – Julián Gándara Co-producer – Anibal Kerpel Double Bass – Gabriel Casacuberta Drums – Adrian Sosa Edited By [Digital] – Anibal Kerpel, Julio Berta, Riki Musso Engineer [Assistant In Ion] – Javier Mazzarol Engineer [Recording - Additional] – Dror Mohar, Eduardo Pereyra (2), Sergio Delgado (3) Engineer [Recording] – Anibal Kerpel, Jorge `Portugues` Da Silva, Julio Berta Graphic Design – Carolina Larrea Guitar, Percussion, Vocals – Gustavo Santaolalla Mastered By – Tom Baker (3) Mixed By – Anibal Kerpel, Gustavo Santaolalla, Juan Campodónico, Julio Berta Performer [Vj] – Veronica Loza Photography By – Gustavo Santaolalla Piano, Keyboards, Turntables [Turntable] – Luciano Supervielle Producer – Gustavo Santaolalla, Juan Campodónico Programmed By, Effects [Beats], Effects [Samples] – Juan Campodónico Violin – Alejandro Terán, Damián Bolotín, Guadalupe Tobarías, Javier Casalla, Marta Roca Alonso, Sebastián Prusak Notes El Mareo (track 8) contains a fragment of Encontrar (written by Ignacio Benedetti, Pablo Bonilla and Juan Campodónico) from the album Omar, courtesy of Bo! Tracks. Zitarrosa (track 15) contains recordings of Alfredo Zitarrosa`s voice. Ya No Duele (track 3) contains samples of De Mi Ciudad by Dúo Araza. Chiquilines (track 16) contains a fragment of Vieja Viola by Lágrima Ríos from the album Café De Los Maestros. Recorded at ION (Buenos Aires), La Casa (Los Angeles), campo.rec (Montevideo), Tio Riki (Montevideo), Electric Lady Studios (New York), Sony Studios (Tokyo), Euram Studios (Madrid) and El Cielito (Buenos Aires). Mixed at La Casa (Los Angeles) and in campo.rec (Montevideo). Mastered at Precision Mastering. Publishing: G. Santaolalla: Vasudeva / Universal Music Publishing. J. Campodónico, L. Supervielle, J. Casalla, A. Kerpel, G. Casacuberta, M. Ferres, D. Martin y F. Santullo: Surco Music / Universal Music Publishing. B. y A. Tagle Lara: Editorial Perrotti. H. Correa, O. Frias, E. Rovira: Warner Chappell. C. Garcia: EMI Melograf. ℗ & © 2007 Surco Records J.V. Made in the EU Barcode and Other Identifiers Barcode (Printed): 6 02517 42932 1 Barcode (Scanned): 602517429321 Label Code: LC 00699 Matrix / Runout: (Universal Logo x4) 06025 174 293-2 01 * 51931720 Matrix / Runout (Inner Ring): Made in Germany by EDC B Mastering SID Code: IFPI LV26 Mould SID Code: IFPI 0147 Rights Society: BIEM / SABAM

Stanje kao na fotografijam 49cm x 69cm Uomo upozorio na pola ubijenog ... parole di Spirito Santo, španjolski: ... Y le llamaban El Halcón, poznat i kao Zovu ga Svetim Duhom i El halcón de Sierra Madre) talijanski je 1972. godine. -Španjolski špageti špageti u režiji Giuliana Carnimea, a u glavnoj ulozi Gianni Garko. To je nastavak Zovu me aleluja. Directed by Giuliano Carnimeo Written by Tito Carpi Federico De Urrutia Produced by Luciano Martino Starring Gianni Garko Pilar Velázquez Cinematography Miguel Fernández Mila Music by Bruno Nicolai Release date 1972 Language Italian Gianni Garko as Holy Ghost Pilar Velázquez as Juana Paul Stevens as Samuel Crow Víctor Israel as The Priest Poldo Bendandi as General Ubarte Cris Huerta as Carezza Jorge Rigaud as Don Firmino Nello Pazzafini as Colonel Fortunato Arena as Matadodos Aldo Barberito as Friar John Carlo Gaddi as Fiesta Franco Pesce as Doctor Rick Boyd as Vern Crohn Monica Altomonte Salvatore Baccaro as Spirito Santo`s Men Pietro Ceccarelli Pasquale Coletta Maria D`Incoronato Gildo Di Marco as Spirito Santo`s Men Evi Farinelli Lina Ferri Dada Gallotti Mario Gas Italo Guitto