Originalni bioskopski (filmski) plakat velikih dimenzija (oko 100 x 70 cm) : NAJBOLJE GODINE NAŠEG ŽIVOTA / BEST YEARS OF OUR LIVES Autor plakata: D.Ivaniševič Najbolje godine naših života (poznat pod naslovima Slava pripada meni i Opet kod kuće) američki je dramski film snimljen 1946. godine u režiji Williama Wylera. Glavne uloge tumače Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, i Harold Russell. Film govori o tri američka vojnika koji pokušavaju da se uklope u civilni život nakon povratka kući iz Drugog svjetskog rata. Samuel Goldwyn je imao inspiraciju da napravi film o ratnim veteranima nakon što je u augustu 1944. godine pročitao članak u magazinu Time, koji govori o teškoćama kroz koje veterani prolaze pri povratku u civilni život. Goldwyn je zaposlio bivšeg ratnog dopisnika MacKinlaya Kantora da napiše scenarij. Njegov rad je prvi put objavljen kao roman pod naslovom Slava pripada meni, koji je Kantor napisao u stilu `praznog stiha` bez rimovanja. Robert Sherwood je zatim prilagodio roman za scenarij. Film je osvojio sedam Oskara 1946. godine, uključujući i Oscara za najbolji film, najbolju režiju (William Wyler), najboljeg glumca (Fredric March), najboljeg sporednog glumca (Harold Russell), najbolju montažu (Daniel Mendel), najbolji adaptirani scenarij (Robert Sherwood), i najbolju originalnu muziku (Hugo Friedhofer). Pored uspjeha kod kritičara, film je ubrzo postao veliki komercijalni uspjeh nakon puštanja na prikazivanje u kinima. Film je imao najveću zaradu i najviše publike kako u SAD-u tako i u Velikoj Britaniji, sa prodajom od oko 55 miliona karata u SAD-u što se nije desilo još od izlaska filma Prohujalo s vihorom. Film zauzima šestu poziciju sa najvećom posjetom publike svih vremena u Velikoj Britaniji, sa preko 20 miliona prodatih karata. Kao na fotografijama.

Stanje kao na fotografijama, malkice zacepljen u donjem delu gde je presavijan. 49cm x 69cm Operacija „Zora“ (poznata i kao Cijena slobode u SAD-u) [1] film je iz Drugog svjetskog rata iz 1975. godine zasnovan na istinitoj priči o operaciji Antropoid, atentatu na SS generala Reinharda Heydricha u Pragu. U glavnim ulogama Anthony Andrews, Timothy Bottoms i Martin Shaw, film je režirao Lewis Gilbert, a uglavnom je sniman na lokaciji u Pragu. Prilagođen je knjizi Alan Burgess, Sedam ljudi na zoru. Directed by Lewis Gilbert Produced by Carter DeHaven Screenplay by Ronald Harwood Based on Seven Men at Daybreak by Alan Burgess Starring Timothy Bottoms Martin Shaw Joss Ackland Nicola Pagett Anthony Andrews Music by David Hentschel Cinematography Henri Decaë Edited by Thelma Connell Production companies Howard R. Schuster, Inc. American Allied Studios Barrandov Studios Distributed by Warner Bros. (US) Columbia-Warner (UK) Release date November 1975 (US (limited)) 29 February 1976 (UK) Running time 118 minutes Countries Czechoslovakia United States Yugoslavia Languages English German Timothy Bottoms as Sergeant Jan Kubiš Martin Shaw as Sergeant Karel Čurda Joss Ackland as Janák Nicola Pagett as Anna Malinová Anthony Andrews as Sergeant Jozef Gabčík Anton Diffring as acting Reichsprotektor Reinhard Heydrich Carl Duering as Karl Hermann Frank, Secretary of State of the Reich Protectorate of Bohemia and Moravia Cyril Shaps as Father Petrek Diana Coupland as aunt Marie Moravcová [cs] Ronald Radd as Karel Moravec Kim Fortune as Ata Moravec Ray Smith as Hájek George Sewell as Heinz Panwitz, Chief Investigator Reinhard Kolldehoff as Fleischer, Gestapo Kika Markham as Čurda`s Wife Philip Madoc as Heydrich`s interpreter Nigel Stock as General Cyril Cross Vernon Dobtcheff as Pyotr Frank Gatliff as Surgeon Pavla Matějovská as Jindriska Jiri Krampol as Lt Adolf Opalka Originalan filmski plakat Makedonija Film

Rozlúčka so slovenskou korunou a privykanie na spoločnú európsku menu sústredili pozornosť nielen na dnešné platidlá, ale aj na peniaze, ktorými sa na našom území platilo od najdávnejšej minulosti. Čo vieme o týchto platidlách? Čo o nich vie občan, ktorý nie je numizmatik, historik či zberateľ? V tom lepšom prípade sa stretne s ich názvami v zaužívaných slovných spojeniach - keď si napríklad ťažká, že nemá ani grajciara, keď povie o lakomcovi, že by si dal za groš koleno vŕtať, keď konštatuje, že to či ono stojí za deravý groš, a vyhlási, že by to a to neurobil veri ani za vrece dukátov. Iste, vieme, že kedysi jestvovali denáre, toliare a zlatky, pätáky a šestáky. Lenže kedy tieto peniaze platili? Kto ich vyrábal a ako sa vyrábali? Čo za obraz a nápis je vlastne na nich? Čo sa za ne dalo kúpiť? Aké mali osudy a ako vplývali na konanie jednotlivcov aj celej spoločnosti? Podrobnosti Formát: 235 x 295 mm Rozsah: 272 strán Väzba: tvrdá väzba s prebalom

48 x 68 cm 2 x presavijen movie poster Experiment in Terror is a 1962 neo-noir suspense-thriller released by Columbia Pictures. It was directed by Blake Edwards and written by Mildred Gordon and Gordon Gordon based on their 1961 novel Operation Terror. The film stars Glenn Ford, Lee Remick, Stefanie Powers and Ross Martin.The musical score was performed by Henry Mancini. A psychotic killer, Garland `Red` Lynch, uses a campaign of terror to force San Francisco bank teller Kelly Sherwood to steal $100,000 from the bank for him. Despite Lynch`s threat to kill Sherwood or her teenage sister Toby if she goes to the police, Sherwood contacts the San Francisco office of the FBI, where agent John Ripley takes charge of the case. Ripley interviews a woman who implies that she is involved in some way in a serious crime, but before she can give Ripley the details, Lynch murders her. Sherwood continues to be terrorized with phone calls, an asthmatic condition making the unseen Lynch`s voice all the more sinister. The FBI identifies the criminal, noting that Lynch has a record of convictions for statutory rape, forgery, criminal assault, armed robbery and murder. They track down his girlfriend, Lisa Soong, whose six-year-old son has just had a hip replaced. Lynch is paying all the hospital bills. Because of this, Lisa refuses to believe that Lynch is a criminal and will not cooperate with the investigation. Ripley nevertheless manages to get some information about `Uncle Red` from the boy. Lynch finally gives Sherwood a time and date to steal the money, and just to make sure that she does, he kidnaps her sister Toby and holds her captive. The climax is a chase through Candlestick Park after a nighttime baseball game between the rival San Francisco Giants and Los Angeles Dodgers. On-field action includes several closeups of Dodger pitcher Don Drysdale. Ripley and his men ultimately surround Lynch on the infield of the stadium. As Lynch takes aim at a police helicopter, Ripley shoots him and he dies on the pitchers` mound. Glenn Ford as John `Rip` Ripley Lee Remick as Kelly Sherwood Stefanie Powers as Toby Sherwood Ross Martin as Garland Humphrey `Red` Lynch Roy Poole as Brad Ned Glass as Popcorn Anita Loo as Lisa Soong Patricia Huston as Nancy Ashton Gilbert Green as Special agent Clifton James as Capt. Moreno Al Avalon as Man who picks up Kelly William Bryant as Chuck

PROMO FOTOGRAFIJA SA AUTOGRAMOM MIĆE PIROMANCA IZ 1971. G. Kolor fotografija 11 x 7,5 cm Jugoslovenski harmonikaš i pevač, Milorad Mića Stanojević - Piromanac, rođen u selu Piroman, kod Obrenovcu 1951. Prvu ploču sa pesmom `Udaje se moja komšinica` snima sa crno-belom slikom na omotu i izdaje za produkciju `Šumadija` iz Batočine, 1969, pre vojske. Najveću slavu doživeo je početkom i sredinom 70-ih godina kada je snimio svoj najveći hit `I za senkom njenom patim`. I danas se u kafanama i na nekim radio stanicama mogu čuti njegove pesme poput `Teško meni, teško tebi`, `Majko, još jedan dan života mi daj` i druge. Otac Slavoljub, nepismeni muzičar, violinista, kafanski muzičar, izvodio je stranu, meksičku, špansku, italijansku muziku, a radio je šest godina u Radio Beogradu. Majka mu je kupila malu harmoniku, jer od violine nema ‘leba, za nju treba ceo orkestar, a sa harmonikom možeš stati i na ćupriji i zaraditi. Teča ga je učio da svira, a sam je učio pesme po sećanju … kafanska melodija uđe u uvo, pa kada dođe kući uvežba je. Sa 17 godina je stao za mikrofon u kafani Sutjeska u Obrenovcu i tu je njegov otac pevao neku pesmu. Bila je to “I za senkom tvojom patim”. Odmah je oca pitao da mu da i snimio u Diskos- u 1971. godine. Ploča još nije bila izašla, a pesme su se već vrtile po radio-stanicama. I tada je sve krenulo.Odsviraš jednu svadbu i imaš para da možeš da živiš kao car. Posle su došle turneje…Tokom karijere snimio je oko desetak ploča Pesmu `Sve što činis, sebi činiš` napisao je kao opomenu samom sebi i svom burnom životu. Ugrabio je trenutak sreće i rodila se pesma `Nemir stvaraš u meni kada me pogledaš ti`. Mićine pesme se pevaju, snimaju i presnimavaju, i bez dozvole autora. Doduše, i Mićinim kolegama nije poznato da je Mića autor skoro svih svojih pesama. `Senku` je presnimio Era, `Idem kući, već je kasno` Radiša, `Daj mi samo dan života` Dule Todorović, `Ajde, Jovo, ajde, Jovane` Milija Milić sa trubačima...

Stanje kao na fotografijma 49cm x 69cm Redje u ponudi! Heroji Telemarka britanski je ratni film iz 1965. godine koji je režirao Anthony Mann, a temelje se na istinitoj priči o norveškoj sabotaži teške vode tijekom Drugog svjetskog rata sa Skije protiv atoma, memoarima norveškog vojnika otpora Knuta Haukelida. U filmu glume Kirk Douglas kao dr. Rolf Pedersen i Richard Harris kao Knut Straud, zajedno s Ullom Jacobsson kao Anna Pedersen. Snimljen je na lokaciji u Norveškoj. Directed by Anthony Mann Written by Ben Barzman Ivan Moffat Based on Skis Against the Atom 1954 memoir by Knut Haukelid But for These Men 1962 novel by John Drummond Produced by Benjamin Fisz Starring Kirk Douglas Richard Harris Ulla Jacobsson Cinematography Robert Krasker Edited by Bert Bates Music by Malcolm Arnold Production company Benton Film Productions Distributed by The Rank Organisation (UK) Columbia Pictures (US) Release date 23 November 1965 (London-Premiere) 26 November 1965 (United Kingdom) 19 January 1966 (Chicago) 9 March 1966 (United States) Running time 130 minutes Country UK Languages English, German, Norwegian, German Budget $5 million[1] Box office $1,650,000 (est. US/ Canada rentals) Kirk Douglas as Dr Rolf Pedersen Richard Harris as Knut Straud Ulla Jacobsson as Anna Pedersen Michael Redgrave as Uncle David Weston as Arne Sebastian Breaks as Gunnar John Golightly as Freddy Alan Howard as Oli Patrick Jordan as Henrik William Marlowe as Claus Brook Williams as Einar Roy Dotrice as Jensen Anton Diffring as Major Frick Ralph Michael as Nilssen Eric Porter as Josef Terboven Wolf Frees as Sturmbannführer Knippelberg Karel Stepanek as Professor Hartmüller Gerard Heinz as Professor Erhardt Victor Beaumont as German Sergeant George Murcell as SS Oberscharführer Mervyn Johns as Col. Wilkinson Barry Jones as Professor Roderick Logan Geoffrey Keen as Gen. Bolt Robert Ayres as General Courts Jennifer Hilary as Sigrid Maurice Denham as Doctor David Davies as Captain of Galtesund Philo Hauser as Businessman Faith Brook as Woman on Bus Elvi Hale as Mrs. Sandersen Russell Waters as Mr. Sandersen Paul Hansard as German Officer (uncredited) George Roubicek as German Radio Operator (uncredited) Joe Dunne as Norwegian Quisling`s Nazi (uncredited) Originalan filmski plakat Morava Film

