Performer m1000 je veći brat cenjenog pojačala Performer s800. Izrađen kao mono blok ovo vrhunsko pojačalo sadrži SPL-ovu vlastitu VOLTAiR tehnologiju koja omogućava izradu pojačala snage s daleko manje komponenti u putanji signala od uobičajenog dizajna. Potrebno je samo jedno pretpojačalo op-amp za pogon bipolarnih tranzistora pojačala što rezultira izuzetno brzim, direktnim i delotvornim karakteristikama kao i izvanrednim zvukom. Performer m1000 diči se snagom 1000 W na 2 ohma ili 750 W na 4 ohma iz linearnog napajanja s masivnim toroidnim transformatorom. Atraktivnog dizajna ovo pojačalo dobavljivo je u tri boje: crnoj, crvenoj i sivoj.

M1 Specal Edition digitalno-analogni pretvarač sadrži dvostruki mono dizajn; tu su dva potpuno izolovana kanala, svaki sa svojim namenskim linearnim napajanjem, D/A pretvaračem, DDS taktom i analognim sklopovima. Ovaj dizajn osigurava da analogno preslušavanje praktično ne postoji, da su potrebni zahtevi za napajanjem za svaki kanal dobro ispunjeni i međusobno izolovani, a digitalna obrada izolovana, poseduju sopstveno napajanje. Sa dvostrukim DAC dizajnom, dinamički raspon za svaki kanal je optimizovan korišćenjem stereo ADI 1955 D/A pretvarača u mono konfiguraciji. M1 takođe sadrži Bricasti filter tehnologiju, dodatno otvarajući novi prostor sa onim što je moguće postići unutar modernih D/A referenci. Special Edition verzija sadrži sve ono što ima i M1 verzija + plus dodatna poboljšanja kod napajanja, ožičenja od tačke do tačke + Stillpoints ugrađenih u nožice uređaja.

Novi M12 je moderni 'front end' deo svakog sistema . Podržane su sve vrste digitalnih ulaza, kao i balansirani i nebalansirani analogni ulazi, svi preciznom analognom kontrolom pojačanja, besprijekorno integrisani u jedan proizvod. M12 temelji se na proverenom dizajnu D/A pretvarača M1 SE tako da se vašim digitalnim izvorima zvuka rukuje i konvertuje na najbolji način. Tome dodajemo čisti dvostruku mono analognu signalnu putanju sa analognim pojačanjem visoke rezolucije i kontrolom nivoa zvuka, sa kontrolom nad izlaznim stupnjem D/A pretvarača u analognoj domeni bez gubitka razlučivosti + prolaz kroz analogne ulaze za vaše analogne izvore zvuka. Kao i M1, M12 je dual mono dizajn sa 3 napajanja i odvojenim lijevim i desnim analognim napajanjima, digitalnom i analognom obradom. M12 Platinum uključuje najnoviji Bricasti Design MDx procesor visokih performansi.

Stereo pojačalo M25 zauzima posebno mesto u Bricasti porodici pojačala kroz svoju implementaciju dizajna dvostrukog mono transformatora, u biti stvarajući hibrid tradicionalnog stereo pojačala M15 sa jednim dodatnim transformatorom + njegovim većim bratom M28 mono-blok pojačalom. M25 je ocenjen na 150 W / 300 W / 600 W po kanalu pri opterećenju od 8 ohma, 4 ohma i 2 ohma.

Tri kanalni mono 1RU Mixer. * 3 Mic/line input mono mixer * Master Volume, overall treble and bass controls * 1 RU * Optional tone generator * On board priority

Dual mono pretpojačalo serije M20 temelji se na analognom dizajnu M12 dual mono kontrolera izvora zvuka kako bi pružilo bogato analogno iskustvo sa fluidnim, brzim i tonski uravnoteženim zvukom. M20 ima potpuno diferencijalne i nezavisne za vrhunsku izolaciju i čistoću zvuka.Diskretni ljestvičasti prigušivač otpornika, keramičke strujne ploče i tri dinamička linearna energetska transformatora klase A stvaraju vrhunsku ultimativnu platformu za vaš audio sistem.

Novi M12 je moderni 'front end' deo svakog sistema. Podržane su sve vrste digitalnih ulaza, kao i balansirani i nebalansirani analogni ulazi, svi sa preciznom analognom kontrolom pojačanja, besprijekorno integrirani u jedan proizvod. M12 temelji se na proverenom dizajnu D/A pretvarača M1 SE tako da se vašim digitalnim izvorima zvuka rukuje i konvertira na najbolji način. Tome dodajemo čisti dvostruku mono analognu signalnu putanju sa analognim pojačanjem visoke rezolucije i kontrolom nivoa zvuka, kontrolirajući izlazni stupanj D/A pretvarača u analognoj domeni bez gubitka razlučivosti + prolaz kroz analogne ulaze za vaše analogne izvore zvuka. Kao i M1, M12 je dual mono dizajn sa 3 napajanja i odvojenim levim i desnim analognim napajanjima, digitalnom i analognom obradom. M12 Platinum uključuje najnoviji Bricasti Design MDx procesor visokih performansi.

