Mackie CR6S-X Specs Dimensions 11.0 x 11.0 x 10.0" / 27.9 x 27.9 x 25.4 cm Weight 7.3 lb / 3.3 kg

So you can rest assured that when you buy a TS (ThunderStorm) subwoofer from EVE Audio, you will be getting a first grade product that delivers adequate and precise control over the bass frequencies in your room, without any low-port noise distortion since all TS subwoofers have a passive radiator. Your system will sound as a whole, not just a sum of parts. All subwoofers feature the powerful accurate and low distortion sound reproduction that is the hallmark of all EVE Audio studio monitors. Tech Talk Every ThunderStorm subwoofer has detailed controls like switchable satellite filters (full range and 80Hz), phase switch controls (0°, 180°). and variable subwoofer filter frequencies (60....140Hz) to let you tailor and adjust your ThunderStorm to your specific room. The TS112 is our largest, "no-compromise" subwoofer. The highly efficient PWM amp is capable of 400 W of short term output power. The powerful amp, coupled with a large proprietary 12" woofer will guarantee you a clean frequency response down to 24Hz and up to 300Hz, for a maximum output power of 112 dB (SPL @ 1m). As with the highly efficient TS110, don't let your neighbours see you unloading this subwoofer into your house! One thing worthy of mentioning is that the DSP section, which uses a high resolution BurrBrown converter, only affects the bass driver operation. The signal path to the satellite speakers is kept purely analog, with no A/D/A conversions whatsoever. That's why the "Pure Satellite" function, when activated, completely bypasses the subwoofer and DSP filter section, and will only allow you to adjust your satellite's volume. The included remote control will let you adjust not only the subwoofer's volume but also the complete stereo system's volume while sitting comfortably in your sweet spot. All in all, the ThunderStorm subwoofers will make any system sound better and more complete. As with every other EVE Audio subwoofer, you get balanced XLR In- and Outputs (Stereo In and Out, LFE In, LFE/Sub Out) for greater convenience. Passive Radiator The particularity of our extremely powerful and accurate subwoofer resides in the passive radiator used that replaces the common bass reflex tube. With this design all audible noise due to air turbulences disappear completely. Unwanted disturbing pipe resonances (at lam

Snaga (RMS): 80 W + 40 W, (Program Power: 120 W) Ulazna impedansa: Sym, 10 kΩ, Osetljivost (Sensitivity): za 100 dB @1 m: 0.775 V SPL: Continuous Max SPL @1 m: 104 dB (single), Program Max SPL @1 m: 115 dB (pair) Drajveri - HF Driver: 1 x 3.9" / 100 mm Tweeter, LF Driver: 1 x 8.5" / 217 mm Woofer Distorzija (THD): manja od 1.5% (100 do 12 kHz) Phase Deviation: Phase Tolerances: ±45° (180 Hz to 20 kHz) Disperzija: 90 x 90° (Horizontal x Vertical) Crossover Frequency: 3.0 kHz Vufer: 6.9" / 175.0 mm, Diaphragm: 5.1" / 130.0 mm Visokotonac: 3.9" / 100.0 mm, Diaphragm: 1.0" / 25.0 mm Konektor: XLR ženski, tropinski, Wiring Scheme - Signal Input: 1=GND, 2=(+), 3=(-) Frekvencijski odziv: 44 Hz do 23 kHz (na -6 dB), Tolerancija: +/-2.5 dB (50 Hz do 20 kHz) Voltaža/AC Input Power: 115 do 230 VAC, ±10% (50/60 Hz) Potrošnja energije: 1.4 W (Standby), 6 W (Idle), 100 W (Maximum) Operativna temperatura vazduha: 5 do 40°C, vlažnost 90% - 75% (preporučeno) Materijal kutije: Medijapan Dimenzije: 200 x 320 x 230 mm, Težina: 8.4 kg

Specifications Speaker type: Sealed type Impedance: Woofer: 4 Ω Amplifier maximum output: Woofer: 50 W Input: RCA pin jack × 1 Maximum input level: +15 dBV Input impedance: 10 kΩ Crossover adjustment range: 60 Hz to 150 Hz Frequency response: 40 Hz to 150 Hz S/N ratio: 80 dB External dimensions (mm): 200 (W) × 185 (H) × 233 (D) Weight: about 3.6 kg Power consumption: During normal use: about 15 W During standby mode: 0.5 W or less - See more at: http://www.fostexinternational.com/docs/products/PM-SUBmini2.shtml#content-3-tab-tab

Tech Talk Every ThunderStorm subwoofer has detailed controls like switchable satellite filters (full range and 80Hz), phase switch controls (0°, 180°). and variable subwoofer filter frequencies (60....140Hz) to let you tailor and adjust your ThunderStorm to your specific room. The TS110 model features a very efficient 250W PWM amplifier that drives a proprietary 10" woofer. This guarantees a frequency response of down to 28Hz, up to 300Hz, for a maximum output power of 108 dB (SPL @ 1m) with plenty of power for most needs. The included remote control will let you adjust not only the subwoofer's volume but also the complete stereo system's volume while sitting comfortably in your sweet spot. All in all, the ThunderStorm subwoofers will make any system sound better and more complete. As with every other EVE Audio subwoofer, you get balanced XLR In- and Outputs (Stereo In and Out, LFE In, LFE/Sub Out) for greater convenience. Passive Radiator The particularity of our extremely powerful and accurate subwoofer resides in the passive radiator used that replaces the common bass reflex tube. With this design all audible noise due to air turbulences disappear completely. Unwanted disturbing pipe resonances (at lambda/2 and multiples) are eliminated, which are unavoidable when applying the principle of a two-sided pipe opening (bass reflex port). The suspension of the passive radiator has a restoring force underneath its tuning frequency and reduces inaudible excursions in the subsonic range. This in turn results in reduced intermodulation distortion in the working range. The passive radiator allows a particularly low tuning or lower cut-off frequency in a very compact cabinet. Frequency response curve Product TS110 Description Subwoofer Dimensions (WxHxD) [mm] 330 x 485 x 430 Dimensions (WxHxD) ["] 12.99 x 19.09 x 16.93 Free-field frequency range (-3dB) 28Hz - 300Hz Woofer 250mm/10" Maximum SPL @ 1m 108dB Number of amplifiers 1 Output power (woofer[s]) 250W Protection limiter Settings System volume (Satellite & Sub) -inf. - +6dB Subwoofer volume -inf. - +6dB LED brightness setting Level-lock dip switch Filter-lock dip switch Input level dip switch +7dBu/+22dBu Phase inversion 0°/180° Switchable Satellite filter flat/80Hz Variable Subwoofer filter 60Hz-140Hz + LFE Remote control Sys. & Sub. Vol. Connectors XLR in left (impedance) (10k) XLR in right (impedance) (10k) XLR in LFE (impedance) (10k) XLR out satellite left (impedance) (10k) XLR out satellite right (impedance) (10k) XLR out (LFE) (impedance) (10k) Power consumption Standby < 1W Full output 250VA Misc. Weight kg/lb. 19.6 / 43.2

