Zoom F2-BT je pametno rešenje za audio snimanja kada je u pitanju podcast, vlog, intervju ili video spot. Ovaj ultrakompaktni terenski mobilni snimač snimiće kristalno čist ton, a zahvaljujući bluetooth podršci, postoji mogućnost upravljanja aplikacijama i bežičnom sinhronizacijom time coda. Rukovanje F2-BT snimačrm je jednostavno i intuitivno, kompletni materijal može se snimati na microSD/microSDHC/microSDXC kartice, tako da ovaj uređaj može raditi i posebno bez dodatnih snimača, miksera i sl. Mala potrošnja energije čini ga pouzdanim pratiocem u svakoj prililici.

Zoom F2 je pametno rešenje za audio snimanja kada je u pitanju podcast, vlog, intervju ili video spot. Ovaj ultrakompaktni terenski mobilni snimač snimiće kristalno čist ton. Rukovanje sa F2 jednostavno je i intuitivno, a kompletni materijal se može snimati na microSD/microSDHC/microSDXC kartice, pa tako ovaj uređaj može raditi i posebno bez dodatnih snimača, miksera i sl. Mala potrošnja energije čini ga pouzdanim pratiocem u svakoj prililici kad vam je potreban fleksibilni snimač za pouzdan rad bez kompliciranog spajanja.

The Saramonic SoundBird T3 is an advanced professional shotgun microphone that delivers clear, broadcast-quality sound and provides a comprehensive set of features with a premium suite of included accessories. An internal rechargeable Li-Ion battery provides power for up to 150-hours, and it can also be powered by external phantom power. The all-brass construction is extremely durable and helps to reduce radio frequency interference. The gold-plated XLR output provides the best possible signal transfer and resists corrosion. At 11.1” the SoundBird T3 is the ideal size for use on a camera, boom pole or stand. What you need to sound the best Several built-in controls let you achieve the best possible sound quality in a variety of situations. A Low-Cut button eliminates distracting deep bass sounds like the rumble from HVAC, footsteps and traffic noise. A High-Boost button compensates for frequencies that are lost when you use wind protection and increases vocal intelligibility. A -10dB Pad makes it possible to capture loud sounds without clipping. All of the buttons are illuminated so you can easily see the settings, and an On/Off button changes color based on power source and battery level. Your settings are saved when you turn the mic on and off. A travel-ready suite of premium accessories You need many accessories to use a shotgun microphone properly, and instead of making additional purchases, all of these accessories are all included with SoundBird T3. You get an SR-SMC2 shock mount for attaching to the shoe of a camera or a boom pole. You also get a 2-foot (61cm) XLR output cable, a dedicated stand mount, a storage pouch, a foam windscreen, a MicroUSB charging cable, a hard-shell travel case with a handle and protective foam inserts and a reusable cable strap. You will have all of the essentials for capturing the best possible sound quality for your productions. An advanced professional shotgun microphone with multiple filters that delivers clear, broadcast-quality sound and includes an array of useful accessories with a hard travel case Built-in illuminated buttons: Low-Cut filter removes unwanted rumble sounds, High-Boost adds high frequencies that are lost with wind protection and increases vocal intelligibility, -10dB Pad captures loud sounds Powered by internal rechargeable Li-Ion battery with 150-hour run-time or with external phantom power, illuminated On/Off button changes color based on power source and battery level Durable solid brass construction prevents radio-frequency interference, gold-plated XLR connector resists corrosion and provides the best possible signal transfer Includes a premium shock mount to attach to cameras or boom poles, a dedicated stand mount, storage pouch, foam windscreen, 2-foot (61cm) XLR output cable, hard travel case and more Polar Pattern: Cardioid Frequency Range: 75Hz to 20kHz Sensitivity: -38 ± 3dB (0dB-1V/Pa, at 1kHz 1.5V 2.2K) Output Impedance: 150ohm Dynamic Range: 125dB (per IEC651) Maximum SPL: f=1kHz, THD<1% 105dB Signal-to-Noise Ratio: 80dB SPL (per IEC651) High-Pass Filter: 150Hz Pad: -10dB High Frequency Boost: +6dB Material: Brass Power Requirements: 48V Phantom Power or Built-in Lithium Battery Battery Life: 150 Hours Output Connection: 3-pin XLR, Balanced Output Between Pin 2 (+), Pin 3 (-) and Pin 1 (Ground) Diameter: 0.86” (2.2cm) Length: 11.1” (28.2cm) Weight: 8.48oz (240.5g) 1 x SoundBird T3 Shotgun Microphone 1 x SR-SMC2 Premium Adjustable Shock Mount 1 x Mic Clip Stand Mount 1 x Hard-Shell Travel Case 1 x Microphone Storage Pouch 1 x Foam Windscreen 1 x 2’ (61cm) Female to Male XLR Cable 1 x MicroUSB to USB-A Charging Cable 1 x Reusable Cable Strap 1 x User Manual 1 x Warranty Card

The AVX-ME2 SET includes a bodypack transmitter with lavalier microphone, the plug on receiver and all accessories to operate out of the box with camcorders as well as DSLR cameras. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. The ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power. The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone. From professional wedding video to documentaries, from street interviews to corporate videos, the AVX just works allowing you to concentrate on creativity. Key Features Very fast setup Plugs directly into XLR audio input Ultra compact receiver Switches on/off by P48 Phantom power Optimized dynamic range Auto frequency management AES 256 encryption License free Accessories included for DSLR use Metal housing Made in Germany Color black Frequency response 20 Hz - 20000 Hz THD, total harmonic distortion typ. 0.1 % Weight Receiver: 87 g (incl energy pack) Audio input 3,5 mm mini jack Audio output XLR Operating temperature -10 °C - + 55°C Signal-to-noise ratio > 90 dB(A) RF output power adaptive up to 250mW (peak) country specific Operating time > 4h (Receiver), typ 15 h (Transmitter with LiIon energy pack) Modulation GFSK (DECT) Audio output level -30 dBu - 0 dBu in 4 Steps Battery Specification Li-Ion 3,7 V DC Dynamic range > 120 dB(A) Frequency band 1880 - 1930 MHz (Country specific) Sampling rates 24 bit / 48 kHz Latency 19 ms What's in the Box Plug-on receiver Energy pack USB charger USB charging cable Bodypack transmitter ME 2 lavalier microphone Microphone clip Hot shoe mount Beltclip XLR to mini jack cable Pouch

