Crafts of the Inner Court The Artistry of Korean Women Tekst: Huh Tong-hwa, Park Young-sook Izdavač: Museum of Korean Embroidery 1987. Mek povez, 151 stranica, ilustrovano, 34x25cm Tekst na engleskom jeziku Vrlo dobro očuvano (zadnja korica donji levi ugao, vidite foto) - Zanati Unutarašnjeg dvora, Umetnost korejskih žena Katalog izložbe Muzeja korejskog vezenja iz kolekcije Huh g12

Lepo očuvano Retko Danemark Robert Julius Tommy Jacobsen (4 June 1912 – 26 January 1993) was a Danish sculptor and painter. The Danish Robert Award is named in his honor.[1] Komposition in Eisen (composition in iron) located in front of the UNIQA building at Leopoldstadt, Vienna Tørskind Man sculpture at the Tørskind Gravel Pit sculpture park. Biography[edit] Jacobsen was born in Copenhagen. He was self-taught as a sculptor. During World War I, he worked with Danish modernist artists such as Asger Jorn, Carl-Henning Pedersen and Egill Jacobsen. They participated in the circle around the journal Helhesten and would later come to make up the COBRA-movement. Although Jacobsen had a connection with the CoBrA artists, but he never was a member of their group. In this period he created massive granite and sandstone structures which he called `Mythical Creatures` (Danish: Fabeldyr ). In the late 1940s, he creates a group of sculptures which he called `Dolls` (Danish: Dukkerne).[2] He traveled to France with his colleague Richard Mortensen and lived there from 1947–69. During his time in France he began creating sculptures in cast iron.[3] In France he received the nickname `Gros Robert` (Danish:Store Robert).[4] From 1962–81, he was a professor at the Academy of Fine Arts, Munich ( Kunstakademie der Bildenden Künste) in Munich. In 1969 he moved to Tågelund, west of Egtved, Denmark. From 1976 to 1985 he was professor at the Royal Danish Academy of Art, Copenhagen. From 1986 to 1991 he worked with Jean Clareboudt to create a sculpture park at Tørskind Gravel Pit near Egtved and Vejle. He also worked closely together with his son-in-law and artistic assistant, Bernard Leauté. Robert Jacobsen died in 1993, aged 80, at home in Tågelund. He was buried at Vestre Cemetery (Danish:Vestre Kirkegård) in Copenhagen. Awards[edit] Jacobsen was awarded the Thorvaldsen Medal in 1967. He was made an honorary member of the Association of Craftsmen in Copenhagen in 1973. In 1974 he was awarded the Prince Eugen Medal by the King of Sweden. He became a Commander of the Order of the Dannebrog in 1983.[5] The Robert Awards (Danish: Robert Prisen) have been awarded annually since 1984 by the Danish Film Academy. The awards are named after Robert Jacobsen who was the statuette`s designer.[6][7] Since 1993, the Robert Jacobsen Prize of the Würth Foundation has been awarded to contemporary visual artists to commemorate the artist. The prize is endowed with EUR 50,000.[8][9] Artwork[edit] Robert Jacobsen`s sculptures are represented at numerous museums of modern art internationally. Musee d`Art Wallon (Liege, Belgium) Museo de Arte Moderna (São Paulo, Brazil) Von der Heydt Museum (Wuppertal, Germany) Wilhelm Hack Museum (Ludwigshafen, Germany) Lembruck Museum (Duisburg, Germany) Sculptors Museum (Glaskasten, Marl, Germany) `Kunsthalle` exhibition hall Kiel (Kiel, Germany) Neue Pinakothek, (Munich, Germany) town gallery Lenbachhouse (Munich, Germany) `Kunsthalle` exhibition hall Emden donation Henri Nannen (Emden, Germany) Didrichsenin taidemuseo (Helsinki, Finland) Musee National d`Art Modern (Paris, France) Centre Pompidou (Paris, France) Musee de Peinture et de Sculpture (Grenoble, France) Musee