The Original Drivers for the Original Sound Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. Avantone Pro has created a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements. The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The only difference from the original is that we use a pressed cone as opposed to a lapped. This allows for tighter matching in every cone we build — meaning this is the first time matched pairs have been available! Both replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation. Available For the First Time in an Active Configuration. One of the most common questions asked about the CLA-10A’s is which version of the originals are they based on, and the answer is: all of them! The CLA-10A’s have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate anything from the Vertical “m” model to the horizontal “Studio” model and everything in between. No more debate over the best tissue paper to use — VTPC has you covered! Avantone Pro decided to stay traditional with a linear power supply implementing a massive old school toroidal transformer in order to maintain the legacy sound. The CLA-10A uses a monolithic Class AB amplifier. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance compared to class D amps. The system yields a rock solid 200WRMS. THE CLA MONITOR FAMILY — ONLY FROM AVANTONE We’ve worked tirelessly to bring this classic monitor system back to the world — but it took more than just recreating a single speaker. A tremendous amount of attention has been put into every detail: matching the original MDF and wood veneer for the cabinet, matching the original winding dimensions/value/dc resistance of the inductors, profiling the most popular amplifier pairings of the original, just to name a few things. All of this development has culminated into a slew of monitor solutions. The CLA-10 and CLA-10A: the iconic “white cone” monitors, in both passive and active configurations. The CLA-100 and CLA-200: reference amplifiers with the perfect voicing to compliment the CLA-10 and original “white cones.” AV10 MHF and AV10 MLF: the classic “white cone” drivers — now available for the first time in decades as direct replacements for the original. AV10 MXO: replacement crossover for original Yamaha™ NS10M™ studio monitors. Specifications System Type: Active Full-Range Two-Way Stereo Pair System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range) Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency: AV10-MHF 3.5Cm Soft Dome Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer Cabinet Dimensions: 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”) Weight: 8.2Kg / 18 Lbs (Each) Shipping Weight: 18.5 Kg / 40.5 Lbs SPL: 104dB Peak Musical Output: 110dB (Music Program Material) Amplifier: 200W Class Ab Linear Supply THD: 0.05% At 1Khz, 1W Balanced Inputs: Combination XLR & Phone Jack Unbalanced Input: RCA Phono Jack Volume: +0dB, -120dB VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB. Power: On/off Switch Ground Lift Switch Power: 115Vac/230Vac Selectable Power Consumption: StandBy: 3W Full Output: 250W

A7X wins prestigious SOS Award again! Berlin, January 25, 2012 The readers of SOUND ON SOUND, one of the world's premier music recording technology magazines, have voted for the best products in 2011. The annual SOS Awards are amongst the most prestigious awards in the industry. Best Studio Monitors There are 16 different product categories, Best Studio Monitors being one of them, so the readers are rewarding one single monitor as being the best in the whole market. ADAM Audio is proud and greatful for having received this outstanding award for the A7X the second year in a row now. The winners have been presented with their awards at the 2012 Winter NAMM show in Anaheim/CA by SOS' editor in chief, Paul White. ADAMs A7 & A7X: the evolution of a legend The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world's largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level. Driver technology The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ‘X' stands for ‘eXtended frequency response' and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Mid-Woofer Number 1 Basket Ø 7" (175 mm) Voice coil Ø 1.5" (38 mm) Cone material Carbon/Rohacell/Glass Fiber Tweeter Number 1 Type X-ART Diaphragm area 4 inch² (2420 mm²) Equiv. Diaphragm Ø 2" (56 mm) Velocity transform ratio 4:1 Diaphragm weight 0.17 g Built-in Amplifiers Mid-Woofer 1 Type PWM Amp. power RMS / music 100 W / 150 W Tweeter 1 Type A/B Amp. power RMS / music 50 W / 75 W Control panel Input Sensitivity -∞ to +14 dB High Shelf EQ > 5 kHz ±6 dB Low Shelf EQ < 300 Hz ±6 dB Tweeter gain ±4 dB Input connectors Analog XLR / RCA General data Frequency response 42 Hz - 50 kHz THD 90dB/1m > 100 Hz ≤0.5 % Long term output ≥106 dB Max. peak ≥114 dB Crossover frequencies 2500 Hz Input impedance 30 KOhm Weight 20.3 lb (9,2 kg) Magnetically shielded No Height x Width x Depth 13.5" (337 mm) x 8" (201 mm) x 11" (280 mm) Warranty 5 Years Delivery contents Power cord, Manual

Eight channels of analog ensures flexible interconnectivity for modern studios. Four-mode LFE-channel processing guarantees compatibility across all formats and industries. Forth-order crossovers and flexible acoustical controls allow for seamless system integration. Built-in volume control and a hardware remote control allows for centralized system control independent of the source, and the electronics can be remote located to reduce cabling. From Mono to 3D, there are uses for the KH 870 in many different system configurations. IMPROVING LATERAL CONSISTENCY The latest amplifier technology and acoustical components have been used to ensure the most accurate sound reproduction possible. Robust drivers, a rock-solid cabinet, and carefully designed ports guarantee a tight, articulate, and distortion-free low frequency reproduction, even at high replay levels. Using the sum output, Plane Wave Bass Array™ (PWBA™) techniques acoustically improves lateral consistency in the listening area. The bass extends down to 18 Hz. FLEXIBLE MOUNTING OPTIONS The KH 870 subwoofer is designed to complement Neumann's extensive range of monitors, and can be used on its own, or daisy-chained to make larger systems capable of higher SPL. The KH 810 can be used in music, broadcast, and post production studios for tracking, mixing, and mastering. The cabinet can be positioned next to a wall or flush mounted into a wall due to the front mounted port, and can be mixed freely in multichannel systems with other loudspeakers from Neumann's range. APPLICATIONS Bass extension for loudspeakers down to 18 Hz Increasing the maximum SPL of loudspeakers by up to 8 dB Decreasing harmonic and intermodulation distortion of loudspeakers Reproducing the LFE channel Reproducing the “Sub” signal of a bass managed multichannel source Making a Plane Wave Bass Array™ system Working as an extension for KH line subwoofer systems Free field frequency response ±6 dB 17 … 600 Hz Free field frequency response ±3 dB 18 … 300 Hz Reproduction accuracy between 50 Hz and 100 Hz: 100%, 80%, 50% of subwoofers produced ±1.20; ±0.54; ±0.28 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>40 Hz) Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 116.7 dB SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 118 dB SPL Analog input(s) 8 x XLR: analog electronically balanced Analog input impedance >13k Ohms Max. input level +19 dBu Common mode rejection ratio (CMRR) > 56 dB @ 15 kHz Crosstalk (1 kHz), level matching -95 dB; ±0.1 dB Volume control NRC 1 hardware remote or RS-232 Volume control range; resolution 118 dB; 0.25 dB Analog dynamic range; THD+N 119 dB(A); <0.001% (-100 dB) Signal routing modes LFE 80+re-routing; LFE 80 Hz; LFE 120 Hz; Wide LFE Gain 0 / +10 dB Analog output(s) 8 x XLR; analog electronically balanced Input gain control (sensitivity) +2 ... -12 dB Output level control (output level in 1 m based on 0 dBu input level) 100; 114 dB SPL Controller design Analog, active Crossover frequency 80 Hz Crossover slope 24 dB/oct; 4th order Equalization: Low cut 30 Hz; 0 … -12 dB Equalization: Parametric EQ: Gain +4 ... -12 dB Equalization: Parametric EQ: Frequency Bypass; 20 ... 120 Hz Equalization: Parametric EQ: Q 1 ... 8 Phase 0; 45; 90; 135 and 0/180 deg Protection circuitry Peak and thermo limiters Infrasonic filter: frequency; slope 6.5 Hz; 12 dB/oct. Remote control RJ45 connector: Via NRC1 remote control (optional): volume for all channels; bass management on/off; LFE gain 0/10 dB.Via RS-232: more parameters remote controllable Display: On; Normal Operation Red LED Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Red LED Display: Bass Management on Green LED Output power woofer amplifier (THD+N with limiter deactivated: 10%) 400 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 320 W Mains Power Supply: input voltage; frequency 220-240 / 100-120 V (switchable); 50/60 Hz Power consumption (230 V / 100 V): Idle 25 W Power consumption (230 V / 100 V): Full output 550 W Cabinet material Wood cabinet, aluminum electronics panel Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer 2 x 265 mm (10") with magnetic shielding and protecting black metal grille Mounting points 35 mm flange on top panel Product dimensions (height x width x depth) 735 x 330 x 645 mm (28.9" x 13" x 25.4") External net volume 156 liters Product weight 47.1 kg (103 lbs 13 oz) Cabinet weight when electronics remote located 45.5 kg (100 lbs 5 oz) Packed dimensions (height x width x depth), mm (inches) 860 x 470 x 770 mm (33 7/8" x 18 1/2" x 30 3/8") Packed weight 54.3 kg (119 lbs 11 oz) Packed cube 0.311 m³