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Who`s That Girl is a 1987 American screwball comedy film directed by James Foley and written by Andrew Smith and Ken Finkleman. It stars Madonna and Griffin Dunne, and depicts the story of a street-smart girl who is falsely accused of murdering her boyfriend and is sent to jail. After getting released, she meets a man, who is supposed to make sure she gets on her bus back to Philadelphia, and convinces him to help her catch those responsible for her confinement. While searching for the embezzler, they fall in love with each other. After the failure of her 1986 film Shanghai Surprise, Madonna decided to sign up for another comedy film titled Slammer, which was later renamed Who`s That Girl. However, she had to convince both Warner Bros. and the producers of the film that she was ready for the project. Madonna enlisted her friend James Foley to direct the film. Shooting began in New York in October 1986, and continued until March 1987. Production was halted during December due to snowfall in New York. Madonna utilized the time to work on her next tour and the soundtrack of the film. The film was released on August 7, 1987, and was a box office bomb, grossing only $2.5 million in its first week, with its final domestic total being about $7.3 million on a budget between $17 million and $20 million. Critics were highly disappointed with the film, and Foley`s direction. Madonna`s accompanying Who`s That Girl World Tour went on to be a critical and commercial success, grossing a total of US$25 million, and playing in front of audiences totaling 1.5 million people. The soundtrack also enjoyed commercial success, with the title track becoming Madonna`s sixth number one single on the US Billboard Hot 100 record chart. Nikki Finn is a carefree young woman who usually wears a leather jacket and skirt, sports fire-red lips and a platinum bob, and speaks in a high-pitched voice; she`s also resourceful and intelligent. One day her boyfriend Johnny sees two men stealing money out of a trust fund and takes a picture of this theft. He puts the pictures in a safe deposit box and gives Nikki the key for safekeeping. The thieves catch and murder Johnny and frame Nikki by dumping his body into the trunk of her car, and she`s sentenced to seven years in prison. After four years, tax attorney Loudon Trott (Griffin Dunne) is getting married to the daughter of one of the richest men in New York, Simon Worthington. Loudon`s bride Wendy Worthington (Haviland Morris) is a selfish woman who is more consumed in her wedding plans than in her fiancé`s well-being. Loudon, on the other hand, has many duties entrusted to him by his boss--and future father-in-law--Mr. Worthington (John McMartin): First he must pick up a cougar for an exotic-animal activist Montgomery Bell (John Mills), then he must pick up Nikki, and lastly he must make sure she catches the next bus to her hometown, Philadelphia. Meanwhile, Nikki`s determined to catch the actual thieves and expose the truth. After meeting Loudon, Nikki cons him into taking her shopping. After they take a Rolls-Royce into Harlem to buy a gun--and are nearly arrested during a police raid--she tells Loudon her story; believing she`s innocent, he decides to help her. She`s also on the run from a pimp named Raoul (Coati Mundi) and his lackey Benny (Dennis Burkley), the ones who killed Johnny. Only after dangling off a car smashed through the top floor of a parking garage does he tell her the bank and the box number (6111) of her slain boyfriend. Afterward Nikki vanishes with the cougar, whom she names Murray. Loudon visits Mr. Bell to apologize for losing the animal, then finds that Nikki had delivered Murray and was waiting for Loudon at Mr. Bell`s home; he has created a Brazilian rainforest filled with animals on top of his roof. There Nikki and Loudon--who have become close--express love for each other; Murray also finds a mate. Loudon delivers Nikki to the bus station the next morning, but Nikki brokenheartedly realizes that she must go back to Philadelphia, leaving Loudon, who is about to get married. On the bus she opens an envelope in the security box and finds the photographs that prove that Mr. Worthington is an embezzler and he was the mastermind behind the theft. Nikki gate-crashes the wedding, gets Mr. Worthington arrested, and proclaims her love for Loudon. Nikki and Loudon ride off into the sunset on a bus to Philadelphia, with Murray and his partner chasing after them.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM The Land That Time Forgot is a 1975 British-American fantasy/adventure film based upon the 1918 novel The Land That Time Forgot by Edgar Rice Burroughs. The screenplay was written by Michael Moorcock and James Cawthorn and directed by Kevin Connor. The cast included Doug McClure, John McEnery, Keith Barron, Susan Penhaligon, Anthony Ainley and Declan Mulholland. The movie begins with a bottle with a written manuscript inside it being thrown into the sea, hoping for it to be discovered later. Floating to the coast of England, a sailor discovers the bottle and opens to read the manuscript as Bowen Tyler (Doug McClure) narrates the events, much as we see in many of Edgar Rice Burroughs` novels. The story is set during World War I and involves the survivors of the sinking of a British merchant ship who are taken on board a German U-boat. Bowen Tyler and Lisa Clayton (Susan Penhaligon) are passengers on the ship torpedoed by Captain von Schoenvorts (John McEnery). Along with a few surviving British officers, Tyler convinces the other men to take over the surfacing submarine, this being their only chance for survival. After confronting the Germans on the deck, a fight ensues and they seize the German U-boat. Tyler takes command hoping to sail to a British port. Von Schoenvorts has his crew steer toward a safe sea port. But German officer Dietz (Anthony Ainley) gets loose and smashes the sub`s radio. Off course and running out of fuel in the South Atlantic, the U-boat and its crew happen across an uncharted subcontinent called Caprona, a fantastical land of lush vegetation where dinosaurs still roam, co-existing with primitive man. There are also reserves of oil which, if the Germans and British can work together, can be refined and enable their escape from the island. Tyler discovers the secret of Caprona: individuals evolve not through natural selection, but by migrating northward across the island. With the submarine working again, a sudden outbreak of volcanic eruptions occurs across the island. Dietz starts a mutiny and shoots Captain von Schoenvorts to take command. Dietz abandons Tyler and Clayton in Caprona in an attempt to escape, but the U-Boat cannot function in the boiling waters and the crew is killed as it sinks. Tyler and Clayton are stranded and being the only survivors of their group, they are forced to move northward. The movie ends with Tyler throwing the bottle, with the manuscript inside it, as seen in the beginning of the movie. Doug McClure as Bowen Tyler John McEnery as Captain Friedrich Von Schoenvorts Susan Penhaligon as Lisa Clayton Keith Barron as John Bradley Anthony Ainley as Lt. Dietz Godfrey James as Borg Bobby Parr as Ahm Declan Mulholland as Olson Colin Farrell as Whiteley Ben Howard as Benson Roy Holder as Plesser Andrew McCulloch as Sinclair Ron Pember as Jones Grahame Mallard as Deusett Andrew Lodge as Reuther Brian Hall as Schwartz Stanley McGeagh as Hiller Peter Sproule as Hindle Steve James as First Sto-Lu

70 x 50 cm URAMLJEN SAMO LICNO PREUZIMANJE režija Henry Levin : William Holden, Glenn Ford, Ellen Drew WESTERN Vestern. Dvojica prijatelja (G. Ford, W. Holden) vraćaju će kući nakon otpusta iz vojske i Građanskog rata. Jedan od njih ima teške psihičke posljedice od sudjelovanja u ratu, čak postaje nasilan. Njegov prijatelj pokušava mu pomoći... ----------------------------------- The Man from Colorado is a 1948 American Drama Western film directed by Henry Levin and produced by Jules Schermer for Columbia Pictures. It stars Glenn Ford as a Union officer who becomes addicted to killing during the American Civil War, William Holden as his best friend, and Ellen Drew as their common love interest. Robert Andrews and Ben Maddow based the screenplay on a story by Borden Chase. Levin replaced Charles Vidor during filming. In Colorado near the end of the American Civil War, Union Colonel Owen Devereaux (Glenn Ford) orders his regiment to fire on a detachment of Confederate soldiers, even though he (and only he) has seen that they are signaling their surrender with a white flag. Afterward, his best friend and second-in-command, Captain Del Stewart (William Holden), finds the white flag, considers it and then buries it as a surviving Confederate officer secretly looks on. Immediately after the battle, the soldiers find out that the war has ended. As the soldiers celebrate, Sergeant Jericho Howard (James Millican) gets drunk while on duty and is insubordinate to Devereaux, who has him arrested. At a celebratory ball in the troops` hometown, the mayor announces Devereaux`s appointment as the federal judge for the region. Stewart asks Caroline Emmett (Ellen Drew) to marry him, but she is undecided between the two friends and later marries Devereaux instead. When the Confederate survivor confronts Devereaux about the white flag, Devereaux disarms him and then shoots him several times with his own gun, even though the man has already been subdued. Stewart realizes that Devereaux must have seen the flag and concludes that the war has unhinged his mind. He agrees to serve as Devereaux`s marshal after Devereaux promises not to carry a gun and participate in arrests. Many of Devereaux`s volunteer troops owned mines before the war, but a wealthy businessman named Big Ed Carter (Ray Collins) has claimed the mines for his company. As federal judge, Devereaux upholds Carter`s claim based on a legal technicality. Meanwhile, Jericho escapes and stages a series of gold robberies. Devereaux`s uncle, Doc Merriam (Edgar Buchanan), hopes that the end of the war and marriage to Caroline will settle Devereaux down, but Devereaux hangs Jericho`s partner after a hasty summary trial out in the country following a posse chase, prompting several other men to join Jericho. Devereaux also threatens to hang Jericho`s younger brother Johnny (Jerome Courtland) based on circumstantial evidence after another robbery, even though Johnny is not part of his brother`s gang. After warning Devereaux not to hang Johnny, Stewart finds Jericho and persuades him to turn himself in, but when Devereaux hangs Johnny, Stewart resigns in disgust and joins Jericho`s gang. After Stewart helps to rescue some men from being hanged, Devereaux lures him into town by spreading a rumor that Caroline is in danger, arrests him and puts him in jail. When Caroline sees this, she breaks into Devereaux`s desk and reads his diary, finally realizes that he is mentally unstable and persuades Doc Merriam to rescue Stewart. She begins to put Stewart and Doc Merriam on a carriage to alert the state government of Devereaux`s instability, but Devereaux shoots Stewart, so she drives the carriage for Stewart and the doctor as they flee to a nearby mining town. Devereaux cannot get the miners to surrender Stewart, and he eventually sets fire to the town. When Carter accuses him of being crazy with jealousy over Caroline`s loyalty to Stewart, he rides into town, confronts Stewart, Jericho and Caroline. Devereaux fights with Jericho and is killed when a wall from a burning building falls on them. Stewart boards a stage to travel to Washington, D.C. to plead on behalf of the dispossessed miners, but promises Caroline he will return.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Triple Trouble is a two-reel American silent comedy film that was released in 1918. It stars Charlie Chaplin, Edna Purviance, and Leo White. This film was not an official Chaplin film, even though it has many Chaplin-directed scenes; after he left the studio,Essanay edited it together using outtakes and newly shot footage directed by Leo White. It had already been established in court that Chaplin had no legal control over the films made during his time with Essanay and could not prevent its release. Charlie (Chaplin) takes a job as a janitor in the home of Colonel Nutt (unidentified actor), a munitions manufacturer. As the butler (unidentified actor) introduces Charlie to the ill-tempered cook (Billy Armstrong), Colonel Nutt demonstrates his new wireless explosive device to his daughter (unidentified actress). Meanwhile, agents of the `Pretzelstrass` meet with the Count (Leo White) to devise a plan to get at Colonel Nutt`s device. Charlie carelessly dumps garbage all over the maid (Edna Purviance) and her freshly cleaned floor. He takes the trash can and dumps it over the fence, inundating the Count in the process. Back in the kitchen, the maid scolds Charlie, but then becomes emotional, and he comforts her. The Count enters the house, and is hit by a wet rag thrown by the maid, but intended for Charlie. The Count tosses it off to the side, and it winds up hitting the cook, and when the cook begins to act cruelly towards the maid in return, Charlie sticks up for her. The Count makes his way to the Colonel, who rejects his offers and has the Count ejected by the butler. His day`s work done, Charlie makes his way to a flophouse for a night`s sleep. At this point, a pickpocket (Wesley Ruggles) holds up the Count, but instead of taking his money he agrees to join the caper to liberate Dr. Nutt of his invention. The conversation is overheard by a cop, who then runs off to inform his fellow officers, who are in an abandoned lot, shooting craps. They storm the Nutt house, disrupting its resident, but explain to him that they `are on the trail of a great robbery.` Back at the flophouse, Charlie is prevented from settling down by a loud, singing drunk (James T. Kelley) whom he eventually—and somewhat affectionately—dispatches with a champagne bottle. A thief (also Billy Armstrong) steals in during the night and robs the singing drunk, and although Charlie takes what he thinks are adequate precautions, he is also robbed. Charlie disguises himself under the blankets and manages to get his money back from the thief, but when the thief tries to stab him it wakes everyone up and a fight breaks among all of the men. Charlie manages to escape, dodging several cops on the way. However, he runs into the pickpocket on the street; recognizing him as an old friend, Charlie agrees to help him find a target, and leads him to the Nutt house. The cops are all still there; lying around, smoking, waiting for something to happen. Pandemonium breaks out when the pickpocket enters the house, and amid the chaos, Colonel Nutt`s explosive device is detonated, blowing all of the cops skyward. In the aftermath, the pickpocket is buried in a heap of rubble and Charlie is seen poking his head out of the kitchen stove.