des Beaux-Art (Rennes, France) Fond National d`Art Contemporain (France) Musee Rodin Paris (France) Stedelijk Museum (Amsterdam, the Netherlands) Kröller-Müller Museum (Otterlo, The Netherlands) Nationalgalerie (Oslo, Norway) Moderna Museet (Stockholm, Sweden) Musee des Beaux-Art (La Chaux-de-Fonds, Switzerland) Magyar Nemzeti Muzeum (Budapest, Hungary) Museum of Art, Carnegie Institute (Pittsburgh, USA) Hirshhorn Museum and Sculpture Garden (Washington, USA) Fondation Herzog (New York, USA) Carnegie Institute (Philadelphia, USA) danska umetnost robert jakobsen skupltor skulptura xx veka avangardna avangarda neoavangarda moderna savremena istorija skulpture 20. veka

Autor: Julian Shuckburgh Povez: tvrd Br. strana: 132 Format: 41x30,5 Pun kolor, štampano na kunstdruku! London is a magical city with its beginnings dating back thousands of years to the Roman days. Think of London today and images of beautifully impressive sights come to mind: the Royal family and their palaces, the House of Parliament, Big Ben, and Westminster Abbey. Culturally, there are dozens of incomparable museums, such as The British Museum, The National Gallery and the Cabinet War Rooms, and of course, one cannot exclude the famous London theaters. On a more intimate scale, one thinks of quaint pubs, open-air markets, iconic red double-decker buses, telephone boxes, and helmeted bobbies. Meandering through the charismatic sections of London is a stretch of the River Thames, serving as an anchor for the dazzling array of sites that make London so special. With Spectacular London, you can celebrate this historic city as it gears up to be the host of the 2012 Olympics. This sleek volume includes more than 130 magnificent full-color illustrations and brings together all of London`s unique sites, presenting some of the most memorable views of this ancient city. With fantastic photographs of this vibrant city, many shown in foldouts that are almost three feet long, Spectacular London takes the reader from the pastoral setting of Hyde Park to the bustling financial center of the City, from the sophisticated London nightlife to an afternoon at Hampton Court. All of these experiences are pulled together in one volume to create a most unforgettable view of one of the world`s oldest and most revered cities. Julian Shuckburgh`s lively text accompanies the reader through this book in a way that only a native-born Londoner can. For those who have personally experienced London, or for those who plan to visit for the first time, Spectacular London is the perfect way to celebrate this glorious city.

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! 2003 Retko u ponudi! Exit (transkr. Egzit; stilizovano EXIT) je letnji muzički festival koji se održava jednom godišnje na Petrovaradinskoj tvrđavi u Novom Sadu. Osnovan 2000. godine, višestruki je dobitnik nagrada za najbolji festival. Gotovo četiri miliona ljudi iz više od stotinu zemalja širom sveta posetilo je Exit, koji je tokom svog postojanja ugostio neke od najvećih muzičkih zvezda današnjice, kao i mnogobrojne domaće i regionalne zvezde. Najveći je festival u Srbiji, dok je na drugom mestu Sunny Hill Festival. Istorija Festival je osnovan 2000. godine u Novom Sadu kao studentski pokret koji se bori za demokratiju i slobodu u Srbiji i na Balkanu. Posle opštih izbora u Jugoslaviji 2000. godine, Exit se 2001. preselio iz univerzitetskog parka u Petrovaradinsku tvrđavu. Međutim, društvena odgovornost je i dalje bila ključni aspekt njegovih aktivnosti. U februaru 2007. godine osnivač i većinski vlasnik Dušan Kovačević, zajedno sa svojim saradnicima, odlučio je da festival pokloni gradu Novom Sadu nakon eksternih ponuda za preuzimanje manifestacije, sa ciljem da festival ostane unutar grada. Kritičari su smatrali da je na taj način upravljanje festivalom prepušteno vladajućoj političkoj stranci, što je po njihovom mišljenju bilo suprotno od onoga na šta se pokret prethodno fokusirao.