Boss ODB-3 Bass Overdrive Overdrive efekat namenjen kompletnom frekventnom opsegu bas gitare. Uključujući čak i bas gitare sa 5 žica. Overdrive zvuk se može miksati sa bas signalom koji je bez efekta ( blend izmedju osnovnog zvuka i dist efekta ), čime se može dobiti maksimalna čistoća i jasnoća zvuka. Specifikacija: Get mild overdrive to hard distortion Works for four- and five-string basses Balance control lets you mix signals Can be used as a two-band EQ Battery Power: Yes Bypass: Buffered Effect Type: Overdrive Housing Type: Metal Includes Power Supply: No Input: Mono Output: Mono Power Supply: Wall Wart Signal Path: Analog Voltage: 9v

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date. Standard Features The industry-standard octave pedal, updated with enhanced features Newly developed tracking technology provides more accurate response and natural feel with no latency Vintage mode faithfully reproduces the mono sound of the original OC-2 Poly mode for chord playing; Range knob sets the note range where the effect is applied Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available on its own or blended with octave-down effects Mode switch optimizes the tracking engine for guitar or bass Direct out for wet/dry setups Specifikacija: Boss OC-5 Octave Floor Effects Unit, for electric guitar, OC-2 Vintage Mode, Octave Up & extended separation possibilities; input: electric guitar; controls for Direct Level, Octav Level (+1 Oct), Octav Level (-1 Oct) Range (-2 Oct); switches: vintage/poly; outputs Direct and Mono, dimensions in mm: (WxDxH) 73 x 129 x 59, power supply with a 9V battery or a 9V DC power supply ( coaxial connection - negative pole inside, not included ).

Quality Headphone Amplifier for a Great Price! A good multichannel headphone amp can be one of the most valuable studio tools, and the Samson QH4 proves you don't have to spend an arm and a leg to get one. This extremely utilitarian 4-channel headphone distribution amplifier offers many of the same features Sweetwater engineers look for in high-end studio models. Balanced inputs ensure low noise and distortion, while 1/8" stereo aux I/O lets you daisy-chain multiple QH4s together. Mono summing also makes this headphone amp perfect for single-ear monitoring and checking phase cancellation when you mix, and there's a master mute switch to save your ears when you need to make connection changes on the channel you're monitoring. Samson QH4 Headphone Distribution Amplifier Features: A highly utilitarian 4-channel headphone distribution amplifier Perfect for studio, live, podcasting, and radio applications Balanced 1/4" TRS inputs match the output of professional studio gear Each channel includes a 1/4" stereo output, volume control, and plenty of gain Mono summing accommodates single-ear monitoring and phase checking Master mute switch lets you easily protect your ears when changing connections 1/8" stereo aux I/O allows you to daisy-chain multiple QH4 amps together

Podesite zvuk po želji i eliminiite feedback pomou ekvilajzera koji frekventni opseg deli u 7 delova. Frekventni opseg se kree od 100Hz do 6.4kHz sa monih 15dB boosta/sasecanja po opsegu. Specifikacija Nominal Input Level -20 dBu Input Impedance 1 M ohms Nominal Output Level -20 dBu Output Impedance 1 k ohms Residual Noise Level 1 k ohms Residual Noise Level -100 dBu (IHF-A Weighted, Typ.) Variable Range Equalizer Control: +/- 15 dB, Level Control: +/- 15 dB Connectors INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V) Power Supply DC 9 V 10mA

Nova generacija najpopularnijeg Korg Volca modula ! Volca FM2 je mocni 6-toglasni FM sintisajzer sa 6 operatora, 32 klasicna algoritma, 16-step sekvencerom, snazim arpeggiatorom. Sint koji savršeno reprodokuje zvuk klasične FM sinteze Yamahe DX7 i potpuno je kompatibilan sa SYS-EX patchevima za DX7. Specifikacija: 6-Voice polyphony FM synthesiser with 6 operators 32 Classic algorithms 16-Step sequencer with motion sequencing 2 Simultaneously usable and separately controllable effects (chorus and reverb) Compatible with classic FM sounds (can be loaded via SysEx) Arpeggiator Velocity-sensitive playability via MIDI Integrated loudspeaker Sync input and output: 3.5 mm minikline mono MIDI input and output Headphone output: 3.5 mm mini-jack stereo Power supply: 6x AA battery or via power supply KA-350 (power supply not included) Dimensions (W x H x D): 193 × 115 × 40 mm Weight: 360 g