Eight channels of analog ensures flexible interconnectivity for modern studios. Four-mode LFE-channel processing guarantees compatibility across all formats and industries. Forth-order crossovers and flexible acoustical controls allow for seamless system integration. Built-in volume control and a hardware remote control allows for centralized system control independent of the source, and the electronics can be remote located to reduce cabling. From Mono to 3D, there are uses for the KH 810 in many different system configurations. IMPROVING LATERAL CONSISTENCY The latest amplifier technology and acoustical components have been used to ensure the most accurate sound reproduction possible. Robust drivers, a rock-solid cabinet, and carefully designed ports guarantee a tight, articulate, and distortion-free low frequency reproduction, even at high replay levels. Using the sum output, Plane Wave Bass Array™ (PWBA™) techniques acoustically improves lateral consistency in the listening area. The bass extends down to 18 Hz. COMPLEMENTS EXTENSIVE RANGE OF MONITORS The KH 810 subwoofer is designed to complement Neumann's extensive range of monitors, and can be used on its own, or daisy-chained to make larger systems capable of higher SPL. The KH 810 can be used in music, broadcast, and post production studios for tracking, mixing, and mastering. The cabinet can be positioned next to a wall or flush mounted into a wall due to the front mounted port, and can be mixed freely in multichannel systems with other loudspeakers from Neumann's range. APPLICATIONS Bass extension for loudspeakers down to 18 Hz Increasing the maximum SPL of loudspeakers by up to 8 dB Decreasing harmonic and intermodulation distortion of loudspeakers Reproducing the LFE channel Reproducing the “Sub” signal of a bass managed multichannel source Making a Plane Wave Bass Array™ system Working as an extension for KH line subwoofer systems Free field frequency response ±6 dB 17 … 600 Hz Free field frequency response ±3 dB 18 … 300 Hz Reproduction accuracy between 50 Hz and 100 Hz: 100%, 80%, 50% of subwoofers produced ±1.20; ±0.54; ±0.28 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>45 Hz) Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 110.7 dB SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 112 dB SPL Analog input(s) 8 x XLR: analog electronically balanced Analog input impedance >13k Ohms Max. input level +19 dBu Common mode rejection ratio (CMRR) > 56 dB @ 15 kHz Crosstalk (1 kHz), level matching -95 dB; ±0.1 dB Volume control NRC 1 hardware remote or RS-232 Volume control range; resolution 118 dB; 0.25 dB Analog dynamic range; THD+N 119 dB(A); <0.001% (-100 dB) Signal routing modes LFE 80+re-routing; LFE 80 Hz; LFE 120 Hz; Wide LFE Gain 0 / +10 dB Analog output(s) 8 x XLR; analog electronically balanced Input gain control (sensitivity) +2 ... -12 dB Output level control (output level in 1 m based on 0 dBu input level) 100; 114 dB SPL Controller design Analog, active Crossover frequency 80 Hz Crossover slope 24 dB/oct; 4th order Equalization: Low cut 30 Hz; 0 … -12 dB Equalization: Parametric EQ: Gain +4 ... -12 dB Equalization: Parametric EQ: Frequency Bypass; 20 ... 120 Hz Equalization: Parametric EQ: Q 1 ... 8 Phase 0; 45; 90; 135 and 0/180 deg Protection circuitry Peak and thermo limiters Infrasonic filter: frequency; slope 6.5 Hz; 12 dB/oct. Remote control RJ45 connector: Via NRC1 remote control (optional): volume for all channels; bass management on/off; LFE gain 0/10 dB.Via RS-232: more parameters remote controllable Display: On; Normal Operation Red LED Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Red LED Display: Bass Management on Green LED Output power woofer amplifier (THD+N with limiter deactivated: 10%) 200 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 160 W Mains Power Supply: input voltage; frequency 220-240 / 100-120 V (switchable); 50/60 Hz Power consumption (230 V / 100 V): Idle 20 W Power consumption (230 V / 100 V): Full output 290 W Cabinet material Wood cabinet, aluminum electronics panel Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer 265 mm (10") with magnetic shielding and protecting black metal grille Product dimensions (height x width x depth) 360 x 330 x 645 mm (14.2" x 13" x 25.4") External net volume 76.6 liters Product weight 26 kg (57 lbs 5 oz) Cabinet weight when electronics remote located 24.2 kg (53 lbs 6 oz) Packed dimensions (height x width x depth), mm (inches) 515 x 490 x 750 mm (20 1/4" x 19 1/4" x 29 1/2") Packed weight 32.0 kg (70 lbs 9 oz) Packed cube 0.189 m³

Product Key Features Very high SPL in a compact cabinet. Flat frequency response. Optimised directivity by phase coherency. Class G low temperature amplifier stage. Compatible with industry standard mouting systems. Amplifier unit acoustically uncoupled from speaker cabinet. Protection circuits with overload indicator. Real balanced input. Designed for stereo and multichannel monitoring. Magnetically shielded for use close to video monitors. AOI Technology. ALG Technology. CPR Technology. PSC Technology. Product Data Power RMS: 120 + 50W Program Power: 170W Input Impedance: Sym, 10k Ohms Sensitivity for 100 dB @ 1m: 0.775 V Signal to Noise Ratio: 96 dBA Continuous Max SPL@1m: 108 dB (single) Input Overload: 24 Vpp Program Max SPL@1m: 119 dB (pair) Response at -6dB: 38 - 23000 Hz Tolerances: ±2 dB (44Hz - 20kHz) Distortion THD: less than 1.4% (90Hz-12kHz) Phase tolerances: ±45° (190Hz - 20kHz) Dispersion (P.N. 4 - 16 kHz) at -6 dB: 90° x 90° (H x V) System: 2 Way(s) Crossover frequency: 2.4 kHz Woofer's dim. Ext. / Diaphragm: Ø217 mm / Ø170 mm Tweeter's dim. Ext. / Diaphragm: Ø100 mm / Ø25 mm Connectors: 1 x XLR F / 3P Signal input: 1=GND, 2=(+), 3=(-) Material: MDF Dimensions W x H x D mm: 250 x 400 x 300 Gross / Net Weight: 14.5 / 13.2 kg Voltage: 115/230V (50-60Hz) Consumption Standby-Quiescent-Max: 1.2 - 5 - 150 W Mean / Max Humidity: less than 75% / less than 90% External Temperature: 5 - 40°C

