(SM1L) Omot za 5 . LP za 5Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler Ave Maria Genre: Classical, Stage & ScreenStyle: Contemporary, Classical

LUCIANO PAVAROTTI VINCERO` AND OTHER KASETA STEREO BEBAS records MADE IN ITALY 1994 Kaseta i omot DOBRO očuvani !!! DB22

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Povez losiji, sve ostalo uredno! Roman iz Milanskog zivota Luciano Zuccoli, pseudonim Luciana von Ingenheima (Calprino, 5. prosinca 1868. - Pariz, 26. studenog 1929.), bio je švicarski naturalizirani talijanski pisac, novinar i romanopisac. Grof Luciano Zuccoli von Ingenheim (talijansko prezime bilo je po majci, njemačko po ocu) rođen je u selu na jezeru u kantonu Ticino u blizini Lugana, koje je 1929. preuzelo ime Paradiso. U svojoj autobiografiji, objavljenoj 1924. [1], definirao je sebe kao «neukrotivog i prepotentnog, pijanicu i raskalašenog, podrugljivog i ciničnog.» [2] Pisac tog vremena, predstavnik potrošačke književnosti, [2] bio je i novinar: krajem devetnaestog stoljeća utemeljio je i dvije godine vodio provinciju Modena, [2] a zatim je od 1903. preuzeo vodstvo nad Giornale di Venezia, spojio se 1906. s Gazzettom di Venezia čiji je direktor bio do 1912. [2], naslijedivši Ferruccia Macolu. Kao suradnik Corriere della Sera pisao je novinske bilješke, kratke priče i dodatni roman: L`occhio del fanciullo.[2] Njegova najvažnija knjiga, s trideset tisuća prodanih primjeraka [potreban citat], je The Greatest Things About Him (1922). Nakon samoubojstva svoje supruge, ponovno se oženio vrlo mladom ženom [potreban citat] Umro je 1929., nakon upale pluća, u Parizu, kamo se preselio od 1927. kako bi nastavio s francuskim prijevodima svojih djela.

LUCIANO PAVAROTTI MATTINATA CD DIGITAL AUDIO STEREO DECCA Made in West Germany 1985 Apsolutno NOVO NEKORIŠĆENO KOLEKCIONARSKI !!!!!!!!!!!!!! EKSTRA MP 5/1

LUCIANO PAVAROTTI VERISMO ARIAS DECCA CD DIGITAL Printed in West Germay 1 9 8 7 NEKORIŠĆENO E k s t r a !!!!!!!!!!!!!!!!!! MP3

LUCIANO PAVAROTTI PASSIONE 12 Neapolitan Songs CD DIGITAL AUDIO STEREO DECCA DIGITAL RECORDING L o n d o n 1985 NEKORIŠĆENO Ekstra ************* MP 5/2

LUCIANO PAVAROTI GALA CONCERT ROYAL ALBERT HAAL CD DECCA P 1987 Apsolutno NOVO NEKORIŠĆENO KOLEKCIONARSKI !!!!!!!!!!!!!1 E k s t r a !!!!!!!!!! MP 5/2

LUCIANO PAVAROTT Mamma HENRY MANCINI CD STEREO DIGITAL AUDIO DECCA London Made in West Germany 1984 Apsolutno NOVO NEKORIŠĆENO KOLEKCIONARSKI E k s t r a !!!!!!!!!!!!! MP6/1

O SOLE MIO LUCIANO PAVAROTTI CD STEREO DECCA London, England Printed in West Germany 1 9 8 3 Apsolutno NOVO NEKORIŠĆENO KOLEKCIONARSKI !!!!!!!!!!!! E k s t r a !!!!!!!!!!!! MP 5/1

VERDI REQUIEM VIENNA PHILHARMONIC Conducted: GEORG SOLTI Pevači: Joan SUTHERLAND, soprano Marilyn HORNE, mezzo-soprano Luciano PAVAROTTI, tenor Martti TALVELA, bass DECCA AUDIO KASETE STEREO Made in ENGLAND Iz LIČNE fonoteke !!!!!!!!!!! Nekorišćeno !!!!!!!!!!!!!!1

Stanje kao na fotografijama! 49cm x 69cm Colt in the Hand of the Devil, 1967 g. Colt u ruci vraga (talijanski: Una colt in pugno al diavolo, poznat i kao Đavao je bio anđeo, a anđeo s pištoljem je vrag) talijanski je špageti iz špageta iz 1967. godine, koji je napisao i režirao Sergio Bergonzelli. Tematsku pjesmu `Vrag je bio anđeo` izvodi Mino Reitano. Snimljeno je na Sardiniji. Bob Henry as Pat Scotty Marisa Solinas as Maya George Wang as El Condor/Capataz Lucretia Love as Jane Gerardo Rossi as Tenente Dick Carson Luciano Catenacci as El Loco Luciano Benetti as Cpt. McDonald Directed by Sergio Bergonzelli Produced by Cineriz Written by Sergio Bergonzelli Ambrogio Molteni Music by Gian Piero Reverberi Cinematography Aldo Greci Release date 1967 Language Italian Originalan filmski plakat Kinema Sarajevo

