Bluetooth karaoke prenosni sistem Sistem 2.1 Snaga zvučnika (max) 800 W Super prenosni zvučnik + mikrofoni x2 Mikrofoni 1 x žični 1 x bežični (Wireless 201,6 MHz) Ugrađen FM radio Podržani formati MP3 i WMA Povezivanje Bluetooth USB port MicroSD slot AUX-in 3,5 mm 3 x audio ulaz 6,3 mm Zvučnici 2 x 10" (25,4 cm) BASS Subwoofer 2 x 1" (2,54 cm) TREBLE Karaoke funkcija Ugrađeni DISKO LED Light efekti USB reprodukcija i snimanje LED display sa plavim osvetljenjem Daljinski upravljač Ugrađena punjiva baterija Napajanje AC 220V-240 V ~ 50/60 MHz DC 12-15 V Ručica i točkići za lakši prenos uređaja Boja crna

Specifikacija Bluetooth karaoke prenosni sistem Sistem 2.1 Snaga zvučnika (max) 800 W Super prenosni zvučnik + mikrofoni x2 Mikrofoni 1 x žični 1 x bežični (Wireless 201,6 MHz) Ugrađen FM radio Podržani formati MP3 i WMA Povezivanje Bluetooth USB port MicroSD slot AUX-in 3,5 mm 3 x audio ulaz 6,3 mm Zvučnici 2 x 10" (25,4 cm) BASS Subwoofer 2 x 1" (2,54 cm) TREBLE Karaoke funkcija Ugrađeni DISKO LED Light efekti USB reprodukcija i snimanje LED display sa plavim osvetljenjem Daljinski upravljač Ugrađena punjiva baterija Napajanje AC 220V-240 V ~ 50/60 MHz DC 12-15 V Ručica i točkići za lakši prenos uređaja Boja crna

The Saramonic SoundBird T3 is an advanced professional shotgun microphone that delivers clear, broadcast-quality sound and provides a comprehensive set of features with a premium suite of included accessories. An internal rechargeable Li-Ion battery provides power for up to 150-hours, and it can also be powered by external phantom power. The all-brass construction is extremely durable and helps to reduce radio frequency interference. The gold-plated XLR output provides the best possible signal transfer and resists corrosion. At 11.1” the SoundBird T3 is the ideal size for use on a camera, boom pole or stand. What you need to sound the best Several built-in controls let you achieve the best possible sound quality in a variety of situations. A Low-Cut button eliminates distracting deep bass sounds like the rumble from HVAC, footsteps and traffic noise. A High-Boost button compensates for frequencies that are lost when you use wind protection and increases vocal intelligibility. A -10dB Pad makes it possible to capture loud sounds without clipping. All of the buttons are illuminated so you can easily see the settings, and an On/Off button changes color based on power source and battery level. Your settings are saved when you turn the mic on and off. A travel-ready suite of premium accessories You need many accessories to use a shotgun microphone properly, and instead of making additional purchases, all of these accessories are all included with SoundBird T3. You get an SR-SMC2 shock mount for attaching to the shoe of a camera or a boom pole. You also get a 2-foot (61cm) XLR output cable, a dedicated stand mount, a storage pouch, a foam windscreen, a MicroUSB charging cable, a hard-shell travel case with a handle and protective foam inserts and a reusable cable strap. You will have all of the essentials for capturing the best possible sound quality for your productions. An advanced professional shotgun microphone with multiple filters that delivers clear, broadcast-quality sound and includes an array of useful accessories with a hard travel case Built-in illuminated buttons: Low-Cut filter removes unwanted rumble sounds, High-Boost adds high frequencies that are lost with wind protection and increases vocal intelligibility, -10dB Pad captures loud sounds Powered by internal rechargeable Li-Ion battery with 150-hour run-time or with external phantom power, illuminated On/Off button changes color based on power source and battery level Durable solid brass construction prevents radio-frequency interference, gold-plated XLR connector resists corrosion and provides the best possible signal transfer Includes a premium shock mount to attach to cameras or boom poles, a dedicated stand mount, storage pouch, foam windscreen, 2-foot (61cm) XLR output cable, hard travel case and more Polar Pattern: Cardioid Frequency Range: 75Hz to 20kHz Sensitivity: -38 ± 3dB (0dB-1V/Pa, at 1kHz 1.5V 2.2K) Output Impedance: 150ohm Dynamic Range: 125dB (per IEC651) Maximum SPL: f=1kHz, THD<1% 105dB Signal-to-Noise Ratio: 80dB SPL (per IEC651) High-Pass Filter: 150Hz Pad: -10dB High Frequency Boost: +6dB Material: Brass Power Requirements: 48V Phantom Power or Built-in Lithium Battery Battery Life: 150 Hours Output Connection: 3-pin XLR, Balanced Output Between Pin 2 (+), Pin 3 (-) and Pin 1 (Ground) Diameter: 0.86” (2.2cm) Length: 11.1” (28.2cm) Weight: 8.48oz (240.5g) 1 x SoundBird T3 Shotgun Microphone 1 x SR-SMC2 Premium Adjustable Shock Mount 1 x Mic Clip Stand Mount 1 x Hard-Shell Travel Case 1 x Microphone Storage Pouch 1 x Foam Windscreen 1 x 2’ (61cm) Female to Male XLR Cable 1 x MicroUSB to USB-A Charging Cable 1 x Reusable Cable Strap 1 x User Manual 1 x Warranty Card

