Luciano Lago: STARE KARTE JADRANA Mek povez - veći format: 24x34cm, 189strana, bogato ilustrovano, izdavač: CASH - Pula Kako je od Erastotena i njegovih predhodnika, preko Ptolomeja Mediteran bio centrom svijeta, tako i Jadran nalazimo u najranijim poznatim kartama i tu počinje priča koju su vam pokušali ispričati u knjizi Stare karte Jadrana, Luciano Lago, poznati povjesničar geografije i kartografije te suradnici. Jadran, Jadransko more...

Knjige su u dobrom stanju,spoljni omoti malo izbledeli sa strane. Luigi Pareti, Paolo Brezzi i Luciano Petech – STARI SVIJET I-III Historija čovječanstva: kulturni i naučni razvoj 1. Od 1200. do 500. god. pr. n. e. 2. Od 500. god. pr. n. e. Do početka nove ere 3. Od početka nove ere do 500. god. (Naprijed, Zagreb, 1967, tvrd povez, XXXVI+417+XII+430+XI+498 str., ilustrovano)

Luciano Artusi, Silvano Gabbrielli, Felice Vaccaro – IL CALCIO STORICO FIORENTINO (Copexa, Firenze – Giugno, 1976, tvrd povez, 137 str., ilustrovano) Tradicionalni `kalčo` u Firenci.

Originalni bioskopski (filmski) plakat : MALENA (2000) Režija: Giuseppe Tornatore Uloge: Monica Bellucci, Giuseppe Sulfaro, Luciano Federico Lepo očuvan plakat (pogledajte fotografiju). Rupice od kačenja. Standardne dimenzije (oko 69 x 49 cm)

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Trojica Neustrasivih (1967). Stanje kao na fotografijama. I fantastici 3 Supermen Luciano Stella Brad Harris Aldo Canti Carlo Tamberlani Jugoslavija Ex Yu

Stanje kao na fotografijama! 49cm x 69cm Colt in the Hand of the Devil, 1967 g. Colt u ruci vraga (talijanski: Una colt in pugno al diavolo, poznat i kao Đavao je bio anđeo, a anđeo s pištoljem je vrag) talijanski je špageti iz špageta iz 1967. godine, koji je napisao i režirao Sergio Bergonzelli. Tematsku pjesmu `Vrag je bio anđeo` izvodi Mino Reitano. Snimljeno je na Sardiniji. Bob Henry as Pat Scotty Marisa Solinas as Maya George Wang as El Condor/Capataz Lucretia Love as Jane Gerardo Rossi as Tenente Dick Carson Luciano Catenacci as El Loco Luciano Benetti as Cpt. McDonald Directed by Sergio Bergonzelli Produced by Cineriz Written by Sergio Bergonzelli Ambrogio Molteni Music by Gian Piero Reverberi Cinematography Aldo Greci Release date 1967 Language Italian Originalan filmski plakat Kinema Sarajevo

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Prozor Prema Luna Parku (1957). Stanje kao na fotografijama. The Window to Luna Park La finestra sul Luna Park Luigi Comencini Suso Cecchi d`Amico Luciano Martino Jugoslavija Ex Yu

Luigi Pareti - Paolo Brezzi - Luciano Petech: STARI SVIJET 1-2-3, Naprijed Zagreb 1967, tvrdi povez, omot, str. 417 + 430 + 498. Edicija Historija čovječanstva - Kulturni i naučni razvoj: Drugi svezak - Stari svijet u tri knjige. Očuvanost 4 - omoti izlepljeni - ima potpis.

Descriptio Histriae - Luciano Lago - Claudio Rossit La peninsola istrian in alcuni momenti significativi della sua tradizione cartografica sino a tutto il secolo XVIII. Izdavac: Lint, Trieste Cvrst povez 345 str. Dimenzije, veliki format 33x35 cm Jezik italijanski Manji tragovi ostecenja na omotnici knjige.

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Teror Varvara (1959). Odlicno ocuvan! Goliath and the Barbarians Il terrore dei barbari Steve Reeves Chelo Alonso Giulia Rubini Luciano Marin Jugoslavija Ex Yu p.s.pre gledanja ovog filma, obavezno procitati Zagora - Teror Seste Planete iako nema veze sa filmom. Oplemenite svoje znanje!