ALTO ZMX862 je 6-kanalni, dvo-sabirni mikser sa pravom količinom ulaza, izlaza, usmeravanja i EQ za intimnije situacije pojačanja performansi uživo. Sadrži dva ulaza za mikrofon, svaki sa Phantom Power-om, ZMX862 takođe poseduje tropojasni EQ, dva pomoćna kanala po kanalu za spoljašnje efekte i nadzor, pa čak i dva ulaza za stvari poput reprodukcije zvuka. ZMX862 je savršen profesionalni mikser. Specifikacija: Input Channels: Mono channels (Ch. 1 - 2) Microphone Input: Electronically balanced, discrete input configuration Frequency Response: 20 Hz to 22 kHz, +/-1 dB Distortion (THD&N): ≦0.005% at +4 dBu, 1 kHz Gain range: 0 dB to 50 dB (Mic) Maximum Voltage Gain: 70 dB Ch. Mic Input→Main MIx out & Tape out, 80 dB Ch. Mic input→Control room & Phones, 60 dB Ch. Mic input→Aux send SNR (Signal to Noise Ratio): ≧110 dBu Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V - with switch control Line Input: Electronically Balanced Frequency Response: 20 Hz to 22 kHz, +/-1 dB Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz Gain Range: 15 dBu to 35 dBu Stereo Channels: (Ch. 3 - 6) Line Input: Electronically Balanced SNR (Signal to Noise Ratio): ≧110 dBu Frequency Response: 20 Hz to 22 kHz, +/-1 dB Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line → Main Mix out Maximum Voltage Gain: 20 dB FX return → Main Mix out, 20 dB RCA Tape input → Main Mix out Impedance Microphone Input: 3.9 kOhms All Other Inputs: 10 kOhms or greater Tape Out: 1 kOhms All Other Outputs: 120 Ohms Equalization Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz Main Mix Section Tape, Aux, Phones Output Output level: 0 dBu Unbalanced, 1/4" jacks, Max out +22 dBu Unbalanced, 1/4" jacks noise (Bus Noise): ≦-90 dB @ 20 Hz - 22 kHz (channel & Main level at 0 dB, other at minimum, DSP mute) Power supply: 18 V, 1500 mA Rated Power Consumption: 18 W Dimensions (WxLxH): 202mm x 250mm x 58mm Weight: 3.75 lb

The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on. On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping! Specifikacija: Nominal Input Level-20 dBu Input Impedance1 M ohmNominal Output Level-20 dBu Output Impedance1 k ohmRecommended Load Impedance10 k ohms or greater Maximum Recording TimeApproximately 12 minutes ControlsPedal switch LEVEL knobIndicatorsCHECK indicator LOOP indicatorConnectorsINPUT A (MONO) jack: 1/4-inch phone type INPUT B jack: 1/4-inch phone type OUTPUT A (MONO) jack: 1/4-inch phone type OUTPUT B jack: 1/4-inch phone type STOP/UNDO jack: 1/4-inch TRS phone type DC IN jackPower SupplyAlkaline battery (9 V, 6LR61) AC adaptor (sold separately) * Rechargeable Ni-MH batteries cannot be used.Current Draw95 mAExpected battery life under continuous use (These figures will vary depending on the actual conditions of use.)Alkaline: Approx. 3 hoursAccessoriesOwner's manual Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61)Options (sold separately)AC adaptor: PSA series Footswitch: FS-5U, FS-6, FS-7

ALTO ZMX122FX je osmokanalni mikser sa dve magistrale sa svim ulazima, izlazima, rutiranjem, ekvilajzerom i efektima koji su vam potrebni za intimnije situacije pojačanja nastupa uživo.Poseduje četiri mikrofonska ulaza sa balansiranim TRS priključcima (dva sa fantomskim napajanjem), tropojasni ekvilajzer i dva AUX signala na svakom od četiri mono kanala i dva stereo kanala, pa čak i dvotračne ulaze za integraciju uređaja za reprodukciju zvuka. ZMX122FX je savršen profesionalni mikser za poneti svuda. Specifikacija: 16 total inputs including XLR jacks w/ phantom power on ch. 1-4 On-board Alesis digital effects with 256 variations Expanded channel count perfect for small groups or sub-mixes 4 mic input channels with gold-plated XLR and balanced line inputs Two stereo input channels with balanced TRS jacks High headroom circuitry offering extra dynamic range Ultra-low-noise discrete mic preamps 3-band EQ on each channel Footswitch input for effects on/off (sold separately) 2 aux sends per channel for external effects and monitoring 2-bus design with Main and Control Room 1/4” stereo outputs Aux inputs/outputs for external audio source integration Switchable phantom power