Dual mono pretpojačalo serije M20 temelji se na analognom dizajnu M12 dual mono kontrolera izvora zvuka kako bi pružilo bogato analogno iskustvo sa fluidnim, brzim i tonski uravnoteženim zvukom. M20 ima potpuno diferencijalne i nezavisne međuspremnike za vrhunsku izolaciju i čistoću zvuka. Diskretni ljestvičasti prigušivač otpornika, keramičke strujne ploče i tri dinamička linearna energetska transformatora klase A stvaraju vrhunsku ultimativnu platformu za vaš audio sistem .

Distribucija mono i stereo balansiranih audio signala iz jednog izvora zvuka na višestruke destinacije. primena pri mnogim aplikacijama uključujući i više-zonske zvučno pojačane instalacije, pokrivanje sportskih događaja uživo, broadcast studiji, video prostori i sl. područja gde je potrebna distribucija zvuka visoke kvaliteta na veći broj lokacija povezanih s kablima.

Sistem obuhvata: 1. Solarne panele 460W mono kristalni 22 kom 2. Mrezni inverter 510KW AFORE BN0010KTL 3. Aluminijumska kontrukcija za kosi krov 4. Solarni kabl 5. Razvodni AC ormar sa prenaponskom zastitom * Cena ovog sistema sa montažom iznosi 948.000,00 dinara * Cena sistema, sa montažom i puštanjem sistema u mrežu je 1.068.000,00 din. U CENU NISU URAČUNATI PUTNI TROŠKOVI

Sistem obuhvata: 1. Solarne panele 460W mono kristalni 11 kom 2. Mrezni inverter 5KW AFORE BN0005KTL 3. Aluminijumska kontrukcija za kosi krov 4. Solarni kabl 5. Razvodni AC ormar sa prenaponskom zastitom * Cena ovog sistema sa montažom iznosi 504.000,00 dinara * Cena sistema, sa montažom i puštanjem sistema u mrežu je 624.000,00 din. U CENU NISU URAČUNATI PUTNI TROŠKOVI.

Sistem obuhvata: 1. Solarne panele 460W mono kristalni 13 kom 2. Mrezni inverter 6KW AFORE BN0006KTL 3. Aluminijumska kontrukcija za kosi krov 4. Solarni kabl 5. Razvodni AC ormar sa prenaponskom zastitom * Cena ovog sistema sa montažom iznosi 600.000,00 dinara * Cena sistema, sa montažom i puštanjem sistema u mrežu je 720.000,00 din. U CENU NISU URAČUNATI PUTNI TROŠKOVI.

5.1 Audio meter for mixing, mastering and post production 7" High-resolution display (800 x 480) for an accurate display USB connection for a smooth plug-in integration Supports AU, VST & AAX plug-ins, and all major broadcast standards, incl. ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59 Input 1-3: BNC (AES3id, S/PDIF) Input 4: TOSLINK (optical EIAJ) 2 External switch inputs 1 Relay output (100 mA max., optically isolated) 1/8" Mono female (GPO) & 1/4" stereo female (2x GPI) USB 2.0 (micro type B) Power consumption: 12 V DC, 0.5 A Dimensions (W x H x D): 182 x 140 x 25 mm Weight: 0.85 kg Included: Power supply, DB15 cable, BNC female to RCA male adapter, USB cable (type A female to micro B male, 1 m long)

Mikser sa vrhunskim performansama i zvukom? Da, to je to! :) PreSonus StudioLive AR8C USB omogućava Vam snimanje više-kanalnog zvuka u zadivljujućem 24-bit/96kHz kvalitetu direktno sa miksera. Pošaljite sve zadužene kanale u PreSonus Studio One Artist DAW (dolazi u kompletu uz Capture™ live multitrack recording softver i Studio Magic plug-in suite softverski komplet) te posle izvršite precizni miks zvuka. Možete uhvatiti stereo miks nastupa putem ugrađenom SD/SDHD snimača na kartice (do 32GB). Pretpojačala A-klase i potpuno analogni ekvilajzeri pružaju odlične rezultate pri snimanu vokala, gitara ili perkusija. Takođe AR8C sadrži vrhunske digitalne stereo reverb, delay i chorus efekte koji pružaju Vašim snimcima dodatnu prostranost i boju zvuka. Takođe možete i vršiti stream zvuka bežično putem Bluetooth 5.0 veze. 8 kanala (2 mono), 2 stereo kanala, 4 mikrofonskih pretpojačala, 3-parametrički ekvilajzeri, +48V fantomsko napajanje, USB-C priključak.

