Kgl. priv. Tettau - dosta stara porcelanska činija sa poklopcem, kako piše na net-u na sajtu `Porcelain Marks & More` u istorijatu firme ova oznaka sa donje strane je korišćena u periodu od 1902. godine (slika 4), sva u beloj boji, dimenzije ovalnog dela su ~25 x 19cm, visina činije bez poklopca je ~7.5cm, a visina sa poklopcem je ~15cm, za svoje godine je vrlo dobro očuvana sa jedinim tragom na dršci poklopca (slika 5), stanje kao na slikama ... Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku !

Stara metalna zidna lampa, za zid se fiksira sa 2 šrafa koji nisu uključeni u provaju, ako želite da se kabl ne vidi onda se povezuje na kabl iz zida, u suprotnom može da se poveže i na spoljni kabl i sami rešavate pitanje dužine kabla i prekidača pali/gasi, dimenzije postolja koje se fiksira na zid su ~9,3 x 7.5cm, visina same lampe je ~16.5cm, grlo je E27, za svoje godine dobro očuvana i ispravna, stanje kao na slikama . .. Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku ! Slanje : Post Express-om o trošku kupca !

69 x 49 cm 2 x presavijen movie poster Dersu Uzala: The Hunter) is a 1975 Soviet-Japanese co-production film directed by Akira Kurosawa, his first and only non-Japanese-language film and his first and only 70mm film. The film is based on the 1923 memoir Dersu Uzala (which was named after the native trapper) by Russian explorer Vladimir Arsenyev, about his exploration of the Sikhote-Alin region of the Russian Far East over the course of multiple expeditions in the early 20th century. Shot almost entirely outdoors in the Russian Far East wilderness, the film explores the theme of a native of the forests who is fully integrated into his environment, leading a style of life that will inevitably be destroyed by the advance of civilization. It is also about the growth of respect and deep friendship between two men of profoundly different backgrounds, and about the difficulty of coping with the loss of strength and ability that comes with old age. The film won the 1976 Oscar for Best Foreign Language Film, the Golden Prize and the Prix FIPRESCI at the 9th Moscow International Film Festival and a number of other awards. It sold 20.4 million tickets in the Soviet Union and made $1.2 million in the US and Canada. The film opens to a forest that is being cleared for development, and Arsenyev searching for an unmarked grave of a friend he says he buried 3 years ago. The film then flashes back to Arsenyev`s surveying expedition to the area of Shkotovo in Ussuri region in 1902. A topographic expedition troop, led by Captain Arsenyev (Yury Solomin), encounters a nomadic Goldi hunter named Dersu Uzala (Maxim Munzuk) who agrees to guide them through the harsh frontier. Initially viewed as an uneducated, eccentric old man, Dersu earns the respect of the soldiers through his great experience, accurate instincts, keen powers of observation, and deep compassion. He repairs an abandoned hut and leaves provisions in a birch container so that a future traveler would survive in the wilderness. He deduces the identities and situations of people by analyzing tracks and articles left behind. Dersu Uzala saves the life of Captain Arsenyev for the first time when the two are lost on a frozen lake and a sudden blizzard overtakes them. Dersu shows Arsenyev how to quickly build a straw hut for shelter using grass and then, when Arsenyev collapses due to exhaustion, Dersu pulls him into the shelter. The two men avoid freezing to death and are discovered by the rest of their comrades when the blizzard clears. The expedition then, struggling to survive the frozen tundra, encounter a Nani family who invite them into their home, providing the men much needed food, and warmth. At this point Dersu asks where Arsenyev will go next to which Arsenyev tells him `back to the city` and invites Dersu to come with him. Dersu tells him that his place is in the forest and that tomorrow he will go on his way. The next day he leaves the soldiers by the railroad tracks and returns to wilderness. Five years later in 1907, Arsenyev is on another expedition in Ussuri. He has been mapping mountain ranges for months, all the time holding onto hope that he will run into his old friend Dersu. One night, when at camp, one of his men says they ran into an old Hunter in the forest who was asking about their unit. Instantly hopeful, Arsenyev demands to know where he saw the man and rushes into the forest filled with hope of seeing his old friend. Searching the forest for a few minutes he sees Dersu walking away further into the forest. Calling for him he is overcome with joy as Dersu yells back and then men run to each other. The men embrace and Arsenyev brings Dersu back to camp with him where the two sit by a fire and talk about their time apart. Dersu takes up the job of expedition guide again. The expedition breaks up as Arsenyev, Dersu, and a few men cross a large river by raft, and the rest continue on to try to find a ford to cross with the horses. Arsenyev and Dersu get caught on the raft as the others embark and are quickly rushed downstream. Dersu saves Arsenyev`s life again by pushing him off the raft and telling him to swim toward shore. Dersu is trapped on the raft as conditions on the river become treacherous. Moments before Dersu and the raft crash into the rapids, Dersu jumps onto a branch in the middle of the river. He then directs the party to cut a tree which can reach him before he drowns. Some time passes and the men seem to be in good spirits. They take several pictures with Dersu and all seems to be going well. Arsenyev writes in his journal that some of his fondest memories of Dersu occurred during the beginning of that autumn. A short time later, the expedition party is trekking through the forest when Dersu realizes they are being stalked by a Siberian tiger. Dersu tries in vain to scare the Siberian tiger away telling him that the soldiers will shoot him with their guns. The tiger continues getting closer to Dersu and Arsenyev until Dersu is forced to shoot the tiger. Dersu is instantly distraught over shooting a tiger, stating that Kanga, who is a forest spirit that his people worship, will be unhappy and will send another tiger for him. Dersu becomes more and more irritable, yelling at members of the party and distancing himself from Arsenyev. Dersu`s eyesight and other senses begin to fade with age until he is no longer able to hunt thus not being able to live alone in the forest. Captain Arsenyev decides to take Dersu with him to the city of Khabarovsk. Dersu quickly discovers that he is not permitted to chop wood or to build a hut and fireplace in the city park, nor is he allowed to shoot within the city limits. Despite his love for Arsenyev and Arsenyev`s family, Dersu realizes that his place is not in the city and asks Arsenyev if he can return to living in the hills. As a parting gift, Arsenyev gives him a new rifle. Some while later, Arsenyev receives a telegram informing him that the body of a Goldi has been found, with no identification on him save Arsenyev`s calling card, and is requested to come identify the body. Arsenyev finds that it is indeed Dersu. The officer who found Dersu speculates that someone may have killed Dersu to obtain the new rifle that Arsenyev gave him. As the gravediggers finish their work, Arsenyev finds Dersu`s walking stick nearby, and plants it in the ground beside the grave.