Luigi Pareti, Paolo Brezzi i Luciano Petech – STARI SVIJET I-III Historija čovječanstva: kulturni i naučni razvoj 1. Od 1200. do 500. god. pr. n. e. 2. Od 500. god. pr. n. e. Do početka nove ere 3. Od početka nove ere do 500. god. (Naprijed, Zagreb, 1967, tvrd povez, XXXVI+417+XII+430+XI+498 str., ilustrovano)

Historija čovječanstva - Kulturni i naučni razvoj Svezak drugi I-III Svezak drugi I-III (Od 1200.god.pr.n.e. Do 500.god.n.e.) Autori: Luigi Pareti, Paolo Brezzi, Luciano Petech 1. Od 1200. do 500. god.pr.n.e. 2. Od 500.god.pr.n.e. do nove ere 3. Od početka nove ere do 500.god. Izdavač: `Naprijed` Zagreb Tvrd povez sa omotom; strana XXXII+417, 430, 498 ( brojne ilustracije i crno/bele fotografije); 24cm Zaštitni omoti oštećeni.. Knjige dobro očuvane. Sitan potpis vlasnika na naslovnim stranama.

HISTORIJA ČOVJEČANSTVA : Kulturni i naučni razvoj 6 svezaka 20 knjiga Naprjed Zagreb 1966 - 1976 tvrdi povez I svezak : 1. Jacquetta Hawkes - PRETHISTORIJA 2. Sir Leonard Woolley - POČECI CIVILIZACIJE II svezak : 1 - 3 Luigi Pareti Paolo Brezzi Luciano Petech - STARI SVIJET III svezak : 1 - 3 Vadim Jelisejev Jean Naudou Gaston Wiet Philippe Wolff - VELIKE CIVILIZACIJE SREDNJEG VIJEKA IV svezak : 1 - 4 Louis Gottschalk L / C Mackinney E . H . Pritchard - TEMELJI MODERNOG SVIJETA ( 1300 - 1775 ) V svezak : 1 - 4 Charles Moraze - DEVETNAESTO STOLJEĆE ( 1775 - 1905) VI svezak : 1 - 4 Caroline F. Ware K . M . Panikkar J . M . Romein - DVADESETO STOLJEĆE Tags - ISTORIJA ČOVEČANSTVA ISTORIJA CIVILIZACIJE CIVILIZACIJA 20.08.2020

Stanje kao na fotografijama! 49cm x 69cm Avanture belog ocnjaka film je iz 1974., koji je režirao Tonino Ricci . To je neslužbeni nastavak filma Lucia Fulcija Zanna Bianca, u kojem je Ricci bio direktor druge jedinice. Film je dobio mješovite kritike. Kao i u Fulcijevom filmu, Bijelog očnjaka glumi njemački ovčar. Maurizio Merli: Burt Halloway Henry Silva: Mr. Nelson Renzo Palmer: RCMP Sergeant Gisela Hahn: Katie Benito Stefanelli: Jackson Donald O`Brien: Caroll Luciano Rossi: Bailey Attilio Dottesio Directed by Tonino Ricci Produced by Edmondo Amati Written by Sandro Continenza Giovanni Simonelli Starring Maurizio Merli Music by Carlo Rustichelli Cinematography Giovanni Bergamini Release date 1974 Language Italian Originalan filmski plakat Avala Genex

Stanje kao na fotografijama! 49cm x 69cm Afera Concorde `79. (Talijanski: Affare Concorde), poznata i kao Afera Concorde, talijanski je akcijski triler iz 1979. godine u režiji Ruggera Deodatoa, a napisali su ga Ernesto Gastaldi i Renzo Genta. Objavljen iste godine kao i The Concorde ... Airport `79. U njemu je glumio Joseph Cotten, koji se pojavio u zračnoj luci `77., Film je bio pokušaj producenata da iskoriste uspjeh filmske franšize `Airport` iz 1970-ih . Directed by Roger Deodato Produced by Mino Loy Luciano Martino Screenplay by Ernesto Gastaldi Renzo Genta Story by Alberto Fioretti Renzo Genta Starring James Franciscus Mimsy Farmer Van Johnson Joseph Cotten Edmund Purdom Music by Stelvio Cipriani Cinematography Federico Zanni Edited by Eugenio Alabiso Distributed by Medusa Distribuzione Release date 23 March 1979 Running time 96 minutes Country Italy Language Italian Originalan filmski plakat Morava Film

