Bluetooth karaoke prenosni sistem Sistem 2.1 Snaga zvučnika (max) 800 W Super prenosni zvučnik + mikrofoni x2 Mikrofoni 1 x žični 1 x bežični (Wireless 201,6 MHz) Ugrađen FM radio Podržani formati MP3 i WMA Povezivanje Bluetooth USB port MicroSD slot AUX-in 3,5 mm 3 x audio ulaz 6,3 mm Zvučnici 2 x 10" (25,4 cm) BASS Subwoofer 2 x 1" (2,54 cm) TREBLE Karaoke funkcija Ugrađeni DISKO LED Light efekti USB reprodukcija i snimanje LED display sa plavim osvetljenjem Daljinski upravljač Ugrađena punjiva baterija Napajanje AC 220V-240 V ~ 50/60 MHz DC 12-15 V Ručica i točkići za lakši prenos uređaja Boja crna

Specifikacija Bluetooth karaoke prenosni sistem Sistem 2.1 Snaga zvučnika (max) 800 W Super prenosni zvučnik + mikrofoni x2 Mikrofoni 1 x žični 1 x bežični (Wireless 201,6 MHz) Ugrađen FM radio Podržani formati MP3 i WMA Povezivanje Bluetooth USB port MicroSD slot AUX-in 3,5 mm 3 x audio ulaz 6,3 mm Zvučnici 2 x 10" (25,4 cm) BASS Subwoofer 2 x 1" (2,54 cm) TREBLE Karaoke funkcija Ugrađeni DISKO LED Light efekti USB reprodukcija i snimanje LED display sa plavim osvetljenjem Daljinski upravljač Ugrađena punjiva baterija Napajanje AC 220V-240 V ~ 50/60 MHz DC 12-15 V Ručica i točkići za lakši prenos uređaja Boja crna

Zoom F2-BT je pametno rešenje za audio snimanja kada je u pitanju podcast, vlog, intervju ili video spot. Ovaj ultrakompaktni terenski mobilni snimač snimiće kristalno čist ton, a zahvaljujući bluetooth podršci, postoji mogućnost upravljanja aplikacijama i bežičnom sinhronizacijom time coda. Rukovanje F2-BT snimačrm je jednostavno i intuitivno, kompletni materijal može se snimati na microSD/microSDHC/microSDXC kartice, tako da ovaj uređaj može raditi i posebno bez dodatnih snimača, miksera i sl. Mala potrošnja energije čini ga pouzdanim pratiocem u svakoj prililici.

Ensure a professionally slick sound for your vocals on stage with the Austrian Audio OD505, a handheld microphone that offers many features perfect for live-sound reinforcement. This is an active dynamic microphone, meaning it combines the best of traditional on-stage dynamic capsules with the features condensers tend to offer, such as better sensitivity to varying mic preamp and cable lengths. In short, you are very likely to secure yourself a consistent sound from venue to venue with the OD505. This supercardioid microphone makes use of a dual-capsule design to reduce handling noise, making it perfect for handheld use. Its proprietary internal pop filter helps reduce plosives and a high-pass filter can cut all unnecessary rumble below 120 Hz if need be. Because of its consistent, resonant-free sound, it can be equally useful to recorded media, such as podcasts or radio broadcast interviews. A mic clip and a case are both included. The state-of-the-art dual-capsule design, together with the selectable 2nd order high-pass filter makes the OD505 practically immune to noise such as handling noises, bumps, and stage knocks The supercardioid polar pattern is highly directional, ensuring a great deal of isolation and helping to reduce feedback on stage With its active circuitry, the OD505's sound is always consistent, regardless of the internal resistance of the microphone preamplifier or length of connecting cables The OD505 employs a proprietary 3D Pop Noise Diffuser, specially designed for the OD505 to effectively reduce the impact of plosives The mic makes use of a rugged die-cast body for the most challenging live environments Key Features Handheld Vocal Mic Great for Live or Podcast/Broadcast Use Supercardioid Polar Pattern Active Dynamic Capsule for Consistency