Main Features Power: 80 + 40W Frequency Range: 43Hz – 23kHz SPL Max: 104dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image individually calibrated Class G/H Amplifiers Typical listening distance: from 1.5 m 5 years warranty Handmade in Switzerland Extend the low frequencies and add power Use one of PSI Audio’s Subwoofer / LFE to add more energy and low end to your A214-M: – Our compact Sub A125-M or – our full range Sub A225-M Thanks to our Roll-Off technology, both Sub A125-M & Sub A225-M are designed to perfectly match the A214-M. A214-M – The perfect speaker for surround setups The A214-M is primarily designed as a centre speaker for surround systems. Its power is optimized to satisfy the requirements of post-production and film mixing suites. The small cabinet allows it to be used in surround systems where space is and issue such as below a screen. Product A214-M Power RMS 120 + 40 W Program Power 160 W Continuous Max SPL @ 1m 108 dB (single) Program Max SPL @ 1m 119 dB (pair) Response at -6dB 53-23000Hz Tolerances ± 2.0 dB (60 Hz – 20 kHz) Phase tolerances ± 45° (60 Hz – 20 kHz) Dispersion 90° x 60° (P.N. 4-16 kHz) at -6 dB (H x V) System 2-way Crossover frequency 1.8 kHz Woofer dim. Ext. / 2x ø 147 mm / Diaphragm mm ø 104 mm Woofer dim. Ext. / 2x ø 5.8 in / Diaphragm inch ø 4.1 in Medium dim. Ext. / – Diaphragm mm Medium dim. Ext. / – Diaphragm inch Tweeter dim. Ext. / ø 100 mm / Diaphragm mm ø 25 mm Tweeter dim. Ext. / ø 3.9 in / Diaphragm inch ø 1.0 in Dimensions W x H x D mm 166 x 446 x 200 Dimensions W x H x D inch 6.6 x 17.6 x 7.9 Net Weight kg 10.2 kg Net Weight lbs 22.4 lbs

MORE ABOUT THE KH 80 DSP The perfect sound of higher mathematics at work The Neumann developers know every nuance, every angle and every wave reflection of the KH 80 DSP. It sounds so pure because they are directing every sound wave so precisely. The KH 80 DSP’s design is based on computer simulations that calculate with a level of accuracy that no one other than Neumann does. The Mathematical Modeled Dispersion Waveguide (MMD™) provides the studio series with a solid base for precise sound direction that remains unique. Maths has never sounded so good. Neumann even includes the biggest unknown factor in our calculations: Your room It might be a project studio, an outside broadcast van, a corner at work or just a brick building: The room defines the sound. Surfaces and corners in the room cause interference, diffraction, reflection, and refraction: all are forms of distortion. For a really true sound, without acoustic-physical “accidents”, you normally need expensive equipment plus plenty of time and expertise to align it correctly – or smart algorithms. An easy adjustment to the monitor position (free standing, small/medium/large desk) is possible via the rear "Acoustical Control" switch. For even more precise adjustments we offer the following options: Automatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac/PC) Neumann.Control – Free iPad®-App for setup, operation, and room correction of up to nine KH 80 DSP monitors via guided and/or manual alignment A tool for everyone who has professional standards Highest quality components, high-end protection systems and power reserves are what you would expect from this studio class product even under the most demanding circumstances. Its design makes the KH 80 DSP a versatile near-field monitor, which delivers professional-quality sound wherever you need it – in project and music studios, editing and broadcasting rooms or in outside broadcast vans. Some of our customers like it so much, they use the KH 80 DSP in their living rooms. Why not? After all, the KH 80 DSP delivers digital precision for a masterpiece of analog technology: your ears. The KH 750 DSP subwoofer is the perfect complement to the KH 80 DSP. Acoustical -6 dB free field frequency response: 53 Hz … 22 kHz, ± 6 dB -3 dB free field frequency response: 57 Hz … 21 kHz, ± 3 dB Pass band free field frequency response: 59 Hz … 20 kHz, ± 2 dB Self-generated noise (with input gain set to 100 dB for 0 dBu): < 20 dB(A) bei 10 cm Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 102,8 / 108,8 dB SPL Electronics Input: XLR, analog electronically balanced Controller design: Digital, active Crossover frequency, slopes: 1.8 kHz, 48 dB/oct, 8th order Bass amplifier, cont.(peak) output power*: 150 W (130 W) Treble amplifier, cont.(peak) output power: 55 W (70 W) Mains Power Supply, voltage; frequency: 100-240 V~; 50/60 Hz, with standby Mechanics Drivers: 100 mm (4"), 25 mm (1"), with integrated black metal grilles Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel Product dimensions (height x width x depth), mm (inches): 233 x 154 x 194 mm (9 1/8" x 6" x 8 5/8") Product weight: 3.5 kg (7 lbs 11 oz)

Digitally Controlled Studio Monitor DSP-controlled acoustic system with 96 kHz internal processing Coherent time response across the audio spectrum Built-in ARC room correction Includes measurement microphone Advanced acoustic space settings Includes X-MONITOR control software for extended setup, custom EQ voicing, and reference monitor emulation Superior Electro-Acoustic Features Proprietary Class-D power amplifiers 175W total RMS power Extended frequency response 45 Hz to 30 kHz ±1 dB Linear phase response +/-20° from 150 Hz and up 37 Hz low-frequency extension at -4 dB Individually calibrated for <0.5 dB unit-to-unit sensitivity consistency Includes 4 high-performance isolation pods Advanced Monitor Controls Volume control Acoustic space and Calibration controls Switchable low-frequency extension at Full/35/50/65/80 Hz Acoustic space controls Optional hardware remote control with completely assignable functions for switching voices and more ARC Room Calibration iLoud Precision also offers class-defying flexibility as well. With built-in ARC room calibration and included measurement microphone, iLoud Precision instantly adapts and performs its best in any environment. X-MONITOR Control Application iLoud Precision includes X-MONITOR: an advanced control application for Mac and Windows. X-MONITOR allows for extended acoustic space setups, assists with the ARC calibration, displays before/after in-room frequency responses, and switches among various virtual monitoring voices to emulate the most iconic studio monitors of all time, letting you audition your mix on different reference systems with just one pair of speakers. Advanced Control iLoud Precision's LED-enabled rear controls allow quick and easy setup in any situation, from project studio to live console to immersive audio rig. Each comes with 4 high-performance isolation pods to tame the propagation of unwanted vibration and resonance to the supporting surface, plus an optional hardware remote control to quickly switch between 4 voicing options or other handy functions like ARC on/off, mute, or dim directly from the mix position. Precision Construction Each iLoud Precision is handcrafted in Italy and individually calibrated to exact specifications during the quality-control phase to ensure perfect unit-to-unit consistency. Every single monitor is truly a sonic work of art, engineered to perfection.

