spisak pesama: 1 Cose Della Vita (Can't Stop Thinking Of You) Featuring Tina Turner 2 Fino All'estasi Featuring Nicole Scherzinger 3 Inevitabile Featuring Giorgia 4 I Belong To You (Il Ritmo Della Passione) Featuring Anastacia 5 Non Siamo Soli Featuring Ricky Martin 6 Più Che Puoi Featuring Cher 7 Musica È Featuring Andrea Bocelli 8 Fuoco Nel Fuoco Featuring Carlos Santana 9 La Luce Buona Delle Stelle Featuring Patsy Kensit 10 Un Attimo Di Pace Featuring Take 6 11 Solo Un Volo Featuring Ornella Vanoni 12 Amarti È L'immenso Per Me Featuring Antonella Bucci 13 Anche Tu Featuring RAF 14 Se Bastasse Una Canzone Featuring Luciano Pavarotti 15 Un'emozione Per Sempre Featuring The Chieftains

George Michael – Songs From The Last Century Made in South Africa. Booklet na 16 strana. Disk u odličnom stanju. Label: Virgin – CDVIR (WE) 455, Aegean – CDVIR (WE) 455 Format: CD, Album Country: South Africa Released: 1999 Genre: Jazz Style: Big Band, Swing Songs from the Last Century is the fourth studio album by the English singer-songwriter George Michael, released on 6 December 1999 by Aegean Records and Virgin Records. Produced by Phil Ramone and George Michael, it was his only album of cover versions. It consists mainly of old jazz standards plus new interpretations of more recent popular songs, such as `Roxanne` by The Police and `Miss Sarajevo` by U2[nb 1] and Brian Eno with Luciano Pavarotti. `Roxanne` was released as a single in other countries except the United Kingdom.

OMOT 3 NEMA MALI DEO ĆOSKA OMOTA. OMOT BIO POKVAŠEN LP 5- SLIKA PLOCE UZETA SA SAJTA Label: Produkcija Slovenija ‎– SLP 002 Format: Vinyl, LP, Album Country: Yugoslavia Released: 1986 Genre: Rock Style: Alternative Rock, Indie Rock Tracklist Hide Credits A1 The Ocean`s Taste Bells [Synth] – Andrea Flego A2 One Day A3 Worn To A Shadow (Includes `Some Kind Of Morning`) Music By – Edda Viler B1 The Curse Synthesizer – Andrea Flego B2 Stranger At Home B3 For Me B4 Snowdrop Credits Arranged By – Idiogen Artwork By – Andrea Flego Bass – Drago Hrvatin, Žare Pavletič (tracks: A1, A3, B4) Directed By [Odgovorni Urednik ] – Boris Furlan Drums – Damijan Barut Guitar, Vocals, Music By, Lyrics By, Producer – Andrea Flego Photography [Colour] – Luciano Kleva Recorded By, Mixed By – Igor Kos Notes A1, A3, B4 recorded in May 1985 in `IKOS` Studio, Povir, Yugoslavia. A2, B1, B2, B3 recorded in January 1986 in `Slovenija` Studio, Koper, Yugoslavia. Other Versions (1 of 1) View All

Freud Lucian Freud (1922–2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud’s sitting process for portraiture and Sigmund Freud’s psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud’s portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.This book brings together some of Freud’s most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.

OMOT 5 PLOCA 5 TELDEC ‎– 244 959-2 Format: 2 × CD, Compilation Country: Germany Released: 1989 Genre: Electronic, Pop, Folk, World, & Country Style: Chanson, Pop Rock, Disco, Folk, Schlager, Synth-pop, Ballad Tracklist 1-1 –Al Martino Spanish Eyes 2:47 1-2 –Bert Kaempfert Strangers In The Night 3:20 1-3 –Howard Carpendale Hello Again 3:35 1-4 –Angelika Milster Erinnerungen 3:50 1-5 –Chris Norman Midnight Lady 4:08 1-6 –Roland Kaiser Santa Maria 4:03 1-7 –Masquerade (5) Guardian Angel 4:24 1-8 –Julie Covington Don`t Cry For Me Argentina 5:18 1-9 –Tom Jones Delilah 3:22 1-10 –Nini Rosso Il Silenzio 3:06 1-11 –Karel Gott Weißt Du Wohin (Schiwago Melodie) 2:40 1-12 –Vico Torriani Capri Fischer 3:27 1-13 –Orchester Henry Mancini* Moon River 2:41 1-14 –Lee Towers New York, New York 3:07 1-15 –Richard Clayderman Ballade Pour Adeline 2:37 1-16 –Udo Jürgens Griechischer Wein 4:03 2-1 –ABBA Fernando 4:11 2-2 –Elton John Crocodile Rock 3:56 2-3 –Stephan Remmler Keine Sterne In Athen 3:07 2-4 –Caterina Valente & Silvio Francesco Quando - Quando 2:46 2-5 –Billy Vaughn Sail Along Silv`ry Moon 2:11 2-6 –Boney M. Rivers Of Babylon 3:59 2-7 –Danyel Gerard* Butterfly 3:27 2-8 –Tommy Steiner Die Fischer Von San Juan 4:07 2-9 –Jürgen Von Der Lippe Guten Morgen Liebe Sorgen 2:50 2-10 –Baccara Yes Sir, I Can Boogie 4:33 2-11 –Alain Barriere* Tu Ten Vas 4:19 2-12 –Lale Andersen Lili Marleen 2:47 2-13 –Nicole (2) Ein Bißchen Frieden 3:02 2-14 –Gerhard Wendland Tanze Mit Mir In Den Morgen 2:51 2-15 –Heino La Paloma 3:25 2-16 –Luciano Pavarotti O Sole Mio 3:21 Companies, etc. Phonographic Copyright (p) – TELDEC Record Service GmbH Copyright (c) – TELDEC Record Service GmbH

Autor: Lusijano NosetoU Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja.Lusijano NosetoU poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće imnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Opis proizvoda U Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja. Lusijano Noseto U poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće imnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Autor - osoba Blaga, Lucian Naslov Božja senka / Lučijan Blaga ; [izbor, prevod i pogovor Petru Krdu] Vrsta građe poezija Jezik srpski Godina 1995 Izdavanje i proizvodnja Beograd : Rad, 1995 (Beograd : Zuhra) Fizički opis 76 str. ; 18 cm Drugi autori - osoba Cârdu, Petru, 1952-2011 = Krdu, Petru, 1952-2011 Cioran, Emil, 1911-1995 = Sioran, Emil, 1911-1995 Zbirka Reč i misao ; knj. 462 Napomene Vedrina svetlo-tamnog i Lučijan Blaga zaštićen njome / Petru Krdu: str. 63-68 Unutrašnji stil Lučijana Blage / Emil Sioran: str. 69-73. Predmetne odrednice Blaga, Lučijan, 1895-1961 Lučijan Blaga (1895–1961) je jedan od stubova nosača rumunske kulture i duhovnosti čije ime stoji odmah posle velikog Mihaila Emineskua (1850–1889). Snažni glas iz Transilvanije, poreklom iz Erdelja, iz okoline Sebeša, 1920. godine doktorirao je filozofiju u Beču, ali je ubrzo pokrenuo književni časopis „Misao“ i time odredio svoj pesnički put. Neko vreme radio je u diplomatiji u Varšavi, Pragu, Beču, Brnu, a član Rumunske akademije postao je 1937. godine. Posle Drugog svetskog rata, silom prilika, povukao se u unutrašnje izgnanstvo i posvetio isključivo pisanju/mišljenju... MG95 (L)

