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Marčelo ‎– De Facto CD 5, Nov 1 Reč Na Reč Arranged By – Marčelo, Oneya Arranged By [Vocal Samples] – Big Boss (3), Marčelo Lyrics By – Marčelo Music By – Oneya Rap – Marčelo Scratches – DJ Rocksta, DJ Rocksta 3:17 2 Kuća Na Promaji Arranged By – Marčelo, Oneya, Rexxxona Lyrics By – Marčelo Music By – Rexxxona Rap – Marčelo Scratches – DJ Ko6a33 3:41 3 Krem De La Krem Arranged By – Oneya Featuring – Disciplinska Komisija Lyrics By – Edo Maajka, Frenkie, Marčelo Music By – Oneya Rap – Edo Maajka, Frenkie, Marčelo 2:57 4 4 Arranged By – Marčelo, Škabo Featuring – Shorty (7) Lyrics By – Marčelo, Shorty (7) Music By – Škabo Rap – Marčelo, Shorty (7) Scratches – DJ Ko6a33, DJ Ko6a33 4:10 5 Pismo Bratu Arranged By – Marčelo, Oneya Featuring – Nevena* Lyrics By – Marčelo, Nevena* Music By – Big Boss (3) Rap – Marčelo Vocals – Nevena* 4:31 6 Bekstvo Arranged By – Rexxxona, Shot (3) Featuring – Elemental (10) Lyrics By – Marčelo, Remi (7), Shot (3) Music By – Shot (3) Rap – Marčelo, Remi (7), Shot (3) 5:22 7 Kafanska Spika Arranged By – Oneya Lyrics By – Marčelo Music By – Rexxxona Rap – Marčelo 3:05 8 3 Arranged By – Oneya Featuring – X3M Lyrics By – Marčelo, X3M Music By – Oneya Rap – Marčelo, X3M 3:12 9 Povratak Hiphopa Arranged By – Marčelo, Oneya, Trial (2) Arranged By [Vocal Samples] – Big Boss (3) Featuring – Trial (2) Lyrics By – Marčelo, Trial (2) Music By – Big Boss (3), Oneya Rap – Marčelo, Trial (2) 4:39 10 Suze Arranged By – Oneya Backing Vocals – Nevena* Featuring – Edo Maajka Lyrics By – Edo Maajka, Marčelo Music By – Big Boss (3) Rap – Edo Maajka, Marčelo 4:11 11 Kloš VS Ljax Arranged By – Rexxxona Lyrics By – Marčelo Music By – Oneya Rap – Marčelo Scratches – DJ Ko6a33 4:18 12 MC Bez Harizme Arranged By – Oneya Featuring – Urban (14) Lyrics By – Marčelo, Urban (14) Music By – Big Boss (3) Rap – Marčelo, Urban (14) Scratches – DJ Ko6a33 4:18 13 2 (Bol & Revolt) Arranged By – Oneya Featuring – Dexstarr Lyrics By – Dexstarr, Marčelo Music By – Oneya Rap – Dexstarr, Marčelo 4:42 14 Podzemlje Arranged By – Marrčelo, Oneya Arranged By [Chorus] – Marija Savić, Marčelo, Sonja Jovanović Chorus – Marko Paden Paki*, Sonja Jovanović Lyrics By – Marčelo Music By – Soul Food (2) Rap – Marčelo 3:08 15 Bolji Život Arranged By – Oneya Featuring – Gru Lyrics By – Gru, Marčelo Music By – Soul Food (2) Rap – Gru, Marčelo 3:58 16 1 Arranged By – Marčelo, Oneya Lyrics By – Marčelo Music By – Big Boss (3) Rap – Marčelo 3:36 17 I Opet Kafanska Spika Arranged By – Oneya Featuring – Bookey MC, El Prezidente, Ikac, Trip-R Lyrics By – Bookey MC, El Prezidente, Ikac, Marčelo, Trip-R Music By – Rexxxona Rap – Bookey MC, El Prezidente, Ikac, Marčelo, Trip-R 4:09 18 ... De Facto ... Arranged By – Oneya Lyrics By – Marčelo Music By – Rexxxona Rap – Marčelo 6

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Original, made in UK & US 6 panel digipak Cd 3- ima povrsinskih linijica koje ne uticu na reprodukciju zvuka, radi besprekorno Studio album by David Sylvian Released May 2003 Recorded February–March 2003 Studio Samadhi Sound Studio, New Hampshire Genre Ambientexperimentalelectronicavant-garde Length 43:41 Label Samadhisound Producer David Sylvian David Sylvian chronology Camphor (2002) Blemish (2003) The Good Son vs. The Only Daughter (The Blemish Remixes) (2005) Blemish is the sixth studio album by British singer-songwriter David Sylvian, released in May 2003 on Sylvian`s Samadhisound label. Following Sylvian`s acquittal from Virgin Records, he built a home studio, Samadhi Sound Studio, and recorded Blemish in early 2003. The album was inspired by, and documents, the disintegration of Sylvian`s relationship with his wife, Ingrid Chavez, marking a turning point in Sylvian`s lyrics as they became more