You asked for more SiX… SSL listened. Introducing BiG SiX Based on the widely acclaimed Solid State Logic SiX desktop mixer and incorporating feedback from artists, producers and engineers to create the next step in SSL hybrid production, BiG SiX is a studio grade mixing console that combines features from legendary large-format SSL consoles with full USB integration, additional processing and extremely flexible routing to deliver the quality, features and workflow audio professionals have come to rely on from SSL. BiG SiX’s SuperAnalogueTM design delivers the punch, clarity, and ultra-low distortion that engineers love from the 9000 series consoles with the flexibility of 16 channels of high-quality AD / DA conversion and USB interface. Featuring an essential version of the SSL G-Comp Bus Compressor now with renowned ‘Auto’ release, Channel processing in the form of Dynamics and three band EQ based on the iconic SSL 4000E, comprehensive monitoring section and up to 18 channels of analogue summing at mix-down, BiG SiX is the essential SSL studio. Key Features: - Four SuperAnalogueTM ‘Money Channels’ featuring: Mic / line level input / Hi-Z Phantom power / HPF Classic SSL Channel Dynamics Updated three band LF/MF/HF SSL EQ (based on SSL E Series) Fully balanced insert point - Four stereo inputs featuring: Dual mono switching Wide gain range - Built in 16 channel high quality USB AD and DA Converters: 96 kHz / 24-bit Advanced routing - Three compressor flavours: Classic SSL Channel Dynamics Listen Mic Compressor Essential version of G-Comp Bus Compressor -100 mm studio grade faders: Classic SSL response curve with large sweet spot Long throw, as found on large-format SSL consoles - Professional LED meters: Fast and accurate peak response Large 12 segment main / 8 segment channel metering Defined segments for +24 dBu and +18 dBu -Essential version of SSL Bus Compressor: Based on legendary G-Comp design Now with renowned ‘Auto’ release -Two headphone outputs: Independently routable source matrix Professional quality headphone amp -Comprehensive Monitoring section: Switch between two sets of monitors Mono / dim / cut Flexible monitoring source matrix Talkback -Two stereo cue feeds -Bus B / Mute switching -Two fully balanced stereo summing inputs -Up to 18 inputs at mixdown -Mix Bus inject for cascading additional SiX/BiG SiX

AirMax 19" 12 Frame loaded with 8 Triple ulaza + 2 Hybrid modula, master + 1xMic I/O, 1xLine I/O jack, 1xLine I/O XLR. Posebno popularna miks konzola za radeo stanice. * Triple input On-Air module * Triple input module * Triple Pro Input module (4 band EQ) * Digital Module (stereo in and out) * Hybrid module (including telephone fork) * Group, Module (group + VCA master) * Studio module (2x phones and monitor) * Master module TEN STEREO BUSSES. * Program (stereo) * Sub (stereo) * Aux-1 (stereo) * Aux-2 (stereo) * Group 1-4 (4x stereo) * Comm. (stereo comm. buss) * Cue (stereo) SOFTWARE CONTROL OVER * Input selection * +48volt * Low-cut * Mono/stereo * Insert * Buss routing (Program/Sub) * EQ on/off * 6dB or 12 dB EQ level selectable * 4 VCA groups * Auto communication by the comm. bus * Zero or +10dB fader gain * Extended GPIO’s per module * Total console communication over USB * Personal set up and security http://www.d-r.nl/

