69 x 49 cm 2 x presavijen movie poster Dersu Uzala: The Hunter) is a 1975 Soviet-Japanese co-production film directed by Akira Kurosawa, his first and only non-Japanese-language film and his first and only 70mm film. The film is based on the 1923 memoir Dersu Uzala (which was named after the native trapper) by Russian explorer Vladimir Arsenyev, about his exploration of the Sikhote-Alin region of the Russian Far East over the course of multiple expeditions in the early 20th century. Shot almost entirely outdoors in the Russian Far East wilderness, the film explores the theme of a native of the forests who is fully integrated into his environment, leading a style of life that will inevitably be destroyed by the advance of civilization. It is also about the growth of respect and deep friendship between two men of profoundly different backgrounds, and about the difficulty of coping with the loss of strength and ability that comes with old age. The film won the 1976 Oscar for Best Foreign Language Film, the Golden Prize and the Prix FIPRESCI at the 9th Moscow International Film Festival and a number of other awards. It sold 20.4 million tickets in the Soviet Union and made $1.2 million in the US and Canada. The film opens to a forest that is being cleared for development, and Arsenyev searching for an unmarked grave of a friend he says he buried 3 years ago. The film then flashes back to Arsenyev`s surveying expedition to the area of Shkotovo in Ussuri region in 1902. A topographic expedition troop, led by Captain Arsenyev (Yury Solomin), encounters a nomadic Goldi hunter named Dersu Uzala (Maxim Munzuk) who agrees to guide them through the harsh frontier. Initially viewed as an uneducated, eccentric old man, Dersu earns the respect of the soldiers through his great experience, accurate instincts, keen powers of observation, and deep compassion. He repairs an abandoned hut and leaves provisions in a birch container so that a future traveler would survive in the wilderness. He deduces the identities and situations of people by analyzing tracks and articles left behind. Dersu Uzala saves the life of Captain Arsenyev for the first time when the two are lost on a frozen lake and a sudden blizzard overtakes them. Dersu shows Arsenyev how to quickly build a straw hut for shelter using grass and then, when Arsenyev collapses due to exhaustion, Dersu pulls him into the shelter. The two men avoid freezing to death and are discovered by the rest of their comrades when the blizzard clears. The expedition then, struggling to survive the frozen tundra, encounter a Nani family who invite them into their home, providing the men much needed food, and warmth. At this point Dersu asks where Arsenyev will go next to which Arsenyev tells him `back to the city` and invites Dersu to come with him. Dersu tells him that his place is in the forest and that tomorrow he will go on his way. The next day he leaves the soldiers by the railroad tracks and returns to wilderness. Five years later in 1907, Arsenyev is on another expedition in Ussuri. He has been mapping mountain ranges for months, all the time holding onto hope that he will run into his old friend Dersu. One night, when at camp, one of his men says they ran into an old Hunter in the forest who was asking about their unit. Instantly hopeful, Arsenyev demands to know where he saw the man and rushes into the forest filled with hope of seeing his old friend. Searching the forest for a few minutes he sees Dersu walking away further into the forest. Calling for him he is overcome with joy as Dersu yells back and then men run to each other. The men embrace and Arsenyev brings Dersu back to camp with him where the two sit by a fire and talk about their time apart. Dersu takes up the job of expedition guide again. The expedition breaks up as Arsenyev, Dersu, and a few men cross a large river by raft, and the rest continue on to try to find a ford to cross with the horses. Arsenyev and Dersu get caught on the raft as the others embark and are quickly rushed downstream. Dersu saves Arsenyev`s life again by pushing him off the raft and telling him to swim toward shore. Dersu is trapped on the raft as conditions on the river become treacherous. Moments before Dersu and the raft crash into the rapids, Dersu jumps onto a branch in the middle of the river. He then directs the party to cut a tree which can reach him before he drowns. Some time passes and the men seem to be in good spirits. They take several pictures with Dersu and all seems to be going well. Arsenyev writes in his journal that some of his fondest memories of Dersu occurred during the beginning of that autumn. A short time later, the expedition party is trekking through the forest when Dersu realizes they are being stalked by a Siberian tiger. Dersu tries in vain to scare the Siberian tiger away telling him that the soldiers will shoot him with their guns. The tiger continues getting closer to Dersu and Arsenyev until Dersu is forced to shoot the tiger. Dersu is instantly distraught over shooting a tiger, stating that Kanga, who is a forest spirit that his people worship, will be unhappy and will send another tiger for him. Dersu becomes more and more irritable, yelling at members of the party and distancing himself from Arsenyev. Dersu`s eyesight and other senses begin to fade with age until he is no longer able to hunt thus not being able to live alone in the forest. Captain Arsenyev decides to take Dersu with him to the city of Khabarovsk. Dersu quickly discovers that he is not permitted to chop wood or to build a hut and fireplace in the city park, nor is he allowed to shoot within the city limits. Despite his love for Arsenyev and Arsenyev`s family, Dersu realizes that his place is not in the city and asks Arsenyev if he can return to living in the hills. As a parting gift, Arsenyev gives him a new rifle. Some while later, Arsenyev receives a telegram informing him that the body of a Goldi has been found, with no identification on him save Arsenyev`s calling card, and is requested to come identify the body. Arsenyev finds that it is indeed Dersu. The officer who found Dersu speculates that someone may have killed Dersu to obtain the new rifle that Arsenyev gave him. As the gravediggers finish their work, Arsenyev finds Dersu`s walking stick nearby, and plants it in the ground beside the grave.

Stari pozorišni plakat Narodnog pozorišta u Nišu, iz sezone 1995/96, za predstavu `Dama s kamelijama`, Aleksandra Dime sina, reditelja Dejana Krstovića. na plakatu su napisani I datum (26.11.1995.), vreme (početak 19.30) I cena ulaznice (3,00 din.) Autor plakata (umetnik, slikar, dizajner ?) mi je još uvek nepoznat, postoji njegov `potpis` u donjem desnom uglu, vidi se jasnije na drugoj fotografiji. Plakat I dalje sadrži stari selotejp kojim je lepljen, ja ništa neću dirati, prepuštam izmene (poboljšavanja) budućem vlasniku. Plakat nije preklapavan već urolavan. Koliko se meni čini, jedinstven primerak u prodaji za kolekcionare. U potpunosti zadovoljavajući primerak bez oštećenja a ispravljanje I eventualno uramljivanje. Dimenzija 50 x 70 cm.

48 x 68 cm 2 x presavijen movie poster At Gunpoint is a 1955 American Western film directed by Alfred L. Werker and starring Fred MacMurray, Dorothy Malone and Walter Brennan. Plainview is a peaceful town, all the better for bad men Alvin Dennis, his brother Bob, and their gang, to rob the bank there. They figure small-town sheriff Pete MacKay will not pose much of a problem. MacKay is having his usual chess game with Doc Lacy at the general store Jack Wright runs with wife Martha and brother-in-law Wally. A gunshot from the bank startles all. Bob has shot a teller, then guns down the old marshal when he arrives. Jack is just a meek storekeeper, but he manages to grab a gun and wing the fleeing Alvin Dennis, who is then killed by another townsman, George Henderson. And the bank`s loot is saved. Everybody, particularly banker Livingston, appreciates the bravery of the town heroes. But when the Amarillo newspaper publishes their photographs, Bob Dennis decides to return to Plainview to avenge his brother`s death. The grateful town throws a celebration for both Henderson and Jack. As a tipsy Henderson, who has been appointed the new sheriff, is riding back to his ranch after the party, he is ambushed and killed. Jack could be next. A marshal comes to town to keep an eye on things, but can`t stay forever and leaves after two uneventful weeks. Jack, his wife and son Billy, begin to notice that their neighbors are shunning them, no longer shopping at the store or even allowing their kids to come near them. A $2,500 reward for Alvin Dennis` capture is a pleasant surprise for Jack, but when Wally is mistaken for him and murdered in cold blood by Bob Dennis, no one is willing to help. In fact, he is offered more money by Livingston and other frightened citizens if he will sell them the store and leave town. Doc and the Wrights are ashamed of everyone`s lack of support in Jack`s hour of need. Jack arms himself to face Bob Dennis and his gang. He is outmatched, but suddenly the men in town, brandishing firearms, appear in windows and on the street, demanding the gang drop their guns and surrender. All but Bob give up and, as the outlaw approaches Jack, Doc manages to shoot him. The townspeople offer apologies to the Wrights, who are immediately willing to forgive and forget. Doc storms off, apparently not so willing.

48 x 68 cm 2 x presavijen movie poster Broken Arrow is a Western film released in 1950. Shot in Technicolor, it was directed by Delmer Daves and starred James Stewart as Tom Jeffords and Jeff Chandler as Cochise. The film is based on these historical figures but fictionalizes their story in dramatized form. It was nominated for three Academy Awards, and won a Golden Globe award for Best Film Promoting International Understanding. Film historians have said that the movie was one of the first major Westerns since the Second World War to portray the Indians sympathetically. Tom Jeffords comes across a wounded, 14-year-old Apache boy dying from buckshot wounds in his back. Jeffords gives the boy water and treats his wounds. The boy`s tribesmen appear and are at first hostile but decide to let Jeffords go free. However, when a group of gold prospectors approaches, the Apache gag Jeffords and tie him to a tree. Helpless, he watches as they attack the prospectors and torture the survivors. The warriors then let him go but warn him not to enter Apache territory again. When Jeffords returns to Tucson, he encounters a prospector who escaped the ambush. He corrects a man`s exaggerated account of the attack, but Ben Slade is incredulous and does not see why Jeffords did not kill the Apache boy. Instead, Jeffords learns the Apache language and customs and plans to go to Cochise`s stronghold on behalf of his friend, Milt, who is in charge of the mail service in Tucson. Jeffords enters the Apache stronghold and begins a parley with Cochise, who agrees to let the couriers through. Jeffords meets a young Apache girl, Sonseeahray, and falls in love. A few of Cochise`s warriors attack an army wagon train and kill the survivors. The townsfolk nearly lynch Jeffords as a traitor before he is saved by General Oliver Otis Howard who recruits Jeffords to negotiate peace with Cochise. Howard, the `Christian General` condemns racism, saying that the Bible `says nothing about pigmentation of the skin`. Jeffords makes a peace treaty with Cochise, but a group led by Geronimo, oppose the treaty and leave the stronghold. When these renegades ambush a stagecoach, Jeffords rides off to seek help from Cochise and the stagecoach is saved. Jeffords and Sonseeahray marry in an Apache ceremony and have several days of tranquility. Later, Ben Slade`s son spins a story to Jeffords and Cochise about two of his horses stolen by Cochise`s people. Cochise says that his people did not take them and doubts his story, as he knows the boy`s father is an Apache hater. They then decide to go along with the boy up the canyon but are ambushed by the boy`s father and a gang of men from Tucson. Jeffords is badly wounded and Sonseeahray is killed but Cochise kills most of the men, including Ben Slade. Cochise forbids Jeffords to retaliate, saying that the ambush was not done by the military and that Geronimo broke the peace no less than Slade and his men, and that peace must be maintained. Jeffords rides off with the belief that `the death of Sonseeahray had put a seal upon the peace, and from that day on wherever I went, in the cities, among the Apaches and in the mountains, I always remembered, my wife was with me`.

