Časopis živih = La Revue des vivants vlasnik A. Stanojević ; urednik Branko Teodosić Sadrži tekstove sledećih autora: KARL MARX, CVETKO BANJANIN, BRANKO TEODOSIC, M. SELIMOVIC... NASLOVNA STRANA CRTEZ G. GROSZA crveni deo naslovne strane je list koji se `otvara` i ispod njega je crtez grosza - moc `civilizacije` casopis je kompletan. str. od 65 do 82, dim.29 x 20 cm meki povez, stranice iskrzane, inace u dobrom stanju NARODNA BIBLIOTEKA SRBIJE NEMA OVAJ BROJ J E D I N I P O Z N A T I P R I M E R A K Georg Gros (nem. George Grosz; * 26. jul 1893, Berlin – † 6. jul 1959, Berlin) je bio nemački grafičar i slikar. U Parizu je nakon dodira s futurizmom i dadaističkim ekscesima prešao na političku i socijalnu karikaturu u satiričkim časopisima. Njegov likovni izraz je nemilosrdna kritika nemačkog militarizma i buržoaske klase. Od nemačkog haosa posle Prvog svetskog rata do prvih simptoma nacističkog terora svoju likovnu dokumentaciju objavljivao je u ciklusima grafike: „Bog je s nama“, „Lice vladajuće klase“, „Evo čoveka“ Od slika itiču se „Pomrčina sunca“ i „Nemačka, jedna zimska bajka“. 1932. iselio se u SAD, gde je radio crteže za knjige. Uspomene svog života objavio je 1931. u Nemačkoj, a 1946. u Njujorku pod nazivom `Malo da i veliko ne`. Gros je učestvovao u Spartakističkom ustanku 1919. nakon koga je kraće vreme bio član KP Nemačke; nju je napustio posle posete Sovjetskoj Rusiji 1922. gde ga je razočarao totalitarni karakter komunističke vlasti. Nemačku je napustio pred nacističkim progonima i utočište našao u SAD čiji je državljanin postao 1938. Posle drugog svetskog rata se vratio u Nemačku i živeo u Berlinu. Tamo je i umro od posledica pada niz stepenice nakon jedne noćne pijanke. Pojavljuje se kao lik u filmu Maks iz 2002. godine, gde ga tumači škotski glumac Kevin MekKid.

All the music The W2 wireless platform in LSX II LT makes music streaming effortless and guarantees pristine sound quality. Plug and play LSX II LT supports HDMI ARC and USB-C inputs, making it the perfect companion for TV, desktop and more. Effortless multiroom When partnered with other speakers from the LS Wireless Collection, you can use AirPlay 2 or Chromecast to fill the entire house with the same playlist. Minimal design, versatile placement The LSX II LT features a minimal design that effortlessly blends with any home decor and also offers versatile placement options. You can place the speakers on a bookshelf or desktop with dedicated accessories. WIRELESS STREAMING FEATURES Chromecast built-in UPnP Compatible Bluetooth 5.0 SUPPORTED FORMAT (NETWORK) DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis INPUTS HDMI ARC USB Type C TOSLINK Optical SYSTEM CONFIGURATION Primary active Secondary passive (powered from primary speaker) INTERSPEAKER CONNECTION Wired interspeaker connection with USB-C* What is in the box A set of LSX II LT Power cord Interspeaker cable (3m) Remote control Quick Start Guide Warranty and safety information Drive Units (per speaker) Uni-Q driver array HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency Range (-6dB) 49Hz - 47kHz Depends on EQ settings Frequency Response (±3dB) 54Hz - 28kHz Depends on EQ settings Amplifier Output Power (per speaker) LF: 70W, HF: 30W Amplifier Class (per speaker) LF: Class D, HF: Class D Max SPL measured at 1m 102 dB Wireless Streaming Features AirPlay 2, Google Chromecast, Chromecast Built-in, UPnP Compatible, Bluetooth 5.0 Streaming Services Spotify via Spotify Connect, Tidal via Tidal Connect, Amazon Music, Qobuz, Deezer, QQ Music via QPlay, Internet Radio, Podcast Depends on services availability in different countries Source Resolution Network up to 384kHz/24bit, Optical up to 96kHz/24bit, USB Type C up to 96kHz/24bit, HDMI up to 48kHz/16bit Depends on source resolution Interspeaker Connection Wired: all sources resampled to 96kHz/24bit PCM Supported Formats (Network) DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM, Ogg Vorbis Dimensions (HxWxD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 6.8kg (15.0lbs) Power Input 100 – 240VAC 50/60Hz Power Consumption 200W (operating power), <2.0W (standby power) Inputs HDMI ARC, TOSLINK Optical, USB Type C, RJ45 Ethernet (network), USB Type C (interspeaker) Output RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac, IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz Secondary Speaker Inputs USB Type C (interspeaker)

All the music The W2 wireless platform in LSX II LT makes music streaming effortless and guarantees pristine sound quality. Plug and play LSX II LT supports HDMI ARC and USB-C inputs, making it the perfect companion for TV, desktop and more. Effortless multiroom When partnered with other speakers from the LS Wireless Collection, you can use AirPlay 2 or Chromecast to fill the entire house with the same playlist. Minimal design, versatile placement The LSX II LT features a minimal design that effortlessly blends with any home decor and also offers versatile placement options. You can place the speakers on a bookshelf or desktop with dedicated accessories. WIRELESS STREAMING FEATURES Chromecast built-in UPnP Compatible Bluetooth 5.0 SUPPORTED FORMAT (NETWORK) DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis INPUTS HDMI ARC USB Type C TOSLINK Optical SYSTEM CONFIGURATION Primary active Secondary passive (powered from primary speaker) INTERSPEAKER CONNECTION Wired interspeaker connection with USB-C* What is in the box A set of LSX II LT Power cord Interspeaker cable (3m) Remote control Quick Start Guide Warranty and safety information Drive Units (per speaker) Uni-Q driver array HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency Range (-6dB) 49Hz - 47kHz Depends on EQ settings Frequency Response (±3dB) 54Hz - 28kHz Depends on EQ settings Amplifier Output Power (per speaker) LF: 70W, HF: 30W Amplifier Class (per speaker) LF: Class D, HF: Class D Max SPL measured at 1m 102 dB Wireless Streaming Features AirPlay 2, Google Chromecast, Chromecast Built-in, UPnP Compatible, Bluetooth 5.0 Streaming Services Spotify via Spotify Connect, Tidal via Tidal Connect, Amazon Music, Qobuz, Deezer, QQ Music via QPlay, Internet Radio, Podcast Depends on services availability in different countries Source Resolution Network up to 384kHz/24bit, Optical up to 96kHz/24bit, USB Type C up to 96kHz/24bit, HDMI up to 48kHz/16bit Depends on source resolution Interspeaker Connection Wired: all sources resampled to 96kHz/24bit PCM Supported Formats (Network) DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM, Ogg Vorbis Dimensions (HxWxD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 6.8kg (15.0lbs) Power Input 100 – 240VAC 50/60Hz Power Consumption 200W (operating power), <2.0W (standby power) Inputs HDMI ARC, TOSLINK Optical, USB Type C, RJ45 Ethernet (network), USB Type C (interspeaker) Output RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac, IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz Secondary Speaker Inputs USB Type C (interspeaker)

Key Features All-in-one wireless speaker system Stream from a number of services including Amazon Music, Tidal and Spotify Apple Airplay 2 and Google Chromecast enable easy integration into home ecosystems An HDMI and USB-C port offers connection to TVs and laptops Stream hi-res audio - DSD, MQA and PCM files up to 24-bit/384kHz "The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separates set-up brings. Nothing else really comes close at this level." 11th Generation Uni-Q Driver The drivers used in the LSXII are KEF's proprietary 11th generation Uni-Q driver array that has been specially tuned for this system. The tweeter is placed at the precise centre of the woofer for more natural sound reproduction eliminating any kind of "sweet spot" associated with generic two-way speakers for accurate and pristine sound for all. With a combined 200 watts of system power each tweeter and woofer has its own dedicated amp for room-filling sound typical of much larger units. All of this is backed up by the Music Integrity Engine, a collection of cutting-edge algorithms that offers perfectly timed performance with improved clarity and a tight, accurate sound. Impeccable Design Created in collaboration with renowned industrial designer Michael Young, the aesthetic of the LSXII combines perfectly with its pristine and accurate sound. every aspect has been meticulously pooled over from the elegant rear panel to the subtle design accents on the drivers and ports. A choice of 5 stunning finishes ensures a perfect pairing for any environment or lifestyle. Mineral White and Lava Red models are finished with satin and gloss spray, while Carbon Black and Cobalt Blue are clad in a specially designed fabric from Danish contemporary textile designer, Kvadrat whilst The Soundwave by Terence Conran Edition sees the ‘soundwave’ pattern is woven into the same unique fabric. User-focused Made complete by the KEF Connect app, your experience will be optimised to get you started straight out of the box. It will guide you through setup, offer intuitive control of your system, integrate all your streaming services in one place and offer you sound settings for tailored audio in your room. The Room EQ DSP fine-tunes to your room and personal tastes and is just the beginning of the whole host of user-friendly features including volume settings, sensitivity adjustments, and the ability to select a source to wake it up when it comes on. You can use your system wirelessly or wired for complete versatility in placement without the need for cable clutter taking up any room and leaving you to enjoy the immersive full sound from any of your sources. What's in the box LSX II Power cords Interspeaker cable Remote control Quick Start Guide, warranty and safety information Features Wireless speakers supporting all major services and audio formats DSD, MQA and PCM up to 24bit/384kHz Offers comprehensive connectivity for your TV, laptop, and devices with a USB-C, HDMI ARC, 3.5mm jack with a subwoofer output for enhanced low-end Accurate pristine sound reproduction from KEF's 11th gen Uni-Q driver array Cutting-edge DSP algorithms drive the Musical Integrity Engine delivering a clear and tight sound System power: LF 70W class D, HF 30W class D, Max. SPL:102dB Intuitive onboard controls with free KEF Connect App for fast and simple set-up An optimised cabinet design offers an enhanced acoustic performance Mounting inserts make for easy installation on stands and wall brackets Model LSX II Drive units Uni-Q driver array: HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency range (-6dB) measured at 85dB/1m 49Hz – 47kHz *Depends on EQ settings Frequency response (±3dB) measured at 85dB/1m 54Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 70W HF: 30W Amplifier class (per speaker) LF: Class D HF: Class D Max SPL measured at 1m 102 dB Wireless streaming features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit USB Type C up to 192kHz/24bit HDMI up to 1.411Mbps PCM *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 48kHz/24bit PCM Wired: all sources resampled to 96kHz/24bit PCM Supported format (network) MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Dimensions (HWD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 7.2kg (15.6lbs) Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Connections Inputs HDMI ARC TOSLINK Optical USB Type C Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Output RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