Gianclaudio Jabes as Spirito Santo`s Men Carla Mancini Furio Meniconi Ricardo Moyán as Drunk César Ojinaga as Soldier José Palomo as Fight Spectator Riccardo Petrazzi Mimmo Poli as Barman Gianni Pulone Moisés Augusto Rocha as Boxing coach Thomas Rudy as Lieutenant Claudio Ruffini as Poker Player Amerigo Santarelli as Spirito Santo`s Men Maurizio Tocchi Juan Torres as Esteban Fredy Unger as Cpt. Ortega Ettore Arena as Soldier Mario Dardanelli as Soldier Roberto Dell`Acqua as Card Player Alberigo Donadeo as Soldier of General Ubarte Marcello Meconizzi as Ubarte Soldier Originalan filmski plakat Morava Film

Stanje kao na fotografijma 49cm x 69cm Cosa Nostra je talijansko-francuski krimi neo noir iz 1972. godine u režiji Terencea Younga, producent Dino De Laurentiis, a distribuira Columbia Pictures. Riječ je o adaptaciji istoimene nefiktivne knjige Petera Maasa, a scenarij Stephena Gellera. Priča priču o Josephu Valachiju, informatoru mafije ranih 1960-ih koji je prvi mafijaš koji je priznao postojanje organizacije. U filmu glume Charles Bronson kao Valachi i Lino Ventura kao šef kriminala Vito Genovese, s Jill Ireland, Walterom Chiarijem, Josephom Wisemanom, Geraldom S. O`Loughlinom, Guidom Leontinijem, Amedeom Nazzarijem, Faustom Tozzijem, Pupella Maggio i Angelom Infantijem. Directed by Terence Young Screenplay by Stephen Geller Based on The Valachi Papers by Peter Maas Produced by Dino De Laurentiis Starring Charles Bronson Lino Ventura Jill Ireland Walter Chiari Joseph Wiseman Cinematography Aldo Tonti Edited by Johnny Dwyre Monica Finzi Music by Riz Ortolani Armando Trovajoli Color process Technicolor Production companies De Laurentiis Intermarco S.p.A. Euro-France Films Distributed by S.N. Prodis (France) Columbia Pictures (UK & US) Release date 3 November 1972 [1] Running time 125 minutes Countries Italy France Languages English Italian Box office $17,106,087 Charles Bronson as Joe Valachi Lino Ventura as Vito Genovese Jill Ireland as Maria Reina Valachi Walter Chiari as Dominick Petrilli (`Gap`) Joseph Wiseman as Salvatore Maranzano Gerald S. O`Loughlin as Ryan Guido Leontini as Tony Bender Amedeo Nazzari as Gaetano Reina Fausto Tozzi as Albert Anastasia Pupella Maggio as Letizia Reina Angelo Infanti as Lucky Luciano Alessandro Sperli as Joe Masseria María Baxa as Donna Franco Borelli as Buster from Chicago Anthony Dawson as Federal Investigator Joe Don Baker as Irish Gangster (uncredited) Sabine Sun as Jane (uncredited) Originalan filmski plakat Croatia Film

Stanje kao na fotografijma 49cm x 69cm Emperor of the North Pole, 1973 g. Jedan voz za dve bitange je američki akcijski avanturistički film iz 1973. godine u režiji Roberta Aldricha, u kojem glume Lee Marvin, Ernest Borgnine i Keith Carradine. Kasnije je ponovno objavljen na domaćim medijima (i šire je poznat) pod kraćim naslovom Car Sjevera, koji su tobože odabrali rukovoditelji studija kako ih ne bi zamijenili za dirljivu blagdansku priču. Ovaj originalni naslov omaž je povijesnoj šali među skitnicama iz doba Velike depresije da je najbolji skitnica na svijetu bio `Car Sjevernog pola`, način ismijavanja vlastite očajne situacije, što implicira da bi netko tko vlada nad Sjevernim polom vladati ničim osim ogromnom, neplodnom, hladnom, praznom i oštrom pustoši. Film prikazuje priču o borbi dviju skitnica (posebno protiv `Osnivanja`) tijekom Velike depresije 1930-ih u Oregonu. Njegov je scenarij poprilično značajno nadahnut trima odvojenim, ali međusobno povezanim samoobjavljenim temeljnim spisima iz ranijih desetljeća: poznatijim putopisima Jacka Londona iz 1907., Put, i, dvije manje poznate knjige, obje legendarnim skitnicom `A-No` .