AUDIO CD DISK 10CD 5 BOX SET 5 THE INTENSE MEDIA 232545 MADE IN GERMANY Pop,Schlager,Chanson 1-1.Carla Boni – Mambo Italiano 1-2.Fred Buscaglione – Che Bambola 1-3.Caterina Valente – Tipitipipso 1-4.Guanno È Sera – Come E Bello Fa` L`amore 1-5.Renato Rascel – Arrivederci Roma 1-6.Mantovani – Charmaine 1-7.Achille Togliani – La Signora Di Trent` Anni Fa 1-8.Alberto Rabagliati – Tu Musica Divina 1-9.Aldo Donà – Serenata Ad Un Angelo 1-10.Clara Jaione – Alle Terme Di Crafall 1-11.Trio Lescano – Ultimissime 1-12.Ernesto Bonino – Black And Jonny 1-13.Giuseppe Lugo – Lo Non Posso Cantare Alla Luna 1-14.Gigi Beccaria – Argentina 1-15.Lidia Martorana – Il Mio Amore Sta In Soffita 1-16.Natalino Otto – Alfabeto Musicale 1-17.Norma Bruni – Silenzioso Slow 1-18.Vittorio Paltrinieri – Ricordando Aprile 1-19.Silvana Mangano – T`ho Voluto Bene 1-20.Quartetto Cetra – Johnny Ed Alice 1-21.Oscar Carboni – Madonna Amore 2-1.Domenico Modugno – La Cicoria 2-2.Claudio Villa – Spazzacamino 2-3.Alberto Sordi – Nonnetta 2-4.Caterina Valente – Granada 2-5.Natalino Otto – Mogliettina 2-6.Nilla Pizzi – Eternamente 2-7.Sergio Bruni – Margellina 2-8.Alberto Rabagliati – Brilla Una Stella In Ciel 2-9.Carla Boni – Notti De New York 2-10.Ernesto Bonino – A Quindici Anni 2-11.Ernesto Bonino – Vado A Spasso 2-12.Carla Dupont – Perfida (Tonight) 2-13.Claudio Villa – Tre Fontane 2-14.Dea Garbaccio – Besame Mucho 2-15.Duo Fasano – Buscabiramba 2-16.Elena Beltrami – Mi Sento Tua 2-17.Gigi Beccaria – La Barchetta In Mezzo Al Mare 2-18.Natalino Otto – Son Belle 2-19.Oscar Carboni – Madonna Amore 2-20.Quartetto Stars – Noi Siamo Quelli Dello ``sci-sci`` 2-21.Carlo Savina – Malaguena 3-1.Wanda Osiris – Sentimental 3-2.Luciana Gonzales – La Vita E Un Paradiso Di Bugie 3-3.Vittorio Belleli – Cosa Farai Di Me? 3-4.Trio Lescano – Tornerai 3-5.Teddy Reno– Eterno Ritornello (Te Vojo Ben) 3-6.Silvana Fioresi – Il Mio Nome E Donna 3-7.Quartetto Cetra – Il Visconte Di Castelfombrone 3-8.Oscar Carboni – Serenata Serena 3-9.Odoardo Spadaro – Sulla Carrozzella 3-10.Norma Bruni – Amami Di Pi 3-11.Natalino Otto – Da Te Era Bello Restar 3-12.Meme Bianchi – Sinfonia D`amore (Symphonie) 3-13.Lino Carenzio – Cantante Di Jazz 3-14.Lina Termini – Ma L`amore No 3-15.Lidia Martorana – Che Mele 3-16.Alberto Rabagliati – Paradiso Perduto 3-17.Fred Buscaglione – Le Rififi 3-18.Flo Sandon`s – Ancora Ci Credo 3-19.Duo Fasano – I Ragazzi Dello Swing 3-20.Nilla Pizzi – Vivere Baciandoti 3-21.Claudio Villa – Borgo Antico 4-1.Alberto Rabagliati – Ba-Ba Baciami Piccina 4-2.Luciano Tajoli – Terra Straniera 4-3.Bruno Rosettani – Zucchero E Pepe 4-4.Renato Carosone – La Pans 4-5.Carla Boni – Casetta In Canada 4-6.Nilla Pizzi – La Vita E Un Paradiso Di Bugie 4-7.Alberto Rabagliati – La Vie En Rose 4-8.Achille Togliani – Varsavia Beguine 4-9.Alberto Rabagliati – Ba-Ba-Baciami Oiccina 4-10.Ernesto Bonino – Conosci Mia Cugina 4-11.Aldo Donà – Venezia la Lune E Tu 4-12.Quartetto Andreis – L`hai Voluto Te 4-13.Brenda Gioi & Narciso Parigi – Lo Zampognaro Del Molise 4-14.Aldo Masseglia – Tu Che Ti Chiami Amor 4-15.Carla Boni – La Creola Che Danza 4-16.Ebe De Paulis – Munasterio `e Santa Chiara 4-17.Claudio Villa – Mandolinatella 4-18.Armando Broglia – T`amo 4-19.Duo Fasano – I Ragazzi Dello Swing 4-20.Dea Garbaccio – Rhum E Coca-Cola 4-21.Natalino Otto & Luciano Zuccheri – Mister Paganini 5-1.Fausto Cigliano – Che M` E`mparato A Fa` 5-2.Giacomo Rondinella – Maruzzella 5-3.Trio Lescano – E` Quel Foxtrot 5-4.Gigi Beccaria – Eulalia Torricelli (Da Forl) 5-5.Silvana Fioresi & Ernesto Bonino – Bionda, Mia Bella Bionda 5-6.Alberto Rabagliati & Michele Montanari – Canto Dei Volontari 5-7.Oscar Carboni – Madonna Delle Rose 5-8.Sergio Bruni – La Funtanelle 5-9.Leo Moles Con II Astarita – Mauzzella 5-10.Lidia Martorana – Paquito Lindo 5-11.Luciano Tajoli – Senza Più Serenate 5-12.Maria Dattoli – Il Mago Dello Swing 5-13.Meme Bianchi – Una Romantica Avventura 5-14.Quartetto Cetra – Peppone Il Cacciatore 5-15.Claudio Villa – O Sole Mio 5-16.Nino Taranto – Chella Ll 5-17.Silvana Fioresi, Gianni Di Palma – Piemontesina 5-18.Tati Casoni – Ba-Ba-D 5-19.Quartetto Cetra – Crapa Pelada 5-20.Vittorio Paltrinieri – Mi Piace D`esser Triste 5-21.Wanda Osiris – Ti Parlerò D`amor 6-1.Alberto Rabagliati – Quando Canta Rabagliati 6-2.Silvana Fioresi – Il Pesce L`uccellino 6-3.Claudio Villa – L` Ultima Serenata 6-4.Tullio Mobiglia – Swing Piu Nove 6-5.Sestetto Be-Bop Gilberto Cuppini – Opus One-Ralf [Opus One-Half] 6-6.Natalino Otto – Hey! Ba-Ba-Re-Bop 6-7.Alberto Rabagliati – Oi Mari 6-8.Gorrni Kramer – Teresina Ven De Bas 6-9.Domenico Modugno – Lazzarella 6-10.Roberto Murolo – Anema E Core 6-11.Tonina Torrielli – Amami Se Vuoi 6-12.Franco E I `G. 5`– Timberjack 6-13.Quartetto Cetra – Radames 6-14.Vittoria Mongardi – Non Dimenticar 6-15.Vittorio Belleli – Un Quartierino Sul Grattacielo 6-16.Ernesto Bonino – Genovesina 6-17.Gigi Beccaria – Rumba Tab 6-18.Natalino Otto – Buona Sera Avvocato 6-19.Tina De Mola – Il Cielo E Tornato Sereno 6-20.Trio Lescano – Contemplazione 6-21.Aldo Donà– Serenata Ad Un Angelo 7-1.Flo Sandon`s – El Negro Zumbon (Anna) 7-2.Tati Casoni – Ba-Ba-D 7-3.Oscar Carboni – Quando La Luna Gioca A Nasconderella 7-4.Gabriella Alciato – Minnie Di Trinidad 7-5.Italia Vaniglio – Brazil (Aquarela Do Brasil) 7-6.Luciana Dolliver – Una Notte A Madera 7-7.Nilla Pizzi – Cocoric 7-8.Gigi Beccaria – A Costarica 7-9.Aldo Donà – Sette Ballerine 7-10.Alberto Rabagliati – Bahia 7-11.Aldo Donà – Suona Balalaika 7-12.Dea Garbaccio – Amor, Amor, Amor 7-13.Dea Garbaccio – Besame Mucho 7-14.Alberto Rabagliati – Amigos Vamos A Baillar 7-15.Gigi Beccaria – Rumba Tab 7-16.Antonio Basurto – Mandulinate `e Sera 7-17.Oscar Carboni – Cantando All`italiana 7-18.Jone Cacciagli – Il Nonno Americano 7-19.Aldo Donà – Toute La Semaine (Tutta La Settimana) 7-20.Maura Mauri – Nostalgia Di Te 7-21.Aldo Donà – Non V`innamorate 8-1.Gino Latilla – Tutte Le Mamme 8-2.Domenico Modugno – La Donna Riccia 8-3.Silvana Mangano – T`ho Voluto Bene 8-4.Tullio Mobiglia – L` Orchestra Pazza 8-5.Nella Colombo – Mamma Mi CI Vuole Un Findanzato 8-6.Elio Lotti – Che Musetto 8-7.Alberto Rabagliati – Ba-Ba-D-Baciami Piccina 8-8.Flo Sandon`s – Johnny Guitar 8-9.Katyna Ranieri – Canzone Da Due Soldi 8-10.Marina Paris – E Stelle `e Napule 8-11.Carla Boni – Il Mago Bak 8-12.Aldo Ciardi – Brazil 8-13.Giorgio Consolini – Madonna Ornella 8-14.Isa Barzizza – Oggi E Nato L`amore 8-15.Alberto Rabagliati – C`e Una Chiesetta 8-16.Natalino Otto – Ho Licenziato La Cameriera 8-17.Gigi Beccaria – Ci-Ca Ci-Ca Bum 8-18.Oscar Carboni – Stelle Di Spagna 8-19.Franco E I `G. 5` – Fiesta 8-20.Trio Lescano – C`è Un`orchestra Sincopata 8-21.Quartetto Cetra – Candy 9-1.Natalino Otto – Ho Un Sassolino Nella Scarpa 9-2.Giacomo Rondinella – Malafemmena 9-3.Nilla Pizzi – Papaveri E Papere 9-4.Renato Rascel – Te Voglio Bene (Tanto Tanto) 9-5.Nilla Pizzi – O Mama Mama 9-6.Marisa Del Frate – Malinconico Autunno 9-7.Odoardo Spadaro – Qualche Filo Bianco 9-8.Odoardo Spadaro – Sera 9-9.Quartetto Stars – Il Re Del Portogallo 9-10.Trio Lescano – Tulipan 9-11.Fred Buscaglione – Porfirio Villarosa 9-12.Caterina Valente – Brava Caterina! 9-13.Domenico Modugno – U Pisci Spada 9-14.Katyna Ranieri – Non E` Mai Troppo Tardi 9-15.Nilla Pizzi – Dopo Di Te 9-16.Domenico Modugno – Vecchio Frack 9-17.Vittorio Belleli – Vieni, Vieni 9-18.Norma Bruni – Silenzioso Slow 9-19.Nilla Pizzi – Manana Por La Manana 9-20.Oscar Carboni – Il Pianino Di Napoli 9-21.Lina Termini – Lill Marleen 10-1.Trio Lescano – Oh! Ma-Ma 10-2.Ernesto Bonino – Musica Maestro 10-3.Otello Boccaccini – Madonna Fiorentina 10-4.Silvana Fioresi – Ti Compreò L`armonica 10-5.Oscar Carboni – Serenata Celeste 10-6.Aldo Donà – Perdonami 10-7.Lidia Martorana – Lover Man 10-8.Nilla Pizzi – Grazie Dei Fior 10-9.Katyna Ranieri – Amami Se Vuoi 10-10.Alberto Rabagliati – I Speak English 10-11.Beniamino Gigli – Mamma 10-12.Alberto Rabagliati – Guarda Un Po` 10-13.Flo Sandon`s – Angeli Senza Cielo 10-14.Nilla Pizzi – Oh Pap 10-15.Caterina Valente – Fiesta Cubana 10-16.Gilberto Mazzi – Mille Lire Al Mese 10-17.Gigi Beccaria – Il Valzer Del Boogie-Woogie 10-18.Giorgio Consolini – Madonna Ornella 10-19.Peppino di Capri– Il Nostro Concerto 10-20.Carla Boni, Gino Latilla – Marieta (Monta In Gondola) 10-21.Caterina Valente – Melodia D`amore