Whether you want to capture a rehearsal, produce a quick demo, or create a great-sounding concert recording, the Zoom LiveTrak L-12 makes it easy. Not only can you record up to 12 individual channels, but you can also create custom headphone mixes for up to five band members and craft a polished live mix complete with studio-quality effects. You can complete your entire project on the L-12 or transfer all 12 discrete tracks to your DAW for editing and mixing. The LiveTrak L-12 also functions admirably as a 14-in/4-out USB audio interface for your Mac, PC, or iOS device. Zoom LiveTrak L-12 Features: 12-channel digital mixer (8 mono/2 stereo) 14-in/4-out USB audio interface for your Mac, PC, or iOS device (Apple Lightning-to-USB Camera Adapter is required for iOS) 12-track 24-bit/96kHz recording directly to an SD card Record up to 48kHz to a computer and an SD card simultaneously Create customizable, savable headphone mixes for up to 5 band members Complete your entire project on the mixer, or transfer all 12 discrete tracks to your DAW for editing and mixing 8 combo jacks accommodate both XLR and 1/4" connectors 8 great-sounding mic preamps with phantom power and +60dB of gain Channels 1–2 offer hi-Z inputs for your electric guitar or bass Channels 9/10 and 11/12 have TRS and RCA connectivity for keyboards and other audio devices Each channel features a 3-band mid-parametric EQ and 16 built-in effects Channels 1–8 include a dedicated compressor for controlling dynamics Channels 3–8 have a -26dB pad for capturing loud sources Clear 12-segment LED metering for keeping an eye on your levels Save up to 9 scenes and recall your custom settings automatically Record automatically when the master fader detects a certain dB level Capture data up to 2 seconds before recording starts, in case a performance begins ahead of time Built-in slate mic for recording comments or talk back Onboard metronome for keeping the band in sync Specs: NUMBER OF INPUT AND OUTPUT CHANNELS Inputs: Mono (MIC/LINE): 8 Stereo (LINE): 2 Outputs: MASTER OUT: 1 MONITOR OUT: 5 INPUTS Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 - +60 dB PAD ON: −10 – +34 dB Hi-Z ON: +6 - +50 dB Input impedance XLR: 3 kΩ TRS: 10kΩ/1 MΩ (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at dBFS) Phantom Power +48 V Stereo (LINE): Type: TRS phone/RCA pin (unbalanced) jacks Maximum input level +10 dBu OUTPUTS MASTER OUT : Type: XLR jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A (TRS): Type: TRS phone jacks (balanced) Maximum output Level: +14.5 dBu Output impedance: 100 Ω MONITOR OUT A-E (PHONES): Type: Standard Stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω BUSES MASTER: 1 MONITOR: 5 SEND EFX: 1 CHANNEL STRIP COMP: LOW CUT: 75 Hz, 12 dB/OCT EQ: HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz-8 kHz, ±15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving LEVEL METERS Level segments: 12 SEND EFFECTS Effects: 16 types: Hall 1 & 2 (reverb) Room 1 & 2(reverb) Plate (reverb) Church (reverb) DrumAmb (reverb) GateRev (reverb) Spring (reverb) Delay (delay) Analog (delay) P-P Dly (delay) Vocal 1-4 (delay + reverb) RECORDER Maximum simultaneous recording tracks: 14 at 44.1/48 kHz (12 channel + stereo mix) 12 at 96 kHz Maximum simultaneous playback tracks: 12 Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo WAV format Recording media: 16 MB-2 GB SD cards, 4 GB-32 GB SDHC cards, 64 GB-512 GB SDXC cards AUDIO INTERFACE 44.1/48 kHz: Recording: 14 channels Playback: 4 channels Bit depth: 24-bit Interface: USB 2.0 SYSTEM REQUIREMENTS Windows: OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. Mac: OS： Mac® OS X 10.10 / 10.11 / 10.12 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. iPhone/iPad: OS： iOS 8 / 9 / 10 * Apple Lightning-to-USB Camera Adapter required. CARD READER Class: Mass storage USB 2.0 High Speed USB HOST Class: USB 2.0 High Speed SAMPLING RATE Sampling rate: 44.1/48/96 kHz FREQUENCY CHARACTERISTICS 44.1 kHz: -1.0 dB: 20 Hz - 20 kHz 96 kHz: -3.0 dB: 20 Hz - 40 kHz EQUIVALENT INPUT NOISE Actual measurements: -128 dB EIN (IHF-A) with +60 dB/150 Ω input Display: LCD with backlight (128x64 resolution) Power supply: ZOOM AD-19 AC adapter (DC12 V/2 A) Power consumption: 17W maximum External dimensions: 445 mm (W) x 282 mm (D) x 70.5 mm (H) 17.5” (W) x 11.1” (D) x 2.78” (H) Weight (main unit only): 2.53 kg / 5.58 lbs

XB-14 2 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more. XB-14 2 incorporates new features and styling based on feedback from the many broadcasters who have built their operations around the original XB-14. With a wealth of routing options, dual stereo channels for up to 7 stereo sources, and the addition of a dedicated Audition bus, enhanced microphone preamps and stereo channel gain range, XB-14 2 satisfies the demands of small radeo and internet broadcasters as well as larger studios with multiple rooms. With no less than 27 logic I/O for remote control and 15 configuration switches, XB-14 2 is a highly flexible solution. XB-14-2 FEATURES SELF / PRODUCER OPERATED Whether you need a mixer for a self-operated broadcast situation, or whether you have a separate studio and engineer, the XB series has features to fit. Separate monitor mixes can be created for operator and guests or presenter, so the engineer can check levels and cue sources while the presenter or guest can listen to a different source. The engineer/producer can communicate to the guest or presenter using the Talk feature, as well as speaking off-air with telephone callers. There is also the facility for remote control of channel mutes from the studio using the remote interface connectors – ideal for studio situated mute or ‘cough’ switches. DUOPRE PREAMPS The XB-142 pre-amps use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge (69dB of range to be exact) and is very evenly distributed around the gain control, meaning better control of signal level. There is no “pad” switch, or pad circuit — line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket. This has the great advantage of lower noise when using the line input. USB XB-142 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. AUDITION BUS The dedicated stereo audition bus can be used for auditioning or off air recording. Pressing the button marked AUD on the channels required transfers the mix from the program feed over to the audition bus. TELCO The two Telco channels provide a selectable clean-feed output (LR PGM, Aux or Audition bus), variable high pass and low pass filters to reduce the frequency range of the channel when used with a telephone caller, and TALK button. 4 mic/line channels 4 Dual Source stereo channels 2 Telco channels HPF and 3-band, swept mid EQ on mono channels 2-band EQ on stereo channels Variable high pass / low pass filters on Telco channels Smooth-ride 100mm faders 2-stage, padless pre-amp design Fader-start sensing on mono channels Start/cue logic outputs on stereo channels External meter socket Separate headphones mix for engineer/producer and 2 guests Auto mutes on control room outputs Remote mute facility on mic channels Configurable USB stereo audio in/out Audition bus for auditioning and off-air recording Aux and separate stereo busses for processing/recording XLR main outputs with inserts Input signal and peak metering