-1 `, dopisno ime Leona Ray Livingstona, Tramp skitnice (1913), i njegov putopis iz 1917, Od obale do obale s Jackom Londonom. Carradinein lik, Cigaret, koristi se nadimkom koji je Jack London koristio tijekom svojih skitnica, a poput Londona prikazan je kao mladi suputnik starijeg Livingstonovog A-No.-1 (glumio ga je Marvin), ali tu su (neki ustvrditi) završava sličnost između Carradineina lika i Jacka Londona, jer je Cigaret u filmu prikazana kao nezrela, glasnih usta i ne bistra, nasuprot gracioznom i gracioznom sezonskom veteranu A-No.-1. Directed by Robert Aldrich Screenplay by Christopher Knopf Story by Leon Ray Livingston (uncredited) Jack London (uncredited) Produced by Kenneth Hyman Stan Hough Starring Lee Marvin Ernest Borgnine Keith Carradine Charles Tyner Malcolm Atterbury Harry Caesar Elisha Cook Jr. Liam Dunn Simon Oakland Cinematography Joseph F. Biroc Edited by Michael Luciano Music by Frank De Vol Production company Inter-Hemisphere Distributed by 20th Century Fox Release date May 24, 1973 Running time 118 minutes Country United States Language English Budget $3,705,000[1] Box office $2 million (US/ Canada rentals)[2][3] 251,021 admissions (France) Lee Marvin as A-No.-1 Ernest Borgnine as Shack Keith Carradine as Cigaret Charles Tyner as Cracker Matt Clark as Yardlet Liam Dunn as Smile Simon Oakland as the Policeman Malcolm Atterbury as Hogger Elisha Cook, Jr. as Gray Cat Harry Caesar as Coaly Vic Tayback as Yardman Hal Baylor as Yardman`s Helper Joe Di Reda as Ringer Diane Dye as Girl in Water Robert Foulk as Conductor James Goodwin as Fakir Raymond Guth as Preacher Sid Haig as Grease Tail Karl Lukas as Pokey Stiff Edward McNally as Yard Clerk John Steadman as Stew Bum Dave Willock as Groundhog Lance Henriksen as Railroad Worker (uncredited) Originalan filmski plakat Morava Film

PRVI SVETSKI RAT: Lučijan Boja Naslov Prvi svetski rat : kontroverze, paradoksi, reinterpretacije / Lučijan Boja ; [preveo s rumunskog Dragan Stojanović ; redakcija prevoda Stevan Bugarski] Jedinstveni naslov Primul rǎzboi mondial. srpski jezik Vrsta građe stručna monografija URL medijskog objekta odrasli, ozbiljna (nije lepa knjiž.) Jezik srpski Godina 2015 Izdavanje i proizvodnja Novi Sad : Prometej ; Beograd : Radio-televizija Srbije, 2015 (Novi Sad : Prometej) Fizički opis 106 str. ; 21 cm Drugi autori - osoba Stojanović, Dragan = Stojanović, Dragan Bugarski, Stevan, 1939- = Bugarski, Stevan, 1939- Zbirka Edicija Srbija 1914-1918 ; ǂkolo ǂ2, ǂknj. ǂ4 ISBN 978-86-515-1023-9 (karton) Napomene Prevod dela: ǂPrimul ǂrǎzboi mondial / Lucian Boia Tiraž 1.000 Beleška o autoru: str. 105-106 Napomene i bibliografske reference uz tekst. Predmetne odrednice Prvi svetski rat 1914-1918 Knjige Lučijana Boje su više nego polemička ispitivanja u smislu demitologizacije i otklanjanja zajedničkih mesta u istoriji i, implicintno, u rumunskom mentalitetu. Realni ulog je pisanje zajedničke evropske istorije, oslobođen predrasuda i opšteprihvaćenih teorija. Ova je knjiga nužni i jasni sintetički izraz dosadašnjih autorovih ideja, a glavna joj je tematika ‘utemeljujući događaj sveta u kojem živimo’. Po svojoj moralnoj problematici, po svom zamahu i po svojim katastrofalnim posledicama, koje su se neposredno materijalizovale u drugoj svetskoj konflagraciji, Prvi svetski rat ostaje jedna od najprostresnijih drama novije istorije. A Versajski sistem ostaje čin rođenja sadašnje Evrope Potpuno nova, nekorišćena knjiga. bs