Simply Great-Sounding Reverbs Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb+Delay modes. Dialed-In Sounds at Your Command The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy-just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting. Analog Dry Tone and Versatile I/O While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analog as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play. Reverb Modes •+DELAY-This is reverb combined with delay. The synergistic effect provides rich reverberation. •SHIMMER-This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones. •DYNAMIC-This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing. •ROOM-This reverb simulates the reverberation of a room. It produces warm reverberation. •HALL-This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation. •PLATE-This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range. •SPRING-This simulates a spring reverb built into a guitar amp. •MODULATE-This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Boss KTN-MINI KATANA gitarsko pojačalo ponosno nosi ime tradicionalnog Japanskog samurajskog mača koji i danas predstavlja simbol za čast, preciznost i umetništvo u Japanskoj kulturi. Katana serija donosi pojačala preciznog tona izoštrenog generacijama posvećenosti i stručnosti. Pojačala su nastala u procesu izrade slavnog Waza pojačala. Boss KTN-MINI gitarsko pojačalo nudi već proslavljeni Katana ton u manjem, prenosnom pojačalu koje radi i na baterije. Kvalitet ovog pojačala daleko prevazilazi kvalitet ostalih pojačala u klasi. Poseduje tri modela pojačala, tropojasni ekvilajzer i dilej efekat. Snaga pojačala je 7W, i poseduje zvučnik od 4". Specifikacija: 1 Channel Power: 7 W 3 Basic amplifier types selectable: Brown / Crunch / Clean Equipped with: 1x 4" speaker Analog multi-stage gain circuit with 3-band analog EQ Cabinet construction: Closed Controls: (Mono): Gain, Volume, Bass, Middle, Treble, Delay Time, Delay Level Switches: Amp Type, On/Off Effects: Delay Input: 6.3 mm jack AUX input: 3.5 mm stereo mini jack Phones / Rec output: 3.5 mm stereo mini jack Power supply connection (coaxial socket 5.5 x 2.1 mm - negative pin inside) Current consumption: 350 mA Power supply with 6 x AA batteries or a 9 V DC power supply (not included, matching power supply available as an option: Article Nr 138091) Dimensions (W x D x H): 230 x 116 x 181 mm Weight: 1.2 kg Colour: Black

USB zvučna kartica 2 in / 4 out konfiguracije, sa dva kombo XLR/TRS ulaza, dva linijska ulaza, 2 TRS izlaza I 4 RCA izlaza sa USB/Direct kontrolom i Direct Mono/Stereo switch-om, MIDI IN/OUT konekcijom. Mogućnost snimanja 2 kanala simultano, rezolucije zvuka 24-bit / 192kHz, Transparent Crystal pretpojačalima čistog zvuka i niskog nivoa šuma i user interfejsom koji je ujedno i intuitivan i jednostavan za korišćenje. U paket su uključeni i Pro Tools | First M-Audio Edition i Ableton Live Lite, Eleven Lite i Creative FX Collection softveri. Specifikacija: 24-Bit/192 kHz Low-noise M-Audio Crystal preamp 2x XLR/Combo inputs, mic/line (input 1) 48 V phantom power, switchable 2x 6.3 mm Jack Instrument inputs (input 2) 2x 6.3 mm Balanced jack outputs (volume control for output 1 + 2) 4 RCA outputs (main & AUX) Headphone output MIDI I/O (3.5 mm) USB bus-powered Dimensions (W x H x D): 198 x 71 x 152 mm Weight: 0.9 kg System requirements: USB 2.0 or USB C, Windows 7 (32- or 64-bit, or Mac OS X 10.8 or newer) Includes downloadable software (Pro Tools First M-Audio Edition, Ableton Live Lite, Eleven Lite, Avid Effects Collection, AIR Music Tech Creative FX Collection, AIR Music Tech Xpand!2, AIR Music Tech Mini Grand, AIR Music Tech Vacuum, AIR Music Tech BOOM, AIR Music Tech DB33, 2 GB Touch Loops content)