OMILJENI SKLADATELJI VERDI 1 KASETA STEREO JUGOTON Zagreb DECCA CADS 9O71 IZVOĐAČI: DIETRICH FICHER-DIESKAU CARLO BERGONZI JOAN SHUTERLAND LUCIANO PAVAROTTI REGINE CRESPIN GIULIETTA SIMIONATO MARIO DEL MONACO RENATA TEBALDI GRACE BUMBRY LONDONSKA FILHARMONIJA NEKORIŠĆENO E k s t r a !!!!!!!!!! M

Original, novo u celofanu Made in Germany Drugi studijski album britanskog post-punk indie rock benda iz Londona Dogs (3) ‎– Tall Stories From Under The Table Label: Weekender Records ‎– WEEK0019 Format: CD, Album Country: Germany Released: Jul 2007 Genre: Rock Style: Garage Rock, Mod Tracklist Hide Credits 1 Dirty Little Shop 3:48 2 Soldier On 3:11 3 Winston Smith Cello – Andy Lewis 3:33 4 This Stone Is A Bullet 3:24 5 Chained To No One 3:18 6 Forget It All 3:42 7 Little Pretenders 2:49 8 On A Bridge, By A Pub 2:36 9 Who Are Yu 3:31 10 These Days 3:40 11 By The River 4:29 12 Let It Lay Piano – Paul Weller 3:16 Credits Bass – Duncan Timms Drums – Rich Mitchell Guitar – Luciano Vargas Lead Guitar – Rikki Mehta Lyrics By, Vocals – Johnny Cooke (2) Producer, Recorded By, Mixed By – Steve Musters Written-By – Dogs (3)

DELO : POSTMODERNA AURA (II) - GODINA XXXV BROJ 4-5 autori: Peter Sloterdijk - Paul Feyerabend - Eduardo Arroyo - Jean Baudrillard - Maurizio Ferraris - Gianni Vattimo - Lucian Freud - Slobodan Blagojević - Milorad Belančić - Aleš Erjavec - Reiner Fetting - Sreten Ugričić - Pier Aldo rovatti - Cornelius Castoriadis - Michel Serres - Gaspare Polizzi - Charles Newman - Sidney Nolan - Brian McHale - Leslie A. Fiedler - Jurgen Klauke - Joe Bousoquet - Višnja Machiedo - Vladislav Kolar - Richard Goldstein - Bayan Northcott - Jovan Čekić - Mrđan Bajić - Ješa Denegri Mek povez, 388strana, izdavač: NOLIT - Beograd