Key Features All-in-one wireless speaker system Stream from a number of services including Amazon Music, Tidal and Spotify Apple Airplay 2 and Google Chromecast enable easy integration into home ecosystems An HDMI and USB-C port offers connection to TVs and laptops Stream hi-res audio - DSD, MQA and PCM files up to 24-bit/384kHz "The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separates set-up brings. Nothing else really comes close at this level." 11th Generation Uni-Q Driver The drivers used in the LSXII are KEF's proprietary 11th generation Uni-Q driver array that has been specially tuned for this system. The tweeter is placed at the precise centre of the woofer for more natural sound reproduction eliminating any kind of "sweet spot" associated with generic two-way speakers for accurate and pristine sound for all. With a combined 200 watts of system power each tweeter and woofer has its own dedicated amp for room-filling sound typical of much larger units. All of this is backed up by the Music Integrity Engine, a collection of cutting-edge algorithms that offers perfectly timed performance with improved clarity and a tight, accurate sound. Impeccable Design Created in collaboration with renowned industrial designer Michael Young, the aesthetic of the LSXII combines perfectly with its pristine and accurate sound. every aspect has been meticulously pooled over from the elegant rear panel to the subtle design accents on the drivers and ports. A choice of 5 stunning finishes ensures a perfect pairing for any environment or lifestyle. Mineral White and Lava Red models are finished with satin and gloss spray, while Carbon Black and Cobalt Blue are clad in a specially designed fabric from Danish contemporary textile designer, Kvadrat whilst The Soundwave by Terence Conran Edition sees the ‘soundwave’ pattern is woven into the same unique fabric. User-focused Made complete by the KEF Connect app, your experience will be optimised to get you started straight out of the box. It will guide you through setup, offer intuitive control of your system, integrate all your streaming services in one place and offer you sound settings for tailored audio in your room. The Room EQ DSP fine-tunes to your room and personal tastes and is just the beginning of the whole host of user-friendly features including volume settings, sensitivity adjustments, and the ability to select a source to wake it up when it comes on. You can use your system wirelessly or wired for complete versatility in placement without the need for cable clutter taking up any room and leaving you to enjoy the immersive full sound from any of your sources. What's in the box LSX II Power cords Interspeaker cable Remote control Quick Start Guide, warranty and safety information Features Wireless speakers supporting all major services and audio formats DSD, MQA and PCM up to 24bit/384kHz Offers comprehensive connectivity for your TV, laptop, and devices with a USB-C, HDMI ARC, 3.5mm jack with a subwoofer output for enhanced low-end Accurate pristine sound reproduction from KEF's 11th gen Uni-Q driver array Cutting-edge DSP algorithms drive the Musical Integrity Engine delivering a clear and tight sound System power: LF 70W class D, HF 30W class D, Max. SPL:102dB Intuitive onboard controls with free KEF Connect App for fast and simple set-up An optimised cabinet design offers an enhanced acoustic performance Mounting inserts make for easy installation on stands and wall brackets Model LSX II Drive units Uni-Q driver array: HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency range (-6dB) measured at 85dB/1m 49Hz – 47kHz *Depends on EQ settings Frequency response (±3dB) measured at 85dB/1m 54Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 70W HF: 30W Amplifier class (per speaker) LF: Class D HF: Class D Max SPL measured at 1m 102 dB Wireless streaming features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit USB Type C up to 192kHz/24bit HDMI up to 1.411Mbps PCM *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 48kHz/24bit PCM Wired: all sources resampled to 96kHz/24bit PCM Supported format (network) MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Dimensions (HWD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 7.2kg (15.6lbs) Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Connections Inputs HDMI ARC TOSLINK Optical USB Type C Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Output RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

The LS60's sound profile is smooth, consistent, and extremely natural, delivering an incredibly accurate and immersive listening experience. Taking advantage of KEF's innovative technologies, the Single Apparent Source design utilises precise driver calibration to ensure that the entire frequency spectrum appears to radiate from a single point. Taken from their flagship Blade speaker, this feature gives these wireless floorstanding speakers highly accurate imaging and accurate sound across larger space. The LS60's drivers are built with KEF's Uni-Q® driver array, which places its vented tweeter in the acoustic centre of the cone. This combined with their Uni-Core™ woofer design which improves force cancelling drivers to output deeper, accurate bass from smaller cabinets makes these speakers sound truly excellent at all times. This one-two punch of innovative driver design ensures that the LS60's sound is consistent no matter where you are in the room. No more hunting for the best position, your entire space has now become one large sweet spot. The final unique characteristic of the LS60's sound is its Metamaterial Absorption Technology (MAT™). MAT is a complex, winding structure that eliminates unwanted sound from the rear of the speaker drivers, delivering a pure and realistic sound that you'll get lost in instantaneously. Loading a single speaker with all of this staggering technology makes the LS60's some of the most natural sounding floorstanding speakers available. Featuring not just one, but four unique technical innovations in a pair of speakers, the LS60 deliver acoustic excellence for any occasion. Celebrating 60 Years of Innovation LS60 Wireless combines all of KEF's core technology to provide one of the most technologically advanced wireless floorstanding speakers. Designed in Collaboration with Michael Young Minimalistic, and futuristic, the LS60's physical design reflects what KEF are aiming to achieve sonically. The LS60 look and feel natural, and sleek. Single Apparent Source Technology Utilising precise calibration of their drivers, the LS60 gives exceedingly coherent sound that appears to come from a single point, delivering detailed stereo information and accurate sound across a larger space. Uni-Q Driver Design By placing the tweeter accurately at the acoustic centre of the bass/midrange drivers, both units act together as a single point source. This makes for a more even sound distribution, eliminating the need for sweet spots. The LS60 sounds its best absolutely everywhere. Uni-Core Speaker Cones KEF's engineers have iterated on typical force cancelling speaker cones by combining the traditional back-to-back drivers into a single motor system. The overlapping voice coils deliver improved driver excursion, giving low frequencies more depth and output in smaller cabinets. Metamaterial Absorption Technology MAT™ is an advanced, maze-like structure that eliminates unwanted sound from the rear of the driver, giving pure, realistic sound. Designed in collaboration with the Acoustic Metamaterials Group, this feature revolutionises loudspeaker design. Music Integrity Engine The Music Integrity Engine, having been the heart of KEF's previous LS50 Wireless II is a collection of bespoke Digital Signal Processing algorithms. These algorithms are optimised for the Uni-Q drivers, making them deliver a perfectly timed performance, improving imaging and tightening sound for snappy, clear transients. Advanced Amplification The LS60's built-in amplifiers deliver a total of 1400 W of amplification. Class A/B tweeter amplification provides smooth, nuanced treble that fits the LS60's natural, realistic sound. Then, dedicated Class D amplification powering the mid and bass drivers assure powerful, but controlled and articulate low-frequencies. Comprehensive Connectivity The LS60 supports audio streaming from a wide variety of formats. All major music streaming services, a wide range of supported audio formats, and wireless streaming via Chromecast, Bluetooth, or Roon are all options. Plus, wired HDMI, optical, coaxial, and RCA connections, as well as subwoofer outputs allow you to expand and use your system however suits you. Dimensions (HWD per speaker) 1090 x 212 x 394 mm (42.9 x 8.3 x 15.5 in.) with plinth 1042 x 130 x 321 mm (41.0 x 5.1 x 12.6 in.) without plinth Weight (per set) 62.4 kg (138 lbs) Drive Units (per driver) HF: 19 mm (0.75 in.) vented aluminium dome with Metamaterial Absorption Technology MF: 100 mm (4 in.) aluminium cone LF: 4 x 135 mm (5.25 in.) Uni-Core Force Cancelling Driver Frequency Range (-6 dB) 26 Hz - 36 kHz (measured at 85 dB/1 m, depends on EQ settings) Frequency Range (±3 dB) 31 Hz - 24 kHz (measured at 85 dB/1 m, depends on EQ settings) Amplifier Output Power (per driver) HF: 100 W MF: 100 W LF: 500 W Amplifier Class (per driver) HF: Class AB MF: Class D LF: Class D Maximum SPL 111 dB (measured at 1 m) Wireless Streaming Features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming Services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcasts Input Resolution Network up to 24bit/384kHz Optical up to 24bit/96kHz Coaxial up to 24bit/192kHz HDMI up to 24bit/192kHz Interspeaker Connection Wireless: all sources resampled to 24bit/96kHz PCM Wired: all sources resampled to 24bit/192kHz PCM Supported Format Types (all inputs) FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Supported Format (network) MQA, DSD Power Input 100 – 240VAC 50/60Hz Power Consumption 450W (operating power) Inputs (Primary Speaker) HDMI eARC TOSLINK Optical Digital Coaxial Analog RCA USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs (Secondary Speaker) USB Type A (service) RJ45 Ethernet (interspeaker) Output (Primary Speaker) RCA Subwoofer output Output (Secondary Speaker) RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz

The LS60's sound profile is smooth, consistent, and extremely natural, delivering an incredibly accurate and immersive listening experience. Taking advantage of KEF's innovative technologies, the Single Apparent Source design utilises precise driver calibration to ensure that the entire frequency spectrum appears to radiate from a single point. Taken from their flagship Blade speaker, this feature gives these wireless floorstanding speakers highly accurate imaging and accurate sound across larger space. The LS60's drivers are built with KEF's Uni-Q® driver array, which places its vented tweeter in the acoustic centre of the cone. This combined with their Uni-Core™ woofer design which improves force cancelling drivers to output deeper, accurate bass from smaller cabinets makes these speakers sound truly excellent at all times. This one-two punch of innovative driver design ensures that the LS60's sound is consistent no matter where you are in the room. No more hunting for the best position, your entire space has now become one large sweet spot. The final unique characteristic of the LS60's sound is its Metamaterial Absorption Technology (MAT™). MAT is a complex, winding structure that eliminates unwanted sound from the rear of the speaker drivers, delivering a pure and realistic sound that you'll get lost in instantaneously. Loading a single speaker with all of this staggering technology makes the LS60's some of the most natural sounding floorstanding speakers available. Featuring not just one, but four unique technical innovations in a pair of speakers, the LS60 deliver acoustic excellence for any occasion. Celebrating 60 Years of Innovation LS60 Wireless combines all of KEF's core technology to provide one of the most technologically advanced wireless floorstanding speakers. Designed in Collaboration with Michael Young Minimalistic, and futuristic, the LS60's physical design reflects what KEF are aiming to achieve sonically. The LS60 look and feel natural, and sleek. Single Apparent Source Technology Utilising precise calibration of their drivers, the LS60 gives exceedingly coherent sound that appears to come from a single point, delivering detailed stereo information and accurate sound across a larger space. Uni-Q Driver Design By placing the tweeter accurately at the acoustic centre of the bass/midrange drivers, both units act together as a single point source. This makes for a more even sound distribution, eliminating the need for sweet spots. The LS60 sounds its best absolutely everywhere. Uni-Core Speaker Cones KEF's engineers have iterated on typical force cancelling speaker cones by combining the traditional back-to-back drivers into a single motor system. The overlapping voice coils deliver improved driver excursion, giving low frequencies more depth and output in smaller cabinets. Metamaterial Absorption Technology MAT™ is an advanced, maze-like structure that eliminates unwanted sound from the rear of the driver, giving pure, realistic sound. Designed in collaboration with the Acoustic Metamaterials Group, this feature revolutionises loudspeaker design. Music Integrity Engine The Music Integrity Engine, having been the heart of KEF's previous LS50 Wireless II is a collection of bespoke Digital Signal Processing algorithms. These algorithms are optimised for the Uni-Q drivers, making them deliver a perfectly timed performance, improving imaging and tightening sound for snappy, clear transients. Advanced Amplification The LS60's built-in amplifiers deliver a total of 1400 W of amplification. Class A/B tweeter amplification provides smooth, nuanced treble that fits the LS60's natural, realistic sound. Then, dedicated Class D amplification powering the mid and bass drivers assure powerful, but controlled and articulate low-frequencies. Comprehensive Connectivity The LS60 supports audio streaming from a wide variety of formats. All major music streaming services, a wide range of supported audio formats, and wireless streaming via Chromecast, Bluetooth, or Roon are all options. Plus, wired HDMI, optical, coaxial, and RCA connections, as well as subwoofer outputs allow you to expand and use your system however suits you. Dimensions (HWD per speaker) 1090 x 212 x 394 mm (42.9 x 8.3 x 15.5 in.) with plinth 1042 x 130 x 321 mm (41.0 x 5.1 x 12.6 in.) without plinth Weight (per set) 62.4 kg (138 lbs) Drive Units (per driver) HF: 19 mm (0.75 in.) vented aluminium dome with Metamaterial Absorption Technology MF: 100 mm (4 in.) aluminium cone LF: 4 x 135 mm (5.25 in.) Uni-Core Force Cancelling Driver Frequency Range (-6 dB) 26 Hz - 36 kHz (measured at 85 dB/1 m, depends on EQ settings) Frequency Range (±3 dB) 31 Hz - 24 kHz (measured at 85 dB/1 m, depends on EQ settings) Amplifier Output Power (per driver) HF: 100 W MF: 100 W LF: 500 W Amplifier Class (per driver) HF: Class AB MF: Class D LF: Class D Maximum SPL 111 dB (measured at 1 m) Wireless Streaming Features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming Services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcasts Input Resolution Network up to 24bit/384kHz Optical up to 24bit/96kHz Coaxial up to 24bit/192kHz HDMI up to 24bit/192kHz Interspeaker Connection Wireless: all sources resampled to 24bit/96kHz PCM Wired: all sources resampled to 24bit/192kHz PCM Supported Format Types (all inputs) FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Supported Format (network) MQA, DSD Power Input 100 – 240VAC 50/60Hz Power Consumption 450W (operating power) <2.0W (standby power) Inputs (Primary Speaker) HDMI eARC TOSLINK Optical Digital Coaxial Analog RCA USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs (Secondary Speaker) USB Type A (service) RJ45 Ethernet (interspeaker) Output (Primary Speaker) RCA Subwoofer output Output (Secondary Speaker) RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz

The LS60's sound profile is smooth, consistent, and extremely natural, delivering an incredibly accurate and immersive listening experience. Taking advantage of KEF's innovative technologies, the Single Apparent Source design utilises precise driver calibration to ensure that the entire frequency spectrum appears to radiate from a single point. Taken from their flagship Blade speaker, this feature gives these wireless floorstanding speakers highly accurate imaging and accurate sound across larger space. The LS60's drivers are built with KEF's Uni-Q® driver array, which places its vented tweeter in the acoustic centre of the cone. This combined with their Uni-Core™ woofer design which improves force cancelling drivers to output deeper, accurate bass from smaller cabinets makes these speakers sound truly excellent at all times. This one-two punch of innovative driver design ensures that the LS60's sound is consistent no matter where you are in the room. No more hunting for the best position, your entire space has now become one large sweet spot. The final unique characteristic of the LS60's sound is its Metamaterial Absorption Technology (MAT™). MAT is a complex, winding structure that eliminates unwanted sound from the rear of the speaker drivers, delivering a pure and realistic sound that you'll get lost in instantaneously. Loading a single speaker with all of this staggering technology makes the LS60's some of the most natural sounding floorstanding speakers available. Featuring not just one, but four unique technical innovations in a pair of speakers, the LS60 deliver acoustic excellence for any occasion. Celebrating 60 Years of Innovation LS60 Wireless combines all of KEF's core technology to provide one of the most technologically advanced wireless floorstanding speakers. Designed in Collaboration with Michael Young Minimalistic, and futuristic, the LS60's physical design reflects what KEF are aiming to achieve sonically. The LS60 look and feel natural, and sleek. Single Apparent Source Technology Utilising precise calibration of their drivers, the LS60 gives exceedingly coherent sound that appears to come from a single point, delivering detailed stereo information and accurate sound across a larger space. Uni-Q Driver Design By placing the tweeter accurately at the acoustic centre of the bass/midrange drivers, both units act together as a single point source. This makes for a more even sound distribution, eliminating the need for sweet spots. The LS60 sounds its best absolutely everywhere. Uni-Core Speaker Cones KEF's engineers have iterated on typical force cancelling speaker cones by combining the traditional back-to-back drivers into a single motor system. The overlapping voice coils deliver improved driver excursion, giving low frequencies more depth and output in smaller cabinets. Metamaterial Absorption Technology MAT™ is an advanced, maze-like structure that eliminates unwanted sound from the rear of the driver, giving pure, realistic sound. Designed in collaboration with the Acoustic Metamaterials Group, this feature revolutionises loudspeaker design. Music Integrity Engine The Music Integrity Engine, having been the heart of KEF's previous LS50 Wireless II is