Korg VOLCA-MIX analogni sempler sintisajzer. Četvorokanalni analogni mikser za Volca semplere. The Korg Volca Mix is a four-channel analog mixer designed for a live performance setup combining multiple volca units. The mixer offers two mono channels, a stereo channel, plus aux send and return functions for incorporating external effects. Each channel offers a hi-/lo-cut filter allowing you to contour the sounds of each device to create a polished mix. Additionally, the unit offers master effects including an analog stereo width expander and an analog dynamic range compressor with sidechain capabilities. Inputs and outputs are made via 1/8" connectors including a dedicated headphone output and a sync output, which allows the volca mix to be used as a master sync generator to the connected volcas in the setup. A built-in stereo speaker is provided for portable performances. The volca mix can power up to three volca units and ships with a power supply, three audio cables, and three DC-to-DC volca power cables. Compact multi-function, four-channel mixer Volume faders and lo-/hi-cut filter for professional-quality performances Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability Powerful effects and control Master chain lets you control dynamics Send out and auxiliary in for connecting external effects Sync function that can act as the master of a live setup Unlocks even more potential out of the volca series DC out can supply power for up to three volca units Includes AC adapter, DC-to-DC cables, and audio cables

Sample simplicity. Load virtually any sample via standard SD or SDHC card and assign it to any of the MPX8’s eight backlit velocity- and pressure-sensitive pads. It’s that simple. Use it in the studio. Use it live on stage or on air. MPX8 packs proven Akai Pro technology into a compact, durable design that’s built to perform. Control Software & MIDI Gear MPX8 also has USB MIDI plus standard MIDI inputs and outputs. Control everything from music software on your laptop to outboard MIDI gear. The included USB cable and 1/8"-to-MIDI adapter make it easy to connect. Edit with Ease With the included sample kit editor, you can easily arrange, tune, and add reverb to your samples on your Mac or PC before loading them onto MPX8. The editor’s drag-and-drop functionality makes loading your samples as easy as possible. Get in the Loops MPX8 also comes with a free Loop Library download from Akai Pro, plus a large library of standard samples built in, which can be used for live performance in front of a crowd, on a radio show, or for in-studio production. Lose the Luggage It’s compact, easy to load, and ready to go. MPX8 packs the sounds you need under great-feeling pads inside a solid Akai Pro design. You get quick and convenient one-touch access to a virtually unlimited number of sounds, shots, stabs, and drops. It’s that simple. Add mono or stereo samples via standard SD card (sold separately) 8 velocity-sensitive and pressure-sensitive pads USB MIDI plus standard MIDI inputs and outputs Also controls computer MIDI software and outboard MIDI gear Drag-and-drop sample kit editor for Mac® and PC included Built-in library of popular sounds and samples Includes additional free Akai Pro loop library download Tune, add reverb, and save sample sets for easy recall (2) Balanced 1/4-inch outputs (6.35mm) 1/8-inch headphone output (3.5mm)