Setting a New Standard for Podcast Microphones Record stellar vocals, podcast episodes, and more with Universal Audio’s SD-1 Standard Dynamic Microphone. UA’s flagship dynamic microphone, the SD-1, boasts a flat frequency response and captures a rich, natural sound that’s dynamite on close-miked vocals and instruments. Our team members have taken advantage of the SD-1’s cardioid polar pattern to participate in Zoom calls from home without any background noise bleeding through. This microphone also includes UA-designed Apollo Channel Strip Presets with settings for any source imaginable. Complete with its low-cut and articulation boost switches, the Universal Audio SD-1 Standard Dynamic Microphone makes it easier than ever to capture top-notch audio from any source. Note: The Universal Audio SD-1 requires a Universal Audio Apollo audio interface to access Apollo Channel Strip Presets. Please call us to make sure your interface is compatible. Get polished results right away with Apollo Channel Strip Presets The design team at Universal Audio didn’t just aim to emulate the world’s most popular podcasting microphone, they designed the SD-1 to firmly surpass it. How so? By including a selection of Apollo Channel Strip Presets with your purchase. Use the SD-1 with a compatible Universal Audio Apollo interface, and you get instant access to radio-ready EQ and compression settings for broadcasting, vocals, and guitar. If you’re ready to up the production value of your projects, pick up a Universal Audio SD-1 Standard Dynamic Microphone. Universal Audio SD-1 Standard Dynamic Microphone Features: Universal Audio’s flagship dialogue microphone Classic dynamic design is ideal for close-miked vocals and instruments Cardioid polar pattern focuses on your voice Internal shockmount and built-in windscreen keep distracting noises to a minimum Low-cut switch cuts rumble for greater clarity Articulation boost switch enhances presence Included Apollo Channel Strip presets help you sound your best with a single click Sleek design looks great on camera Sculpt your sound at the source The SD-1 comes with two passive switches mounted to the back of the microphone. The selectable low-cut switch cuts rumble below 200Hz out of the equation. Turn on the articulation boost switch, and you’ll be rewarded with a satisfying bump between 3–5kHz. Use them together or separately to achieve clear and present recordings like never before. The SD-1 offers the perfect sound for any source. Tech Specs Microphone Type:Dynamic Polar Pattern:Cardioid Frequency Range:50Hz-16kHz Output Impedance:200 ohms Sensitivity:-58dB (1.3mV) Low Cut Filter:200Hz Features:3-5kHz Articulation Boost Switch, Detachable Windscreen Color:White Connector:XLR Dimensions:7.68" x 2.36" Weight:1.6 lbs. Included Accessories:Thread Adapter