48 x 36 cm 2 x presavijen movie poster, AFFICHE de FILM ILUSTROVAO : SASA NIKOLIC The Desperadoes is a 1943 American Western film directed by Charles Vidor and starring Randolph Scott, Claire Trevor, Glenn Ford, Evelyn Keyes and Edgar Buchanan. Based on a story by Max Brand, the film is about a wanted outlaw who arrives in town to rob a bank that has already been held up. His past and his friendship with the sheriff land them both in trouble. The Desperadoes was the first Columbia Pictures production to be released in Technicolor. In 1863, a sheriff named Steve Upton (Randolph Scott) tries to keep the law in Red Valley, a small town in Utah. While he`s away, the bank is robbed. The holdup was secretly masterminded by corrupt banker Stanley Clayton and the livery stable`s boss, `Uncle Willie` McLeod, with the help of ruthless gunman Jack Lester, who shoots three innocent men. Cheyenne Rogers rides to town. At the stable, Allison McLeod, daughter of Uncle Willie, recognizes the horse as one belonging to Steve. As the stranger goes to the saloon for a drink, Allison rides out to find Steve, whose mount was stolen on the trail. `The Countess,` who runs gambling at the saloon, is in love with Cheyenne, who was hired to help rob the bank but arrived too late. She blames herself for steering Cheyenne toward crime in the first place. Cheyenne finds a legitimate job, breaking broncos at a ranch. Steve returns to town and is glad to see Cheyenne, an old friend. Lester turns the town against Cheyenne, revealing his outlaw past, and then his sidekick Nitro pulls off another robbery of the bank. A posse rounds up Cheyenne and Nitro and a judge sentences them to hang. But they are sprung from jail by Steve, who is then placed behind bars himself. Alison goes to the Countess to beg for her help. She does, even though Cheyenne now loves Allison instead of her. Cheyenne slips a gun to Steve through a jailhouse window, and together they set about making things right. Uncle Willie, feeling guilt about his part in the robbery, ends up shooting Clayton in a gunfight. Allison is wed to Cheyenne while her father goes off to jail. At one point while a heavily armed group of bad guys is waiting for Cheyenne to show up and rescue Steve one of the men remarks that when he does arrive, Cheyenne will think that he rode into `Custer`s Last Stand.` In reality, the Battle of the Little Big Horn does not take place for more that a dozen years after the film`s 1863 setting.

48 x 68 cm 2 x presavijen, ispisan na poledjini movie poster, AFFICHE de FILM The War Wagon is a 1967 American Western film directed by Burt Kennedy and starring John Wayne and Kirk Douglas. Released by Universal Pictures, it was produced by Marvin Schwartz and adapted by Clair Huffaker from his own novel. The supporting cast includes Howard Keel, Robert Walker Jr., Keenan Wynn, Joanna Barnes and Bruce Dern. The picture received generally positive reviews. Filming took place in Sierra de Órganos National Park in the town of Sombrerete, Mexico. Rancher Taw Jackson (John Wayne) returns to his hometown to settle a score, after being released early from prison for good behavior. Three years earlier, he was framed by corrupt businessman Frank Pierce (Bruce Cabot) and wrongfully imprisoned. Pierce then appropriated Jackson`s land, where he discovered gold. Jackson has returned to steal a shipment of gold from Pierce. He hires Lomax (Kirk Douglas) to assist him, even though Lomax had worked as a hired gun for Pierce and was instrumental in sending Jackson to prison. Jackson needs Lomax not only because of his marksmanship, but also because he is a safecracker. The gold shipment is being transported in a `war wagon`, a heavily armored stagecoach armed with a deadly Gatling gun in a top-mounted steerable turret. Jackson and Lomax assemble a gang and plan to rob the war wagon at the weakest point in the route it travels. Things do not quite work out as planned. Pierce dies in a shootout with one of his own men trying to escape from the war wagon. The wagon crashes into a ravine, Lomax opens the safe, and the men move the gold into a separate wagon. However, before they can haul it away, a group of Kiowas try to take it from them. During the ensuing gunfight, the horses are spooked and run away with the wagon, and most of the gold is lost as a result. Nevertheless, Taw manages to recover a portion of it, and they agree to meet in six months to divide it, since `it wouldn`t be very smart to flash gold around after a robbery`. John Wayne as Taw Jackson Kirk Douglas as Lomax Howard Keel as Levi Walking Bear Robert Walker Jr. as Billy Hyatt Keenan Wynn as Wes Fletcher Bruce Cabot as Frank Pierce Joanna Barnes as Lola Valora Noland as Kate Fletcher Bruce Dern as Hammond Gene Evans as Deputy Hoag Terry Wilson as Sheriff Strike Don Collier as Shack Sheb Wooley as Snyder Ann McCrea as Felicia Emilio Fernandez as Calita Frank McGrath as Bartender Chuck Roberson as Brown Red Morgan as Early Hal Needham as Hite Marco Antonio as Chief Wild Horse Perla Walters as Rosita

31 x 68 cm 3 x presavijen movie poster, AFFICHE de FILM ILUSTROVAO : SASA NIKOLIC 1968 Thieves` Highway is a 1949 film noir directed by Jules Dassin. The screenplay was written by A. I. Bezzerides, based on his novel Thieves` Market.The film was released on DVD as part of the Criterion Collection in 2005. A war-veteran-turned-truck driver Nico `Nick` Garcos (Richard Conte) arrives at home to find that his foreign-born father, a California fruit farmer, has lost his legs and was forced to sell his truck. He learns that his father was crippled at the hands of an unscrupulous produce dealer in San Francisco, Mike Figlia (Lee J. Cobb). Garcos vows revenge. Garcos goes into business with Ed Kinney, who bought the Garcos truck, and drives a truckload of apples to San Francisco, where he runs into Figlia when his truck is immobilized with a suspiciously cut tire, blocking Figlia`s busy wholesale stand, and cannot be towed. Figlia hires a streetwalker, Rica (Valentina Cortese), to seduce and preoccupy Nick in her room while his men unload the apples without Nick`s permission. Figlia later pays Nick for his fruit, but that night his goons waylay and rob Nick of the cash. Meanwhile, Kinney is killed when his own truck mechanically fails, veers off the road, and burns after speeding out of control down a long hill. Foul play is suspected. Polly, Nick`s hometown sweetheart, then arrives in the city ready to marry him, but leaves disillusioned after she finds him recovering from his beating in Rica`s apartment and with no money. Nick and a friend finally confront the cowed bully Figlia at a tavern, and have him arrested, restoring Nick`s family honor.

70 x 50 cm 2 x presavijen MOVIE POSTER Figaro Here, Figaro There (Italian: Figaro qua, Figaro là) is a 1950 Italian historical comedy film directed by Carlo Ludovico Bragaglia and starring Totò and Isa Barzizza. The title and the plot allude to The Barber of Seville.[1] It was made at Scalera Studios in Rome. Set design was by Alberto Boccianti. The film is set in the eighteenth century. The protagonist is Figaro, the Sevillian barber, who is likely to be arrested because he operates his shop on Sundays, which is forbidden. Figaro is a friend of a nobleman who fell in love with Rosina, his friend and daughter of the governor. But Rosina`s father does not agree to their marriage. One day Rosina, through her maid Dove, tells the Count that one night she is staying at the inn `of four bulls`. The Count and Figaro go with a friend to the inn before they get to Rosina and her court. Their plan is to replace the host, pose as their owners of the inn and abduct Rosina. But unfortunately not all is according to plan. Pedro, a dangerous bandit, learns that Rosina and her court must stay at the inn that night and his men raid the inn: they capture Figaro, the Count and his friend. Finally Rosina comes and is disappointed when she sees that her beloved is not there. Figaro, however, has an idea: he writes a note to tell her that the man in the white hat is Pedro. Unfortunately at that time soldiers capture Figaro and Pedro, and stop believing that it is Pedro and the plan fails. Figaro is sentenced to death by firing squad, but in the end escapes helped by the Count. Eventually, after many vicissitudes, Count marries Rosina and Figaro goes to live with them.

83 x 59 cm 3 x presavijen movie poster, AFFICHE de FILM ilustrovao : BOLE, 1970 Guns of the Magnificent Seven is a 1969 western, styled in the genre of a Zapata Western, the second sequel to the classic 1960 western action film, The Magnificent Seven, itself based on Akira Kurosawa`s Seven Samurai (1954). The film was directed by Paul Wendkos and produced by Vincent M. Fennelly. It stars George Kennedy as Chris Adams, the character Yul Brynner portrayed in the first two films. The additions to the cast to make up the `new` seven are Monte Markham, Bernie Casey, James Whitmore, Reni Santoni, Joe Don Baker and Scott Thomas. Each have their quirks and baggage. They band together to help free a Mexican revolutionary (Fernando Rey) and help fight the oppression of sadistic militarist Diego played by Michael Ansara. Elmer Bernstein once again provides the music. In late 19th-century Mexico, Federales capture Quintero (Fernando Rey), a revolutionary who attempts to rally those opposing the dictatorship of President Díaz. Before going to prison, Quintero gives his lieutenant, Maximiliano O`Leary (Reni Santoni), $600 (equivalent to $17,000 in 2019) with which to continue the cause. Bandit chief Carlos Lobero (Frank Silvera) demands that the money be used for guns and ammunition, but Max instead crosses the border in search of Chris Adams (George Kennedy): a legendary, American gunman whom his cousin had told him about. Max finally finds the laconic Chris, witnessing him free a man from a rigged trial, first by using his wits, then with the famed hair-trigger skill as a gunfighter. Chris agrees to mount a rescue of Quintero and uses $500 of Max`s money to recruit five highly trained combatants: Keno (Monte Markham), a horse thief and hand-to-hand combat expert (whom Chris saved from hanging); Cassie (Bernie Casey), a brawny but intelligent former slave, who can handle dynamite; Slater (Joe Don Baker), a one-armed, sideshow sharp-shootist; a tubercular wrangler called `P.J.` (Scott Thomas), and Levi Morgan (James Whitmore), an aging family man who is doubtful of his worth, despite his incredible knife-throwing skills. En route to Mexico, the motley band of Americans becomes less mercenary when observing the brutal treatment of the peasants. Their journey is marked by encounters with a political prisoner`s little boy, Emiliano Zapata (Tony Davis) and a pretty peasant girl, Tina (Wende Wagner), who falls in love with P.J. When Lobero learns that Max did not buy guns with the $600, he refuses to allow his men to take part in Quintero`s rescue. Realizing that he needs support, Chris frees a prison gang that includes Zapata`s father, then trains them in military tactics. Despite their superior fighting skills and strategy, Chris` men are outnumbered and their valiant effort to free Quintero appears doomed. At the last moment, 50 of Lobero`s bandits, having slain their leader for his lack of patriotism, thunder onto the prison grounds and turn the tide of battle. Of the original seven, only Chris, Max and Levi survive. Before riding home, Chris and Levi leave behind the $600 the peasants had collected.

68 x 48 cm 2 x presavijen The Cotton Club is a 1984 American crime drama film co-written and directed by Francis Ford Coppola. The story centers on a Harlem jazz club in the 1930s, the Cotton Club and stars Richard Gere, Gregory Hines, Diane Lane, and Lonette McKee. The supporting cast included Bob Hoskins, James Remar, Nicolas Cage, Allen Garfield, Laurence Fishburne, Gwen Verdon and Fred Gwynne. The film was noted for its over-budget production costs, and took a total of five years to make. Despite being a disappointment at the box-office, the film received generally positive reviews. It was nominated for several awards, including Golden Globes for Best Director and Best Picture (Drama) and Oscars for Best Art Direction (Richard Sylbert, George Gaines) and Best Film Editing. A musician named Dixie Dwyer begins working with mobsters to advance his career but falls in love with the girlfriend of gangland kingpin Dutch Schultz. A dancer from Dixie`s neighborhood, Sandman Williams, is hired with his brother by The Cotton Club, a jazz club where most of the performers are black and the customers are white. Owney Madden, a mobster, owns the club and runs it with his right-hand man, Frenchy. Dixie becomes a Hollywood film star, thanks to the help of Madden and the mob but angering Schultz. He also continues to see Schultz`s gun moll, Vera Cicero, whose new nightclub has been financed by the jealous gangster. In the meantime, Dixie`s ambitious younger brother Vincent becomes a gangster in Schultz`s mob and eventually a public enemy, holding Frenchy as a hostage. Sandman alienates his brother Clay at The Cotton Club by agreeing to perform a solo number there. While the club`s management interferes with Sandman`s romantic interest in Lila, a singer, its cruel treatment of the performers leads to an intervention by Harlem criminal `Bumpy` Rhodes on their behalf. Dutch Schultz is violently dealt with by Madden`s men while Dixie and Sandman perform on The Cotton Club`s stage.