Stanje kao na fotografijama. 49cm x 69cm Sartana`s Here… Trade Your Pistol for a Coffin (Italian: C`è Sartana... vendi la pistola e comprati la bara) 1970 g. C`è Sartana ... vendi la pistola e comprati la bara) je vestern za špagete iz 1970. godine, koji je treća serija filma o Sartani, a George Hilton preuzima glavnu ulogu od Gianni Garko. Film je snimljen u Italiji, a režirao ga je Giuliano Carnimeo. Directed by Giuliano Carnimeo Screenplay by Tito Carpi[2] Story by Tito Carpi[2] Starring George Hilton Charles Southwood Erika Blanc Music by Francesco De Masi[2] Cinematography Stelvio Massi[2] Edited by Ornella Micheli[2] Production company Colt Produzioni Cinematografiche[2] Distributed by Panta Cinematografica[2] Release date August 1970 (Italy) Running time 90 minutes Countries Italy Spain George Hilton as Sartana Charles Southwood as Sabbath Erika Blanc as Trixie Piero Lulli as Samuel Spencer Nello Pazzafini as Mantas Carlo Gaddi as Baxter Aldo Barberito as Angelo Linda Sini as Mantas` Wife Marco Zuanelli as Dead Eye Golfay Luciano Rossi as Flint Fossit Fortunato Arena as Old man John Bartha as Sheriff Federico Boido as Joe Fossit Luigi Bonos as Posada Owner Armando Calvo as Hoagy Spartaco Conversi as Emiliano Furio Meniconi as Romero Originalan filmski plakat Morava Film

U dobrom stanju! ti gde je presavijen malo je zacepljen na ivici. 49cm x 69cm Najduže dvorište američki je zatvorski sportski komični film iz 1974. U režiji Roberta Aldricha, scenarista Tracy Keenan Wynn, prema priči producenta Alberta S. Ruddyja, a glume Burt Reynolds, Eddie Albert, Ed Lauter i Mike Conrad. Film prati bivšeg igrača NFL-a koji je regrutovao skupinu zatvorenika i igrao nogomet protiv njihovih čuvara. Sadrži mnoge stvarne nogometaše, uključujući legendu Green Bay Packersa Raya Nitschkea. [4] Film je prerađivan tri puta: kao britanski film 2001. godine Mean Machine (skraćena verzija naslova korištenog za originalno izdanje u Velikoj Britaniji), u kojem glumi Vinnie Jones, remake filma iz 2005. godine, The Longest Yard s Adamom Sandlerom i Reynoldsom kao trenerom Nateom Scarborough, a kao egipatski film Kapetan Masr iz 2015. godine. U dva međunarodna remakea iz 2001. i 2015. godine sport je promijenjen iz gridiron nogometa u nogometni savez. Directed by Robert Aldrich Produced by Albert S. Ruddy Screenplay by Tracy Keenan Wynn Story by Albert S. Ruddy Starring Burt Reynolds Eddie Albert Ed Lauter Mike Conrad Music by Frank De Vol Cinematography Joseph Biroc Edited by Michael Luciano Production companies Albert S. Ruddy Productions Long Road Productions Distributed by Paramount Pictures Release date August 21, 1974 (New York) Running time 121 minutes Country United States Language English Budget $2.9 million Box office $43 million Filmski plakat

Stanje kao na fotografijma 49cm x 69cm Gospodje i Gospoda talijanski je film iz 1966. godine koji je režirao Pietro Germi. Izvorni talijanski naslov je Signore & Signori, što znači `Dame i gospodo`. Antologijski film seksualna je komedija koja predstavlja tri priče, smještene u talijanski grad Treviso. U prvoj se priči suprug pretvara da je impotentan kao pokriće za aferu. U drugom, bankarski službenik napušta svoju suprugu zbog svoje ljubavnice, ali ostatak gradskih muževa postaju ljubomorni i ujedinjuju se da bi urotili protiv njih. U trećem, muškarci iz grada svi zavode promiskuitetnu tinejdžericu, ali njezin otac na kraju otkriva da je ona maloljetna i suočavaju se s kaznenim progonom zbog zakonskog silovanja. Film je podijelio Grand Prix s muškarcem i ženom na Filmskom festivalu u Cannesu 1966. godine. [1] Kasnije je odabran za prikazivanje u sklopu rubrike Cannes Classics na Filmskom festivalu u Cannesu 2016. godine. Directed by Pietro Germi Written by Age Pietro Germi Luciano Vincenzoni Starring Virna Lisi Gastone Moschin Nora Ricci Cinematography Aiace Parolin Music by Carlo Rustichelli Distributed by Dear Film Release date 10 February 1966 (Italy) 24 June 1966 (France) Running time 115 minutes Countries Italy France Language Italian Virna Lisi – Milena Zulian Gastone Moschin – Osvaldo Bisigato Nora Ricci – Gilda Bisigato Alberto Lionello – Toni Gasparini Olga Villi – Ippolita Gasparini Franco Fabrizi – Lino Benedetti Beba Lončar – Noemi Castellan Gigi Ballista – Giacinto Castellan Carlo Bagno – Bepi Cristofoletto Patrizia Valturri – Alda Cristofoletto Virgilio Gazzolo – Newspaper editor Quinto Parmeggiani – Giovanni Soligo Gia Sandri – Betty Soligo Moira Orfei – Giorgia Casellato Virgilio Scapin – Don Schiavon Originalan filmski plakat Vesna Film

