Originalni Jugoslovenski filmski plakat (69 x 48 cm) za film Junaci Servudske Sume (1954) Odlicno ocuvan! The Men of Sherwood Forest Robin Hood Allan MacKinnon Don Taylor Reginald Beckwith Eileen Moore Jugoslavija Ex Yu

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Ljudi I Zveri (1962). Odlicno ocuvan! Men and Beasts Люди и звери Lyudi i zveri Sergei Gerasimov Nikolai Yeremenko Sr. Tamara Makarova Zhanna Bolotova СССР Сою́з Сове́тских Социалисти́ческих Респу́блик SSSR Russia Jugoslavija Ex Yu

48 x 68 cm 2 x presavijen movie poster Crime on a Summer Morning (French: Par un beau matin d`été) is a 1965 French crime film directed by Jacques Deray and starring Jean-Paul Belmondo. The film is based on the 1963 novel One Bright Summer Morning written by James Hadley Chase. Francis and his sister Monique have a shady method for earning money; Monique lures men into her bedroom and shortly after her brother ends up storming in angrily claiming that she is underage. The men then have to pay them off to keep their reputation. They receive an offer from the bandit Frank Kramer to join in on a kidnapping operation in Spain. Francis and Monique are promised a huge sum which means that they could retire from their petty con games. The target is the daughter of the American billionaire Van Willie. They manage to kidnap her and confine her in with a retired painter along with his wife and son in Andalusia. But not everything goes according to plan.

48 x 68 cm 2 x presavijen movie poster Poveri ma belli (U.S. title: Poor, But Handsome; U.K. title: A Girl in Bikini) is a successful 1957 Italian comedy film directed by Dino Risi. There have been two sequels, also directed by Risi and starring Marisa Allasio, Maurizio Arena and Renato Salvatori: Belle ma povere in 1957 and Poveri milionari in 1959 (the latter not featuring Allasio, who by then had retired from acting) Romolo (Maurizio Arena) and Salvatore (Renato Salvatori) are two young men that are neighbors and friends. They live with their parents in Piazza Navona in Rome. They are poor but handsome, and both fall in love with the beautiful Giovanna (Marisa Allasio). After having briefly flirted in quick succession with both friends (a situation which severely strains their feelings of comradeship), Giovanna realizes she`s still in love with Ugo, her previous boyfriend, and returns with him. Romolo and Salvatore, their friendship recovered, ultimately get simultaneously engaged with each other`s sister. Marisa Allasio: Giovanna Maurizio Arena: Romolo Renato Salvatori: Salvatore Lorella De Luca: Marisa Alessandra Panaro: Anna Maria Memmo Carotenuto: Alvaro Mario Carotenuto: Uncle Mario Virgilio Riento: father of Giovanna Ettore Manni: Ugo Rossella Como: Ugo`s current girlfriend Aldo Valletti Nino Vingelli Erminio Spalla

83 x 59 cm 3 x presavijen movie poster, AFFICHE de FILM ilustrovao : BOLE, 1970 Guns of the Magnificent Seven is a 1969 western, styled in the genre of a Zapata Western, the second sequel to the classic 1960 western action film, The Magnificent Seven, itself based on Akira Kurosawa`s Seven Samurai (1954). The film was directed by Paul Wendkos and produced by Vincent M. Fennelly. It stars George Kennedy as Chris Adams, the character Yul Brynner portrayed in the first two films. The additions to the cast to make up the `new` seven are Monte Markham, Bernie Casey, James Whitmore, Reni Santoni, Joe Don Baker and Scott Thomas. Each have their quirks and baggage. They band together to help free a Mexican revolutionary (Fernando Rey) and help fight the oppression of sadistic militarist Diego played by Michael Ansara. Elmer Bernstein once again provides the music. In late 19th-century Mexico, Federales capture Quintero (Fernando Rey), a revolutionary who attempts to rally those opposing the dictatorship of President Díaz. Before going to prison, Quintero gives his lieutenant, Maximiliano O`Leary (Reni Santoni), $600 (equivalent to $17,000 in 2019) with which to continue the cause. Bandit chief Carlos Lobero (Frank Silvera) demands that the money be used for guns and ammunition, but Max instead crosses the border in search of Chris Adams (George Kennedy): a legendary, American gunman whom his cousin had told him about. Max finally finds the laconic Chris, witnessing him free a man from a rigged trial, first by using his wits, then with the famed hair-trigger skill as a gunfighter. Chris agrees to mount a rescue of Quintero and uses $500 of Max`s money to recruit five highly trained combatants: Keno (Monte Markham), a horse thief and hand-to-hand combat expert (whom Chris saved from hanging); Cassie (Bernie Casey), a brawny but intelligent former slave, who can handle dynamite; Slater (Joe Don Baker), a one-armed, sideshow sharp-shootist; a tubercular wrangler called `P.J.