Keeping An Eye Open: Essays On Art Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud.

Dvojezična knjiga na rumunskom i engleskom, prepuna sjajnih ilustracija, karikatura i crteža. The Norma d\`Lux art album (Brumar house, Timişoara, Point collection, 2016) contains a selection of the more than 700 drawings that form the online project of the Balamuc group entitled Norma – a drawing per day/radical take out of Pi, organized in depending on the theme in 13 chapters dealing with various subjects, about art and society, from social to political. The bilingual album has two prefects (Dana Sarmeș and Dan Perjovschi), 256 unnumbered pages, 1400 g, cover and overcover, and is published through the efforts of the Contrasens Association, with the financial support of AFCN. Norma d\`Lux illustrates Balamuc`s main project, used mostly to try out ideas and vent frustrations from every day in almost anonymous drawings posted online, more or less daily, on the Facebook page, since 2014. Other visual artists were invited to participate in this project, whose drawings are reproduced in the Supadupa Invites chapter: Sorina Vazelina, pnea, Neuro Book, Ileana Surducan, Maria Surducan, Mimi Ciora, Mircea Popescu, Dana Catona, Monotremu, Ioana Vreme Moser, Lucian Popovici, Aitch, Saddo, Katja Spitzer, Gloria Vreme Moser, Dan Perjovschi and Suzana Dan. Više informacija: https://romaniandesignweek-ro.translate.goog/portofoliu/norma-dlux?_x_tr_sl=ro&_x_tr_tl=en&_x_tr_hl=en-US# Odlično očuvano, jedino je dustjacket malo cepnut prilikom transporta, sve ostalo je kao novo 2016. godina, Brumar 254 strane Tvrd povez Veliki format