Low-cut prekidač na zadnjoj strani PMIC1 eliminiše duboke bas zvukove. Koraci katkad proizvode uznemirujuće niske tutnjave koje možete čuti samo dok gledate snimke na sistemu sa sabvuferom. Ovim se prekidačem sprečava snimanje ovih zvukova. Low cut će takođeukrotiti šum buke klima uređaja i učiniti govor razumljivijim - zato razmislite o tome da ga koristite svaki put kada snimate. PMIC1 će verovatno biti najjednostavniji deo opreme koji posedujete. Da biste ga koristili, jednostavno ga pričvrstite na stopu pomoću ugrađenog držača i povežite uključeni kabl na mikrofon na fotoaparatu. Ne postoji prekidač ili taster za napajanje koji bi vas brinuo. Spremni ste za snimanje. Ugrađena stopa sadrži metalni navoj za 1/4 20 stativ za dodatne mogućnosti ugradnje. Ovaj mikrofon zvuči odlično, izgrađen je da traje i spreman je za putovanje. Imajte na umu da PMIC1 zahteva „Plug-In Power“ da bi radio. Velika većina kamera to pruža, ali na nekoliko modela to je izostavljeno. Kompaktni i lagani shotgun mikrofon visokog kvaliteta sa radom bez uključivanja i punjenja baterije Prekidač sa niskim presekom čini dijalog razumljivijim i eliminira ometajuće zvuke tutnjave Izlazni kabl je smenljiv, izlazni priključak sa gornjim izlazom je efikasan kada je montiran na vrhu vaše kamere Robusni integrisani amortizer izoluje mikrofon od vibracijskih buka i nije lagan i podložan savijanju i oštećenju Ugrađena stopa sadrži metalni 1/4 20 navoj za stativ za više opcija ugradnje, izrađen da traje i spreman za putovanje Specifikacije: Frekventni odziv: 80 Hz do 12 kHz Tip mikrofona: kondenzatorski Polarni patern: Superkardioidni Osetljivost: -32dB +/- 1dB Odnos signal-šum:70dB SPL Izlazi: 2 x ženski 1.8” (3.5 mm) TRS, 1 za slušalice, 1 za povezivanje kamere Dimenzije: 6.3 x 2.3 x 1.6" (16.2 x 5.9 x 4.1cm) Težina: 1.9 oz (55g) Uključeno: 1 x SR-PMIC1 shotgun mikrofon 1 x kratki, namotani kabl sa pozlaćenim mini konektorima 1 x vetrobran od pene

Ensure a professionally slick sound for your vocals on stage with the Austrian Audio OD505, a handheld microphone that offers many features perfect for live-sound reinforcement. This is an active dynamic microphone, meaning it combines the best of traditional on-stage dynamic capsules with the features condensers tend to offer, such as better sensitivity to varying mic preamp and cable lengths. In short, you are very likely to secure yourself a consistent sound from venue to venue with the OD505. This supercardioid microphone makes use of a dual-capsule design to reduce handling noise, making it perfect for handheld use. Its proprietary internal pop filter helps reduce plosives and a high-pass filter can cut all unnecessary rumble below 120 Hz if need be. Because of its consistent, resonant-free sound, it can be equally useful to recorded media, such as podcasts or radio broadcast interviews. A mic clip and a case are both included. The state-of-the-art dual-capsule design, together with the selectable 2nd order high-pass filter makes the OD505 practically immune to noise such as handling noises, bumps, and stage knocks The supercardioid polar pattern is highly directional, ensuring a great deal of isolation and helping to reduce feedback on stage With its active circuitry, the OD505's sound is always consistent, regardless of the internal resistance of the microphone preamplifier or length of connecting cables The OD505 employs a proprietary 3D Pop Noise Diffuser, specially designed for the OD505 to effectively reduce the impact of plosives The mic makes use of a rugged die-cast body for the most challenging live environments Key Features Handheld Vocal Mic Great for Live or Podcast/Broadcast Use Supercardioid Polar Pattern Active Dynamic Capsule for Consistency

Bežićni sistem sa dva ručna mikrofona (ručke-predajnika) i dva prijemnika. Veliki frekvencijski raspon, mali šum i velika pouzdanost samo su neke od karakteristika koje ovom sistemu daju mesto kod profesionalaca. Udaljenost na kojima rade u idealnim uslovima iznosi i do 100 m. Automatic scan funkcija pronalazi najbolju slobodnu frekvenciju i predajnik i prijemnik se začas spajaju putem infracrvene veze. LED ekrani sa velikim kontrastom daju odličan pregled svih funkcija kao što su grupe kanala, frekvencija, jačina signala i status napunjenosti baterije. Niska potrošnja energije znači da predajnici mogu raditi do 10 sati sa dve AA baterije. Serija U500 razvijena je u Nemačkoj kako bi po dostupnoj ceni korisnike primakla profesionalnoj tehnologiji i kvaliteti zvuka.

Specifikacija Zvučnik Xplore XP8801. Prenosivi zvučnik KARAOKE XPLORE XP8801 "BLASTER" je visokokvalitetan zvučnik koji ima snažan bas efekat i savršen je pratilac za sve vaše avanture. Svojom snagom od 450V ispuniće prostor i okolinu lepim i čistim zvukom. Pronađite svoje omiljene plejliste bilo gde, od druženja kod kuće do plesnih žurki na plaži. Uključena su dva mikrofona (žični) i (bežični) tako da možete pevati svoje omiljene pesme i družiti se sa publikom. Zvučnik ima ugrađenu Bluetooth vezu tako da se možete povezati sa telefonom i tabletom. Kontrolna tabla ima kompletan set konektora - AUKS ulaz i izlaz, USB konektor i slot za SD karticu. Zvučnik ima ugrađenu TVS funkciju koja vam omogućava da bežično povežete dva identična zvučnika jedan sa drugim. Zvučnik za karaoke ima atraktivnu kontrolnu tablu sa crvenim LED ekranom i daljinski upravljač koji vam omogućava da lako daljinski podešavate funkcije. Zahvaljujući efektu plazma svetla DISCO LED LIGHT, vaša zabava će biti obasjana prelepim bojama. Noge su uključene u paket tako da se zvučnik može postaviti u horizontalni položaj (ležeći). Spremite se za nezaboravnu zabavu sa KARAOKE IKSPLORE PRENOSNIM ZVUČNIKOM! TEHNIČKE SPECIFIKACIJE: Super prenosivi zvučnik sa dva mikrofona Ugrađeni FM radio Podrška za Bluetooth reprodukciju Podrška za reprodukciju i snimanje sa USB ključa Podrška za reprodukciju Micro SD memorijske kartice Funkcija karaoke sa uključenim mikrofonima Podržani formati: MP3 i WMA Veličina zvučnika 16,5 cm (2 k 6,5''). 450 W maksimalna muzička snaga Mikrofoni: 1kom žični; 1kom bežični Ugrađena animacija DISCO LED LIGHT efekti 2 k 6,3 mm džek ulaz, za ​​povezivanje muzičkog instrumenta 1 k 3,5 mm audio AUX ulaz Podrška za TVS povezivanje (Pravi bežični stereo) Mega BASS Dodat je daljinski upravljač LED displej sa crvenim osvetljenjem Napajanje: 220 V / 13,5 V adapter Ugrađena punjiva baterija 11,1 V / 3 Ah Ugrađena ručka za lak transport Kućište od kvalitetne ABS plastike Veličina: 31 0k 290 k 600 mm Težina: 6,40 kg