Originalni bioskopski (filmski) plakat velikih dimenzija (oko 100 x 70 cm) : NAJBOLJE GODINE NAŠEG ŽIVOTA / BEST YEARS OF OUR LIVES Autor plakata: D.Ivaniševič Najbolje godine naših života (poznat pod naslovima Slava pripada meni i Opet kod kuće) američki je dramski film snimljen 1946. godine u režiji Williama Wylera. Glavne uloge tumače Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, i Harold Russell. Film govori o tri američka vojnika koji pokušavaju da se uklope u civilni život nakon povratka kući iz Drugog svjetskog rata. Samuel Goldwyn je imao inspiraciju da napravi film o ratnim veteranima nakon što je u augustu 1944. godine pročitao članak u magazinu Time, koji govori o teškoćama kroz koje veterani prolaze pri povratku u civilni život. Goldwyn je zaposlio bivšeg ratnog dopisnika MacKinlaya Kantora da napiše scenarij. Njegov rad je prvi put objavljen kao roman pod naslovom Slava pripada meni, koji je Kantor napisao u stilu `praznog stiha` bez rimovanja. Robert Sherwood je zatim prilagodio roman za scenarij. Film je osvojio sedam Oskara 1946. godine, uključujući i Oscara za najbolji film, najbolju režiju (William Wyler), najboljeg glumca (Fredric March), najboljeg sporednog glumca (Harold Russell), najbolju montažu (Daniel Mendel), najbolji adaptirani scenarij (Robert Sherwood), i najbolju originalnu muziku (Hugo Friedhofer). Pored uspjeha kod kritičara, film je ubrzo postao veliki komercijalni uspjeh nakon puštanja na prikazivanje u kinima. Film je imao najveću zaradu i najviše publike kako u SAD-u tako i u Velikoj Britaniji, sa prodajom od oko 55 miliona karata u SAD-u što se nije desilo još od izlaska filma Prohujalo s vihorom. Film zauzima šestu poziciju sa najvećom posjetom publike svih vremena u Velikoj Britaniji, sa preko 20 miliona prodatih karata. Kao na fotografijama.

Stanje kao na fotografijama, malkice zacepljen u donjem delu gde je presavijan. 49cm x 69cm Operacija „Zora“ (poznata i kao Cijena slobode u SAD-u) [1] film je iz Drugog svjetskog rata iz 1975. godine zasnovan na istinitoj priči o operaciji Antropoid, atentatu na SS generala Reinharda Heydricha u Pragu. U glavnim ulogama Anthony Andrews, Timothy Bottoms i Martin Shaw, film je režirao Lewis Gilbert, a uglavnom je sniman na lokaciji u Pragu. Prilagođen je knjizi Alan Burgess, Sedam ljudi na zoru. Directed by Lewis Gilbert Produced by Carter DeHaven Screenplay by Ronald Harwood Based on Seven Men at Daybreak by Alan Burgess Starring Timothy Bottoms Martin Shaw Joss Ackland Nicola Pagett Anthony Andrews Music by David Hentschel Cinematography Henri Decaë Edited by Thelma Connell Production companies Howard R. Schuster, Inc. American Allied Studios Barrandov Studios Distributed by Warner Bros. (US) Columbia-Warner (UK) Release date November 1975 (US (limited)) 29 February 1976 (UK) Running time 118 minutes Countries Czechoslovakia United States Yugoslavia Languages English German Timothy Bottoms as Sergeant Jan Kubiš Martin Shaw as Sergeant Karel Čurda Joss Ackland as Janák Nicola Pagett as Anna Malinová Anthony Andrews as Sergeant Jozef Gabčík Anton Diffring as acting Reichsprotektor Reinhard Heydrich Carl Duering as Karl Hermann Frank, Secretary of State of the Reich Protectorate of Bohemia and Moravia Cyril Shaps as Father Petrek Diana Coupland as aunt Marie Moravcová [cs] Ronald Radd as Karel Moravec Kim Fortune as Ata Moravec Ray Smith as Hájek George Sewell as Heinz Panwitz, Chief Investigator Reinhard Kolldehoff as Fleischer, Gestapo Kika Markham as Čurda`s Wife Philip Madoc as Heydrich`s interpreter Nigel Stock as General Cyril Cross Vernon Dobtcheff as Pyotr Frank Gatliff as Surgeon Pavla Matějovská as Jindriska Jiri Krampol as Lt Adolf Opalka Originalan filmski plakat Makedonija Film

48 x 68 cm 2 x presavijen movie poster Experiment in Terror is a 1962 neo-noir suspense-thriller released by Columbia Pictures. It was directed by Blake Edwards and written by Mildred Gordon and Gordon Gordon based on their 1961 novel Operation Terror. The film stars Glenn Ford, Lee Remick, Stefanie Powers and Ross Martin.The musical score was performed by Henry Mancini. A psychotic killer, Garland `Red` Lynch, uses a campaign of terror to force San Francisco bank teller Kelly Sherwood to steal $100,000 from the bank for him. Despite Lynch`s threat to kill Sherwood or her teenage sister Toby if she goes to the police, Sherwood contacts the San Francisco office of the FBI, where agent John Ripley takes charge of the case. Ripley interviews a woman who implies that she is involved in some way in a serious crime, but before she can give Ripley the details, Lynch murders her. Sherwood continues to be terrorized with phone calls, an asthmatic condition making the unseen Lynch`s voice all the more sinister. The FBI identifies the criminal, noting that Lynch has a record of convictions for statutory rape, forgery, criminal assault, armed robbery and murder. They track down his girlfriend, Lisa Soong, whose six-year-old son has just had a hip replaced. Lynch is paying all the hospital bills. Because of this, Lisa refuses to believe that Lynch is a criminal and will not cooperate with the investigation. Ripley nevertheless manages to get some information about `Uncle Red` from the boy. Lynch finally gives Sherwood a time and date to steal the money, and just to make sure that she does, he kidnaps her sister Toby and holds her captive. The climax is a chase through Candlestick Park after a nighttime baseball game between the rival San Francisco Giants and Los Angeles Dodgers. On-field action includes several closeups of Dodger pitcher Don Drysdale. Ripley and his men ultimately surround Lynch on the infield of the stadium. As Lynch takes aim at a police helicopter, Ripley shoots him and he dies on the pitchers` mound. Glenn Ford as John `Rip` Ripley Lee Remick as Kelly Sherwood Stefanie Powers as Toby Sherwood Ross Martin as Garland Humphrey `Red` Lynch Roy Poole as Brad Ned Glass as Popcorn Anita Loo as Lisa Soong Patricia Huston as Nancy Ashton Gilbert Green as Special agent Clifton James as Capt. Moreno Al Avalon as Man who picks up Kelly William Bryant as Chuck

Stanje kao na fotografijma 49cm x 69cm Redje u ponudi! Heroji Telemarka britanski je ratni film iz 1965. godine koji je režirao Anthony Mann, a temelje se na istinitoj priči o norveškoj sabotaži teške vode tijekom Drugog svjetskog rata sa Skije protiv atoma, memoarima norveškog vojnika otpora Knuta Haukelida. U filmu glume Kirk Douglas kao dr. Rolf Pedersen i Richard Harris kao Knut Straud, zajedno s Ullom Jacobsson kao Anna Pedersen. Snimljen je na lokaciji u Norveškoj. Directed by Anthony Mann Written by Ben Barzman Ivan Moffat Based on Skis Against the Atom 1954 memoir by Knut Haukelid But for These Men 1962 novel by John Drummond Produced by Benjamin Fisz Starring Kirk Douglas Richard Harris Ulla Jacobsson Cinematography Robert Krasker Edited by Bert Bates Music by Malcolm Arnold Production company Benton Film Productions Distributed by The Rank Organisation (UK) Columbia Pictures (US) Release date 23 November 1965 (London-Premiere) 26 November 1965 (United Kingdom) 19 January 1966 (Chicago) 9 March 1966 (United States) Running time 130 minutes Country UK Languages English, German, Norwegian, German Budget $5 million[1] Box office $1,650,000 (est. US/ Canada rentals) Kirk Douglas as Dr Rolf Pedersen Richard Harris as Knut Straud Ulla Jacobsson as Anna Pedersen Michael Redgrave as Uncle David Weston as Arne Sebastian Breaks as Gunnar John Golightly as Freddy Alan Howard as Oli Patrick Jordan as Henrik William Marlowe as Claus Brook Williams as Einar Roy Dotrice as Jensen Anton Diffring as Major Frick Ralph Michael as Nilssen Eric Porter as Josef Terboven Wolf Frees as Sturmbannführer Knippelberg Karel Stepanek as Professor Hartmüller Gerard Heinz as Professor Erhardt Victor Beaumont as German Sergeant George Murcell as SS Oberscharführer Mervyn Johns as Col. Wilkinson Barry Jones as Professor Roderick Logan Geoffrey Keen as Gen. Bolt Robert Ayres as General Courts Jennifer Hilary as Sigrid Maurice Denham as Doctor David Davies as Captain of Galtesund Philo Hauser as Businessman Faith Brook as Woman on Bus Elvi Hale as Mrs. Sandersen Russell Waters as Mr. Sandersen Paul Hansard as German Officer (uncredited) George Roubicek as German Radio Operator (uncredited) Joe Dunne as Norwegian Quisling`s Nazi (uncredited) Originalan filmski plakat Morava Film