Original, made in EU novo nekoristeno ali nema celofan 2CD Frank Sinatra ‎– Duets And Duets II Label: Capitol Records ‎– 0946-3-42807-2-3, EMI ‎– 342 8072 Format: 2 × CD, Compilation, 90th Birthday Limited Collector`s Edition Country: UK & Europe Released: 22 Nov 2005 Genre: Jazz Style: Soul-Jazz, Big Band, Easy Listening TracklistHide Credits Duets 1-1 The Lady Is A Tramp Featuring [Duet With] – Luther Vandross 3:25 1-2 What Now, My Love? Featuring [Duet With] – Aretha Franklin 3:15 1-3 I`ve Got A Crush On You Featuring [Duet With] – Barbra Streisand 3:24 1-4 Summer Wind Featuring [Duet With] – Julio Iglesias 2:33 1-5 Come Rain Or Come Shine Featuring [Duet With] – Gloria Estefan 4:04 1-6 New York, New York Featuring [Duet With] – Tony Bennett 3:30 1-7 They Can`t Take That Away From Me Featuring [Duet With] – Natalie Cole 3:11 1-8 You Make Me Feel So Young Featuring [Duet With] – Charles Aznavour 3:06 1-9 Guess I`ll Hang My Tears Out To Dry / In The Wee Small Hours Of The Morning Featuring [Duet With] – Carly Simon 3:57 1-10 I`ve Got The World On A String Featuring [Duet With] – Liza Minnelli 2:19 1-11 Withcraft Featuring [Duet With] – Anita Baker 3:22 1-12 I`ve Got You Under My Skin Featuring [Duet With] – Bono 3:33 1-13 All The Way / One For My Baby (And One More For The Road) Featuring [Duet With] – Kenny G (2) 6:04 Duets II 2-1 For Once In My Life Featuring [Duet With] – Gladys Knight, Stevie Wonder 3:18 2-2 Come Fly With Me Featuring [Duet With] – Luis Miguel 3:08 2-3 Bewitched Featuring [Duet With] – Patti LaBelle 3:31 2-4 The Best Is Yet To Come Featuring [Duet With] – Jon Secada 3:13 2-5 Moonlight In Vermont Featuring [Duet With] – Linda Ronstadt 4:07 2-6 Fly Me To The Moon Featuring [Duet With] – Antonio Carlos Jobim 3:06 2-7 Luck Be A Lady Featuring [Duet With] – Chrissie Hynde 5:17 2-8 A Foggy Day Featuring [Duet With] – Willie Nelson 2:24 2-9 Where Or When Featuring [Duet With] – Eydie Gorme*, Steve Lawrence (2) 3:54 2-10 Embraceable You Featuring [Duet With] – Lena Horne 3:46 2-11 Mack The Knife Featuring [Duet With] – Jimmy Buffett 4:27 2-12 How Do You Keep The Music Playing? / My Funny Valentine Featuring [Duet With] – Lorrie Morgan 3:58 2-13 My Kind Of Town Featuring [Duet With] – Frank Sinatra Jr. 2:36 2-14 The House I Live In (That`s America To Me) Featuring [Duet With] – Neil Diamond 4:16 Bonus Track (Previously Unreleased) 2-15 My Way Featuring [Duet With] – Luciano Pavarotti 4:23 Credits Co-producer – Hank Cattaneo Executive Producer – Charles Koppelman, Don Rubin, Eliot Weisman Painting [Cover Paintings] – LeRoy Nieman* Producer – Phil Ramone Vocals – Frank Sinatra Notes Released with a slipcase. ℗© 2005 Capitol Records Inc. Printed in the EU. Barcode and Other Identifiers Barcode (Printed): 0 94634 28072 3 Barcode (Scanned): 094634280723 Label Code: LC 0148

Keeping an Eye Open: Essays on Art The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays ‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century. ‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year* ‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup ‘My book of the year.’ Natalie Haynes, Independent Prikaži više

Modernists & Mavericks: Bacon, Freud, Hockney And The London Painters Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here ... this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and Swinging London in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question what can painting do? and explored in their diverse ways, but with equal passion, the possibilities of paint. Prikaži više