Tri monitora proizvedena u Francuskoj integrišu pet inovacija u cilju postizanja maksimalne akustičke transparentnosti. Dizajnirani da zadovolje potrebe nearfield monitoringa, ovi zvučnici kombinuju inovativan dizajn i brojna podešavanja optimizovana za akustiku malih prostorija za slušanje. Tehničke inovacije omogućuju izuzetnu akustičku transparentnost. Ovi novi radni alati prave razliku širokim i izuzetno preciznim stereo zvukom. Bas registar je artikulisan i kontrolisan. Niži srednji opseg kao i srednji opseg imaju koristi od ekstremne neutralnosti i bez bilo kakvih maskirajućih efekata - čine ujednačavanje ovih ključnih registara mnogo lakšim. Najzad, novi visokotonac je na izvoru veoma visoke definicije, efikasno otklanja šum i veoma je precizan pri reprodukciji vrlo visokih frekvencija. 'M' OBLIK INVERTIRANE KUPOLE IMA DVE VELIKE PREDNOSTI: Njegova usmerivost manja je i od one kod invertiranog kupolastog visokotonca, što omogućava veću fleksibilnost u pogledu pozicije za slušanje. Kada je reč o mehaničkom aspektu, oblik slova 'M' daje kupoli veću čvrstinu, dok smanjuje distorziju u još osetnijoj meri. Poron® suspenzija omogućava linearniju krivulju frekventnog odziva ispod 6kHz, unapređujući skretnicu sa niskotoncem. Magnetska komponenta je takođe optimizovana zahvaljujući glasovnom kalemu sa Kapton® ramom koji u značajnoj meri smanjuje Fukoovu (vrtložnu) struju, posledično i distorziju. Ležište za visokotonac dizajnirano je tako da obezbedi jednake horizontalne i vertikalne usmerivosti. LANENI konusni sendvič Napravljeni u Francuskoj ali sa pristupačnom cenom, laneni konusi su orijentisani ka akustičnom izvođenju, visokoj tehnologiji i pružaju originalni dizajn drajverima za zvučnike ovog brenda! Nakon više od pet godina istraživanja i razvoja, inženjeri u Focalu otkrivaju 2013. godine novi konus napravljen od visokokvalitetnih lanenih vlakana. Konuse karakteriše prirodni zvuk niske koloracije, i bogatstvo reprodukcije u registru srednjeg opsega i čvršći bas. F-konusi napravljeni su od jezgra od visokokvalitetnih lanenih vlakana uz dva tanka sloja staklenih vlakana. Oni zadovoljavaju ključne kriterijume dijafragme visokih performansi: visoko unutarnje prigušivanje, veliku brzinu zvuka i visoko savitljivu čvrstinu. Svi ovi kriterijumi ne mogu biti ispunjeni konusom od jednog materijala. Sendvič tehnologija u velikoj meri utiče na neutralnost zvuka koja je oduvek bila obeležje Focala. Lakoća Lan je dva puta lakši od staklene vune, jer je vlakno šuplje. Takođe je veoma male elastičnosti što ga čini idealnim za povećanje savitljive čvrstine sendvič strukture. Pritom, može se dobiti u netkanim snopovima značajnog prečnika i na taj način može proizvesti debljinu koju zahteva sendvič konstrukcija. Unutarnje prigušivanje Kompozitni materijali imaju odgovarajuće osobine za primenu kada su neophodne i čvrstina i niska masa. Međutim, njihov nedostatak je to što im nedostaje prigušenje, što dovodi do loše kontrole vibracija. Nedavni razvoj u ovom domenu kroz kombinovanje kompozitnih i prirodnih vlakna doveo je do neočekivanih mogućnosti. Lanena vlakna imaju odlično unutarnje prigušenje istog reda kao čaša, kao Kevlar® vlakna ili aluminijum. PROIZVEDENO U FRANCUSKOJ, uz pristupačne cene Laneni konusi dizajnirani su i proizvedeni u Francuskoj, od vlakana francuskog lana. Francuska je vodeća zemlja u Evropi kada je reč o proizvodnji lanenih vlakana, a posebno je razvijena u Flandriji, Pikardiji, Normandji i regiji Pa de Kale. Francuski lan smatra se najboljim u Evropi. Sintetička vlakna ili pene koje potiču iz petrohemijskih resursa podležu inflaciji koja je povezana sa oštrim porastom cena sirove nafte. Organski ili ekološki tekstilni materijali, kao što je lan, na taj način postaju sve više cenovno konkurentni. Takođe i industrijski proces razvijen u cilju proizvodnje "F" konusa smešta ga u asortiman proizvoda osetne cenovne konkurentnosti. OSNOVNE KARAKTERISTIKE Visokotonac sa veoma niskom usmerivošću za fleksibilno pozicioniranje za slušanje. Dizajniran bez porta, ali sa dvostrukim pasivnim radijatorom - omogućava se da bude postavljen blizu zida. Brojna podešavanja za optimalnu integraciju. Precizna kontrola, čak i pri veoma visokim frekvencijama. Laneni konusni sendvič: kontrolisan i dobro definisan bas, prirodni i detaljni niži srednji opseg i viši spektar srednjeg opsega. Mehanizmi za kačenje nalaze se na zadnjoj strani i ispod zvučnika: za lako instaliranje na stolu, postolju/stalku, za kačenje na plafon ili zid (oprema za kačenje nije obezbeđena). NIC – NEUTRALNA INDUKTIVNOST Tehnologija polja neutralne induktivnosti Nakon tri godine istraživanja i razvoja simulacijskog softvera koji omogućava vizualizaciju složenih interakcija, inženjeri Focala stvorili su neverovatno stabilno magnetno polje za Sopra liniju. NIC tehnologija, zasnovana je na Faradejevom kavezu čije su dimenzije, materijali i pozicioniranje optimizovani kako bi onemogućili da magnetno polje bude pogođeno pozicijom glasovnog kalema, amperažom ili frekvencijom struje koja prolazi kroz njega. TMD – usklađen MASENI PRIGUŠIVAČ OPSESIJA SREDNJIM OPSEGOM Registar srednjeg opsega nesumnjivo je najkomplikovaniji za kontrolu u zvučnom sistemu. Sa jedne strane mora da postoji nesmetan prelaz sa basom. Sa druge strane, mora da postoji usklađenost sa visokotoncem u smislu disperzije i ubrzanja. To određuje homogenost boje glasa i zvučnu trodimezionalnost prostora. Tokom poslednjih 20 godina, Focal je radio na masteringu "break up"-a (frekvencije na kojoj konus postaje deformisan, što vodi u distorziju) "W" konusa treće generacije kao i na drastičnom smanjenju rezonance visokotonca sa IAL 2. Podešen maseni prigušivač Odgovor je došao iz tehnologije koja se koristi kod solitera otpornih na zemljotres, a takođe i za suspenziju na trkačkim automobilima! Ova tehnologija se zove "podešen maseni prigušivač": dodatna masa koja oscilira u suprotnosti sa frekvencijom rezonance koja je kontroliše. Primenjeno na drajver zvučnika, rešenje se sastoji u samo dva cevasta prstena na suspenziji, čije su dimenzije i položaj precizno utvrđeni. Oni čine podešen maseni prigušivač (TMD) i stabilizuju dinamično ponašanje okruženja u skladu sa rezonancom, čime se izbegava deformisanje konusa bez uticaja na dinamiku. Ova inovacija je patentirana. Active Nearfield Monitor Designed without a rear bass port - allows placing directly in front of a wall Power: 50 W Class AB Woofer: 4" Flax Cone Tweeter: 1" Aluminium-Magnesium 4" Double-passive membrane Frequency range (+/- 3 dB): 60 - 35,000 Hz Max SPL peak @ 1 m (musical signal): 102 dB Input impedance: 10 kOhm Settings: High pass filter, bass, middle, high Power switch Automatic standby function Connections: XLR and RCA Thread for ceiling and wall brackets (mounting accessories not included) Dimensions (W x D x H): 161 x 200 x 257 mm Weight: 5 kg Housing: 12 mm MDF - Vinyl, walnut, black