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Who`s That Girl is a 1987 American screwball comedy film directed by James Foley and written by Andrew Smith and Ken Finkleman. It stars Madonna and Griffin Dunne, and depicts the story of a street-smart girl who is falsely accused of murdering her boyfriend and is sent to jail. After getting released, she meets a man, who is supposed to make sure she gets on her bus back to Philadelphia, and convinces him to help her catch those responsible for her confinement. While searching for the embezzler, they fall in love with each other. After the failure of her 1986 film Shanghai Surprise, Madonna decided to sign up for another comedy film titled Slammer, which was later renamed Who`s That Girl. However, she had to convince both Warner Bros. and the producers of the film that she was ready for the project. Madonna enlisted her friend James Foley to direct the film. Shooting began in New York in October 1986, and continued until March 1987. Production was halted during December due to snowfall in New York. Madonna utilized the time to work on her next tour and the soundtrack of the film. The film was released on August 7, 1987, and was a box office bomb, grossing only $2.5 million in its first week, with its final domestic total being about $7.3 million on a budget between $17 million and $20 million. Critics were highly disappointed with the film, and Foley`s direction. Madonna`s accompanying Who`s That Girl World Tour went on to be a critical and commercial success, grossing a total of US$25 million, and playing in front of audiences totaling 1.5 million people. The soundtrack also enjoyed commercial success, with the title track becoming Madonna`s sixth number one single on the US Billboard Hot 100 record chart. Nikki Finn is a carefree young woman who usually wears a leather jacket and skirt, sports fire-red lips and a platinum bob, and speaks in a high-pitched voice; she`s also resourceful and intelligent. One day her boyfriend Johnny sees two men stealing money out of a trust fund and takes a picture of this theft. He puts the pictures in a safe deposit box and gives Nikki the key for safekeeping. The thieves catch and murder Johnny and frame Nikki by dumping his body into the trunk of her car, and she`s sentenced to seven years in prison. After four years, tax attorney Loudon Trott (Griffin Dunne) is getting married to the daughter of one of the richest men in New York, Simon Worthington. Loudon`s bride Wendy Worthington (Haviland Morris) is a selfish woman who is more consumed in her wedding plans than in her fiancé`s well-being. Loudon, on the other hand, has many duties entrusted to him by his boss--and future father-in-law--Mr. Worthington (John McMartin): First he must pick up a cougar for an exotic-animal activist Montgomery Bell (John Mills), then he must pick up Nikki, and lastly he must make sure she catches the next bus to her hometown, Philadelphia. Meanwhile, Nikki`s determined to catch the actual thieves and expose the truth. After meeting Loudon, Nikki cons him into taking her shopping. After they take a Rolls-Royce into Harlem to buy a gun--and are nearly arrested during a police raid--she tells Loudon her story; believing she`s innocent, he decides to help her. She`s also on the run from a pimp named Raoul (Coati Mundi) and his lackey Benny (Dennis Burkley), the ones who killed Johnny. Only after dangling off a car smashed through the top floor of a parking garage does he tell her the bank and the box number (6111) of her slain boyfriend. Afterward Nikki vanishes with the cougar, whom she names Murray. Loudon visits Mr. Bell to apologize for losing the animal, then finds that Nikki had delivered Murray and was waiting for Loudon at Mr. Bell`s home; he has created a Brazilian rainforest filled with animals on top of his roof. There Nikki and Loudon--who have become close--express love for each other; Murray also finds a mate. Loudon delivers Nikki to the bus station the next morning, but Nikki brokenheartedly realizes that she must go back to Philadelphia, leaving Loudon, who is about to get married. On the bus she opens an envelope in the security box and finds the photographs that prove that Mr. Worthington is an embezzler and he was the mastermind behind the theft. Nikki gate-crashes the wedding, gets Mr. Worthington arrested, and proclaims her love for Loudon. Nikki and Loudon ride off into the sunset on a bus to Philadelphia, with Murray and his partner chasing after them.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM The Land That Time Forgot is a 1975 British-American fantasy/adventure film based upon the 1918 novel The Land That Time Forgot by Edgar Rice Burroughs. The screenplay was written by Michael Moorcock and James Cawthorn and directed by Kevin Connor. The cast included Doug McClure, John McEnery, Keith Barron, Susan Penhaligon, Anthony Ainley and Declan Mulholland. The movie begins with a bottle with a written manuscript inside it being thrown into the sea, hoping for it to be discovered later. Floating to the coast of England, a sailor discovers the bottle and opens to read the manuscript as Bowen Tyler (Doug McClure) narrates the events, much as we see in many of Edgar Rice Burroughs` novels. The story is set during World War I and involves the survivors of the sinking of a British merchant ship who are taken on board a German U-boat. Bowen Tyler and Lisa Clayton (Susan Penhaligon) are passengers on the ship torpedoed by Captain von Schoenvorts (John McEnery). Along with a few surviving British officers, Tyler convinces the other men to take over the surfacing submarine, this being their only chance for survival. After confronting the Germans on the deck, a fight ensues and they seize the German U-boat. Tyler takes command hoping to sail to a British port. Von Schoenvorts has his crew steer toward a safe sea port. But German officer Dietz (Anthony Ainley) gets loose and smashes the sub`s radio. Off course and running out of fuel in the South Atlantic, the U-boat and its crew happen across an uncharted subcontinent called Caprona, a fantastical land of lush vegetation where dinosaurs still roam, co-existing with primitive man. There are also reserves of oil which, if the Germans and British can work together, can be refined and enable their escape from the island. Tyler discovers the secret of Caprona: individuals evolve not through natural selection, but by migrating northward across the island. With the submarine working again, a sudden outbreak of volcanic eruptions occurs across the island. Dietz starts a mutiny and shoots Captain von Schoenvorts to take command. Dietz abandons Tyler and Clayton in Caprona in an attempt to escape, but the U-Boat cannot function in the boiling waters and the crew is killed as it sinks. Tyler and Clayton are stranded and being the only survivors of their group, they are forced to move northward. The movie ends with Tyler throwing the bottle, with the manuscript inside it, as seen in the beginning of the movie. Doug McClure as Bowen Tyler John McEnery as Captain Friedrich Von Schoenvorts Susan Penhaligon as Lisa Clayton Keith Barron as John Bradley Anthony Ainley as Lt. Dietz Godfrey James as Borg Bobby Parr as Ahm Declan Mulholland as Olson Colin Farrell as Whiteley Ben Howard as Benson Roy Holder as Plesser Andrew McCulloch as Sinclair Ron Pember as Jones Grahame Mallard as Deusett Andrew Lodge as Reuther Brian Hall as Schwartz Stanley McGeagh as Hiller Peter Sproule as Hindle Steve James as First Sto-Lu

70 x 50 cm URAMLJEN SAMO LICNO PREUZIMANJE režija Henry Levin : William Holden, Glenn Ford, Ellen Drew WESTERN Vestern. Dvojica prijatelja (G. Ford, W. Holden) vraćaju će kući nakon otpusta iz vojske i Građanskog rata. Jedan od njih ima teške psihičke posljedice od sudjelovanja u ratu, čak postaje nasilan. Njegov prijatelj pokušava mu pomoći... ----------------------------------- The Man from Colorado is a 1948 American Drama Western film directed by Henry Levin and produced by Jules Schermer for Columbia Pictures. It stars Glenn Ford as a Union officer who becomes addicted to killing during the American Civil War, William Holden as his best friend, and Ellen Drew as their common love interest. Robert Andrews and Ben Maddow based the screenplay on a story by Borden Chase. Levin replaced Charles Vidor during filming. In Colorado near the end of the American Civil War, Union Colonel Owen Devereaux (Glenn Ford) orders his regiment to fire on a detachment of Confederate soldiers, even though he (and only he) has seen that they are signaling their surrender with a white flag. Afterward, his best friend and second-in-command, Captain Del Stewart (William Holden), finds the white flag, considers it and then buries it as a surviving Confederate officer secretly looks on. Immediately after the battle, the soldiers find out that the war has ended. As the soldiers celebrate, Sergeant Jericho Howard (James Millican) gets drunk while on duty and is insubordinate to Devereaux, who has him arrested. At a celebratory ball in the troops` hometown, the mayor announces Devereaux`s appointment as the federal judge for the region. Stewart asks Caroline Emmett (Ellen Drew) to marry him, but she is undecided between the two friends and later marries Devereaux instead. When the Confederate survivor confronts Devereaux about the white flag, Devereaux disarms him and then shoots him several times with his own gun, even though the man has already been subdued. Stewart realizes that Devereaux must have seen the flag and concludes that the war has unhinged his mind. He agrees to serve as Devereaux`s marshal after Devereaux promises not to carry a gun and participate in arrests. Many of Devereaux`s volunteer troops owned mines before the war, but a wealthy businessman named Big Ed Carter (Ray Collins) has claimed the mines for his company. As federal judge, Devereaux upholds Carter`s claim based on a legal technicality. Meanwhile, Jericho escapes and stages a series of gold robberies. Devereaux`s uncle, Doc Merriam (Edgar Buchanan), hopes that the end of the war and marriage to Caroline will settle Devereaux down, but Devereaux hangs Jericho`s partner after a hasty summary trial out in the country following a posse chase, prompting several other men to join Jericho. Devereaux also threatens to hang Jericho`s younger brother Johnny (Jerome Courtland) based on circumstantial evidence after another robbery, even though Johnny is not part of his brother`s gang. After warning Devereaux not to hang Johnny, Stewart finds Jericho and persuades him to turn himself in, but when Devereaux hangs Johnny, Stewart resigns in disgust and joins Jericho`s gang. After Stewart helps to rescue some men from being hanged, Devereaux lures him into town by spreading a rumor that Caroline is in danger, arrests him and puts him in jail. When Caroline sees this, she breaks into Devereaux`s desk and reads his diary, finally realizes that he is mentally unstable and persuades Doc Merriam to rescue Stewart. She begins to put Stewart and Doc Merriam on a carriage to alert the state government of Devereaux`s instability, but Devereaux shoots Stewart, so she drives the carriage for Stewart and the doctor as they flee to a nearby mining town. Devereaux cannot get the miners to surrender Stewart, and he eventually sets fire to the town. When Carter accuses him of being crazy with jealousy over Caroline`s loyalty to Stewart, he rides into town, confronts Stewart, Jericho and Caroline. Devereaux fights with Jericho and is killed when a wall from a burning building falls on them. Stewart boards a stage to travel to Washington, D.C. to plead on behalf of the dispossessed miners, but promises Caroline he will return.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Triple Trouble is a two-reel American silent comedy film that was released in 1918. It stars Charlie Chaplin, Edna Purviance, and Leo White. This film was not an official Chaplin film, even though it has many Chaplin-directed scenes; after he left the studio,Essanay edited it together using outtakes and newly shot footage directed by Leo White. It had already been established in court that Chaplin had no legal control over the films made during his time with Essanay and could not prevent its release. Charlie (Chaplin) takes a job as a janitor in the home of Colonel Nutt (unidentified actor), a munitions manufacturer. As the butler (unidentified actor) introduces Charlie to the ill-tempered cook (Billy Armstrong), Colonel Nutt demonstrates his new wireless explosive device to his daughter (unidentified actress). Meanwhile, agents of the `Pretzelstrass` meet with the Count (Leo White) to devise a plan to get at Colonel Nutt`s device. Charlie carelessly dumps garbage all over the maid (Edna Purviance) and her freshly cleaned floor. He takes the trash can and dumps it over the fence, inundating the Count in the process. Back in the kitchen, the maid scolds Charlie, but then becomes emotional, and he comforts her. The Count enters the house, and is hit by a wet rag thrown by the maid, but intended for Charlie. The Count tosses it off to the side, and it winds up hitting the cook, and when the cook begins to act cruelly towards the maid in return, Charlie sticks up for her. The Count makes his way to the Colonel, who rejects his offers and has the Count ejected by the butler. His day`s work done, Charlie makes his way to a flophouse for a night`s sleep. At this point, a pickpocket (Wesley Ruggles) holds up the Count, but instead of taking his money he agrees to join the caper to liberate Dr. Nutt of his invention. The conversation is overheard by a cop, who then runs off to inform his fellow officers, who are in an abandoned lot, shooting craps. They storm the Nutt house, disrupting its resident, but explain to him that they `are on the trail of a great robbery.` Back at the flophouse, Charlie is prevented from settling down by a loud, singing drunk (James T. Kelley) whom he eventually—and somewhat affectionately—dispatches with a champagne bottle. A thief (also Billy Armstrong) steals in during the night and robs the singing drunk, and although Charlie takes what he thinks are adequate precautions, he is also robbed. Charlie disguises himself under the blankets and manages to get his money back from the thief, but when the thief tries to stab him it wakes everyone up and a fight breaks among all of the men. Charlie manages to escape, dodging several cops on the way. However, he runs into the pickpocket on the street; recognizing him as an old friend, Charlie agrees to help him find a target, and leads him to the Nutt house. The cops are all still there; lying around, smoking, waiting for something to happen. Pandemonium breaks out when the pickpocket enters the house, and amid the chaos, Colonel Nutt`s explosive device is detonated, blowing all of the cops skyward. In the aftermath, the pickpocket is buried in a heap of rubble and Charlie is seen poking his head out of the kitchen stove.