Stari pozorišni plakat Narodnog pozorišta u Nišu, iz sezone 1995/96, za predstavu `Dama s kamelijama`, Aleksandra Dime sina, reditelja Dejana Krstovića. na plakatu su napisani I datum (26.11.1995.), vreme (početak 19.30) I cena ulaznice (3,00 din.) Autor plakata (umetnik, slikar, dizajner ?) mi je još uvek nepoznat, postoji njegov `potpis` u donjem desnom uglu, vidi se jasnije na drugoj fotografiji. Plakat I dalje sadrži stari selotejp kojim je lepljen, ja ništa neću dirati, prepuštam izmene (poboljšavanja) budućem vlasniku. Plakat nije preklapavan već urolavan. Koliko se meni čini, jedinstven primerak u prodaji za kolekcionare. U potpunosti zadovoljavajući primerak bez oštećenja a ispravljanje I eventualno uramljivanje. Dimenzija 50 x 70 cm.

Stara futrola obložena braon `zmijskom` kožom, unutrašnjost je obložena obložena `kožom` u braon boji, u njoj je moguće nositi vizit karte, slike ili slične tanje predmete, malo je korišćena i posle toga godinama stoji ne korišćena, dimenzije ~11.1 x 8.5cm (klipsna koja i viri pomoću koje se otvara, kao i metalna ukrasna šarka nisu uračunati u navedene dimenzije - sa njima +0.7mm), stanje kao na slikama ... Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku ! Slanje : Post Express-om o trošku kupca ! ***** Pogledajte i ostalu moju prodaju na Kupindu, možda nađete nešto interesantno : http://www.kupindo.com/Clan/nin2/SpisakPredmeta

48 x 68 cm 2 x presavijen movie poster At Gunpoint is a 1955 American Western film directed by Alfred L. Werker and starring Fred MacMurray, Dorothy Malone and Walter Brennan. Plainview is a peaceful town, all the better for bad men Alvin Dennis, his brother Bob, and their gang, to rob the bank there. They figure small-town sheriff Pete MacKay will not pose much of a problem. MacKay is having his usual chess game with Doc Lacy at the general store Jack Wright runs with wife Martha and brother-in-law Wally. A gunshot from the bank startles all. Bob has shot a teller, then guns down the old marshal when he arrives. Jack is just a meek storekeeper, but he manages to grab a gun and wing the fleeing Alvin Dennis, who is then killed by another townsman, George Henderson. And the bank`s loot is saved. Everybody, particularly banker Livingston, appreciates the bravery of the town heroes. But when the Amarillo newspaper publishes their photographs, Bob Dennis decides to return to Plainview to avenge his brother`s death. The grateful town throws a celebration for both Henderson and Jack. As a tipsy Henderson, who has been appointed the new sheriff, is riding back to his ranch after the party, he is ambushed and killed. Jack could be next. A marshal comes to town to keep an eye on things, but can`t stay forever and leaves after two uneventful weeks. Jack, his wife and son Billy, begin to notice that their neighbors are shunning them, no longer shopping at the store or even allowing their kids to come near them. A $2,500 reward for Alvin Dennis` capture is a pleasant surprise for Jack, but when Wally is mistaken for him and murdered in cold blood by Bob Dennis, no one is willing to help. In fact, he is offered more money by Livingston and other frightened citizens if he will sell them the store and leave town. Doc and the Wrights are ashamed of everyone`s lack of support in Jack`s hour of need. Jack arms himself to face Bob Dennis and his gang. He is outmatched, but suddenly the men in town, brandishing firearms, appear in windows and on the street, demanding the gang drop their guns and surrender. All but Bob give up and, as the outlaw approaches Jack, Doc manages to shoot him. The townspeople offer apologies to the Wrights, who are immediately willing to forgive and forget. Doc storms off, apparently not so willing.

48 x 68 cm 2 x presavijen movie poster Broken Arrow is a Western film released in 1950. Shot in Technicolor, it was directed by Delmer Daves and starred James Stewart as Tom Jeffords and Jeff Chandler as Cochise. The film is based on these historical figures but fictionalizes their story in dramatized form. It was nominated for three Academy Awards, and won a Golden Globe award for Best Film Promoting International Understanding. Film historians have said that the movie was one of the first major Westerns since the Second World War to portray the Indians sympathetically. Tom Jeffords comes across a wounded, 14-year-old Apache boy dying from buckshot wounds in his back. Jeffords gives the boy water and treats his wounds. The boy`s tribesmen appear and are at first hostile but decide to let Jeffords go free. However, when a group of gold prospectors approaches, the Apache gag Jeffords and tie him to a tree. Helpless, he watches as they attack the prospectors and torture the survivors. The warriors then let him go but warn him not to enter Apache territory again. When Jeffords returns to Tucson, he encounters a prospector who escaped the ambush. He corrects a man`s exaggerated account of the attack, but Ben Slade is incredulous and does not see why Jeffords did not kill the Apache boy. Instead, Jeffords learns the Apache language and customs and plans to go to Cochise`s stronghold on behalf of his friend, Milt, who is in charge of the mail service in Tucson. Jeffords enters the Apache stronghold and begins a parley with Cochise, who agrees to let the couriers through. Jeffords meets a young Apache girl, Sonseeahray, and falls in love. A few of Cochise`s warriors attack an army wagon train and kill the survivors. The townsfolk nearly lynch Jeffords as a traitor before he is saved by General Oliver Otis Howard who recruits Jeffords to negotiate peace with Cochise. Howard, the `Christian General` condemns racism, saying that the Bible `says nothing about pigmentation of the skin`. Jeffords makes a peace treaty with Cochise, but a group led by Geronimo, oppose the treaty and leave the stronghold. When these renegades ambush a stagecoach, Jeffords rides off to seek help from Cochise and the stagecoach is saved. Jeffords and Sonseeahray marry in an Apache ceremony and have several days of tranquility. Later, Ben Slade`s son spins a story to Jeffords and Cochise about two of his horses stolen by Cochise`s people. Cochise says that his people did not take them and doubts his story, as he knows the boy`s father is an Apache hater. They then decide to go along with the boy up the canyon but are ambushed by the boy`s father and a gang of men from Tucson. Jeffords is badly wounded and Sonseeahray is killed but Cochise kills most of the men, including Ben Slade. Cochise forbids Jeffords to retaliate, saying that the ambush was not done by the military and that Geronimo broke the peace no less than Slade and his men, and that peace must be maintained. Jeffords rides off with the belief that `the death of Sonseeahray had put a seal upon the peace, and from that day on wherever I went, in the cities, among the Apaches and in the mountains, I always remembered, my wife was with me`.