Stanje kao na fotografijam 49cm x 69cm Uomo upozorio na pola ubijenog ... parole di Spirito Santo, španjolski: ... Y le llamaban El Halcón, poznat i kao Zovu ga Svetim Duhom i El halcón de Sierra Madre) talijanski je 1972. godine. -Španjolski špageti špageti u režiji Giuliana Carnimea, a u glavnoj ulozi Gianni Garko. To je nastavak Zovu me aleluja. Directed by Giuliano Carnimeo Written by Tito Carpi Federico De Urrutia Produced by Luciano Martino Starring Gianni Garko Pilar Velázquez Cinematography Miguel Fernández Mila Music by Bruno Nicolai Release date 1972 Language Italian Gianni Garko as Holy Ghost Pilar Velázquez as Juana Paul Stevens as Samuel Crow Víctor Israel as The Priest Poldo Bendandi as General Ubarte Cris Huerta as Carezza Jorge Rigaud as Don Firmino Nello Pazzafini as Colonel Fortunato Arena as Matadodos Aldo Barberito as Friar John Carlo Gaddi as Fiesta Franco Pesce as Doctor Rick Boyd as Vern Crohn Monica Altomonte Salvatore Baccaro as Spirito Santo`s Men Pietro Ceccarelli Pasquale Coletta Maria D`Incoronato Gildo Di Marco as Spirito Santo`s Men Evi Farinelli Lina Ferri Dada Gallotti Mario Gas Italo Guitto Gianclaudio Jabes as Spirito Santo`s Men Carla Mancini Furio Meniconi Ricardo Moyán as Drunk César Ojinaga as Soldier José Palomo as Fight Spectator Riccardo Petrazzi Mimmo Poli as Barman Gianni Pulone Moisés Augusto Rocha as Boxing coach Thomas Rudy as Lieutenant Claudio Ruffini as Poker Player Amerigo Santarelli as Spirito Santo`s Men Maurizio Tocchi Juan Torres as Esteban Fredy Unger as Cpt. Ortega Ettore Arena as Soldier Mario Dardanelli as Soldier Roberto Dell`Acqua as Card Player Alberigo Donadeo as Soldier of General Ubarte Marcello Meconizzi as Ubarte Soldier Originalan filmski plakat Morava Film

Stanje kao na fotografijma 49cm x 69cm Cosa Nostra je talijansko-francuski krimi neo noir iz 1972. godine u režiji Terencea Younga, producent Dino De Laurentiis, a distribuira Columbia Pictures. Riječ je o adaptaciji istoimene nefiktivne knjige Petera Maasa, a scenarij Stephena Gellera. Priča priču o Josephu Valachiju, informatoru mafije ranih 1960-ih koji je prvi mafijaš koji je priznao postojanje organizacije. U filmu glume Charles Bronson kao Valachi i Lino Ventura kao šef kriminala Vito Genovese, s Jill Ireland, Walterom Chiarijem, Josephom Wisemanom, Geraldom S. O`Loughlinom, Guidom Leontinijem, Amedeom Nazzarijem, Faustom Tozzijem, Pupella Maggio i Angelom Infantijem. Directed by Terence Young Screenplay by Stephen Geller Based on The Valachi Papers by Peter Maas Produced by Dino De Laurentiis Starring Charles Bronson Lino Ventura Jill Ireland Walter Chiari Joseph Wiseman Cinematography Aldo Tonti Edited by Johnny Dwyre Monica Finzi Music by Riz Ortolani Armando Trovajoli Color process Technicolor Production companies De Laurentiis Intermarco S.p.A. Euro-France Films Distributed by S.N. Prodis (France) Columbia Pictures (UK & US) Release date 3 November 1972 [1] Running time 125 minutes Countries Italy France Languages English Italian Box office $17,106,087 Charles Bronson as Joe Valachi Lino Ventura as Vito Genovese Jill Ireland as Maria Reina Valachi Walter Chiari as Dominick Petrilli (`Gap`) Joseph Wiseman as Salvatore Maranzano Gerald S. O`Loughlin as Ryan Guido Leontini as Tony Bender Amedeo Nazzari as Gaetano Reina Fausto Tozzi as Albert Anastasia Pupella Maggio as Letizia Reina Angelo Infanti as Lucky Luciano Alessandro Sperli as Joe Masseria María Baxa as Donna Franco Borelli as Buster from Chicago Anthony Dawson as Federal Investigator Joe Don Baker as Irish Gangster (uncredited) Sabine Sun as Jane (uncredited) Originalan filmski plakat Croatia Film