Designed in collaboration with Pedaltrain, the Dunlop CBJ95 Cry Baby Junior boasts a pedalboard-sized enclosure and front-mounted jacks, enabling you to fit it ergonomically onto your board. Three switchable voices supply a useful array of modern and vintage wah tones. You also get a convenient on/off status LED to show you when the effect is engaged, thereby solving an age-old issue with vintage-style wah-wah pedals. If classic Cry Baby wahs are your thing, but you’re short on pedalboard space, the Dunlop Cry Baby Junior is the perfect wah-wah pedal for you. Pedalboard sized for easy cable management The Cry Baby Junior was designed specifically for Pedaltrain pedalboards. Its front-mounted input, output, and power jacks support a tighter pedal configuration by freeing up space on the sides of the pedal. What’s more, the Cry Baby Junior’s 8-inch-long housing lines up with the routing spaces on Pedaltrain’s Metro Series, along with their Classic, Novo, and Terra boards. At Sweetwater, we’ve found that the Cry Baby Junior gives your pedalboard a nice, clean look and makes cable management a piece of cake. 3-way voice switch yields a full range of wah tones No matter which Cry Baby you’re aiming for — vintage or modern — the Dunlop Cry Baby Junior can achieve it, thanks to its 3-way voice switch. The switch’s H setting serves up the modern, aggressive sound of the GCB95. Flip to the M setting, and you’ll experience a vintage effect with growling mids. The L position gives you a dark, rich sound that pairs nicely with high-gain tones. And no matter which voice you use, you’ll know when it’s active, by virtue of the Cry Baby Junior’s on/off status LED. You’ll never play halfway through a song with an unintentional cocked-wah sound again ! Specifikacija: Compact design with all connections on the front side Specially designed for use on pedalboards 3-Way voicing switch: H: 380 Hz - 2100 Hz / M: 330 Hz - 1800 Hz / L: 270 Hz - 1500 Hz Resistance of the pedal can be adjusted Metal housing 6.3 mm mono jack input / output Power supply via 9 battery or 9V DC power supply (not included - e.g. Dunlop ECB003) Power supply connection: 2.1 x 5.5 mm barrel connector, polarity (-) inside Power consumption: 3 mA Dimensions (L x W x H): 203 x 102 x 76 mm Weight: approx. 230 g

Iconic amp sounds for your pedalboard. The Silk Drive valve overdrive pedal offers the dynamic clean and creamy overdrive tones of classic boutique amps in a compact pedal format, powered by Nutube for warm and responsive amp-like tones. Inspired by harmonically rich boutique amp tones, the Silk Drive goes beyond the amp-in-a-box category to offer a truly flexible valve overdrive pedal. The all-analog signal path and Nutube allow for genuine boost and overdrive tones with the feel of a real tube amp, while internally boosted voltage gives greater headroom and dynamics. Plus, the OLED display shows an oscilloscope while the pedal is active or bypassed, allowing you to understand exactly how your signal is affected. Three output modes allow you to use this as a standard pedal, a line-level preamp, and a direct amp-sim using the built-in analog cabinet simulator. Use STANDARD mode with your normal guitar rig to totally transform your amp, or use PREAMP or CAB-SIM mode while recording directly into your audio interface. In each mode, the all-analog design and active EQ allow you to perfectly dial in the sound you need in any situation. The Channel Link feature allows you to chain two or more Valvenergy pedals together, through the Link jack of each pedal. Using a with a standard 1/8” stereo cable will link 2 pedals, and using a stereo 1/8” splitter will link 3 or 4 pedals. This allows you to turn one pedal on while bypassing the others, as if you were switching between channels of a guitar amp. These pedals are equipped with a high-contrast OLED display showing an oscilloscope, a visual indication of how the waveform is affected by the knob settings. This display allows shows which mode you are currently using Specifikacija: analog preamp with "Nutube" tube technology Elegant boutique sound from warm clean to bluesy crunch Controls: Gain, Volume, Treble, Middle, Bass Bright switch OLED display with oscilloscope graphics in real time 3 Operating modes for more flexibility: Standard (instrument level) Pre-Amp (line level) and Cab Sim (signal for mixer / DAW) Input and output: 6.3 mm mono jack DC 9 V input Link output Power supply: 9 V alkaline battery or 9 V power supply (middle = negative) Power consumption: 95 mA Battery life: approx. 2 hours (when using an alkaline battery), the actual battery life depends on the operating conditions Dimensions (W x D x H): 72 x 120 x 55 mm (including switch and rubber pad) Weight: 350 g Colour: Silver Includes 9 V battery for test purposes