modni kreator dizajner dizajn design tasne torbe cipele sandale odeca obuca garderoba tvrdi povez, str. 151, dim. 17 x 24,5 cm Philipp Patrick Plein (b. 1978 in Munich) is a German fashion designer whose designs have incorporated a laughing skull which has become his signature. Upon completion of the Gymnasium Schloss Salem boarding school on Lake Constance, he studied at the Friedrich-Alexander University in Erlangen law. Plein`s strong interest in art, architecture and foreign cultures was shaped early in life through the extensive travels of his family, providing exposure as a child to the world`s most important museums and cultural exhibits. In 1998 he entered the world of design with exclusive furnishings initially created for family and friends. In the same year he also founded his own furniture company with 20.000 DM which he inherited from his grandfather. Primarily focusing on designs based on stainless steel and leather in crocodile look. From the leftovers of the furniture production the young designer started to create leather bags and accessories since he didn`t want to waste any material and started to sell them along with his furniture collection at trade fairs. After two years of selling furniture he gave up is law studies to concentrate on his own company. Philipp Plein had his final breakthrough in 2003 when he started to design a lounge at the German trade fair CPD Düsseldorf for Moët & Chandon in return for his work he was allowed to sell his fashion collection at the trade fair. According to the designer he `sold bags for over 100.000€ in one day“. In 2004 he launched his first fashion collection dedicated to men, women and children. The highlight of his first collections were vintage military jackets which he embroidered Swarovski skulls and sold them at the Maison et Objet in Paris which took place at the same time as the Prêt-à-Porter tradefair thus allowing him to promote his fashion collection since the city was full of fashion people. With the launch of his first fashion collection in 2004 Philipp Plein also created the PHILIPP PLEIN brand which still persists as of today. In 2006 the accessories line was introduced and in 2008 the `Couture` collection which is also was launched, supported by an ad campaign starring Naomi Campbell and Marcus Schenkenberg. In 2008 Philipp Plein presented his `heavy metal` collection on the occasion of `Germany`s Next Top Model` fashion show presented in Barcelona by Heidi Klum.In 2009 he collaborated with Mattel and presented the PHILIPP PLEIN Barbie doll during Barbie`s 50th Birthday celebrations at the Nuremberg Toy Fair on 4 February 2009. In the same year, the first mono-brand store was opened in Monte Carlo, and the first commercial showroom in Milan. In 2010 PHILIPP PLEIN boutiques opened in Vienna, Moscow, St. Tropez, Cannes, and Kitzbuhel in addition to the opening of a commercial showroom in Düsseldorf. In June 2010 the fall/winter ad campaign was unveiled starring the American actress Mischa Barton. In 2011 PHILIPP PLEIN boutiques opened in Forte dei Marmi and Düsseldorf, and the Hong Kong showroom was inaugurated. In September 2011 Lindsay Lohan was announced as the face of the new spring/summer 2012 ad campaign, which was shot several days later on the shores of Lake Como amongst crowds of fans and paparazzi. In 2012, 10 PHILIPP PLEIN boutiques were opened, in Marbella, Moscow Crocus, Baku, Milan, Dubai, St. Petersburg, Seoul, Macau, Amsterdam and Berlin.The British actor and singer Ed Westwick was the next celebrity to lend his image to the brand. Westwick was photographed by the internationally acclaimed photographer Terry Richardson, who also made cameo appearances himself in the fall/winter 2012/2013 campaign. Westwick also walked the runway for the men`s spring/summer 2013 fashion show. In 2012 PHILIPP PLEIN signed an agreement with the soccer team AS Roma to dress the team players starting with the 2012/13 season for 4 consecutive seasons.For the spring/summer 2013 campaign, Terry Richardson returns as both photographer and protagonist of a provocative campaign featuring the international top models Lea T. and Poppy Delevingne. For the fall/winter 2013/2014 women`s show Philipp Plein chose Grace Jones, to introduce his fashion show with a live performance of her hit `I`ve Seen That Face Before` Singer Iggy Azalea took over the stage to open Philipp Plein SS14 fashion show with a performance of `work`, leading the way for a show of black-only models closed by Ethiopian supermodel Liya Kebede, a poignant move given the recently debated racism in the fashion industry.

MODNI KREATOR PHILIPP PLEIN DESIGN GARDEROBA ODECA OBUCA FASHION tvrdi poves, str. 191, dim. 29 x 22 cm Philipp Patrick Plein (b. 1978 in Munich) is a German fashion designer whose designs have incorporated a laughing skull which has become his signature. Upon completion of the Gymnasium Schloss Salem boarding school on Lake Constance, he studied at the Friedrich-Alexander University in Erlangen law. Plein`s strong interest in art, architecture and foreign cultures was shaped early in life through the extensive travels of his family, providing exposure as a child to the world`s most important museums and cultural exhibits. In 1998 he entered the world of design with exclusive furnishings initially created for family and friends. In the same year he also founded his own furniture company with 20.000 DM which he inherited from his grandfather. Primarily focusing on designs based on stainless steel and leather in crocodile look. From the leftovers of the furniture production the young designer started to create leather bags and accessories since he didn`t want to waste any material and started to sell them along with his furniture collection at trade fairs. After two years of selling furniture he gave up is law studies to concentrate on his own company. Philipp Plein had his final breakthrough in 2003 when he started to design a lounge at the German trade fair CPD Düsseldorf for Moët & Chandon in return for his work he was allowed to sell his fashion collection at the trade fair. According to the designer he `sold bags for over 100.000€ in one day“. In 2004 he launched his first fashion collection dedicated to men, women and children. The highlight of his first collections were vintage military jackets which he embroidered Swarovski skulls and sold them at the Maison et Objet in Paris which took place at the same time as the Prêt-à-Porter tradefair thus allowing him to promote his fashion collection since the city was full of fashion people. With the launch of his first fashion collection in 2004 Philipp Plein also created the PHILIPP PLEIN brand which still persists as of today. In 2006 the accessories line was introduced and in 2008 the `Couture` collection which is also was launched, supported by an ad campaign starring Naomi Campbell and Marcus Schenkenberg. In 2008 Philipp Plein presented his `heavy metal` collection on the occasion of `Germany`s Next Top Model` fashion show presented in Barcelona by Heidi Klum.In 2009 he collaborated with Mattel and presented the PHILIPP PLEIN Barbie doll during Barbie`s 50th Birthday celebrations at the Nuremberg Toy Fair on 4 February 2009. In the same year, the first mono-brand store was opened in Monte Carlo, and the first commercial showroom in Milan. In 2010 PHILIPP PLEIN boutiques opened in Vienna, Moscow, St. Tropez, Cannes, and Kitzbuhel in addition to the opening of a commercial showroom in Düsseldorf. In June 2010 the fall/winter ad campaign was unveiled starring the American actress Mischa Barton. In 2011 PHILIPP PLEIN boutiques opened in Forte dei Marmi and Düsseldorf, and the Hong Kong showroom was inaugurated. In September 2011 Lindsay Lohan was announced as the face of the new spring/summer 2012 ad campaign, which was shot several days later on the shores of Lake Como amongst crowds of fans and paparazzi. In 2012, 10 PHILIPP PLEIN boutiques were opened, in Marbella, Moscow Crocus, Baku, Milan, Dubai, St. Petersburg, Seoul, Macau, Amsterdam and Berlin.The British actor and singer Ed Westwick was the next celebrity to lend his image to the brand. Westwick was photographed by the internationally acclaimed photographer Terry Richardson, who also made cameo appearances himself in the fall/winter 2012/2013 campaign. Westwick also walked the runway for the men`s spring/summer 2013 fashion show. In 2012 PHILIPP PLEIN signed an agreement with the soccer team AS Roma to dress the team players starting with the 2012/13 season for 4 consecutive seasons.For the spring/summer 2013 campaign, Terry Richardson returns as both photographer and protagonist of a provocative campaign featuring the international top models Lea T. and Poppy Delevingne. For the fall/winter 2013/2014 women`s show Philipp Plein chose Grace Jones, to introduce his fashion show with a live performance of her hit `I`ve Seen That Face Before` Singer Iggy Azalea took over the stage to open Philipp Plein SS14 fashion show with a performance of `work`, leading the way for a show of black-only models closed by Ethiopian supermodel Liya Kebede, a poignant move given the recently debated racism in the fashion industry.

PROMO FOTOGRAFIJA SA AUTOGRAMOM ĐORĐA MARJANOVIĆA IZ 1966.G. Crno bela fotografija 14,5 x 9,5 cm Đorđe Marjanović (1931- ) se muzikom počeo baviti kao student 1950-ih godina.Prvi veći uspeh postigao je posle televizijskog nastupa u kojem je otevao tada vrlo popularnu stvar Zvižduk u osam. Đorđe Marjanović je bio sudionik svih prvih festivala zabavne muzike u zemlji. Pobedio je na prvom Opatijskom festivalu 1958. kad je u alternaciji s duetom Ivo Robić - Zdenka Vučković otpevao pobedničku pjesmu Moja mala djevojčica. Uspeh na Opatiji ponovio je 1960. Tad je podelio nagradu s Markom Novoselom. U alternaciji su otpevali pjesmu Marija Bogliunija i Arsena Dedića Prodavač novina. Svestan svojih ne baš velikih vokalnih mogućnosti, okrenuo se glumi i teatralnom nastupu na pozornici (padao je na koljena, plakao). To mu je donelo grupu trajnih obožavatelja koji su ga bezrezervno podržavali i obožavali. Njegovi su obožavaoci napravili prave male demonstracije nakon festivala `Beogradsko proleće`, kad je po njihovom mišljenju Marjanoviću nepravedno oduzeta prva nagrada. Svoje obožavaoce zvane đokisti vrlo je brižno podržavao. Đorđe Marjanović je bio poznat po svojim čestim i dugotrajnim turnejama po Sovjetskom Savezu, gdje je stekao značajan krug obožavalaca. Njegovi najveći hitovi, uz već spomenuti `Zvižduk u osam`, bili su: `Devojko mala`, `Romana`, `Đavoli`, `Dirlada`, `Lazarela`, `Milord ` i `Natali` (posljednje dvije pjesme bile su prepjevi francuskih pjesama). Đorđe Marjanović je snimio puno ploča, manje-više za PGP RTB. Za vreme koncertnog nastupa u Melbournu (Australija), gde je nastupao kao gost Lepe Brene, 14. aprila 1990, dok je izvodio pesmu Mene nema ko da žali, doživio je moždani udar. Nakon udara dugo se oporavljao, jedno vreme nije mogao ni govoriti. Nakon toga pojavljuje se u javnosti, ali više ne peva u živo.