FISCHER - stari barometar sa termometrom, prečnik svakog je ~8.7cm, oba su montirana na obrađenu drvenu podlogu (dimenzije ~22 x 11.7cm) na čijem vrhu je kačilica za zid, za svoje godine solidno očuvano s tim što je na barometru staklo a na termometru malo izvitoperena plastika (predpostavljam da je nekada razbijeno staklo), prodaje se kao antikvitet i obzirom na stanje nema garancije i reklamacije, stanje kao na slikama ... Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku ! Slanje : Post Express-om o trošku kupca ! ***** Pogledajte i ostalu moju prodaju na Kupindu, možda nađete nešto interesantno : http://www.kupindo.com/Clan/nin2/SpisakPredmeta

Jednostavan ovalni poslužavnik ili ancer, poznatog Austrijskog proizvodjača `BERNDORF`. Medjutim, najvažnija karakteristika ovog poslužavnika je što ga je u pomenutoj firmi za svoje potrebe naručio pansion `BALKAN` iz Vrnjačke Banje. Pregledom meni dostupne literature o Vrnjačkoj Banji, nisam našao nikakav trag o napred pomenutom pansionu, ali sam naišao na podatke svih ugostiteljskih objekata koji su radili ili nastalih posle Prvog svetskog rata, pa zbog toga pretpostavljam da se radi o periodu pre Prvog svetskog rata. Na snimcima se vidi žig proizvodjača `BERNDORF` i monogram `PANSION BALKAN - VRNJAČKA BANJA`. Dimenzije poslužavnika su 24 x 18 cm. težina 240 gr.

☆THEODOSIUS I the Great 379AD Ancient Roman Coin VOT X MVLT XX - Kovanica je iz moje skromne kolekcije. - Postavljene slike su originalne, bez fotošopa i odgovaraju stanju. - Obratite pažnju na postavljenim slikama, jer na većini imate dimenziju i težinu. - Nisam stručan za procenu i oznaku očuvanosti, morao sam neku oznaku ubaciti... - Kod mene je zavedena pod gore navedenim nazivom, ipak nova provera nije na odmet... - Većinu kovanica je moguće još ulepšati preciznim čišćenjem. ☆ Preuzimanje i plaćanje po dogovoru, a u slučaju slanja Vama je dostava BESPLATNA. ▪︎ Pogledajte i druge moje oglase, osim kovanica ima, ili će biti i drugih predmeta. ☆ Molio bi da se svi pridržavamo Kupindo pravila. Hvala

☆THEODOSIUS I the Great 379AD Ancient Roman Coin VOT X MVLT XXX - Mala kovanica je iz moje skromne kolekcije. - Postavljene slike su originalne, bez fotošopa i odgovaraju stanju. - Obratite pažnju na postavljenim slikama, jer na većini imate dimenziju i težinu. - Nisam stručan za procenu i oznaku očuvanosti, morao sam neku oznaku ubaciti... - Kod mene je zavedena pod gore navedenim nazivom, ipak nova provera nije na odmet... - Većinu kovanica je moguće još ulepšati preciznim čišćenjem. ☆ Preuzimanje i plaćanje po dogovoru, a u slučaju slanja Vama je dostava BESPLATNA. ▪︎ Pogledajte i druge moje oglase, osim kovanica ima, ili će biti i drugih predmeta. ☆ Molio bi da se svi pridržavamo Kupindo pravila. Hvala

**************************************************************************************************************************************************************************************************************************************************** Stanje: besprekorno... Dragi Kupindovci, hvala Vam na interesovanju za moje ponude maraka, gde prodajem duplikate, višak mojih markica i sve one, koje se ne uklapaju u moju zbirku. One su pretežno idealno očuvane, ali prije kupovine uvek proverite opis stanja, (jer neke slabije očuvane jednostavno nemam srca baciti, možda će se još negde uklopiti) koje sam naveo zbog lakšeg snalaženja i niže. Možda su moji opisi rigorozne kontrole kvaliteta malo preterane, ali sve radim to zbog Vas kupaca. Ukoliko Vam je nešto oko stanja ponuđenih maraka, Michel broja, cene, nejasno ili prosto imate neko pitanje u vezi predmeta, očekujem Vaše poruke, pišite mi... Međunarodni simboli koje koristim: ** čisto sa gumom (**) čisto bez gume * čisto sa falcom i gumom (*) čisto sa falcom bez gume -o- žigosano sa gumom (-o-) žigosano bez gume F falc kod žigosanih FDS (PPD)pečat prvog dana izdavanja FDC koverat sa markicama i pečatom prvog dana izdavanja Pogledajte moje ostale ponude, među kojima su prave poslastice i za najozbiljnije filateliste, koje možete uzeti trenutačnom kupnjom, po fiksnoj ceni, brzo, bez čekanja nesigurnog ishoda licitacija... Invitiram Vas, pogledajte moje aukcije na Limundu, silom prilika i Limundo tima od samo 10 dinara. Ponuđene marke su najrazličitijih tema, iz čitavog sveta, čisti ili poništeni, stariji ili noviji, komercijalni ili ne, vredniji ili jeftini, a to sve da bih što više približio moje ponude Vašim poljima, temama sakupljanja. Ukoliko ne nalazite konkretno ono što Vam je potrebno, ili imate neki predlog(čak i cena), pišite mi, trudiću se da Vam pomognem, naravno... Vredi baciti pogled, malo surfovati, sačuvati putanju i s vremena na vreme ponovo pregledati, jer se moja ponuda stalno menja... Želim Vam uspešnu kupovinu(ili licitaciju), uživajte u svojoj kolekciji maraka obogaćenoj od mene kupljenim markama dugo u sreći i zdravlju... ***********************************************************************************************************************************************************************************************************************************************