Setting a New Standard for Podcast Microphones Record stellar vocals, podcast episodes, and more with Universal Audio’s SD-1 Standard Dynamic Microphone. UA’s flagship dynamic microphone, the SD-1, boasts a flat frequency response and captures a rich, natural sound that’s dynamite on close-miked vocals and instruments. Our team members have taken advantage of the SD-1’s cardioid polar pattern to participate in Zoom calls from home without any background noise bleeding through. This microphone also includes UA-designed Apollo Channel Strip Presets with settings for any source imaginable. Complete with its low-cut and articulation boost switches, the Universal Audio SD-1 Standard Dynamic Microphone makes it easier than ever to capture top-notch audio from any source. Note: The Universal Audio SD-1 requires a Universal Audio Apollo audio interface to access Apollo Channel Strip Presets. Please call us to make sure your interface is compatible. Get polished results right away with Apollo Channel Strip Presets The design team at Universal Audio didn’t just aim to emulate the world’s most popular podcasting microphone, they designed the SD-1 to firmly surpass it. How so? By including a selection of Apollo Channel Strip Presets with your purchase. Use the SD-1 with a compatible Universal Audio Apollo interface, and you get instant access to radio-ready EQ and compression settings for broadcasting, vocals, and guitar. If you’re ready to up the production value of your projects, pick up a Universal Audio SD-1 Standard Dynamic Microphone. Universal Audio SD-1 Standard Dynamic Microphone Features: Universal Audio’s flagship dialogue microphone Classic dynamic design is ideal for close-miked vocals and instruments Cardioid polar pattern focuses on your voice Internal shockmount and built-in windscreen keep distracting noises to a minimum Low-cut switch cuts rumble for greater clarity Articulation boost switch enhances presence Included Apollo Channel Strip presets help you sound your best with a single click Sleek design looks great on camera Sculpt your sound at the source The SD-1 comes with two passive switches mounted to the back of the microphone. The selectable low-cut switch cuts rumble below 200Hz out of the equation. Turn on the articulation boost switch, and you’ll be rewarded with a satisfying bump between 3–5kHz. Use them together or separately to achieve clear and present recordings like never before. The SD-1 offers the perfect sound for any source. Tech Specs Microphone Type:Dynamic Polar Pattern:Cardioid Frequency Range:50Hz-16kHz Output Impedance:200 ohms Sensitivity:-58dB (1.3mV) Low Cut Filter:200Hz Features:3-5kHz Articulation Boost Switch, Detachable Windscreen Color:White Connector:XLR Dimensions:7.68" x 2.36" Weight:1.6 lbs. Included Accessories:Thread Adapter

Equally straightforward and small, the Blink 500 B4 gives you everything necessary for recording crisp, clear speech in any location. You get two clip-on transmitters—each with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver that plugs directly into your device, and the requisite charging cables for the transmitters. Whether you're a run-and-gun videographer, a YouTube content creator, or an avid vlogger, the Blink 500 B4 can get your wireless audio going in no time. Unpacking the Blink 500 B4 Use each ultracompact clip-on transmitter as a true wireless microphone with its built-in mic element, or as a bodypack transmitter with its supplied clip-on lavalier microphone. The ultracompact dual-channel receiver plugs directly into your iOS device's Lightning port, letting it work seamlessly with your iPhone or iPad—no batteries, cables, or clips required. Simply plug in the receiver and power on the transmitters to access