48 x 68 cm 2 x presavijen movie poster ILUSTROVAO : BOLE 1964 Bridge to the Sun is a 1961 film, directed by Etienne Périer, starring Carroll Baker, James Shigeta, James Yagi, Tetsurō Tamba, and Sean Garrison. It is based on the 1957 autobiography Bridge To The Sun by Gwen Terasaki, which detailed events in Gwen`s life and marriage. Gwen Harold, an American woman from Tennessee, meets Hidenari Terasaki (called Terry by his friends and family), the secretary to the Japanese Ambassador, while attending a reception at the Japanese Embassy in Washington D.C. with her Aunt Peggy and friend Bill. They share a moment while Terry is showing her the antique Japanese artworks on display in the Embassy, and after some reluctance, she agrees to allow him to call on her. They begin dating and they quickly fall in love, even though Terry occasionally has fits of anti-western sentiment. When Terry asks her to marry him, she agrees, much to the chagrin of Aunt Peggy (who was raised in the Jim Crow South), and who sees the relationship as unnatural, especially when there are `nice clean young men` available. The Japanese Ambassador also calls on Gwen and attempts to dissuade her from accepting, claiming it would hurt Terry`s career by giving him an American bias, and states that even though the two countries are friendly, anything could happen between foreign countries. He seems to hint at possible aggression in the future, even though it is only 1935 and the Japanese have not yet resumed conflicts with China, keeping the countries of Gwen and Terry at an uneasy peace. They eventually marry despite the obstacles and, when Terry is recalled, travel to Japan by ship. Almost immediately after disembarking and arriving in Tokyo, Terry begins to treat Gwen much differently, expecting her to behave according to the male-centric beliefs of contemporary Japan, such as being silent among men, always entering doors after the men, and virtually bending to every whim of Terry and her male relatives. They continually fight and make up, mostly because of Gwen`s outspokenness among men and Terry`s strict adherence to the local customs. After having a fight one night over a general saying that Terry should be proud he may have a son to die for the Emperor, and Gwen speaking out about his distasteful comment, they make up and she reveals that she was so offended by the comment because she is pregnant. The baby daughter is named Mako. By November 1941 Terry has been reassigned to the Embassy in America. They have Thanksgiving dinner in Washington with Aunt Peggy, as World War II embroils the world around them and America is one of the few powers of the world still at peace. Terry speaks on the phone with his friend Haro. He mentions that Mako, now about 5 years old, has an apparent illness involving too many antibodies in her blood. He also mentions a possible upcoming invasion of Thailand by the Imperial Japanese Army. Sensing that it may be the last chance for peace between America and the Empire of Japan, Terry attempts to go over the heads of his superiors and have a cable sent directly to President Roosevelt, alerting him to cable the Emperor to seek to preserve the peace. However, the Emperor is rapidly becoming the leader of Japan in name only, because of a power struggle with the army leaders. Terry`s effort is in vain as December 7th comes and war is declared shortly after the Japanese attack. Terry calls Gwen after hearing of the attack and tells her to leave Washington for Tennessee with Mako, but the FBI enter and force her to hang up the phone. She decides to accompany Terry back to Japan, as he is due to be deported in an Ambassador exchange, and there is nearly a riot as she leaves with the other Japanese families, because of anti-Japanese fervor sweeping the nation in the aftermath of the attack on Pearl Harbor, The Philippines, and other European and American held colonies and bases in the Pacific and Asia. In Japan, a similar nationalist, anti-American hatred, is shown among the citizens. Terry, however, is less enthusiastic about the war, and attempts to be a mediator for peace, which is dangerous due to sentiment and secret police. Gwen is briefly accosted by a group of soldiers, who try and force her to walk on an American flag. She refuses and an air raid begins, causing panic in the streets as bombs begin to destroy the area. She sees a crying child and remembering her daughter, runs to the smoldering school to rescue Mako, who says that children had hit her and called her an American. Later, Terry reveals that he is under suspicion for being disloyal, because he has an American wife, does not belong to any patriotic clubs, and speaks out against the war. Soldiers enter and search the house, and while they don`t arrest him, it is clear that he and his family are going to have a rough time as long as they stay in Tokyo. They agree to stay at a friend`s empty house outside of the city. As they leave Tokyo, they run into Terry`s cousin, Ishi, who has been one of the few people who has been kind to Gwen. Now a soldier, he informs them that he is captain in a Kamikaze squadron, and will soon `die for a descendent of the sun-god`. While taking a train, Gwen sees captured American soldiers, possibly on a death march. They arrive at their new home and meet the young girl who lives there. Terry reveals that he is going back to Tokyo, and didn`t tell her earlier because she would not have gone to stay without him. He offers to arrange her passage back to America, but she refuses, wanting to be close to her husband. As the war continues, food shortages and widespread damage make it clear that things are going against Japan. As the years go on, Terry visits less and less, and Mako grows not knowing any other existence besides one of perpetual war. Terry returns after months and they enjoy a night`s sleep together. They awaken to a visit from a military police officer, who is looking for Terry. As the war continues to turn against them, they begin to suspect disloyalty from anyone critical of the government. Gwen manages to convince them that she has not seen Terry, and they leave. Terry reveals that he has brought a radio, and an American news station announces the end of the Battle of Iwo Jima, which will be used as a base to launch bombers against mainland Japan. Later on, the surrender of Nazi Germany, Japan`s main ally, is also announced, and it is clear that the invasion of Japan is coming soon. Terry and Gwen have a fight one night because he gave away the last of their food. Gwen goes to the village to get her hair done to please her husband and on her way home she allows Mako to play in the village but then a squadron of American bombers and fighters attack. The couple rush to find her, and amid the devastation of the village, they find Mako, alive and unhurt. Her close friend, however, has been hit and died instantly. At the burial, Gwen comments on Mako`s jaded reaction, showing no tears or emotion for her friend, because of Japanese customs, as well as growing up during a war. One night Gwen visits Terry`s old friend Hara, who has some power within the party, pleading for him to keep her husband safe. He introduces her to Tokyo Rose, a radio propaganda announcer who tries to hurt the moral of enemy armies listening to her broadcasts. They agree to help Terry, but only if Gwen makes an anti-American speech on the radio, recognizing the propaganda value of an actual American denouncing her country. Gwen refuses, and learns that Ishi has been fatally injured and is in the hospital. She visits, and realizing he is dying asks why he sent his wife away at this time. He reveals that it is tradition that he not want his loved ones to see him die. She returns home in time to see Terry, who had been hiding in the hills to avoid arrest, return. The next day, the entire village arrives at their house, being the only one with a radio, for the Emperor`s radio address. The Emperor has never spoken in public before, so they realize he must have major news, possibly surrender. As the village listens to the Emperor`s voice for the first time, the speech starts: We are fully aware of the inner-most feelings of all of you, however, have resolved to pave the way for peace for all generations to come. By enduring the unendurable, and suffering what is insufferable, let the entire nation unite as one family, from generation to generation, and cultivate the ways of rectitude and nobility of spirit. With the war over, Terry asks Gwen to return to her home of Johnson City, Tennessee, to put Mako in an American school while she is young and can lose her prejudices against America, to `become a bridge between the two nations`. At that time Gwen vehemently refuses to leave him. Later on, she finds Terry, who has been overworked, malnourished, and ill for many months, standing over his parents` graves. She recalls a speech he once gave her about visiting the graves of ancestors at times of marriage, birth and death. She also recalls the conversation with Ishi at the hospital before his death when he said he didn`t want his wife to see him die. She speaks to Terry`s doctor and learns that he has at most, months to live, and was trying to send his family away because, like his cousin, he didn`t want them to see him die. Days later, after Gwen agrees to his final wish to leave for America, Terry sees her and Mako off at the dock. They kiss and embrace for the last time, and Gwen reassures him that they`ll be expecting him soon, knowing she will never see him again. She holds her composure until he is out of sight, then breaks down and begins crying. As the ship departs, Terry walks down the dock, keeping pace with it until he can go no farther. The film ends with Gwen and Terry lovingly meeting each other`s gaze for a final time.

48 x 68 cm 2 x presavijen movie poster The China Syndrome is a 1979 American drama neo noir thriller film directed by James Bridges and written by Bridges, Mike Gray, and T. S. Cook. It tells the story of a television reporter and her cameraman who discover safety coverups at a nuclear power plant. It stars Jane Fonda, Jack Lemmon, and Michael Douglas, with Douglas also serving as the film`s producer. The cast also features Scott Brady, James Hampton, Peter Donat, Richard Herd, and Wilford Brimley. `China syndrome` is a fanciful term—not intended to be taken literally—that describes a fictional result of a nuclear meltdown, where reactor components melt through their containment structures and into the underlying earth, `all the way to China.` The China Syndrome premiered at the 1979 Cannes Film Festival, where it competed for the Palme d`Or while Lemmon received the Best Actor prize. The film was released theatrically on March 16, 1979, twelve days before the Three Mile Island nuclear accident in Dauphin County, Pennsylvania, which gave the film`s subject matter an unexpected prescience. Upon release the film was a critical and commercial success with critics praising the film`s screenplay, direction and thriller elements and Fonda`s and Lemmon`s performances. The film grossed $51.7 million on a production budget of $5.9 million. It received four nominations at the 52nd Academy Awards: Best Actor (Lemmon), Best Actress (Fonda), Best Art Direction (George Jenkins, Arthur Jeph Parker), and Best Original Screenplay. While visiting the (fictional) Ventana nuclear power plant outside Los Angeles, television news reporter Kimberly Wells, her cameraman Richard Adams and their soundman Hector Salas witness the plant going through a turbine trip and corresponding SCRAM (emergency shutdown of the reactor). Shift Supervisor Jack Godell notices an unusual vibration while grabbing his cup of coffee which he had set down. Operators notice a gauge indicating high water levels in the reactor. Godell begins removing water from the core, but this is unsuccessful and they continue opening more valves to dump water. Another operator notices a second gauge indicating low water levels. Faced with apparently contradictory indications, Godell taps the first gauge, which unsticks and immediately flicks over to indicate very low levels. The crew manages to bring the reactor under control and can be seen celebrating and expressing relief.[a] Richard surreptitiously films the incident, despite being requested not to film the control room for security purposes. Kimberly`s superior at work refuses to permit her to report what happened or show the film, disgusting Richard, who steals the footage. He shows it to experts, who conclude that the plant came perilously close to the China syndrome in which the core would have melted down into the earth, hitting groundwater and contaminating the surrounding area with radioactive steam. During an inspection of the plant before it is brought back online, Godell discovers a puddle of radioactive water that has apparently leaked from a pump. Godell pushes to delay restarting the plant, but the plant superintendent denies his request and appears willing to let nothing stand in the way of the scheduled restart of the plant. Godell investigates further and finds that a series of radiographs supposedly taken to verify the integrity of welds on the leaking pump are identical - the contractor simply kept submitting the same picture. He believes that the plant is unsafe and could be severely damaged if another full-power SCRAM occurs. He tries to bring the evidence to plant manager Herman DeYoung, who brushes off Godell as paranoid and states that new radiographs would cost at least $20 million. Godell confronts D.B. Royce, an employee of Foster-Sullivan, the construction company who built the plant, as it was Royce who signed off on the welding radiographs. Godell threatens to go to the Nuclear Regulatory Commission, but Royce threatens him; and later a pair of men from Foster-Sullivan park outside his house. Kimberly also defies her bosses, determined to pursue the truth. She and Richard confront Godell at his home with what they know, and he voices his concern about the vibration he felt during the SCRAM and his anger about the false radiographs. Kimberly and Richard ask if he will testify at the NRC hearings, being held at Point Conception, where Foster-Sullivan is looking to build another nuclear plant. Godell agrees to obtain for them, through Hector, a set of the false radiographs to take to the hearings. Hector`s car is run off the road and the radiographs are taken from him. Godell leaves for the hearings but is chased by the men waiting outside his home. He escapes by taking refuge inside the plant. To his dismay, Godell finds that the reactor is being brought up to full power. He grabs a gun from a security guard and forces everyone out, including his friend and co-worker Ted Spindler. Godell demands to be interviewed on live television by Kimberly. Plant management agrees to the interview, but only to buy time as they try to regain control of the plant. Minutes into the broadcast, plant technicians deliberately cause a SCRAM so they can retake the control room, despite Spindler`s warnings of Godell`s concerns about safety. Godell is distracted by the alarms as a SWAT team forces its way into the control room. The television cable is cut and a panicky Godell is shot by the police. Before dying, he feels the unusual vibration again. The resulting SCRAM is only brought under control by the plant`s automatic systems. True to Godell`s predictions, the plant suffers significant damage as the pump malfunctions. Plant officials try to paint Godell as emotionally disturbed. However, a distraught Spindler contradicts them when a question is posed to him on live television by Kimberly, saying that Godell was not crazy and would never have taken such drastic steps had there not been something wrong. While the plant officials attempt to undermine Spindler`s answers, a tearful Kimberly concludes her report; when she does so, the technicians at the news station cut to commercial. Jane Fonda as Kimberly Wells Jack Lemmon as Jack Godell Michael Douglas as Richard Adams Scott Brady as Herman DeYoung Wilford Brimley as Ted Spindler James Hampton as Bill Gibson Peter Donat as Don Jacovich Richard Herd as Evan McCormack Daniel Valdez as Hector Salas Stan Bohrman as Pete Martin James Karen as Mac Churchill

STARI I VREDNI ALBUMI Varijanta sa mekim koricama Izdavač: UNION TVORNICA KANDITA I ČOKOLADA, Zagreb Svezak prvi 1933. Varijanta sa kartonskom koricom Nedostaje sličica: Serija IV broj 10 Serija X broj 7, 10, 11 Korica sa oštećenjem Unutrašnjost 5- CENE NISU ODREĐENE ZAKONOM, PITAJTE!!! koliku god cenu da stavim za ovaj i ovakav album, mala je Većina praznih albuma je u potpuno kolekcionarskom stanju. Za one koji nisu stoji dodatni opis OBAVEZNO PROČITAJ PRE KUPOVINE I NE KUPUJTE U KOLIKO VAM NE ODGOVARAJU SVI USLOVI PRODAJE KOJE SAM NAVEO. ZA KVALITET ALBUMA KOJE PRODAJEM GARANTUJEM ISKLJUČIVO PRILIKOM LIČNOG PREUZIMANJA. AKO DOĐETE KOD MENE, USLIKATE ALBUM I KAŽETE DA NE ŽELITE DA GA KUPITE, PRIHVATAM REKLAMACIJU, DAJEM POZITIVNU OCENU I IDEMO DALJE. Za se ostale vrste preuzimanja odbijam bilo kakvu odgovornost u pogledu kvaliteta predmeta jer ne znam kakav ko ima ukus i kriterijum a nema registrovanog udruženja na čije bi se kriterijume pozivali. Ulazim u prodaju svoje kolekcije albuma sa sličicama i sličica. Nameravam da pustim u prodaju par stotina punih albuma, par stotina praznih i veliki broj nepopunjenih i materijala. Na fotografijama će biti popisi sličica koje u albumu imaju ili koje nedostaju, ako sam takav popis napravio. Ukoliko ga nema onda ga neću ni praviti i nemojte me kontaktirati u vezi s tim. Imam MNOGO vađenih i živih sličica ali njih prodajem isključivo na ceo set za konkretan album koje posedujem. Na komad su jako skupe pa ko hoće da plati može. Nakon kupovine i vašeg kontakta šaljem podatke za uplatu Albume šaljem isključivo POST EKSPRESOM u njihovoj kartonskoj koverti (ako može da stane) ili između dva kartona, (ako je album veći). Za članove koji nemaju negativnih ocena a imaju pozitivne ocene od minimum 5 različitih prodavaca, može plaćanje pouzećem. Za članove koji taj uslov ne ispunjavaju, nakon kontakta odgovaram porukom sa instrukcijama za plaćanje, a šaljem tek nakon uplate na račun I JAVLJANJA porukom DA STE UPLATILI ..... nemojte me kontaktirati pre toga sa porukama tipa uplatiću taj i taj dan i slično Za 10 do 19 kupljenih albuma popust 10 posto Za 20 do 29 kupljenih albuma popust 20 posto Za preko 30 kupljenih albuma popust 30 posto godina je u opisu opciono navedena jer za mnoge albume nema navoda godine izdanja