[2] Godine 2007. Exit je osvojio Britansku festivalsku nagradu za najbolji festival u inostranstvu,[3] a bio je proglašen za najbolji evropski festival na dodeli nagrada Juroup.[4] Godine 2013. i 2017. osvojio je nagradu za najbolji veći festival na dodeli Evropskih festivalskih nagrada.[5][6] Godine 2006. The Observer je proglasio Exit za najbolji festival po svom izboru na listi 25 najboljih turističkih iskustava.[7] The Guardian ga je uvrstio među „12 najboljih putovanja za 2008. godinu”.[8] Međunarodno izdanje kanala CNN, CNN World Fiesta, uvrstilo je Exit na listu devet najboljih muzičkih festivala na svetu u 2011. godini.[9] Godine 2013. Euronews je uvrstio Exit na šesto mesto u svom izboru od 10 evropskih muzičkih festivala.[10] Godine 2018. BBC News je nazvao Exit jednim od najvećih svetskih muzičkih festivala, koji je ugostio više od 200.000 ljudi iz 60 zemalja.[11] U junu 2019. godine Forbes je objavio članak u kojem tvrdi da je „zahvaljujući predstojećem Exit festivalu, Srbija postala festivalsko središte vredno pažnje”.[12] Superbrands Serbia uvrstio je Exit kao jedan od sedam superbrendova javnog urbanog identiteta za 2006—2007.[13] U martu 2018. godine u Sarajevu je Savet za regionalnu saradnju dodelilo festivalu titulu Šampiona regionalne saradnje za 2017. godinu.[14] Exit organizuje sedam događaja u pet zemalja Jugoistočne Evrope: No Sleep Festival (Beograd, Srbija) u aprilu i novembru,[15] Sea Star Festival (Umag, Hrvatska) u maju; Exit Festival (Novi Sad, Srbija) i Sunland Festival (Primorsko, Bugarska) u julu; Revolution Festival (Temišvar, Rumunija) i Sea Dance Festival (Budva, Crna Gora) u avgustu i Ada Divine Awakening Festival (Ada Bojana, Crna Gora) u septembru.[16][17][18] Prethodno je Exit organizovao i Festival 84 (Jahorina, Bosna i Hercegovina), koji je otkazan u februaru 2019. godine iz administrativnih razloga van kontrole organizatora.[19][20][21][22] Zbog pandemije kovida 19, festivali koje je Exit planirao za 2020. odloženi su do 2021. godine,[23][24] osim festivala Sea Star, Revolution i No Sleep, koji su odloženi za 2022. godinu. Novosadski Exit festival, koji je prvo pomeren za avgust 2020,[25] na kraju je odložen za jul 2021,[26] a 4 dana poluvirtuelnog izdanja organizovano je u septembru 2020. godine, u okviru globalnog Life Stream projekta.[27] Tokom četiri dana, samo 250 posetilaca moglo je da se priključi uživo, dok su snimci nastupa potom u osmodnevnom striming festivalu krajem septembra predstavljeni višemilionskoj publici širom sveta.[28] U julu 2021. Exit je postao prvi veliki festival koji se održao u Evropi od početka pandemije kovida 19,[29] što su kao istorijski momenat preneli vodeći svetski mediji poput Billboard-a,[30] IQ Mag-a,[31] Variety-a[32] i NME-a,[33] a ovo izdanje festivala ugostilo je oko 40.000 posetilaca dnevno.[34][35] Izdanje Exit festivala pod sloganom „Together. Always!” održano je 2022. godine u punom pređašnjem kapacitetu u odnosu na godine pandemije, na preko 40 bina i zona i tri bine koje su unapređene u odnosu na prethodne godine. Tokom četiri dana festival je posetilo oko 200.000 ljudi, a glavni izvođači bili su Nick Cave & The Bad Seeds i Calvin Harris, Iggy Azalea, Masked Wolf, ZHU, Sepultura i drugi.