reliable wireless audio functionality in an instant. Connect, Power, and Go With the receiver and transmitters paired at the factory, the Blink 500 system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500's power-and-go operating style. Advanced technology invisibly handles the complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no menu diving or tedious manual configuration. Quality Sound Blink 500 systems utilize 24-bit / 48 kHz resolution—the same audio standard used worldwide by sound engineers in the film industry—to give you quality sound at a budget-friendly price point. Compared to the built-in microphones on cameras and mobile devices, Blink 500 systems offer considerably improved fidelity and clarity with less noise. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. You can even turn the volume all the way down to effectively mute the transmitter. By connecting directly to your device's Lightning port, the Blink 500 RXDi avoids unnecessary D/A and A/D conversion to maintain the integrity of the digital signal from your transmitter all the way to your recording device. Perfect for 1- or 2-Person Shoots Since the Blink 500 RXDi is a dual-channel receiver, it can simultaneously handle both Blink 500 TX wireless transmitters. If you need to expand beyond that, you can use up to 18 Blink 500 systems at once to accommodate up to 36 wireless microphones. Each Blink 500 system can include one dual-channel receiver and up to two transmitters. Choose from camera-mount (Blink 500 RX), Lightning (Blink 500 RXDi), or USB Type-C (Blink 500 RXUC) receivers. Built-In Microphone for True Wireless Operation The Blink 500 TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. Thanks to the transmitter's ultracompact housing, you can clip it to clothing, slide it into a shirt pocket, place it on a podium, or hold it in your hand. Lavalier Microphone Included For maximum visual discretion, use the Blink 500 TX as traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. The lavalier mic includes a foam windscreen that lessens noise caused by light wind, breaths, and air conditioning systems. For enhanced reduction of stronger wind noise, a separately available furry windshield (a.k.a. windjammer) such as the Saramonic LM-WS can be fitted to the microphone. Stable and Simple 2.4 GHz Digital Wireless Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the Blink 500 digital system avoids that by operating in the 2.4 GHz band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. Within the 2.4 GHz spectrum, the Blink 500 boasts automatic channel hopping to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi / 2.4 GHz traffic and minimal physical obstructions are recommended. Ready for Anywhere Don’t be concerned about licensing or selecting frequencies; the Blink 500 system uses the license-free 2.4 GHz band, so you can go anywhere in the world and have a reliable, fully functional wireless system. Other Features Lightweight, ultracompact housings Slim plug-in receiver won't interfere with the operation of a gimbal MFi-certified Apple Lightning male connector plugs directly into your device's Lightning port Works with iPhones and iPads equipped with Lightning ports Receiver requires no battery or charging Transmitter's intelligent LED indicators show power, audio level, low-battery level, and charging status Transmitter's internal 5-hour battery keeps you going on long shoots or multiple run-and-gun gigs in a day Power the transmitter or recharge its internal lithium-ion battery via a USB Type-C connection (charging cables included) Use up to two transmitters with each receiver Operate up to 18 systems simultaneously in the same environment Saramonic B4 Specs System Wireless Technology Digital 2.4 GHz Number of RF Channel Frequencies 18 Included Transmitters 2 x Clip-On with Microphone Diversity Non-Diversity RF Frequency Band 2400 to 2483.5 MHz RF Bandwidth Up to 83.5 MHz Max Operating Range 164' / 50 m (Line of Sight) 98.4' / 30 m (with Obstruction) Max Transmitters per Band 18 Sample Rate/Resolution 48 kHz / 24-Bit Latency 12 ms Encryption None Modulation GFSK Receiver Receiver Type Plug-In Mounting Options Plug-In Antenna 1 x 1/4 Wave Wire, Fixed Number of Audio Channels 2 Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output Audio Output Level 5 dB Frequency Response 