a collection of bespoke Digital Signal Processing algorithms. These algorithms are optimised for the Uni-Q drivers, making them deliver a perfectly timed performance, improving imaging and tightening sound for snappy, clear transients. Advanced Amplification The LS60's built-in amplifiers deliver a total of 1400 W of amplification. Class A/B tweeter amplification provides smooth, nuanced treble that fits the LS60's natural, realistic sound. Then, dedicated Class D amplification powering the mid and bass drivers assure powerful, but controlled and articulate low-frequencies. Comprehensive Connectivity The LS60 supports audio streaming from a wide variety of formats. All major music streaming services, a wide range of supported audio formats, and wireless streaming via Chromecast, Bluetooth, or Roon are all options. Plus, wired HDMI, optical, coaxial, and RCA connections, as well as subwoofer outputs allow you to expand and use your system however suits you. Dimensions (HWD per speaker) 1090 x 212 x 394 mm (42.9 x 8.3 x 15.5 in.) with plinth 1042 x 130 x 321 mm (41.0 x 5.1 x 12.6 in.) without plinth Weight (per set) 62.4 kg (138 lbs) Drive Units (per driver) HF: 19 mm (0.75 in.) vented aluminium dome with Metamaterial Absorption Technology MF: 100 mm (4 in.) aluminium cone LF: 4 x 135 mm (5.25 in.) Uni-Core Force Cancelling Driver Frequency Range (-6 dB) 26 Hz - 36 kHz (measured at 85 dB/1 m, depends on EQ settings) Frequency Range (±3 dB) 31 Hz - 24 kHz (measured at 85 dB/1 m, depends on EQ settings) Amplifier Output Power (per driver) HF: 100 W MF: 100 W LF: 500 W Amplifier Class (per driver) HF: Class AB MF: Class D LF: Class D Maximum SPL 111 dB (measured at 1 m) Wireless Streaming Features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming Services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcasts Input Resolution Network up to 24bit/384kHz Optical up to 24bit/96kHz Coaxial up to 24bit/192kHz HDMI up to 24bit/192kHz Interspeaker Connection Wireless: all sources resampled to 24bit/96kHz PCM Wired: all sources resampled to 24bit/192kHz PCM Supported Format Types (all inputs) FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Supported Format (network) MQA, DSD Power Input 100 – 240VAC 50/60Hz Power Consumption 450W (operating power) <2.0W (standby power) Inputs (Primary Speaker) HDMI eARC TOSLINK Optical Digital Coaxial Analog RCA USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs (Secondary Speaker) USB Type A (service) RJ45 Ethernet (interspeaker) Output (Primary Speaker) RCA Subwoofer output Output (Secondary Speaker) RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz

Key Features All-in-one wireless speaker system Stream from a number of services including Amazon Music, Tidal and Spotify Apple Airplay 2 and Google Chromecast enable easy integration into home ecosystems An HDMI and USB-C port offers connection to TVs and laptops Stream hi-res audio - DSD, MQA and PCM files up to 24-bit/384kHz "The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separates set-up brings. Nothing else really comes close at this level." Perfect for living room, home office and studio, the LSXII offers all-encompassing file support accommodating DSD, MQA and PCM files up to 24-bit/384kHz gifting hi-res brilliance for unmatched detailing and a listening environment that will be blessed with pristine and natural sound reproduction. KEF's proprietary 11th Generation Uni-Q drivers are driven by the advanced Music Integrity Engine and have been optimised for improved clarity and a tighter, more accurate sound compared to its predecessor. The KEF LSX IIs typify flexibility, convenience and adaptability and with the KEF Connect app providing instant control of your setup you can enjoy what over 60 years of loudspeaker design has to offer. 11th Generation Uni-Q Driver The drivers used in the LSXII are KEF's proprietary 11th generation Uni-Q driver array that has been specially tuned for this system. The tweeter is placed at the precise centre of the woofer for more natural sound reproduction eliminating any kind of "sweet spot" associated with generic two-way speakers for accurate and pristine sound for all. With a combined 200 watts of system power each tweeter and woofer has its own dedicated amp for room-filling sound typical of much larger units. All of this is backed up by the Music Integrity Engine, a collection of cutting-edge algorithms that offers perfectly timed performance with improved clarity and a tight, accurate sound. Impeccable Design Created in collaboration with renowned industrial designer Michael Young, the aesthetic of the LSXII combines perfectly with its pristine and accurate sound. every aspect has been meticulously pooled over from the elegant rear panel to the subtle design accents on the drivers and ports. A choice of 5 stunning finishes ensures a perfect pairing for any environment or lifestyle. Mineral White and Lava Red models are finished with satin and gloss spray, while Carbon Black and Cobalt Blue are clad in a specially designed fabric from Danish contemporary textile designer, Kvadrat whilst The Soundwave by Terence Conran Edition sees the ‘soundwave’ pattern is woven into the same unique fabric. User-focused Made complete by the KEF Connect app, your experience will be optimised to get you started straight out of the box. It will guide you through setup, offer intuitive control of your system, integrate all your streaming services in one place and offer you sound settings for tailored audio in your room. The Room EQ DSP fine-tunes to your room and personal tastes and is just the beginning of the whole host of user-friendly features including volume settings, sensitivity adjustments, and the ability to select a source to wake it up when it comes on. You can use your system wirelessly or wired for complete versatility in placement without the need for cable clutter taking up any room and leaving you to enjoy the immersive full sound from any of your sources. What's in the box LSX II Power cords Interspeaker cable Remote control Quick Start Guide, warranty and safety information Features Wireless speakers supporting all major services and audio formats DSD, MQA and PCM up to 24bit/384kHz Offers comprehensive connectivity for your TV, laptop, and devices with a USB-C, HDMI ARC, 3.5mm jack with a subwoofer output for enhanced low-end Accurate pristine sound reproduction from KEF's 11th gen Uni-Q driver array Cutting-edge DSP algorithms drive the Musical Integrity Engine delivering a clear and tight sound System power: LF 70W class D, HF 30W class D, Max. SPL:102dB Intuitive onboard controls with free KEF Connect App for fast and simple set-up An optimised cabinet design offers an enhanced acoustic performance Mounting inserts make for easy installation on stands and wall brackets Model LSX II Drive units Uni-Q driver array: HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency range (-6dB) measured at 85dB/1m 49Hz – 47kHz *Depends on EQ settings Frequency response (±3dB) measured at 85dB/1m 54Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 70W HF: 30W Amplifier class (per speaker) LF: Class D HF: Class D Max SPL measured at 1m 102 dB Wireless streaming features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit USB Type C up to 192kHz/24bit HDMI up to 1.411Mbps PCM *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 48kHz/24bit PCM Wired: all sources resampled to 96kHz/24bit PCM Supported format (network) MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Dimensions (HWD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 7.2kg (15.6lbs) Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Connections Inputs HDMI ARC TOSLINK Optical USB Type C Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Output RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

The LS60's sound profile is smooth, consistent, and extremely natural, delivering an incredibly accurate and immersive listening experience. Taking advantage of KEF's innovative technologies, the Single Apparent Source design utilises precise driver calibration to ensure that the entire frequency spectrum appears to radiate from a single point. Taken from their flagship Blade speaker, this feature gives these wireless floorstanding speakers highly accurate imaging and accurate sound across larger space. The LS60's drivers are built with KEF's Uni-Q® driver array, which places its vented tweeter in the acoustic centre of the cone. This combined with their Uni-Core™ woofer design which improves force cancelling drivers to output deeper, accurate bass from smaller cabinets makes these speakers sound truly excellent at all times. This one-two punch of innovative driver design ensures that the LS60's sound is consistent no matter where you are in the room. No more hunting for the best position, your entire space has now become one large sweet spot. The final unique characteristic of the LS60's sound is its Metamaterial Absorption Technology (MAT™). MAT is a complex, winding structure that eliminates unwanted sound from the rear of the speaker drivers, delivering a pure and realistic sound that you'll get lost in instantaneously. Loading a single speaker with all of this staggering technology makes the LS60's some of the most natural sounding floorstanding speakers available. Featuring not just one, but four unique technical innovations in a pair of speakers, the LS60 deliver acoustic excellence for any occasion. Celebrating 60 Years of Innovation LS60 Wireless combines all of KEF's core technology to provide one of the most technologically advanced wireless floorstanding speakers. Designed in Collaboration with Michael Young Minimalistic, and futuristic, the LS60's physical design reflects what KEF are aiming to achieve sonically. The LS60 look and feel natural, and sleek. Single Apparent Source Technology Utilising precise calibration of their drivers, the LS60 gives exceedingly coherent sound that appears to come from a single point, delivering detailed stereo information and accurate sound across a larger space. Uni-Q Driver Design By placing the tweeter accurately at the acoustic centre of the bass/midrange drivers, both units act together as a single point source. This makes for a more even sound distribution, eliminating