ČEZAR PETRESKU PRIPOVETKE Prevod - S. Petrović Izdavač - Izdavačko preduzeće za književnost, Bukurešt Godina - 1968 195 strana 20 cm Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja   SADRŽAJ: Povratak herojaBegunacDva učiteljaMoj prijatelj Žan Ružin valcerVidranova karijeraUjak iz Amerike Učitelj Dominik Stražeru nije više samVodenica kod Đavolje okuke "Cezar Petrescu (Romanian pronunciation: [ˈt͡ʃezar peˈtresku]; December 1, 1892, Cotnari, Iaşi County– March 9, 1961) was a Romanian journalist, novelist and children's writer. He was inspired by the works of Honoréde Balzac, attempting to write a Romanian novel cycle that would mirror Balzac's La Comédie humaine. He was also under the influence of the Sămănătorul critique of Romanian society. As a journalist, Cezar Petrescu made himself known as one of the editors of the magazine Gâ ndirea, alongside Nichifor Crainic and Lucian Blaga. For a long time, he was a member of the National Peasants' Party, and wrote extensively for its press, especially for Aurora. His major work consists of novels such as Î ntunecare ("Darkening"; 1928), Calea Victoriei (the name of a Bucharest avenue; 1930), Dumenica orbului ("The Blind Man's Sunday"; 1934), and Noi vrem pămâ nt ("We Demand Land"; 1938). Notwithstanding his prolific output as a novelist, Petrescu is mostly remembered for his children's book Fram, ursul polar ("Fram, the polar bear"— the circus animal character was named after Fram, the ship used by Fridtjof Nansen on his expeditions). He is buried in Bellu cemetery, in Bucharest. "   Ako Vas nešto zanima, slobodno pošaljite poruku.

U dobrom stanju! Lucian Goldman (fr. Lucien Goldmann, 1913, Bukurešt, Rumunija - 1970, Pariz, Francuska) - francuski filozof i sociolog, teoretičar marksizma, osnivač genetskog strukturalizma. Rođen je u rumunskoj jevrejskoj porodici. Goldman je studirao na Univerzitetu u Bukureštu, a takođe godinu dana na Bečkom univerzitetu, gde je jedan od teoretičara austro-marksizma, filozof Mak Adler, imao veliki uticaj na njega. 1934. godine dobio je diplomu iz Sorbone. Iste 1934. godine izbačen je iz podzemnog komunističkog saveza omladine Rumunije zbog `trockizma`. Lucien Goldman je 1942. emigrirao u Švajcarsku, gde je radio kao asistent Jean Piaget-a i pridružio se njegovom istraživanju u genetskoj epistemologiji. Godine 1945. preselio se u Pariz, gde je živeo do kraja svog života. Lucien Goldman je bila zaposleni u Nacionalnom centru za naučno istraživanje, kao i profesor na Višoj školi društvenih nauka i na Sorboni. Radio je kao direktor Praktične škole za viši studij 1959-1964. Direktor Centra za sociologiju književnosti od 1964. Ovaj istraživački centar organizovan je na njegovu inicijativu na Slobodnom univerzitetu u Briselu. Goldmanova biografija poslužila je kao izvor za roman francuske književnice i filozofa Julije Kristeve `Samurai` (1990). Naučna aktivnost Na Goldmana je snažno uticao ne-marksizam. Posebno važno za oblikovanje filozofskog pogleda na svet bilo je rano delo George Lukacsa. Na Goldmana je uticala i genetska psihologija Žana Piageta. Goldmanova glavna dela posvećena su istoriji zapadnoevropske filozofije i njenim odnosima sa kulturnim i društvenim pojavama. Goldmanova knjiga „Tajni Bog“ (1955) posvećena je uporednoj analizi filozofskih i religijskih pogleda Blaisa Pascala, Jansenizma i Jeana Racinea.