48 x 68 cm 2 x presavijen movie poster ILUSTROVAO : BOLE 1964 Bridge to the Sun is a 1961 film, directed by Etienne Périer, starring Carroll Baker, James Shigeta, James Yagi, Tetsurō Tamba, and Sean Garrison. It is based on the 1957 autobiography Bridge To The Sun by Gwen Terasaki, which detailed events in Gwen`s life and marriage. Gwen Harold, an American woman from Tennessee, meets Hidenari Terasaki (called Terry by his friends and family), the secretary to the Japanese Ambassador, while attending a reception at the Japanese Embassy in Washington D.C. with her Aunt Peggy and friend Bill. They share a moment while Terry is showing her the antique Japanese artworks on display in the Embassy, and after some reluctance, she agrees to allow him to call on her. They begin dating and they quickly fall in love, even though Terry occasionally has fits of anti-western sentiment. When Terry asks her to marry him, she agrees, much to the chagrin of Aunt Peggy (who was raised in the Jim Crow South), and who sees the relationship as unnatural, especially when there are `nice clean young men` available. The Japanese Ambassador also calls on Gwen and attempts to dissuade her from accepting, claiming it would hurt Terry`s career by giving him an American bias, and states that even though the two countries are friendly, anything could happen between foreign countries. He seems to hint at possible aggression in the future, even though it is only 1935 and the Japanese have not yet resumed conflicts with China, keeping the countries of Gwen and Terry at an uneasy peace. They eventually marry despite the obstacles and, when Terry is recalled, travel to Japan by ship. Almost immediately after disembarking and arriving in Tokyo, Terry begins to treat Gwen much differently, expecting her to behave according to the male-centric beliefs of contemporary Japan, such as being silent among men, always entering doors after the men, and virtually bending to every whim of Terry and her male relatives. They continually fight and make up, mostly because of Gwen`s outspokenness among men and Terry`s strict adherence to the local customs. After having a fight one night over a general saying that Terry should be proud he may have a son to die for the Emperor, and Gwen speaking out about his distasteful comment, they make up and she reveals that she was so offended by the comment because she is pregnant. The baby daughter is named Mako. By November 1941 Terry has been reassigned to the Embassy in America. They have Thanksgiving dinner in Washington with Aunt Peggy, as World War II embroils the world around them and America is one of the few powers of the world still at peace. Terry speaks on the phone with his friend Haro. He mentions that Mako, now about 5 years old, has an apparent illness involving too many antibodies in her blood. He also mentions a possible upcoming invasion of Thailand by the Imperial Japanese Army. Sensing that it may be the last chance for peace between America and the Empire of Japan, Terry attempts to go over the heads of his superiors and have a cable sent directly to President Roosevelt, alerting him to cable the Emperor to seek to preserve the peace. However, the Emperor is rapidly becoming the leader of Japan in name only, because of a power struggle with the army leaders. Terry`s effort is in vain as December 7th comes and war is declared shortly after the Japanese attack. Terry calls Gwen after hearing of the attack and tells her to leave Washington for Tennessee with Mako, but the FBI enter and force her to hang up the phone. She decides to accompany Terry back to Japan, as he is due to be deported in an Ambassador exchange, and there is nearly a riot as she leaves with the other Japanese families, because of anti-Japanese fervor sweeping the nation in the aftermath of the attack on Pearl Harbor, The Philippines, and other European and American held colonies and bases in the Pacific and Asia. In Japan, a similar nationalist, anti-American hatred, is shown among the citizens. Terry, however, is less enthusiastic about the war, and attempts to be a mediator for peace, which is dangerous due to sentiment and secret police. Gwen is briefly accosted by a group of soldiers, who try and force her to walk on an American flag. She refuses and an air raid begins, causing panic in the streets as bombs begin to destroy the area. She sees a crying child and remembering her daughter, runs to the smoldering school to rescue Mako, who says that children had hit her and called her an American. Later, Terry reveals that he is under suspicion for being disloyal, because he has an American wife, does not belong to any patriotic clubs, and speaks out against the war. Soldiers enter and search the house, and while they don`t arrest him, it is clear that he and his family are going to have a rough time as long as they stay in Tokyo. They agree to stay at a friend`s empty house outside of the city. As they leave Tokyo, they run into Terry`s cousin, Ishi, who has been one of the few people who has been kind to Gwen. Now a soldier, he informs them that he is captain in a Kamikaze squadron, and will soon `die for a descendent of the sun-god`. While taking a train, Gwen sees captured American soldiers, possibly on a death march. They arrive at their new home and meet the young girl who lives there. Terry reveals that he is going back to Tokyo, and didn`t tell her earlier because she would not have gone to stay without him. He offers to arrange her passage back to America, but she refuses, wanting to be close to her husband. As the war continues, food shortages and widespread damage make it clear that things are going against Japan. As the years go on, Terry visits less and less, and Mako grows not knowing any other existence besides one of perpetual war. Terry returns after months and they enjoy a night`s sleep together. They awaken to a visit from a military police officer, who is looking for Terry. As the war continues to turn against them, they begin to suspect disloyalty from anyone critical of the government. Gwen manages to convince them that she has not seen Terry, and they leave. Terry reveals that he has brought a radio, and an American news station announces the end of the Battle of Iwo Jima, which will be used as a base to launch bombers against mainland Japan. Later on, the surrender of Nazi Germany, Japan`s main ally, is also announced, and it is clear that the invasion of Japan is coming soon. Terry and Gwen have a fight one night because he gave away the last of their food. Gwen goes to the village to get her hair done to please her husband and on her way home she allows Mako to play in the village but then a squadron of American bombers and fighters attack. The couple rush to find her, and amid the devastation of the village, they find Mako, alive and unhurt. Her close friend, however, has been hit and died instantly. At the burial, Gwen comments on Mako`s jaded reaction, showing no tears or emotion for her friend, because of Japanese customs, as well as growing up during a war. One night Gwen visits Terry`s old friend Hara, who has some power within the party, pleading for him to keep her husband safe. He introduces her to Tokyo Rose, a radio propaganda announcer who tries to hurt the moral of enemy armies listening to her broadcasts. They agree to help Terry, but only if Gwen makes an anti-American speech on the radio, recognizing the propaganda value of an actual American denouncing her country. Gwen refuses, and learns that Ishi has been fatally injured and is in the hospital. She visits, and realizing he is dying asks why he sent his wife away at this time. He reveals that it is tradition that he not want his loved ones to see him die. She returns home in time to see Terry, who had been hiding in the hills to avoid arrest, return. The next day, the entire village arrives at their house, being the only one with a radio, for the Emperor`s radio address. The Emperor has never spoken in public before, so they realize he must have major news, possibly surrender. As the village listens to the Emperor`s voice for the first time, the speech starts: We are fully aware of the inner-most feelings of all of you, however, have resolved to pave the way for peace for all generations to come. By enduring the unendurable, and suffering what is insufferable, let the entire nation unite as one family, from generation to generation, and cultivate the ways of rectitude and nobility of spirit. With the war over, Terry asks Gwen to return to her home of Johnson City, Tennessee, to put Mako in an American school while she is young and can lose her prejudices against America, to `become a bridge between the two nations`. At that time Gwen vehemently refuses to leave him. Later on, she finds Terry, who has been overworked, malnourished, and ill for many months, standing over his parents` graves. She recalls a speech he once gave her about visiting the graves of ancestors at times of marriage, birth and death. She also recalls the conversation with Ishi at the hospital before his death when he said he didn`t want his wife to see him die. She speaks to Terry`s doctor and learns that he has at most, months to live, and was trying to send his family away because, like his cousin, he didn`t want them to see him die. Days later, after Gwen agrees to his final wish to leave for America, Terry sees her and Mako off at the dock. They kiss and embrace for the last time, and Gwen reassures him that they`ll be expecting him soon, knowing she will never see him again. She holds her composure until he is out of sight, then breaks down and begins crying. As the ship departs, Terry walks down the dock, keeping pace with it until he can go no farther. The film ends with Gwen and Terry lovingly meeting each other`s gaze for a final time.

48 x 68 cm 2 x presavijen movie poster The China Syndrome is a 1979 American drama neo noir thriller film directed by James Bridges and written by Bridges, Mike Gray, and T. S. Cook. It tells the story of a television reporter and her cameraman who discover safety coverups at a nuclear power plant. It stars Jane Fonda, Jack Lemmon, and Michael Douglas, with Douglas also serving as the film`s producer. The cast also features Scott Brady, James Hampton, Peter Donat, Richard Herd, and Wilford Brimley. `China syndrome` is a fanciful term—not intended to be taken literally—that describes a fictional result of a nuclear meltdown, where reactor components melt through their containment structures and into the underlying earth, `all the way to China.` The China Syndrome premiered at the 1979 Cannes Film Festival, where it competed for the Palme d`Or while Lemmon received the Best Actor prize. The film was released theatrically on March 16, 1979, twelve days before the Three Mile Island nuclear accident in Dauphin County, Pennsylvania, which gave the film`s subject matter an unexpected prescience. Upon release the film was a critical and commercial success with critics praising the film`s screenplay, direction and thriller elements and Fonda`s and Lemmon`s performances. The film grossed $51.7 million on a production budget of $5.9 million. It received four nominations at the 52nd Academy Awards: Best Actor (Lemmon), Best Actress (Fonda), Best Art Direction (George Jenkins, Arthur Jeph Parker), and Best Original Screenplay. While visiting the (fictional) Ventana nuclear power plant outside Los Angeles, television news reporter Kimberly Wells, her cameraman Richard Adams and their soundman Hector Salas witness the plant going through a turbine trip and corresponding SCRAM (emergency shutdown of the reactor). Shift Supervisor Jack Godell notices an unusual vibration while grabbing his cup of coffee which he had set down. Operators notice a gauge indicating high water levels in the reactor. Godell begins removing water from the core, but this is unsuccessful and they continue opening more valves to dump water. Another operator notices a second gauge indicating low water levels. Faced with apparently contradictory indications, Godell taps the first gauge, which unsticks and immediately flicks over to indicate very low levels. The crew manages to bring the reactor under control and can be seen celebrating and expressing relief.[a] Richard surreptitiously films the incident, despite being requested not to film the control room for security purposes. Kimberly`s superior at work refuses to permit her to report what happened or show the film, disgusting Richard, who steals the footage. He shows it to experts, who conclude that the plant came perilously close to the China syndrome in which the core would have melted down into the earth, hitting groundwater and contaminating the surrounding area with radioactive steam. During an inspection of the plant before it is brought back online, Godell discovers a puddle of radioactive water that has apparently leaked from a pump. Godell pushes to delay restarting the plant, but the plant superintendent denies his request and appears willing to let nothing stand in the way of the scheduled restart of the plant. Godell investigates further and finds that a series of radiographs supposedly taken to verify the integrity of welds on the leaking pump are identical - the contractor simply kept submitting the same picture. He believes that the plant is unsafe and could be severely damaged if another full-power SCRAM occurs. He tries to bring the evidence to plant manager Herman DeYoung, who brushes off Godell as paranoid and states that new radiographs would cost at least $20 million. Godell confronts D.B. Royce, an employee of Foster-Sullivan, the construction company who built the plant, as it was Royce who signed off on the welding radiographs. Godell threatens to go to the Nuclear Regulatory Commission, but Royce threatens him; and later a pair of men from Foster-Sullivan park outside his house. Kimberly also defies her bosses, determined to pursue the truth. She and Richard confront Godell at his home with what they know, and he voices his concern about the vibration he felt during the SCRAM and his anger about the false radiographs. Kimberly and Richard ask if he will testify at the NRC hearings, being held at Point Conception, where Foster-Sullivan is looking to build another nuclear plant. Godell agrees to obtain for them, through Hector, a set of the false radiographs to take to the hearings. Hector`s car is run off the road and the radiographs are taken from him. Godell leaves for the hearings but is chased by the men waiting outside his home. He escapes by taking refuge inside the plant. To his dismay, Godell finds that the reactor is being brought up to full power. He grabs a gun from a security guard and forces everyone out, including his friend and co-worker Ted Spindler. Godell demands to be interviewed on live television by Kimberly. Plant management agrees to the interview, but only to buy time as they try to regain control of the plant. Minutes into the broadcast, plant technicians deliberately cause a SCRAM so they can retake the control room, despite Spindler`s warnings of Godell`s concerns about safety. Godell is distracted by the alarms as a SWAT team forces its way into the control room. The television cable is cut and a panicky Godell is shot by the police. Before dying, he feels the unusual vibration again. The resulting SCRAM is only brought under control by the plant`s automatic systems. True to Godell`s predictions, the plant suffers significant damage as the pump malfunctions. Plant officials try to paint Godell as emotionally disturbed. However, a distraught Spindler contradicts them when a question is posed to him on live television by Kimberly, saying that Godell was not crazy and would never have taken such drastic steps had there not been something wrong. While the plant officials attempt to undermine Spindler`s answers, a tearful Kimberly concludes her report; when she does so, the technicians at the news station cut to commercial. Jane Fonda as Kimberly Wells Jack Lemmon as Jack Godell Michael Douglas as Richard Adams Scott Brady as Herman DeYoung Wilford Brimley as Ted Spindler James Hampton as Bill Gibson Peter Donat as Don Jacovich Richard Herd as Evan McCormack Daniel Valdez as Hector Salas Stan Bohrman as Pete Martin James Karen as Mac Churchill