personal and open and less oblique. Wanting to find a new musical vocabulary for himself, he recorded the album in a relatively quick, six-week duration, improvising the eight songs on the album as he went. It features guest appearances from free improvisation guitarist Derek Bailey, and electronic musician Fennesz. The album is experimental in its use of electronics and sound and marks a stark departure in Sylvian`s musical career, moving in an ambient direction and featuring fewer occurrences of melody. Sylvian felt the album functioned as cartharsis, and that recording the album helped him work through difficult emotions. Blemish was originally released via the internet only, but when the album caught the attention of distributors, Sylvian set up Samadhi Sound records who released the album commercially in mid-2003. Despite alienating several fans, Blemish was a critical success, with praise given to its dark, personal tone. Sylvian toured in promotion of the album in autumn 2003, while a remix album entitled The Good Son vs. The Only Daughter, containing remixes of each of the songs from Blemish remixed by international producers, was released in February 2005. Background and inspiration Blemish follows David Sylvian`s protracted legal wranglings with Virgin Records, which ended when Sylvian was released from his contract.[1] During his later days on the label, Sylvian was seen as `a historical oddity` on their roster as opposed to `a sound business investment,` seeing as he had a developed cult following but had very limited commercial success.[2] Although the musician was compiling compilation albums of his work for Virgin, he found it a creatively stifling process, but despite wishing to `start over again` had no support from the label.[3] He felt the industry would not be supportive of the work he wanted to create, and upon leaving Virgin, become more self-sufficient, building a home studio in his New Hampshire home, Samadhi Sound Studio, over the course of a year.[3] Blemish, recorded without a contract, became the first of several ongoing projects from Sylvian after leaving the label.[1] Blemish documents the disintegration of Sylvian`s relationship with his wife, American singer Ingrid Chavez.[4] Sylvian used Blemish to channel his emotions `as a kind of creative catharsis,` in the words of Flux magazine, using his unhappiness to `delve deeper into some of the darker corners of his consciousness. Once you are down, you may as well keep drilling and see how far you can go and use the experience to exorcise some hidden demons.`[5] Sylvian said that he had a `sense of trauma` that needed addressing and `wanted out,` adding: `I used the emotions to punch further into the darker recesses of my own mind, to see how far I could go, to see what I would find there and if and how I could give it voice.`[5] Sylvian explained to how the album worked as a style of therapy: `I didn’t know how to handle the emotional side of things. Once I got into the studio and closed the studio door, I felt a certain sense of safety, of liberty, to deal with the emotions, emotions that were primarily negative and all to do with my relationship with my wife. I wanted to delve far deeper into them than I would in daily life. How far can you go with that sort of feeling and where does it lead you? At the same time, I’m delving into something that one should be wary of delving into, because you don’t know how readily you will be able to re-surface from it at the end of the day. There was a sort of trepidation involved.