35. SALON ARHITEKTURE Beograd, 27. mart - 30. april 2013. JOŠ UVEK IMAMO ARHITEKTURU Urednik kataloga - Ljiljana Miletić Abramović Autori tekstova - Ljiljana Miletić Abramović, Slobodan Danko Selinković, Maša Bratuša Prevod - Biljana Velašević, Vladimir Abramović Izdavač - Muzej primenjene umetnosti, Beograd Godina - 2013 228 strana 26 cm ISBN - 978-86-7415-161-7 Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja AUTORI ZASTUPLJENI U KATALOGU: Zoran Abadić, Dušan Milovanović, Jelena Bogosavljević, Jelena Zagorac, Milan Karaklić, Nikola Žikić, Dijana Adžemović Anđelković Borislav Petrović, Ivan Rašković, Nikola Stojković, Đorđe Alfirević, Nikola Andonov, Vladimir Anđelković, Milica Apostolović, Marijana Kaštelan, Ivana Ilić, Jelena Vučić, Lidija Kljaković, Damjan Jovanović, Miloš Grbić, Tatjana Babić, Dejan Babović, Ljiljana Bakić, Nikola Baković, Milica Baludžić, Aladin Baljinac, Lazar Belić, Ivan Benussi, Danlo Beronja, David Bilobrk, Aleksandar Bobić, Đorđe Bobić, Divna Bogdanović, Veliborka Bogdanović, Aleksandar Bogojević, Milica Bogojević-Bobić, Jelena Bogosavljević, Petar Bojović, Milan Božić, Jelena Brajković, Marko Brkić, Andreja Buđevac, Saša Buđevac, Ksenija Bulatović, Morten Bulow, Nikola Cakić, Miljan Cvijetić, Žarko Ćajić, Nataša Ćuković Ignjatović, Milica Dejanović, Bojana Dončevski, Milan Dragić, Maja Dragišić, Jasna Drakulović, Vladan Drndarević, Saša Đak, Vladan Đokić, Ljiljana Đukanović, Miloš Đurasinović, Milan Đurić, Vanja Enbulajev, Davor Ereš, Đorđe Gec, Nevena Pivić, Vanja Otašević, Zorana Vasić, Ljubiša Folić, Srđan Gavrilović, Nebojša Glišić, Milka Gnjato, Milica Golić, Miloš Grbić, Sanjin Grbić, Jovan Grbović, Bojan Čoti, Danilo Kordulup, Jasmina Hadžiahmetović, Cvjetković Miroslav, Danica Đorđević, Jelena Milojković, Igor Pantelić, Radoslav Ilić, Mirela Čoban, Nikola Šćekić, Dušan Ignjatović, Ivana Ilić, Relja Ivanić, Jelena Ivanović Vojvodić, Nataša Janković, Jovana Jelisavac, Aleksandar Joksimović, Damjan Jovanović, Goran Jovanović, Natalija Jovanović, Milica Jovanović Popović, Slobodan Jović, Anđela Karabašević, Milan Karakli, Marijana Kaštelan, Miroslav Kaštelan, Milena Katić, Jasna Kavran, Aleksandar Keković, Željko Kerleta, Lidija Kljaković, Aleksandar Knežević, Nemanja Kocić, Ana Raković, Mladen Pešić, Milorad Pejanović, Miloš Komlenić, Slaviša Kondić, Dragana Konstantinović, Ivan Kostić, Bojana Kovač Đurasinović, Ana Kovencz-Vujić, Jelena Krstović Nikolić, Spasoje Krunić, Vladimir Kulić, Tamara Kuljanin, Lazar Kuzmanov, Olga Lazarević, Selma Lazović, Zoran Lazović, Jana Lipkovski, Peter Lohr, Darija Ljubić Vojinović, Ivan Ljubić, Vanja Enbulajev, Vladimir Radulović, Nikola Stevanović, Vojislav Stevanović, Predrag Maksić, Slobodan Maldini, Anđelka Mandić-Milutinović, Čarna Marević, Goran Ivo Marinović, Dragan Marković, Iva Marković, Srđan Marlović, Marko Marović, Marija Martinović, Nikola Martinović, Marija Miković, Dejan Milanović, Duška Milanović, Branislav Milenković, Jelisaveta Milenković, Vladimir Milenković, Dejan Miletić, Jovana Miletić, Katarina Miletić, Nemanja Miličić, Miloš Milojević, Slađana Milivojević Milica Milojević, Aleksandar Milojković, Ivan Milošević, Dušan Milovanović, Vasilije Milunović, Predrag Milutinović, Dejan Miljković, Milutin Miljuš, Petar Mitković, Jelena Mitrović, Jovan Mitrović, Vladimir Mitrović, Maroje Mrduljaš, Duška Mrvoš, Vesna Nadaždin Ljubičić, Danilo Nedeljković, Saša Nedeljković, Dušan Nenadović, Milica Nešovanović, Aleksandra Nikitin, Goran Nikolić, Jelena Nikolić, Marko Nikolić, Vojislav Nikolić, Dijana Novaković Nikola Novaković, Ivan Obradović, Milena Obradović, Milorad Obradović, Siniša Obradović, Anđelina Ošap, Jelena Pančevac, Ana Panić, Vanja Panić, Ksenija Pantović, Vladimir Paripović, Miloš Paunović, Ranko Pavlović, Milorad Pejanović, Malden Pešić, Miroslava Petrović Balubdžić, Borislav Petrović, Marjan Petrović, Marko Petrovi, Milica Pihler, Tamara Popović, Jelena Pucarević, Marko Radenković, Dejana Radišić Pešić, Dušan Radišić, Ana Radivojević, Radovan Radoman, Renata Radovanović, Vladimir Radulović, Nemanja Radusinović, Aleksandar Rajčić, Mirko Rakojević, Tatjana Rakojević, Ana Raković, Ivan Rašković, Grozdana Šišović, Dejan Milanović, Zorica Međo, Aleksandra Praštalo, Nikola Milanović, Aleksandar Ristić, Katarina Ristić, Aleksandar Ristović, Arber Sadiku, Gezim Sadiku, Ana Savić, Dubravka Sekulić, Slobodan Danko Selinkić, Sanja Simonović, Miloš Spasić, Branislav Spasojević, Maja Dragišić, Milan Božić, Marko Stojković, Milica Milosavljević, Dunja Ratković, Saša Lukić, Pavle Stamenović, Danica Stanković, Oliver Stanković, Branko Stanojević, Maja Stanojević, Dragan Stevanović, Nebojša Stevanović, Nikola Stevanović, Vladimir Stevanović, Vojislav Stevanović, Vladan Stevović, Stjepanović Nenad, Dušan Stojanović, Stefan Stojanović, Nikola Stojković, Marija Strajnić, Dijana Novaković, Maja Trbović, Aleksandra Nikitin, Dušan Nenadović, Oliver Stanković, Dragana Stevanović, Aleksandar Šavikin, Grozdana Šišović, Janko Tadić, Milan Tanić, Milica Tasić, Ana Savić, Alen Spahić, Dubravka Sekuli, Nataša Janković, Adrijan Karavdi, Ognjen Stanisavljević, Mihailo Timotijević, Dejan Todorović, Maja Trbović, Žarko Uzelac, Pavle Vasev, Ljiljana Vasilevska, Milica Vasiljević, Dragana Vasiljević Tomić, Miomir Vasov,Dejan Vasović, Vojislava Vasović, Milorad Vidojević, Bojana Vitorović, Goran Vojvodić, Mirosanda Vranić, Jelan Vučić, Aleksandru Vuja, Milan Vujović, Marko Vuković, Zlata Vuksanović Macura, Jelena Zagorac, Miona Zdravković, Snežana Zlatković, Nikola Žikić, Katarina Živković, Milan Živković, Miloš Živković, Stevan Žutić, Maroje Mrduljaš, Vladimir Kulić, Dejan Jović, Nika Grabar, Petra Čeferin, Robert Burghardt, Gal Kirn, Irena Šentevska, Dubravka Sekulić, Lana Lovrenčić, Ivan Kucina, Milica Topalović, Marko Sančanin, Divna Penčić, Biljana Spirikoska, Jasna Stefanovska, Ines Tolić, Nina Ugljen Ademović, Elša Turkušić, Matevž Čelik, Alenka Di Battistta, Ana Džokić I Marc Neelen, Nebojša Milikić, Tanja Damjanović Conley, Jelica Jovanović, Višnja Kukoč, Vesna Perković-Jović, Martina Malešič, Luciano Basauri, Dafne Berc, Dinko Peračić, Miranda Veljačić, Bogo Zupančić, Tamara Bjažić Klarin, Jelena Grbić, Dragana Petrović, Luka Skansi, Dražen Arbutina, Hela Vukadin, Ana Šilović, Simona Vidmar, Matevž Čelik Ako Vas nešto zanima, slobodno pošaljite poruku.