Specs : Mac macOS® 10.11 or higher (64-bit only) Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended) Windows Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64 Intel Core 2 Duo (Intel Core i3 or faster recommended) Mac and Windows Systems 4 GB RAM (8 GB or more recommended) 30 GB hard-drive space (Studio One) Internal or external 7200 RPM storage drive highly recommended Monitor with 1366x768 resolution (high-dpi monitor recommended) The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals. As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.​​ VST is a registered trademark of Steinberg Media Technologies GmbH ASIO is a trademark and software of Steinberg Media Technologies GmbH Technical Specifications Microphone Preamp Type XLR Female, Class A XMAX Maximum Input level (unity gain) +9 dBu ±1.0 dB Gain Control Range 43 dB (+12 to +55 dB) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/- 1.5 dB S/N Ratio to Outputs (+4 dBu) 94 dB THD+N (min. gain, A-wtd) < 0.01% Input Impedance 1 kΩ EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: < 128 dBu Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB Phantom Power +48V, ±3V, Global Instrument Inputs Type ¼” TS Female, Unbalanced, Hi-Z Maximum Input Level (min. gain, 1 [email protected]% THD+N) +9 dBu ±1.0 dB Gain Control Range 43 dB, ±1 dB (+12 to +55 dB) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (min. gain, A-wtd) > 105 dB Dynamic Range (mid. Gain, unwtd) > 108 dB THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01% THD+N (1 kHz, -1 dBFS, unwtd) < 0.01% Input Impedance > 1 MΩ Line Inputs Type ¼” TRS Female, Balanced Maximum Input Level (min. gain, 1 [email protected]% THD+N) +26 dBu ±1.0 dB Gain Control Range Mono Channels: 40 dB, ±1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB S/N Ratio to Analog Outputs (+4 dBu) 85 dB THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01% Input Impedance (Balanced) 10 kΩ Main, Control Room, Monitor, and FX Outputs Type (Main Outputs) XLR Male, Impedance Balanced Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (A-wtd) > 108 dB THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01% Output Impedance 100 Ω Headphone Output Type ¼” TRS Female, Stereo, Unbalanced Maximum Output Level 150 mW/channel @ 60 Ω Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (A-wtd) > 103 dB THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01% System Crosstalk Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu Signal Level LED Signal -30 dBFS (pre-EQ) Clip -3.0 dB before clip (pre- or post-EQ) Channel EQ Low Cut 100 Hz, -18 dB/Octave High Shelving ±15 dB @ 10 kHz Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable) Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz Mid-Band Q Boost: 1.0, Cut: 2.5 Low Shelving ±15 dB @ 100 Hz Digital Audio Host Interface USB 2.0 ADC Dynamic Range (Component) 114 dB ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB DAC Dynamic Range (Component) 114 dB DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB Signal-to-Noise (a-weighted) -96 dB Bit Depth 24-bit Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz Jitter < 80 ps RMS (20 Hz – 20 kHz) Jitter Attenuation > 60 dB (1 ns in => 1 ps out) SD Recorder Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB Recording File Format Stereo WAV Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) Sampling Rate (WAV) 44.1 kHz Bit Depth Recording: 24-bit Playback: 16- or 24-bit Power/Environmental Connector IEC Input Voltage Range 90 to 240 VAC Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit Physical Height 3.5” (89 mm) Width (Chassis only) 15” (381 mm) Depth 15.6” (397 mm) Weight 11.9 lbs (5.4 kg)