**************************************************************************************************************************************************************************************************************************************************** Stanje: izvrsnih kondicija... Dragi Kupindovci, hvala Vam na interesovanju za moje ponude maraka, gde prodajem duplikate, višak mojih markica i sve one, koje se ne uklapaju u moju zbirku. One su pretežno idealno očuvane, ali prije kupovine uvek proverite opis stanja, (jer neke slabije očuvane jednostavno nemam srca baciti, možda će se još negde uklopiti) koje sam naveo zbog lakšeg snalaženja i niže. Ukoliko Vam je nešto oko stanja ponuđenih maraka, Michel broja, cene nejasno ili ste nesigurni u vezi predmeta očekujem Vaše poruke, pišite mi... Međunarodni simboli koje koristim: ** čisto sa gumom (**) čisto bez gume * čisto sa falcom i gumom (*) čisto sa falcom bez gume -o- žigosano sa gumom (-o-) žigosano bez gume F falc kod žigosanih FDS (PPD)pečat prvog dana izdavanja FDC koverat sa markicama i pečatom prvog dana izdavanja Pogledajte moje ostale ponude, među kojima su prave poslastice i za najozbiljnije filateliste, koje možete uzeti trenutačnom kupnjom, po fiksnoj ceni, brzo, bez čekanja nesigurnog ishoda licitacija... Invitiram Vas, pogledajte moje aukcije na Limundu, silom prilika i Limundo tima od samo 10 dinara. Ponuđene marke su najrazličitijih tema, iz čitavog sveta, čisti ili poništeni, stariji ili noviji, komercijalni ili ne, vredniji ili jeftini, a to sve da bih što više približio moje ponude Vašim poljima, temama sakupljanja. Ukoliko ne nalazite konkretno ono što Vam je potrebno, ili imate neki predlog(čak i cena), pišite mi, trudiću se da Vam pomognem, naravno... Vredi baciti pogled, malo surfovati, sačuvati putanju i s vremena na vreme ponovo pregledati, jer se moja ponuda stalno menja... Želim Vam uspešnu kupovinu(ili licitaciju), uživajte u svojoj kolekciji maraka obogaćenoj od mene kupljenim markama dugo u sreći i zdravlju... ***********************************************************************************************************************************************************************************************************************************************

48 x 36 cm 2 x presavijen movie poster, AFFICHE de FILM ILUSTROVAO : SASA NIKOLIC The Desperadoes is a 1943 American Western film directed by Charles Vidor and starring Randolph Scott, Claire Trevor, Glenn Ford, Evelyn Keyes and Edgar Buchanan. Based on a story by Max Brand, the film is about a wanted outlaw who arrives in town to rob a bank that has already been held up. His past and his friendship with the sheriff land them both in trouble. The Desperadoes was the first Columbia Pictures production to be released in Technicolor. In 1863, a sheriff named Steve Upton (Randolph Scott) tries to keep the law in Red Valley, a small town in Utah. While he`s away, the bank is robbed. The holdup was secretly masterminded by corrupt banker Stanley Clayton and the livery stable`s boss, `Uncle Willie` McLeod, with the help of ruthless gunman Jack Lester, who shoots three innocent men. Cheyenne Rogers rides to town. At the stable, Allison McLeod, daughter of Uncle Willie, recognizes the horse as one belonging to Steve. As the stranger goes to the saloon for a drink, Allison rides out to find Steve, whose mount was stolen on the trail. `The Countess,` who runs gambling at the saloon, is in love with Cheyenne, who was hired to help rob the bank but arrived too late. She blames herself for steering Cheyenne toward crime in the first place. Cheyenne finds a legitimate job, breaking broncos at a ranch. Steve returns to town and is glad to see Cheyenne, an old friend. Lester turns the town against Cheyenne, revealing his outlaw past, and then his sidekick Nitro pulls off another robbery of the bank. A posse rounds up Cheyenne and Nitro and a judge sentences them to hang. But they are sprung from jail by Steve, who is then placed behind bars himself. Alison goes to the Countess to beg for her help. She does, even though Cheyenne now loves Allison instead of her. Cheyenne slips a gun to Steve through a jailhouse window, and together they set about making things right. Uncle Willie, feeling guilt about his part in the robbery, ends up shooting Clayton in a gunfight. Allison is wed to Cheyenne while her father goes off to jail. At one point while a heavily armed group of bad guys is waiting for Cheyenne to show up and rescue Steve one of the men remarks that when he does arrive, Cheyenne will think that he rode into `Custer`s Last Stand.` In reality, the Battle of the Little Big Horn does not take place for more that a dozen years after the film`s 1863 setting.

48 x 68 cm 2 x presavijen, ispisan na poledjini movie poster, AFFICHE de FILM The War Wagon is a 1967 American Western film directed by Burt Kennedy and starring John Wayne and Kirk Douglas. Released by Universal Pictures, it was produced by Marvin Schwartz and adapted by Clair Huffaker from his own novel. The supporting cast includes Howard Keel, Robert Walker Jr., Keenan Wynn, Joanna Barnes and Bruce Dern. The picture received generally positive reviews. Filming took place in Sierra de Órganos National Park in the town of Sombrerete, Mexico. Rancher Taw Jackson (John Wayne) returns to his hometown to settle a score, after being released early from prison for good behavior. Three years earlier, he was framed by corrupt businessman Frank Pierce (Bruce Cabot) and wrongfully imprisoned. Pierce then appropriated Jackson`s land, where he discovered gold. Jackson has returned to steal a shipment of gold from Pierce. He hires Lomax (Kirk Douglas) to assist him, even though Lomax had worked as a hired gun for Pierce and was instrumental in sending Jackson to prison. Jackson needs Lomax not only because of his marksmanship, but also because he is a safecracker. The gold shipment is being transported in a `war wagon`, a heavily armored stagecoach armed with a deadly Gatling gun in a top-mounted steerable turret. Jackson and Lomax assemble a gang and plan to rob the war wagon at the weakest point in the route it travels. Things do not quite work out as planned. Pierce dies in a shootout with one of his own men trying to escape from the war wagon. The wagon crashes into a ravine, Lomax opens the safe, and the men move the gold into a separate wagon. However, before they can haul it away, a group of Kiowas try to take it from them. During the ensuing gunfight, the horses are spooked and run away with the wagon, and most of the gold is lost as a result. Nevertheless, Taw manages to recover a portion of it, and they agree to meet in six months to divide it, since `it wouldn`t be very smart to flash gold around after a robbery`. John Wayne as Taw Jackson Kirk Douglas as Lomax Howard Keel as Levi Walking Bear Robert Walker Jr. as Billy Hyatt Keenan Wynn as Wes Fletcher Bruce Cabot as Frank Pierce Joanna Barnes as Lola Valora Noland as Kate Fletcher Bruce Dern as Hammond Gene Evans as Deputy Hoag Terry Wilson as Sheriff Strike Don Collier as Shack Sheb Wooley as Snyder Ann McCrea as Felicia Emilio Fernandez as Calita Frank McGrath as Bartender Chuck Roberson as Brown Red Morgan as Early Hal Needham as Hite Marco Antonio as Chief Wild Horse Perla Walters as Rosita