the need for sweet spots. The LS60 sounds its best absolutely everywhere. Uni-Core Speaker Cones KEF's engineers have iterated on typical force cancelling speaker cones by combining the traditional back-to-back drivers into a single motor system. The overlapping voice coils deliver improved driver excursion, giving low frequencies more depth and output in smaller cabinets. Metamaterial Absorption Technology MAT™ is an advanced, maze-like structure that eliminates unwanted sound from the rear of the driver, giving pure, realistic sound. Designed in collaboration with the Acoustic Metamaterials Group, this feature revolutionises loudspeaker design. Music Integrity Engine The Music Integrity Engine, having been the heart of KEF's previous LS50 Wireless II is a collection of bespoke Digital Signal Processing algorithms. These algorithms are optimised for the Uni-Q drivers, making them deliver a perfectly timed performance, improving imaging and tightening sound for snappy, clear transients. Advanced Amplification The LS60's built-in amplifiers deliver a total of 1400 W of amplification. Class A/B tweeter amplification provides smooth, nuanced treble that fits the LS60's natural, realistic sound. Then, dedicated Class D amplification powering the mid and bass drivers assure powerful, but controlled and articulate low-frequencies. Comprehensive Connectivity The LS60 supports audio streaming from a wide variety of formats. All major music streaming services, a wide range of supported audio formats, and wireless streaming via Chromecast, Bluetooth, or Roon are all options. Plus, wired HDMI, optical, coaxial, and RCA connections, as well as subwoofer outputs allow you to expand and use your system however suits you. Dimensions (HWD per speaker) 1090 x 212 x 394 mm (42.9 x 8.3 x 15.5 in.) with plinth 1042 x 130 x 321 mm (41.0 x 5.1 x 12.6 in.) without plinth Weight (per set) 62.4 kg (138 lbs) Drive Units (per driver) HF: 19 mm (0.75 in.) vented aluminium dome with Metamaterial Absorption Technology MF: 100 mm (4 in.) aluminium cone LF: 4 x 135 mm (5.25 in.) Uni-Core Force Cancelling Driver Frequency Range (-6 dB) 26 Hz - 36 kHz (measured at 85 dB/1 m, depends on EQ settings) Frequency Range (±3 dB) 31 Hz - 24 kHz (measured at 85 dB/1 m, depends on EQ settings) Amplifier Output Power (per driver) HF: 100 W MF: 100 W LF: 500 W Amplifier Class (per driver) HF: Class AB MF: Class D LF: Class D Maximum SPL 111 dB (measured at 1 m) Wireless Streaming Features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming Services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcasts Input Resolution Network up to 24bit/384kHz Optical up to 24bit/96kHz Coaxial up to 24bit/192kHz HDMI up to 24bit/192kHz Interspeaker Connection Wireless: all sources resampled to 24bit/96kHz PCM Wired: all sources resampled to 24bit/192kHz PCM Supported Format Types (all inputs) FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Supported Format (network) MQA, DSD Power Input 100 – 240VAC 50/60Hz Power Consumption 450W (operating power) <2.0W (standby power) Inputs (Primary Speaker) HDMI eARC TOSLINK Optical Digital Coaxial Analog RCA USB Type A (service) RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Inputs (Secondary Speaker) USB Type A (service) RJ45 Ethernet (interspeaker) Output (Primary Speaker) RCA Subwoofer output Output (Secondary Speaker) RCA Subwoofer output Wi-Fi Network Standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi Network Frequency Band Dual-band 2.4 GHz / 5 GHz

Key Features All-in-one wireless speaker system Stream from a number of services including Amazon Music, Tidal and Spotify Apple Airplay 2 and Google Chromecast enable easy integration into home ecosystems An HDMI and USB-C port offers connection to TVs and laptops Stream hi-res audio - DSD, MQA and PCM files up to 24-bit/384kHz "The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separates set-up brings. Nothing else really comes close at this level." Perfect for living room, home office and studio, the LSXII offers all-encompassing file support accommodating DSD, MQA and PCM files up to 24-bit/384kHz gifting hi-res brilliance for unmatched detailing and a listening environment that will be blessed with pristine and natural sound reproduction. KEF's proprietary 11th Generation Uni-Q drivers are driven by the advanced Music Integrity Engine and have been optimised for improved clarity and a tighter, more accurate sound compared to its predecessor. The KEF LSX IIs typify flexibility, convenience and adaptability and with the KEF Connect app providing instant control of your setup you can enjoy what over 60 years of loudspeaker design has to offer. 11th Generation Uni-Q Driver The drivers used in the LSXII are KEF's proprietary 11th generation Uni-Q driver array that has been specially tuned for this system. The tweeter is placed at the precise centre of the woofer for more natural sound reproduction eliminating any kind of "sweet spot" associated with generic two-way speakers for accurate and pristine sound for all. With a combined 200 watts of system power each tweeter and woofer has its own dedicated amp for room-filling sound typical of much larger units. All of this is backed up by the Music Integrity Engine, a collection of cutting-edge algorithms that offers perfectly timed performance with improved clarity and a tight, accurate sound. Impeccable Design Created in collaboration with renowned industrial designer Michael Young, the aesthetic of the LSXII combines perfectly with its pristine and accurate sound. every aspect has been meticulously pooled over from the elegant rear panel to the subtle design accents on the drivers and ports. A choice of 5 stunning finishes ensures a perfect pairing for any environment or lifestyle. Mineral White and Lava Red models are finished with satin and gloss spray, while Carbon Black and Cobalt Blue are clad in a specially designed fabric from Danish contemporary textile designer, Kvadrat whilst The Soundwave by Terence Conran Edition sees the ‘soundwave’ pattern is woven into the same unique fabric. User-focused Made complete by the KEF Connect app, your experience will be optimised to get you started straight out of the box. It will guide you through setup, offer intuitive control of your system, integrate all your streaming services in one place and offer you sound settings for tailored audio in your room. The Room EQ DSP fine-tunes to your room and personal tastes and is just the beginning of the whole host of user-friendly features including volume settings, sensitivity adjustments, and the ability to select a source to wake it up when it comes on. You can use your system wirelessly or wired for complete versatility in placement without the need for cable clutter taking up any room and leaving you to enjoy the immersive full sound from any of your sources. What's in the box LSX II Power cords Interspeaker cable Remote control Quick Start Guide, warranty and safety information Features Wireless speakers supporting all major services and audio formats DSD, MQA and PCM up to 24bit/384kHz Offers comprehensive connectivity for your TV, laptop, and devices with a USB-C, HDMI ARC, 3.5mm jack with a subwoofer output for enhanced low-end Accurate pristine sound reproduction from KEF's 11th gen Uni-Q driver array Cutting-edge DSP algorithms drive the Musical Integrity Engine delivering a clear and tight sound System power: LF 70W class D, HF 30W class D, Max. SPL:102dB Intuitive onboard controls with free KEF Connect App for fast and simple set-up An optimised cabinet design offers an enhanced acoustic performance Mounting inserts make for easy installation on stands and wall brackets Model LSX II Drive units Uni-Q driver array: HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency range (-6dB) measured at 85dB/1m 49Hz – 47kHz *Depends on EQ settings Frequency response (±3dB) measured at 85dB/1m 54Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 70W HF: 30W Amplifier class (per speaker) LF: Class D HF: Class D Max SPL measured at 1m 102 dB Wireless streaming features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit USB Type C up to 192kHz/24bit HDMI up to 1.411Mbps PCM *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 48kHz/24bit PCM Wired: all sources resampled to 96kHz/24bit PCM Supported format (network) MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Dimensions (HWD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 7.2kg (15.6lbs) Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Connections Inputs HDMI ARC TOSLINK Optical USB Type C Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Output RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

Key Features Pair of speakers - All-in-one wireless system Stream from a number of services including Amazon Music, Tidal and Spotify Apple Airplay 2 and Google Chromecast enable easy integration into home ecosystems An HDMI and USB-C port offers connection to TVs and laptops Stream hi-res audio - DSD, MQA and PCM files up to 24-bit/384kHz Perfect for living room, home office and studio the LSXII offers all-encompassing file support accommodating DSD, MQA and PCM files up to 24-bit/384kHz gifting hi-res brilliance for unmatched detailing and a listening environment that will be blessed with pristine and natural sound reproduction. KEF's proprietary 11th Generation Uni-Q drivers are driven by the advanced Music Integrity Engine and have been optimised for improved clarity and a tighter, more accurate sound compared to its predecessor. The KEF LSX IIs typify flexibility, convenience and adaptability and with the KEF Connect app providing instant control of your setup you can enjoy what over 60 years of loudspeaker design has to offer. What Hi-Fi? 5 stars "The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separates set-up brings. Nothing else really comes close at this level." 