Vox Delay Lab Gitarska pedala The new Delay Lab – the ultimate delay effect, with a vast array of features and abilities. Thirty types of delay effects, ranging from vintage to standards to originals Precision modeling of vintage delay effects such as analog BBD devices and tape echo Numerous original types such as Dual Delay and Distortion Delay offer new expressive power Stereo Looping can capture up to 28 seconds; multiple variations and types Combine Loop and Delay effects simultaneously for exciting performances Thirty diverse rewritable preset programs, ready for immediate use Delay time is adjustable in 1 ms steps, to a maximum of four seconds Easy access to multiple parameters allows the creation of complex effects All parameters can be controlled using an expression pedal [optional] Sync Mode allows poly-rhythmic effects to be created quickly and easily Seamless Program Change feature ensures smooth transitions Advanced Bypass function with decay avoids abrupt effect cut-offs High-quality 24-bit/48 kHz audio sampling rivals professional equipment Diecast metal body stands up to hard use on stage Stereo Inputs; Stereo Outputs (all 1/4") Assignable Pedal Control input Delay effects are a must for satisfying the individualistic creativity of any guitarist. Their long history encompasses both the analog and digital eras. Many classic delay units have played a prominent role through the years, contributing to numerous memorable phrases, generating dreamlike spaces, and producing psychedelic performances, both on stage and in the studio. These sought-after units – as well as new delays destined to become standards for the coming generation – are all included in the VOX DelayLab. In addition to 30 diverse delay effects, the DelayLab offers a stereo looper that can capture up to 28 seconds, 30 stage-ready programs, and a wealth of extras, all packed into a sturdy diecast body. With an expressly vintage vibe, the easy-to-use front panel offers satisfying hands-on control over a diverse array of sounds and features. In short, the DelayLab delivers virtually infinite potential, befitting its status as the new standard for effect processors. From vintage to mainstays and beyond Over the years, numerous delay effects have come along; tape echoes, analog delays, digital delays, etc. Each has varied by type, manufacturer, and internal structure. From the distinctive distortion and warmth of tape, the unique tonal change produced by an analog BBD (Bucket Brigade Device) circuit, to the lo-fi sound typical of low-resolution digital circuitry, the DelayLab delivers perfect models for a carefully selected set of historically significant delay units that have fascinated guitarists through the years. There are also numerous special types of effects such as pitch change, panning, and reverse. Parameters not found on the original models are also provided, offering unique expressive possibilities that go beyond simply modeling the classic units of the past. Delay innovations The DelayLab also contains numerous practical and original delay effects that will inspire any guitarist. Dual Delay makes effective use of two delays; Distortion Delay adds distortion to only the delayed sound; Reverse Delay can adjust the mix ratio between forward and reverse sound; Space Delay applies a string-like tonal effect to deepen the sound. An incredible array of possibilities are available, as any of these effects are capable of creating aggressive and radical sounds, as well as being used to add a subtle sense of depth. Integrated Stereo Looper The DelayLab provides extensive looper capabilities that can be combined with the delay effects to surpass the abilities of the numerous dedicated units that have been in the spotlight of guitar performance in recent years. The DelayLab goes well beyond simply layering sounds by providing features that open up new creative possibilities – such as reverse playback, triggered playback, and using an expression pedal to control various parameters. There are also three types of delay that can be used simultaneously with the looper. Plus, the DelayLab is able to create performances overflowing with originality by adjusting the L/R delay times independently, or by attenuating the volume of the looped phrases each time you overdub so that the latest overdub will stand out. Thirty stage-ready preset programs The thirty preset programs take full advantage of the DelayLab's extensive features and parameters. Editable and re-writable, these programs range from simple and versatile types, to complex and distinctive effects. There are also programs that reproduce the delay sound of famous guitarists as heard on classic recordings. Preset Programs 30 types: Analog Delay, Saturated Delay, Stereo Analog Delay, Echo Plus, Tube Echo, Multi Head, Stereo Digital Delay, Lo-Fi Delay, Pitch Shifting Delay, Multitap Delay, Rhythmic Delay, Multitap Filter Delay, Ducking Delay, Sweep Delay, Distortion Delay, Parallel Delay, Series Delay, Dual Band Delay, Modulation Delay, Filter Delay, Phaser Delay, Cross Delay, Panning Delay, Left Center Right Delay, Space Delay, Reverb Delay, Early Reflections Delay, Reverse Stereo Delay, Reverse Analog Delay, Reverse Filter Delay, Classic Song Programs: Total = 10 Programs Welcome to the Jungle - Lateralus - Cliffs of Dover - Rope - Walking On The Moon - Where The Streets Have No Name - Run Like Hell - 2112 - Lovers in Japan - Give It Away Intuitive interface All of the delay effects can be controlled simply using five knobs, ensuring that creating complex delay sounds is easy and intuitive. All parameters can also be assigned to an optional expression pedal for realtime control as you play, allowing the creation of even more creative performances. Superb specs, surprising features The DelayLab boasts studio-quality specifications to guarantee flawless audio fidelity, including 24-bit/48 kHz processing. Innovative Seamless Bypass and Seamless Program Change features ensure a smooth transition in sound when you bypass the unit or switch between programs. Other convenient functions include a Sync Mode which makes it easy to set up complex polyrhythmic effects, and the Kill Dry feature which completely mutes the direct sound. In every respect, the DelayLab is designed to satisfy the guitarist who insists on superior audio response rival the finest equipment available. Delay Effects: 30 types Classic Song Programs: 10 Programs Looper Delay Effects: 3 types: Looper (Digital Delay, Analog Delay, Space Delay) Programs: 30 Audio Input: R, L/MONO Audio Output: R, L/MONO Signal processing: A/D Converter = 24 bit, D/A Converter = 24 bit, Sampling Frequency = 48 kHz Power supply: AA alkaline battery x 6, (Option) AC Adapter Current consumption: DC9V 200 mA (Typical) Dimensions (W x D x H):260 × 164 × 66 mm / 10.23 x 6.45 x 2.59 inches Weight: 1.5 kg / 52.91 Oz.