U dobrom stanju Éditeur ‏ : ‎ Maison des Sciences de l`Homme (30 octobre 2008) Langue ‏ : ‎ Français Broché ‏ : ‎ 248 pages Poids de l`article ‏ : ‎ 422 g Dimensions ‏ : ‎ 15 x 1.5 x 23 cm Alors qu`elle s`interroge, se regarde et se raconte depuis des siècles, l`Europe demeure perplexe au miroir de ses inépuisables productions. Elle est à l`étroit dans les paragraphes étriqués des documents juridiques, elle tend à se soustraire aux appropriations idéologiques de toutes obédiences, dépasse toujours les images d`elle-même qu`elle crée sans relâche, échappe à sa propre histoire comme à ses historiens, à ses géographes et à tous ceux qui s`efforcent de la définir. Mais elle offre à l`expérience et à l`imagination des hommes la richesse infiniment diversifiée de son patrimoine. S`il est encore et toujours difficile de dire l`Europe, du moins peut-on la percevoir et la toucher, surtout en ces lieux singuliers mais innombrables où se livre au regard et à l`esprit un surcroît de sens. Frontières, carrefours, passages, noeuds urbains, vastes plaines, lieux de commémoration ou de mémoire : ce sont quelques-uns d`entre eux qui ont inspiré les auteurs de cet ouvrage. Dire l`Europe, sous leurs plumes croisées, c`est la redire sans cesse dans la multiplicité de ses manifestations particulières. Stella Ghervas est chargée de recherche en histoire à l`Institut universitaire de hautes études internationales de Genève. François Rosset est professeur de littérature et culture françaises à l`Université de Lausanne et à l`Ecole polytechnique fédérale de Lausanne. Avec les contributions de : Wladimir Berelowitch, Denis Bertholet, Lucian Boia, Sofia Dascalopoulos, Pascal Dethurens, Silvio Guindani, Olga Inkova, Lubor Jilek, Bertrand Lévy, Krzysztof Pomian, René Sigrist, Luc Weibel, Eric Widmer

LYNN HAROLD HOUGH THE MEANING OF HUMAN EXPERIENCE Izdavač - Abingdon-Cokesbury Press, New York Godina - 1945 368 strana 24 cm Povez - Tvrd Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: BASIC CONSIDERATIONS Chapter I: CONFRONTING THE HUMAN 1. The Men We Can Scarcely See. 2. The Men of the River Valleys. 3. The Men of Masterful Mind. 4. The Man Who Controls Other Men. 5. The Everlasting Barbarian. 6. The Men of Slippery Mind. 7. The Men Who Made Words Slaves. 8. The Men Who Enshrined Memories. 9. The Men Who Captured Dreams. 10. The Men Who Were Disturbed by the Moral Voice. 11. The Men Who Made Nations. 12. The Men Who Made Republics. 13. The Men Who Made Machines. 14. The Men Who Became Machines. 15. The Interpreters of the Battle of Impulses and Ideas. 16. The Alluring and Betraying Utopias. 17. The Men Who Have Seen Individuals Sharply. 18. The Man Everyman Sees. Chapter II: KNOWING AND THINKING. 1. The Necessary Assumptions. 2. The Possibility of Universal Skepticism. 3. The Mistakes of the Thinkers. 4. Freedom. 5. The Great Correlation: Thinker, Thought, Thing. 6. What the Mind Brings to Experience. Chapter III: THE NATURE OF THE REAL. 1. Materialism. 2. Realism. 3. Idealism. 4. Impersonal Realism. 5. Impersonal Idealism. 6. Personal Realism. 7. Personal Idealism. Chapter IV: THE ULTIMATE PERSON 1. The Ground of a Community of Personal Experience. 2. The Ground of the Existence of Persons. 3. Explaining the Personal by Means of the Impersonal. 4. Explaining the Impersonal by Means of the Personal. 5. Human Personality. 6. Divine Personality. 7. The Security of Experience in the Ultimate Person. 