Stanje kao na fotografijama. Fali cosak 49cm x 69cm Pink Flamingos je film Johna Watersa iz 1972. godine. Pored Divine u filmu se pojavljuju gotovo svi članovi Watersove klike `Dreamlanders`, kao što su: David Lockary, Mary Vivian Pearce, Mink Stole, Danny Mills, Cookie Mueller, Edith Massey, Steve Yeager. Film je snimljen za svega 12.000 dolara, a ostvario je zaradu od oko 6.000.000. Sniman je samo vikendima, a radnja je smeštena u Baltimoru, kao i u slučaju svih ostalih Watersovih filmova. Film je odmah po prikazivanju zadobio kultni status i smatra se najpoznatijim Watersovim filmom. Godine 1997. film je ponovo montiran i objavljen. Nova verzija traje skoro 20 minuta duže, ima bolji stereo soundtrack (koji je i objavljen na CD-u) i sadrži Watersov kratak video komentar. Režija John Waters Produkcija John Waters Scenario John Waters Naracija John Waters kao `Mr. J.` Uloge Divine David Lochary Mink Stole Edith Massey Danny Mills Muzika John Waters Premijera 1972. Jezik engleski jezik Trajanje 93 min/108 min. Država Sjedinjene Američke Države SAD Kompanija Distributer New Line Cinema Budžet 12.000$ Podela uloga Glumica/glumac Lik Napomene John Waters Mr. J. (narator) Divine Divine/Babs Johnson David Lochary Raymond Marble Mink Stole Connie Marble Edith Massey Edith `Edie` Johnson Mary Vivian Pearce Cotton Danny Mills Crackers Channing Wilroy Channing Cookie Mueller Cookie Paul Swift The Egg Man Susan Walsh Suzie George Figgs Bongo Player Van Smith Party-goer `in drag` Vincent Peranio gost na žurci Elizabeth Coffey Chick with a Dick Nedelju dana posle snimanja scene u kojoj ona pokaže svoj penis, Elizabeth je imala operaciju korekcije pola, tako da se u narednom filmu Female Trouble pojavljuje u potpuno ženskoj ulozi Film je sadržao nekoliko nepoznatih ili ne toliko nepoznatih pesama iz kasnih 50-ih i ranih 60-ih godina, verovatno iz muzičke kolekcije koju je Waters posedovao u to vreme. Povodom 25-ogodišnjice filma, 1997. godine objavljen je soundtrack, koji sadrži sledeće numere: `The Swag` - Link Wray and His Ray Men `Intoxica` - The Centurions `Jim Dandy` - LaVern Baker `I`m Not a Juvenile Delinquent` - Frankie Lymon and the Teenagers `The Girl Can`t Help It` - Little Richard `Ooh! Look-a-There, Ain`t She Pretty?` - Bill Haley & His Comets `Chicken Grabber` - Nite Hawks `Happy, Happy Birthday Baby` - The Tune Weavers `Pink Champagne` - The Tyrones `Surfin` Bird` - The Trashmen `Riot in Cell Block #9` - The Robins `(How Much is) That Doggie in the Window` - Patti Page Pesma Happy, Happy Birthday Baby je zamena za Sixteen Canles, koja se pojavljuje u verziji iz 1972. godine (1997. nije mogla da se nađe u filmu zbog problema oko autorskih prava). Originalna verzija filma sadržala je i kratak odlomak iz Posvećenja proleća Igora Stravinskog, koji je izbačen iz verzije iz 1997. godine. Film je svojevremeno bio zabranjen u Australiji, Kanadi i Norveškoj Nastavak John Waters je planirao da snimi nastavak pod nazivom Flamingos Forever, koji se dešava 15 godina kasnije, kada se Babs vraća u Baltimore sa svojim sinom, Cooron, Miss Edie i svojim sinom-unukom (posledica incesta sa Crackersom), koji je osmogodišnji transvestit. Njeni protivnici bi bili Vera Venninger, sestra Connie Marble, i njen muž, Wilbur, nekrofil koji radi u mrtvačnici. Troma Films je ponudio budžet od 600.000$ za snimanje nastavka, ali film nikada nije snimljen, zbog smrti najpre Edith Massey, a kasnije i Divine, čije su uloge bile ključne za film. Orifginalan filmski plakat

Anton Heyboer: GRAFIKA, 1990. Na otisku dole levo: Anton Heyboer 1990 Ispod otiska dole levo: Anton Heyboer (olovkom) Dole desno: eigen druk (vlastiti, autorski otisak) Dimenzije rama: 40 x 42 cm Dimenzije otiska: 21 x 25,5 cm Težina: 1270 g Nov ram, antirefleksno staklo. Hartija je mestimično uzdužno izgužvana, kao da je nepažljivo presavijana - vidljivo je na posebnoj slici, pod kosim svetlom. ANTON HEYBOER (Anton Hejbur, 1924-2005) je rođen na indonežanskom ostrvu Java. U svom životu Heyboer je doslovno proglašavan ludim, živeo je kao ekscentrik bez kontakta sa svetom oko sebe, u sopstvenom kosmosu, s ciljem da zadovolji samo osnovne životne potrebe za sebe i svoju porodicu. Visoko ga cene vodeći muzeji širom sveta. 1943. godine Heyboer je uhapšen od strane nemačkih okupatora i upućen na rad u logor Prenz Lauerber. Jednom je o tome napisao: „Koncentracioni logor nije bio gori od roditeljskog doma, a društvo za mene nije ništa gore od oba: previše nekreativan”. Od ranog detinjstva, Heyboer je želeo da živi nekonformističkim životom. Posle rata nastanio se u Borgeru, gde počinje da crta, još uvek u tradicionalnom stilu. 1948. godine upoznaje slikara Jana Kagija sa kojim nekoliko meseci luta Francuskom dok crta i slika. 1951. godine Heyboer je dobrovoljno primljen u Pokrajinsku bolnicu u Santpoortu na neko vreme, kako bi našao zaštitu od društva, za koje je smatrao da mu ne dozvoljava da pronađe sebe. Anton Heyboer godinama je radio na razvoju svog `Sistema`. Ovaj `Sistem` je njegova zamisao kako treba da živi, da opstane u društvu i da stekne priznanje kao umetnik. Tako može da poništi svoju poziciju izopćenika i ološa koja je dovela do njegove izolacije. “Sistem” je njegovo umetničko delo, to je njegov znak. Sistem je polazna tačka u svim njegovim delima pod motom: „Stvaranje je jedino živo biće koje je večno“. Njegov sistem ga vodi do njegovih nevesta: „Hajde da napravimo svoje igralište gde niko drugi neće doći, gde više ne moramo da viđamo ljude. Na svojoj farmi, u pratnji svoje četiri neveste, Heyboer stalno traži nove izazove u svom poslu. U njegovim radovima dominiraju slike sladostrasnih žena sa preteranim oblinama, njegovog čamca na kojem je živeo neko vreme 1951. godine, njegovog života na farmi i biblijskih figura pomešanih sa slikama koje podsećaju na praistorijska vremena. Heyboer koristi različite tehnike u stvaranju svojih umetničkih dela. Njegovi bakropisi su poznati, ali i njegovi crteži rađeni ugljem, uljanom kredom, bojom, glinom, gvožđem i katranom, kao i bojama na papiru i platnu. To su danas cenjena dela koja se nalaze u mnogim zbirkama : „Tražio sam formu u kojoj život postaje umetnost, u kojoj postaje napet i gde postaje težak; gde nema rešenja i tako uvek postoji nestabilna ravnoteža. U umetničkim delima takođe nema direktne statičke ravnoteže, to nije lepota. Na taj način dobijate i nestabilnu ravnotežu sa muškarcem i četiri žene, u kojoj preovladava ista lepota kao u umetničkom delu”. Njegovi radovi su učinili Heyboera međunarodno priznatim umetnikom, čija dela stoje u muzejima širom sveta. Kraljica Beatriks, koja je svojevremeno organizovala izložbu Heyboerovih dela, nagradila ga je 2002. godine viteškim zvanjem. U usamljenosti, odsečen od spoljašnjeg sveta, svojim radom i načinom života na kraju je dospeo do ljudi. Izvor: kunsthuizen.nl/kunstenaars/anton-heyboer/ (118/2-kp/1183)