20 Hz to 16 kHz USB/Lightning Connectivity 1 x Lightning (Audio, Bus Power) Power Requirements Bus Power (Lightning) Display & Indicators 1 x LED (Power, Sync) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 3 x 0.7 x 0.4" / 7.6 x 1.7 x 1.1 cm Weight 0.4 oz / 10 g Transmitter Transmitter Type Clip-On with Microphone RF Output Power 10 mW Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Input Plug-In Power 1 V Pad None Muting None Audio Input Level -42 to -30 dBV (at 0 dB Gain) Gain Range +11 to +25 dB (7 dB Steps) Signal Processing None Frequency Response 20 Hz to 16 kHz Sync Method IR Antenna 1 x 1/4 Wave Wire, Fixed Power Requirements Battery or Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included, Not Replaceable) Internal Battery Capacity 400 mAh Battery Charging Time 1.5 to 2.5 Hours Approx. Battery Life 5 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 4 x LED (Audio Level, Power) 1 x LED (Battery Status) 1 x LED (Recharging) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 2.5 x 1.7 x 0.7" / 6.3 x 4.3 x 1.7 cm Weight 1.2 oz / 34 g Microphone Microphone Type Lavalier Color Black Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 110 dB SPL Sensitivity -30 dB Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced Cable Length 4' / 1.22 m Operating Voltage 1 V Packaging Info Package Weight 0.815 lb Box Dimensions (LxWxH) 17.25 x 7.2 x 2.05"

The Blink 500 B6 delivers considerably improved sound quality compared to the built-in mics on cameras and mobile devices while functioning as an ultracompact digital system that provides immediate out-of-the-box operability for anyone, making it ideal for video, podcast, and mobile journalism applications. Once it's plugged in and powered on, it's set and ready so your focus can stay on your content. Equally straightforward and small, the Blink 500 B6 gives you everything necessary for recording crisp, clear speech in any location. You get two clip-on transmitters—each with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver that plugs directly into your device, and the requisite charging cables for the transmitters. Whether you're a run-and-gun videographer, a YouTube content creator, or an avid vlogger, the Blink 500 B6 can get your wireless audio going in no time. Unpacking the Blink 500 B6 Use each ultracompact clip-on transmitter as a true wireless microphone with its built-in mic element, or as a bodypack transmitter with its supplied clip-on lavalier microphone. The ultracompact dual-channel receiver plugs directly into your device's USB Type-C port, letting it work seamlessly with Android mobile devices and Mac/Windows computers equipped with USB Type-C ports—no batteries, cables, or clips required. Simply plug in the receiver and power on the transmitters to access reliable wireless audio functionality in an instant. Connect, Power, and Go With the receiver and transmitters paired at the factory, the Blink 500 system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500's power-and-go operating style. Advanced technology invisibly handles the complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no menu diving or tedious manual configuration. Quality Sound Blink 500 systems utilize 24-bit / 48 kHz resolution—the same audio standard used worldwide by sound engineers in the film industry—to give you quality sound at a budget-friendly price point. Compared to the built-in microphones on cameras and mobile devices, Blink 500 systems offer considerably improved fidelity and clarity with less noise. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. You can even turn the volume all the way down to effectively mute the transmitter. By connecting directly to your device's USB Type-C port, the Blink 500 RXUC avoids unnecessary D/A and A/D conversion to maintain the integrity of the digital signal from your transmitter all the way to your recording device. Perfect for 1- or 2-Person Shoots Since the Blink 500 RXUC is a dual-channel receiver, it can simultaneously handle both Blink 500 TX wireless transmitters. If you need to expand beyond that, you can use up to 18 Blink 500 systems at once to accommodate up to 36 wireless microphones. Each Blink 500 system can include one dual-channel receiver and up to two transmitters. Choose from camera-mount (Blink 500 RX), Lightning (Blink 500 RXDi), or