Original, Made in EU Novo, u celofanu Bajofondo Tango Club Real Name: Gustavo Santaolalla, Juan Campodónico, Luciano Supervielle, Javier Casalla, Martín Ferrés, Gabriel Casacuberta, Adrián Sosa, Verónica Loza Profile: Bajofondo is a South American band of musicians from Argentina and Uruguay. Originally called `Bajofondo Tango Club`, they changed their name to simply `Bajofondo` as they felt their style had broadened beyond just Tango and should be considered `contemporary music from the Río de la Plata`. Gustavo Santaolalla: guitar, percussion, vocals, backup vocals Juan Campodónico: programming, beats, samples, guitar Luciano Supervielle: piano, keyboards, turntable Javier Casalla: violin Martín Ferrés: bandoneon Gabriel Casacuberta: upright bass, electric bass Adrían Sosa: drums Verónica Loza: VJ, vocals Bajofondo* ‎– Mar Dulce Label: Surco ‎– 0602517429321, Vibra ‎– 0602517429321, Universal ‎– 0602517429321 Format: CD, Album, Digipak Country: UK & Europe Released: 04 Sep 2007 Genre: Electronic, Latin Style: Tango, Downtempo, Breaks TracklistHide Credits 1 –Bajofondo* Grand Guignol Arranged By, Directed By [Strings] – Alejandro Terán Written-By – C. García*, G. Santaolalla*, J. Campodónico* 5:05 2 –Bajofondo* Cristal Arranged By – Terán*, Casalla* Written-By – G. Santaolalla*, J. Campodónico* 5:27 3 –Bajofondo* featuring Santullo Ya No Duele Arranged By, Directed By [Strings] – Alejandro Terán Programmed By – Sebastián Peralta Vocals [Featuring] – Fernando Santullo* Written-By – J. Campodónico*, F. Santullo*, S. Peralta* 3:43 4 –Bajofondo* featuring Juan Subirá Hoy Arranged By, Directed By [Strings] – Alejandro Terán Bass [Electric] – Gabriel Casacuberta Vocals [Featuring] – Juan Subirá Written-By – G. Santaolalla*, H. García*, J. Subirá* 5:15 5 –Bajofondo* featuring Ryota Komatsu Pa` Bailar Arranged By, Directed By [Strings] – Alejandro Terán Bandoneon [Featuring] – Ryota Komatsu Written-By – A. Tagle Lara*, B. Tagle Lara*, G. Santaolalla*, J. Campodónico* Written-By [Variation] – Casalla* 3:52 6 –Bajofondo* Pulmón Arranged By, Directed By [Strings] – Alejandro Terán Written-By – G. Casacuberta*, G. Santaolalla*, J. Casalla* 3:22 7 –Bajofondo* featuring Elvis Costello Fairly Right Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Elvis Costello Written-By – G. Santaolalla* 6:01 8 –Bajofondo* featuring Gustavo Cerati El Mareo Arranged By, Directed By [Strings] – Alejandro Terán Guitar – Juan Campodónico Programmed By – Omar (11) Vocals [Featuring] – Gustavo Cerati Written-By – J. Campodónico*, F. Santullo* 4:35 9 –Bajofondo* featuring Mala Rodríguez El Andén Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Mala Rodriguez* Written-By – J. Casalla*, M. Rodríguez*, M. Ferres* 3:50 10 –Bajofondo* Infiltrado Arranged By, Directed By [Strings] – Alejandro Terán Programmed By – Anibal Kerpel Written-By – A. Kerpel*, J. Campodónico* 3:38 11 –Bajofondo* Borges Y Paraguay Arranged By, Directed By [Strings] – Alejandro Terán Programmed By, Keyboards, Vocals – Daniel Martín Written-By – D. Martín*, G. Santaolalla* 4:32 12 –Bajofondo* Tuve Sol Arranged By, Directed By [Strings] – Alejandro Terán Vocals – Veronica Loza Written-By – G. Santaolalla*, J. Casalla*, J. Campodónico*, V. Loza* 3:54 13 –Bajofondo* No Pregunto Cuantos Son Arranged By, Directed By [Strings] – Alejandro Terán Organ [Hammond] – Anibal Kerpel Programmed By, Keyboards, Vocals – Daniel Martín Written-By – D. Martín*, E. Rovira*, G. Santaolalla* 4:55 14 –Bajofondo* featuring Nelly Furtado Slippery Sidewalks Arranged By, Directed By [Strings] – Alejandro Terán Vocals [Featuring] – Nelly Furtado Written-By – G. Santaolalla*, J. Casanova*, L. Supervielle* 3:34 15 –Bajofondo* Zitarrosa Arranged By, Directed By [Strings] – Alejandro Terán Guitar – Juan Campodónico Guitar [Spanish Guitars] – Toto Méndez Programmed By – Alejandro Tuana Written-By – A. Tuana*, J. Campodónico* 4:04 16 –Bajofondo* featuring Lágrima Ríos Chiquilines Arranged By – Terán*, Supervielle* Vocals [Featuring] – Lágrima Ríos Written-By – G. Santaolalla*, H. Correa*, L. Supervielle*, O. Falero Frías* 5:47 Companies, etc. Phonographic Copyright (p) – Surco Records J.V. Copyright (c) – Surco Records J.V. Manufactured By – Universal International Music B.V. Distributed By – Universal International Music B.V. Credits Bandoneon – Martin Ferres Cello – Julián Gándara Co-producer – Anibal Kerpel Double Bass – Gabriel Casacuberta Drums – Adrian Sosa Edited By [Digital] – Anibal Kerpel, Julio Berta, Riki Musso Engineer [Assistant In Ion] – Javier Mazzarol Engineer [Recording - Additional] – Dror Mohar, Eduardo Pereyra (2), Sergio Delgado (3) Engineer [Recording] – Anibal Kerpel, Jorge `Portugues` Da Silva, Julio Berta Graphic Design – Carolina Larrea Guitar, Percussion, Vocals – Gustavo Santaolalla Mastered By – Tom Baker (3) Mixed By – Anibal Kerpel, Gustavo Santaolalla, Juan Campodónico, Julio Berta Performer [Vj] – Veronica Loza Photography By – Gustavo Santaolalla Piano, Keyboards, Turntables [Turntable] – Luciano Supervielle Producer – Gustavo Santaolalla, Juan Campodónico Programmed By, Effects [Beats], Effects [Samples] – Juan Campodónico Violin – Alejandro Terán, Damián Bolotín, Guadalupe Tobarías, Javier Casalla, Marta Roca Alonso, Sebastián Prusak Notes El Mareo (track 8) contains a fragment of Encontrar (written by Ignacio Benedetti, Pablo Bonilla and Juan Campodónico) from the album Omar, courtesy of Bo! Tracks. Zitarrosa (track 15) contains recordings of Alfredo Zitarrosa`s voice. Ya No Duele (track 3) contains samples of De Mi Ciudad by Dúo Araza. Chiquilines (track 16) contains a fragment of Vieja Viola by Lágrima Ríos from the album Café De Los Maestros. Recorded at ION (Buenos Aires), La Casa (Los Angeles), campo.rec (Montevideo), Tio Riki (Montevideo), Electric Lady Studios (New York), Sony Studios (Tokyo), Euram Studios (Madrid) and El Cielito (Buenos Aires). Mixed at La Casa (Los Angeles) and in campo.rec (Montevideo). Mastered at Precision Mastering. Publishing: G. Santaolalla: Vasudeva / Universal Music Publishing. J. Campodónico, L. Supervielle, J. Casalla, A. Kerpel, G. Casacuberta, M. Ferres, D. Martin y F. Santullo: Surco Music / Universal Music Publishing. B. y A. Tagle Lara: Editorial Perrotti. H. Correa, O. Frias, E. Rovira: Warner Chappell. C. Garcia: EMI Melograf. ℗ & © 2007 Surco Records J.V. Made in the EU Barcode and Other Identifiers Barcode (Printed): 6 02517 42932 1 Barcode (Scanned): 602517429321 Label Code: LC 00699 Matrix / Runout: (Universal Logo x4) 06025 174 293-2 01 * 51931720 Matrix / Runout (Inner Ring): Made in Germany by EDC B Mastering SID Code: IFPI LV26 Mould SID Code: IFPI 0147 Rights Society: BIEM / SABAM