Opis Node.js je izuzetno popularna softverska platforma koja omogućava upotrebu jezika Java­Script za izradu skalabilnih serverskih aplikacija. Omogućava izradu efikasnog koda i pruža održiv način pisanja softvera na samo jednom jeziku kroz celu paletu aplikacija, uz izuzetno visoke nivoe višekratne upotrebljivosi, pragmatizma, jednostavnosti i saradnje između komponenata. ­ Node.js uvodi revoluciju u veb i u način na koji pojedinci i kompanije pišu svoj softver. U ovoj knjizi upoznaćete način na koji se na platformi Node.js donose odluke u vezi s projektovanjem i pisanjem koda. Knjiga počinje od osnova platforme Node.js i opisuje njenu asinhronu jednonitnu arhitekturu i glavne projektne obrasce. Zatim objašnjava kako savladati obrasce za upravljanje asinhronim izvršavanjem kodom i komponentu toka, da bi stigla do detaljne liste Node.js implementacija najuobičajenijih projektnih obrazaca i nekih specifičnih projektnih obrazaca koji postoje isključivo u Node.js svetu. Na kraju, predstavlja naprednije koncepte kao što su Univerzalni JavaScript i skalabilnost, a putovanje završava predstavljajući čitaocu sve potrebne koncepte za izradu aplikacije korporativnog nivoa pomoću praltforme Node.js. Ova knjiga je namenjena autorima softvera i programerima koji već imaju određeno osnovno poznavanje jezika JavaScript i žele da steknu šire znanje o tome kako se projektuju i razvijaju korporativne Node.js aplikacije. Naučićete sledeće: ◘ Kako projektovati i implementirati više JavaScript obrazaca za serversku stranu da biste razumeli zašto i kada se oni primenjuju u raznim slučajevima upotrebe. ◘ Kako savladati pisanje asinhronog koda pomoću konstrukcija kao što su povratne funkcije, obećanja, generatori i sintaksa async-await. ◘ Kako prepoznati najvažnije probleme i primeniti jednostavne trikove da biste obezbedili bolju skalabilnost i modularnost u svojoj Node.js aplikaciji. ◘ Kako razmrsiti problem modula njihovim koherentnim organizovanjem i povezivanjem. ◘ Kako višekratno iskoristiti dobro poznate tehnike za rešavanje uobičajenih problema dizajna i kodiranja. ◘ Kako prepoznati najnovije trendove u Univerzalnom JavaScriptu i naučiti kako se piše kôd koji radi i na Node.js serveru i u čitaču veba, i kako iskoristiti React i njegov ekosistem za implementiranje univerzalnih aplikacija. Poglavlja u knjizi 1. Dobrodošli na platformu Node.js 2. Osnovni Node.js obrasci 3. Obrasci za upravljanje asinhronim izvršavanjem koda pomoću povratnih funkcija 4. Obrasci za upravljanje asinhronim izvršavanjem koda u verziji ES2015 i novijim 5. Kodiranje s tokovima 6. Projektni obrasci 7. Povezivanje modula 8. Univerzalni JavaScript za veb aplikacije 9. Napredni asinhroni recepti 10. Obrasci za skalabilnost i arhitektonski obrasci 11. Obrasci za poruke i ugradnju komponenata u sistem O autorima Mario Casciaro je softverski inženjer i preduzetnik, čije strasti su tehnologija, nauka i znanje otvorenog koda. Mario je diplomirao softverski inženjering i započeo profesionalni karijeru u kompaniji IBM gde je više godina radio na raznim korporativnim proizvodima kao što su Tivoli Endpoint Manager, Cognos Insight i SalesConnect. Zatim je prešao u D4H Technologies, rastuću SaaS kompaniju, da bi rukovodio razvojem novog vrhunskog softvera za upravljanje vanrednim situacijama u realnom vremenu. Mario je danas suosnivač i generalni direktor Sponsorama. com, platforme za prikupljanje sredstava za internet projekte kroz korporativno sponzorisanje. Mario je takođe autor prvog izdanja knjige Node.js projektni obrasci. Luciano Mammino je softverski inženjer, rođen 1987. godine, iste godine kada je kompanija Nintendo objavila igru Super Mario Bros u Evropi, a to je slučajno i njegova omiljena video igra. Kôd je počeo da piše kad je imao 12 godina, na starom Intelu 386 svog oca, opremljenom samo operativnim sistemom DOS i interpreterom qBasic. Nakon sticanje diplome iz računarskih nauka, svoje veštine programiranja je razvijao prevashodno kao autor veb aplikacija, radeći uglavnom kao frilenser za postojeće i nove kompanije po celoj Italiji. Nakon tri godine kao tehnički direktor i suosnivač Sbaam.com u Italiji i Irskoj, odlučio je da se naseli u Dablinu da bi radio kao vodeći PHP inženjer u kompaniji Smartbox. Voli da razvija biblioteke otvorenog koda i radi na frejmvorkovima kao što su Symfony i Express. Ubeđen je da slava JavaScripta tek dolazi i da je to tehnologija koja će značajno uticati na budućnost većine tehnologija za veb i mobilne aplikacije. Iz tog razloga, najveći deo svog slobodnog vremena provodi unapređujući svoje znanje o JavaScriptu i radeći na Node.js platformi. Naslov: Node.js: Projektni obrasci Izdavač: Mikro knjiga Strana: 442 (cb) Povez: meki Pismo: latinica Format: 16.8 x 23.5 cm Godina izdanja: 2019 ISBN: 978-86-7555-438-7 Naslov originala: Node.js Design Patterns - Second Edition: Master best practices to build modular and scalable server-side web applicatio Izdavač originala: Packt Publishing Naslov originala: Node.js Design Patterns - Second Edition: Master best practices to build modular and scalable server-side web applicatio Izdavač originala: Packt Publishing