` (Scott Thomas), and Levi Morgan (James Whitmore), an aging family man who is doubtful of his worth, despite his incredible knife-throwing skills. En route to Mexico, the motley band of Americans becomes less mercenary when observing the brutal treatment of the peasants. Their journey is marked by encounters with a political prisoner`s little boy, Emiliano Zapata (Tony Davis) and a pretty peasant girl, Tina (Wende Wagner), who falls in love with P.J. When Lobero learns that Max did not buy guns with the $600, he refuses to allow his men to take part in Quintero`s rescue. Realizing that he needs support, Chris frees a prison gang that includes Zapata`s father, then trains them in military tactics. Despite their superior fighting skills and strategy, Chris` men are outnumbered and their valiant effort to free Quintero appears doomed. At the last moment, 50 of Lobero`s bandits, having slain their leader for his lack of patriotism, thunder onto the prison grounds and turn the tide of battle. Of the original seven, only Chris, Max and Levi survive. Before riding home, Chris and Levi leave behind the $600 the peasants had collected.

Stanje kao na fotografijma 49cm x 69cm Redje u ponudi! Heroji Telemarka britanski je ratni film iz 1965. godine koji je režirao Anthony Mann, a temelje se na istinitoj priči o norveškoj sabotaži teške vode tijekom Drugog svjetskog rata sa Skije protiv atoma, memoarima norveškog vojnika otpora Knuta Haukelida. U filmu glume Kirk Douglas kao dr. Rolf Pedersen i Richard Harris kao Knut Straud, zajedno s Ullom Jacobsson kao Anna Pedersen. Snimljen je na lokaciji u Norveškoj. Directed by Anthony Mann Written by Ben Barzman Ivan Moffat Based on Skis Against the Atom 1954 memoir by Knut Haukelid But for These Men 1962 novel by John Drummond Produced by Benjamin Fisz Starring Kirk Douglas Richard Harris Ulla Jacobsson Cinematography Robert Krasker Edited by Bert Bates Music by Malcolm Arnold Production company Benton Film Productions Distributed by The Rank Organisation (UK) Columbia Pictures (US) Release date 23 November 1965 (London-Premiere) 26 November 1965 (United Kingdom) 19 January 1966 (Chicago) 9 March 1966 (United States) Running time 130 minutes Country UK Languages English, German, Norwegian, German Budget $5 million[1] Box office $1,650,000 (est. US/ Canada rentals) Kirk Douglas as Dr Rolf Pedersen Richard Harris as Knut Straud Ulla Jacobsson as Anna Pedersen Michael Redgrave as Uncle David Weston as Arne Sebastian Breaks as Gunnar John Golightly as Freddy Alan Howard as Oli Patrick Jordan as Henrik William Marlowe as Claus Brook Williams as Einar Roy Dotrice as Jensen Anton Diffring as Major Frick Ralph Michael as Nilssen Eric Porter as Josef Terboven Wolf Frees as Sturmbannführer Knippelberg Karel Stepanek as Professor Hartmüller Gerard Heinz as Professor Erhardt Victor Beaumont as German Sergeant George Murcell as SS Oberscharführer Mervyn Johns as Col. Wilkinson Barry Jones as Professor Roderick Logan Geoffrey Keen as Gen. Bolt Robert Ayres as General Courts Jennifer Hilary as Sigrid Maurice Denham as Doctor David Davies as Captain of Galtesund Philo Hauser as Businessman Faith Brook as Woman on Bus Elvi Hale as Mrs. Sandersen Russell Waters as Mr. Sandersen Paul Hansard as German Officer (uncredited) George Roubicek as German Radio Operator (uncredited) Joe Dunne as Norwegian Quisling`s Nazi (uncredited) Originalan filmski plakat Morava Film