Stanje kao na fotografijama. Fali cosak 49cm x 69cm Pink Flamingos je film Johna Watersa iz 1972. godine. Pored Divine u filmu se pojavljuju gotovo svi članovi Watersove klike `Dreamlanders`, kao što su: David Lockary, Mary Vivian Pearce, Mink Stole, Danny Mills, Cookie Mueller, Edith Massey, Steve Yeager. Film je snimljen za svega 12.000 dolara, a ostvario je zaradu od oko 6.000.000. Sniman je samo vikendima, a radnja je smeštena u Baltimoru, kao i u slučaju svih ostalih Watersovih filmova. Film je odmah po prikazivanju zadobio kultni status i smatra se najpoznatijim Watersovim filmom. Godine 1997. film je ponovo montiran i objavljen. Nova verzija traje skoro 20 minuta duže, ima bolji stereo soundtrack (koji je i objavljen na CD-u) i sadrži Watersov kratak video komentar. Režija John Waters Produkcija John Waters Scenario John Waters Naracija John Waters kao `Mr. J.` Uloge Divine David Lochary Mink Stole Edith Massey Danny Mills Muzika John Waters Premijera 1972. Jezik engleski jezik Trajanje 93 min/108 min. Država Sjedinjene Američke Države SAD Kompanija Distributer New Line Cinema Budžet 12.000$ Podela uloga Glumica/glumac Lik Napomene John Waters Mr. J. (narator) Divine Divine/Babs Johnson David Lochary Raymond Marble Mink Stole Connie Marble Edith Massey Edith `Edie` Johnson Mary Vivian Pearce Cotton Danny Mills Crackers Channing Wilroy Channing Cookie Mueller Cookie Paul Swift The Egg Man Susan Walsh Suzie George Figgs Bongo Player Van Smith Party-goer `in drag` Vincent Peranio gost na žurci Elizabeth Coffey Chick with a Dick Nedelju dana posle snimanja scene u kojoj ona pokaže svoj penis, Elizabeth je imala operaciju korekcije pola, tako da se u narednom filmu Female Trouble pojavljuje u potpuno ženskoj ulozi Film je sadržao nekoliko nepoznatih ili ne toliko nepoznatih pesama iz kasnih 50-ih i ranih 60-ih godina, verovatno iz muzičke kolekcije koju je Waters posedovao u to vreme. Povodom 25-ogodišnjice filma, 1997. godine objavljen je soundtrack, koji sadrži sledeće numere: `The Swag` - Link Wray and His Ray Men `Intoxica` - The Centurions `Jim Dandy` - LaVern Baker `I`m Not a Juvenile Delinquent` - Frankie Lymon and the Teenagers `The Girl Can`t Help It` - Little Richard `Ooh! Look-a-There, Ain`t She Pretty?` - Bill Haley & His Comets `Chicken Grabber` - Nite Hawks `Happy, Happy Birthday Baby` - The Tune Weavers `Pink Champagne` - The Tyrones `Surfin` Bird` - The Trashmen `Riot in Cell Block #9` - The Robins `(How Much is) That Doggie in the Window` - Patti Page Pesma Happy, Happy Birthday Baby je zamena za Sixteen Canles, koja se pojavljuje u verziji iz 1972. godine (1997. nije mogla da se nađe u filmu zbog problema oko autorskih prava). Originalna verzija filma sadržala je i kratak odlomak iz Posvećenja proleća Igora Stravinskog, koji je izbačen iz verzije iz 1997. godine. Film je svojevremeno bio zabranjen u Australiji, Kanadi i Norveškoj Nastavak John Waters je planirao da snimi nastavak pod nazivom Flamingos Forever, koji se dešava 15 godina kasnije, kada se Babs vraća u Baltimore sa svojim sinom, Cooron, Miss Edie i svojim sinom-unukom (posledica incesta sa Crackersom), koji je osmogodišnji transvestit. Njeni protivnici bi bili Vera Venninger, sestra Connie Marble, i njen muž, Wilbur, nekrofil koji radi u mrtvačnici. Troma Films je ponudio budžet od 600.000$ za snimanje nastavka, ali film nikada nije snimljen, zbog smrti najpre Edith Massey, a kasnije i Divine, čije su uloge bile ključne za film. Orifginalan filmski plakat