Stanje kao na fotografijma 49cm x 69cm Iskopaj sebi raku (talijanski: Preparati la bara !, `Pripremite lijes!`), Alternativnog naslova Viva Django, talijanski je zapadnjački film za špagete u režiji Ferdinanda Baldija. [1] U filmu glumi Terence Hill u naslovnoj ulozi koju je prethodno glumio Franco Nero u originalnom filmu Sergia Corbuccija. Django, Pripremi lijes jedinstven je među mnoštvom filmova koji su Corbuccijevu kapitalizirali time što nije samo poluzvanični, legitimni nastavak, već je i izvorno trebao glumiti Nerona. [2] Komad iz partiture filma, `Last Man Standing`, uzorkovan je u pjesmi `Crazy` američkog soul dvojca Gnarls Barkley. [3] Naslovnu pjesmu filma `Bolje bi se nasmiješio` izvodi Nicola Di Bari. [3] Prikazan je u sklopu retrospektive o Spaghetti Westernu na 64. međunarodnom filmskom festivalu u Veneciji. Directed by Ferdinando Baldi Screenplay by Franco Rossetti Ferdinando Baldi Story by Franco Rossetti Produced by Manolo Bolognini Starring Terence Hill Horst Frank George Eastman Pinuccio Ardia Lee Burton José Torrès Cinematography Enzo Barboni Edited by Eugenio Alabiso Music by Gianfranco and Giampiero Reverberi Production company B.R.C. Produzione Film Distributed by Titanus Distribuzione Release date January 27, 1968 Running time 92 minutes Country Italy Language Italian Terence Hill as Django Horst Frank as David Barry George Eastman as Lucas José Torrès as Garcia Ibanez Bruna Simionato (as Barbara Simon) as Mercedes Ibanez Pinuccio Ardia as Horace (Orazio) Guido Lollobrigida (as Lee Burton) as Jonathan Abbott Spartaco Conversi as Django Gang Member Luciano Rossi (as Edward G. Ross) as Yankee Jack Gianni Brezza as Alvarez Giovanni Ivan Scratuglia (as Ivan Scratuglia) as Pat O`Connor Andrea Scotti as Lucas Henchman Roberto Simmi as Wallace Franco Balducci as Sheriff Jack Adriana Giuffrè as Mrs. Yankee Jack Lucio De Santis as Django Gang Member Angela Minervini as Lucy Cassidy Giovanni Di Benedetto (as Gianni De Benedetto) as Walcott Angelo Boscariol as Lucas Henchman (uncredited) Omero Capanna as Django Gang Member (uncredited) Remo De Angelis as Barry Henchman (uncredited) Franco Gulà as Deputy (uncredited) Paolo Magalotti as Lucas Henchman (uncredited) Eugene Walter as Spokesman (uncredited) Originalan filmski plakat Makedonija Film

