SC-UX100E-K, Snaga 2x 15 W, Ostalo CD/MP3 player,FM/AM radio, Napajanje 300, Dimenzije 250 x 132 x 227 mm Težina 6.8 kg Dimenzije 36 × 36 × 38 cm Deklaracija Naziv i vrsta robe: PANASONIC CD/USB Micro System SC-UX100E-K, slim, crni Količina izražena u jedinici mere: komad Uvoznik: KImtec D.O.O. Zemlja porekla: Kina Prava potrošača: Zagarantovana sva prava kupaca po osnovu Zakona o zaštiti potrošača, kao i odgovornosti za saobraznost Povrat robe moguć unutar 14 dana

Očuvan tjuner marke Onkyo T-08 Zvučno izvanredan. Potpuno ispravan ! ! ! Molim Vas bez zamena. Slanje predmeta prodaje tek nakon uplate nа tekuci račun. Hvala na razumevanju. Svaki uredjaj pre slanja biće kratko snimljen u radu, snimak će biti poslat preko Vibera kupcu pre kupovine. Uredjaj će biti perfektno upakovan i kao takav poslat kupcu. Technical specifications : Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Analogue FM Tuning Range: 87.9 to 107.9 MHz MW Tuning Range: 530 to 1620 kHz Sensitivity: 1.9uV (FM), 25uV (MW) Signal to Noise Ratio: 65dB (FM), 40dB (MW) Distortion: 0.25% (FM), 0.8% (MW) Frequency response: 30Hz to 15kHz (FM) Output: 500mV (FM), 150mV (MW) Semiconductors: 4 x FET, 12 x IC, 36 x transistors, 48 x diodes, 15 x LED Dimensions: 418 x 72 x 275mm Weight: 3.4kg

Tip: Bubice Bežične: Da Gejmerske: Ne Povezivanje: Bluetooth Mikrofon: Da Pozicija mikrofona: Na slušalici Osetljivost: 104dB Sistem: Stereo Prečnik zvučnika: 12 mm Frekventni odziv: 20Hz - 20KHz Impedansa: 28 Ω Maksimalna ulazna snaga: 5mW Poništavanje okolne buke (mikrofon): Ne Poništavanje okolne buke (Noise-Cancelling): Ne Pozadinsko osvetljenje slušalica: Ne Kontrole: Na slušalici Kontrole (opis): Kontrola muzike, poziva i aktivacija glasovnih asistenata Napajanje: Punjiva baterija True wireless (TWS): Da Domet: Do 10m Kapacitet baterije: Bubice: 2 x 55 mAh Kutija za punjenje: 350 mAh Vreme punjenja baterije: približno 2 sata Ukupna autonomija baterije: do 18 sati Autonomija baterije: Maksimalno vreme reprodukcije jednim punjenjem: do 6 sati Maksimalno vreme reprodukcije sa kućištem za punjenje: do 18 sati Ostalo: Funkcija brzog punjenja pri praznoj bateriji - 15 minuta punjenja pruža i do 1 sata slušanja muzike Podrška za aktivaciju glasovnih asistenata Dostupan Mono režim slušanja muzike i obavljanja poziva IPX4 ocena vodootpornosti Kućište za punjenje se puni putem USB-C konektora Dimenzije (ŠxVxD): Kućište za punjenje: 59.6 x 28.9 x 45.8 mm Masa: Kućište za punjenje: 36 g Boja: Roze

Neka zabava počne sa JBL PartyBox 110 prenosivim zvučnikom. Opčiniće Vas moćni zvuk u kombinaciji sa živahnim svetlosnim efektima. PartyBOX 110 manja varijanta PartyBOX 310 sa akumulatorom pa svoju muziku možete nositi sa sobom gde nema priključka za struju Impresivni JBL zvuk za uživanje na žurkama ili kod kuće Light show za svako raspoloženje nudi Vam izbor 3 režima - Meter, Pulse and Party mode Priključite gitaru ili mikrofon i pokorite binu Baterija autonomije do 12h. U pakovanju se takođe nalazi i adapter za napajanje preko upaljača u automobilima, kada Vam strujni priključak nije dostupan Povežite dva PartyBox zvučnika bežično pomoću TWS (True Wireless Stereo) tehnologije ili žično pomoću 2 RCA izlaza Bežično, pomoću Bluetooth konekcije reprodukujte muziku sa svog telefona ili tableta JBL PartyBox 110 thumps out 160 Watts of that pounding JBL signature sound. Start the party whenever and wherever you need. Product Description Start a party with powerful sound and a dynamic light show Bring a whole new dimension to any party with the unique dynamic LED lightrings, synced to the powerful sound and deep bass of the PartyBox 110. Take the PartyBox wherever you go with the splashproof design and plug in a guitar and mic for the ultimate immersive experience. With Bass Boost and loud, powerful JBL Original Pro Sound, your friends won't just hear the music, they'll feel it as 12 hours of playtime keeps the party rocking all day or night. Use the PartyBox app for total control as you stream your tunes wirelessly. General Specifications Transducers2 x 154.6 mm /5.25" woofer, 2 x 55 mm/2.25" tweeter Output power160 W RMS Power input100 V - 240 V / 50/60 Hz Frequency response45Hz - 20KHz (-6dB) Signal-to-noise ratio> 80 dB Dimensions Dimensions (W x H x D)295 mm x 568 mm x 300 mm Weight10.84 kg Control and Connection Specifications USB formatFAT16, FAT32 USB file format. mp3, . wma, . wav USB charge out5 V / 2.1 A (maximum) Cable typeAC Power Cable Cable length2000 mm/78.7" Bluetooth® version5.1 Bluetooth® profileA2DP 1.3, AVRCP 1.6 Bluetooth® transmitter frequency range2.4 GHz - 2.4835 GHz Bluetooth® transmitter power≤ 15 dBm (EIRP) Bluetooth® transmitter modulationGFSK, π /4 DQPSK, 8DPSK Battery Battery typeLi-ion polymer 36 Wh Battery charge time3.5 hours *Music play timeup to 12 hours Deklaracija : Naziv: JBL Partybox 110 Vrsta robe: bluetoot bezicni zvucnik Uvoznik: AVL Projekt Int Doo Zemlja proizvodnje: Kina