Stanje kao na fotografijma 49cm x 69cm Cosa Nostra je talijansko-francuski krimi neo noir iz 1972. godine u režiji Terencea Younga, producent Dino De Laurentiis, a distribuira Columbia Pictures. Riječ je o adaptaciji istoimene nefiktivne knjige Petera Maasa, a scenarij Stephena Gellera. Priča priču o Josephu Valachiju, informatoru mafije ranih 1960-ih koji je prvi mafijaš koji je priznao postojanje organizacije. U filmu glume Charles Bronson kao Valachi i Lino Ventura kao šef kriminala Vito Genovese, s Jill Ireland, Walterom Chiarijem, Josephom Wisemanom, Geraldom S. O`Loughlinom, Guidom Leontinijem, Amedeom Nazzarijem, Faustom Tozzijem, Pupella Maggio i Angelom Infantijem. Directed by Terence Young Screenplay by Stephen Geller Based on The Valachi Papers by Peter Maas Produced by Dino De Laurentiis Starring Charles Bronson Lino Ventura Jill Ireland Walter Chiari Joseph Wiseman Cinematography Aldo Tonti Edited by Johnny Dwyre Monica Finzi Music by Riz Ortolani Armando Trovajoli Color process Technicolor Production companies De Laurentiis Intermarco S.p.A. Euro-France Films Distributed by S.N. Prodis (France) Columbia Pictures (UK & US) Release date 3 November 1972 [1] Running time 125 minutes Countries Italy France Languages English Italian Box office $17,106,087 Charles Bronson as Joe Valachi Lino Ventura as Vito Genovese Jill Ireland as Maria Reina Valachi Walter Chiari as Dominick Petrilli (`Gap`) Joseph Wiseman as Salvatore Maranzano Gerald S. O`Loughlin as Ryan Guido Leontini as Tony Bender Amedeo Nazzari as Gaetano Reina Fausto Tozzi as Albert Anastasia Pupella Maggio as Letizia Reina Angelo Infanti as Lucky Luciano Alessandro Sperli as Joe Masseria María Baxa as Donna Franco Borelli as Buster from Chicago Anthony Dawson as Federal Investigator Joe Don Baker as Irish Gangster (uncredited) Sabine Sun as Jane (uncredited) Originalan filmski plakat Croatia Film