Kabinet MDF sadrži 6.5-inčni 'sendvič' vufer 'W' konusa i berilijumski invertirani kupolasti visokotonac, koji pružaju pun i neutralan zvuk, širokog frekventnog opsega. Svaki od dva drajvera pokreće sopstveno pojačalo za ukupnih 130W RMS-a, za snažne performanse bez distorzije. Fokalov patent, tehnologija TMD - Tuned Mass Damper, tu je da umanji distorziju u opsegu frekvencije od 1 do 3kHz, za čitavih 50%. Solo6 ima i high-pass crossover, automatski stand-by režim (koji se može isključiti), kao i 160Hz crossover za konzolne refleksije. Zadnji panel nudi standardni XLR input konektor, koji omogućava povezivanje praktično svakog profesionalnog audio sistema. Solo6 monitor je zaštićen od magnetskih uticaja video monitora ili druge elektronske opreme koja mu može biti blizu. Za potpuno, sveprožimajuće uživanje u punoći Solo6-ica, sa Dolby Atmos® i Sony 360RA®, dolaze i držači za lako kačenje na zid, ili plafon. Ključne karakteristike: Invertirani kupolasti visokotonac od berilijuma donosi: savršenu linearnost, odličnu dinamiku i vrlo nisku usmerljivost Optimizovani, apsorbujući tviter sa vrhunskom, širokom disperzivnom kontrolom Kompozitni sendvič vufer 'W' konusa garantuje zvučnu neutralnost, i izostanak distorzije Focus režim: dva monitora u jednom; dvosmerni monitor i jednosmerni monitor punog opsega (vufer) Podešavanja: stand-by režim (može se isključiti), LF & HF shelving (mogućnost kontrolisane korekcije zvučnog nivoa ispod 300Hz, odnosno visokog dela zvučnog spektra) Tehničke specifikacije: Tip monitora: aktivni, dvosmerni Frekvencijski odziv (na -3dB): 45Hz - 40kHz Donji nivo cut-off frekvencije (na -6dB): 40Hz Focus režim: 110Hz - 10kHz Maksimalni SPL (nivo zvučnog pritiska): 110dB (u okviru slobodnog polja od 1m, po ANSI standardu CEA 2034 100–10kHz) Tip ulaza: Elektronski balansirana osetljivost XLR konektora / ženski, 10 kΩ Stage bas pojačala: 80W RMS Stage pojačala visokotonaca: 50W RMS Ukupna snaga: 130 W (RMS) Nominalna snaga/napajanje: ~100-120 VAC/220-240 VAC 50/60Hz Korisničke kontrole: Sensitivity, Stand-by HPF, LF Shelv, LMF EQ, HF Shelv Električni osigurači: ~100-120V, T2.5AL/250V ~220-240V, T1.25AL/250V Bas drajver: 1 x 6.5" (16.5cm) “W” konusni kompozitni vufer Drajver visokotonaca: 1.5" (38mm) berilijumski invertovani kupolasti Završna obrada: Tamnocrveni fasetirani bočni paneli, crno telo, Konstrukcija: medijapan 7/8" (22mm) Dimenzije: (visina) 334 mm x (širina) 245 mm x (dubina) 295 mm, Težina: 13 kg

This highly flexible monitoring system features a sound mode, which switches between DJ mode for a punchy sound suited for DJ applications and Production mode, which provides a flat frequency response that accurately reproduces the input sound. The integrated Bluetooth receiver allows you to stream audio from your smartphone, tablet, or Windows/Mac computer. Advanced Design for Higher Quality Sound Class-D Amplifier: Each DM series speaker produces pure, balanced bass sound thanks to a new Class D amplifier with 96kHz sampling DSP. DECO Convex Diffusers: Another advancement from the DM-40 model comes in the updated design of the DECO convex diffusers which help deliver crystal-clear high frequencies in every direction, so you can enjoy a wide sweet spot and 3D stereo sound wherever you are in the room. Time Alignment: The woofer and tweeter are perfectly aligned so you’ll hear all sound frequencies clearly. Grooved Ducts: The grooves on the ducts reduce air friction so bass is tight and punchy, even if you position the speakers against a wall. Plus, the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 4" Woofer: The 4-inch woofer creates powerful sound without distorting, even if you pump up the volume. 2-Way Sound Mode for DJing and Music Production There's no need to decide whether you want a set of monitors that are best for DJing or making music, because the DM series speakers are perfect for both. Just flip the switch to choose either DJ mode or Production mode and the DSP settings will be optimized for the task, leaving you free to concentrate on your mix. Easy to Use with Different DJ or Production Equipment With RCA and mini jack terminals you can connect different kinds of gear such as DJ controllers and mixers, or the laptop or soundcard you use. Connecting your headphones is simple via the socket on the front panel and the level knob is right in front of you too. Bluetooth Connectivity The Bluetooth technology included in the DM-40D-BT enables you to easily pair your smartphone, mobile device, or PC / Mac and play high-quality tracks wirelessly.

Speaker Section Enclosure type: closed Unit: 4" full range Frequency response: 70 Hz - 15k Hz Sound Pressure Level: 85dB / W (1m) Maximum SPL: 98dB Amplifier Section Input Connector: 1/4" TS Phone (unbalanced) Connector: XLR-3-31 (electrically balanced) Input Impedance: 10k ohm or more Rated Output: 20W Distortion (T.H.D.): 0.05% (1kHz / 1W output) Residual Noise: -70dBV or less Input Sensitivity: 1/4" TS phone: -14dBV (0.2Vr.m.s.) XLR: +4dBu (1.2Vr.m.s.) Auto Stand-by: active after approx. 25 min. of continuous input lower than the threshold level General Dimensions: 120 (W) x 189 (H) x 120 (D) mm Weight: 2.2kgs Power Requirement: AC 100 - 240V (50/60Hz) Power Consumption: 10W (less than 0.5W in stand-by mode)

The class-D amplifier outputs 2 x 25W of power at 4 ohms. The 5" fiberglass woofers deliver a natural, punchy bass, and the 3/4" soft-dome tweeters deliver well-balanced high frequencies. A stereo mini-jack headphone output with a speaker-volume knob are built into the front panel of the speaker. The rear panel features dual 1/4", stereo RCA, and 3.5mm stereo mini-jack inputs, along with an output to the right satellite speaker. In addition, a power cord, a 6.6' speaker cable (for the satellite speaker), a 3.5mm to RCA adapter cable, and bottom cushions are also included. Advanced Design for High-Performance Sound Each DM-50D speaker produces pure, balanced bass sound, thanks to a new Class-D amplifier with 96 kHz sampling DSP. In addition, the DM-50D model features an updated DECO convex diffuser to help deliver crystal-clear high frequencies in every direction. When artists need to raise the volume, the new 5-inch woofer creates extra power and its tweeter alignment allows artists to hear pristine sound frequencies. The grooves on the ducts reduce air friction to provide tight and punchy bass, while the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 2-Way Sound Mode Optimized for DJing or Music Production Gone are the days of deciding whether a monitor is best for DJing or making music—the DM-50D speakers accommodate to both needs. Artists simply flip the switch to choose either DJ mode or Production mode, and the DSP settings will optimize for the task, leaving artists free to concentrate on their mix. DJ and Music Production Equipment Compatibility With RCA, mini-jack, and newly added TRS input terminals, artists can connect different kinds of gear including DJ controllers and mixers, or the laptop and soundcard artists use for music production. Connecting and disconnecting headphones is simple via the mini plug on the DM-50D front panel. Volume control is easily accessible with the volume level knob now featured on the front of the speaker, removing the need to reach behind the back of the speakers to adjust the sound. Sleek Design Catering to Any Style Artists can bring a slick, professional look to their setup by choosing from two different colors. The finish of the black DM-50D can seamlessly blend with classic DJ equipment while the white DM-50D-W can better complement the interior design of the artist’s creative environment. Pioneer DJ DM-50D Specs Studio Monitor Monitor Type Active 2-Way Enclosure Bass-Reflex, Shielded Power Rating 25 W RMS per Channel Impedance 4 Ohms Drivers LF Driver: 1 x 5" / 127 mm Fiberglass Woofer HF Driver: 1 x 0.75" / 19.05 mm Dome Tweeter Amplification 2 x Full-Range Amplifier: Class-D Signal Processing EQ None Filters None Parametric EQ None Connectivity Audio I/O 2 x 1/4" TRS Balanced Female Analog Input (10 Kilohms) 1 x Stereo RCA Unbalanced Female Analog Input 1 x 1/8" / 3.5 mm TRS Unbalanced Female Analog Input Digital Audio Max Sample Rate/Resolution 96 kHz / 24-Bit Power AC Input Power 110 to 240 VAC, 50/60 Hz Power Consumption 25 W 0.3 W (Standby) General Enclosure Material MDF Mounting Points None Dimensions (W x H x D) 6.9 x 10.1 x 10.3" / 175.3 x 256.5 x 261.6 mm 6.9 x 9.7 x 10.3" / 175.3 x 246.4 x 261.6 mm Weight 8.6 lb / 3.9 kg 7.7 lb / 3.5 kg Packaging Info Package Weight 20.72 lb Box Dimensions (LxWxH) 18.1 x 15.5 x 12.7"