48 x 68 cm 2 x presavijen, IVICE SECENE i RUPICE movie poster, AFFICHE de FILM Ivan Grozni (sh. Иван Грозный) je sovjetski crno-beli istorijski film u dva dela, sniman od 1942. do 1946. godine u režiji Sergeja Ejzenštejna, poznat kao posljednji u njegovoj filmografiji. U njemu je prikazan život i vladavina ruskog cara Ivana IV Groznog, čiji lik tumači Nikolaj Čerkasov. Film je nastao za vreme drugog svetskog rata, odnosno u vreme kada se Ejzenštejn, kao i mnogi drugi sovjetski filmaši, zbog nemačke invazije sklonio u Alma Atu u današnjem Kazahstanu. Temu za film je predložio sovjetski vođa Staljin koji je Ivana Groznog smatrao jednim od svojih istorijskih uzora, odnosno priču o njegovoj vladavini prikazati kao alegoriju na vlastiti režim. Film se originalno trebao snimiti u tri dela. Prvi deo, koji prikazuje rane godine Ivanove vladavine, njegove ratne uspehe i podršku među ruskim seljacima, je prikazan krajem 1944. godine i dobio je Staljinovu nagradu. Drugi deo, u kome se prikazuju Ivanovi obračuni za boljarima, ali i njegova sve veća okrutnost i paranoja, su, pak, od režimskih cenzora prepoznati kao implicitna kritika Staljinovih metoda vladavine. Zbog toga je drugi dio filma završio u bunkeru, te je prikazan tek nakon Staljinove smrti 1958. godine. Treći deo je, sprečila Ejzenštejnova smrt. Usprkos toga, Ivan Grozni se smatra jednim od najvažnijih i najzanimljivijih Ejzenštejnovih filmova. Drugi deo takođe sadrži nekoliko sekvenci snimljenih u boji, što je bio prvi takav slučaj u istoriji sovjetske kinematografije. Godine 1962. je ušao u izbor 10 najboljih filmova svih vremena u prestižnoj anketi britanskog filmskog časopisa Sight & Sound. --------------------------------------------- Sergej Mihailovič Ejzenštajn (23. januar 1898. — 11. februar 1948) je sovjetski reditelj i filmski teoretičar. Najpoznatiji filmovi su mu: „Oklopljača Potemkin“, „Oktobar“, „Aleksandar Nevski“. Njegovi filmovi pripadaju žanru politički angažovanih filmova. Među istoričarima filma postoji uverenje da je upravo Sergej Ejzenštajn doprineo najviše razvoju montaže, kao ne samo tehničkog postupka povezivanja kadrova, nego kao i načina da se filmski jezik bitno izmeni i unapredi. Sa Lavom Kulješevim razvio je izuzetno značajan teoretski rad na polju razvoja montaže. Svo delo Sergeja Ejzenštajna karakteriše inovativna upotreba montaže, ritma, odabira dominantnih motiva, vrste osvetljenja, u poslednjem filmu i upotreba boja. Ove je bila inovacija u filmskom rečniku svoga doba. Potiče iz porodice u kojoj je dominantno religijsko uverenje bilo pravoslavlje, iako mu je otac, po nacionalnosti bio Jevrejin koji je prihvatio pravoslavlje, a majka Ruskinja. U svojim prvim filmovima nije koristio glumce profesionalce. Bavio se pitanjima klasnih konflikta u kojima su glumci imali stereotipne uloge. Ejzenštajn je bio odan idejama komunizma u vreme Staljina koji je odlično shvatao značaj filma kao propagandnog oružja. Popularnost i značaj Sergeja Ejzenštajna je rastao i opadao u funkciji uspeha njegovih filmova. Godine 1925, stvorio je film „Oklopnjača Potemkin“. Čuvenu scenu sa kolicima koja padaju niz stepenište u Odesi snimio je 22. septembra. Centralni komitet KPSS je organizovao obeležavanje jubileja revolucije iz 1905, a narodni komesari Lunačarski i Maljevič su angažovali Ejzenštajna da napravi film posvećen ovoj komemoraciji. Od mnoštva događaja, Sergej je odabrao pobunu na oklopnjači kao centralni motiv filma. U jesen 1928. godine napušta Sovjetski Savez i odlazi na dvogodišnje studijsko putovanje po Evropi sa saradnicima Edvardom Tiseom i Grigorijem Aleksandrovim. Tamo ih je poslala komunistička partija da bi usavršili saznanja o tehnici zvučnog filma. Tu je napravio jedan film u Francuskoj (Sentimentalna romanasa iz 1930). Studio Paramaunt ga 1930. poziva u SAD i nudi ugovor na 100.000 dolara. Ejzenštajn stiže u Njujork 20. maja. Trebalo je da ekraznizuje jedan od romana Teodora Drajzera, ali se od tog projekta odustalo zbog sukoba reditelja i producenata. Time dolazi u poziciju da ga prijatelji Epton Sinkler i Čarli Čaplin spašavaju od neke vrste progona. Odlazi u Meksiko da snima film za bračni par Sinkler, ali se i tu njegova umetnička priroda susreće sa, za njega u to vreme neprihvatljivim uslovima stvaranja. Film o Meksiku nije dovršen, a Staljin ga u međuvremenu poziva nazad u SSSR. Od snimljenog materijala je 1933. izmontirana verzija filma „Gromovi nad Meksikom“, kasnije poznatog kao „Živeo Meksiko!“ (¡Que Viva México!). Godine 1938. prikazan je prvi Ejzenštajnov zvučni film, „Aleksandar Nevski“. On opisuje istorijsku bitku Rusa i tevtonskih vitezova iz 13. veka na zaleđenom Čudskom jezeru. Filmom dominira ideja patriotizma i stoga je intenzivno korišćen kao propaganda u SSSR-u tokom Drugog svetskog rata. Ejzenštajnov boravak na zapadu ga je učinio sumnjivim u očima Staljina i komunističke nomenklature. Rad na nekim filmovima je otkazan, a rad na filmu „Ivan Grozni“ je često ometan. Prvi deo ovog filma iz 1944. primljen je sa simpatijama i nagrađen je, dok je drugi deo bio cenzurisan i nije prikazan do 1958. U nastavku filma, Ivan nije prikazan kao heroj već kao paranoični tiranin. Neki delovi su snimljeni u koloru, zahvaljujući nemačkim kolor kamerama zaplenjenim u bici kod Staljingrada. Treći deo filma, iz 1946, konfiskovala je komunistička partija. Sergej Ejzenštajn je umro od srčanog udara, 11. februara 1948. u Moskvi. ----------------------------------------------------------- Sergei Mikhailovich Eisenstein (22 January [O.S. 10 January] 1898 – 11 February 1948) was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest movie of all time. ----------------------------- Ivan the Terrible (Russian: Иван Грозный, Ivan Grozniy) is a two-part historical epic film about Ivan IV of Russia, written and directed by the filmmaker Sergei Eisenstein. It was commissioned by Soviet Premier Joseph Stalin, who admired and identified himself with Ivan. Part I was released in 1944; Part II was not released until 1958, as it was banned on the order of Stalin, who became incensed over the depiction of Ivan therein. Eisenstein had developed the scenario to require a third part to finish the story but, with the banning of Part II, filming of Part III was stopped; after Eisenstein`s death in 1948, what had been completed of Part III was destroyed. PART 1 In the prologue Ivan`s mother and her lover are murdered by the boyars. Later Ivan is enthroned as Grand Prince of Moscow. Part I begins with Ivan`s coronation as Tsar of all the Russians, amid grumbling from the boyars. Ivan makes a speech proclaiming his intent to unite and protect Russia against the foreign armies outside her borders and the enemies within – a reference to the boyars, who are already seen as discontented with his coronation. Shortly after, Ivan marries Anastasia Romanovna and there is a wedding celebration. This causes him to lose the friendship of his two best friends, Prince Andrei Kurbsky and Fyodor Kolychev. The latter receives Ivan`s permission to retire to a monastery, while Kurbsky attempts to resume his romance with the Tsarina, who repels his advances. The marriage feast is interrupted by news of the burning of several boyar palaces, carried into the Tsar`s palace by a mob of the common people who also complain that the Tsar is being led astray by the Tsarina`s family (the Romanovs), the Glinskys and the Zakharins. Ivan calms the crowd, but is interrupted by envoys from the khanate of Kazan, who send him a ceremonial knife with the suggestion that he do himself a favor by using it to commit suicide. Ivan immediately proclaims that his kingdom is at war with Kazan. The next scene shows the siege of Kazan, in which Ivan`s army digs saps underneath the city and fills them with gunpowder. Kurbsky, nominally in command, is reprimanded by Ivan for senseless brutality (he ties Tartar prisoners to palisades within earshot of the walls of Kazan and tells them to shout to the city to surrender; the defending archers immediately shoot the prisoners). The city of Kazan falls to the Russian army. During his return from Kazan, Ivan falls seriously ill and is thought to be on his deathbed; Orthodox priests come to give him the last rites before he dies. Ivan sends for his relatives and orders them to swear allegiance to his son, the infant Dmitri, reminding them of the need for a single ruler to keep Russia united. They demur, with Ivan`s aunt, Efrosinia Staritskaya, openly urging the others to swear allegiance to her son, Vladimir, instead. Emotionally overwrought, Ivan collapses and is thought dead. The relatives, celebrating, all begin to swear allegiance to Vladimir, the `boyar tsar` they have hoped for; meanwhile, Kurbsky is uncertain of his own loyalty, trying to decide between the two sides. However, when the Tsarina says, `Do not bury a man before he is dead,` Kurbsky realizes that Ivan is still alive, and hurriedly swears his allegiance to Ivan`s infant son, Dmitri. He is sent, as a reward, to the western border of the kingdom to defend against the Livonians and Poles. At the same time, Ivan dispatches Alexei Basmanov, a commoner he likes, to the south to take care of the Crimean border. The fact that Ivan promotes a commoner over them creates more discontent amongst the boyars. The Tsarina now falls ill, and while Ivan is receiving bad news from all fronts, the boyars plot to kill her. Efrosinia comes into the palace with a cup of wine hidden in her robes, in which she has put poison. Just as the royal couple receive word that Kurbsky has defected to the Livonians, Efrosinia slips the cup of wine into the room and listens from behind a wall. The news that Kurbsky is a traitor gives the Tsarina a convulsion and Ivan, looking around for a drink to calm her, takes the poisoned wine and gives it to her. The scene changes to show the dead Tsarina lying in state in the cathedral, with Ivan mourning beside her bier. While a monk reads biblical verses over the body, Ivan questions his own justifications and ability to rule, wondering if his wife`s death is God`s punishment on him. However, he pulls himself out of it, and sends for Kolychev. At this point, Alexei Basmanov arrives, suggesting that Ivan surround himself with men he can trust – common people, `iron men,` the Oprichniki – and offers his (rather startled) son, Fyodor, for service. Ivan accepts, and sets about recouping his losses. He abdicates and leaves Moscow, waiting until the people beg him to return, saying that he now rules with absolute power by the will of the people. PART 2 Part II opens in the court of King Sigismund of Poland, to whom Kurbsky swears allegiance. Sigismund promises to make Kurbsky ruler of Ivan`s territories, once he exploits the tsar`s absence by conquering them. The plan is foiled when an emissary announces that Ivan has returned to Moscow. Ivan begins by reforming the land distribution: he takes the boyars` lands, then reinstalls them as managers, increasing his own power at their expense. His friend, Kolychev, arrives, now the monk Philip; after a heated debate, Philip agrees to become metropolitan of Moscow, if Ivan gives him the right to intercede for condemned men. This is mutually agreed upon. But as soon as it is settled, Ivan, propelled by his lieutenant Malyuta Skuratov, finds a way around this: he executes condemned men quickly, before Philip can use his right. In this way he has three of Philip`s kinsmen executed. Fyodor Basmanov, the first of the Oprichniki, helps Ivan figure out that the Tsarina was poisoned, and both suspect Efrosinia of poisoning the cup of wine. Ivan orders Fyodor not to say anything about it until he (Ivan) is certain beyond doubt of her guilt. The boyars, close to desperation, plead their case to Philip and eventually win him over. He vows to block Ivan`s abuse of power, and confronts him in the cathedral while a miracle play is being presented. As the argument heats up, Ivan, angry, proclaims that he will be exactly what the boyars call him – terrible – and has Philip seized. The boyars now decide that their only option is to assassinate Ivan, and the novice Pyotr is selected to wield the knife. Ivan, now certain of Efrosinia`s guilt, invites Vladimir, her son, to a banquet with the Oprichniki. (From here, the film is in colour.) Ivan gets Vladimir drunk while the Oprichniki sing and dance around them; Vladimir mentions that there is a plot to kill Ivan, and he, Vladimir, is to replace him as Tsar. Fyodor Basmanov notices the assassin leaving, and signals to Ivan, who, pretending surprise at Vladimir`s revelation, suggests Vladimir try being Tsar for a while, and has the Oprichniki bring throne, orb, scepter, crown and royal robes, and they all bow down to `Tsar Vladimir.` Then Ivan tells Vladimir to lead them to the cathedral in prayer, as a Tsar should lead. (Back to black-and-white.) Hesitantly, Vladimir does. In the cathedral, the assassin runs up, stabs the mock Tsar and is immediately seized by Fyodor and Malyuta. Efrosinia arrives, jubilant at the apparent death of Ivan, until she sees Ivan alive; rolling the corpse over, she realizes it is her own son. Ivan orders Fyodor and Malyuta to release Pyotr, the assassin, and thanks him for killing not only “a fool”, but “the tsar`s worst enemy”. He sentences Efrosinia, who is holding the crown her son was wearing and is singing over his dead body as if deranged. (Back to colour.) At the end, Ivan is seen proclaiming that all his enemies within Moscow are ruthlessly vanquished and he can now turn his attention to those outside.