Stanje kao na fotografijma 49cm x 69cm Emperor of the North Pole, 1973 g. Jedan voz za dve bitange je američki akcijski avanturistički film iz 1973. godine u režiji Roberta Aldricha, u kojem glume Lee Marvin, Ernest Borgnine i Keith Carradine. Kasnije je ponovno objavljen na domaćim medijima (i šire je poznat) pod kraćim naslovom Car Sjevera, koji su tobože odabrali rukovoditelji studija kako ih ne bi zamijenili za dirljivu blagdansku priču. Ovaj originalni naslov omaž je povijesnoj šali među skitnicama iz doba Velike depresije da je najbolji skitnica na svijetu bio `Car Sjevernog pola`, način ismijavanja vlastite očajne situacije, što implicira da bi netko tko vlada nad Sjevernim polom vladati ničim osim ogromnom, neplodnom, hladnom, praznom i oštrom pustoši. Film prikazuje priču o borbi dviju skitnica (posebno protiv `Osnivanja`) tijekom Velike depresije 1930-ih u Oregonu. Njegov je scenarij poprilično značajno nadahnut trima odvojenim, ali međusobno povezanim samoobjavljenim temeljnim spisima iz ranijih desetljeća: poznatijim putopisima Jacka Londona iz 1907., Put, i, dvije manje poznate knjige, obje legendarnim skitnicom `A-No` .-1 `, dopisno ime Leona Ray Livingstona, Tramp skitnice (1913), i njegov putopis iz 1917, Od obale do obale s Jackom Londonom. Carradinein lik, Cigaret, koristi se nadimkom koji je Jack London koristio tijekom svojih skitnica, a poput Londona prikazan je kao mladi suputnik starijeg Livingstonovog A-No.-1 (glumio ga je Marvin), ali tu su (neki ustvrditi) završava sličnost između Carradineina lika i Jacka Londona, jer je Cigaret u filmu prikazana kao nezrela, glasnih usta i ne bistra, nasuprot gracioznom i gracioznom sezonskom veteranu A-No.-1. Directed by Robert Aldrich Screenplay by Christopher Knopf Story by Leon Ray Livingston (uncredited) Jack London (uncredited) Produced by Kenneth Hyman Stan Hough Starring Lee Marvin Ernest Borgnine Keith Carradine Charles Tyner Malcolm Atterbury Harry Caesar Elisha Cook Jr. Liam Dunn Simon Oakland Cinematography Joseph F. Biroc Edited by Michael Luciano Music by Frank De Vol Production company Inter-Hemisphere Distributed by 20th Century Fox Release date May 24, 1973 Running time 118 minutes Country United States Language English Budget $3,705,000[1] Box office $2 million (US/ Canada rentals)[2][3] 251,021 admissions (France) Lee Marvin as A-No.-1 Ernest Borgnine as Shack Keith Carradine as Cigaret Charles Tyner as Cracker Matt Clark as Yardlet Liam Dunn as Smile Simon Oakland as the Policeman Malcolm Atterbury as Hogger Elisha Cook, Jr. as Gray Cat Harry Caesar as Coaly Vic Tayback as Yardman Hal Baylor as Yardman`s Helper Joe Di Reda as Ringer Diane Dye as Girl in Water Robert Foulk as Conductor James Goodwin as Fakir Raymond Guth as Preacher Sid Haig as Grease Tail Karl Lukas as Pokey Stiff Edward McNally as Yard Clerk John Steadman as Stew Bum Dave Willock as Groundhog Lance Henriksen as Railroad Worker (uncredited) Originalan filmski plakat Morava Film

PRVI SVETSKI RAT: Lučijan Boja Naslov Prvi svetski rat : kontroverze, paradoksi, reinterpretacije / Lučijan Boja ; [preveo s rumunskog Dragan Stojanović ; redakcija prevoda Stevan Bugarski] Jedinstveni naslov Primul rǎzboi mondial. srpski jezik Vrsta građe stručna monografija URL medijskog objekta odrasli, ozbiljna (nije lepa knjiž.) Jezik srpski Godina 2015 Izdavanje i proizvodnja Novi Sad : Prometej ; Beograd : Radio-televizija Srbije, 2015 (Novi Sad : Prometej) Fizički opis 106 str. ; 21 cm Drugi autori - osoba Stojanović, Dragan = Stojanović, Dragan Bugarski, Stevan, 1939- = Bugarski, Stevan, 1939- Zbirka Edicija Srbija 1914-1918 ; ǂkolo ǂ2, ǂknj. ǂ4 ISBN 978-86-515-1023-9 (karton) Napomene Prevod dela: ǂPrimul ǂrǎzboi mondial / Lucian Boia Tiraž 1.000 Beleška o autoru: str. 105-106 Napomene i bibliografske reference uz tekst. Predmetne odrednice Prvi svetski rat 1914-1918 Knjige Lučijana Boje su više nego polemička ispitivanja u smislu demitologizacije i otklanjanja zajedničkih mesta u istoriji i, implicintno, u rumunskom mentalitetu. Realni ulog je pisanje zajedničke evropske istorije, oslobođen predrasuda i opšteprihvaćenih teorija. Ova je knjiga nužni i jasni sintetički izraz dosadašnjih autorovih ideja, a glavna joj je tematika ‘utemeljujući događaj sveta u kojem živimo’. Po svojoj moralnoj problematici, po svom zamahu i po svojim katastrofalnim posledicama, koje su se neposredno materijalizovale u drugoj svetskoj konflagraciji, Prvi svetski rat ostaje jedna od najprostresnijih drama novije istorije. A Versajski sistem ostaje čin rođenja sadašnje Evrope Potpuno nova, nekorišćena knjiga. bs