PRVI SVETSKI RAT: Lučijan Boja Naslov Prvi svetski rat : kontroverze, paradoksi, reinterpretacije / Lučijan Boja ; [preveo s rumunskog Dragan Stojanović ; redakcija prevoda Stevan Bugarski] Jedinstveni naslov Primul rǎzboi mondial. srpski jezik Vrsta građe stručna monografija URL medijskog objekta odrasli, ozbiljna (nije lepa knjiž.) Jezik srpski Godina 2015 Izdavanje i proizvodnja Novi Sad : Prometej ; Beograd : Radio-televizija Srbije, 2015 (Novi Sad : Prometej) Fizički opis 106 str. ; 21 cm Drugi autori - osoba Stojanović, Dragan = Stojanović, Dragan Bugarski, Stevan, 1939- = Bugarski, Stevan, 1939- Zbirka Edicija Srbija 1914-1918 ; ǂkolo ǂ2, ǂknj. ǂ4 ISBN 978-86-515-1023-9 (karton) Napomene Prevod dela: ǂPrimul ǂrǎzboi mondial / Lucian Boia Tiraž 1.000 Beleška o autoru: str. 105-106 Napomene i bibliografske reference uz tekst. Predmetne odrednice Prvi svetski rat 1914-1918 Knjige Lučijana Boje su više nego polemička ispitivanja u smislu demitologizacije i otklanjanja zajedničkih mesta u istoriji i, implicintno, u rumunskom mentalitetu. Realni ulog je pisanje zajedničke evropske istorije, oslobođen predrasuda i opšteprihvaćenih teorija. Ova je knjiga nužni i jasni sintetički izraz dosadašnjih autorovih ideja, a glavna joj je tematika ‘utemeljujući događaj sveta u kojem živimo’. Po svojoj moralnoj problematici, po svom zamahu i po svojim katastrofalnim posledicama, koje su se neposredno materijalizovale u drugoj svetskoj konflagraciji, Prvi svetski rat ostaje jedna od najprostresnijih drama novije istorije. A Versajski sistem ostaje čin rođenja sadašnje Evrope Potpuno nova, nekorišćena knjiga. bs

ČEZAR PETRESKU PRIPOVETKE Prevod - S. Petrović Izdavač - Izdavačko preduzeće za književnost, Bukurešt Godina - 1968 195 strana 20 cm Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja   SADRŽAJ: Povratak herojaBegunacDva učiteljaMoj prijatelj Žan Ružin valcerVidranova karijeraUjak iz Amerike Učitelj Dominik Stražeru nije više samVodenica kod Đavolje okuke "Cezar Petrescu (Romanian pronunciation: [ˈt͡ʃezar peˈtresku]; December 1, 1892, Cotnari, Iaşi County– March 9, 1961) was a Romanian journalist, novelist and children's writer. He was inspired by the works of Honoréde Balzac, attempting to write a Romanian novel cycle that would mirror Balzac's La Comédie humaine. He was also under the influence of the Sămănătorul critique of Romanian society. As a journalist, Cezar Petrescu made himself known as one of the editors of the magazine Gâ ndirea, alongside Nichifor Crainic and Lucian Blaga. For a long time, he was a member of the National Peasants' Party, and wrote extensively for its press, especially for Aurora. His major work consists of novels such as Î ntunecare ("Darkening"; 1928), Calea Victoriei (the name of a Bucharest avenue; 1930), Dumenica orbului ("The Blind Man's Sunday"; 1934), and Noi vrem pămâ nt ("We Demand Land"; 1938). Notwithstanding his prolific output as a novelist, Petrescu is mostly remembered for his children's book Fram, ursul polar ("Fram, the polar bear"— the circus animal character was named after Fram, the ship used by Fridtjof Nansen on his expeditions). He is buried in Bellu cemetery, in Bucharest. "   Ako Vas nešto zanima, slobodno pošaljite poruku.

U dobrom stanju Éditeur ‏ : ‎ Maison des Sciences de l`Homme (30 octobre 2008) Langue ‏ : ‎ Français Broché ‏ : ‎ 248 pages Poids de l`article ‏ : ‎ 422 g Dimensions ‏ : ‎ 15 x 1.5 x 23 cm Alors qu`elle s`interroge, se regarde et se raconte depuis des siècles, l`Europe demeure perplexe au miroir de ses inépuisables productions. Elle est à l`étroit dans les paragraphes étriqués des documents juridiques, elle tend à se soustraire aux appropriations idéologiques de toutes obédiences, dépasse toujours les images d`elle-même qu`elle crée sans relâche, échappe à sa propre histoire comme à ses historiens, à ses géographes et à tous ceux qui s`efforcent de la définir. Mais elle offre à l`expérience et à l`imagination des hommes la richesse infiniment diversifiée de son patrimoine. S`il est encore et toujours difficile de dire l`Europe, du moins peut-on la percevoir et la toucher, surtout en ces lieux singuliers mais innombrables où se livre au regard et à l`esprit un surcroît de sens. Frontières, carrefours, passages, noeuds urbains, vastes plaines, lieux de commémoration ou de mémoire : ce sont quelques-uns d`entre eux qui ont inspiré les auteurs de cet ouvrage. Dire l`Europe, sous leurs plumes croisées, c`est la redire sans cesse dans la multiplicité de ses manifestations particulières. Stella Ghervas est chargée de recherche en histoire à l`Institut universitaire de hautes études internationales de Genève. François Rosset est professeur de littérature et culture françaises à l`Université de Lausanne et à l`Ecole polytechnique fédérale de Lausanne. Avec les contributions de : Wladimir Berelowitch, Denis Bertholet, Lucian Boia, Sofia Dascalopoulos, Pascal Dethurens, Silvio Guindani, Olga Inkova, Lubor Jilek, Bertrand Lévy, Krzysztof Pomian, René Sigrist, Luc Weibel, Eric Widmer