8. Moving Back to the Major Premise from the World of Experience. 9. Moving from the Ultimate Person Back to History. Chapter V: THE SPEECH OF THE GREAT PERSON. 1. The Speech of the Creator. 2. God`s Speech in Man. 3. God`s Speech in Nature. 4. `Natural Theology.` 5. Has God Spoken in the Ethnic Religions? 6. Classification of Religions. 7. The Ethnic Religions and `Natural Theology.` 8. The Ethnic Religions and Revelation. 9. Is There a Higher Revelation? THE HEBREW-CHRISTIAN WITNESS Chapter VI: THE RELIGIOUS EXPERIENCE OF ISRAEL. 1. The Adventure of Man with Nature. 2. The Adventure of Man with Man. 3. The Adventure of Man with God. 4. The Unique Adventure in Palestine. 5. The God with a Character. 6. Borrowing and Transform- ing. 7. Things Left Behind. 8. Truths Apart from Experience. 9. Truth in Experience. 10. The Striking Individuals. 11. The Dedicated People. Chapter VII: THE HEBREW PROPHETS. 1. Elijah and Elisha. 2. Amos. 3. Hosea. 4. Isaiah. 5. Micah. 6. Jeremiah. 7. Nahum. 8. The Isaiah of the Exile. 9. Ezekiel. 10. God Meets Men at the Central Place of Their Own Experience. Chapter VIII: `THE REIGN OF LAW`. 1. Old Testament Laws. 2. Law as Convention. 3. Law as Ritual. 4. Natural Law. 5. Law as the Correlation of Human Sanctions. 6. Law as the Correlation of Divine Sanctions. 7. The Law in the Heart. Chapter IX: THE BATTLE WITH DOUBT AND THE LYRICAL VOICES 1. Habakkuk. 2. Job. 3. The Hero of the Book of Psalms. 4. The Indi- vidual Experiences of the Book of Psalms. 5. The Humanism of the Psalms. 6. The Evangelical Note in the Psalms. 7. The Law Is Taught to Sing. 8. Social Insights of the Psalms. 9. The Tragedies of the Book of Psalms. 10. The Triumphant Joy of the Psalms. 11. The Hallelujah Chorus. Chapter X: SERMONS ON HISTORY. 1. Samuel. 2. Saul. 3. David. 4. Solomon. 5. The Choice of Rehoboam. 6. Hezekiah. 7. Josiah. 8. The Living Forces in History. 9. The Divine Meanings in History. Chapter XI: THE STORY OF A BRIDGE 1. The Exile. 2. The Return from Exile. 3. The Resurrection of the Nation. 4. Persia. 5. Babylon. 6. Alexandria. 7. The Decadent Greeks. 8. The Great Patriots. 9. Rome. 10. The Fresh Insights. 11. Casually Accepted Beliefs. 12. The New Imperial World. Chapter XII: THE HUMAN LIFE DIVINE 1. The Portrait of Christ in the Gospels. 2. Vital Perfection. 3. The Compelling Person. 4. The Words. 5. The Great Insights. 6. The Deeds and the Life. 7. The Great Invitation and the Great Divide. 8. The Personal Experience Back of the Gospels. 9. The Criticism of Christian Experience. 10. The Human Life Divine. Chapter XIII: RELIGION AS REDEMPTION 1. Ideas Connected with Religion as Redemption. 2. The Classical Form of Christian Experience. 3. Some Historical Examples. 4. The Reverse Approach to Paul Through Twenty Centuries of Christian Experience. 5. The Pauline Theology and Classical Christianity. 6. `Other Sheep.` 7. Great Christians Who Were Not Evangelicals. 8. The Soft Substitutes. 9. The Modern Experience of Redemption. Chapter XIV: RELIGION AS APOCALYPSE 1. The Conditions of the Rise of Apocalyptic Literature. 2. Sense of Complete Frustration in the Presence of Evil Powers. 3. The Faith of the Hopeless Minority. 4. The Appeal from the Acts of Men to the Acts of God. 5. Mysterious Symbolisms Whose Central Message Is Obvious to the Oppressed. 6. Apocalyptic Writing as a Literature of Consolation. 7. Apocalyptic Writing as a Literature of Triumphant Hope. 8. Apocalypse as a Philosophy of History. 