Prekidač sa niskim presekom na zadnjoj strani PMIC2 eliminiše duboke bas zvukove. Koraci mogu stvoriti uznemirujuće zvukove niske tutnjave koje čujete samo kad gledate snimke na sistemu sa sabvuferom. Niski rez će ih ukloniti, ukrotiti glas buke klima uređaja i učiniti govor razumljivijim - zato razmislite o tome da ga upotrebljavate svaki put kada snimate. PMIC2 će verovatno biti najjednostavniji deo opreme koji posedujete. Da biste ga koristili, jednostavno ga pričvrstite na cipelu fotoaparata pomoću ugrađenog držača i povežite uključeni kabl na mikrofon na fotoaparatu. Ne postoji prekidač ili taster za napajanje koji bi vas brinuo. Spremni ste za pucanje. Ugrađena stopa sadrži metalni navoj za1/4 20 stativ za dodatne mogućnosti ugradnje. Ovaj mikrofon zvuči neverovatno, ne zauzima mnogo prostora u vašoj torbi, izrađen je tako da traje i spreman je za putovanje. Imajte na umu da PMIC2 zahteva ''Plug-In Power'' da bi radio. Velika većina kamera to pruža, ali na nekoliko modela to je izostavljeno. Ekološki, kompaktan i lagan stereo mikrofon na kameri sa radom bez baterije koji snima očaravajuće ambijentalne zvuke i živa muzička izvođenja Prekidač sa niskim rezovima čini zvukove razumljivijim i eliminira smetajuće tutnjave Izlazni kabl je smenljiv, izlazni priključak sa gornjim izlaskom je efikasan kada je montiran na vrhu vaše kamere Robusna zaštitna naprava izolira mikrofon od vibracija i nije lagana i podložna savijanju i oštećenju Ugrađena stopa sadrži metalni navoj za 1/4 20 stativ za više opcija ugradnje, trajno ugrađen i spreman za putovanje Specifikacije: Frekventni odziv: 75 Hz to 15 kHz Tip mikrofona: stereo kondenzatorski Polarni patern: kardioidni Osetljivost: -40dB +/- 1dB Odnos signal-šum: 76dB SPL Izlazi: 2 x ženski 1.8” (3.5 mm) TRS, 1 za slušalice, 1 za povezivanje kamere Dimenzije: 3.8 x 2.3 x 1.6" (9.7 x 5.9 x 4.1cm) Težina: 1.8 oz (50g) Uključeno: 1 x SR-PMIC2 stereo mikrofon sa fiksnim vetrobranom 1 x kratki, namotani kabl sa pozlaćenim mini konektorima

Bežićni sistem sa ručnim mikrofonom sa predajnikom i prijemnikom u jednom rack kućištu. Veliki frekvencijski raspon, mali šum i velika pouzdanost samo su neke od karakteristika koje ovom sistemu osiguravaju mesto kod profesionalaca. Udaljenost na kojima rade u idealnim uslovima iznosi i do 100 m. Automatic scan funkcija pronalazi najbolju slobodnu frekvenciju i predajnik i prijemnik se brzo spajaju putem infracrvene veze. LED eran sa velikim kontrastom daje odličan pregled svih funkcija kao što su grupe kanala, frekvencija, jačina signala i status napunjenosti baterije. Niska potrošnja energije znači da predajnici mogu raditi do 10 sati sa dve AA baterije. Serija U500 razvijena je u Njemačkoj kako bi po dostupnoj ceni korisnike primakla profesionalnoj tehnologiji i kvaliteti zvuka. Pva verzija radi na frekvencijama 655 - 679 MHz.

Veliki zvuci mogu se dobiti u malim pakovanjima. Upoznajte Razer Seiren Mini - ultra Compact Condenser mikrofon koji se savršeno uklapa u profesionalni audio sa bilo kojim podešavanjem striminga ili video poziva. Stvoren za minimalističke ili manje postavke, ovaj mikrofon jedva zauzima bilo koji prostor na stolu i diskretan je na kameri, tako da je fokus uvek na vama. Takođe ga je lako poneti sa sobom ako treba da strimujete ili radite negde drugde. Kada se dogode slučajni udarci i lupanja, Razer Seiren Mini prigušuje ove vibracije da bi zaštitio uši vaših kolega od zvučnih anomalija. Frekvencija : 20 Hz–20 kHz Sample rate : min 44.1kHz / max 48kHz Bit rate : 16bit SPL : 110dB (THD > 1% at 1kHz) Vrsta konekcije : Žična Dimenzije : 16 x 8.9 cm Povezivanje : USB Osetljivost : 17.8mV/Pa (at 1kHz)