2 x presavijen oko 70 x 50 cm Rajko Grlic Nenad Burcar Stars: Predrag 'Miki' Manojlovic, Vladislava Milosavljevic, Mladen Budiscak Mi smo znali šta smo napravili i uradili smo odmah dve kopije filma “Samo jednom se ljubi”, to smo se dogovorili sa Sulejmanom Kapićem, direktorom "Jadran filma", a u knjigama laboratorije i svega je pisalo da postoji samo jedna kopija. Isto veče kada je prva kopija izašla, neko iz "Jadran filma" je to javio i isto veče su organizovali projekciju na koju su došli njih osmorica. To su bili šef policije Zagreba, šef Udbe za Hrvatsku, član Centralnog komiteta za sigurnost...uglavnom osam prvih policajaca. Oni su došli da odgledaju film u jednoj maloj dvorani. Mi smo sedeli pozadi, a oni napred. Išao je film i niko nije uzdahnuo, niko nije ispustio nikakav zvuk, ni veselja ni neveselja, apsolutno nemo su gledali. Kad se projekcija završila, upalila su se svetla, a najmlađi među njima koji je bio u nekom elegantnom odelu, fino podšišan mladi kadar, okrenuo se i rekao: "Da smo ovo naručili od ustaške emigracije, ne bismo ovo dobili." To je bila prva rečenica. Malo su nam se noge odsekle, a onda su oni počeli veoma dobronamerno, takvim tonom, nisu bili ljuti, nisu nešto pretili, već su nam govorili: "Pa možda ovu scenu biste mogli da izbacite. Ovo vam ne treba. Šta će vam ovo? Ovo zaista tu nekako nema svrhu... ". Mi smo posle računali da bi nam ostalo ukupno pet minuta filma da smo ih poslušali. To je bilo 1981. u februaru, martu. Drugu kopiju filma sam ja poslao sestri u Pariz i ona ju je dala u Kan, tako da smo tako ušli na festival sa filmom. Policija je odmah uzela i zaključala negativ, a mene i Kapića je šef zagrebačke policije, jedan divan, miran čovek sede kose, u finom odelu, potapšao i rekao: "Nemojte nigde da putujete, ostanite ovde da imamo priliku da porazgovaramo"... To je u stvari značilo: Ne mrdaj odavde! Ja sam tu noć sa suprugom sedeo uz čašu vina i razmišljao da li da ujutro u "reno 4”stavimo malu bebu, dva kofera i da krenemo... Film je mogao da bude prikazan u Kanu na dva načina - ili kao film koji je zabranjen u Jugoslaviji ili da ide pod jugoslovenskom zastavom. Da sam tada otišao u Kan, a da je film prikazan kao zabranjen, ja se više nikada ne bih vratio. Onda sam trgovao s Račanom na tu temu. Naime, glumica Semka Sokolović Bertok je bila članica CK Hrvatske i jednog dana sam je sreo na ulici kada mi je rekla da je čula da imam neke probleme sa filmom. “Imam velike probleme s filmom”, rekao sam, i pitao sam je da li hoće da dođe da ga pogleda jer je policija uzela negativ, ali pozitiv je ostao u "Jadran filmu". Ona je došla da pogleda film i njoj se to strašno svidelo pa je rekla da će ona nešto da uradi. Semka je bila prvak Hrvatske, mislim i Jugoslavije u bridžu, bila je internacionalni majstor u šahu, jedna vrlo zanimljiva žena i dobra glumica. Kod nje se igrao bridž, recimo utorkom uveče, i tu su dolazili Račan i pola Centralnog komiteta. Rekla mi je da pripremim oko deset uveče u nekoj maloj dvorani projekciju filma, a ona će na kraju partije pitati društvo da li hoće da pogledaju jedan film. Ako pristanu, ona će javiti da dolaze u dvoranu, pa da ja izađem i da sat i po vremena budem ispred te dvorane. Mislim da sam dvadeset puta obišao taj blok u Zagrebu. Rekla mi je da ako ona izađe iz dvorane, to znači da hoće da razgovaraju sa mnom, a ako vidim da ne izlazi, da se maknem. Imali smo spremne sve varijante. Ona je izašla iz dvorane, uvela me unutra, a tu u sedeli Račan i još neki ljudi i svi su bili sa suprugama. Kada sam video da sve žene plaču, da imaju suzne oči, tada sam sebi rekao: "Sad mi više niko ništa ne može. Sad će ih ubiti kod kuće ako nešto naprave filmu". Onda me uzeo Račan pod ruku i počeli smo opet da obilazimo taj blok i da se cenkamo. To je bilo cenkanje kao na pijaci. On je bio šef ideološke komisije CK i rekao mi je: "Ide ti film u Kan. Mi ćemo poslati ljude da vidimo kako je to prošlo i prema tome ćemo odlučiti da li film može da ide ovde ili ne može". Ja sam rekao da to nije nikakva trgovina, da ja tamo glumim da film postoji, a oni će razmisliti da li će ga pustiti. Rekao sam: "Petnaest dana bioskop ’Zagreb’, najveći bioskop je moj, bez obzira šta se dogodilo, film igra. Onda ja u Kanu glumim da je sve u redu. I ne bioskop na periferiji nego u centru...” Tako smo se cenkali i onda je on rekao jednu rečenicu koju ja uvek citiram: "U Puli nema nagrada." Što znači da su oni to sve potpuno kontrolisali i u Puli zaista nismo dobili ništa.