9. Modern European Theology and the Apocalyptic Mood. 10. The Permanent Significance of the Apocalyptic Elements in the Christian Religion. Chapter XV: THE QUEEN OF THE SCIENCES 1. Science as Measurement. 2. The Larger Conception of Science. 3. Theology, the Keystone of the Arch. 4. Exegetical Theology. 5. Biblical Theology. 6. Philosophical Theology. 7. The Greek Theology. 8. The Latin Theology. 9. The Intellect and the Will. 10. The Reformation Takes Theological Forms. 11. The Theology of Fulfillment. 12. The Theology of Crisis. 13. The Theology of Social Action. 14. The Great Synthesis. THE HUMANISTIC TRADITION Chapter XVI: THY SONS, O GREECE. 1. The Living Process. 2. The Mingling of Primitive and Civilized Life. 3. The Direct Gaze at Nature. 4. The Direct Gaze at Man. 5. The Dangerous Gift of Abstraction: the Good, the Beautiful, and the True. 6. The Living Faith in the Ideal. 7. The Halfway Houses: the Things Which Seem Better than Gods; the Virtues Which Have Fruits Without Roots. 8. The Deliverance from Abstraction. 9. Athens and Jerusalem. Chapter XVII: CRITICS OF MANY LANDS 1. The Voice of the Critic. 2. Through the Eyes of Aristotle. 3. Longinus and the Great Soul. 4. Cicero and the Battle Between Appetite and Reason. 5. Quintilian Directs the Man with a Voice. 6. Lucian Scorns His World. 7. Boethius Confronts Tragedy. 8. Thomas Aquinas Finds Reason in Theology. 9. Pico della Mirandola Finds the Dignity of Man. 10. Francis Bacon Turns to Nature and Misunderstands Human Values. 11. Dryden Comes to His Throne. 12. France Attains a Fine Certainty. 13. The Coffee House Becomes Articulate. 14. Dean Swift Castigates. 15. Dr. Johnson Pontificates. 16. Burke Beholds Sublimity. 17. Sainte-Beuve Writes Royally. 18. Carlyle`s Clouds and Darkness and Flashing Light. 19. Matthew Arnold Remembers the Best That Has Been Thought and Said in the World. 20. Ruskin Teaches Beauty to Face Social Responsibility. 21. Saintsbury, the Hedonist. 22. Physics and Biology Rampant. 23. The Freudians Inspire Literary Criticism. 24. The Social Radicals Have Their Day in Court. 25. Humanism Becomes Mighty in Irving Babbitt. 26. Humanism Becomes Christian in Paul Elmer More. 27, Evangelical Humanism Chapter XVIII: FICTION FINDS TRUTH AND FALSEHOOD 1. Escape. 2. Adventure. 3. Vicarious Satisfaction. 4. By the Light of a Thousand Campfires. 5. By the Lamps of a Thousand Libraries. 6. By the Fireplaces of a Thousand Homes. 7. The Isolated Reader Who Finds a Society in Books. 8. Fiction Heightens and Dramatizes Life. 9. Fiction Photographs Human Life. 10. Fiction Brings Back Golden Memories. 11. Fiction Brings Back Memories That Corrode and Burn. 12. Fiction Criticizes Life. 13. Fiction Records the Adventures of the Soul. 14. Fiction as the Voice of the Body. 15. Fiction Gives Life to Great Hopes. 16. Fiction Interprets Life. 17. Fiction and the Rights of the Soul Chapter XIX: POETRY OPENS AND CLOSES ITS EYES 1. Homer. 2. The Greek Tragedians. 3. Vergil. 4. Dante. 5. Chaucer. 6. Spenser. 7. Shakespeare. 8. Marlowe. 9. O Rare Ben Jonson. 10. John Donne. 11. Other Metaphysical Poets. 12. Alexander Pope. 13. John Keats. 14. Shelley. 15. Lord Byron. 16. Wordsworth. 17. Browning. 18. Tennyson. 19. Goethe. 20. Longfellow. 21. Lowell. 22. Whitman. 23. Hardy. 24. D. H. Lawrence. 25. Robert Bridges. 26. Edwin Arlington Robinson. 27. T. S. Eliot. 28. Robert Frost. 29. Decadent Poetry. 