48 x 68 cm 2 x presavijen, IVICE SECENE i RUPICE movie poster, AFFICHE de FILM Ivan Grozni (sh. Иван Грозный) je sovjetski crno-beli istorijski film u dva dela, sniman od 1942. do 1946. godine u režiji Sergeja Ejzenštejna, poznat kao posljednji u njegovoj filmografiji. U njemu je prikazan život i vladavina ruskog cara Ivana IV Groznog, čiji lik tumači Nikolaj Čerkasov. Film je nastao za vreme drugog svetskog rata, odnosno u vreme kada se Ejzenštejn, kao i mnogi drugi sovjetski filmaši, zbog nemačke invazije sklonio u Alma Atu u današnjem Kazahstanu. Temu za film je predložio sovjetski vođa Staljin koji je Ivana Groznog smatrao jednim od svojih istorijskih uzora, odnosno priču o njegovoj vladavini prikazati kao alegoriju na vlastiti režim. Film se originalno trebao snimiti u tri dela. Prvi deo, koji prikazuje rane godine Ivanove vladavine, njegove ratne uspehe i podršku među ruskim seljacima, je prikazan krajem 1944. godine i dobio je Staljinovu nagradu. Drugi deo, u kome se prikazuju Ivanovi obračuni za boljarima, ali i njegova sve veća okrutnost i paranoja, su, pak, od režimskih cenzora prepoznati kao implicitna kritika Staljinovih metoda vladavine. Zbog toga je drugi dio filma završio u bunkeru, te je prikazan tek nakon Staljinove smrti 1958. godine. Treći deo je, sprečila Ejzenštejnova smrt. Usprkos toga, Ivan Grozni se smatra jednim od najvažnijih i najzanimljivijih Ejzenštejnovih filmova. Drugi deo takođe sadrži nekoliko sekvenci snimljenih u boji, što je bio prvi takav slučaj u istoriji sovjetske kinematografije. Godine 1962. je ušao u izbor 10 najboljih filmova svih vremena u prestižnoj anketi britanskog filmskog časopisa Sight & Sound. --------------------------------------------- Sergej Mihailovič Ejzenštajn (23. januar 1898. — 11. februar 1948) je sovjetski reditelj i filmski teoretičar. Najpoznatiji filmovi su mu: „Oklopljača Potemkin“, „Oktobar“, „Aleksandar Nevski“. Njegovi filmovi pripadaju žanru politički angažovanih filmova. Među istoričarima filma postoji uverenje da je upravo Sergej Ejzenštajn doprineo najviše razvoju montaže, kao ne samo tehničkog postupka povezivanja kadrova, nego kao i načina da se filmski jezik bitno izmeni i unapredi. Sa Lavom Kulješevim razvio je izuzetno značajan teoretski rad na polju razvoja montaže. Svo delo Sergeja Ejzenštajna karakteriše inovativna upotreba montaže, ritma, odabira dominantnih motiva, vrste osvetljenja, u poslednjem filmu i upotreba boja. Ove je bila inovacija u filmskom rečniku svoga doba. Potiče iz porodice u kojoj je dominantno religijsko uverenje bilo pravoslavlje, iako mu je otac, po nacionalnosti bio Jevrejin koji je prihvatio pravoslavlje, a majka Ruskinja. U svojim prvim filmovima nije koristio glumce profesionalce. Bavio se pitanjima klasnih konflikta u kojima su glumci imali stereotipne uloge. Ejzenštajn je bio odan idejama komunizma u vreme Staljina koji je odlično shvatao značaj filma kao propagandnog oružja. Popularnost i značaj Sergeja Ejzenštajna je rastao i opadao u funkciji uspeha njegovih filmova. Godine 1925, stvorio je film „Oklopnjača Potemkin“. Čuvenu scenu sa kolicima koja padaju niz stepenište u Odesi snimio je 22. septembra. Centralni komitet KPSS je organizovao obeležavanje jubileja revolucije iz 1905, a narodni komesari Lunačarski i Maljevič su angažovali Ejzenštajna da napravi film posvećen ovoj komemoraciji. Od mnoštva događaja, Sergej je odabrao pobunu na oklopnjači kao centralni motiv filma. U jesen 1928. godine napušta Sovjetski Savez i odlazi na dvogodišnje studijsko putovanje po Evropi sa saradnicima Edvardom Tiseom i Grigorijem Aleksandrovim. Tamo ih je poslala komunistička partija da bi usavršili saznanja o tehnici zvučnog filma. Tu je napravio jedan film u Francuskoj (Sentimentalna romanasa iz 1930). Studio Paramaunt ga 1930. poziva u SAD i nudi ugovor na 100.000 dolara. Ejzenštajn stiže u Njujork 20. maja. Trebalo je da ekraznizuje jedan od romana Teodora Drajzera, ali se od tog projekta odustalo zbog sukoba reditelja i producenata. Time dolazi u poziciju da ga prijatelji Epton Sinkler i Čarli Čaplin spašavaju od neke vrste progona. Odlazi u Meksiko da snima film za bračni par Sinkler, ali se i tu njegova umetnička priroda susreće sa, za njega u to vreme neprihvatljivim uslovima stvaranja. Film o Meksiku nije dovršen, a Staljin ga u međuvremenu poziva nazad u SSSR. Od snimljenog materijala je 1933. izmontirana verzija filma „Gromovi nad Meksikom“, kasnije poznatog kao „Živeo Meksiko!“ (¡Que Viva México!). Godine 1938. prikazan je prvi Ejzenštajnov zvučni film, „Aleksandar Nevski“. On opisuje istorijsku bitku Rusa i tevtonskih vitezova iz 13. veka na zaleđenom Čudskom jezeru. Filmom dominira ideja patriotizma i stoga je intenzivno korišćen kao propaganda u SSSR-u tokom Drugog svetskog rata. Ejzenštajnov boravak na zapadu ga je učinio sumnjivim u očima Staljina i komunističke nomenklature. Rad na nekim filmovima je otkazan, a rad na filmu „Ivan Grozni“ je često ometan. Prvi deo ovog filma iz 1944. primljen je sa simpatijama i nagrađen je, dok je drugi deo bio cenzurisan i nije prikazan do 1958. U nastavku filma, Ivan nije prikazan kao heroj već kao paranoični tiranin. Neki delovi su snimljeni u koloru, zahvaljujući nemačkim kolor kamerama zaplenjenim u bici kod Staljingrada. Treći deo filma, iz 1946, konfiskovala je komunistička partija. Sergej Ejzenštajn je umro od srčanog udara, 11. februara 1948. u Moskvi. ----------------------------------------------------------- Sergei Mikhailovich Eisenstein (22 January [O.S. 10 January] 1898 – 11 February 1948) was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest movie of all time. ----------------------------- Ivan the Terrible (Russian: Иван Грозный, Ivan Grozniy) is a two-part historical epic film about Ivan IV of Russia, written and directed by the filmmaker Sergei Eisenstein. It was commissioned by Soviet Premier Joseph Stalin, who admired and identified himself with Ivan. Part I was released in 1944; Part II was not released until 1958, as it was banned on the order of Stalin, who became incensed over the depiction of Ivan therein. Eisenstein had developed the scenario to require a third part to finish the story but, with the banning of Part II, filming of Part III was stopped; after Eisenstein`s death in 1948, what had been completed of Part III was destroyed. PART 1 In the prologue Ivan`s mother and her lover are murdered by the boyars. Later Ivan is enthroned as Grand Prince of Moscow. Part I begins with Ivan`s coronation as Tsar of all the Russians, amid grumbling from the boyars. Ivan makes a speech proclaiming his intent to unite and protect Russia against the foreign armies outside her borders and the enemies within – a reference to the boyars, who are already seen as discontented with his coronation. Shortly after, Ivan marries Anastasia Romanovna and there is a wedding celebration. This causes him to lose the friendship of his two best friends, Prince Andrei Kurbsky and Fyodor Kolychev. The latter receives Ivan`s permission to retire to a monastery, while Kurbsky attempts to resume his romance with the Tsarina, who repels his advances. The marriage feast is interrupted by news of the burning of several boyar palaces, carried into the Tsar`s palace by a mob of the common people who also complain that the Tsar is being led astray by the Tsarina`s family (the Romanovs), the Glinskys and the Zakharins. Ivan calms the crowd, but is interrupted by envoys from the khanate of Kazan, who send him a ceremonial knife with the suggestion that he do himself a favor by using it to commit suicide. Ivan immediately proclaims that his kingdom is at war with Kazan. The next scene shows the siege of Kazan, in which Ivan`s army digs saps underneath the city and fills them with gunpowder. Kurbsky, nominally in command, is reprimanded by Ivan for senseless brutality (he ties Tartar prisoners to palisades within earshot of the walls of Kazan and tells them to shout to the city to surrender; the defending archers immediately shoot the prisoners). The city of Kazan falls to the Russian army. During his return from Kazan, Ivan falls seriously ill and is thought to be on his deathbed; Orthodox priests come to give him the last rites before he dies. Ivan sends for his relatives and orders them to swear allegiance to his son, the infant Dmitri, reminding them of the need for a single ruler to keep Russia united. They demur, with Ivan`s aunt, Efrosinia Staritskaya, openly urging the others to swear allegiance to her son, Vladimir, instead. Emotionally overwrought, Ivan collapses and is thought dead. The relatives, celebrating, all begin to swear allegiance to Vladimir, the `boyar tsar` they have hoped for; meanwhile, Kurbsky is uncertain of his own loyalty, trying to decide between the two sides. However, when the Tsarina says, `Do not bury a man before he is dead,` Kurbsky realizes that Ivan is still alive, and hurriedly swears his allegiance to Ivan`s infant son, Dmitri. He is sent, as a reward, to the western border of the kingdom to defend against the Livonians and Poles. At the same time, Ivan dispatches Alexei Basmanov, a commoner he likes, to the south to take care of the Crimean border. The fact that Ivan promotes a commoner over them creates more discontent amongst the boyars. The Tsarina now falls ill, and while Ivan is receiving bad news from all fronts, the boyars plot to kill her. Efrosinia comes into the palace with a cup of wine hidden in her robes, in which she has put poison. Just as the royal couple receive word that Kurbsky has defected to the Livonians, Efrosinia slips the cup of wine into the room and listens from behind a wall. The news that Kurbsky is a traitor gives the Tsarina a convulsion and Ivan, looking around for a drink to calm her, takes the poisoned wine and gives it to her. The scene changes to show the dead Tsarina lying in state in the cathedral, with Ivan mourning beside her bier. While a monk reads biblical verses over the body, Ivan questions his own justifications and ability to rule, wondering if his wife`s death is God`s punishment on him. However, he pulls himself out of it, and sends for Kolychev. At this point, Alexei Basmanov arrives, suggesting that Ivan surround himself with men he can trust – common people, `iron men,` the Oprichniki – and offers his (rather startled) son, Fyodor, for service. Ivan accepts, and sets about recouping his losses. He abdicates and leaves Moscow, waiting until the people beg him to return, saying that he now rules with absolute power by the will of the people. PART 2 Part II opens in the court of King Sigismund of Poland, to whom Kurbsky swears allegiance. Sigismund promises to make Kurbsky ruler of Ivan`s territories, once he exploits the tsar`s absence by conquering them. The plan is foiled when an emissary announces that Ivan has returned to Moscow. Ivan begins by reforming the land distribution: he takes the boyars` lands, then reinstalls them as managers, increasing his own power at their expense. His friend, Kolychev, arrives, now the monk Philip; after a heated debate, Philip agrees to become metropolitan of Moscow, if Ivan gives him the right to intercede for condemned men. This is mutually agreed upon. But as soon as it is settled, Ivan, propelled by his lieutenant Malyuta Skuratov, finds a way around this: he executes condemned men quickly, before Philip can use his right. In this way he has three of Philip`s kinsmen executed. Fyodor Basmanov, the first of the Oprichniki, helps Ivan figure out that the Tsarina was poisoned, and both suspect Efrosinia of poisoning the cup of wine. Ivan orders Fyodor not to say anything about it until he (Ivan) is certain beyond doubt of her guilt. The boyars, close to desperation, plead their case to Philip and eventually win him over. He vows to block Ivan`s abuse of power, and confronts him in the cathedral while a miracle play is being presented. As the argument heats up, Ivan, angry, proclaims that he will be exactly what the boyars call him – terrible – and has Philip seized. The boyars now decide that their only option is to assassinate Ivan, and the novice Pyotr is selected to wield the knife. Ivan, now certain of Efrosinia`s guilt, invites Vladimir, her son, to a banquet with the Oprichniki. (From here, the film is in colour.) Ivan gets Vladimir drunk while the Oprichniki sing and dance around them; Vladimir mentions that there is a plot to kill Ivan, and he, Vladimir, is to replace him as Tsar. Fyodor Basmanov notices the assassin leaving, and signals to Ivan, who, pretending surprise at Vladimir`s revelation, suggests Vladimir try being Tsar for a while, and has the Oprichniki bring throne, orb, scepter, crown and royal robes, and they all bow down to `Tsar Vladimir.` Then Ivan tells Vladimir to lead them to the cathedral in prayer, as a Tsar should lead. (Back to black-and-white.) Hesitantly, Vladimir does. In the cathedral, the assassin runs up, stabs the mock Tsar and is immediately seized by Fyodor and Malyuta. Efrosinia arrives, jubilant at the apparent death of Ivan, until she sees Ivan alive; rolling the corpse over, she realizes it is her own son. Ivan orders Fyodor and Malyuta to release Pyotr, the assassin, and thanks him for killing not only “a fool”, but “the tsar`s worst enemy”. He sentences Efrosinia, who is holding the crown her son was wearing and is singing over his dead body as if deranged. (Back to colour.) At the end, Ivan is seen proclaiming that all his enemies within Moscow are ruthlessly vanquished and he can now turn his attention to those outside.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM Count Yorga, Vampire (also known as The Loves Of Count Iorga, Vampire) is a 1970 American vampire horror film written and directed by Bob Kelljan and starring Robert Quarry, Roger Perry and Michael Murphy. It was followed by a sequel, The Return of Count Yorga. The scenario opens with narration about superstition and the abilities of vampires. A truck is loaded at the Port of Los Angeles, and as it climbs to a gated mansion in the Southern California hills, the cargo is revealed to be a coffin. Donna hosts a séance in hopes of contacting her recently deceased mother. At the party are several of her friends and Count Yorga, a mysterious Bulgarian mystic who performs the séance. Donna becomes hysterical during the proceedings, and Yorga uses hypnosis to calm her. After the party is over, Erica Landers and her boyfriend Paul offer to drive the Count home. Not long after the three leave, in the after-party conversation with friends, Donna reveals that she knows Yorga from being her mother`s boyfriend, adding that the two were dating a few weeks shortly before her death and in fact, Yorga had insisted that her mother be buried rather than cremated as she originally requested in the event of death. Yet oddly, she cannot recall seeing him at her mother`s funeral. Meanwhile, Erica and Paul drop off Yorga at his home. However, their van gets stuck in the mud outside of Yorga`s mansion, although Paul notices the road was dry a minute ago, and the two resign themselves to spend the night in their van. After making love, the two set to fall asleep. However Erica senses someone outside and looks out the window, finding Yorga who now has pale skin and barring fangs, revealing himself to be a vampire. Erica`s scream awaken Paul, but Yorga quickly knocks him out as he`s leaving the van before approaching the helpless Erica. The following day, Paul tells Michael Thompson, Donna`s boyfriend, about the attack. Paul did not see their attacker, and Erica does not remember the attack at all. Erica visits Dr. Hayes to have the mysterious bite wounds on her neck inspected. In contrast to her exuberant personality on the night before, Erica now seems despondent and listless. Hayes notices she has lost a lot of blood. Unable to diagnose the cause, he recommends rest and a high protein diet. Shortly after, Paul and Michael discuss the strange changes in Erica`s behavior. They try to check in on her via phone but she just drops the phone to the floor without answering it. The concerned men then drive to her home where they find the place in disarray, and a hysterical Erica eating her pet kitten. She reacts erratically to their presence, first threatening them with violence and then attempting to seduce Paul before coming to her senses and breaking down. They restrain her and call Dr. James Hayes, who begins an emergency blood transfusion. Erica babbles incoherently, apparently afraid of something, begging Paul to forgive her and even kill her, but when asked of what has her scared, she state she does not know, just to `Not let it happen`. Meanwhile, Yorga awakens in his manor and heads to his basement which has been converted into a throne room where his two vampiric-brides lie on slabs. One of them is shown to be Donna`s mother whom he had drained, made into an undead servant, and dug up her body after she was buried. He awakens the two and watches as they have sex, presumably using his powers of mind-control to compel them to do so. Although Michael is skeptical, the three men consider the possibility of vampirism as an excuse for Erica`s behavior and agree to look into it while letting Erica rest. That night, Yorga visits Erica while Paul sleeps downstairs. Promising her immortality, he seduces Erica, drains her of her remaining blood and takes her back to his manor. Paul, upon finding Erica missing, rashly goes to Yorga`s mansion to rescue her. Yorga easily kills him by choking him to death, then having his servant, Brudah break his back. Michael alerts Hayes that Paul has gone to the mansion, and Hayes confides that Paul`s lack of preparation will probably lead to his death. While mulling over his options, Hayes` girlfriend suggests involving the police, citing an eerily similar case of a baby being found in the woods, drained of its blood with bite wounds on the neck. He takes it to heart and calls the police, but is rejected as a deluded prankster following a recent rash of such calls. Hayes, Michael, and Donna go to the mansion themselves to inquire about Paul`s whereabouts and keep Yorga active until sunrise. While Hayes distracts Yorga with enthusiastic questions about Yorga`s occult experiments, Brudah rebuffs Michael`s attempts to explore the mansion. Michael and Hayes switch places to keep Yorga off his guard, but Yorga becomes increasingly insistent that it is late and his guests must leave. Yorga distracts Hayes and strengthens his hypnotic control over Donna. After leaving the manor, Hayes convinces Michael that killing Yorga will not be easy: vampires have greater strength and the wisdom that comes from living much longer than a `mere mortal`. He also grimly adds they might have to kill Paul and Erica too if they have become vampires, since the vampire curse will make them evil and loyal only to Yorga. They plan to attack later that afternoon in the hopes of killing Yorga in the daytime. Michael and Donna rest while Hayes studies vampire lore until he, too, falls asleep. Yorga awakens Donna telepathically and has her sabotage Michael`s alarm clock before having her come to the mansion. On her arrival, Brudah rapes her. When Michael awakens, he finds Donna gone and that it is nearly evening when he calls to awaken Hayes. Despite knowing how dangerous their chances are, they stock up on stakes and makeshift crosses before heading to Yorga`s mansion as night falls. The two split up, and Hayes is confronted by Yorga. Both drop the pretense that Yorga is anything but a vampire, and Yorga leads Hayes into his basement where his vampire-brides lie dormant. Hayes finds Erica`s body among them, finding no heartbeat or pulse when he examines her. He then attacks Yorga with cross and stake, while yelling out for Michael (who hears Hayes and begins to run in the direction of his call). Yorga is irritated by Hayes` cross and taunts the doctor as he silently commands his brides to awaken. With Hayes` back to the approaching brides and his attention fixed on Yorga, the brides attack and drain the helpless Hayes. Yorga reunites Donna with her mother. Michael finds Paul`s mutilated body while navigating the crypt. Brudah attacks him, but Michael stabs him, presumably to death. Michael manages to reach the throne room but finds Hayes as he lays dying from bite wounds and blood loss. With his last breath, Hayes tells Michael where Donna is. Just as he does, Erica, now a vampire and completely under Yorga`s control, and an unnamed, redheaded vampire charge into the room. Michael fends them off, chasing away the redhead while Erica pauses, giving Michael a chance to stake her. Despite seeing she is no longer the Erica he knows, he cannot bring himself to do so, and proceeds upstairs while she hisses at him. On the way to the staircase, Brudah emerges from the living room, holding his profusely bleeding knife wound, intent on attacking Michael. Michael, somewhat stunned that Brudah is still alive, moves up the staircase as Brudah reaches out for him. Brudah then collapses, finally dying. Upstairs, Michael confronts Yorga and Donna`s mother. Yorga pushes Donna`s mother into Michael`s stake and flees. Michael follows, and Yorga ambushes him outside the room. Michael rams the charging Yorga with his stake, killing him. Donna mourns her mother a second time before Michael collects her. He and Donna watch Yorga turn to dust. As they start to leave, they are confronted by Erica and the redheaded bride who, despite Yorga`s death, still remain as vampires. They chase Michael and Donna downstairs until repelled by Michael`s cross. As the vampire women are forced back and toward a cellar, Erica glances ominously at Donna. Michael locks them in and takes Donna`s hand, believing the danger is over. However, as he turns to leave, Donna hisses and lunges at him, fangs bared, fully transformed into a vampire; he was too late to prevent Yorga from turning her. In a final line of voice-over, the narrator sarcastically disputes that vampirism is just superstition as he laughs evilly. The film ends on a shot of Michael`s bloodied and lifeless corpse.