70 x 47 cm otisak 52 x 37 cm urolana verovatno sa ploce SPC ovo je REPRINT (1980-90) original - bakrorez iz 1770 Zaharije Stefanović Orfelin (Vukovar, 1726 — Novi Sad, 19. januar 1785) je bio istaknuti srpski pesnik, istoričar, bakrorezac, barokni prosvetitelj, graver, kaligraf i pisac udžbenika. Rođen je u srpskoj porodici u Vukovaru 1726. godine, u periodu posle Bečkog rata 1683-1699. Otac mu se zvao Jovan. Kao pesnik, Orfelin je najznačajnija pojava u srpskoj poeziji 18. veka. Napisao je desetak dužih pesama, od kojih je najznačajnija Plač Serbiji (Plač Srbije, 1761) u dve verzije, narodnoj i crkvenoslovenskoj. To je antiaustrijska, buntovnička pesma. U toj pesmi Srbija žali za nekadašnjim sjajem srednjovekovne države i kritikuje sunarodnike koji zaboravljaju svoj nacionalni identitet. Odlomak: Kako stade Serbija, slavna i ugodna, sa množestvom naroda bivša prođe plodna, presilnima careva i hrabri soldati. Slavni moji carevi i voždi veliki, s mojih hrabri vitezi i sini toliki. Vostok, zapad, polunoć bojali se mene, slavne, hrabre Serbije, bivše togda jedne. Među najznačajnija Orfelinova dela ubraja se „Slavenoserbski magazin“ štampan u Veneciji 1768. Zamišljen je kao časopis, odnosno to je prvi časopis na čitavom slovenskom jugu. Izašao je samo jedan broj. U predgovoru u vidu manifesta Orfelin iznosi osnovnu ideju građanske prosvećenosti, ideju demokratizacije kulture, da nauka treba da služi potrebama običnog čoveka, a književnost i filozofija da izađu iz uskog kruga učenih ljudi i da postanu dostupni svima. To je prva srpska svetovna i građansko-prosvetiteljska knjiga. Godine 1768. Zaharije Orfelin je proklamativno u srpski književni jezik uveo mešavinu crkvenoslovenskog i narodnog jezika, u kojoj je uvek bilo mesta i za specifične ruske reči i time praktično osnovao slavenosrpski jezik. Jovan Deretić ga smatra, uz Jovana Rajića, najznačajnijim piscem ruskoslovenske epohe u srpskoj književnosti. Zaharije Orfelin je autor prvog srpskog bukvara iz 1767. po kojem su učile brojne generacije dece. Drugo izdanje bilo je 1797. Autor je i prvih udžbenika latinskog jezika. Njegovo najopsežnije delo je „Žitije Petra Velikog“ (Venecija, 1772.) u kome je video prosvećenog monarha, filozofski ideal 18. veka. Napisao je i prvi srpski „Večiti kalendar“ 1780, štampan u Beču 1783, gde uz standardne kalendarske podatke daje i obimno poglavlje o astronomiji. Zapazio je veliki značaj lekovitog bilja i napisao (nedovršenu) knjigu „Veliki srpski travnik“ u kojoj je obradio oko 500 biljaka, stavljajući uz svaku latinski i narodni naziv. Osim toga za svaku biljku je naveo „polza i upotreblenije“ sa podacima o lekovitim dejstvima i terapijama, tj. kako se ta biljka može korisno upotrebiti, što je bilo uobičajeno za to vreme u Evropi, a prvi put kod Srba. Njegova knjiga Iskusni podrumar (Beč, 1783.) ima nekoliko stotina recepata za spravljanje travnih vina i mnogih drugih alkoholnih i bezalkoholnih napitaka i lekova. U knjizi se govori i o načinu i vremenu berbe i sušenja lekovitog bilja i o korisnosti i lekovitoj vrednosti složenih preparata izrađenih od više od 200 domaćih i egzotičnih lekovitih i mirisnih biljaka. Pišući o receptima za proizvodnju vina, Zaharije Orfelin navodi i recepturu za izradu bermeta koja se razlikovala od kuće do kuće. Bermet je desertno vino, slatkog ukusa, sa različitim dodacima lekovitog i začinskog bilja. Zaharije je dao recept koji se odomaćio sa raznim modifikacija po Fruškoj gori.I ona je prva knjiga ovakve vrste na srpskom jeziku. Tek sto godina kasnije (1883) Srpski arhiv za celokupno lekarstvo štampao je kao posebno izdanje Lekovito bilje u Srbiji od dr Save Petrovića. Bio je uspešan kao slikar, kaligraf i bakrorezac, uradio je više dela u bakrorezu. Jedno od njih predstavlja Svetog Savu. 70-ih godina 18. veka izabran je za počasnog člana Umetničke akademije u Beču. Umro je 19. januara 1785. godine u Novom Sadu, na Sajlovu. Sahranjen je pri crkvi Sv. Jovana Preteče.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Count Yorga, Vampire (also known as The Loves Of Count Iorga, Vampire) is a 1970 American vampire horror film written and directed by Bob Kelljan and starring Robert Quarry, Roger Perry and Michael Murphy. It was followed by a sequel, The Return of Count Yorga. The scenario opens with narration about superstition and the abilities of vampires. A truck is loaded at the Port of Los Angeles, and as it climbs to a gated mansion in the Southern California hills, the cargo is revealed to be a coffin. Donna hosts a séance in hopes of contacting her recently deceased mother. At the party are several of her friends and Count Yorga, a mysterious Bulgarian mystic who performs the séance. Donna becomes hysterical during the proceedings, and Yorga uses hypnosis to calm her. After the party is over, Erica Landers and her boyfriend Paul offer to drive the Count home. Not long after the three leave, in the after-party conversation with friends, Donna reveals that she knows Yorga from being her mother`s boyfriend, adding that the two were dating a few weeks shortly before her death and in fact, Yorga had insisted that her mother be buried rather than cremated as she originally requested in the event of death. Yet oddly, she cannot recall seeing him at her mother`s funeral. Meanwhile, Erica and Paul drop off Yorga at his home. However, their van gets stuck in the mud outside of Yorga`s mansion, although Paul notices the road was dry a minute ago, and the two resign themselves to spend the night in their van. After making love, the two set to fall asleep. However Erica senses someone outside and looks out the window, finding Yorga who now has pale skin and barring fangs, revealing himself to be a vampire. Erica`s scream awaken Paul, but Yorga quickly knocks him out as he`s leaving the van before approaching the helpless Erica. The following day, Paul tells Michael Thompson, Donna`s boyfriend, about the attack. Paul did not see their attacker, and Erica does not remember the attack at all. Erica visits Dr. Hayes to have the mysterious bite wounds on her neck inspected. In contrast to her exuberant personality on the night before, Erica now seems despondent and listless. Hayes notices she has lost a lot of blood. Unable to diagnose the cause, he recommends rest and a high protein diet. Shortly after, Paul and Michael discuss the strange changes in Erica`s behavior. They try to check in on her via phone but she just drops the phone to the floor without answering it. The concerned men then drive to her home where they find the place in disarray, and a hysterical Erica eating her pet kitten. She reacts erratically to their presence, first threatening them with violence and then attempting to seduce Paul before coming to her senses and breaking down. They restrain her and call Dr. James Hayes, who begins an emergency blood transfusion. Erica babbles incoherently, apparently afraid of something, begging Paul to forgive her and even kill her, but when asked of what has her scared, she state she does not know, just to `Not let it happen`. Meanwhile, Yorga awakens in his manor and heads to his basement which has been converted into a throne room where his two vampiric-brides lie on slabs. One of them is shown to be Donna`s mother whom he had drained, made into an undead servant, and dug up her body after she was buried. He awakens the two and watches as they have sex, presumably using his powers of mind-control to compel them to do so. Although Michael is skeptical, the three men consider the possibility of vampirism as an excuse for Erica`s behavior and agree to look into it while letting Erica rest. That night, Yorga visits Erica while Paul sleeps downstairs. Promising her immortality, he seduces Erica, drains her of her remaining blood and takes her back to his manor. Paul, upon finding Erica missing, rashly goes to Yorga`s mansion to rescue her. Yorga easily kills him by choking him to death, then having his servant, Brudah break his back. Michael alerts Hayes that Paul has gone to the mansion, and Hayes confides that Paul`s lack of preparation will probably lead to his death. While mulling over his options, Hayes` girlfriend suggests involving the police, citing an eerily similar case of a baby being found in the woods, drained of its blood with bite wounds on the neck. He takes it to heart and calls the police, but is rejected as a deluded prankster following a recent rash of such calls. Hayes, Michael, and Donna go to the mansion themselves to inquire about Paul`s whereabouts and keep Yorga active until sunrise. While Hayes distracts Yorga with enthusiastic questions about Yorga`s occult experiments, Brudah rebuffs Michael`s attempts to explore the mansion. Michael and Hayes switch places to keep Yorga off his guard, but Yorga becomes increasingly insistent that it is late and his guests must leave. Yorga distracts Hayes and strengthens his hypnotic control over Donna. After leaving the manor, Hayes convinces Michael that killing Yorga will not be easy: vampires have greater strength and the wisdom that comes from living much longer than a `mere mortal`. He also grimly adds they might have to kill Paul and Erica too if they have become vampires, since the vampire curse will make them evil and loyal only to Yorga. They plan to attack later that afternoon in the hopes of killing Yorga in the daytime. Michael and Donna rest while Hayes studies vampire lore until he, too, falls asleep. Yorga awakens Donna telepathically and has her sabotage Michael`s alarm clock before having her come to the mansion. On her arrival, Brudah rapes her. When Michael awakens, he finds Donna gone and that it is nearly evening when he calls to awaken Hayes. Despite knowing how dangerous their chances are, they stock up on stakes and makeshift crosses before heading to Yorga`s mansion as night falls. The two split up, and Hayes is confronted by Yorga. Both drop the pretense that Yorga is anything but a vampire, and Yorga leads Hayes into his basement where his vampire-brides lie dormant. Hayes finds Erica`s body among them, finding no heartbeat or pulse when he examines her. He then attacks Yorga with cross and stake, while yelling out for Michael (who hears Hayes and begins to run in the direction of his call). Yorga is irritated by Hayes` cross and taunts the doctor as he silently commands his brides to awaken. With Hayes` back to the approaching brides and his attention fixed on Yorga, the brides attack and drain the helpless Hayes. Yorga reunites Donna with her mother. Michael finds Paul`s mutilated body while navigating the crypt. Brudah attacks him, but Michael stabs him, presumably to death. Michael manages to reach the throne room but finds Hayes as he lays dying from bite wounds and blood loss. With his last breath, Hayes tells Michael where Donna is. Just as he does, Erica, now a vampire and completely under Yorga`s control, and an unnamed, redheaded vampire charge into the room. Michael fends them off, chasing away the redhead while Erica pauses, giving Michael a chance to stake her. Despite seeing she is no longer the Erica he knows, he cannot bring himself to do so, and proceeds upstairs while she hisses at him. On the way to the staircase, Brudah emerges from the living room, holding his profusely bleeding knife wound, intent on attacking Michael. Michael, somewhat stunned that Brudah is still alive, moves up the staircase as Brudah reaches out for him. Brudah then collapses, finally dying. Upstairs, Michael confronts Yorga and Donna`s mother. Yorga pushes Donna`s mother into Michael`s stake and flees. Michael follows, and Yorga ambushes him outside the room. Michael rams the charging Yorga with his stake, killing him. Donna mourns her mother a second time before Michael collects her. He and Donna watch Yorga turn to dust. As they start to leave, they are confronted by Erica and the redheaded bride who, despite Yorga`s death, still remain as vampires. They chase Michael and Donna downstairs until repelled by Michael`s cross. As the vampire women are forced back and toward a cellar, Erica glances ominously at Donna. Michael locks them in and takes Donna`s hand, believing the danger is over. However, as he turns to leave, Donna hisses and lunges at him, fangs bared, fully transformed into a vampire; he was too late to prevent Yorga from turning her. In a final line of voice-over, the narrator sarcastically disputes that vampirism is just superstition as he laughs evilly. The film ends on a shot of Michael`s bloodied and lifeless corpse.

Ulaznica za koncert JOE SATRIANI-ja u Sava Centru u Beogradu, 24.05.2013. godine. Ovo je PONIŠTENA (otcepljen je kontrolni deo) novinarska ulaznica, za balkon, gde su bili smešteni novinari. Kolorno obostrano odštampana na glossy debljem papiru, veličine 13 x 8,3 cm. Bio je ovo jedan relativno kamerni koncert, prepun tehničke perfektnosti, ali i lišen emotivnosti, i po trajanju dosta kratak. Bilo je zanimljivo videti SVE, ali bukvalno SVE beogradske gitariste koji su došli da vide jednog od najboljih na planeti - Satch-a. Pošto u vreme koncerta odavno već nisam imao muzičke časopise, organizatori koncerata su me zaboravili, pa me je na ovaj koncert poveo Bane Lokner, moj dragi `bratić`, koji je uzeo dve karte za nas dvojicu, dugo godina `inventar` na svim rock dešavanjima u gradu. ==================================================================== ROCK MEMORABILIA - ROCK MUZEJ - PROČITAJTE !!!!!!!!!!!!!!!! Na našem tržištu, kao jedan od mnogih nedostajućih segmenata u rock industriji, nedostaje i tržište memorabilia, artifakata prošlosti (ulaznice, flajeri, plakati, originalne fotke, autogrami i sve ostalo vezano za rock muziku, bendove i muzičare). Naravno, dok neko to ne prikupi, neće biti ni otvaranja pravog rock muzeja, mada je više nas o tome maštalo. O tome koliko kod nas nije razvijena svest o važnosti prikupljanja memorabilia, svedoči i to da smo jedina zemlja gde ploča sa autogramom muzičara ima nižu, manju cenu od običnog, dobro očuvanog primerka!!! U svetu, potpisane ploče mogu biti i 1000 puta skuplje od apsolutno novog `glanc` - MINT primerka. Pratite moje oglase na Kupindu. Trudiću se da ono malo što sam sačuvao, slikam i opišem sa svim potebnim informacijama, na način kako se to opisuje u svetu. Na žalost, na hiljade ovakvih stvarčica sam pobacao tokom godina. No, nešto sam i sačuvao. Već i te informacije i fotke će biti možda nekom inspiracija da se potrudi i izloži nam svoju kolekciju ovakvih stvari, a svima vama informacija iz prve ruke, o događajima u kojima sam učestvovao na ovaj ili onaj način, ili im makar bio savremenik, pa će i ta svedočenja jednog dana biti značajna za pisanje neke istorije rock muzike u Srbiji. Posebno su u prikupljanju ove istorijske građe bitni glavni urednici rock novina poput mene. Kod nas su se u najvećoj meri `ulivale` ne samo informacije i muzička izdanja, već i propusnice za koncerte, press-passovi i mnogo, mnogo toga zanimljivog (pisma čitalaca, pisma bendova i sl.). Vreme prolazi i te stvari se gube, bivaju uništene ili bačene. Potrudiću se da ih ovde ovekovečim u e-formi, a i da nekom kolekcionaru ponudim da ih uvrsti u svoju kolekciju. Cene su pažljivo proračunate i određene, u skladu sa raritetnošću, ali i nekim opštim pravilima koja vladaju u svetu za ovakve artifakte. Nisu jeftine jer ovakvo blago nigd eu svetu nije jeftino, šta više. RAZMENA: ako imate neke ovako zanimljive stvari, javite mi se (preko Kupindo poruka, ili me nađite na FB), pa možemo da napravimo neku razmenu, za neka muzička izdanja koja ovde takođe nudim i polako ubacujem. USKORO MNOGO NOVIH ROCK MEMORABILIA!!! rokerski pozdrav, advokat Branko Rogošić nekadašnji vlasnik i glavni i odgovorni urednik (glodur) Rock Expressa, Metal Expressa, Muzičara, Metal Marketa, Rock Express Recordsa, vlasnik MORDOR shopa i Dreamworld Music Service-a i kolekcionar muzike i svega oko nje već 45 godina (od svoje 9-te)