The Saramonic SoundBird T3L is a professional long shotgun microphone with the advanced technology and sound quality of the SoundBirdT3 in a longer body with more focused directionality and off-axis rejection. It delivers clear, focused, broadcast-quality sound and provides a comprehensive set of includes a suite of vital, must-have accessories. The all-brass construction is extremely durable and helps to reduce radio frequency interference. Its long interference tube and ultra-low noise circuitry delivers natural on- and off-axis sound in any environment. The gold-plated XLR output provides the best possible signal transfer and resists corrosion. The SoundBird T3L is powered by either +48 volts Phantom Power or its internal rechargeable Li-Ion battery which provides power for up to 150-hours. At 15.5” the SoundBird T3L is the ideal size for use on a boom pole or stand, but also is capable of camera mounting for professional film and television productions. Features and Controls to Tailor Your Sound Several built-in controls let you tailor the shotgun’s performance to your needs and achieve the best possible sound quality in a variety of situations. Two selectable High-Pass Filters (75 and 150Hz) eliminate distracting deep bass frequencies like the rumble from HVAC, footsteps and traffic noise that can ruin a recording. A +6dB High-Frequency Boost compensates for frequencies that are lost when you use furry wind protection or in a blimp and increases vocal intelligibility when using only a foam windscreen. A -10dB Pad makes it possible to capture loud sounds without clipping. All of the buttons are illuminated so you can easily see the settings, and an On/Off button changes color based on power source and with a double press of the power button, the 5 button indicators show remaining battery power of Li-Ion battery. To ensure you can begin filming quickly even after you turn the mic off, all of your settings are saved when you turn the mic back on. All Vital Accessories are Included You will need many accessories to use your shotgun microphone properly, and instead of making additional purchases, all of these accessories are all included with SoundBird T3L. You get an SR-SMC3 premium shock mount with 4x replacement bands and a SR-SMC1 mic clip stand mount, allowing you to mount the T3L to boom poles, stands or even shoe mounts of a camera. Both feature 1/4”-20, 3/8”, 5/8” and cold-shoe mounts, allowing you to mount the T3L into any set-up or filming rig. You also get a 1.9-foot (60cm) XLR output cable, a foam windscreen, and a Micro-USB charging cable. You will have all of the essentials for capturing the best possible sound quality for your productions and be ready to start recording, right out of the box. Advanced 15.5” long supercardioid shotgun microphone, ideal for professional film production that delivers clear, broadcast-quality sound with focused directionality, excellent off-axis rejection 2x High-Pass filters (75 & 150Hz) eliminate unwanted low-frequency noise & rumble, a +6dB High-Frequency Boost adds highs lost with windscreens & increases vocal intelligibility, and a -10dB Pad Powered by +48v Phantom Power or built-in Li-Ion battery with 150-hour run-time, illuminated settings & On/Off button that indicates remaining battery power level when double pressed Includes must-have accessories: Premium Shock Mount with Replacement Bands, a Mic Clip and Stand Mount, Foam Windscreen, and a 1.9-foot (60cm) XLR Cable Durable solid brass construction prevents radio-frequency interference, gold-plated XLR connector resists corrosion and provides the best possible signal transfer Acoustic Principle: Line Gradient Polar Pattern: Supercardioid Frequency Range: 35Hz to 20kHz Sensitivity: -36±3dB (0dB=1V/Pa,at 1KHz) 1.5V 2.2k Output Impedance: 150 Ohm Maximum Output: 10dBu (at 1kHz,1%THD into 1k Ohm) Dynamic Range: 125dB (per IEC651) Maximum SPL: 110dB Signal-to-Noise Ratio: 80dB SPL (per IEC651) High-Pass Filters: 75Hz and 150Hz Pad: -10dB High Frequency Boost: +6dB Material: Brass Power Requirements: +48V Phantom Power or Built-in Lithium Battery Battery Life: 150 Hours Output Connection: 3-pin XLR, Balanced Output Between Pin 2 (+), Pin 3 (-) and Pin 1 (Ground) Diameter: 0.91” (2.3cm) Length: 15.5” (39.5cm) Weight: 7.83oz (222g) 1 x SoundBird T3L Shotgun Microphone 1 x SR-SMC3 Premium Adjustable Shock Mount 4 x Replacement Shock Mount Bands 1 x SR-SMC1 Mic Clip and Stand Mount 1 x Foam Windscreen 1 x 1.9’ (60cm) Female to Male XLR Cable 1 x Micro-USB to USB-A Charging Cable 1 x User Manual 1 x Warranty Card

The SoundBird V1 can be powered via a AA battery or +48V phantom power supplied from an XLR-equipped camera or recorder. At 10.7", the SoundBird V1 is well suited for use mounted on a camera shoe, boompole, or stand (using the included shockmount). The mic comes with a protective foam windscreen and can benefit from the Saramonic TM-WS1 furry windshield (available separately) when recording in high-wind environments. Optimize Your Sound in Various Situations A low-cut button helps eliminate unwanted low rumble coming from HVAC, footsteps, or traffic noise. A -10 dB pad allows you to capture loud sounds without clipping. All the buttons are illuminated so you can easily see the settings, and an On/Off button changes color based on the power source and battery level. Your settings are saved when you turn the mic On and Off. Other Features The durable solid brass construction prevents radio-frequency interference. The gold-plated XLR connector resists corrosion to ensure a clean signal. Includes a shockmount to attach mic to cameras or boompoles, a foam windscreen, and an XLR output cable (2'). In the Box Saramonic SoundBird V1 Shotgun Microphone (Battery, Phantom) SR-SMC2 Adjustable Shockmount 4 x Replacement Shockmount Bands Foam Windscreen XLR Mic Cable (2') Limited 1-Year Warranty Saramonic SOUNDBIRDV1 Specs Microphone Form Factor Camera-Mount Sound Field Mono Capsule 1 x Electret Condenser Polar Pattern Supercardioid Orientation End Address Pad -10 dB High-Pass Filter 200 Hz Gain Adjustment None Indicators 1 x Blue/Green/Red Single LED (Phantom Power, Power, Status) On-Board Controls High-Pass Filter, Pad Windscreen Foam (Included) Performance Frequency Range 50 Hz to 20 kHz Maximum SPL 132 dB SPL (1 kHz, 1% THD) Sensitivity -32 dB at 1 kHz Signal-to-Noise Ratio 80 dB SPL Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Female (Locking, on Mic) Power Operating Voltage 48 V (Battery Power, Phantom Power) Battery Type 1 x AA (Not Included) Physical Mounting Shockmount Included Case None Construction Material Brass Dimensions ø: 0.79 x L: 10.71" / ø: 2.01 x L: 27.2 cm Weight 6.88 oz / 195 g Packaging Info Package Weight 1.35 lb Box Dimensions (LxWxH) 13.3 x 6.5 x 2.65"