RIČARD POPKIN ISTORIJA SKEPTICIZMA OD SAVONAROLE DO BEJLA Prevod - Predrag Milidrag Izdavač - Fedon, Beograd Godina - 2010 672 strana 24 cm Edicija - Daimon ISBN - 978-86-86525-29-1 Povez - Tvrd Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: Predgovor Reči zahvalnosti Uvod 1. Intelektualna kriza reformacije 2. Oživljavanje grčkog skepticizma u šesnaestom veku 3. Mišel de Montenj i nouveaux pyrrhoniens 4. Uticaj novog pironizma 5. Libertins érudits 6. Protivnapad počinje 7. Konstruktivni ili umereni skepticizam 8. Herbert od Čerberija i Žan de Šijon 9. Dekart: Pokoritelj skepticizma 10. Dekart: Skeptique malgré lui 11. Neki duhovni i religijski odgovori na skepticizam i Dekarta - Henri Mor, Blez Paskal i kvijetisti 12. Politički i praktički odgovori na skepticizam - Tomas Hobs 13. Filozofi Kraljevskog društva - Vilkins, Bojl i Glenvil 14. Biblijska kritika i početak religijskog skepticizma 15. Spinozin skepticizam i antiskepticizam 16. Skepticizam i metafizika skraja sedamnaestog veka 17. Novi skeptici - Simon Fuše i Pjer-Danijel lj 18. Pjer Bejl - Superskepticizam i počeci prosvetiteljskog dogmatizma Literatura Objavljeni materijal Rukopisni materijal Dodaci I. Skeptično o Istoriji skepticizma Da li je bilo,,pironističke krize` u ranoj modernoj filozofiji? Kritička beleška o Ričardu H. Popkinu Literatura II. Čovek i filozofija Ričard Popkin - jedna lična zabeleška PREDRAG MILIDRAG - Eros vedrine Indeks `Ričard Popkin jedan je od najuticajnijih savremenih tumača skepticizma, a njegova knjiga prati istoriju skepticizma od Savonarole do Bejla (od 1450. do 1710. godine). Taj period nije izabran slučajno. U tih bezmalo 300 godina najpre je iznova otkriven grčki skepticizam, potom inkorporiran u iskustvo renesanse, zatim izložen novim tumačenjima i preobražajima, da bi i sam odigrao nezaobilaznu ulogu kod velikih filozofa poput Dekarta, Paskala, Spinoze, Hobsa, ili iznova propitan u teološkim raspravama tog perioda. Popkin pripada američkoj školi istoričara filozofije, što podrazumeva besprekorno poznavanje teme o kojoj piše, strogost u izlaganju i, uprkos tome što je reč o tekstu koji se prostire na gotovo 700 stranica, ekonomičnost izraza. Već u prvoj rečenici knjige Popkin precizira da je skepticizam filozofsko gledište a ne niz sumnji koji se vezuje za tradicionalna religijska verovanja, što znači da je ključni ulog svake skeptičke pozicije – istina. Ipak, Popkin ne suprotstavlja skepticizam i fideizam, skeptika i vernika, kako bi se moglo očekivati s obzirom na suprotstavljenost te dve pozicije. Nikada skepticizam, sugeriše autor, nije puko neverovanje, niti je fideizam slepo verovanje. Iako skeptik preporučuje suzdržavanje od suđenja koje počiva na verovanju, to ne znači da je verovanje irelevantno za ono do čega je skeptiku stalo – do nesumnjive istine. Upotrebljavajući pojam fideizma onako kako ga je oblikovala literatura na engleskom jeziku, Popkin, zapravo, nastoji da jasnije istakne skeptički element koji je, tvrdi on, uključen u fideističko gledište. Popkinov tekst nezaobilazan je u svakoj raspravi koja sumnju koristi kao način da se dođe do delotvorne istine.` Ako Vas nešto zanima, slobodno pošaljite poruku. Richard H. Popkin The History of Scepticism Agripa Od Neteshajma Hajnrih Kornelije Agrippa Von Nettesheim Henricus Cornelius Aristotel Aristotle Arkesilaj Iz Pitane Antoan Arno Antoine Arnauld Sveti Avgustin Augustine Fransis Bejkon Francis Bacon Pjer Bejl Pierre Bayle Džordž Berkli George Berkeley Tomas Bernet Thomas Burnett Anri Bison Henri Busson Robert Bojl Boyle Hari Breken Harry Bracken Gi De Brije Guy De Brues Đordano Bruno Giordano Pjer Burden Pierre Bourdin Ciceron Vilijam Čilingvort William Chillingworth Žilijen Ejmar D`anžer Julien Eymard D`angers Gabrijel Danijel Gabriel Daniel Rene Descartes Pjer Demezo Pierre Desmaizeaux Žak Di Bosk Jacques Du Bosc Eli Diodati Elie Diogen Laertije Žak Davi Diperon Jacques Davy Duperron Žan Diveržije De Oran Džon Djuri John Dury Johan Ek Johann Eck Erazmo Roterdamski Anri Etjen Henri Estienne Samjuel Fišer Samuel Fisher Lučano Floridi Luciano Saleški Franja Simon Fuše Foucher Galileo Galilej Galilei Fransoa Garas Francois Garasse Euđenio Garin Eugenio Pjer Gasendi Pierre Gassendi Džozef Glenvil Joseph Glanvill Žan Gonteri Jean Gonery Tulio Gregori Tullio Gregory Hugo Grocijus Grotius Anri Guije Henri Gouhier Mari De Gurne Marie Gournay Herbert Od Čerberija Herbert Cherbury Gentijan Hervet Gentianus Hervetus Dejvid Hjum David Hume Tomas Hobs Thomas Hobbes Abraham Ibn Ezra Pjer Danijel Ije Pierre Daniel Huet Menaše Ben Izrael Menasseh Israel Ralf Kadvort Ralph Cudworth Žan Kalvin Jean Calvin Žan Pjer Kami Jean Pierre Camus Tomazo Kampanela Tommaso Campanella Imanuel Kant Karnead Sebastijan Kastelio Seren Kjerkegor Soren Kierkegaard Kristofer Klavijus Christopher Clavius Aleksandar Koare Alexandre Koyre Luj Burbon De Konde Nikola Kopernik Nicolaus Copernicus Pol Oskar Kristeler Entoni Ešli Kuper Anthony Ashley Cooper Fransoa La Mot Le Aje Francois La Mothe Le Vayer Isak La Pejrer Isaac La Peyrere Elizabet Labrus Elisabeth Labrousse Gotrfird Vilhelm Fon Lajbnic Gottfried Wilhelm Leibniz Pjer Le Loajepierre Le Loyer Žan Leklerk Jean Le Clerc Rober Lenobl Lenoble Elejn Limbrik Džon Lok John Locke Luj Martin Luter Luther Hose Maja Neto Jose Maia Može Majmonid Moses Maimonides Nikola Malbranš Nicolas Malebranche Leonar De Marande Karl Marks Marx Žil Mazaren Jules Kozimo Di Mediči Cosimo Maren Mersen Marin Mersenne Džozef Mid Joseph Mede Migel De Molinos Miguel Mošel De Montenj Michel Montaigne Henri Mor Henry More Silvija Mur Sylvia Murr Đovani Nezi Giovanni Nesi Gabrijel Node Gabriel Naude Isak Njutn Isaac Newton Ezekijel Olaso Ezequiel Džon Oven John Owen Đani Paganini Gianni Paracelzus Blez Paskal Blaise Pascal Gi Paten Guy Patin Sveti Pavle Kristof Pfaf Christophe Pfaff Piko Dela Mirandola Đanfrančesko Pico Della Gianfracesco Giovanni Rene Pintar Pintard Piron Platon Plutarh Henrik Regijus Henry Regius Džon Herman Rendal Arman Žan Di Plesis Rišelje Jean Du Plessis Duc Richelieu Francisko Sančez Francisco Sanchez Đirolamo Savonarola Girolamo Rajmund Sebond Raimond Sekst Empirik Sextus Empiricus Sen Siran Saint Cyran Migel Servet Miguel Servetus Martin Shokus Martinus Schoockius Rišar Simon Richard Simon Sokrat Samuel Sorbjer Sorbiere Šarl Sorel Baruh Spinoza Leo Straus Fortunat Strovski Strowski Pjer Šaron Pierre Charron Žan De Šijon Jean Silhon Čarls Šmit Charles Schmitt Džon Tilotson John Tillotson Fransoa Veron Francois Đorđo Antonio Vespuči Giorgio Vespucci Pjer Vile Pierre Villey Džon Vilkins John Wilkins Gizbert Voetije Volter Džon Votkins John Watkins Ričard Votson Richard Watson Zenon Iz Eleje Isak Žaklo Isaac Jaquelot Etjen Žilson Etienne Gilson Pjer Žirje Pierre Jurieu