Specs: Computer system requirements: Below are the minimum computer-system requirements for use with Capture™ and Studio One®. Mac macOS® 10.11 or higher (64-bit only) Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended) Windows Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64 Intel Core 2 Duo (Intel Core i3 or faster recommended) Mac and Windows Systems 4 GB RAM (8 GB or more recommended) 30 GB hard-drive space (Studio One) Internal or external 7200 RPM storage drive highly recommended Monitor with 1366x768 resolution (high-dpi monitor recommended) The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals. As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.​​ VST is a registered trademark of Steinberg Media Technologies GmbH ASIO is a trademark and software of Steinberg Media Technologies GmbH Technical Specifications Microphone Preamp Type XLR Female, Class A XMAX Maximum Input level (unity gain) +9 dBu ±1.0 dB Gain Control Range 43 dB (+12 to +55 dB) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/- 1.5 dB S/N Ratio to Outputs (+4 dBu) 94 dB THD+N (min. gain, A-wtd) < 0.01% Input Impedance 1 kΩ EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: < 128 dBu Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB Phantom Power +48V, ±3V, Global Note: All Channel Inputs sum through Mic preamp Instrument Inputs Type ¼” TS Female, Unbalanced, Hi-Z Maximum Input Level (min. gain, 1 [email protected]% THD+N) +9 dBu ±1.0 dB Gain Control Range 43 dB, ±1 dB (+12 to +55 dB) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (min. gain, A-wtd) > 105 dB Dynamic Range (mid. Gain, unwtd) > 108 dB THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01% THD+N (1 kHz, -1 dBFS, unwtd) < 0.01% Input Impedance > 1 MΩ Note: All Channel Inputs sum through Mic preamp Line Inputs Type ¼” TRS Female, Balanced Maximum Input Level (min. gain, 1 [email protected]% THD+N) +26 dBu ±1.0 dB Gain Control Range Mono Channels: 40 dB, ±1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB S/N Ratio to Analog Outputs (+4 dBu) 85 dB THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01% Input Impedance (Balanced) 10 kΩ Note: All Channel Inputs sum through Mic preamp Main, Control Room, Monitor, and FX Outputs Type (Main Outputs) XLR Male, Impedance Balanced Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (A-wtd) > 108 dB THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01% Output Impedance 100 Ω Headphone Output Type ¼” TRS Female, Stereo, Unbalanced Maximum Output Level 150 mW/channel @ 60 Ω Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB Dynamic Range (A-wtd) > 103 dB THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01% System Crosstalk Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu Signal Level LED Signal -30 dBFS (pre-EQ) Clip -3.0 dB before clip (pre- or post-EQ) Channel EQ Low Cut 100 Hz, -18 dB/Octave High Shelving ±15 dB @ 10 kHz Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable) Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz Mid-Band Q Boost: 1.0, Cut: 2.5 Low Shelving ±15 dB @ 100 Hz Digital Audio Host Interface USB 2.0 ADC Dynamic Range (Component) 114 dB ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB DAC Dynamic Range (Component) 114 dB DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB Signal-to-Noise (a-weighted) -96 dB Bit Depth 24-bit Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz Jitter < 80 ps RMS (20 Hz – 20 kHz) Jitter Attenuation > 60 dB (1 ns in => 1 ps out) SD Recorder Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB Recording File Format Stereo WAV Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) Sampling Rate (WAV) 44.1 kHz Bit Depth Recording: 24-bit Playback: 16- or 24-bit Power/Environmental Connector IEC Input Voltage Range 90 to 240 VAC Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit Physical Height 3.5” (89 mm) Width (Chassis only) 18.9” (480 mm) Depth 15.6” (397 mm) Weight 14.1 lbs (6.4 kg)

Podcasting and home recording, simplified. With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators. A full-featured audio interface. The StudioLive AR8c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the six inputs, plus the main mix, for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus sound effects, loopback audio, and more. Four lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive. With a USB-C compatible connection, your StudioLive AR8c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity! The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings. The all-in-one recording package. The StudioLive AR8c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Create multitrack recordings for your podcast or band with one click thanks to PreSonus’ Capture™ live recording software. Capture is designed to make recording easy. Create complete studio productions with our award-winning Studio One® Artist DAW to add effects, bumpers, and more. With two professional recording applications included with your StudioLive AR8c, you’re ready to record right out of the box whether you’re creating a podcast, live streaming your performance, or recording your first EP. Record whenever and wherever you want. Whether you’re recording a mobile interview for your podcast or you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you, the StudioLive AR8c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix, so you can simplify your recording process whenever you want. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. Effects without latency Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content. All the connections you need with a familiar look. Packed with all the connections and controls needed to mix and record podcasts, live streams, and music productions, the StudioLive AR8c is the ultimate recording solution. The two mono channels and two stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. The USB-C compatible connector ensures your StudioLive AR8c audio interface will be the center of your studio for years to come. With high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR8c is the perfect recording and mixing solution for the modern musician and content creator. Features Recording 8x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface Record every channel plus the main mix 2x2 SD recorder to capture the main mix Supports SD™ and SDHD™ formats up to 32 GB Mixing 8-channel analog mixer 4 balanced microphone inputs with XMAX mic preamps 2 instrument/line inputs 6 balanced line level inputs: 2 mono 2 stereo pairs Stereo Super Channel (Ch. 13/14) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback 2 mono and 2 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ 1 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output L/R Control Room outputs with level control Headphone output with level control Signal Processing Highpass filter on every channel 3-band semi-parametric EQ on every channel Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack Mic/line boost on stereo channels for low-level input sources and consumer devices Included Software Capture™ live multitrack recording software Studio One ® Artist recording and production software (DAW) Studio Magic plug-in suite Power Internal power supply Standard IEC power connector Physical Sturdy metal construction Optional rackmount kit