SB 78A The SB 78A microphone is a home recording enthusiast’s dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable patterns, and its brilliant frequency SB 78A is an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty construction SB 78A is the only microphone your studio will ever need. What is a Condenser Mic? Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They’re the primary type of microphone used in recording studios and radio stations. SB 78A mics are capable of capturing much more detail than most dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your SB 78A using any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps. Why the SB 78A? The SB 78A condenser microphone is an affordable, high-quality way to get what you really hear down on tape (or in bits). SB 78A mics deliver an open, transparent sound with excellent transient response, with ruler-flat frequency response, and a slight boost in the presence range. The SB 78A has two selectable pickup patterns for picking up your source signal while rejecting off -axis sounds. SB 78A truly delivers on the promise of noise-free transmission, with the utmost transparency. But That’s Not All… The SB 78A microphone is designed to be your go-to condenser mics for many years to come. The tough, die-cast metal body can withstand all the rigors of those late-night recording marathons – and the included carrying case ensures they always travel in safety and style. The studio-grade SB 78A condenser microphone is an excellent choice for both live and studio applications, and available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible SB 78A at a dealer near you. Features: Condenser cardioid microphone Smooth mid-frequency presence rises for excellent voice, and acoustic guitars Ultra-wide frequency response for brilliant and transparent sound Extremely high signal output lets your performance cut through Cardioid characteristic minimizes background noise and feedback Integrated spherical wind and pop noise filter Shock mount system to cut down handling noise 3-pin XLR connector for highest signal integrity Microphone stand adapter and impact-resistant carrying case included 3-Year Warranty Program* Designed and engineered in Germany

Setting a New Standard for Podcast Microphones Record stellar vocals, podcast episodes, and more with Universal Audio’s SD-1 Standard Dynamic Microphone. UA’s flagship dynamic microphone, the SD-1, boasts a flat frequency response and captures a rich, natural sound that’s dynamite on close-miked vocals and instruments. Our team members have taken advantage of the SD-1’s cardioid polar pattern to participate in Zoom calls from home without any background noise bleeding through. This microphone also includes UA-designed Apollo Channel Strip Presets with settings for any source imaginable. Complete with its low-cut and articulation boost switches, the Universal Audio SD-1 Standard Dynamic Microphone makes it easier than ever to capture top-notch audio from any source. Note: The Universal Audio SD-1 requires a Universal Audio Apollo audio interface to access Apollo Channel Strip Presets. Please call us to make sure your interface is compatible. Get polished results right away with Apollo Channel Strip Presets The design team at Universal Audio didn’t just aim to emulate the world’s most popular podcasting microphone, they designed the SD-1 to firmly surpass it. How so? By including a selection of Apollo Channel Strip Presets with your purchase. Use the SD-1 with a compatible Universal Audio Apollo interface, and you get instant access to radio-ready EQ and compression settings for broadcasting, vocals, and guitar. If you’re ready to up the production value of your projects, pick up a Universal Audio SD-1 Standard Dynamic Microphone. Universal Audio SD-1 Standard Dynamic Microphone Features: Universal Audio’s flagship dialogue microphone Classic dynamic design is ideal for close-miked vocals and instruments Cardioid polar pattern focuses on your voice Internal shockmount and built-in windscreen keep distracting noises to a minimum Low-cut switch cuts rumble for greater clarity Articulation boost switch enhances presence Included Apollo Channel Strip presets help you sound your best with a single click Sleek design looks great on camera Sculpt your sound at the source The SD-1 comes with two passive switches mounted to the back of the microphone. The selectable low-cut switch cuts rumble below 200Hz out of the equation. Turn on the articulation boost switch, and you’ll be rewarded with a satisfying bump between 3–5kHz. Use them together or separately to achieve clear and present recordings like never before. The SD-1 offers the perfect sound for any source. Tech Specs Microphone Type:Dynamic Polar Pattern:Cardioid Frequency Range:50Hz-16kHz Output Impedance:200 ohms Sensitivity:-58dB (1.3mV) Low Cut Filter:200Hz Features:3-5kHz Articulation Boost Switch, Detachable Windscreen Color:White Connector:XLR Dimensions:7.68" x 2.36" Weight:1.6 lbs. Included Accessories:Thread Adapter

NATURAL SOUND The TG H34 features easy handling, a natural sound and optimal fit. The Supercardioid polar pattern provides a high gain before feedback. The flexible gooseneck allows optimally positioning. TG PIN OUT The "TG" version works on pocket transmitters from the TG series, like -100, -500 or -1000. If the microphone is used wired, the "MA PVA" power converter is necessary, it converts the necessary phantom power from the microphone input into an audio wire power supply required by the microphone. OPUS PIN OUT The "Opus" version works with pocket transmitters from the various Opus radio series such as -300, -500, -600, -800, -900 and -910. For wired connection to a microphone input with phantom power the "CV 18" power supply is required. "Opus" and "TG" versions are electrically incompatible. ACCESSORIES CV 18 Phantom power adaptor for microphones with Opus pin out and 4pin mini-XLR plug to connect to phantom powered mic-input MA-PVA Phantom power adaptor with mini-XLR 4pin input TG H34 Neckworn microphone FEATURES Supercardioid polar pattern High gain before feedback Lightweight, adjustable neckband Flexible gooseneck for optimal positioning Rugged “flexible” ear hooks APPLICATIONS The TG H34 neckworn microphone ensures maximum freedom of movement and is therefore ideal for all free-hand applications. On stage it is very popular amoung singing dancers, keyboarders or drummers. Furthermore, it is also suitable for all kinds of presentations and sports lessons. The TG H34 features easy handling, a natural sound and optimal fit. The supercardioid polar pattern provides a high gain before feedback. The flexible gooseneck allows optimally positioning the microphone and a wind shield integrated in the microphone reduces wind and popping noise. The TG H34 is supplied with an additional foam wind shield. The TG H34 microphone is available in two versions: as Opus version it can be connected to the Opus series beltpack transmitters; as TG version it can be used with the wireless microphone systems of the TG series. For wired applications with phantom power sources the TG H34 must be used with an optional power adapter. VERSIONS TG H34 (Opus) Neckworn microphone, condenser (back electret), supercardioid, black, supplied with foam wind shield, with 4-pin female Mini-XLR connector . . . . . . . . Order # 706.396 TG H34 (TG) Neckworn microphone, condenser (back electret), supercardioid, black, supplied with foam wind shield, with 4-pin female Mini-XLR connector . . . . . . . . Order # 706.477 1 of 2 TECHNICAL SPECIFICATIONS Transducer type . . . . . . . . . . . . . . . . Condenser (back electret) Operating principle . . . . . . . . . . . . . Pressure gradient Polar pattern . . . . . . . . . . . . . . . . . . Supercardioid Frequency response: Close miking. . . . . . . . . . . . . . . . . 20 - 13,000 Hz Distant miking (measured at 1 m) . . . 180 - 13,000 Hz Open circuit voltage. . . . . . . . . . . . . 6.0 mV/Pa (-44.5 dBV)* ±3 dB Nominal impedance . . . . . . . . . . . . . approx. 700 Ω Load impedance. . . . . . . . . . . . . . . . > 3.5 kΩ Max. SPL at 1 kHz . . . . . . . . . . . . . . 119 dB* Equivalent SPL . . . . . . . . . . . . . . . . . 31.5 dB SPL* Power supply . . . . . . . . . . . . . . . . . . Direct current 1.5 - 9 V Max. power consumption . . . . . . . . 780 µA Connector . . . . . . . . . . . . . . . . . . . . Mini-XLR, 4-pin, female Dimensions: Diameter. . . . . . . . . . . . . . . . . . . . 15 mm Length microphone boom. . . . . . . 95 mm Weight. . . . . . . . . . . . . . . . . . . . . . . 36 g *measured with a supply voltage of U = 5 V DC and a load resistance of 2.2 kΩ OPTIONAL ACCESSORY CV 18 Power adapter to connect to phantom-powered microphone inputs, for microphones with Opus pin assignment . . . . . . . . . Order # 475.378 MA-PVA Power adapter to connect to phantom-powered microphone inputs, for microphones with TG pin assignment. . . . . . . . . . . Order # 711.098