Stanje kao na fotografijma ! 50cm x 70cm Originalan filmski plakat Zvezdane staze: Prvi kontakt (engl. Star Trek: First Contact) je američki naučnofantastični film iz 1996. godine, režisera Džonatana Frejksa. Ovo je osmi film serijala Zvezdane staze, a drugi iz ciklusa u kome su glavni likovi protagonisti serije Zvezdane staze: Sledeća generacija. Radnja prikazuje kako USS Enterprajz na čelu sa kapetanom Žan-Likom Pikardom putuje kroz vreme i dolazi na Zemlju sredinom 21. veka kako bi sprečio Borgove da promene prošlost, odnosno spreče Zeframa Kokrana da otkrije vorp pogon. Film je dobio dobre kritike, pa ga je između ostalih, uticajni kritičar Rodžer Ibert proglasio najboljim filmom u serijalu. Takođe je ostvario i veliki komercijalni uspeh. Directed by Jonathan Frakes Screenplay by Brannon Braga Ronald D. Moore Story by Rick Berman Brannon Braga Ronald D. Moore Based on Star Trek by Gene Roddenberry Produced by Rick Berman Marty Hornstein Peter Lauritson Starring Patrick Stewart Jonathan Frakes Brent Spiner LeVar Burton Michael Dorn Gates McFadden Marina Sirtis Alfre Woodard James Cromwell Alice Krige Cinematography Matthew F. Leonetti Edited by Anastasia Emmons John W. Wheeler Music by Jerry Goldsmith Distributed by Paramount Pictures Release date November 22, 1996 Running time 111 minutes[1] Country United States Language English Budget $45 million Box office $146 million Cast First Contact is the first film in the Star Trek film series in which none of the main characters from The Original Series appear.[6] Rather, the main cast of Star Trek: The Next Generation play the following characters: Patrick Stewart as Jean-Luc Picard, the captain of the USS Enterprise-E who is haunted by his time as a member of the Borg. Stewart was one of the few cast members who had an important role in developing the script, offering suggestions and comments.[7] Picard`s character was changed from the `angst-ridden character [viewers have] seen before`, to an action hero type. Stewart noted that Picard was more physically active in the film compared to his usual depiction.[6] Jonathan Frakes as William T. Riker, the ship`s first officer who leads the away team on Earth. Frakes said he did not have much difficulty directing and acting at the same time, having done so on the television series.[8] Brent Spiner as Data, an android and the ship`s second officer, who endeavors to become human. Rumors before the film`s release suggested that since Data`s skin had been largely removed at the end of the story, it would allow another actor to assume the role.[9] LeVar Burton as Geordi La Forge, the ship`s chief engineer who helps repair the Phoenix. La Forge was born blind, and for the television series and previous film had worn a special VISOR to see. Burton lobbied for many years to have his character`s visor replaced so that people could see his eyes, since the `air filter` he wore prevented the audience from seeing his eyes and limited his acting ability. Moore finally agreed, giving the character ocular implants that were never explained in the film, beyond showing they were artificial.[7] Michael Dorn as Worf, the commander of the USS Defiant and Picard`s former chief of security. Gates McFadden as Beverly Crusher, the ship`s doctor. In an interview before the film`s premiere, McFadden said she considered women finally on par with the men in Star Trek: `We`ve come a long way since Majel Barrett was stuck in the sick bay as Nurse Chapel in the [1960s] and made to dye her hair blond.`[10] Marina Sirtis as Deanna Troi, counselor aboard the Enterprise. Sirtis missed working on the television show, and was acutely aware that expectations and stakes for First Contact were high; `we were scared that people thought we couldn`t cut it without the original cast`, she said.[11] Alfre Woodard as Lily Sloane, Cochrane`s assistant. When Frakes first moved to Los Angeles, Woodard was one of the first people he met. During a conversation at a barbecue Woodard said she would become Frakes` godmother, as he did not have one.[12] Through this relationship, Frakes was able to cast Woodard in the film; he considered it a coup to land an Academy Award-nominated actress.[13] Woodard considered Lily to be the character most like herself out of all the roles she has played.