Informacije o Proizvodu Brend: luciano bellini Grad: Valjevo Materijali: koža Tagovi: luciano bellini Stanje predmeta: veoma dobro Luciano Bellini, cele kozne, spolja i unutra, model uvek nosiv, malo nosene, broj 41, ali su po gazistu nesto vece ( ukupna duzina unutrasnjeg gazista 29 cm), korisna je nesto manja , zbog samog modela.

Luciano Bellini, koza spolja I unutra, model uvek nosiv, broj 41, po dužini gazista su vece( ukupna dužina 29 cm), očuvane, bez oštećenja.

Informacije o Proizvodu Veličina: 36 Brend: luciano barachini Grad: Beograd Materijali: prirodna koža Tagovi: moderne kožne luciano barachini cipele Stanje predmeta: veoma dobro Boja: crna bež fantasticne luciano barachini cipele izradjene cele od prirodne koze,spolja je prevrnuta koza visina pete 2 cm broj 36 / korisno 23 cm malo nosene,nemaju ostecenja

Informacije o Proizvodu Veličina: 39.5 Brend: luciano padovan Grad: Novi Sad Materijali: koža Tagovi: kožne cizme brendirane Stanje predmeta: veoma dobro Boja: braon fenomenalne kožne čizme poznatog italijanskog brenda, poznatog po udobnoj i modernoj obući. cene ovakvih čizama su preko 500 eur. nepiše broj ali dužina gazišta je 26 cm, što odgovara broju otprilike 39,5 cm . bez ikakvih oštećenja.

Informacije o Proizvodu Brend: locirano pavarotti Grad: Valjevo Materijali: svila Tagovi: made in italy Stanje predmeta: veoma dobro Luciano Pavarotti, made in Italy, svila 100%, postavljena, rajsfeslus sa strane, vel.40, par puta nosena.

Keeping An Eye Open: Essays On Art Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud.

Modernists & Mavericks: Bacon, Freud, Hockney And The London Painters Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here ... this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and Swinging London in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question what can painting do? and explored in their diverse ways, but with equal passion, the possibilities of paint. Prikaži više