Polovan katalog, izuzetno očuvan, kao nov. Izdavač: Kulturni centar - Beograd, 2007. god. Broširan povez, 23 cm. 220 str. Ilustrovano Oktobarski salon, 48. izdanje, naslovljen „Mikronarativi“, predstaviće radove 86 umetnika iz 13 zemalja, izabranih po pozivu umetničkog direktora Salona Loranda Heđija i asistenta Saše Janjića, kustosa iz Beograda. Izložba će biti postavljena na više mesta u gradu: u Muzeju „25. maj“ , Botićeva 6, u Kulturnom centru Beograda (Likovna galerija, Galerija „Artget“, „Beogradski izlog“), Knez Mihailova 6, u Kući legata, Knez Mihailova 46, i Javnom kupatilu, Cara Dušana 45. Izložbe se mogu videti svakim danom, osim ponedeljka, od 12 do 20 sati. Vernisaž je večeras u 19 sati proglašenjem dobitnika nagrada (tri su po 2.500 evra, a dve donose samostalne izložbe u Muzeju primenjenih umetnosti i Kulturnom centru Beograd), a traje do 11. novembra 2007. godine. Prati je dvojezični katalog čiji je grafički dizajner Isidora Nikolić, koja je i autor vizuelnog identiteta Salona. - Uglađenost, fleksibilnost i empatija su momenti jedne nove strategije poetske skromnosti, kojom se opažaju i vrednuju neposredne male realnosti. Značajnim za savremenu umetničku praksu se smatraju upravo oni umetnici koji u središte svog rada stavljaju te nijanse i intimnosti, neposredne realnosti i senzibilne pojedinosti i time doprinose intenziviranju empatije - piše u katalogu Lorand Heđi, umetnički direktor Salona. Izložba „Mikronarativi“ podeljena je u dva dela. Prvi, „Iskušenja malih realnosti - Mikrozajednice“ , predstavlja internacionalne umetnike srednje i mlađe generacije. Upadljivo je veliki broj umetnica u ovom delu, što možda ukazuje na to da nova umetnost naše epohe ispoljava poseban afinitet prema empatiji i emocionalnom angažmanu. U ovom segmentu ima 77 izlagača. Drugi deo nosi naslov „Urbana raskršća - Njujork, Pariz, Seul“, a predstavlja umetnike iz tri metropole sa tri kontinenta. Tri velegrada reprezentuju i tri kulturne tradicije koje prihvataju mnogi umetnici i prenose ih u druge kulturne centre. To su: Metju Mekaslin, Ričard Nonas i Denis Openhajm iz Njujorka, Žan-Mišel Alberola, Kristijan Boltanski, Bertran Lavije i Pjer Sulaž iz Pariza i Li Kang So, Park So Bo i Li U Hvan iz Seula. Na nekoliko lokacija u Beogradu biće takođe priređeni performansi. U petak, 5. oktobra u 19 sati „Prostori bola“ Snežane Arnautović, a uveče od 20 do 24 sati „Ambijentalna transformacija“ Nenada Rackovića, dok će grupa „Škart“ tokom septembra i oktobra izvesti hepeninge u kojima učestvuju muške vezilje i ansambl „PRRROB: A“ . Prateći program čine: dečja radionica „Govoriš likovni jezik“ (subotom 6. i 20. oktobra i 3. novembra od 11 do 13 sati); sve zainteresovane kroz izložbu će voditi kokustos Saša Janjić, nedeljom u 12 sati. Info-point se nalazi u „Movie baru“ (Kolarčeva 6), gde je danas i 30. septembra od 10 do 12 sati mesto susreta sa umetnicima, kustosima i organizatorima. I da završimo porukom Saše Janjića. - Možda je upravo danas trenutak da se učine vidljivim one umetničke prakse koje se kreću van tipičnih kategorija, racionalne estetike, umetnosti kao antropološkog ogleda i visokostilizovanih produkcija. - Blic

London / Njujork 1974. Tvrd povez, zaštitni omot, engleski jezik, ilustrovano, veliki format (30 cm), 160 strana. Knjiga je odlično očuvana. THE POP SCENE changes so rapidly that today`s greats are tomorrow`s has-beens, and yesterday`s old favourites are often completely forgotten until somebody says `whatever happened to...?