U dobrom stanju The Saga of Hog Island: And Other Essays in Inconvenient History Paperback – January 1, 1977 by James J. Martin Publisher ‏ : ‎ Ralph Myles; First Edition (January 1, 1977) Language ‏ : ‎ English Paperback ‏ : ‎ 208 pages ISBN-10 ‏ : ‎ 0879260211 ISBN-13 ‏ : ‎ 978-0879260217 Item Weight ‏ : ‎ 11.2 ounces Martin`s additionist essays are historical correctives that have relevance to events today. The first essay tells the story of the massive world war 1 ship building yard built at Hog Island, now the site of Philadelphia International Airport. Legend has it that the `Hoagie` sandwich may have had it`s origin among the many Italian American shipyard workers. At it`s peak as many as 36,000 workers were employed on Hog Island yards. This vast facility was established to mass produce cargo ships for the WW1 war effort, along the lines of the more famous `Liberty Ships` of WW2. But the program was dogged by scandal and massive accounting `incompetence`. In the end Hog Island, owned and operated by a consortium who`s membership register reads like a `Who`s Who` of the American business and industrial elite, delivered 122 ships that cost of `at least` $235 million to build (that is $2.4 billion in 2007 dollars, ~$20M each). Most of the ships were ultimately sold for a mere $35,000 each ($353,000 in 2007 dollars). Hog Island itself was a part of a larger web of mismanagement that embraced the Shipping Board and the Emergency Fleet Corporation. `Alfred D. Lasker, who assumed the direction of the Shipping Board under President Harding, on July 16, 1921 decalred that the total government `loss` on the ship construction, operation and leasing activities during the World War came to $4,000, 000, 000- double the figure originally thought.` Corrected for inflation, those 1921 dollars amount to approximately $40.3 billion in 2007 dollar terms. In a January 31, 2005 CNN article published under the headline `Audit: U.S. lost track of $9 billion in Iraq funds`. `Nearly $9 billion of money spent on Iraqi reconstruction is unaccounted for because of inefficiencies and bad management, according to a watchdog report published Sunday.` It`s probably not being over dramatic to say that the vast `losses` in US military-industrial spending represent part of a 90 year tradition of apparently unending fiscal incompetence. On the 10th January 2000, `The Weekly Standard` declared that Winston Churchill was `Man of the Century`. In his second essay `The Consequences of World War Two to Great Britain: Twenty Years of Decline, 1939 -1959` provides a much needed tonic to Churchill worship, and his elevation to the status of prophet, as regularly recycled by the History Channel and George W Bush`s bedside reading. In 1942 Churchill declared `I have not become His Majesty`s first minister to preside over the dissolution of the British Empire.` Yet to a large extent that was his real legacy as Martin explains. Martin`s piece also illustrates the extraordinary fickleness of many American conservatives. Ever ready (and probably rightfully so) to condemn FDR for bending over too far to accomodate Josef Stalin, FDR`s `willing accomplice` Winston Churchill largely escapes scot free from conservative criticism. Yet less than a year before his famous 1946 Fulton Missouri `Iron Curtain` speech, Churchill was praising Comrade Joe in parliament. Perhaps had FDR, who died in April 1945, had lived another year he would have had time to perform a public somersault too. Martin provides an eye opening essay on Mussolini`s campaign against the mafia. Like most students of history I had heard of this but had assumed Mussolini must have conducted some kind of fascist purge or authoritarian `round up` of mafiosi. Not so. Mussolini`s campaign was quite civilised with the accused being provided legal rights and indeed many accused successfully defended themselves against the charges and walked free. Still despite these `handicaps`, Mussolini`s lawful and orderly campaign against the mobs was one of the largest and most successful campaigns against organised crime anywhere, and much of it`s gain was unravelled by a mixture of postwar chaos and some allied cooperation with the mafia. Martin explores this last angle too. Many of us have heard of Lucky Luciano`s claims to have helped protect the New York waterfront from German saboteurs and to have aided the allied advance across Sicily. These stories indeed have become legends of sort. Martin sees them as shameless self promotion from a crook on the make. The allied armoured and amphibious campaign in Sicily wasn`t dependent on local mafiosi to show them goat tracks behind the Axis lines. Martin has three essays on the Pacific War. Only one could really be called