The Blink 500 B6 delivers considerably improved sound quality compared to the built-in mics on cameras and mobile devices while functioning as an ultracompact digital system that provides immediate out-of-the-box operability for anyone, making it ideal for video, podcast, and mobile journalism applications. Once it's plugged in and powered on, it's set and ready so your focus can stay on your content. Equally straightforward and small, the Blink 500 B6 gives you everything necessary for recording crisp, clear speech in any location. You get two clip-on transmitters—each with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver that plugs directly into your device, and the requisite charging cables for the transmitters. Whether you're a run-and-gun videographer, a YouTube content creator, or an avid vlogger, the Blink 500 B6 can get your wireless audio going in no time. Unpacking the Blink 500 B6 Use each ultracompact clip-on transmitter as a true wireless microphone with its built-in mic element, or as a bodypack transmitter with its supplied clip-on lavalier microphone. The ultracompact dual-channel receiver plugs directly into your device's USB Type-C port, letting it work seamlessly with Android mobile devices and Mac/Windows computers equipped with USB Type-C ports—no batteries, cables, or clips required. Simply plug in the receiver and power on the transmitters to access reliable wireless audio functionality in an instant. Connect, Power, and Go With the receiver and transmitters paired at the factory, the Blink 500 system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500's power-and-go operating style. Advanced technology invisibly handles the complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no menu diving or tedious manual configuration. Quality Sound Blink 500 systems utilize 24-bit / 48 kHz resolution—the same audio standard used worldwide by sound engineers in the film industry—to give you quality sound at a budget-friendly price point. Compared to the built-in microphones on cameras and mobile devices, Blink 500 systems offer considerably improved fidelity and clarity with less noise. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. You can even turn the volume all the way down to effectively mute the transmitter. By connecting directly to your device's USB Type-C port, the Blink 500 RXUC avoids unnecessary D/A and A/D conversion to maintain the integrity of the digital signal from your transmitter all the way to your recording device. Perfect for 1- or 2-Person Shoots Since the Blink 500 RXUC is a dual-channel receiver, it can simultaneously handle both Blink 500 TX wireless transmitters. If you need to expand beyond that, you can use up to 18 Blink 500 systems at once to accommodate up to 36 wireless microphones. Each Blink 500 system can include one dual-channel receiver and up to two transmitters. Choose from camera-mount (Blink 500 RX), Lightning (Blink 500 RXDi), or USB Type-C (Blink 500 RXUC) receivers. Built-In Microphone for True Wireless Operation The Blink 500 TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. Thanks to the transmitter's ultracompact housing, you can clip it to clothing, slide it into a shirt pocket, place it on a podium, or hold it in your hand. Lavalier Microphone Included For maximum visual discretion, use the Blink 500 TX as traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. The lavalier mic includes a foam windscreen that lessens noise caused by light wind, breaths, and air conditioning systems. For enhanced reduction of stronger wind noise, a separately available furry windshield (a.k.a. windjammer) such as the Saramonic LM-WS can be fitted to the microphone. Stable and Simple 2.4 GHz Digital Wireless Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the Blink 500 digital system avoids that by operating in the 2.4 GHz band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. Within the 2.4 GHz spectrum, the Blink 500 boasts automatic channel hopping to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi / 2.4 GHz traffic and minimal physical obstructions are recommended. Ready for Anywhere Don’t be concerned about licensing or selecting frequencies; the Blink 500 system uses the license-free 2.4 GHz band, so you can go anywhere in the world and have a reliable, fully functional wireless system. Other Features Lightweight, ultracompact housings Slim plug-in receiver won't interfere with the operation of a gimbal USB Type-C male connector plugs directly into your device's USB Type-C port Works with Android devices and Mac/Windows computers equipped with USB Type-C ports Receiver requires no battery or charging Transmitter's intelligent LED indicators show power, audio level, low-battery level, and charging status Transmitter's internal 5-hour battery keeps you going on long shoots or multiple run-and-gun gigs in a day Power the transmitter or recharge its internal lithium-ion battery via a USB Type-C connection (charging cables included) Use up to two transmitters with each receiver Operate up to 18 systems simultaneously in the same environment Saramonic B6 Specs System Wireless Technology Digital 2.4 GHz Number of RF Channel Frequencies 18 Included Transmitters 1 x Clip-On with Microphone Diversity Non-Diversity RF Frequency Band 2400 to 2483.5 MHz RF Bandwidth Up to 83.5 MHz Max Operating Range 164' / 50 m (Line of Sight) 98.4' / 30 m (with Obstruction) Max Transmitters per Band 18 Sample Rate/Resolution 48 kHz / 24-Bit Latency 12 ms Encryption None Modulation GFSK Receiver Receiver Type Plug-In Mounting Options Plug-In Antenna 1 x 1/4 Wave Wire, Fixed Number of Audio Channels 2 Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output Audio Output Level 5 dB Frequency Response 20 Hz to 16 kHz Network I/O None Word Clock I/O None USB/Lightning Connectivity 1 x USB-C (Audio, Bus Power) Power Requirements Bus Power (USB) Display & Indicators 1 x LED (Power, Sync) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 3 x 0.7 x 0.4" / 7.6 x 1.7 x 1.1 cm Weight 0.4 oz / 10 g Transmitter Transmitter Type Clip-On with Microphone RF Output Power 10 mW Audio I/O 1 x 1/8" / 3.5 mm TRS Female Unbalanced Input Plug-In Power 1 V Pad None Muting None Audio Input Level -42 to -30 dBV (at 0 dB Gain) Gain Range +11 to +25 dB (7 dB Steps) Signal Processing None Frequency Response 20 Hz to 16 kHz Sync Method IR Antenna 1 x 1/4 Wave Wire, Fixed Power Requirements Battery or Bus Power (USB) Battery Type 1 x Built-In Rechargeable (Included, Not Replaceable) Internal Battery Capacity 400 mAh Battery Charging Time 1.5 to 2.5 Hours Approx. Battery Life 5 Hours USB/Lightning Connectivity 1 x USB-C (Bus Power, Charging) Display & Indicators 4 x LED (Audio Level, Power) 1 x LED (Battery Status) 1 x LED (Recharging) Housing ABS, Plastic Operating Temperature 32 to 122°F / 0 to 50°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 2.5 x 1.7 x 0.7" / 6.3 x 4.3 x 1.7 cm Weight 1.2 oz / 34 g Microphone Microphone Type Lavalier Color Black Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 110 dB SPL Sensitivity -30 dB Output Connectors 1 x 1/8" / 3.5 mm TRS Male Unbalanced Cable Length 4' / 1.22 m Operating Voltage 1 V Microphone 2 Microphone Type Integrated Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 18 kHz Equivalent Noise Level 58 dB Maximum SPL 120 dB SPL Sensitivity -42 dB Packaging Info Package Weight 0.79 lb Box Dimensions (LxWxH) 17.55 x 11.5 x 2.1"