Equally straightforward and small, the Blink 500 B4 gives you everything necessary for recording crisp, clear speech in any location. You get two clip-on transmitters—each with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver that plugs directly into your device, and the requisite charging cables for the transmitters. Whether you're a run-and-gun videographer, a YouTube content creator, or an avid vlogger, the Blink 500 B4 can get your wireless audio going in no time. Unpacking the Blink 500 B4 Use each ultracompact clip-on transmitter as a true wireless microphone with its built-in mic element, or as a bodypack transmitter with its supplied clip-on lavalier microphone. The ultracompact dual-channel receiver plugs directly into your iOS device's Lightning port, letting it work seamlessly with your iPhone or iPad—no batteries, cables, or clips required. Simply plug in the receiver and power on the transmitters to access reliable wireless audio functionality in an instant. Connect, Power, and Go With the receiver and transmitters paired at the factory, the Blink 500 system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500's power-and-go operating style. Advanced technology invisibly handles the complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no menu diving or tedious manual configuration. Quality Sound Blink 500 systems utilize 24-bit / 48 kHz resolution—the same audio standard used worldwide by sound engineers in the film industry—to give you quality sound at a budget-friendly price point. Compared to the built-in microphones on cameras and mobile devices, Blink 500 systems offer considerably improved fidelity and clarity with less noise. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. You can even turn the volume all the way down to effectively mute the transmitter. By connecting directly to your device's Lightning port, the Blink 500 RXDi avoids unnecessary D/A and A/D conversion to maintain the integrity of the digital signal from your transmitter all the way to your recording device. Perfect for 1- or 2-Person Shoots Since the Blink 500 RXDi is a dual-channel receiver, it can simultaneously handle both Blink 500 TX wireless transmitters. If you need to expand beyond that, you can use up to 18 Blink 500 systems at once to accommodate up to 36 wireless microphones. Each Blink 500 system can include one dual-channel receiver and up to two transmitters. Choose from camera-mount (Blink 500 RX), Lightning (Blink 500 RXDi), or USB Type-C (Blink 500 RXUC) receivers. Built-In Microphone for True Wireless Operation The Blink 500 TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. Thanks to the transmitter's ultracompact housing, you can clip it to clothing, slide it into a shirt pocket, place it on a podium, or hold it in your hand. Lavalier Microphone Included For maximum visual discretion, use the Blink 500 TX as traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. The lavalier mic includes a foam windscreen that lessens noise caused by light wind, breaths, and air conditioning systems. For enhanced reduction of stronger wind noise, a separately available furry windshield (a.k.a. windjammer) such as the Saramonic LM-WS can be fitted to the microphone. Stable and Simple 2.4 GHz Digital Wireless Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the Blink 500 digital system avoids that by operating in the 2.4 GHz band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. Within the 2.4 GHz spectrum, the Blink 500 boasts automatic channel hopping to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi / 2.4 GHz traffic and minimal physical obstructions are recommended. Ready for Anywhere Don’t be concerned about licensing or selecting frequencies; the Blink 500 system uses the license-free 2.4 GHz band, so you can go anywhere in the world and have a reliable, fully functional wireless system. Other Features Lightweight, ultracompact housings Slim plug-in receiver won't interfere with the operation of a gimbal MFi-certified Apple Lightning male connector plugs directly into your device's Lightning port Works with iPhones and iPads equipped with Lightning ports Receiver requires no battery or charging Transmitter's intelligent LED indicators show power, audio level, low-battery level, and charging status Transmitter's internal 5-hour battery keeps you going on long shoots or multiple run-and-gun gigs in a day Power the transmitter or recharge its internal lithium-ion battery via a USB Type-C connection (charging cables included) Use up to two transmitters with each receiver Operate up to 18 systems simultaneously in the same environment Saramonic B4 Specs System Wireless Technology Digital 2.4 GHz Number of RF Channel Frequencies 18 Included Transmitters 2 x Clip-On with Microphone Diversity Non-Diversity RF Frequency Band 2400 to 2483.5 MHz RF Bandwidth Up to 83.5 MHz Max Operating Range 164' / 50 m (Line of Sight) 98.4' / 30 m (with Obstruction) Max Transmitters per Band 18 Sample Rate/Resolution 48 kHz / 24-Bit Latency 12 ms Encryption None Modulation GFSK Receiver Receiver Type Plug-In Mounting Options Plug-In Antenna 1 x 1/4 Wave Wire, Fixed Number of Audio Channels 2 Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output Audio Output Level 5 dB Frequency Response 20 Hz to 16 kHz USB/Lightning Connectivity 1 x Lightning (Audio, Bus Power) Power Requirements Bus Power (Lightning) Display & Indicators 1 x LED (Power, Sync) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 3 x 0.7 x 0.4" / 7.6 x 1.7 x 1.1 cm Weight 0.4 oz / 10 g Transmitter Transmitter Type Clip-On with Microphone RF Output Power 10 mW Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Input Plug-In Power 1 V Pad None Muting None Audio Input Level -42 to -30 dBV (at 0 dB Gain) Gain Range +11 to +25 dB (7 dB Steps) Signal Processing None Frequency Response 20 Hz to 16 kHz Sync Method IR Antenna 1 x 1/4 Wave Wire, Fixed Power Requirements Battery or Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included, Not Replaceable) Internal Battery Capacity 400 mAh Battery Charging Time 1.5 to 2.5 Hours Approx. Battery Life 5 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 4 x LED (Audio Level, Power) 1 x LED (Battery Status) 1 x LED (Recharging) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 2.5 x 1.7 x 0.7" / 6.3 x 4.3 x 1.7 cm Weight 1.2 oz / 34 g Microphone Microphone Type Lavalier Color Black Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 110 dB SPL Sensitivity -30 dB Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced Cable Length 4' / 1.22 m Operating Voltage 1 V Packaging Info Package Weight 0.815 lb Box Dimensions (LxWxH) 17.25 x 7.2 x 2.05"