Alesis M1Active 330 USB su 3" aktivni monitor sa integrisanom USB zvučnom karticom, rezolucije 16bit / 48kHz, LF: 3", HF: 1", RMS: 20W, 80Hz - 20kHz. Give Your Computer a Sonic Upgrade Employing technology adopted from Alesis' award-winning Monitor One and M1 Active models, Alesis M1Active 330 USB studio monitors are equipped with lightweight 3-inch aluminum woofers that yield a quick transient attack and linear frequency response. Precision-designed waveguides ensure well-controlled high-frequency dispersion. Smoothly radiused cabinet edges and flared rear-firing bass ports eliminate unwanted sonic artifacts. The result is clear sound reproduction with a wide sweet spot and impressive stereo imaging. M1Active 330 USBs also include an integrated audio interface that accommodates most line-level sources. A single USB cable is all it takes to route audio to and from your computer. Alesis M1Active 330 USBs are sure to give your computer a sonic upgrade. Top-notch engineering for top-notch sound When we ran the M1Active 330 USBs through their paces here at Sweetwater, it was clear that a great deal of clever engineering went into their design. They sound excellent — especially at this price point. Their 3-inch aluminum woofers are lighter and stiffer than carbon-fiber, paper, or glass-Aramid woofers, ensuring an ultra-fast transient attack and linear response through the low and midrange frequencies. Their high-frequency dispersion is well-controlled and predictable, thanks to precision-designed elliptical waveguides. Their smooth aerodynamic cabinet edges minimize audible edge diffraction, while flared rear-firing bass ports prevent low-frequency turbulence. Beyond that, custom-designed anti-resonant wood cabinets yield natural-sounding bass. Convenient integrated USB audio interface A built-in USB audio interface makes the M1Active 330 USBs a convenient plug-and-play solution for getting audio in and out of your computer. It's easy to connect line-level turntables, keyboards, guitar effects, DJ mixers, or media players directly to these speakers. And connecting to your computer is as easy as plugging in a single USB cable — no drivers or extra software is required. Alesis: a proud history of studio monitor design If you were making music during the Clinton administration, you probably had tons of Alesis gear in your home studio — looking at old photographs of any Sweetwater employee's 1990s-era home studio proves it. An ADAT machine was a certainty. You also probably had a QuadraVerb, and maybe an SR-16 drum machine. A lot of us also used Alesis Monitor One studio monitors — they were reasonably priced and offered performance beyond what most home recordists could afford. In 1999, Alesis brought us the M1 Active series. Now at generation 3, the M1 Active series continues Alesis' proud tradition of professional sound at an affordable price. Specifikacija: With integrated 16 bit / 48 kHz USB audio interface 3'' Aluminium woofer with bass reflex opening 1" Silk tweeter Power: 2x 10W RMS Frequency range: 80 - 20,000 Hz Bass boost Inputs: 2x RCA unbalanced, 2x 6.3 mm jack balanced, 1x 3.5 mm stereo jack, USB Outputs: Headphone output with 3.5mm stereo jack, 3.5mm mono jack (for passive speakers) Dimensions (W x H x D): 127 x 188 x 147 mm Total weight: 2.8 kg