**************************************************************************************************************************************************************************************************************************************************** Stanje: izvrsnih kondicija... Dragi Kupindovci, hvala Vam na interesovanju za moje ponude maraka, gde prodajem duplikate, višak mojih markica i sve one, koje se ne uklapaju u moju zbirku. One su pretežno idealno očuvane, ali prije kupovine uvek proverite opis stanja, (jer neke slabije očuvane jednostavno nemam srca baciti, možda će se još negde uklopiti) koje sam naveo zbog lakšeg snalaženja i niže. Ukoliko Vam je nešto oko stanja ponuđenih maraka, Michel broja, cene nejasno ili ste nesigurni u vezi predmeta očekujem Vaše poruke, pišite mi... Međunarodni simboli koje koristim: ** čisto sa gumom (**) čisto bez gume * čisto sa falcom i gumom (*) čisto sa falcom bez gume -o- žigosano sa gumom (-o-) žigosano bez gume F falc kod žigosanih FDS (PPD)pečat prvog dana izdavanja FDC koverat sa markicama i pečatom prvog dana izdavanja Pogledajte moje ostale ponude, među kojima su prave poslastice i za najozbiljnije filateliste, koje možete uzeti trenutačnom kupnjom, po fiksnoj ceni, brzo, bez čekanja nesigurnog ishoda licitacija... Invitiram Vas, pogledajte moje aukcije na Limundu, silom prilika i Limundo tima od samo 10 dinara. Ponuđene marke su najrazličitijih tema, iz čitavog sveta, čisti ili poništeni, stariji ili noviji, komercijalni ili ne, vredniji ili jeftini, a to sve da bih što više približio moje ponude Vašim poljima, temama sakupljanja. Ukoliko ne nalazite konkretno ono što Vam je potrebno, ili imate neki predlog(čak i cena), pišite mi, trudiću se da Vam pomognem, naravno... Vredi baciti pogled, malo surfovati, sačuvati putanju i s vremena na vreme ponovo pregledati, jer se moja ponuda stalno menja... Želim Vam uspešnu kupovinu(ili licitaciju), uživajte u svojoj kolekciji maraka obogaćenoj od mene kupljenim markama dugo u sreći i zdravlju... ***********************************************************************************************************************************************************************************************************************************************

RETKO NA NASEM TRZISTU !!! SVE SA SLIKA Kandidati na DRAFTU MINT kartice za sve ljubitelje Americkog fudbala radjene za strana trzista + GRATIS RETRO stari dres Great Britain Rugby 1994 Dimenzije dresa :Duzine 72 ,Pazuh 56, Ramena 53,Rukavii 21,5 cm Kao sto vidite na slikama Dimenzija kartice 9 x 6,5 cm - 72 kartice sa orig.folijom + 26 kartica bez ali u Mint stanju Inace na stranim poznatim sajtovima imate cene ovih proizvoda od 320 e pa na vise po kutiji Stanje sa slike SVI MOJI PREDMETI NA KUPINDU : https://www.kupindo.com/Clan/180001/SpisakPredmeta Šaljem predmete posle uplate zbog brže transakcije, neozbiljnih kupaca koji ne preuzimaju pošiljke, maloletnih lica. Vama je dosta jeftinije, meni je lakše. Hvala unapred na razumevanju

Zidna dekoracija motivi Grčke u personalizovanom jedinstvenom ramu rađenom po meri. Zidna dekoracija su deo mog nekadašnjeg uređenja doma te verujem da će i vama doneti motivaciju za putovanjima i otkrivanjem sveta kao što je i meni. Slike u personalizovanom ramu su spremne da postanu zidna dekoracija odmah. U odličnom su stanju dimenzija 37x28cm sa staklom. Ukoliko Vam se čini da bi neki drugi motivi bolje se uklopili u Vaš dom, možete upotrebiti samo ram. Na slici je već postojeća kuka za kačenje na zid. Pojedinačna cena slike: 1200 dinara! Grupna cena za 6 slika po dogovoru + POKLON SLIKA sa motivom Ajfelovog tornja u personalizovanom ramu sa paspartuom dimenzije 43 x 48cm

31 x 68 cm 3 x presavijen movie poster, AFFICHE de FILM ILUSTROVAO : SASA NIKOLIC 1968 Thieves` Highway is a 1949 film noir directed by Jules Dassin. The screenplay was written by A. I. Bezzerides, based on his novel Thieves` Market.The film was released on DVD as part of the Criterion Collection in 2005. A war-veteran-turned-truck driver Nico `Nick` Garcos (Richard Conte) arrives at home to find that his foreign-born father, a California fruit farmer, has lost his legs and was forced to sell his truck. He learns that his father was crippled at the hands of an unscrupulous produce dealer in San Francisco, Mike Figlia (Lee J. Cobb). Garcos vows revenge. Garcos goes into business with Ed Kinney, who bought the Garcos truck, and drives a truckload of apples to San Francisco, where he runs into Figlia when his truck is immobilized with a suspiciously cut tire, blocking Figlia`s busy wholesale stand, and cannot be towed. Figlia hires a streetwalker, Rica (Valentina Cortese), to seduce and preoccupy Nick in her room while his men unload the apples without Nick`s permission. Figlia later pays Nick for his fruit, but that night his goons waylay and rob Nick of the cash. Meanwhile, Kinney is killed when his own truck mechanically fails, veers off the road, and burns after speeding out of control down a long hill. Foul play is suspected. Polly, Nick`s hometown sweetheart, then arrives in the city ready to marry him, but leaves disillusioned after she finds him recovering from his beating in Rica`s apartment and with no money. Nick and a friend finally confront the cowed bully Figlia at a tavern, and have him arrested, restoring Nick`s family honor.