11th Generation Uni-Q Driver The drivers used in the LSXII are KEF's proprietary 11th generation Uni-Q driver array that has been specially tuned for this system. The tweeter is placed at the precise centre of the woofer for more natural sound reproduction eliminating any kind of "sweet spot" associated with generic two-way speakers for accurate and pristine sound for all. With a combined 200 watts of system power each tweeter and woofer has its own dedicated amp for room-filling sound typical of much larger units. All of this is backed up by the Music Integrity Engine, a collection of cutting-edge algorithms that offers perfectly timed performance with improved clarity and a tight, accurate sound. Impeccable Design Created in collaboration with renowned industrial designer Michael Young, the aesthetic of the LSXII combines perfectly with its pristine and accurate sound. every aspect has been meticulously pooled over from the elegant rear panel to the subtle design accents on the drivers and ports. A choice of 5 stunning finishes ensures a perfect pairing for any environment or lifestyle. Mineral White and Lava Red models are finished with satin and gloss spray, while Carbon Black and Cobalt Blue are clad in a specially designed fabric from Danish contemporary textile designer, Kvadrat whilst The Soundwave by Terence Conran Edition sees the ‘soundwave’ pattern is woven into the same unique fabric. User-focused Made complete by the KEF Connect app, your experience will be optimised to get you started straight out of the box. It will guide you through setup, offer intuitive control of your system, integrate all your streaming services in one place and offer you sound settings for tailored audio in your room. The Room EQ DSP fine-tunes to your room and personal tastes and is just the beginning of the whole host of user-friendly features including volume settings, sensitivity adjustments, and the ability to select a source to wake it up when it comes on. You can use your system wirelessly or wired for complete versatility in placement without the need for cable clutter taking up any room and leaving you to enjoy the immersive full sound from any of your sources. Mounting options (sold separately) KEF B1 Wall Brackets (Pair), Black KEF B1 Wall Brackets (Pair), Silver KEF S1 Floor Stands (Pair), Black KEF S1 Floor Stands (Pair), White KEF P1 Desk Pad Stands (Pair), Black KEF P1 Desk Pad Stands (Pair), Silver What's in the box LSX II Power cords Interspeaker cable Remote control Quick Start Guide, warranty and safety information Features Wireless speakers supporting all major services and audio formats DSD, MQA and PCM up to 24bit/384kHz Offers comprehensive connectivity for your TV, laptop, and devices with a USB-C, HDMI ARC, 3.5mm jack with a subwoofer output for enhanced low-end Accurate pristine sound reproduction from KEF's 11th gen Uni-Q driver array Cutting-edge DSP algorithms drive the Musical Integrity Engine delivering a clear and tight sound System power: LF 70W class D, HF 30W class D, Max. SPL:102dB Intuitive onboard controls with free KEF Connect App for fast and simple set-up An optimised cabinet design offers an enhanced acoustic performance Mounting inserts make for easy installation on stands and wall brackets Model LSX II Drive units Uni-Q driver array: HF: 19mm (0.75in.) aluminium dome LF/MF: 115mm (4.5in.) magnesium/aluminium alloy cone Frequency range (-6dB) measured at 85dB/1m 49Hz – 47kHz *Depends on EQ settings Frequency response (±3dB) measured at 85dB/1m 54Hz – 28kHz *Depends on EQ settings Amplifier output power (per speaker) LF: 70W HF: 30W Amplifier class (per speaker) LF: Class D HF: Class D Max SPL measured at 1m 102 dB Wireless streaming features AirPlay 2 Google Chromecast Roon Ready UPnP Compatible Bluetooth 4.2 Streaming services Spotify via Spotify Connect Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast *Depends on services availability in different countries Source resolution Network up to 384kHz/24bit Optical up to 96kHz/24bit USB Type C up to 192kHz/24bit HDMI up to 1.411Mbps PCM *Depends on source resolution Interspeaker connection Wireless: all sources resampled to 48kHz/24bit PCM Wired: all sources resampled to 96kHz/24bit PCM Supported format (network) MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis Dimensions (HWD per speaker) 240 × 155 × 180 mm (9.5 × 6.1 × 7.1 in.) Weight (per set) 7.2kg (15.6lbs) Power input 100 – 240VAC 50/60Hz Power consumption 200W (operating power) <2.0W (standby power) Connections Inputs HDMI ARC TOSLINK Optical USB Type C Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) Output RCA Subwoofer output Wi-Fi network standard IEEE 802.11a/b/g/n/ac IPv4, IPv6 Wi-Fi network frequency band Dual-band 2.4 GHz / 5 GHz

ovo je lot od 32 broja ruskog knjizevno - umetnickog casopisa PEREZVONI (zvona) tacnije 31 sveska - brojevi 7 i 8 su izasli kao dvobroj ruska emigracija u latviji - riga izdavac : salamander naslovna strana : ilustracija M. Dobuzhinsky format : 29,5 x 22,5 cm, tezina oko 4 kg stanje lose. nedostaju pojedine reprodukcije, fleke nepoznato mi je koliko je brojeva izaslo. ovde (od 1 do 43) nedostaju brojevi : 1,3,9,12,14,18,20,23,25,26,30 i 33. rusija, emigracija,periodika samo srbija ove casopise ne saljem u inostranstvo serbia only I do not send these magazines abroad ---------------------------------- Било је потребно да прође стотину година да бисмо почели да се занимамо за Русе који су после 1918. дошли у наш град. Њихов утицај на развој друштва, науке, образовања и културе био је велики и зато је важно да сада, када је јавност заинтересована за ову тему, сазнамо праве чињенице о руској емиграцији у Србију. Велику победу у Првом светском рату Србија је несразмерно скупо платила јер се процењује да смо изгубили чак око 60 одсто мушке популације, између 1,1 и 1,3 милиона људи, односно трећину укупног становништва. Таква изнурена, рањена и сељачка Србија ушла је 1918. године неспремна у државну заједницу са Словенијом и Хрватском, које нису претрпеле ратна разарања и биле су привредно напредније. Сматра се да је око два милиона Руса напустило своју земљу после Октобарске револуције и пораза у грађанском рату. Око 40.000 дошло их је у Краљевину Срба, Хрвата и Словенаца, највише у Београд и друге веће српске градове. Краљ Александар је руске емигранте дочекао раширених руку због посебног односа са убијеним руским царем Николајем, који му је био кум. Уосталом, и краљ и принц Ђорђе били су руски кадети, а прича се да је Олга, једна од кћерки цара Николаја, била обећана југословенском монарху за супругу. Какав је однос руска царска породица имала према Александру Карађорђевићу говори и чињеница да је Марија Фјодоровна, мајка цара Николаја, завештала југословенском монарху икону Пресвете Богородице Филермоса, коју је насликао свети апостол Лука, шаку Светог Јована Крститеља и делић Часног крста. Те светиње предате су краљу Александру 1928. године после смрти руске царице у Копенхагену, а чуване су у посебној крипти на Белом двору. О структури руских емиграната сведоче подаци које је објавио Николај Степанов, дипломирани историчар Државног универзитета у Нижњем Новгороду. Он наводи да је само на једном од бродова који је упловио у Боку било 30 генерала, професора, доктора. Према Степанову, више од половине придошлих Руса били су војна лица и државни службеници, око 30 одсто радило је у привреди, а 14 одсто су били предавачи, доктори, писци, свештенство и уметници, уз пет одсто административног кадра. Према овим подацима, њих 13 одсто имало је високу стручну спрему, а само три одсто било је без икаквог образовања. Веома брзо је на чело универзитетских катедри у Краљевини дошло чак 28 руских професора. Руски професори чинили су четвртину наставног кадра Београдског универзитета, а на Пољопривредном и Медицинском факултету чак половину. Основали су интерну клинику Медицинског факултета. Својој новој домовини Руси су дали дванаест акадмика Српске академије наука, попут Георгија Острогорског, једног од највећих византолога двадесетог века. Руски уметници обновили су балет и оперу Београдског народног позоришта, а најзначајнији су балерина Нина Кирсанова и сценограф Владимир Ждерински. Прву глумачку школу отворио је редитељ Јуриј Ракитин. Утицаји Ђорђа Лобачева на развој српског стрипа, Константина Константиновича Егера на развој мачевања, или сликара Степана Фјодоровича Колесникова на наше сликарство, били су непроцењиви. У Београду је радило више од педесет руских архитеката, међу којима су најзначајнији Николај Краснов, Сергеј Смирнов, Василиј Баумгартен, Јуриј Коваљевски, Роман Верховски, Валериј Сташевски и Василиј Андросов. Они су пројектовали велики број јавних зграда које постоје и данас, попут зграда Главне поште, Владе Србије, Министарства иностраних послова, старог Генералштаба, Белог двора, Патријаршије, Руског дома, Цркве Александра Невског и Цркве Свете Тројице. У Београду су издавани и превођени модерни руски писци као што су Борис Пиљњак, Данил Хармс, Иљф и Петров, који су били забрањени у СССР-у. За претежно неписмену земљу, чија половина становништва није знала да чита и пише, то свакако није била мала ствар. Рецимо, у Србију је дошло између 1.200 И 1.500 инжењера, а имали смо их око 500. Први декан машинског факултета био је академик Владимир Фармаковски. Први шеф пилота домаће авио-компаније „Аеропут“, претече ЈАТ-а и „Ер Србије“, био је Владимир Стрижевски, а за ту компанију летели су многи руски пилоти попут Михаила Јарошенка, Виктора Никитина и Леонида Бајдака. Бајдак је заједно са Тадијом Зондермајером 1927. године летео од Париза преко Београда до Бомбаја. Лет је у том тренутку био најдужи на свету, а организован је да би се јавност заинтересовала за акције компаније како би била купљена четири путничка авиона. Зондермајер је 1926. године био учесник последњег двобоја револверима у Србији, а противник му је био тада млади писац Милош Црњански. Руси су издавали своје возачке дозволе јер их Србија до њиховог доласка није имала, основали су такси службу и водили су све такси станице у Београду. ---------------------------------------------- White Russian émigrés were Russians who emigrated from the territory of the former Russian Empire in the wake of the Russian Revolution (1917) and Russian Civil War (1917–1923), and who were in opposition to the revolutionary Bolshevik communist Russian political climate. Many white Russian émigrés participated in the White movement or supported it, although the term is often broadly applied to anyone who may have left the country due to the change in regimes. Some white Russian émigrés, like Mensheviks and Socialist-Revolutionaries, were opposed to the Bolsheviks but had not directly supported the White Russian movement; some were apolitical. The term is also applied to the descendants of those who left and who still retain a Russian Orthodox Christian identity while living abroad.