LYNN HAROLD HOUGH THE MEANING OF HUMAN EXPERIENCE Izdavač - Abingdon-Cokesbury Press, New York Godina - 1945 368 strana 24 cm Povez - Tvrd Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: BASIC CONSIDERATIONS Chapter I: CONFRONTING THE HUMAN 1. The Men We Can Scarcely See. 2. The Men of the River Valleys. 3. The Men of Masterful Mind. 4. The Man Who Controls Other Men. 5. The Everlasting Barbarian. 6. The Men of Slippery Mind. 7. The Men Who Made Words Slaves. 8. The Men Who Enshrined Memories. 9. The Men Who Captured Dreams. 10. The Men Who Were Disturbed by the Moral Voice. 11. The Men Who Made Nations. 12. The Men Who Made Republics. 13. The Men Who Made Machines. 14. The Men Who Became Machines. 15. The Interpreters of the Battle of Impulses and Ideas. 16. The Alluring and Betraying Utopias. 17. The Men Who Have Seen Individuals Sharply. 18. The Man Everyman Sees. Chapter II: KNOWING AND THINKING. 1. The Necessary Assumptions. 2. The Possibility of Universal Skepticism. 3. The Mistakes of the Thinkers. 4. Freedom. 5. The Great Correlation: Thinker, Thought, Thing. 6. What the Mind Brings to Experience. Chapter III: THE NATURE OF THE REAL. 1. Materialism. 2. Realism. 3. Idealism. 4. Impersonal Realism. 5. Impersonal Idealism. 6. Personal Realism. 7. Personal Idealism. Chapter IV: THE ULTIMATE PERSON 1. The Ground of a Community of Personal Experience. 2. The Ground of the Existence of Persons. 3. Explaining the Personal by Means of the Impersonal. 4. Explaining the Impersonal by Means of the Personal. 5. Human Personality. 6. Divine Personality. 7. The Security of Experience in the Ultimate Person. 8. Moving Back to the Major Premise from the World of Experience. 9. Moving from the Ultimate Person Back to History. Chapter V: THE SPEECH OF THE GREAT PERSON. 1. The Speech of the Creator. 2. God`s Speech in Man. 3. God`s Speech in Nature. 4. `Natural Theology.` 5. Has God Spoken in the Ethnic Religions? 6. Classification of Religions. 7. The Ethnic Religions and `Natural Theology.` 8. The Ethnic Religions and Revelation. 9. Is There a Higher Revelation? THE HEBREW-CHRISTIAN WITNESS Chapter VI: THE RELIGIOUS EXPERIENCE OF ISRAEL. 1. The Adventure of Man with Nature. 2. The Adventure of Man with Man. 3. The Adventure of Man with God. 4. The Unique Adventure in Palestine. 5. The God with a Character. 6. Borrowing and Transform- ing. 7. Things Left Behind. 8. Truths Apart from Experience. 9. Truth in Experience. 10. The Striking Individuals. 11. The Dedicated People. Chapter VII: THE HEBREW PROPHETS. 1. Elijah and Elisha. 2. Amos. 3. Hosea. 4. Isaiah. 5. Micah. 6. Jeremiah. 7. Nahum. 8. The Isaiah of the Exile. 9. Ezekiel. 10. God Meets Men at the Central Place of Their Own Experience. Chapter VIII: `THE REIGN OF LAW`. 1. Old Testament Laws. 2. Law as Convention. 3. Law as Ritual. 4. Natural Law. 5. Law as the Correlation of Human Sanctions. 6. Law as the Correlation of Divine Sanctions. 7. The Law in the Heart. Chapter IX: THE BATTLE WITH DOUBT AND THE LYRICAL VOICES 1. Habakkuk. 2. Job. 3. The Hero of the Book of Psalms. 4. The Indi- vidual Experiences of the Book of Psalms. 5. The Humanism of the Psalms. 6. The Evangelical Note in the Psalms. 7. The Law Is Taught to Sing. 8. Social Insights of the Psalms. 9. The Tragedies of the Book of Psalms. 10. The Triumphant Joy of the Psalms. 11. The Hallelujah Chorus. Chapter X: SERMONS ON HISTORY. 1. Samuel. 2. Saul. 3. David. 4. Solomon. 5. The Choice of Rehoboam. 6. Hezekiah. 7. Josiah. 8. The Living Forces in History. 9. The Divine Meanings in History. Chapter XI: THE STORY OF A BRIDGE 1. The Exile. 2. The Return from Exile. 3. The Resurrection of the Nation. 4. Persia. 5. Babylon. 6. Alexandria. 7. The Decadent Greeks. 8. The Great Patriots. 9. Rome. 10. The Fresh Insights. 11. Casually Accepted Beliefs. 12. The New Imperial World. Chapter XII: THE HUMAN LIFE DIVINE 1. The Portrait of Christ in the Gospels. 2. Vital Perfection. 3. The Compelling Person. 4. The Words. 5. The Great Insights. 