70 x 50 cm 2 x presavijen MOVIE POSTER Figaro Here, Figaro There (Italian: Figaro qua, Figaro là) is a 1950 Italian historical comedy film directed by Carlo Ludovico Bragaglia and starring Totò and Isa Barzizza. The title and the plot allude to The Barber of Seville.[1] It was made at Scalera Studios in Rome. Set design was by Alberto Boccianti. The film is set in the eighteenth century. The protagonist is Figaro, the Sevillian barber, who is likely to be arrested because he operates his shop on Sundays, which is forbidden. Figaro is a friend of a nobleman who fell in love with Rosina, his friend and daughter of the governor. But Rosina`s father does not agree to their marriage. One day Rosina, through her maid Dove, tells the Count that one night she is staying at the inn `of four bulls`. The Count and Figaro go with a friend to the inn before they get to Rosina and her court. Their plan is to replace the host, pose as their owners of the inn and abduct Rosina. But unfortunately not all is according to plan. Pedro, a dangerous bandit, learns that Rosina and her court must stay at the inn that night and his men raid the inn: they capture Figaro, the Count and his friend. Finally Rosina comes and is disappointed when she sees that her beloved is not there. Figaro, however, has an idea: he writes a note to tell her that the man in the white hat is Pedro. Unfortunately at that time soldiers capture Figaro and Pedro, and stop believing that it is Pedro and the plan fails. Figaro is sentenced to death by firing squad, but in the end escapes helped by the Count. Eventually, after many vicissitudes, Count marries Rosina and Figaro goes to live with them.

Ispravan uređaj iz naslova sa USB punjačem , možete puniti ili preko računara ili direktno preko punjača tj adaptera. Baterija traje od 2-4 dana , tasteri ne funkcionišu ukupno 4 tastera i navigacioni taster gore dole levo desno. Tako sam ga ja dobio , nisam ništa dirao. Za više fotografija ako Vas zanima postaviće samo pošaljite poruku Ovakav uređaj je teško da se nađe sa punjačem koji kupac dobija. Osnovni podaci o ovom uređaju Operativni sistem Palm OS 5.4 Procesor Intel XScale 416 MHz Memorija 32+64+160 MB (rom+ram+skladištenje) Slot za proširenje SD/MMC slot (sa opcijom za SDIO uređaje) Infrared da Bluetooth da Ekran 3.7`, 320x480 tačaka, transflective, 65000+ boja Kamera ne Audio 3.5mm. zvučnik Mikrofon ne Baterija 1300mAh Dimenzije 120 x 78 x 15 mm Masa 145 gr Pogledajte i moje ostale oglase iz kategorije Oprema za mobilne telefone https://www.kupindo.com/pretraga.php?Prodavac=PetroovicMiloos&Grupa=307 Pogledajte i moje ostale predmete na Kupindu Ima dosta zanimljivih stvari i dosta sniženja. http://www.kupindo.com/Clan/PetroovicMiloos/SpisakPredmeta ----------------------------------------------------------- Pogledajte i moje ostale aukcije na Limundu. http://www.limundo.com/Clan/PetroovicMiloos/SpisakAukcija ------------------------------------------------------------------------- Lično preuzimanje je kod mene kući ili u Knjaževcu ako se dogovorimo, uvek me pitajte za lično preuzimanje. - Poštarina je stavljena okvirno i nemora da iznosi koliko je napisano - Ako se ne slažete šta piše na aukciji Nemojte da licitirate - Pre licitacije lepo pročitajte aukciju - Pročitajte moje ocene i vidite šta drugi misle o meni - Moje ocene govore koliko sam ozbiljan - Pogledajte sliku u punoj veličini - Pitajte sve što vas zanima - Poštarinu plaća kupac - Ne šaljem u inostranstvo - Pogledajte i moje ostale akucije i predmete na Kupindu - Predmet lepo upakujem da nebi došlo do lomljenja. Kada kupite moj predmet prihvatili ste uslove na aukciji.

PROMO FOTOGRAFIJA THE SMALL FOUR IZ 1967. G. Poslata iz Yorkshire 25. oktobra 1967. godina Crno bela fotografija 13,5 x 8 cm “The Small Four” je bend iz East Yorkshire, United Kingdom Mala četvorka je imala sreću da jednom izda 1966. kod Pye Records: One Up For Me b/w I`ll Find Him (Jednom za mene i Naći ću ga) svoju prvu ploču. Johnny `Pat` Paterson and Tony Gosling (Džoni `Pat` Paterson i Toni Gosling), obojica su prehodno svirali u The Aces (Kečevima) tokom Skiffle ludnice kasnih 1950 -ih i ranih 1960 –ih, a sa Steve Trice (guitar), Johnny Small (keyboards, vocals), Dave Morris (drums) predstavljali su bend “The Small Four”. Neki članovi su nastavili da sviraju u klubovima kao Matthew i sin. Skiffle je žanr folk muzike sa primesama bluza, džeza i američke folk muzike