revisionist. In `Pearl Harbor: Antecedents, Background and Consequences` he outlines the background to Japanese-American rivalry in the Pacific in the decades and days before Pearl Harbor. Usually `the revisionist position` here (as if there were just one) is summarised as the claim that FDR engaged in a conspiracy over Pearl Harbor. The old mainstream belief that FDR was really an innocent victim of a surprise attack has now largely been dismissed from serious scholarship, thanks to decades worth of unpraised work by revisionist historians. The new mainstream belief is that the unheeded warnings of imminent attack were mishandled. Administrative incompetence rather then conspiracy provides a better explanation. The revised mainstream account arbitrarily assumes incompetence and conspiracy are mutually exclusive categories. More to the point was `Rainbow 5`, the then secret ABDA (Australian-British-Dutch-American) agreement `..to fight the Japanese in Asia if their forces crossed a geographic line..[which]..approximated the northerly extremity of the [Dutch East Indies].` The US government was advised that the Japanese had crossed the magic line on December 3 (Washington time) and that America`s allies naturally expected the US government to live up to it`s agreements. The apparent mishandling of reports concerning Japanese fleet movements in the northern pacific need to be considered with the ABDA timeline in mind. Considering the great difficulty the administration had in having conscription passed in Congress, it squeaked through by just one vote, a certain degree of planned incompetence, an art form familiar to anyone who has worked in a bureaucracy can attest to, is not an unreasonable explanation (although one inherently and deliberately hard to prove). Nor is such a hypothesis equivalent to Roswell UFOs or the Bavarian Illuminati as anti-conspiracists like to maintain. Martin also essays the stories of Colin Kelly and `Tokyo Rose`. Kelly was an airman who died early in the Philippines campaign after his aircraft was hit following an indecisive attack on a second or third tier Japanese vessel, probably a supply transport. In the dark days of continuous bad news from the Pacific his deeds were inflated to legendary status by the media, and indeed the administration, until it sounded as if he single handedly sank a battleship in a one-man kamikaze attack. Subsequent revisions of the official account deflated the Kelly story down to a footnote before disappearing in later versions. The whole story seems to echo in the 2003 Jessica Lynch story. Times indeed have changed, the spin cycle is faster these days. The `Tokyo Rose` essay details how a soldiers` myth, that there was one seductive Japanese propaganda broadcaster luring GIs with tales of unfaithful girlfriends back home, led to a miscarriage of justice that scarred the life of Iva Toguri, a young Japanese American woman accidentally caught up in Japan whilst visiting family in the days surrounding Pearl Harbor. Toguri, one of many english language broadcasters was made carry the can for the lot. With the boom in recent years of feminist and multicultural studies, all under the history banner, it is surprising that Martin`s `The Framing of Tokyo Rose`, especially with it`s hints of sexuality, hasn`t become a standard in gender studies. This too has modern references, and not just in the United States. The current `War on Terror` is leaving in it`s wake a growing `bodycount` of innocent bystanders caught at the wrong place, often to become the victims of tragic miscarriages of justice as government security apparatus strikes out at it`s elusive quarry. The book is rounded off with three brief appendix essays, essentially magazine articles. The first compares the blacklists imposed on Axis commerce in South America by the US in the years before Pearl Harbor to the attempted Arab boycott of jewish owned firms in the US in 1975. The second discusses the Morgenthau Plan and the third is a brief history of political assassination in the first half of the 20th century. The last article is definitely the best, the Morgenthau Plan article is not comprehensive and seems to have been prematurely ended, neglecting to cover it`s demise and the boycott article seems to me to be `drawing a long bow`. The Rockefeller administered Axis boycott in South America, whatever else it was, was part of an actual economic warfare plan, the Arab boycott barely deserved the name and was almost entirely a propaganda campaign lacking serious enforcement teeth. If anything it probably boomeranged and hardened international opinion against the Arab campaign. `The Saga of Hog Island` is recommended to anyone interested in modern history.