30. Finding One`s Way. Chapter XX: BIOGRAPHY HIDES AND TELLS ITS SECRETS 1. How Much Can We Know About Particular People? 2. How Much Can Particular People Know About Themselves? 3. Can We Know a Man`s Secret? 4. Through the Civilized Eyes of Plutarch. 5. Through the Spacious Eyes of Macaulay. 6. The Sensitive Plate of Sainte-Beuve. 7. The Biographical Detective Appears in Gamaliel Bradford. 8. The Perceptive Analysis of Gilbert Chesterton. 9. The Heroes. 10. The Saints. 11. The Statesmen. 12. The Thinkers. 13. The Scientists. 14. The Preachers. 15. The Reformers. 16. The Women. 17. The Men. 18. The Valley of Decision Chapter XXI: HISTORY AND THE CHRISTIAN SANCTIONS 1. The Breakdown of the Older States. 2. The Debacle in Greece. 3. The Debacle in Rome. 4. The Debacle in the Middle Ages. 5. The Debacle in the Renaissance. 6. The Debacle in the Reformation. 7. The Debacle in the Enlightenment. 8. The Debacle of the French Revolution. 9. The Debacle in the Society of Science. 10. The Debacle of the Society of Social Blueprints. 11. The Debacle in the Society of the Machine Age. 12. The Debacle of the Great Reversion. 13. Democracy Faces Fate. 14. The Judgment of the Christian Sanctions. THE EVANGELICAL SYNTHESIS Chapter XXII: ALL THE STREAMS FLOW TOGETHER. 1. Physical Well-Being. 2. Moral Well-Being. 3. Intellectual Well-Being. 4. Spiritual Well-Being. 5. Social Well-Being. 6. The Tragedy of Ignorance. 7. The Solution of the Problem of Ignorance. 8. The Tragedy of Incompleteness. 9. The Solution of the Problem of Incompleteness. 10. The Tragedy of Sin. 11. The Solution of the Problem of Sin. 12. The Tragedy of Social Disintegration. 13. The Solution of the Problem of Social Disintegration. 14. The Religion of Revelation. 15. The Religion of the Incarnation. 16. The Religion of the Cross. 17. Christus Imperator. Chapter XXIII: THE TRAGEDY OF THE GREAT GREGARIOUSNESS 1. The All-Inclusiveness of Hinduism. 2. The Nest of Fallacies. 3. You Cannot Affirm a Thing Without Denying Its Opposite. 4. A Relative Insight Is Not an Insight. 5. A Relative Loyalty Is Not a Loyalty. 6. A Relative Truth Is Not a Truth. 7. The Ladder of Confusion. 8. The Great Gregariousness Becomes the Complete Blackout. 9. The Great Distinctions. 10. The Living Corpus of Dependable Truth. Chapter XXIV: THE TRANSFIGURATION OF ETHICS. 1. Codes and Practice. 2. The Man with Ethical Experience. 3. The Personal and the Impersonal. 4. The Great Dilemma. 5. The Solution of the Antinomian. 6. The Conventional Solution. 7. The Solution of Those Who Get Lost in Details. 8. The Solution of a Shrewd Prac- ticality. 9. The Solution of Despair. 10. The Solution of Faith. 11. The Searching Power Which Christianity Brings to Ethics. 12. The New Spirit Which Christianity Brings to Ethics. 13. The Lyrical Gladness Which Christianity Brings to Ethics. 14. Christianity and the Creative Ethical Life. Chapter XXV: BEYOND THESE VOICES. 1. The Creature Who Must Have Eternity. 2. The Claims of the Unful- filled. 3. The Claims of Those Who Cry Out Against the Injustices of Time. 4. Man Without Eternity. 5. Eternity Without Man. 6. The Faith Written in the Soul of Man. 7. The Men of Social Passion Who Fear the Belief in Immortality. 8. The Final Adjudication. 9. The Faithful God. Index Ako Vas nešto zanima, slobodno pošaljite poruku. Aristotle Matthew Arnold Athanasius Karl Barth Robert Browning Oscar Cargill Cicero Charles Dickens William Fairweather Charles Kingsley Martin Luther William Robertson Nicoll Plato Socrates