` By looking at the top records and stars year by year since 1955, this book will not only revive memories and set the reader singing the old songs, it will also provide an outline of the development of the great explosion of interest in pop since the early days of Elvis Presley, Tommy Steele, Bill Haley and the rest. Rock `n` roll, skiffle, twist, Merseybeat, folk, country-and-western, heavy rock—all these and others have had periods of tremendous popularity. And with each change of style has come the new stars. Some like Elvis Presley, Cliff Richard, The Beatles, The Rolling Stones, seem to go on for as long as they like at the top; others shoot up the charts, enjoy brief spells of adulation, and as rapidly disappear. The author does not attempt to analyse the reasons records or artists were successful, nor does he express opinions on the relative merits of the hits he writes about: he is content to trace general trends and list the best-sellers year by year. Perhaps the most evocative aspect of the book is the photographs, of which there are over 250, including 16 full-page pictures in colour. The pictures show the artists in their hey-days: thus Cliff Richard is shown as he looked when he made Living Doll in 1959; The Beatles are shown with their 1963 hair-cuts (why was the `Beatle hair-cut` such a sensation at the time?) and these pictures can be compared with that of today`s high priest of pop, David Bowie. While the book can be used as a work of reference to the records made over the last nineteen years, it will bring most joy to readers who like an occasional nostalgic reminder of the pop heroes of younger days, and who like to remember the old tunes while enjoying the new. Sadržaj: 1955 Bill Haley and the Comets: Rock Around The Clock Tony Bennett: Stranger in Paradise Johnnie Ray: Hernando`s Hideaway Frankie Laine: Cool Water 1956 Elvis Presley: Heartbreak Hotel Bing Crosby: True Love Lonnie Donegan: Rock Island Line Johnny Mathis: Wonderful, Wonderful 1957 Buddy Holly: Peggy Sue Tommy Steele: Singing The Blues Jerry Lee Lewis: Great Balls of Fire Paul Anka: Diana 1958 Duane Eddy: Rebel Rouser Peggy Lee: Fever Connie Francis: Who`s Sorry Now Conway Twitty: Its Only Make Believe 1959 The Everly Brothers: Take A Message To Mary Cliff Richard: Living Doll Adam Faith: What Do You Want Russ Conway: Side Saddle Roy Orbison: Only The Lonely The Shadows: Apache Bobby Vee: Rubber Ball Chubby Checker: The Twist 1961 Helen Shapiro: Walking Back To Happiness Kenny Ball: Midnight in Moscow Gene Pitney: Town Without Pity Eden Kane: Well I Ask You 1962 Herb Alpert: Lonely Bull Frank Ifield: I Remember You Nat King Cole: Rambling Rose The Tornados: Telstar 1963 The Beatles: I Want To Hold Your Hand Trini Lopez: If I Had A Hammer Gerry And The Pacemakers: I Like It Dave Clark Five: Glad All Over 1964 The Rolling Stones: Not Fade Away Herman`s Hermits: I`m Into Something Good The Bachelors: Diane Billy J. Kramer and The Dakotas: Little Children 1965 Tom Jones: It`s Not Unusual Sonny and Cher: I Got You Babe Donovan: Catch The Wind Sandie Shaw: Long Live Love 1966 Simon and Garfunkel: Sounds Of Silence The Troggs: With A Girl Like You Cream: Wrapping Paper The Lovin` Spoonful: Daydream 1967 Engelbert Humperdinck: The Last Waltz The Doors: Light My Fire The Monkees: I`m A Believer The Beatles: All You Need is Love 1968 Mary Hopkin: Those Were The Days Esther and Abi Ofarim: Cinderella Rockafella Steppenwolf: Born To Be Wild Joe Cocker: With A Little Help From My Friends 1969 Marmalade: 0b La Di 0b La Da Peter Sarstedt: Where Do You Go To Clodagh Rogers: Come Back And Shake Me Stevie Wonder: Yester-Me, Yester- You, Yesterday 1970 Anne Murray: Snowbird Freda Payne: Band Of Gold James Taylor: Sweet Baby James Christie: Yellow River 1971 The Sweet: Co-Co Middle Of The Road: Chirpy Chirpy Cheep Cheep Rod Stewart: Maggie May Melanie: Brand New Key 1972 The Osmonds: Crazy Horses David Cassidy How Can I Be Sure Elton John: Crocodile Rock Nilsson: Without You 1973 Wizzard: Ball Park Incident Alice Cooper: Hello Hurray T. Rex: Solid Gold Easy Action Thin Lizzy: Whiskey in The Jar 1974 Elvis Presley, Gilbert O`Sullivan, Engelbert Humperdinck and Guess Who?