SPECIFIKACIJE: Great-sounding, easy-to-use 24-track multitrack recording solution Boasts a classic analog mixer-style design that's both intuitive and immediate 100mm faders provide precise control Familiar EQ and Aux controls for tweaking your tracks Generous complement of I/O including 16 high-grade mic preamps Internal recording to SD card at 24-bit/48kHz resolution Flexible routing and onboard effects Built-in 24-in/22-out audio interface for easy DAW integration Lightweight yet rugged design Type:Analog Mixer with USB Interface/Recorder Channels:22 input channels, 24-track Computer Connectivity:USB (24 x 22) A/D Resolution:24-bit/48kHz Faders:21 x 100mm Long Throw Inputs - Mic Preamps:16 x XLR Phantom Power:16 channels Inputs - Line:12 x 1/4" (mono), 8 x 1/4" (4 stereo), 2 x 1/4" (line/Hi-Z), 1 x 1/8" (stereo), 1 x Dual RCA Stereo Outputs - Main:2 x XLR (main), 2 x 1/4" (control room) Outputs - Other:2 x 1/4" (L/R subgroup) Aux Sends:2 x Monitor, 1 x FX Send/Return I/O:2 x 1/4" (monitor send), 1 x 1/4" (FX send) Busses/Groups:1 x Subgroup Inserts:2 x 1/4" (channel) Headphones:1 x 1/4" USB:1 x Type B Bluetooth:v4.0 Other I/O:1 x 1/4" (footswitch) EQ Bands:3-band EQ with Sweepable Mid Frequency, 100Hz Low-cut, 7-band Graphic EQ Signal Processing:12 x Channel Compressor Effects:Reverbs, Delays, Chorus, Flanger Storage:SD Card Slot, SDHC (4GB-32GB), SDXC (64GB-512GB) OS Requirements - Mac:Dual Core 2GHz Processor or higher, OS X 10.11 or later OS Requirements - PC:Dual Core 2GHz Processor or higher, Windows 7 SP1, 8.1, 10 1803 update or later Power Source:Standard IEC AC cable

Professional stereo audio meter for mixing, mastering and post production 7” high resolution LCD display for precision metering in all studio environments USB connection for hassle-free VST*, Audio Units and AAX* plug-in metering Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors for broadcast-grade metering Ultimate metering toolbox to diagnose your mix for phase, balances, frequency distribution, loudness, channel weighting, clipping, mono compatibility Vectorscope for detailed Left-Right analysis High accuracy real time analyzer with 1/3 octave resolution Easy-read Balance-O-Meter to quickly check Left-Right and Mid-Side balances of your mix Precision correlation meter warns you about phase problems State-of-the-art scalable true peak meter identifies clipping in DACs, CODECs and downstream filters Legendary LM6 loudness radar meter provides all essential loudness monitoring information on a single screen Detailed statistics overview for all key loudness measuring parameters Provision for custom logo on LCD display Compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59 RAM-mount compatible for wall or ceiling mounting (not included) Stereo Optical Input for TOSLink* source General purpose input (GPI) for meter reset 3-Year Warranty Program* Designed and engineered in Denmark The CLARITY M STEREO provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo mixing, mastering and post-production, CLARITY M STEREO’s 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo correlation; and a RTA (Real Time Analyzer). Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors or S/PDIF via the supplied RCA adapter for broadcast-grade metering; and stereo optical for maximum flexibility. CLARITY M STEREO is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments. Audio Toolbox CLARITY M STEREO provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings. Vector Scope By tracing the left and right audio waveforms into a shape-like cloud, the high precision vector scope in CLARITY M STEREO will help you identify important stereo balance and phase issues in your mix. RTA Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. Balance-O-Meter Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. True-Peak Based on TC Electronic’s highly acclaimed True-Peak Technology, the CLARITY M STEREO is your guard against otherwise unpredictable clipping. Loudness Radar The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level. Loudness Measures Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics. Downmix Deviation The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in stereo or mono. This downmix compatibility meter is based on TC Electronic’s Loudness Technology, and provides the best means for determining the status of your mix fold down. Correlation For stereo mixing, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears. Merging Hardware with Plug-ins While CLARITY M STEREO is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workflow via plug-in metering – which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M STEREO is quite simply the ideal integration of two worlds. Bring Clarity to Your World CLARITY M STEREO provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/PDIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW. Myriad Mounting Options CLARITY M STEREO includes an integrated stand, making it perfect for any desktop. A pair of mounting holes provides compatibility with RAM-Mounts, allowing convenient attachment to a wall or ceiling. Other options include a suction cup for mounting on hard surfaces and a tough-claw mount for mic stand applications, all of which are available separately. Unparalleled Functionality With its high-resolution 7" display, wealth of metering tools, flexible connectivity and seamless DAW integration, CLARITY M STEREO sets the benchmark for computer integrated metering.