2 x presavijen oko 70 x 50 cm Rajko Grlic Nenad Burcar Stars: Predrag 'Miki' Manojlovic, Vladislava Milosavljevic, Mladen Budiscak Mi smo znali šta smo napravili i uradili smo odmah dve kopije filma “Samo jednom se ljubi”, to smo se dogovorili sa Sulejmanom Kapićem, direktorom "Jadran filma", a u knjigama laboratorije i svega je pisalo da postoji samo jedna kopija. Isto veče kada je prva kopija izašla, neko iz "Jadran filma" je to javio i isto veče su organizovali projekciju na koju su došli njih osmorica. To su bili šef policije Zagreba, šef Udbe za Hrvatsku, član Centralnog komiteta za sigurnost...uglavnom osam prvih policajaca. Oni su došli da odgledaju film u jednoj maloj dvorani. Mi smo sedeli pozadi, a oni napred. Išao je film i niko nije uzdahnuo, niko nije ispustio nikakav zvuk, ni veselja ni neveselja, apsolutno nemo su gledali. Kad se projekcija završila, upalila su se svetla, a najmlađi među njima koji je bio u nekom elegantnom odelu, fino podšišan mladi kadar, okrenuo se i rekao: "Da smo ovo naručili od ustaške emigracije, ne bismo ovo dobili." To je bila prva rečenica. Malo su nam se noge odsekle, a onda su oni počeli veoma dobronamerno, takvim tonom, nisu bili ljuti, nisu nešto pretili, već su nam govorili: "Pa možda ovu scenu biste mogli da izbacite. Ovo vam ne treba. Šta će vam ovo? Ovo zaista tu nekako nema svrhu... ". Mi smo posle računali da bi nam ostalo ukupno pet minuta filma da smo ih poslušali. To je bilo 1981. u februaru, martu. Drugu kopiju filma sam ja poslao sestri u Pariz i ona ju je dala u Kan, tako da smo tako ušli na festival sa filmom. Policija je odmah uzela i zaključala negativ, a mene i Kapića je šef zagrebačke policije, jedan divan, miran čovek sede kose, u finom odelu, potapšao i rekao: "Nemojte nigde da putujete, ostanite ovde da imamo priliku da porazgovaramo"... To je u stvari značilo: Ne mrdaj odavde! Ja sam tu noć sa suprugom sedeo uz čašu vina i razmišljao da li da ujutro u "reno 4”stavimo malu bebu, dva kofera i da krenemo... Film je mogao da bude prikazan u Kanu na dva načina - ili kao film koji je zabranjen u Jugoslaviji ili da ide pod jugoslovenskom zastavom. Da sam tada otišao u Kan, a da je film prikazan kao zabranjen, ja se više nikada ne bih vratio. Onda sam trgovao s Račanom na tu temu. Naime, glumica Semka Sokolović Bertok je bila članica CK Hrvatske i jednog dana sam je sreo na ulici kada mi je rekla da je čula da imam neke probleme sa filmom. “Imam velike probleme s filmom”, rekao sam, i pitao sam je da li hoće da dođe da ga pogleda jer je policija uzela negativ, ali pozitiv je ostao u "Jadran filmu". Ona je došla da pogleda film i njoj se to strašno svidelo pa je rekla da će ona nešto da uradi. Semka je bila prvak Hrvatske, mislim i Jugoslavije u bridžu, bila je internacionalni majstor u šahu, jedna vrlo zanimljiva žena i dobra glumica. Kod nje se igrao bridž, recimo utorkom uveče, i tu su dolazili Račan i pola Centralnog komiteta. Rekla mi je da pripremim oko deset uveče u nekoj maloj dvorani projekciju filma, a ona će na kraju partije pitati društvo da li hoće da pogledaju jedan film. Ako pristanu, ona će javiti da dolaze u dvoranu, pa da ja izađem i da sat i po vremena budem ispred te dvorane. Mislim da sam dvadeset puta obišao taj blok u Zagrebu. Rekla mi je da ako ona izađe iz dvorane, to znači da hoće da razgovaraju sa mnom, a ako vidim da ne izlazi, da se maknem. Imali smo spremne sve varijante. Ona je izašla iz dvorane, uvela me unutra, a tu u sedeli Račan i još neki ljudi i svi su bili sa suprugama. Kada sam video da sve žene plaču, da imaju suzne oči, tada sam sebi rekao: "Sad mi više niko ništa ne može. Sad će ih ubiti kod kuće ako nešto naprave filmu". Onda me uzeo Račan pod ruku i počeli smo opet da obilazimo taj blok i da se cenkamo. To je bilo cenkanje kao na pijaci. On je bio šef ideološke komisije CK i rekao mi je: "Ide ti film u Kan. Mi ćemo poslati ljude da vidimo kako je to prošlo i prema tome ćemo odlučiti da li film može da ide ovde ili ne može". Ja sam rekao da to nije nikakva trgovina, da ja tamo glumim da film postoji, a oni će razmisliti da li će ga pustiti. Rekao sam: "Petnaest dana bioskop ’Zagreb’, najveći bioskop je moj, bez obzira šta se dogodilo, film igra. Onda ja u Kanu glumim da je sve u redu. I ne bioskop na periferiji nego u centru...” Tako smo se cenkali i onda je on rekao jednu rečenicu koju ja uvek citiram: "U Puli nema nagrada." Što znači da su oni to sve potpuno kontrolisali i u Puli zaista nismo dobili ništa.

48 x 68 cm 2 x presavijen movie poster, AFFICHE de FILM The Night of the Grizzly is a 1966 western–adventure film starring Clint Walker, Martha Hyer, Keenan Wynn, Jack Elam and Nancy Kulp. Directed by Joseph Pevney and written by Warren Douglas, the film was released by Paramount Pictures on April 20, 1966. It was Pevney`s final film. The film`s plot centers around Marshall `Big Jim` Cole (Clint Walker), who inherits land in Wyoming and trades his dangerous lawman`s life for the life of a rancher. But he barely gets his family settled when new dangers plague them – a treacherous grizzly bear is on a murderous rampage; angry neighbors covet Cole`s property, and an outlaw he once sent to prison seeks revenge. The film contains beautiful scenery from Holcomb Valley, Big Bear Lake, California, United States and Big Bear Valley, San Bernardino National Forest, California, United States. At the time of release there was no rating code established for motion pictures in North America. Jim Cole, his wife Angela, along with their children Charlie and Gypsy, niece Meg, and friend Sam Potts arrive in a small Wyoming town. Jim has inherited a ranch from his late uncle and decided to give up his former job as a lawman and become a rancher instead. In town, they meet Mr. Benson the banker, who tells them about a $675 mortgage on the property. Jim initially hesitates to take the land title, since it would take nearly all their savings, but when told that another rancher Jed Curry wants the land for himself, he relents. Benson then explains that Jed initially owned the property but lost it to Jim`s late uncle in a card game and wants it back. Jim finally agrees to keep the land when Mr. Benson hands him the money/landowner`s bill and settles the mortgage. As they leave the bank, the Coles encounter Jed, who acts like he is happy for the family but is actually planning to get the ranch by any means possible. In the countryside, they arrive at the ranch`s cottage, which appears to be nothing more than a tumbled-down shack. But they are not discouraged and think of all the wonderful things that will happen next. The next morning, as Jim is building a fence by chopping wood, Benson comes by and warns him of a giant grizzly bear called Satan, who is notorious for invading ranches and killing livestock just for fun, and that many have tried to shoot him but have failed. In addition, the Currys come by. Jed tries to persuade Jim to sell the land to him, but he refuses. Jim goes back to town the next day and asks Wilhelmina Peterson, who owns the general store, if she knows where he can buy some cattle to breed with his prize bull Duncan. She asks her sidekick Hank to bring Jim to Hazel Squires` place. There, Hazel tells Jim that she can sell some cattle for a buck each. When she goes to the hog pen to check on the pigs, she finds them all missing or dead, which was the work of Satan. During the night, Satan makes his initial appearance at the Cole place, killing Duncan, causing Sam`s mule to run away, and badly injuring the family`s dog . The next morning, while waiting for the doctor to finish stitching up the dog, Jim and Meg go to the general store for coffee. Unfortunately, the Curry boys are also there with cohorts and start harassing Jim. They eventually get into a fight, with the Curry sons driven out. Jed arrives and chastises his sons, telling them not to antagonize Jim any more if they are to get his ranch. Needing a replacement bull but with no cash to buy one, Jim is compelled to get a loan from the bank, giving Benson various possessions like his saddle and gold sheriff star as collateral. He goes to the Squires ranch to purchase the bull as well as cattle for breeding. When Jed learns of the loan, he warns Benson not to do it again and reminds Benson that he, as the major stockholder of the bank, had the authority to do this. While doing work on the farm, the Coles and Sam see Sam`s mule appear. However, it is badly-injured, dying just a few minutes later. Sam grieves for his loss, and both he and Jim vow to hunt Satan and kill him. As Jim and Sam track Satan through the woods, they are attacked and nearly killed, escaping by jumping off a cliff into a lake. As the Coles return home from a dance social, they find that Satan has killed most of their cattle. Again, Jim goes to Benson for a loan to buy replacement animals, but this time, Benson apologetically refuses his request, fearing Jed`s wrath. Satan`s depredations on livestock have reached a crisis point, and Jed posts a $750 reward for anyone who can kill the bear. In response to the offer of a reward, a bounty hunter named Cass Dowdy shows up in town with hunting dogs. Jim remembers he had sent Cass to jail for two years for murder. Cass has decided to hunt Satan for the reward money just to make sure Jim won`t get it and thus ruin him financially. Jim and Sam set a trap for Satan. The men carelessly doze off while waiting, and while they are doing so, Satan attacks again, driving off one of the horses and killing Sam, who with his dying breath urges Jim to continue the hunt. Dowdy`s dogs, which had run off the previous night, are also killed by Satan. More traps are set up for Satan, but with no success. One night, Dowdy visits one of Jim`s traps with the intention of sabotaging it but is accidentally injured instead. The next morning, the two meet again, with Jim realizing what Cass did, and the two have a fight, with Jim coming off the winner and leaving Cass there. At home, Angela tells Jim that she no longer wants to live here and will leave Jim if he continues to hunt Satan. She eventually calms down when he says he is killing the grizzly just to protect his family. The next morning, he is stunned to find that Charlie has gone after Satan himself. Jim decides to follow Charlie into the woods while Angela apologizes for her anger. In the woods, Jim once again runs into Dowdy, who almost kills him, but Jim fights back and drives him away. Night comes, and Satan attacks Charlie and chases him up a tree. As Jim arrives, Charlie jumps out of the tree and distracts Satan, while Dowdy fires at the bear to save the boy, but is fatally mauled. Jim had been under cover. Finally having stabbed Satan, injuring him Jim gets out of cover and shoots Satan, killing him at last. After comforting a dying Dowdy, who gave his life to save Charlie`s, Jim and Charlie return home and rejoice with the others. Clint Walker as Jim Cole Martha Hyer as Angela Cole Keenan Wynn as Jed Curry Nancy Kulp as Wilhelmina Peterson Candy Moore as Meg Kevin Brodie as Charlie Cole Ellen Corby as Hazel Squires Jack Elam as Hank Leo Gordon as Cass Dowdy Ron Ely as Tad Curry Med Flory as Duke Squires Don Haggerty as Sam Potts Regis Toomey as Cotton Benson Victoria Paige Meyerink as Gypsy Cole Sammy Jackson as Cal Curry