`[3] `It was very cathartic. It`s an odd one to talk about, because obviously I was going through a break up of a marriage and that was very painful, but as I got into the studio and shut the door I would allow myself into the darkest recesses of my heart and my mind to uncover what was there. And I would feel that to be quite dangerous in life – it`s not something I would encourage – but in the creative process it seems incredibly liberating to be able to access these more negative darker emotions and acknowledge them. So I worked on the album daily for I think it was six weeks, and each day I was more or less writing a track, and I`d flesh it out over time, and at the end of each day I`d listen back to what I`d done and feel elated by what I heard, which was an odd way to relate to the content of the material because of its nature in essence. But I felt like, Gosh, this doesn`t sound like anything I`ve ever done before, or anything I`d heard before, so it felt very exciting. So once I`d left that wonderful cocoon in which one could explore these emotions, I entered back into the real world of those emotions, and it was still an extremely difficult time, but as I think it was Robert Lowell said, ugly emotions produce beautiful poetry sometimes, and that`s definitely true of Blemish.`[6] Track listing All tracks are written by David Sylvian, except as noted No. Title Writer(s) Length 1. `Blemish` 13:42 2. `The Good Son` Derek Bailey, Sylvian 5:25 3. `The Only Daughter` 5:28 4. `The Heart Knows Better` 7:51 5. `She Is Not` Derek Bailey, Sylvian 0:45 6. `Late Night Shopping` 2:54 7. `How Little We Need to Be Happy` Derek Bailey, Sylvian 3:22 8. `A Fire in the Forest` Sylvian, Christian Fennesz 4:14 Total length: 43:41 Personnel David Sylvian – vocals, producer, engineer, mixing Derek Bailey – guitar Christian Fennesz – arranger, electronics Toby Hrycek-Robinson – engineer Yuka Fujii – art direction, design Atsushi Fukui – artwork, cover art

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OMOT 5 ima rupu na zadnjoj strani omota,kao na slici, CD 5 Label: Walt Disney Records – 61100-7, Walt Disney Records – 5008 61100-7, Pixar Animation Studios – 61100-7, Pixar Animation Studios – 5008 61100-7 Format: CD, Album, Enhanced Country: US Released: Nov 2, 2004 Genre: Jazz, Stage & Screen Style: Big Band, Swing, Score, Soundtrack Tracklist Hide Credits 1 The Glory Days 3:31 2 Mr. Huph Will See You Now 1:34 3 Adventure Calling 2:22 4 Bob Vs. The Omnidroid 2:52 5 Lava In The Afternoon 1:29 6 Life`s Incredible Again 1:23 7 Off To Work 1:58 8 New And Improved 2:15 9 Kronos Unveiled 3:15 10 Marital Rescue 2:19 11 Missile Lock 2:07 12 Lithe Or Death 3:24 13 100 Mile Dash 3:07 14 A Whole Family Of Supers 3:27 15 Escaping Nomanisan 1:45 16 Road Trip! 2:27 17 Saving Metroville 5:02 18 The New Babysitter 3:25 19 The Incredits Arranged By – Gordon Goodwin 7:22 Companies, etc. Phonographic Copyright ℗ – Walt Disney Records Phonographic Copyright ℗ – Pixar Animation Studios Copyright © – Disney Enterprises, Inc. Copyright © – Pixar Animation Studios Copyright © – Disney Copyright © – Pixar Recorded At – Sony Scoring Stage Recorded At – Signet Sound Studios Mixed At – Sony Scoring Stage Mixed At – Signet Sound Studios Mastered At – Bernie Grundman Mastering Copyright © – Wonderland Music Company, Inc. Copyright © – Pixar Music Credits Art Direction [Album] – Luis M. Fernández Assemblage [Album Assembled] – Chris Tilton (2) Contractor [Music] – Reggie Wilson Coordinator [Music Production] – Deniece Hall Copyist [Supervising Music] – Booker White, Walt Disney Music Library Crew [Scoring] – Bryan Clements, Greg Loskorn, Mark Eshelman, Mike Reale, Patrick Webber, Richard Wheeler Crew [Scoring], Recorded By [Recordist] – Adam Michalak Design [Album] – Marcella Wong, Tiffany Quon Edited By [Assistant Music Editor] – Alex Levy (2) Engineer [Assistant] – Brian Dixon (2), Rich Toenes, Tom Hardisty Executive-Producer [Music] – Chris Montan Liner Notes – Brad Bird, Paul Tonks Mastered By [Album] – Patricia Sullivan