The Blink 500 B6 delivers considerably improved sound quality compared to the built-in mics on cameras and mobile devices while functioning as an ultracompact digital system that provides immediate out-of-the-box operability for anyone, making it ideal for video, podcast, and mobile journalism applications. Once it's plugged in and powered on, it's set and ready so your focus can stay on your content. Equally straightforward and small, the Blink 500 B6 gives you everything necessary for recording crisp, clear speech in any location. You get two clip-on transmitters—each with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver that plugs directly into your device, and the requisite charging cables for the transmitters. Whether you're a run-and-gun videographer, a YouTube content creator, or an avid vlogger, the Blink 500 B6 can get your wireless audio going in no time. Unpacking the Blink 500 B6 Use each ultracompact clip-on transmitter as a true wireless microphone with its built-in mic element, or as a bodypack transmitter with its supplied clip-on lavalier microphone. The ultracompact dual-channel receiver plugs directly into your device's USB Type-C port, letting it work seamlessly with Android mobile devices and Mac/Windows computers equipped with USB Type-C ports—no batteries, cables, or clips required. Simply plug in the receiver and power on the transmitters to access reliable wireless audio functionality in an instant. Connect, Power, and Go With the receiver and transmitters paired at the factory, the Blink 500 system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500's power-and-go operating style. Advanced technology invisibly handles the complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no menu diving or tedious manual configuration. Quality Sound Blink 500 systems utilize 24-bit / 48 kHz resolution—the same audio standard used worldwide by sound engineers in the film industry—to give you quality sound at a budget-friendly price point. Compared to the built-in microphones on cameras and mobile devices, Blink 500 systems offer considerably improved fidelity and clarity with less noise. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. You can even turn the volume all the way down to effectively mute the transmitter. By connecting directly to your device's USB Type-C port, the Blink 500 RXUC avoids unnecessary D/A and A/D conversion to maintain the integrity of the digital signal from your transmitter all the way to your recording device. Perfect for 1- or 2-Person Shoots Since the Blink 500 RXUC is a dual-channel receiver, it can simultaneously handle both Blink 500 TX wireless transmitters. If you need to expand beyond that, you can use up to 18 Blink 500 systems at once to accommodate up to 36 wireless microphones. Each Blink 500 system can include one dual-channel receiver and up to two transmitters. Choose from camera-mount (Blink 500 RX), Lightning (Blink 500 RXDi), or USB Type-C (Blink 500 RXUC) receivers. Built-In Microphone for True Wireless Operation The Blink 500 TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. Thanks to the transmitter's ultracompact housing, you can clip it to clothing, slide it into a shirt pocket, place it on a podium, or hold it in your hand. Lavalier Microphone Included For maximum visual discretion, use the Blink 500 TX as traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. The lavalier mic includes a foam windscreen that lessens noise caused by light wind, breaths, and air conditioning systems. For enhanced reduction of stronger wind noise, a separately available furry windshield (a.k.a. windjammer) such as the Saramonic LM-WS can be fitted to the microphone. Stable and Simple 2.4 GHz Digital Wireless Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the Blink 500 digital system avoids that by operating in the 2.4 GHz band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. Within the 2.4 GHz spectrum, the Blink 500 boasts automatic channel hopping to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi / 2.4 GHz traffic and minimal physical obstructions are recommended. Ready for Anywhere Don’t be concerned about licensing or selecting frequencies; the Blink 500 system uses the license-free 2.4 GHz band, so you can go anywhere in the world and have a reliable, fully functional wireless system. Other Features Lightweight, ultracompact housings Slim plug-in receiver won't interfere with the operation of a gimbal USB Type-C male connector plugs directly into your device's USB Type-C port Works with Android devices and Mac/Windows computers equipped with USB Type-C ports Receiver requires no battery or charging Transmitter's intelligent LED indicators show power, audio level, low-battery level, and charging status Transmitter's internal 5-hour battery keeps you going on long shoots or multiple run-and-gun gigs in a day Power the transmitter or recharge its internal lithium-ion battery via a USB Type-C connection (charging cables included) Use up to two transmitters with each receiver Operate up to 18 systems simultaneously in the same environment Saramonic B6 Specs System Wireless Technology Digital 2.4 GHz Number of RF Channel Frequencies 18 Included Transmitters 1 x Clip-On with Microphone Diversity Non-Diversity RF Frequency Band 2400 to 2483.5 MHz RF Bandwidth Up to 83.5 MHz Max Operating Range 164' / 50 m (Line of Sight) 98.4' / 30 m (with Obstruction) Max Transmitters per Band 18 Sample Rate/Resolution 48 kHz / 24-Bit Latency 12 ms Encryption None Modulation GFSK Receiver Receiver Type Plug-In Mounting Options Plug-In Antenna 1 x 1/4 Wave Wire, Fixed Number of Audio Channels 2 Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output Audio Output Level 5 dB Frequency Response 20 Hz to 16 kHz Network I/O None Word Clock I/O None USB/Lightning Connectivity 1 x USB-C (Audio, Bus Power) Power Requirements Bus Power (USB) Display & Indicators 1 x LED (Power, Sync) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 3 x 0.7 x 0.4" / 7.6 x 1.7 x 1.1 cm Weight 0.4 oz / 10 g Transmitter Transmitter Type Clip-On with Microphone RF Output Power 10 mW Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Input Plug-In Power 1 V Pad None Muting None Audio Input Level -42 to -30 dBV (at 0 dB Gain) Gain Range +11 to +25 dB (7 dB Steps) Signal Processing None Frequency Response 20 Hz to 16 kHz Sync Method IR Antenna 1 x 1/4 Wave Wire, Fixed Power Requirements Battery or Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included, Not Replaceable) Internal Battery Capacity 400 mAh Battery Charging Time 1.5 to 2.5 Hours Approx. Battery Life 5 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 4 x LED (Audio Level, Power) 1 x LED (Battery Status) 1 x LED (Recharging) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 2.5 x 1.7 x 0.7" / 6.3 x 4.3 x 1.7 cm Weight 1.2 oz / 34 g Microphone Microphone Type Lavalier Color Black Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 110 dB SPL Sensitivity -30 dB Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced Cable Length 4' / 1.22 m Operating Voltage 1 V Microphone 2 Microphone Type Integrated Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 120 dB SPL Sensitivity -42 dB Packaging Info Package Weight 0.79 lb Box Dimensions (LxWxH) 17.55 x 11.5 x 2.1"