[citation needed] The term `émigré` is most commonly used in France, the United States, and the United Kingdom. A term preferred by the émigrés themselves was first-wave émigré (Russian: эмигрант первой волны, emigrant pervoy volny), `Russian émigrés` (Russian: русская эмиграция, russkaya emigratsiya) or `Russian military émigrés` (Russian: русская военная эмиграция, russkaya voyennaya emigratsiya) if they participated in the White Russian movement. In the Soviet Union, white émigré (белоэмигрант, byeloemigrant) generally had negative connotations. Since the end of the 1980s, the term `first-wave émigré` has become more common in Russia. In East Asia, White Russian is the term most commonly used for white Russian émigrés, even though with some being of Ukrainian and other ethnicities they are not all culturally Russians. Most white émigrés left Russia from 1917 to 1920 (estimates vary between 900,000 and 2 million), although some managed to leave during the 1920s and 1930s or were expelled by the Soviet government (such as, for example, Pitirim Sorokin and Ivan Ilyin). They spanned all classes and included military soldiers and officers, Cossacks, intellectuals of various professions, dispossessed businessmen and landowners, as well as officials of the Russian Imperial government and of various anti-Bolshevik governments of the Russian Civil War period. They were not only ethnic Russians but belonged to other ethnic groups as well. Most émigrés initially fled from Southern Russia and Ukraine to Turkey and then moved to other Slavic countries in Europe (the Kingdom of Yugoslavia, Bulgaria, Czechoslovakia, and Poland). A large number also fled to Estonia, Latvia, Lithuania, Finland, Iran, Germany and France. Some émigrés also fled to Portugal, Spain, Romania, Belgium, Sweden, Switzerland, and Italy. Berlin and Paris developed thriving émigré communities. Many military and civil officers living, stationed, or fighting the Red Army across Siberia and the Russian Far East moved together with their families to Harbin (see Harbin Russians), to Shanghai (see Shanghai Russians) and to other cities of China, Central Asia, and Western China. After the withdrawal of US and Japanese troops from Siberia, some émigrés traveled to Japan. During and after World War II, many Russian émigrés moved to the United Kingdom, the United States, Canada, Peru, Brazil, Mexico, Argentina, Chile, Colombia, South Africa and Australia – where many of their communities still exist in the 21st century. Many, estimated as being between the hundred thousands and a million, also served Germany in the Wehrmacht or in the Waffen-SS, often as interpreters. White émigrés were, generally speaking, anti-communist and did not consider the Soviet Union and its legacy to be representative of Russia but rather of an occupying force. They consider the period of 1917 to 1991 to have been a period of anti-Christian occupation by the Soviet regime. They used the pre-revolutionary tricolor (white-blue-red) as their flag, for example, and some organizations used the ensign of the Imperial Russian Navy. A significant percentage of white émigrés may be described as monarchists, although many adopted a position of being `unpredetermined` (`nepredreshentsi`), believing that Russia`s political structure should be determined by popular plebiscite. Many white émigrés believed that their mission was to preserve the pre-revolutionary Russian culture and way of life while living abroad, in order to return this influence to Russian culture after the fall of the USSR. Many symbols of the White émigrés were reintroduced as symbols of the post-Soviet Russia, such as the Byzantine eagle and the Russian tricolor. A religious mission to the outside world was another concept promoted by people such as Bishop John of Shanghai and San Francisco (canonized as a saint of the Russian Orthodox Church Abroad) who said at the 1938 All-Diaspora Council: To the Russians abroad it has been granted to shine in the whole world with the light of Orthodoxy, so that other peoples, seeing their good deeds, might glorify our Father Who is in Heaven, and thus obtain salvation for themselves. Many white émigrés also believed it was their duty to remain active in combat against the Soviet Union, with the hopes of liberating Russia. This ideology was largely inspired by General Pyotr Wrangel, who said upon the White army`s defeat `The battle for Russia has not ceased, it has merely taken on new forms`. White army veteran Captain Vasili Orekhov, publisher of the `Sentry` journal, encapsulated this idea of responsibility with the following words: There will be an hour – believe it – there will be, when the liberated Russia will ask each of us: `What have you done to accelerate my rebirth.` Let us earn the right not to blush, but be proud of our existence abroad. As being temporarily deprived of our Motherland let us save in our ranks not only faith in her, but an unbending desire towards feats, sacrifice, and the establishment of a united friendly family of those who did not let down their hands in the fight for her liberation. The émigrés formed various organizations for the purpose of combatting the Soviet regime such as the Russian All-Military Union, the Brotherhood of Russian Truth, and the NTS. This made the white émigrés a target for infiltration by the Soviet secret police (e.g. operation TREST and the Inner Line). Tens of White army veterans (numbers vary from 72 to 180) served as volunteers supporting Francisco Franco during the Spanish Civil War. Some white émigrés, labeled `Soviet patriots,` adopted pro-Soviet sympathies. These people formed organizations such as the Mladorossi, the Evraziitsi, and the Smenovekhovtsi. After 1933, there were attempts to copy the NSDAP and cozy up to the German National Socialists, thus the short-lived parties such as the ROND (Russian Popular Liberation Movement) came into existence in Germany. One of the most notable forms of activities by Russian émigrés was building monuments to Russian war dead of World War I, which stood in marked contrast to the Soviet Union, which did not build any monuments to the 2 million Russians killed between 1914 and 1917, as the war had been condemned by Lenin as an `imperialist war`. Besides for the war dead, other monuments were put up. In Brussels, Seattle, and Harbin, monuments were built to honor the executed Emperor Nicholas II while a monument was put up in Shanghai to honor Alexander Pushkin, Russia`s national poet. In fact, a monument to Pushkin would have been built in Paris had not a dispute arisen with the Ministry of Fine Arts over its precise location. The popularity of monuments for the war dead reflected not only sadness over the war dead, but also a way to bring together the often badly divided émigré communities shattered across Europe, Asia and North America. Monuments for the war dead were often a way to symbolically recreate Russia abroad with example at the monument for those Russians killed while serving in the Russian Expeditionary Force (REF) in France at village of Mourmelon-le-Grand having a hermitage built near it together with transplanted fir trees and a Russian style farm to make it look like home. To built community consensus around the war memorials, the design of the memorials were deliberately kept simple with no sculpture which could be given a symbolic meaning, thereby ensuring that no particular interpretation of the war could be put forward other than grief over the war dead. The design of Orthodox churches at the war memorials was done in the style of medieval Orthodox churches in Novgorod and Pskov as this architectural style was seen as politically neutral and hence able to bring the communities together better. Both left-wing and right-wing émigré who otherwise passionately disagreed came together to honor the war dead of World War I, which was virtually the only occasions when overseas Russian communities could all come together, explaining why such memorial services were so important to the émigré communities. The neo-classical style which typically adorned war memorials in Imperial Russia was consciously avoided as building a war memorial in that style was viewed as expressing support for restoring the monarchy. The sense of loss was not only for those the war monuments honored, but due to the sense of loss caused by defeat with a columnist in an émigré newspaper in Paris writing about the dedication of a memorial to the REF in 1930: `We lost everything - family, economic situation, personal happiness, the homeland...Are our sufferings good to anyone? In truth-we have nothing, we have lost everything. Weep, weep`. Such monuments were also a way of commanding respect from the host communities with an émigré newspaper saying in 1930: `Peoples honor heroes. To the living: care, to the dead: memory. We in a foreign land do not have a tomb of an `unknown soldier`, but we do have thousands of suffering people. They are our honor and our justification (opravdanie) before the world. Their wounds and suffering are for Russia. They remain true to honor and obligation. That is our Russian passport`. This was especially the case in France, the home of the largest overseas Russian community, where services honoring the events of World War I were a major part of French life after 1918, and where by honoring the Russian war dead allowed the Russian émigrés in France to take part in the ceremonials, letting the émigrés feel like a part of the wider French community. In 1927, the Orthodox Metropolitan Evlogii when he spoke at the war monument in Valenciennes: `Blood spilled on the soil of beautiful and glorious France is the best atmosphere to unite France forever with a Russia national and worthy`. The fact that the crosses of the Russians buried in France were painted white-the color of the French war dead and allies-while the crosses of the German war dead were painted black was widely noticed within the Russian community in France as a sign that the French regarded them as allies. In Czechoslovakia and Yugoslavia, war memorials