Privezak - BLUES FEST ŠABAC, kožni tamno braon privezak sa metalno-emajliranim pokretnim delom, veličine 8,5 x 4,5 cm. U polukrugu je ispisano `Blues Brothers and Sisters Cita`, a dole - `Blues Fest Šabac`. Limitirana serija od 50-ak primeraka, napravljena 2000. godine. Ultra raritet. Dobio sam ovaj privezak od stalnog dopisnika Rock Expressa iz Šapca, velikog rokera i rock pisca (i ja sam mu objavio neke knjige) - Živka Ivkovića, inače jednog od organizatora (ovog) šabačkog LONESOME BLUES Festa, za koji je, kao suvenir, izrađen i ovaj privezak. Sa 2. Lonesome Blues festivala posedujem i interni CD sa live snimcima (TOČAK, PERA JOE, TANJA OKTOBAR...), pa ću i njega postaviti uskoro na Kupindo, potražite i te raritetne snimke u mojoj ponudi. ==================================================================== ROCK MEMORABILIA - ROCK MUZEJ - PROČITAJTE !!!!!!!!!!!!!!!! Na našem tržištu, kao jedan od mnogih nedostajućih segmenata u rock industriji, nedostaje i tržište memorabilia, artifakata prošlosti (ulaznice, flajeri, plakati, originalne fotke, autogrami i sve ostalo vezano za rock muziku, bendove i muzičare). Naravno, dok neko to ne prikupi, neće biti ni otvaranja pravog rock muzeja, mada je više nas o tome maštalo. O tome koliko kod nas nije razvijena svest o važnosti prikupljanja memorabilia, svedoči i to da smo jedina zemlja gde ploča sa autogramom muzičara ima nižu, manju cenu od običnog, dobro očuvanog primerka!!! U svetu, potpisane ploče mogu biti i 1000 puta skuplje od apsolutno novog `glanc` - MINT primerka. Pratite moje oglase na Kupindu. Trudiću se da ono malo što sam sačuvao, slikam i opišem sa svim potebnim informacijama, na način kako se to opisuje u svetu. Na žalost, na hiljade ovakvih stvarčica sam pobacao tokom godina. No, nešto sam i sačuvao. Već i te informacije i fotke će biti možda nekom inspiracija da se potrudi i izloži nam svoju kolekciju ovakvih stvari, a svima vama informacija iz prve ruke, o događajima u kojima sam učestvovao na ovaj ili onaj način, ili im makar bio savremenik, pa će i ta svedočenja jednog dana biti značajna za pisanje neke istorije rock muzike u Srbiji. Posebno su u prikupljanju ove istorijske građe bitni glavni urednici rock novina poput mene. Kod nas su se u najvećoj meri `ulivale` ne samo informacije i muzička izdanja, već i propusnice za koncerte, press-passovi i mnogo, mnogo toga zanimljivog (pisma čitalaca, pisma bendova i sl.). Vreme prolazi i te stvari se gube, bivaju uništene ili bačene. Potrudiću se da ih ovde ovekovečim u e-formi, a i da nekom kolekcionaru ponudim da ih uvrsti u svoju kolekciju. Cene su pažljivo proračunate i određene, u skladu sa raritetnošću, ali i nekim opštim pravilima koja vladaju u svetu za ovakve artifakte. Nisu jeftine jer ovakvo blago nigd eu svetu nije jeftino, šta više. RAZMENA: ako imate neke ovako zanimljive stvari, javite mi se (preko Kupindo poruka, ili me nađite na FB), pa možemo da napravimo neku razmenu, za neka muzička izdanja koja ovde takođe nudim i polako ubacujem. USKORO MNOGO NOVIH ROCK MEMORABILIA!!! rokerski pozdrav, advokat Branko Rogošić nekadašnji vlasnik i glavni i odgovorni urednik (glodur) Rock Expressa, Metal Expressa, Muzičara, Metal Marketa, Rock Express Recordsa, vlasnik MORDOR shopa i Dreamworld Music Service-a i kolekcionar muzike i svega oko nje već 45 godina (od svoje 9-te)

Ulaznice za koncert grupe KERBER, održan 13.12.2012. u Hali Sportova na Novom Beogradu. Novinarske karte, NEPONIŠTENE, sa kontrolnim kuponom, obostrano kolor odštampane, 20 x 8,2 cm. DVE NEPONIŠTENE ULAZNICE - PRODAJEM IH U KOMPLETU, OBE - PO ISTAKNUTOJ CENI OD 2499 din. Ukoliko želite da kupite samo jednu, cena je 1499 din, ali me tada obavezno prethodno kontaktirajte porukom, kako bih prilagodio oglas i cenu. Ne garantujem da će to biti moguće, ali probajte. U ponudi imam i dve poništene karte sa ovog koncerta, koje možete kupiti ovde: https://www.kupindo.com/Ulaznice-i-pozivnice/61119521_ulaznica-KERBER-13-12-2012-Beograd-ponistene Bio je ovo slavljenički koncert, kojim je KERBER proslavio 30 godina rada, i posle više godina se predstavio beogradskoj publici, koja je dupke napunila Halu Sportova. Gale i kompanija su pokazali da su i dalje opasan bend sa `kamarom` hitova koje je publika pevala u glas. ==================================================================== ROCK MEMORABILIA - ROCK MUZEJ - PROČITAJTE !!!!!!!!!!!!!!!! Na našem tržištu, kao jedan od mnogih nedostajućih segmenata u rock industriji, nedostaje i tržište memorabilia, artifakata prošlosti (ulaznice, flajeri, plakati, originalne fotke, autogrami i sve ostalo vezano za rock muziku, bendove i muzičare). Naravno, dok neko to ne prikupi, neće biti ni otvaranja pravog rock muzeja, mada je više nas o tome maštalo. O tome koliko kod nas nije razvijena svest o važnosti prikupljanja memorabilia, svedoči i to da smo jedina zemlja gde ploča sa autogramom muzičara ima nižu, manju cenu od običnog, dobro očuvanog primerka!!! U svetu, potpisane ploče mogu biti i 1000 puta skuplje od apsolutno novog `glanc` - MINT primerka. Pratite moje oglase na Kupindu. Trudiću se da ono malo što sam sačuvao, slikam i opišem sa svim potebnim informacijama, na način kako se to opisuje u svetu. Na žalost, na hiljade ovakvih stvarčica sam pobacao tokom godina. No, nešto sam i sačuvao. Već i te informacije i fotke će biti možda nekom inspiracija da se potrudi i izloži nam svoju kolekciju ovakvih stvari, a svima vama informacija iz prve ruke, o događajima u kojima sam učestvovao na ovaj ili onaj način, ili im makar bio savremenik, pa će i ta svedočenja jednog dana biti značajna za pisanje neke istorije rock muzike u Srbiji. Posebno su u prikupljanju ove istorijske građe bitni glavni urednici rock novina poput mene. Kod nas su se u najvećoj meri `ulivale` ne samo informacije i muzička izdanja, već i propusnice za koncerte, press-passovi i mnogo, mnogo toga zanimljivog (pisma čitalaca, pisma bendova i sl.). Vreme prolazi i te stvari se gube, bivaju uništene ili bačene. Potrudiću se da ih ovde ovekovečim u e-formi, a i da nekom kolekcionaru ponudim da ih uvrsti u svoju kolekciju. Cene su pažljivo proračunate i određene, u skladu sa raritetnošću, ali i nekim opštim pravilima koja vladaju u svetu za ovakve artifakte. Nisu jeftine jer ovakvo blago nigd eu svetu nije jeftino, šta više. RAZMENA: ako imate neke ovako zanimljive stvari, javite mi se (preko Kupindo poruka, ili me nađite na FB), pa možemo da napravimo neku razmenu, za neka muzička izdanja koja ovde takođe nudim i polako ubacujem. USKORO MNOGO NOVIH ROCK MEMORABILIA!!! rokerski pozdrav, advokat Branko Rogošić nekadašnji vlasnik i glavni i odgovorni urednik (glodur) Rock Expressa, Metal Expressa, Muzičara, Metal Marketa, Rock Express Recordsa, vlasnik MORDOR shopa i Dreamworld Music Service-a i kolekcionar muzike i svega oko nje već 45 godina (od svoje 9-te)

Ulaznice za koncert grupe KERBER, održan 13.12.2012. u Hali Sportova na Novom Beogradu. Novinarske karte, PONIŠTENE (otcepljen kontrolni kupon), obostrano kolor odštampane, 20 x 8,2 cm. DVE PONIŠTENE ULAZNICE - PRODAJEM IH U KOMPLETU, OBE - PO ISTAKNUTOJ CENI OD 1499 din. Ukoliko želite da kupite samo jednu, cena je 999 din, ali me tada obavezno prethodno kontaktirajte porukom, kako bih prilagodio oglas i cenu. Ne garantujem da će to biti moguće, ali probajte. U ponudi imam i dve NEPONIŠTENE karte sa ovog koncerta, pogledajte ih ovde: https://www.kupindo.com/Ulaznice-i-pozivnice/61119501_ulaznica-KERBER-13-12-2012-Beograd-neponistene Bio je ovo slavljenički koncert, kojim je KERBER proslavio 30 godina rada, i posle više godina se predstavio beogradskoj publici, koja je dupke napunila Halu Sportova. Gale i kompanija su pokazali da su i dalje opasan bend sa `kamarom` hitova koje je publika pevala u glas. ==================================================================== ROCK MEMORABILIA - ROCK MUZEJ - PROČITAJTE !!!!!!!!!!!!!!!! Na našem tržištu, kao jedan od mnogih nedostajućih segmenata u rock industriji, nedostaje i tržište memorabilia, artifakata prošlosti (ulaznice, flajeri, plakati, originalne fotke, autogrami i sve ostalo vezano za rock muziku, bendove i muzičare). Naravno, dok neko to ne prikupi, neće biti ni otvaranja pravog rock muzeja, mada je više nas o tome maštalo. O tome koliko kod nas nije razvijena svest o važnosti prikupljanja memorabilia, svedoči i to da smo jedina zemlja gde ploča sa autogramom muzičara ima nižu, manju cenu od običnog, dobro očuvanog primerka!!! U svetu, potpisane ploče mogu biti i 1000 puta skuplje od apsolutno novog `glanc` - MINT primerka. Pratite moje oglase na Kupindu. Trudiću se da ono malo što sam sačuvao, slikam i opišem sa svim potebnim informacijama, na način kako se to opisuje u svetu. Na žalost, na hiljade ovakvih stvarčica sam pobacao tokom godina. No, nešto sam i sačuvao. Već i te informacije i fotke će biti možda nekom inspiracija da se potrudi i izloži nam svoju kolekciju ovakvih stvari, a svima vama informacija iz prve ruke, o događajima u kojima sam učestvovao na ovaj ili onaj način, ili im makar bio savremenik, pa će i ta svedočenja jednog dana biti značajna za pisanje neke istorije rock muzike u Srbiji. Posebno su u prikupljanju ove istorijske građe bitni glavni urednici rock novina poput mene. Kod nas su se u najvećoj meri `ulivale` ne samo informacije i muzička izdanja, već i propusnice za koncerte, press-passovi i mnogo, mnogo toga zanimljivog (pisma čitalaca, pisma bendova i sl.). Vreme prolazi i te stvari se gube, bivaju uništene ili bačene. Potrudiću se da ih ovde ovekovečim u e-formi, a i da nekom kolekcionaru ponudim da ih uvrsti u svoju kolekciju. Cene su pažljivo proračunate i određene, u skladu sa raritetnošću, ali i nekim opštim pravilima koja vladaju u svetu za ovakve artifakte. Nisu jeftine jer ovakvo blago nigd eu svetu nije jeftino, šta više. RAZMENA: ako imate neke ovako zanimljive stvari, javite mi se (preko Kupindo poruka, ili me nađite na FB), pa možemo da napravimo neku razmenu, za neka muzička izdanja koja ovde takođe nudim i polako ubacujem. USKORO MNOGO NOVIH ROCK MEMORABILIA!!! rokerski pozdrav, advokat Branko Rogošić nekadašnji vlasnik i glavni i odgovorni urednik (glodur) Rock Expressa, Metal Expressa, Muzičara, Metal Marketa, Rock Express Recordsa, vlasnik MORDOR shopa i Dreamworld Music Service-a i kolekcionar muzike i svega oko nje već 45 godina (od svoje 9-te)