U dobrom stanju The Saga of Hog Island: And Other Essays in Inconvenient History Paperback – January 1, 1977 by James J. Martin Publisher ‏ : ‎ Ralph Myles; First Edition (January 1, 1977) Language ‏ : ‎ English Paperback ‏ : ‎ 208 pages ISBN-10 ‏ : ‎ 0879260211 ISBN-13 ‏ : ‎ 978-0879260217 Item Weight ‏ : ‎ 11.2 ounces Martin`s additionist essays are historical correctives that have relevance to events today. The first essay tells the story of the massive world war 1 ship building yard built at Hog Island, now the site of Philadelphia International Airport. Legend has it that the `Hoagie` sandwich may have had it`s origin among the many Italian American shipyard workers. At it`s peak as many as 36,000 workers were employed on Hog Island yards. This vast facility was established to mass produce cargo ships for the WW1 war effort, along the lines of the more famous `Liberty Ships` of WW2. But the program was dogged by scandal and massive accounting `incompetence`. In the end Hog Island, owned and operated by a consortium who`s membership register reads like a `Who`s Who` of the American business and industrial elite, delivered 122 ships that cost of `at least` $235 million to build (that is $2.4 billion in 2007 dollars, ~$20M each). Most of the ships were ultimately sold for a mere $35,000 each ($353,000 in 2007 dollars). Hog Island itself was a part of a larger web of mismanagement that embraced the Shipping Board and the Emergency Fleet Corporation. `Alfred D. Lasker, who assumed the direction of the Shipping Board under President Harding, on July 16, 1921 decalred that the total government `loss` on the ship construction, operation and leasing activities during the World War came to $4,000, 000, 000- double the figure originally thought.` Corrected for inflation, those 1921 dollars amount to approximately $40.3 billion in 2007 dollar terms. In a January 31, 2005 CNN article published under the headline `Audit: U.S. lost track of $9 billion in Iraq funds`. `Nearly $9 billion of money spent on Iraqi reconstruction is unaccounted for because of inefficiencies and bad management, according to a watchdog report published Sunday.` It`s probably not being over dramatic to say that the vast `losses` in US military-industrial spending represent part of a 90 year tradition of apparently unending fiscal incompetence. On the 10th January 2000, `The Weekly Standard` declared that Winston Churchill was `Man of the Century`. In his second essay `The Consequences of World War Two to Great Britain: Twenty Years of Decline, 1939 -1959` provides a much needed tonic to Churchill worship, and his elevation to the status of prophet, as regularly recycled by the History Channel and George W Bush`s bedside reading. In 1942 Churchill declared `I have not become His Majesty`s first minister to preside over the dissolution of the British Empire.` Yet to a large extent that was his real legacy as Martin explains. Martin`s piece also illustrates the extraordinary fickleness of many American conservatives. Ever ready (and probably rightfully so) to condemn FDR for bending over too far to accomodate Josef Stalin, FDR`s `willing accomplice` Winston Churchill largely escapes scot free from conservative criticism. Yet less than a year before his famous 1946 Fulton Missouri `Iron Curtain` speech, Churchill was praising Comrade Joe in parliament. Perhaps had FDR, who died in April 1945, had lived another year he would have had time to perform a public somersault too. Martin provides an eye opening essay on Mussolini`s campaign against the mafia. Like most students of history I had heard of this but had assumed Mussolini must have conducted some kind of fascist purge or authoritarian `round up` of mafiosi. Not so. Mussolini`s campaign was quite civilised with the accused being provided legal rights and indeed many accused successfully defended themselves against the charges and walked free. Still despite these `handicaps`, Mussolini`s lawful and orderly campaign against the mobs was one of the largest and most successful campaigns against organised crime anywhere, and much of it`s gain was unravelled by a mixture of postwar chaos and some allied cooperation with the mafia. Martin explores this last angle too. Many of us have heard of Lucky Luciano`s claims to have helped protect the New York waterfront from German saboteurs and to have aided the allied advance across Sicily. These stories indeed have become legends of sort. Martin sees them as shameless self promotion from a crook on the make. The allied armoured and amphibious campaign in Sicily wasn`t dependent on local mafiosi to show them goat tracks behind the Axis lines. Martin has three essays on the Pacific War. Only one could really be called revisionist. In `Pearl Harbor: Antecedents, Background and Consequences` he outlines the background to Japanese-American rivalry in the Pacific in the decades and days before Pearl Harbor. Usually `the revisionist position` here (as if there were just one) is summarised as the claim that FDR engaged in a conspiracy over Pearl Harbor. The old mainstream belief that FDR was really an innocent victim of a surprise attack has now largely been dismissed from serious scholarship, thanks to decades worth of unpraised work by revisionist historians. The new mainstream belief is that the unheeded warnings of imminent attack were mishandled. Administrative incompetence rather then conspiracy provides a better explanation. The revised mainstream account arbitrarily assumes incompetence and conspiracy are mutually exclusive categories. More to the point was `Rainbow 5`, the then secret ABDA (Australian-British-Dutch-American) agreement `..to fight the Japanese in Asia if their forces crossed a geographic line..[which]..approximated the northerly extremity of the [Dutch East Indies].` The US government was advised that the Japanese had crossed the magic line on December 3 (Washington time) and that America`s allies naturally expected the US government to live up to it`s agreements. The apparent mishandling of reports concerning Japanese fleet movements in the northern pacific need to be considered with the ABDA timeline in mind. Considering the great difficulty the administration had in having conscription passed in Congress, it squeaked through by just one vote, a certain degree of planned incompetence, an art form familiar to anyone who has worked in a bureaucracy can attest to, is not an unreasonable explanation (although one inherently and deliberately hard to prove). Nor is such a hypothesis equivalent to Roswell UFOs or the Bavarian Illuminati as anti-conspiracists like to maintain. Martin also essays the stories of Colin Kelly and `Tokyo Rose`. Kelly was an airman who died early in the Philippines campaign after his aircraft was hit following an indecisive attack on a second or third tier Japanese vessel, probably a supply transport. In the dark days of continuous bad news from the Pacific his deeds were inflated to legendary status by the media, and indeed the administration, until it sounded as if he single handedly sank a battleship in a one-man kamikaze attack. Subsequent revisions of the official account deflated the Kelly story down to a footnote before disappearing in later versions. The whole story seems to echo in the 2003 Jessica Lynch story. Times indeed have changed, the spin cycle is faster these days. The `Tokyo Rose` essay details how a soldiers` myth, that there was one seductive Japanese propaganda broadcaster luring GIs with tales of unfaithful girlfriends back home, led to a miscarriage of justice that scarred the life of Iva Toguri, a young Japanese American woman accidentally caught up in Japan whilst visiting family in the days surrounding Pearl Harbor. Toguri, one of many english language broadcasters was made carry the can for the lot. With the boom in recent years of feminist and multicultural studies, all under the history banner, it is surprising that Martin`s `The Framing of Tokyo Rose`, especially with it`s hints of sexuality, hasn`t become a standard in gender studies. This too has modern references, and not just in the United States. The current `War on Terror` is leaving in it`s wake a growing `bodycount` of innocent bystanders caught at the wrong place, often to become the victims of tragic miscarriages of justice as government security apparatus strikes out at it`s elusive quarry. The book is rounded off with three brief appendix essays, essentially magazine articles. The first compares the blacklists imposed on Axis commerce in South America by the US in the years before Pearl Harbor to the attempted Arab boycott of jewish owned firms in the US in 1975. The second discusses the Morgenthau Plan and the third is a brief history of political assassination in the first half of the 20th century. The last article is definitely the best, the Morgenthau Plan article is not comprehensive and seems to have been prematurely ended, neglecting to cover it`s demise and the boycott article seems to me to be `drawing a long bow`. The Rockefeller administered Axis boycott in South America, whatever else it was, was part of an actual economic warfare plan, the Arab boycott barely deserved the name and was almost entirely a propaganda campaign lacking serious enforcement teeth. If anything it probably boomeranged and hardened international opinion against the Arab campaign. `The Saga of Hog Island` is recommended to anyone interested in modern history.