Fourstar Music By – Michael Giacchino Orchestrated By [Additional Orchestrations] – Adam Cohen, Chris Tilton (2), Jack J. Hayes*, Matthew Ferraro Orchestrated By [Music], Conductor – Tim Simonec Producer [Score] – Michael Giacchino Production Manager [Music] – Andrew Page (2) Production Manager, Co-producer [Music Production Assistant] – Jill Iverson, Lydia Paweski Recorded By [Music], Mixed By – Dan Wallin Score Editor, Edited By [Music Editor] – Stephen M. Davis Score [Assistant] – Chad Seiter Supervised By [Music Production Supervisor] – Tom MacDougall Notes Disney presents a Pixar film `The Incredibles` An Original Soundtrack Proof of Purchase ℗ 2004 Walt Disney Records/Pixar Animation Studios © Disney Enterprises, Inc./Pixar Animation Studios Share the music of Disney at DisneyRecords.com Burbank, CA 91521 Printed in U.S.A. Unauthorized duplication and use prohibited. © Disney/Pixar Music recorded and mixed at Sony Pictures Scoring Stage and Signet Sound Studios Album mastered at Bernie Grundman Mastering © 2004 Wonderland Music Company, Inc. (BMI)/Pixar Music (BMI). All rights reserved. Visit The Incredibles website at www.TheIncredibles.com and DisneyRecords.com Contains 12-page booklet. Jewel case with a clear tray. Barcode and Other Identifiers Barcode (Text): 0 50086 11007 0

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Original, made in Germany Knjizica od 8 str. Odlicno ocuvano Omot 5- Cd 4 Ella in Berlin is a 1960 live album by the American jazz singer Ella Fitzgerald. This album was inducted into the Grammy Hall of Fame in 1999, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have `qualitative or historical significance.` [4] One of Fitzgerald`s most acclaimed live performances, at this concert in Berlin, Fitzgerald improvised lyrics for `Mack the Knife` after forgetting the original lyrics. In recognition of this, she received the Best Female Vocal Performance (Single) and the Best Vocal Performance, Female (Album) at the 3rd Annual Grammy Awards. Contents 1 Track listing 2 CD track listing 3 Personnel 4 Footnotes 5 External links Track listing Original Verve release from 1960 Ella in Berlin: Mack the Knife on MG VS-64041; featuring 9 tracks.[1] Side One: `Gone with the Wind` (Herb Magidson, Allie Wrubel) – 2:25 `Misty` (Johnny Burke, Erroll Garner) – 2:38 `The Lady Is a Tramp` (Richard Rodgers, Lorenz Hart) – 2:40 `The Man I Love` (G. Gershwin, I. Gershwin) – 3:42 `Summertime` (G. Gershwin, I. Gershwin, DuBose Heyward) – 3:02 Side Two: `Too Darn Hot` (Cole Porter) – 3:17 `Lorelei` (G. Gershwin, I. Gershwin) – 3:27 `Mack the Knife` (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:39 `How High the Moon` (Nancy Hamilton, Morgan Lewis) – 6:58 Ella Fitzgerald ‎– The Complete Ella In Berlin: Mack The Knife Label: Verve Records ‎– 519 564-2 Format: CD Country: Europe Released: 17 Aug 1993 Genre: Jazz Style: Tracklist 1 Setting Up On Stage: Tuning Up: Granz And Ella Talking 0:20 2 That Old Black Magic 3:51 3 Our Love Is Here To Stay 3:19 4 Gone With The Wind 2:25 5 Misty 2:38 6 Applause And Fanfare Interlude 0:19 7 The Lady Is A Tramp 2:40 8 Fanfare And Announcement 0:28 9 The Man I Love 3:42 10 Love For Sale 2:57 11 Just One Of Those Things 3:53 12 Summertime 3:02 13 Too Darn Hot 3:17 14 Applause And Fanfare 0:24 15 Lorelei 3:27 16 Mack The Knife 4:39 17 Fanfare And Announcement 0:23 18 How High The Moon? 6:58 19 Applause And Closing Fanfare 1:06 Companies, etc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Credits Bass – Wilfred Middlebrooks Drums – Gus Johnson Guitar – Jim Hall Photography By [Cover] – Jay Thompson (4) Piano – Paul Smith (5) Producer [Original Recording] – Norman Granz Vocals – Ella Fitzgerald Notes Recorded February 13, 1960 live at Deutschlandhalle, West Berlin, Germany with The Paul Smith Quartet. Winner of 2 Grammy Awards in 1960. The concert is presented here as a continuous performance; there are no fades between songs. It includes four songs on CD for the first time, two transferred from a rare 10` LP and two previously unreleased. This edition credits BIEM / STEMRA on the disc label, a very similar The Complete Ella In Berlin: Mack The Knife credits BIEM / MCPS instead. Barcode and Other Identifiers Barcode: 7 314-519564-2 3 Rights Society: BIEM / STEMRA Label Code: LC 0383 Price Code: POL 900