Equally at home on stage, in the studio, in a living room, on the street or at a conference, iRig Mic HD 2 is the only microphone of its kind to offer a portable, ergonomic handheld form factor and represents the ideal solution for a wide range of applications including recording speech, vocals, acoustic instruments, guitar amps and more. As opposed to standard desktop models, its comfortable handheld design makes it perfect for singers, musicians, interviewers, broadcasters, presenters, podcasters, and vloggers wanting to achieve truly professional results in a wide variety of recording situations that also need practicality and ease of use, especially when traveling. iRig Mic HD 2 features a headphone output with volume control (ready to use with the new iPhone 7,) enabling users to directly monitor the sound or send the signal to a PA or a mixer for routing flexibility. Equipped with a high-quality, gold-sputtered cardioid electret condenser capsule, ensuring excellent transient accuracy and a wide frequency response, a 24-bit audiophile-grade A/D converter with sample rates up to 96kHz and a low noise, high-definition preamp, iRig Mic HD 2 captures all the tiniest details of the source and meets the most demanding professional needs. iRig Mic HD 2 comes complete with all the accessories to get the most out of it in any situation: a carrying pouch, a compact table tripod, a mic stand adapter, a 5/8" to 3/8" thread adapter and comes with a Lightning iOS cable and a USB cable for device connection. The completeness of options and performance-related features make iRig Mic HD 2 the only microphone available to truly meet the needs of a wider audience of users, from professional to enthusiasts who wish to achieve great results, anywhere without breaking the bank. Features The only handheld USB digital condenser microphone available Compatible with iOS, Mac and PC platforms Convenient handheld design, ideal for many applications Quality equivalent to microphones costing many times more Onboard gain control to adjust input level Onboard headphone output with volume control (iPhone 7 ready) High-quality gold-sputtered condenser capsule for wide frequency response and transient accuracy High-definition 24 bit recording with up to 96kHz sampling rate Affordable - achieve great sound without breaking the bank Comes with: Lightning iOS cable, USB cable, table tripod, mic stand adapter, carrying pouch, 5/8" to 3/8" thread adapter Includes a full suite of recording software/applications Custom ASIO driver for superior performance on Windows machines Superior digital sound quality iRig Mic HD 2 delivers incredible performance giving you the ability to record your instruments or vocal performances with 24-bit resolution and sample rates up to 96kHz. It utilizes a high-quality, gold-sputtered electret condenser capsule that ensures exceptional transient and frequency response (20 Hz - 20 kHz, -3 dB) along with enhanced durability, and the integrated low-noise preamp lets you dial in just the right amount of gain for the optimum signal level. Able to withstand a maximum sound pressure of 125dB, iRig Mic HD 2 will stand up to recording even very loud sources and the cardioid pickup pattern will help reject unwanted sounds from back side of the microphone. This makes it perfect for a multitude of applications where audio quality is paramount along with versatility and freedom of movement. Both in the studio and on the go, iRig Mic HD 2 is much more than just a digital USB microphone; it is a comprehensive tool for boosting your creativity and the quality of your audio content with all the convenience of a handheld form factor. Integrated headphone out with volume control iRig Mic HD 2 features an integrated headphone output with volume control that you can use for monitoring the audio signal or listen to high-resolution music on your device, (even on the latest iPhone 7.) This can also come in handy to send the signal out to an external device like another recorder, a mixer or a PA system. Compatibility for all your iOS devices and computers Key to iRig Mic HD 2’s broad compatibility is its selection of included detachable cables. The mic comes with a Lightning connector cable and a USB cable. This covers you for the latest generation of iPhone, iPad and iPod touch devices, and it also gives you the flexibility to connect directly to your Mac or PC. Accessories for any occasion Not only does iRig Mic HD 2 come complete with all the cables needed to hook it up, but also with the necessary “add-ons” to help you get the most out of it right out of the box. You get a sleek carrying pouch that will help you protect the microphone while traveling or when it’s stored. You will also find a mic stand adapter with a 5/8" to 3/8" thread adapter for use with a mic stand on stage or in a studio. We also included a handy table tripod, perfect for using the microphone during conferences, radio shows, video calls etc. Powerful applications - get creative iRig Mic HD 2 comes with a full suite of software that lets you start processing and editing vocals (or any other audio source) straight out of the box. iPhone, iPad and iPod touch users will enjoy the included versions of the Mic Pack for VocaLive, that adds a collection of virtual microphone models to the real-time vocal effects processing and multitrack recorder app; Pro Bundle for iRig Recorder, which adds essential processing like equalization and compression to the pro-audio recording and editing app with video; and Mic Room, a recording app that features stunningly realistic virtual models of some of the most desirable microphones of all time. iRig Mic HD 2 also comes with Mac and PC software including Ableton® Live 10 Lite™, a Digital Audio Workstation application; T-RackS Classic collection of audio processing plug-ins; and Mic Room, the microphone modeling collection.