6. The Deeds and the Life. 7. The Great Invitation and the Great Divide. 8. The Personal Experience Back of the Gospels. 9. The Criticism of Christian Experience. 10. The Human Life Divine. Chapter XIII: RELIGION AS REDEMPTION 1. Ideas Connected with Religion as Redemption. 2. The Classical Form of Christian Experience. 3. Some Historical Examples. 4. The Reverse Approach to Paul Through Twenty Centuries of Christian Experience. 5. The Pauline Theology and Classical Christianity. 6. `Other Sheep.` 7. Great Christians Who Were Not Evangelicals. 8. The Soft Substitutes. 9. The Modern Experience of Redemption. Chapter XIV: RELIGION AS APOCALYPSE 1. The Conditions of the Rise of Apocalyptic Literature. 2. Sense of Complete Frustration in the Presence of Evil Powers. 3. The Faith of the Hopeless Minority. 4. The Appeal from the Acts of Men to the Acts of God. 5. Mysterious Symbolisms Whose Central Message Is Obvious to the Oppressed. 6. Apocalyptic Writing as a Literature of Consolation. 7. Apocalyptic Writing as a Literature of Triumphant Hope. 8. Apocalypse as a Philosophy of History. 9. Modern European Theology and the Apocalyptic Mood. 10. The Permanent Significance of the Apocalyptic Elements in the Christian Religion. Chapter XV: THE QUEEN OF THE SCIENCES 1. Science as Measurement. 2. The Larger Conception of Science. 3. Theology, the Keystone of the Arch. 4. Exegetical Theology. 5. Biblical Theology. 6. Philosophical Theology. 7. The Greek Theology. 8. The Latin Theology. 9. The Intellect and the Will. 10. The Reformation Takes Theological Forms. 11. The Theology of Fulfillment. 12. The Theology of Crisis. 13. The Theology of Social Action. 14. The Great Synthesis. THE HUMANISTIC TRADITION Chapter XVI: THY SONS, O GREECE. 1. The Living Process. 2. The Mingling of Primitive and Civilized Life. 3. The Direct Gaze at Nature. 4. The Direct Gaze at Man. 5. The Dangerous Gift of Abstraction: the Good, the Beautiful, and the True. 6. The Living Faith in the Ideal. 7. The Halfway Houses: the Things Which Seem Better than Gods; the Virtues Which Have Fruits Without Roots. 8. The Deliverance from Abstraction. 9. Athens and Jerusalem. Chapter XVII: CRITICS OF MANY LANDS 1. The Voice of the Critic. 2. Through the Eyes of Aristotle. 3. Longinus and the Great Soul. 4. Cicero and the Battle Between Appetite and Reason. 5. Quintilian Directs the Man with a Voice. 6. Lucian Scorns His World. 7. Boethius Confronts Tragedy. 8. Thomas Aquinas Finds Reason in Theology. 9. Pico della Mirandola Finds the Dignity of Man. 10. Francis Bacon Turns to Nature and Misunderstands Human Values. 11. Dryden Comes to His Throne. 12. France Attains a Fine Certainty. 13. The Coffee House Becomes Articulate. 14. Dean Swift Castigates. 15. Dr. Johnson Pontificates. 16. Burke Beholds Sublimity. 17. Sainte-Beuve Writes Royally. 18. Carlyle`s Clouds and Darkness and Flashing Light. 19. Matthew Arnold Remembers the Best That Has Been Thought and Said in the World. 20. Ruskin Teaches Beauty to Face Social Responsibility. 21. Saintsbury, the Hedonist. 22. Physics and Biology Rampant. 23. The Freudians Inspire Literary Criticism. 24. The Social Radicals Have Their Day in Court. 25. Humanism Becomes Mighty in Irving Babbitt. 26. Humanism Becomes Christian in Paul Elmer More. 27, Evangelical Humanism Chapter XVIII: FICTION FINDS TRUTH AND FALSEHOOD 1. Escape. 2. Adventure. 3. Vicarious Satisfaction. 4. By the Light of a Thousand Campfires. 5. By the Lamps of a Thousand Libraries. 6. By the Fireplaces of a Thousand Homes. 7. The Isolated Reader Who Finds a Society in Books. 8. Fiction Heightens and Dramatizes Life. 9. Fiction Photographs Human Life. 10. Fiction Brings Back Golden Memories. 11. Fiction Brings Back Memories That Corrode and Burn. 12. Fiction Criticizes Life. 13. Fiction Records the Adventures of the Soul. 14. Fiction as the Voice of the Body. 15. Fiction Gives Life to Great Hopes. 16. Fiction Interprets Life. 17. Fiction and the Rights of the Soul Chapter XIX: POETRY OPENS AND CLOSES ITS EYES 1. Homer. 