USB Type-C (Blink 500 RXUC) receivers. Built-In Microphone for True Wireless Operation The Blink 500 TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. Thanks to the transmitter's ultracompact housing, you can clip it to clothing, slide it into a shirt pocket, place it on a podium, or hold it in your hand. Lavalier Microphone Included For maximum visual discretion, use the Blink 500 TX as traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. The lavalier mic includes a foam windscreen that lessens noise caused by light wind, breaths, and air conditioning systems. For enhanced reduction of stronger wind noise, a separately available furry windshield (a.k.a. windjammer) such as the Saramonic LM-WS can be fitted to the microphone. Stable and Simple 2.4 GHz Digital Wireless Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the Blink 500 digital system avoids that by operating in the 2.4 GHz band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. Within the 2.4 GHz spectrum, the Blink 500 boasts automatic channel hopping to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi / 2.4 GHz traffic and minimal physical obstructions are recommended. Ready for Anywhere Don’t be concerned about licensing or selecting frequencies; the Blink 500 system uses the license-free 2.4 GHz band, so you can go anywhere in the world and have a reliable, fully functional wireless system. Other Features Lightweight, ultracompact housings Slim plug-in receiver won't interfere with the operation of a gimbal USB Type-C male connector plugs directly into your device's USB Type-C port Works with Android devices and Mac/Windows computers equipped with USB Type-C ports Receiver requires no battery or charging Transmitter's intelligent LED indicators show power, audio level, low-battery level, and charging status Transmitter's internal 5-hour battery keeps you going on long shoots or multiple run-and-gun gigs in a day Power the transmitter or recharge its internal lithium-ion battery via a USB Type-C connection (charging cables included) Use up to two transmitters with each receiver Operate up to 18 systems simultaneously in the same environment Saramonic B6 Specs System Wireless Technology Digital 2.4 GHz Number of RF Channel Frequencies 18 Included Transmitters 1 x Clip-On with Microphone Diversity Non-Diversity RF Frequency Band 2400 to 2483.5 MHz RF Bandwidth Up to 83.5 MHz Max Operating Range 164' / 50 m (Line of Sight) 98.4' / 30 m (with Obstruction) Max Transmitters per Band 18 Sample Rate/Resolution 48 kHz / 24-Bit Latency 12 ms Encryption None Modulation GFSK Receiver Receiver Type Plug-In Mounting Options Plug-In Antenna 1 x 1/4 Wave Wire, Fixed Number of Audio Channels 2 Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output Audio Output Level 5 dB Frequency Response 20 Hz to 16 kHz Network I/O None Word Clock I/O None USB/Lightning Connectivity 1 x USB-C (Audio, Bus Power) Power Requirements Bus Power (USB) Display & Indicators 1 x LED (Power, Sync) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 3 x 0.7 x 0.4" / 7.6 x 1.7 x 1.1 cm Weight 0.4 oz / 10 g Transmitter Transmitter Type Clip-On with Microphone RF Output Power 10 mW Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Input Plug-In Power 1 V Pad None Muting None Audio Input Level -42 to -30 dBV (at 0 dB Gain) Gain Range +11 to +25 dB (7 dB Steps) Signal Processing None Frequency Response 20 Hz to 16 kHz Sync Method IR Antenna 1 x 1/4 Wave Wire, Fixed Power Requirements Battery or Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included, Not Replaceable) Internal Battery Capacity 400 mAh Battery Charging Time 1.5 to 2.5 Hours Approx. Battery Life 5 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 4 x LED (Audio Level, Power) 1 x LED (Battery Status) 1 x LED (Recharging) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 2.5 x 1.7 x 0.7" / 6.3 x 4.3 x 1.7 cm Weight 1.2 oz / 34 g Microphone Microphone Type Lavalier Color Black Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 110 dB SPL Sensitivity -30 dB Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced Cable Length 4' / 1.22 m Operating Voltage 1 V Microphone 2 Microphone Type Integrated Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 120 dB SPL Sensitivity -42 dB Packaging Info Package Weight 0.79 lb Box Dimensions (LxWxH) 17.55 x 11.5 x 2.1"