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The British At MIDEM 2004 Originalno trostruko izdanje sa bukletom, u duploj debeloj kutiji. Knjizica ima 22 strane. Made in UK Ocuvanost CD1: 5- CD2: 4+++ (nekoliko sitnih crtica, ne utice na rad) CD3: 5- Knjizica: 4+ (na donjoj ivici savijena) Omot: 5 Sitna naprslina na prednjoj strani kutije. Spisak pesama: CD 1 01 Martina Topley-Bird - Need One 02 Tiz - Your Life Is Not Over 03 Cathy Burton - La La Love 04 Lauren Field - The Story Of Us 05 Los Paranoias - If I Squint They Look Like Stars 06 Ani DiFranco - Swim 07 Kate Walsh - It`s Never Over 08 Katoorah Jayne - Anything 09 Karen Louise - Lullaby 10 Helen J. Hicks / The Honey Riders - Colour A Lifetime 11 Karine Polwart - Only One Way 12 The A-Sides Feat. Saranagati - Lead Me to Water 13 Phoenix J - Once In A Lifetime 14 Phoebe K. - One Way Street 15 Freefall - Daylight Grinder 16 PBM - Superhero 17 Obi - Old Rodriguez 18 Hey Negrita - The Minnesota Method 19 Vanity Project - Goldstar 20 Beats For Beginners - Summer Lovers Morning 21 Ryan Edwards - A406 22 Mark Abis - Changing Inside 23 Charlie Landsborough - Smile 24 Jim Moray - Early One Morning 25 Pierre-Laurent Aimard - Debussy: Image `Movement` 26 Daniel Hope / Philip Dukes / Paul Watkins - Allegro - Gideon Klein String Trio CD 2 01 Stylus Junkies VS UB40 - Food For Thought 02 Strut Feat. Nikole - Look To The Light 03 StoneBridge Feat. Therese - Put `Em High 04 The Limp Twins - Moving Closer To The Sofa 05 Happening - Monkey 06 Glama Wayne - Fealin`s 07 United State Feat. Rodney P - All My Love (Goes Your Way) 08 Rosie Gaines - Give It To Me 09 Phoebe One (AKA Skillsz 4 Short) - Skillsz 4 Short 10 The Colourstone - Loose On The Streets 11 Eventually - What`s It To Ya? 12 The Buttercuts Crew - State Of Catastrophe 13 The Three Knights - Burial Proceedings In The Coarse Of Three Knights 14 SKAII - Yess Ya`ll 15 Future Funk Squad - Sorcerary 16 JX - Restless 17 Urban Lea Feat. Tiff - I`m In Freefall (Spell Cast) 18 DJ Seduction - Hardcore Heaven 19 Heaven 17 - I`m Gonna Make You Fall In Love With Me 20 C + C Music Factory Feat. Freedom Williams - Sweat The Remix - R&B Mix Everybody Dance Now 21 NuBreed - One Day 22 Tezla - All Night 23 Honeyroot - Sweet As Honey 24 Kava Kava - Space People 25 Linny - Games Lovers Play CD 3 01 Zoot Woman - Grey Day 02 Piney Gir - Hell To Helsinki 03 The Hazzards - Gay Boyfriend 04 Rio Klein - Fearless 05 Mylo - Musclecars 06 Radioactive Man - Fed-Ex München 07 Williams - Bad Boy 08 Mellafone - Every Word I Drop 09 Carl Cox - Room 713 10 Kele Le Roc - What I Found In You 11 James T - And Arriving 12 Apollo Nova - Miles Away 13 Department Of Sound - White Light 14 Freedom Republic - Starshaking 15 Rob Reynolds - Sweet Mother 16 Aziz - Middle Road 17 Razorlight - Rock `N` Roll Lies 18 Jarcrew - Paris & The New Math 19 Earth the Californian Love Dream - In The Garden 20 Ohm - Forget Who We Are 21 Zero Point Field - Cellophane 22 Colour of Fire - Italics 23 Phenomena - Karma 24 Senser - Crucible 25 Brigade - Stunning 26 Sterling Roswell - VU Meter The Measure Of Kicks Stanje mozete videti na slikama. Zanrovi: electronic, hip hop, rock, indie, jazz, pop, funk, soul, classical, reggae pvs3r9

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