2. The Greek Tragedians. 3. Vergil. 4. Dante. 5. Chaucer. 6. Spenser. 7. Shakespeare. 8. Marlowe. 9. O Rare Ben Jonson. 10. John Donne. 11. Other Metaphysical Poets. 12. Alexander Pope. 13. John Keats. 14. Shelley. 15. Lord Byron. 16. Wordsworth. 17. Browning. 18. Tennyson. 19. Goethe. 20. Longfellow. 21. Lowell. 22. Whitman. 23. Hardy. 24. D. H. Lawrence. 25. Robert Bridges. 26. Edwin Arlington Robinson. 27. T. S. Eliot. 28. Robert Frost. 29. Decadent Poetry. 30. Finding One`s Way. Chapter XX: BIOGRAPHY HIDES AND TELLS ITS SECRETS 1. How Much Can We Know About Particular People? 2. How Much Can Particular People Know About Themselves? 3. Can We Know a Man`s Secret? 4. Through the Civilized Eyes of Plutarch. 5. Through the Spacious Eyes of Macaulay. 6. The Sensitive Plate of Sainte-Beuve. 7. The Biographical Detective Appears in Gamaliel Bradford. 8. The Perceptive Analysis of Gilbert Chesterton. 9. The Heroes. 10. The Saints. 11. The Statesmen. 12. The Thinkers. 13. The Scientists. 14. The Preachers. 15. The Reformers. 16. The Women. 17. The Men. 18. The Valley of Decision Chapter XXI: HISTORY AND THE CHRISTIAN SANCTIONS 1. The Breakdown of the Older States. 2. The Debacle in Greece. 3. The Debacle in Rome. 4. The Debacle in the Middle Ages. 5. The Debacle in the Renaissance. 6. The Debacle in the Reformation. 7. The Debacle in the Enlightenment. 8. The Debacle of the French Revolution. 9. The Debacle in the Society of Science. 10. The Debacle of the Society of Social Blueprints. 11. The Debacle in the Society of the Machine Age. 12. The Debacle of the Great Reversion. 13. Democracy Faces Fate. 14. The Judgment of the Christian Sanctions. THE EVANGELICAL SYNTHESIS Chapter XXII: ALL THE STREAMS FLOW TOGETHER. 1. Physical Well-Being. 2. Moral Well-Being. 3. Intellectual Well-Being. 4. Spiritual Well-Being. 5. Social Well-Being. 6. The Tragedy of Ignorance. 7. The Solution of the Problem of Ignorance. 8. The Tragedy of Incompleteness. 9. The Solution of the Problem of Incompleteness. 10. The Tragedy of Sin. 11. The Solution of the Problem of Sin. 12. The Tragedy of Social Disintegration. 13. The Solution of the Problem of Social Disintegration. 14. The Religion of Revelation. 15. The Religion of the Incarnation. 16. The Religion of the Cross. 17. Christus Imperator. Chapter XXIII: THE TRAGEDY OF THE GREAT GREGARIOUSNESS 1. The All-Inclusiveness of Hinduism. 2. The Nest of Fallacies. 3. You Cannot Affirm a Thing Without Denying Its Opposite. 4. A Relative Insight Is Not an Insight. 5. A Relative Loyalty Is Not a Loyalty. 6. A Relative Truth Is Not a Truth. 7. The Ladder of Confusion. 8. The Great Gregariousness Becomes the Complete Blackout. 9. The Great Distinctions. 10. The Living Corpus of Dependable Truth. Chapter XXIV: THE TRANSFIGURATION OF ETHICS. 1. Codes and Practice. 2. The Man with Ethical Experience. 3. The Personal and the Impersonal. 4. The Great Dilemma. 5. The Solution of the Antinomian. 6. The Conventional Solution. 7. The Solution of Those Who Get Lost in Details. 8. The Solution of a Shrewd Prac- ticality. 9. The Solution of Despair. 10. The Solution of Faith. 11. The Searching Power Which Christianity Brings to Ethics. 12. The New Spirit Which Christianity Brings to Ethics. 13. The Lyrical Gladness Which Christianity Brings to Ethics. 14. Christianity and the Creative Ethical Life. Chapter XXV: BEYOND THESE VOICES. 1. The Creature Who Must Have Eternity. 2. The Claims of the Unful- filled. 3. The Claims of Those Who Cry Out Against the Injustices of Time. 4. Man Without Eternity. 5. Eternity Without Man. 6. The Faith Written in the Soul of Man. 7. The Men of Social Passion Who Fear the Belief in Immortality. 8. The Final Adjudication. 9. The Faithful God. Index Ako Vas nešto zanima, slobodno pošaljite poruku. Aristotle Matthew Arnold Athanasius Karl Barth Robert Browning Oscar Cargill Cicero Charles Dickens William Fairweather Charles Kingsley Martin Luther William Robertson Nicoll Plato Socrates