Alesis MultiMix 4 USBFX je 4-kanalni mikser sa efektima / USB audio interfejs, 2 mono i 1 stereo kanal. Ovaj model dolazi u paketu sa Light verzijom Pro Tools software- a. MultiMix 4 USB FX is a four-channel desktop mixer with a USB digital audio interface that lets you mix live, in the home studio, and record audio directly to a computer. This compact mixer is perfect for using in computer-recording setups, intimate live-sound environments, video-editing and production studios, and portable podcasting setups. It outputs line-level analog audio and stereo 16-bit, 44.1/48 kHz digital audio over USB for recording low-noise, CD-quality mixes directly to your Mac or PC. Plug It in The MultiMix 4 USB FX mixer has four input channels, all of which can accept a 1/4" line input. You can plug XLR microphones into channels one and two, including condensers thanks to the selectable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. A stereo, 1/4" headphone output has its own level control for private monitoring. Get In The Mix Ideal for live sound engineering or home recording, MultiMix 4 USB FX features onboard volume, pan, and EQ controls for making quick, accurate adjustments to your mix. The MultiMix 4 USB FX mixer has a two-channel, five-stage, multicolor LED meter for visual monitoring the main output level. Channels one and two offer switchable high-pass filtering at 75Hz to reduce low-frequency rumble, handling, and wind noise. Channels one and two provide high- and low-shelving EQs, independent gain trims, and have independent pan controls. For convenient stereo mixing and recording, channels three and four are configured as a stereo pair at the level and pan controls. Record Via USB MultiMix 4 USB FX contains a complete USB recording interface. Plug the MultiMix 4 USB FX’s class-compliant USB connection into your Mac or PC without the need for software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 4 USB FX enables bidirectional stereo playback, so you can record the stereo Main output into your computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. Cubase LE comes bundled with MultiMix 4 USB FX and gives you a powerful software environment to record, edit, and bounce down your mixes. Plus, you can record stereo audio directly to your iPad with the Apple iPad Camera Connection Kit (sold separately). Built-in Effects MultiMix 4 USB FX comes with high-quality Alesis DSP effects that include spacious reverbs, delays, phasers, and much more. For lush mixes, the internal effects processors enables you to add extra depth to live sound--say, a long delay on the vocalist's channel--or beef up dry recordings with some extra ambiance. Now, you can use professional audio effects with your mixer whether you're out mixing the live gig or at home recording at your desktop. 4-channel mixer with stereo (2) 1/4" inputs and stereo (2) 1/4" outputs 16-bit, 44.1/48 kHz signal stereo in / stereo out via USB for easy recording and playback (2) XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power (4) 1/4" line-level inputs for instruments and high-impedance guitar input Record directly to your iPad via the Apple iPad Camera Connection Kit (sold separately) Dual-band EQ on XLR inputs for accurate tone control 15 DSP effects with footswitch bypass control and aux bus for external processing Multicolor LED metering for real-time, visual level feedback Headphone output with independent level control for additional monitoring and mixing Class-compliant USB for plug-and-play support on both Mac and PC Includes Pro Tools LE for out-of-the-box music creation

Alesis MultiMix 8 USBFX je 8-kanalni mikser sa efektima / USB audio interfejs, 4 mono i 2 stereo kanala, USB konekcija. This compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection. MultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player. MultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size. Like the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency. Specifikacija: With microphone, line, as well as instrument inputs 16-bit, 44.1 / 48 kHz stereo USB output makes for easy recording and playback on the computer XLR inputs with gain control, switchable low cut filters, and 48 V phantom power 6.3 mm Jack inputs for line signals Hi-Z input for direct connection of electric guitars and passive electric basses 3-Band EQ with semi-parametric mids for channels 1 and 2 3-Band EQ for channels 3 and 4, 2-Band EQ for channels 5 - 8 Integrated DSP effects processor with footswitch bypass and AUX path for external effects processors Multicoloured LED level meter for level monitoring Main and headphone outputs with independent volume control Plug-and-Play USB connection for Mac and PC, no driver installation is required The MultiMix 8 USB FX transmits the master stereo signal to the computer and also feeds back a stereo signal Dimensions (W x D x H): 275 x 285 x 80 mm Weight: 2.2 kg Includes USB cable, power supply, quick start guide and software Pro Tools First "Alesis Edition" (download), AIR Mini Grand, DB-33, and Eleven Lite