83 x 59 cm 3 x presavijen movie poster, AFFICHE de FILM ilustrovao : BOLE, 1970 Guns of the Magnificent Seven is a 1969 western, styled in the genre of a Zapata Western, the second sequel to the classic 1960 western action film, The Magnificent Seven, itself based on Akira Kurosawa`s Seven Samurai (1954). The film was directed by Paul Wendkos and produced by Vincent M. Fennelly. It stars George Kennedy as Chris Adams, the character Yul Brynner portrayed in the first two films. The additions to the cast to make up the `new` seven are Monte Markham, Bernie Casey, James Whitmore, Reni Santoni, Joe Don Baker and Scott Thomas. Each have their quirks and baggage. They band together to help free a Mexican revolutionary (Fernando Rey) and help fight the oppression of sadistic militarist Diego played by Michael Ansara. Elmer Bernstein once again provides the music. In late 19th-century Mexico, Federales capture Quintero (Fernando Rey), a revolutionary who attempts to rally those opposing the dictatorship of President Díaz. Before going to prison, Quintero gives his lieutenant, Maximiliano O`Leary (Reni Santoni), $600 (equivalent to $17,000 in 2019) with which to continue the cause. Bandit chief Carlos Lobero (Frank Silvera) demands that the money be used for guns and ammunition, but Max instead crosses the border in search of Chris Adams (George Kennedy): a legendary, American gunman whom his cousin had told him about. Max finally finds the laconic Chris, witnessing him free a man from a rigged trial, first by using his wits, then with the famed hair-trigger skill as a gunfighter. Chris agrees to mount a rescue of Quintero and uses $500 of Max`s money to recruit five highly trained combatants: Keno (Monte Markham), a horse thief and hand-to-hand combat expert (whom Chris saved from hanging); Cassie (Bernie Casey), a brawny but intelligent former slave, who can handle dynamite; Slater (Joe Don Baker), a one-armed, sideshow sharp-shootist; a tubercular wrangler called `P.J.` (Scott Thomas), and Levi Morgan (James Whitmore), an aging family man who is doubtful of his worth, despite his incredible knife-throwing skills. En route to Mexico, the motley band of Americans becomes less mercenary when observing the brutal treatment of the peasants. Their journey is marked by encounters with a political prisoner`s little boy, Emiliano Zapata (Tony Davis) and a pretty peasant girl, Tina (Wende Wagner), who falls in love with P.J. When Lobero learns that Max did not buy guns with the $600, he refuses to allow his men to take part in Quintero`s rescue. Realizing that he needs support, Chris frees a prison gang that includes Zapata`s father, then trains them in military tactics. Despite their superior fighting skills and strategy, Chris` men are outnumbered and their valiant effort to free Quintero appears doomed. At the last moment, 50 of Lobero`s bandits, having slain their leader for his lack of patriotism, thunder onto the prison grounds and turn the tide of battle. Of the original seven, only Chris, Max and Levi survive. Before riding home, Chris and Levi leave behind the $600 the peasants had collected.

68 x 48 cm 2 x presavijen The Cotton Club is a 1984 American crime drama film co-written and directed by Francis Ford Coppola. The story centers on a Harlem jazz club in the 1930s, the Cotton Club and stars Richard Gere, Gregory Hines, Diane Lane, and Lonette McKee. The supporting cast included Bob Hoskins, James Remar, Nicolas Cage, Allen Garfield, Laurence Fishburne, Gwen Verdon and Fred Gwynne. The film was noted for its over-budget production costs, and took a total of five years to make. Despite being a disappointment at the box-office, the film received generally positive reviews. It was nominated for several awards, including Golden Globes for Best Director and Best Picture (Drama) and Oscars for Best Art Direction (Richard Sylbert, George Gaines) and Best Film Editing. A musician named Dixie Dwyer begins working with mobsters to advance his career but falls in love with the girlfriend of gangland kingpin Dutch Schultz. A dancer from Dixie`s neighborhood, Sandman Williams, is hired with his brother by The Cotton Club, a jazz club where most of the performers are black and the customers are white. Owney Madden, a mobster, owns the club and runs it with his right-hand man, Frenchy. Dixie becomes a Hollywood film star, thanks to the help of Madden and the mob but angering Schultz. He also continues to see Schultz`s gun moll, Vera Cicero, whose new nightclub has been financed by the jealous gangster. In the meantime, Dixie`s ambitious younger brother Vincent becomes a gangster in Schultz`s mob and eventually a public enemy, holding Frenchy as a hostage. Sandman alienates his brother Clay at The Cotton Club by agreeing to perform a solo number there. While the club`s management interferes with Sandman`s romantic interest in Lila, a singer, its cruel treatment of the performers leads to an intervention by Harlem criminal `Bumpy` Rhodes on their behalf. Dutch Schultz is violently dealt with by Madden`s men while Dixie and Sandman perform on The Cotton Club`s stage.