The class-D amplifier outputs 2 x 25W of power at 4 ohms. The 5" fiberglass woofers deliver a natural, punchy bass, and the 3/4" soft-dome tweeters deliver well-balanced high frequencies. A stereo mini-jack headphone output with a speaker-volume knob are built into the front panel of the speaker. The rear panel features dual 1/4", stereo RCA, and 3.5mm stereo mini-jack inputs, along with an output to the right satellite speaker. In addition, a power cord, a 6.6' speaker cable (for the satellite speaker), a 3.5mm to RCA adapter cable, and bottom cushions are also included. Advanced Design for High-Performance Sound Each DM-50D speaker produces pure, balanced bass sound, thanks to a new Class-D amplifier with 96 kHz sampling DSP. In addition, the DM-50D model features an updated DECO convex diffuser to help deliver crystal-clear high frequencies in every direction. When artists need to raise the volume, the new 5-inch woofer creates extra power and its tweeter alignment allows artists to hear pristine sound frequencies. The grooves on the ducts reduce air friction to provide tight and punchy bass, while the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 2-Way Sound Mode Optimized for DJing or Music Production Gone are the days of deciding whether a monitor is best for DJing or making music—the DM-50D speakers accommodate to both needs. Artists simply flip the switch to choose either DJ mode or Production mode, and the DSP settings will optimize for the task, leaving artists free to concentrate on their mix. DJ and Music Production Equipment Compatibility With RCA, mini-jack, and newly added TRS input terminals, artists can connect different kinds of gear including DJ controllers and mixers, or the laptop and soundcard artists use for music production. Connecting and disconnecting headphones is simple via the mini plug on the DM-50D front panel. Volume control is easily accessible with the volume level knob now featured on the front of the speaker, removing the need to reach behind the back of the speakers to adjust the sound. Sleek Design Catering to Any Style Artists can bring a slick, professional look to their setup by choosing from two different colors. The finish of the black DM-50D can seamlessly blend with classic DJ equipment while the white DM-50D-W can better complement the interior design of the artist’s creative environment. Pioneer DJ DM-50D Specs Studio Monitor Monitor Type Active 2-Way Enclosure Bass-Reflex, Shielded Power Rating 25 W RMS per Channel Impedance 4 Ohms Drivers LF Driver: 1 x 5" / 127 mm Fiberglass Woofer HF Driver: 1 x 0.75" / 19.05 mm Dome Tweeter Amplification 2 x Full-Range Amplifier: Class-D Signal Processing EQ None Filters None Parametric EQ None Connectivity Audio I/O 2 x 1/4" TRS Balanced Female Analog Input (10 Kilohms) 1 x Stereo RCA Unbalanced Female Analog Input 1 x 1/8" / 3.5 mm TRS Unbalanced Female Analog Input Digital Audio Max Sample Rate/Resolution 96 kHz / 24-Bit Power AC Input Power 110 to 240 VAC, 50/60 Hz Power Consumption 25 W 0.3 W (Standby) General Enclosure Material MDF Mounting Points None Dimensions (W x H x D) 6.9 x 10.1 x 10.3" / 175.3 x 256.5 x 261.6 mm 6.9 x 9.7 x 10.3" / 175.3 x 246.4 x 261.6 mm Weight 8.6 lb / 3.9 kg 7.7 lb / 3.5 kg Packaging Info Package Weight 20.72 lb Box Dimensions (LxWxH) 18.1 x 15.5 x 12.7" The class-D amplifier outputs 2 x 25W of power at 4 ohms. The 5" fiberglass woofers deliver a natural, punchy bass, and the 3/4" soft-dome tweeters deliver well-balanced high frequencies. A stereo mini-jack headphone output with a speaker-volume knob are built into the front panel of the speaker. The rear panel features dual 1/4", stereo RCA, and 3.5mm stereo mini-jack inputs, along with an output to the right satellite speaker. In addition, a power cord, a 6.6' speaker cable (for the satellite speaker), a 3.5mm to RCA adapter cable, and bottom cushions are also included. Advanced Design for High-Performance Sound Each DM-50D speaker produces pure, balanced bass sound, thanks to a new Class-D amplifier with 96 kHz sampling DSP. In addition, the DM-50D model features an updated DECO convex diffuser to help deliver crystal-clear high frequencies in every direction. When artists need to raise the volume, the new 5-inch woofer creates extra power and its tweeter alignment allows artists to hear pristine sound frequencies. The grooves on the ducts reduce air friction to provide tight and punchy bass, while the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 2-Way Sound Mode Optimized for DJing or Music Production Gone are the days of deciding whether a monitor is best for DJing or making music—the DM-50D speakers accommodate to both needs. Artists simply flip the switch to choose either DJ mode or Production mode, and the DSP settings will optimize for the task, leaving artists free to concentrate on their mix. DJ and Music Production Equipment Compatibility With RCA, mini-jack, and newly added TRS input terminals, artists can connect different kinds of gear including DJ controllers and mixers, or the laptop and soundcard artists use for music production. Connecting and disconnecting headphones is simple via the mini plug on the DM-50D front panel. Volume control is easily accessible with the volume level knob now featured on the front of the speaker, removing the need to reach behind the back of the speakers to adjust the sound. Sleek Design Catering to Any Style Artists can bring a slick, professional look to their setup by choosing from two different colors. The finish of the black DM-50D can seamlessly blend with classic DJ equipment while the white DM-50D-W can better complement the interior design of the artist’s creative environment. Pioneer DJ DM-50D Specs Studio Monitor Monitor Type Active 2-Way Enclosure Bass-Reflex, Shielded Power Rating 25 W RMS per Channel Impedance 4 Ohms Drivers LF Driver: 1 x 5" / 127 mm Fiberglass Woofer HF Driver: 1 x 0.75" / 19.05 mm Dome Tweeter Amplification 2 x Full-Range Amplifier: Class-D Signal Processing EQ None Filters None Parametric EQ None Connectivity Audio I/O 2 x 1/4" TRS Balanced Female Analog Input (10 Kilohms) 1 x Stereo RCA Unbalanced Female Analog Input 1 x 1/8" / 3.5 mm TRS Unbalanced Female Analog Input Digital Audio Max Sample Rate/Resolution 96 kHz / 24-Bit Power AC Input Power 110 to 240 VAC, 50/60 Hz Power Consumption 25 W 0.3 W (Standby) General Enclosure Material MDF Mounting Points None Dimensions (W x H x D) 6.9 x 10.1 x 10.3" / 175.3 x 256.5 x 261.6 mm 6.9 x 9.7 x 10.3" / 175.3 x 246.4 x 261.6 mm Weight 8.6 lb / 3.9 kg 7.7 lb / 3.5 kg Packaging Info Package Weight 20.72 lb Box Dimensions (LxWxH) 18.1 x 15.5 x 12.7"