[14] James Cromwell as Zefram Cochrane, the pilot and creator of Earth`s first warp capable vessel. The character of Zefram Cochrane had first appeared in The Original Series episode `Metamorphosis`, played by Glenn Corbett.[15] Cromwell`s Cochrane is much older and has no resemblance to Corbett, which did not bother the writers.[16] They wanted to portray Cochrane as a character going through a major transition; he starts out as a cynical, selfish drunk who is changed by the characters he meets over the course of the film.[17] Although the character was written with Cromwell in mind, Tom Hanks, a big fan of Star Trek, was considered for the role by Paramount, though producer Rick Berman stated, `I’m sure his name was floated in some capacity, but it was never really on the table.`[15][18] Frakes commented that it would have been a mistake to cast Hanks as Cochrane due to his being so well known.[19] Cromwell had a long previous association with Star Trek, having played characters in The Next Generation episodes `The Hunted` and `Birthright`, as well as a role in Star Trek: Deep Space Nine. `[Cromwell] actually came in and read for the part`, Frakes said. `He nailed it.`[20] Cromwell described his method of portraying Cochrane as always playing himself. Part of the actor`s interest in the film was his involvement in Steven M. Greer`s Center for the Study of Extraterrestrial Intelligence, which offers training for first contact scenarios.[21] Alice Krige as the Borg Queen, the controller of the cybernetic collective. Casting for the part took time as the actress needed to be sexy, dangerous, and mysterious. Frakes cast Krige after finding that she had all of the mentioned qualities, and being impressed by her performance in Ghost Story;[17] the director considers her the sexiest Star Trek villain of all time.[13] Krige suffered a large amount of discomfort filming her role; her costume was too tight, causing blisters, and the painful silver contact lenses she wore could only be kept in for four minutes at a time.[22] The film also introduced the voice of the Borg character,[23] played by Jeff Coopwood,[24][25][26] uttering the memorable line: `Resistance is futile,` which was also the film`s tagline.[27] The Borg`s ominous warning was: `We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.`[28][29][30] Several of The Next Generation`s recurring characters also appeared in the film; Dwight Schultz reprised his role of Lieutenant Reginald Barclay and Patti Yasutake briefly appeared as Nurse Alyssa Ogawa.[31] Whoopi Goldberg was not asked to return as Guinan,[32] a wise bartender whose homeworld was destroyed by the Borg.[33] Goldberg only learned about the decision through the newspapers. `What can I say? I wanted to do it because I didn`t think you could do anything about the Borg without [my character]`, she said, `but apparently you can, so they don`t need me.`[34] Michael Horton appears as a bloodied and stoic Starfleet Security Officer; his character would be given the name Lt. Daniels in the next Star Trek film.[31] Neal McDonough plays Lt. Hawk, the Enterprise helmsman who aids in the defense of the ship until he is assimilated and killed. McDonough was cavalier about his role as a disposable `redshirt`, saying that since one of the characters in the deflector dish battle had to die, `that would be me`.[21] The third draft of the script added cameos by two actors from the sister television series Star Trek: Voyager, which was in its third season when the film was released.[20] Robert Picardo appears as the Enterprise`s Emergency Medical Hologram; Picardo played the holographic Doctor in Voyager. He won the cameo after suggesting to producers that the Enterprise should have the same technology as Voyager.[35] Picardo`s line `I`m a doctor, not a door stop`, is an allusion to the Star Trek original series character Dr. Leonard McCoy.[13] Picardo`s fellow Voyager actor Ethan Phillips, who played Neelix, cameos as a nightclub maître d` in the holodeck scene. Phillips recalled that the producers wanted the fans to be left guessing whether he was the person who played Neelix or not, as he did not appear in the credits; `It was just kind of a goofy thing to do.`[36] During production, there were incorrect rumors that Avery Brooks would reprise his role as Star Trek: Deep Space Nine captain Benjamin Sisko.[21] As with many Star Trek productions, new, disposable redshirt characters are killed off over the course of the plot.