1,5 x 1,3 x 0,8 cm bronza samo srbija ovaj predmet ne saljem u inostranstvo serbia only I do not send this item abroad Prošle izložbe (Muzej Africke umetnosti) 16. februar 2011. - 20. avgust 2011. AUTOR IZLOŽBE I KATALOGA Marija Ličina, kustos MAU Na izložbi je prikazano više od 500 tegova za merenje zlatnog praha iz zbirke Muzeja afričke umetnosti, preko 200 tegova iz zbirke Slovenskog etnografskog muzeja u Ljubljani, primeri iz privatnih kolekcija. Pored tegova, izložba uključuje i prateće predmete kao što su vage, kutije i kašike za zlatni prah. Tegovi naroda Akan jedinstveni su u svetu po svojim oblicima - predstavljaju ljude (ratnike, vračeve, lovce...), životinje (ptice,krokodili, antilope...), biljke (kikiriki, cvetove palmi, patlidžane...), predmete (bubnjeve, sandale, topove...), i brojne druge figurativne i geometrijske motive. Koliko privlače svojim oblicima, kao umetničke forme u bronzi, dimenzija od tek nekoliko santimentara, akanski tegovi jednako su značajni kao svedočanstva o prirodnom bogatstvu zlata u Zapadnoj Africi. Njima je meren zlatni prah, koji je imao ulogu novca u Gani i Obali Slonovače kod naroda Akan od 15. sve do kraja 19. veka, u svakodnevnim aktivnostima - na tržnicama, u kraljevskim trezorima zlata i za naplate državnih taksi i poreza. Izložba „Tegovi za merenje zlatnog praha naroda Akan“, autorke Marije Ličine, predstavila je značaj koji su u globalnoj istoriji imali bogata nalazišta zlata, trgovinski i kulturni kontakti na prostoru Zapadne Afrike. Kroz izložbu, posetioci uče o prometu zlata od afričke obale Mediterana do Gvinejskog zaliva (u periodu od 10. do 19. veka), pustinjskim karavanima i evropskim flotama u pohodu ka akanskim zlatonosnim poljima, o običajima cenkanja do „poslednjeg zrna zlata“, boji plamena za tegove-skulpture u bronzi i drugim temama vezanim za istoriju i kulturu naroda Akan. Izuzetnost zbirke tegova Muzeja afričke umetnosti u Beogradu, sa više od 500 originalnih predmeta, kao i zbirka Slovenskog etnografskog muzeja sa više od 200 tegova koji su po prvi put biti predstavljeni javnosti, poslužili su kao polazište za obradu nekoliko temata: AFRIČKO ZLATO U STAROM SVETU transsaharska trgovina zlatom, od 10. do 16. veka ZLATNI PRAH KAO NOVAC I JEDINICE TEŽINE: proizvodnja i promet zlata u „zlatnim kraljevstvima“ Gane, od 15. do 19. veka; kulturni kontakti i razmena između afričkih, arapskih i evropskih civilizacija AMBLEMI TRADICIJE I DRUŠTVENIH VREDNOSTI motivi tegova kao ilustracije poslovica i izreka POUKE NA TEGOVIMA ZA MERENJE ZLATNOG PRAHA Kao i oblici, i značenja koja su tegovi-skulpture imali različita su: mnogi asociraju mudre pouke iz poslovica i narodnih priča, čuvaju sećanja na bitke, mitove i legende, ili predstavljaju određene simbole. Navodimo neke od akanskih poslovica: Lud je onaj ko puši i nosi bačvu sa barutom na glavi! Između ključa i brave, jedan je stariji - mora postojati vođa, čak i među jednakima. Ne treba ti veliki štap da slomiješ petlu vrat - kaže se za moćnog čoveka koji nepotrebno zlostavlja siromašnog i nezaštićenog. Snaga palmovog drveta je u njegovim granama - kraljeva moć leži u broju njegovih podanika. ---- ovaj teg nije bio na izlozbi u MAU ----- ---------------------------------------- Akan goldweights, (locally known as mrammou), are weights made of brass used as a measuring system by the Akan people of West Africa, particularly for wei and fair-trade arrangements with one another. The status of a man increased significantly if he owned a complete set of weights. Complete small sets of weights were gifts to newly wedded men. This insured that he would be able to enter the merchant trade respectably and successfully. Beyond their practical application, the weights are miniature representations of West African culture items such as adinkra symbols, plants, animals and people. Stylistic studies of goldweights can provide relative dates into the two broad early and late periods. The Early period is thought to have been from about 1400–1720 AD, with some overlap with the Late period, 1700-1900 AD. There is a distinct difference between the Early and Late periods. Geometric weights are the oldest forms, dating from 1400 AD onwards while figurative weights, those made in the image of people, animals, building etc., first appear around 1600 AD. Radiocarbon dating, a standard and accurate method in many disciplines, cannot be used to date the weights, as it is an inorganic material. The base components of inorganic materials, such as metals, formed long before the manufacturing of the artifact.The copper and zinc used to make the alloy are exponentially older than the artifact itself. Studies on the quality or origins of the base metals in brass are not very useful due to the broad distribution and recycling of the material. Studying the weight`s cultural background or provenance is an accurate method of dating the weights. Historical records accompanying the weight describing the people to whom it belonged to, as well as a comparative study of the weights and oral and artistic traditions of neighbouring communities should be part of studying the background and provenance of the weights. Scholars use the weights, and the oral traditions behind the weights, to understand aspects of Akan culture that otherwise may have been lost. The weights represent stories, riddles, and code of conducts that helped guide Akan peoples in the ways they live their lives. Central to Akan culture is the concern for equality and justice; it is rich in oral histories on this subject. Many weights symbolize significant and well-known stories. The weights were part of the Akan`s cultural reinforcement, expressing personal behaviour codes, beliefs, and values in a medium that was assembled by many people. Anthony Appiah describes[2] how his mother, who collected goldweights, was visited by Muslim Hausa traders from the north. The goldweights they brought were `sold by people who had no use for them any more, now that paper and coin had replaced gold-dust as currency. And as she collected them, she heard more and more of the folklore that went with them; the proverbs that every figurative gold-weight elicited; the folk-tales, Ananseasem, that the proverbs evoked.` Appiah also heard these Ananseasem, Anansi stories, from his father, and writes: `Between his stories and the cultural messages that came with the gold-weights, we gathered the sort of sense of a cultural tradition that comes from growing up in it. For us it was not Asante tradition but the webwork of our lives.` There are a number of parallels between Akan goldweights and the seals used in Harappa. Both artifacts stabilized and secured regional and local trade between peoples, while they took on further meaning beyond their practical uses. Shields are symbols of bravery, stamina, or a glorious deed, though not necessarily in battle. Double-edged swords symbolize a joint rule between female and male, rather than implying violence or rule with fear. The naming of the weights is incredibly complex, as a complete list of Akan weights had more than sixty values, and each set had a local name that varied regionally. There are, from studies done by Garrard, twelve weight-name lists from Ghana and the Ivory Coast. Some estimate that there are 3 million goldweights in existence. Simon Fraser University has a small collection, consisting mostly of geometric style weights, with a number of human figurative weights. Both types are pictured here and come from the SFU Museum of Archaeology and Ethnography. Many of the largest museums of in the US and Europe have sizable collections of goldweights. The National Museum of Ghana, the Musée des Civilisations de Côte d`Ivoire in Abidjan, Derby Museum and smaller museums in Mali all have collections of weights with a range of dates. Private collections have amassed a wide range of weights as well. In the past, each weight was meticulously carved, then cast using the ancient technique of lost wax. As the Akan culture moved away from using gold as the basis of their economy, the weights lost their cultural day-to-day use and some of their significance. Their popularity with tourists has created a market that the locals fill with mass-produced weights. These modern reproductions of the weights have become a tourist favorite. Rather than the simple but artistic facial features of the anthropomorphic weights or the clean, smooth lines of the geomorphic weights, modern weights are unrefined and mass-produced look. The strong oral tradition of the Akan is not included in the creation of the weights; however, this does not seem to lessen their popularity. The skill involved in casting weights was enormous; as most weights were less than 2½ ounces and their exact mass was meticulously measured. They were a standard of measure to be used in trade, and had to be accurate. The goldsmith, or adwumfo, would make adjustments if the casting weighed too much or too little. Even the most beautiful, figurative weights had limbs and horns removed, or edges filed down until it met the closest weight equivalent. Weights that were not heavy enough would have small lead rings or glass beads attached to bring up the weight to the desired standard. There are far more weights without modifications than not, speaking to the talent of the goldsmiths. Most weights were within 3% of their theoretical value; this variance is similar to those of European nest weights from the same time. Early weights display bold, but simple, artistic designs. Later weights developed into beautiful works of art with fine details. However, by the 1890s (Late Period) the quality of both design and material was very poor, and the abandonment of the weights quickly followed. Tim Garrard (April 28, 1943 – May 17, 2007) studied the Akan gold culture. His research was centered on goldweights and their cultural significances and purposes. He was also interested in the gold trade, the creation of the weight measurements, and how Akan trade networks operated with other networks. His works and those that use his work as a base are very informative about broader Akan culture. The weights pictured here are part of the collection at the SFU museum. Donated to the museum in the late 1970s, they are part of a wide collection of African cultural pieces.