An all-in-one analog mixer, multi-track digital recorder and audio interface TASCAM's Model 16 all-in-one mixer brings the flagship Model 24's powerful recording and mixing features and functionality to a new level of compactness and affordability, creating a full-featured small format mixer that combines the warmth of analog with a digital workflow. The Model 16 is the perfect mixing solution for small format live performance, recording and production environments, featuring a multi-track recorder, USB audio interface, effects, comprehensive mixing and routing capabilities, and Bluetooth wireless. With the Model 16, your perfect mix has met its match. 14 Inputs for Complete Flexibility 14 easy-to-access top-panel inputs provide flexible options for microphones or instrument connections, including 10 Mic/14 Line/2 Inst to allow easy access for connecting microphones, instruments or other audio sources for live recording or mixing. A Bluetooth 5.0 enabled Stereo Input Source Channel also provides stereo RCA and 1/8" Stereo (selectable) jacks for streaming audio device level control. Pristine Audio Quality Mic Inputs 1 through 8 deliver pristine audio quality, featuring TASCAM's Ultra-HDDA (High Definition Discrete Architecture) technology for pure, transparent natural tone with ultra-low noise. Professional Channel Strip Control Features A tactile Gain knob tops each channel for precise tweaking of input levels. A push-button Lo-Cut filter and three-position Input Selector (Live/PC/MTR) facilitate quick and precise control of input source signals. A 1-knob inline Compressor is available on inputs 1-8 as is a mid-range sweepable 3-band EQ. Maximum Audio Routing Possibilities and Monitoring 3 Aux bus (MON1, MON2[pre/post], FX) and PFL Listen round out the Model 16's pro-level signal path routing options. A Sub bus provides an additional stereo lineout source to the master SEND section. 3 AUX Outs let you route the audio signal for stage monitoring, or to external gear such as outboard effects, signal processors or headphone mixes. And the Footswitch control jack provides additional monitoring and control features. Powerful Internal 16-Track Multi-track Digital Recorder The Model 16's MTR section features a powerful internal 16-Track Multi-track recorder, capturing 14 Inputs and 2 Main Mix simultaneous tracks of audio to an internal SD card in pristine 24-bit/48 kHz quality. Record anything from live performance to rehearsals, worship events, spoken word and meetings, as well as perform overdubs and punch-in/out quickly and easily. Recorded tracks can be immediately mixed, mastered or exported to a computer for further editing, formatting and publishing. High-Quality Internal Audio Interface An internal 16 input/14 output USB audio interface captures audio at a 24-bit/48 kHz sampling rate for recording or playing back from an external DAW (digital audio workstation). The new generation TASCAM USB driver delivers the minimum size of the audio buffer which can be set to as low as 4 samples, resulting in extremely low latency and the highest level of efficiency when recording audio. Versatile Input Capability Using the channel Mode switch, each channel can select the input source as needed. This allows a super flexible input configuration to be selected where some inputs can be live, other inputs can play tracks from the internal MTR, while other inputs can play tracks from a computer via USB, all simultaneously. 16 Editable Multi-Effects The Model 16's versatile Effects Section offers 16 editable and foot-controllable multi-effects, including reverb, delay, chorus and flange. 4-Band Master EQ A 4-Band EQ with mid-range sweepable, wide/narrow Q can be dialed in for crafting the perfect mix, assignable to MAIN outs or MON1/2 outs as you like. Options and Accessories Expand recording and mixing possibilities with Model 16's optional accessories, including the RC-1F Footswitch, AK-RM16 Model 16 Rack Mount Kit, AK-DC16 Model 16 dust cover, TM-Series Microphones, and TH-Series Headphones. Features: 16-track multi-track recorder (WAV, up to 48kHz/24-bit) to SD, SDHC and SDXC cards (Class 10 or higher required) Punch in/out capability (up to 8 tracks simultaneously) Built-in USB Audio Interface to send/receive (16-in/14-out) audio data to/from DAW 14 inputs (10 Monaural XLR/TRS balanced and 2 Stereo-paired TRS balanced) 10 mic Pre-amps utilizing TASCAM Ultra-HDDA Mic Pre-amp technology (CH 1 thru 8) Pre-amp Gain Controller with Signal/Over-load Indicator (CH 1 thru 12) Input Mode switch (LIVE/USB/MTR) per input channel 1-knob compressor (CH 1 thru 8) 3-band EQ with a sweep-able mid-range frequency (CH 1 thru 8) 100Hz Low-cut Filter (CH 1 thru 12) Phantom Power (+48V) for all XLR inputs 3 AUX Outputs (MON 1[pre], MON 2[pre/post], FX[post]) Mute, MAIN/SUB, PLF switches per input channel Bluetooth® 5.0 input supporting both AAC and SBC codecs LINE Inputs via RCA Pin and 1/8" Stereo Mini jacks (CH 13/14) Hi/Lo shelf, wide and narrow-Q semi-parametric EQs (for Main and SUB outputs) 16 TASCAM Effects like reverb, delay, chorus and flange MAIN Output via XLR balanced and SUB Output via TRS balanced connectors 12-segment LED Output Level Meters 1 Stereo Output for Control Room 1/4" Stereo Headphone Output REMOTE connector for a Foot Switch (TASCAM RC-1F) Self-emitted buttons for key operations such as REC and Play for better status legibility Comprehensive simplified menu tree Multi Jog-dial for quick menu operation 19-inch rack mountable with optional Model 16 rackmount kit FAUX wood Side Panels (Removable)