Odlično očuvano! Retko u ponudi! Prvo izdanje iz 1979. Autor - osoba Despotov, Vojislav Naslov Perač sapuna / Vojislav Despotov Vrsta građe poezija Jezik srpski Godina 1979 Izdavanje i proizvodnja Novi Sad : Matica srpska, 1979 (Novi Sad : Budućnost) Fizički opis 61 str. ; 22 cm Napomene Tiraž 1000 Beleška o piscu: str. 59. Vojislav Despotov rođen je 1950. u Zrenjaninu, umro je 2000. godine u Beogradu. Živeo je u Novom Sadu. Bio je vlasnik i urednik prvog jugoslovenskog privatnog časopisa za književnost HEY JOE. Prevodio je sa engleskog, nemačkog i slovenačkog jezika. Radio je kao urednik dramskog programa u Radio Novom Sadu. Objavio je knjige pesama: Prvo, tj. pesmina slika reči (1972), Dnjižepta bibil zizra uhunt (1976), Trening poezije (1978), Perač sapuna (1979), Pada dubok sneg (1986), Prljavi snovi (1988), Veseli pakao evropoezije (1990), Deset deka duše (1994) i Veseli pakao poezije (izabrane pesme, 1996), esejistički spev Neočekivan čovek (1992), romane: Mrtvo mišljenje (1989), Petrovgradska prašina (1990), Jesen svakog drveta (1997), Andraci, jepuri i ostala najvažnija čudovišta Petrovgrada i Srednjeg Banata (1998), Evropa broj 2 (1998) i Drvodelja iz Nabisala (1990), kao i knjigu eseja Vruć pas (1985). Pisao je i radio i TV drame. Prevodio je sa engleskog, nemačkog i slovenačkog jezika. Jedna književna nagrada nosi njegovo ime. postmoderna književnost, neoavangarda, vojvođanska avangarda, čekić tautologije... avangarda neoavangarda vujica resin tucic signalizam miroljub todorovic kopicl konkretna vizuelna poezija serbian yugoslavian avant-garde concrete visual poetry judita salgo katalin ladik slavko matkovic KC (L)

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)...

U dobrom stanju! Redje u ponudi! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh

U dobrom stanju! Dve knjige su u pitanju, jedna na Madjarskom jedna na Srpskom Redje u ponudi! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh

Prvo izdanje, odlično očuvano, s posvetom Blaža Šćepanović. Izuzetno retko! Autor - osoba Šćepanović, Blažo Naslov Smrt pjesnikova / Blažo Šćepanović Vrsta građe poezija Jezik srpski Godina 1961 Izdavanje i proizvodnja Beograd : Nolit, 1961 (Beograd : Prosveta) Fizički opis 107 str. ; 19 cm Zbirka Savremeni jugoslovenski pisci. Poezija Kako su se udavili pesnici Blažo Šćepanović i Lazar Vučković i kakvu ulogu je u tome imao Oskar Davičo, za Nova.rs otkriva pesnik Ljubiša Đidić, svedok tragičnog događaja. „Struške večeri poezije“ u Strugi na Ohridskom jezeru, jedan su od najstarijih i svakako jedan od najvažnijih pesničkih susreta u nekadašnjoj Jugoslaviji, koji se održava od 1962, a od 1966. i kao internacionalni festival poezije. Tamo se baš 1966, pre 55 godina, 26. avgusta dogodila jedna od najvećih tragedija za jugoslovensku književnost i pesništvo, udavila su se dvojica mladih pesnika, Blažo Šćepanović (32) i Lazar Vučković (29). Čamac u kojem su bili još i legendarni Oskar Davičo, pesnik iz Prištine Fahredin Gunga i novinar Milan Matić, od težine se prevrnuo, a Blažo i Lazar nisu isplivali. Iako je Šćepanović bio plivač, nije uspeo da se spase jer ga je Lazar, neplivač, u očajničkoj borbi za život uhvatio čvrsto za noge i tako su obojica stradali. – Bio je mali čamac koji je okupio pesnike oko Oskara Daviča, koji je tada bio ne samo sjajan pesnik, već je bio i član Centralnog komiteta. Oko njega se sve vrtelo. Bili su tu Blažo, Gunga, Lazar, Davičo i još neko. Otišli su malo dalje ka pučini i mali vetrić je bio dovoljan da se čamac zaljulja i prevrne. Ja sam tada sedeo sa prijateljima pesnicima na terasi i onda su se čule sirene hitne pomoći. Do nas je dotrčao makedonski pesnik Kotevski i javio nam da se desila tragedija – priseća se Đidić tragedije na Ohridskom jezeru. Ljubiša Đidić je učestvovao u spasavanju albanskog pesnika Fahredina Gunge koji se borio sa talasima. – Pritrčao sam do vode i spasio sam Gungu koji se uhvatio za nekakvu trsku i odvukao sam ga do obale. Davičo je isplivao, a neko se uhvatio za onu malu rešetku od čamca i sa njom doplivao. Ali ovu dvojicu niko nije mogao da spase, našli su ih na dnu. Bez obzira što je Blažo bio vrstan plivač, Lazar je bio apsolutni neplivač, a panika je panika. Naravno, na obali su posle pokušali oživljavanje, ali nije im bilo spasa – dodaje on. Zanimljivo je da nakon tragedije nije prekinuta pesnička manifestacija. To je bila godina kada su večeri postale internacionalne i bilo je dosta stranih pesnika. – Na završnoj večeri na mostu, kada se čitala poezija, narod je bio naokolo sa leve i desne strane izlazećeg Drima. Svečanost je održana, a ja sam bio taj koji je imao tu nesreću da u ime opraštanja od Lazara, čita njegovu pesmu. Sećam se da je to bila divna pesma o leptirima – kaže Đidić. Đidić se priseća da su pesnici posle međusobno komentarisali da je Davičo koji je bio najstariji i oko koga su se svi okupili, najodgovorniji za ovu nesreću, jer je morao da reaguje i ne dozvoli preveliki broj ljudi u malom čamcu. Pesnik Božidar Šuica, koji nije bio tada u Strugi, ali se dobro seća te tragedije, kaže za „Novu“ da je Blažo Šćepanović bio pošten i moralan čovek, i svim pesnicima je pomagao jer je radio u Maršalatu, a da je Lazar bio poznat po lepoti. – Oskar Davičo se nikad nije oporavio od toga. Uvek je bio sentimentalan prema Blaži i Lazaru. To je jedna od najvećih tragedija. Dva mlada i darovita čoveka – seća se Šuica. Blažo Šćepanović je rođen u Bijelom Polju, 7. aprila 1934, a diplomirao je na Filozofskom fakultetu u Beogradu. Najpoznatiji je po zbirci pesama „Smrću protiv smrti” koju je napisao zajedno sa pesnikom Brankom Miljkovićem. Lazar Vučković je rođen u Gornjem Selu kod Prizrena 1937. Bio je novinar i reporter lista „Jedinstvo“ u Prištini. Jedan je od prvih srpskih posleratnih pesnika na Kosovu i Metohiji. Susreti „Lazar Vučković“ organizuju se na Kosovu još od 1970. godine i posvećene su rano preminulom pesniku. Takođe, na završnoj večeri uručuje se i nagrada „Lazar Vučković“. Poslednjih godina manifestacija se organizuje u Gračanici. Ogranak Biblioteke grada Beograda u Učiteljskom naselju nosi ime Blaža Šćepanovića, a o njegovom životu 2017. godine snimljen je dokumentarni film „Smrću protiv smrti Blaža Šćepanovića“. Blažo Šćepanović (Bijelo Polje, 7. april 1934 – Struga, 26. avgust 1966) bio je crnogorski i jugoslovenski pesnik. Najpoznatiji je po zbirci pesama „Smrću protiv smrti” koju je napisao zajedno sa srpskim pesnikom Brankom Miljkovićem. Blažo Šćepanović rođen je 1934. godine u bjelopoljskom naselju Livadice. Diplomirao je na Filozofskom fakultetu u Beogradu. Radio je u Kulturno-prosvetnom veću SFRJ. Umro je na samom početku pesničke karijere, ali je uspeo da ostavi za sobom nekoliko zbirki poezije. Zajedno sa pesnikom Lazarom Vučkovićem utopio se u Ohridskom jezeru, tokom boravka na Struškim večerima poezije, jednoj od najznačajnijih kulturnih manifestacija u tadašnjoj Jugoslaviji. Priznanja Ogranak Biblioteke grada Beograda u Učiteljskom naselju nosi ime Blaža Šćepanovića. O životu Blaža Šćepanovića 2017. godine snimljen je dokumentarni film Smrću protiv smrti Blaža Šćepanovića. Film je premijerno prikazan u Mojkovcu, u okviru pratećeg programa 42. po redu filmskog festivala Mojkovačka filmska jesen 25. septembra 2017. Skupština opštine Bijelo Polje donela je oktobra 2013. godine odluku da se jedna ulica u ovom gradu nazove imenom Blaža Šćepanovića. Književni rad Književno stvaralaštvo Blaža Šćepanovića sakupljeno je u sedam zbirki pesama: Lobanja u travi (1957) Ivicom zemlje zmija (1958) Smrću protiv smrti (1959) – zajedno sa Brankom Miljkovićem Smrt pjesnikova (1961) Zlatna šuma (1966) Ljubavlju izmjereno vrijeme (1973) – objavljena posthumno Pjesnikov dvojnik (1976) – objavljena posthumno KC (L)