KLJUČNE TAČKE 2 x 8” (20 cm) vufera sa membranom od Slatefibera proizvedeni u Francuskoj 200 W RMS pojačalo Neutralnost zvuka, precizna kontrola ekvilizacije basa Kompaktan dizajn, optimalna integracija Više podešavanja nego pre: niskopropusna skretnica, jačina zvuka, ulaz za kontrolnu pedalu, itd. LFE, levi i desni ulazi / levi i desni izlazi Reprodukcija zvučnih mikro-detalja; precizno podešavanje kompresije signala SPECIFIKACIJE Frekvencijski odziv (+/-3dB): 32Hz – 120Hz Maksimalni SPL: 114dB SPL (peak 1m) Ulazi - levo, desno, LFE Elektronski balansiran - 110 kΩ Ženski XLR (3 pina) Izlazi (satelitski): Levo + Desno Muški XLR sa 3 pina, paralelno na ulazima Pojačalo: 2 X 100W RMS, D-klase Interna obrada signala i funkcije: Levo + Desno mono sumiranje 60Hz ili 90Hz visokopropusna skretnica Podesiva niskopropusna skretnica, 24dB/oktava Podešavanje faze / Polaritet Korisničke kontrole Podešavanje nivoa sabvufera (osetljivost) Podešavanje granične frekvencije niskopropusne skretnice Podešavanje faze Inverter polariteta Eksterno utišavanje (kontrolisano pedalom) Napajanje: Univerzalni odvojivi IEC kabl za napajanje Sabvufer: 2 X 8" (20 cm) Focal drajveri dugog hoda sa „Slatefiber“ konusom Konstrukcija od medijapana od 7/8" (22mm) sa unutrašnjim nosačima Završna obrada: Tamno sivi vinil Dimenzije (VxŠxD): 475 x 310 x 520 mm Težina: 18,5 kg Uključeni dodaci: Zaštitna mreža/gril

The 2-way DSP crossover feeds dual Class D amplifier modules that drive the subwoofers with 500W of power and deliver 150W to the mid- and high-frequency drivers. There is a passive crossover network between the midrange driver and the tweeter. The midrange woofer is positioned above the tweeter in an unusual speaker geometry that creates the acoustic focus in the center of the cabinet. Barefoot’s approach to reference monitor speaker design has always been to provide audio professionals with exemplary sound quality, wide dynamic range and bass extension at every stage of the audio production process, from recording through mixing to mastering. But not every project begins or ends in a high-end studio that offers Barefoot MicroMain or MasterStack monitors. The new Footprint01 model is Barefoot Sound’s response to evolving modern workflows, making the company’s ultra-high performance technologies available to audio professionals working in home-based facilities, smaller writing, editing or post production rooms, or on the road. Now, composers, songwriters, musicians, beat-makers, post production specialists and others can benefit from the Barefoot sound, whatever their work environment. Description: 3-way active monitor with MEME™ voice emulation Controls: Input level stepped attenuator, MEME voice select Input Impedance: Balanced XLR, 50k Ohm Impedance Sensitivity: 90dB @ 1 meter with -15dBV input signal (Level control set to 0dB) Frequency Response: 36Hz – 45kHz (±3dB), 45Hz – 40kHz (±1dB) Bass Response: -3 dB @ 36Hz, Q = 0.707 Slope = 18 dB/octave Cabinet: 18 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout Crossover Frequencies: 250 / 3600 Hz (Passive crossover between Midrange and Tweeter) Tweeter: 1″ ring radiator, Low distortion motor, Rear waveguide chamber Midrange: 4.0″ aluminum cone, Aluminum phase plug, Low distortion motor, +/- 3.5 mm linear excursion Woofers: 8″ paper cone, +/- 9.5 mm linear excursion High Frequency Amplifier: 150W Low Frequency Amplifier: 500W AC Power Input: 85 VAC to 265 VAC Power Consumption: Idle: 2W, Maximum: 765W Weight: Speaker: 35 lbs each (16 kg) Shipping: 44.5 lbs each (20.2 kg) Dimensions HxWxD: Cabinet: 14.0 x 9.5 x 13.0 inches (356 x 241 x 330 mm) Overall: 14.0 x 10.25 x 13.6 inches (356 x 260 x 345 mm)

KEY FEATURES Clear, low-distortion audio with fast-attacking bass: Recreate club-style sound High-quality components Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that’s authentic to the original source. Aramid fiber woofer cones and Vortex Bass Accelerator Aramid fiber woofer cones provide outstanding punch that you’ll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound. The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound. Constant directivity horn Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound. Easily adjust the sound to suit your room DSP control All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that’s perfect for the room you’re working in, each speaker includes DSP settings. On the rear panel, you’ll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room. DSP control LOW EQ Use this to adjust the bass, depending on the location of your speaker and the kind of sound you want for DJing or producing music. L1: ROOM 1 – This setting reduces the bass (6 dB HPF applied at 63 Hz) and is effective when your speaker is near a wall or at times when you don’t want heavy bass, e.g. late at night. L2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. L3: ROOM 2 – This setting increases the bass (2.5 dB boost using a bell EQ at 50 Hz) and is ideal to use when you need some extra punch, e.g. in a large space. L4: CLUB BASS – More power in the bass (5 dB boost using a bell EQ at 50 Hz, and 2 dB boost using a bell EQ at 200 Hz), for a club-like sound. This setting is the best to use when you want as much bass as possible, e.g. for parties. HIGH EQ Use this to adjust the treble, depending on the location of your speaker and the kind of sound you want for DJing or producing music. H1: ROOM 1 – This setting reduces the volume of high frequencies (3 dB reduction using a high shelf EQ from 3.5 kHz to 12 kHz) and is effective when the room is reverberant and the high frequencies are overpowering. H2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. H3: ROOM 2 – This setting increases the volume of high frequencies (3 dB boost using a high shelf EQ at 7 kHz) and is ideal for generating brighter sounds in a room or space where the treble seems to be lost. H4: BRIGHT TREBLE – This setting can produce a clearer sound (thanks to a 1.5 dB boost using a bell EQ at 4 kHz and a 3.5 dB boost using a bell EQ at 8 kHz) and help the details of individual musical instruments to stand out. For example, the outlines of the sound of guitars, cymbals, trumpets, etc. can be heard more clearly. Enhance the look and sound of your setup Fresh, professional design The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear. Specifications Main Features Type Bi-amp 2-way active speaker Tweeter 1-inch (25 mm) SILK soft dome Woofer 5.25-inch (133 mm) ARAMID cone Auto Standby Yes What's in the box VM-50-W x 1 (not sold as a pair) Power cable x 1 Cushioned feet pads x 1 (4pcs/1 sheet) Precautions for Use Instruction Manual Warranty (for some regions) Specifications Maximum Sound Pressure 107 dB Width 7.8 in Height 11.81 in Depth 10.43 in Weight 12.13 lb Frequency Range 40 Hz - 36 kHz Hz Power Supply AC 100-240 V, 50 Hz / 60Hz Amplifier Output Class D with 96kHz DSP LF: 30 W / 4 Ω HF: 30 W / 4 Ω Impedance 10 kΩ High EQ 4 selective EQs Low EQ 4 selective EQs Cross Over Frequency 3 kHz Enclosure Bass reflex Enclosure material MDF vinyl laminate Baffle material HIPS with 4mm Aluminum Plate Terminals Inputs XLR/TRS combo x 1 (balanced input) RCA x 1 (unbalanced input)