to the Russian war dead were presented in Pan-Slavic terms, as a symbol of how Russians had fought together with the Czechs and Serbs in the war. Serbian King Alexander of Yugoslavia was a Russophile who welcomed Russian émigrés to his kingdom, and after France, Yugoslavia had the largest Russian émigré community, leading to Yugoslavia to have almost as many war memorials to the Russian war dead as France. War memorials in Yugoslavia usually also honored both Serbian war dead and the members of the Czechoslovak Legions who died in the war, giving them a decidedly pan-Slavic feel. A planned Orthodox church to honor the Russian prisoners who died in an Austrian POW camp outside Osijek would have featured busts of the Emperor Nicholas II, King Peter I and King Alexander to emphasis how the Houses of Romanov and Karađorđević had been allied in the war, linking the Russian and Serbian experiences of the war. Between 1934 and 1936, an ossuary containing the bones of Russian soldiers killed all over the world was built in the Novo Groblje cemetery in Belgrade, which used to illustrate the theme of Serbian-Russian friendship, and which King Alexander contributed 5,000 dinars to meet the construction costs. When the memorial was opened in 1936, the Patriarch Varnava of the Serbian Orthodox Church declared in a speech opening it: `The Russians bore great sacrifices on our account wishing to defend Serbs at a time when powerful enemies attacked tiny Serbia from all sides. And the great Slavic soul of the Russians did not allow it to be looked upon with indifference that a fraternal Slavic people should perish`. Karel Kramář, a wealthy conservative Czechoslovak politician and a Russophile worked together with Russian émigrés to build an Orthodox church in Prague which Kramář called in his opening speech `a monument of Slavic connection` and to `remind Russians not only of their former sufferings but also about the recognition on the side of the Slavs`. A service at the Russian war memorial in Terezin in 1930 turned into `a Russian-Czech political demonstration in a manifestation of Slavic mutuality` with the theme that the Russians had died so that the Czechs might be free. Prague had a large community of Russian émigrés, and by constantly linking the Russian experience of World War I to the experiences of the Czechoslovak Legions was a way of asserting that the Russians had helped to make Czechoslovakia possible. In Germany, right-wing émigrés found much to their own frustration that right-wing German veterans shunned their offers to participate in Totensonntag (`Day of the Dead`) as German conservatives did not wish to honor the sacrifices of those who had fought against Germany, and it was left-wing German veterans, usually associated with Social Democratic Party, who welcomed having Russians participate in Totensonntag to illustrate the theme that all peoples in the nations involved in the First World war were victims.[18] In Germany, November 11 was not a holiday as no one wanted to honor the day that the Reich lost the war, and Totensonntag played the same role in Germany that November 11 played in the Allied nations, as the time to honor the war dead. The anti-war and internationalist message at the Totensonntag ceremonies organized by the SPD did not sit well with right-wing Russian émigrés found themselves rather out of place at these ceremonies. The city of Harbin in China was founded by the Russians in 1896, becoming known the `Moscow of the Orient` due to its Russian appearance, and after the Revolution its Russian population was further reinforced by émigrés, through the majority of the Russians living in Harbin were people who had come before World War I. About 127,000 people living in Harbin in 1920 came from Russia, making it one of the largest Russian-speaking cites in East Asia. Many of the Russians in Harbin were wealthy, and the city was a center of Russian culture as the Russian community in Harbin made it their mission to preserve the pre-war Russian culture in a city on the plains of Manchuria with for instance Harbin having two opera companies and numerous theaters performing the traditional classics of the Russian stage. The economic success of the Russians in Harbin often surprised foreign visitors who assumed that they should be poor, leading one visitor in 1923 to comment that Russian “ladies as well gowned as at the Paris races [who] strolled with men faultlessly garbed by European standards”, leading him to wonder how they achieved this `deceptive appearance`. The extent of Russian economic dominance of Harbin could be seen that “Moya-tvoya`, a pidgin language combining aspects of Russian and Mandarin Chinese which developed in the 19th century when Chinese went to work in Siberia was considered essential by the Chinese merchants of Harbin. White émigrés fought with the Soviet Red Army during the Soviet invasion of Xinjiang and the Xinjiang War of 1937. During World War II, many white émigrés took part in the Russian Liberation Movement. The main reason that pushed the Whites to support the German power with action was the concept of a `spring offensive`, an armed intervention against the USSR that must be exploited in order to continue the civil war. The latter was perceived by many Russian officers as an ongoing case that was never finished since the day of their exile.[26] During the war, the white émigrés came into contact with former Soviet citizens from German-occupied territories who used the German retreat as an opportunity to either flee from the Soviet Union, or were in Germany and Austria as POWs and forced labor, and preferred to stay in the West, often referred to as the second wave of émigrés (often also called DPs – displaced persons, see Displaced persons camp). This smaller second wave fairly quickly began to assimilate into the white émigré community. After the war, active anti-Soviet combat was almost exclusively continued by NTS: other organizations either dissolved, or began concentrating exclusively on self-preservation and/or educating the youth. Various youth organizations, such as the Scouts-in-Exile became functional in raising children with a background in pre-Soviet Russian culture and heritage. The white émigrés formed the Russian Orthodox Church Abroad in 1924. The church continues its existence to this day, acting as both the spiritual and cultural center of the Russian Orthodox community abroad. On 17 May 2007, the Act of Canonical Communion with the Moscow Patriarchate reestablished canonical ties between the Russian Orthodox Church Abroad and the Russian Church of the Moscow Patriarchate, after more than 80 years of separation. White émigrés, called `White Russians` in East Asia, flooded into China after World War I and into the early 1920s. Most of the Russians went to Manchuria (especially in Harbin, which at the time had the largest population of Russians of any city outside Russia) and treaty ports such as Shanghai, but a few ended up in Beijing. In 1924, the Chinese government recognized the government of the Soviet Union and the majority of White Russians in China who refused to become Soviet citizens were rendered stateless, thus subject to Chinese law unlike other Europeans, Americans, and Japanese living in China who enjoyed the principles of extraterritoriality. Nor were White Russians born in China eligible to be Chinese citizens. Although some of the White Russians arrived with their fortunes intact, most were penniless and due to ethnic prejudices and their inability to speak Chinese, were unable to find jobs. To support themselves and their families, some of the younger women became prostitutes or taxi dancers. They were popular with both foreign men, there being a shortage of foreign women, and Chinese men. A League of Nations survey in Shanghai in 1935 found that 22% of Russian women between 16 and 45 years of age were engaging in prostitution to some extent. The White Russian women mostly worked in the `Badlands` area adjoining the Beijing Legation Quarter on the east, centered on Chuanban Hutong (alley). The American explorer Roy Chapman Andrews said he frequented the `cafes of somewhat dubious reputation` with the explorer Sven Hedin and scientist Davidson Black to `have scrambled eggs and dance with the Russian girls.` Some did find professional work, teaching music or French. Other women took work as dressmakers, shop assistants and hairdressers. Many men became career soldiers of the Shanghai Russian Regiment, the only professional/standing unit within the Shanghai Volunteer Corps. By slow degrees, and despite the many difficulties, the community not only retained a good deal of cohesion but did begin to flourish, both economically and culturally. By the mid-1930s there were two Russian schools, as well as a variety of cultural and sporting clubs. There were Russian-language newspapers and a radio station. An important part was also played by the local Russian Orthodox Church under the guidance of St. John of Shanghai and San Francisco. Approximately 150,000 White Russians, including princes, princesses, generals and senior officers, fled to the Ottoman Empire in the wake of the Revolution. Istanbul, which had a population of around 900,000 at that time, opened its doors to approximately 150 thousand White Russians. The parties to the war migration in 1917 were neither Crimean Turks nor Caucasian Muslims. This time, those who took refuge in Istanbul were the `nobles` and soldiers of Tsarist Russia, who had fought the Ottomans for centuries. The immigration, which started with small groups at the end of 1917, grew with the loss of Crimea to the Bolsheviks in 1920. Tens of thousands of people who left their titles, money and palaces in Russia and came to Istanbul tried to hold on to life by dispersing all over the city. Some sold books, some handcrafted souvenirs and some flowers. The place, formerly known as Hristaki Passage, became known as Çiçek Pasajı after the Russian flower girls took up residence. Russian refugees. Those who arrived in 1919 were better off economically. The first arrivals found some jobs in the French and British representations, commissions, or alongside them in civil service, translator, or even military or security units in Istanbul.