Put Antelope Audio's pristine AD/DA conversion and massive effects processing power on your desktop with the Discrete 4 Synergy Core audio interface. A hot-rodded upgrade to Antelope's popular Discrete 4 audio interface, the Discrete 4 Synergy Core gives you dual DSP chips plus an FPGA processor working in harmony to run Antelope's expansive library of effects, as well as 3rd-party effects joining the Synergy Core platform. The Antelope Audio Discrete 4 Synergy Core interface offers 4 console-grade discrete mic preamps, 14 total inputs and 16 outputs, renowned Antelope digital clocking, and both Thunderbolt and USB connectivity for your Mac or PC. Best of all, the Discrete 4 Synergy Core comes with $3,000+ of Antelope's top effects plug-ins included free, so you can record, monitor, mix, and master your projects with world-class sound from start to finish. With a price-to-performance ratio that goes toe-to-toe with any Thunderbolt or USB audio interface available, the Antelope Audio Discrete 4 is ideal for musicians, artists and producers who need a compact, road-ready recording setup that unlocks unprecedented power to create. Key Features: Synergy Core - New Milestone Technology & Future-proof FX processing platform (DSP + FPGA) Best-in-class AD/DA conversion with 121 dB dynamic range 36 Synergy Core effects plug-ins included -- a $3,000+ value Sub-millisecond round-trip latency Antelope clocking technology on board with Word Clock output to keep your studio in sync Desktop USB/Thunderbolt audio interface with 4 console-grade mic preamps 4 XLR-1/4" combi inputs for mic/line/instrument sources L/R Monitor TRS 1/4" line outputs plus 4 TRS 1/4" line outs Expandable via S/PDIF and ADAT 35 effects expansions available separately, including AFX2DAW Bridge All effects can be automated in DAW without CPU load, thanks to AFX2DAW Bridge (Mac only) Hand-built in a road-worthy metal case Synergy Core Processing: Future-Proof Your DAW with DSP + FPGA processing Under the hood, the Discrete 4 Synergy Core is loaded with twin DSP chips plus an FPGA processor that work together to run Antelope Audio's vast collection of vintage-inspired effects plug-ins -- without sapping power from your host Mac or PC. Synergy Core increases your recording rig's stability by offloading audio effects processing to your Discrete interface's dedicated chips. Adding the Discrete 4 Synergy Core to your system means your DAW can make more efficient use of available CPU power -- extending the life cycle of your existing Mac or PC, so you don't have to upgrade to a latest-spec computer just to run all your favorite plug-ins. With Antelope effects running on Antelope hardware, your system is optimized right out of the box -- allowing you to shorten your audio buffer size, reduce latency, eliminate clicks and pops, and free up your host computer to run CPU-heavy VST synths, samplers, and native time-based effects. 1 FPGA + 2 DSP = More Effects, More Variety Antelope Audio's industry-leading FPGA audio processing platform gives you lower latency in effects chains, allowing you to stack effects while adding mere microseconds, not milliseconds, to your signal. The Discrete 4 Synergy Core fuses both FPGA + DSP chips in one Antelope audio interface, harnessing the parallel processing power of FPGA alongside the latest-generation state-of-the-art ARM DSP chips developed for cloud computing and mobile tech -- processors that deliver a faster clock rate than other DSP chips used in the audio interface market. This exclusive hybrid architecture offers computing power synergies unique to Antelope Audio, greatly expanding the variety of Antelope effects that can be developed -- including time-based delays, choruses, flangers, and beyond. Your Discrete 4 Synergy Core arrives loaded with 36 Antelope FX included free -- classic compressors, studio EQs, must-have reverbs, tube guitar amp models based on iconic vintage gear -- and all the processing power you need to run them! Uncompromising Analog-to-Digital and Digital-to-Analog Conversion Quality A-to-D and D-to-A converters are at the heart of every DAW-based audio recording and playback system -- and your converters can make or break your studio. That's why the Antelope Audio Discrete 4 Synergy Core is loaded with proven, best-in-class AD/DA with 121 dB of dynamic range on the analog inputs and monitor outputs -- so you can capture and monitor your sound with Antelope clarity at up to 192 kHz/24-bit resolution. Comprehensive I/O in a Portable Desktop Audio Interface The Discrete 4 Synergy Core offers all the same I/O as Antelope's hit original Discrete 4 interface. With both USB and Thunderbolt I/O, the Discrete 4 Synergy Core lets you choose how you want to connect to your Mac or Windows PC. On the front panel, you'll find two XLR-1/4" combi inputs with switchable mic/line/instrument preamps, and four independent headphone outputs -- enough for you and all the artists you're recording. Take a look at the back panel, and you'll see two more XLR-1/4" combi inputs, two 1/4" outputs to feed your monitors plus 4 more line outs to connect to outboard gear, ADAT and S/PDIF digital I/O via optical TOSlink, and two Word Clock outputs to get your studio in sync with Antelope's legendary digital clocking. Hand-built by Antelope engineers to give you extensive analog and digital I/O in a robust, compact unit, the Discrete 4 Synergy Core gives you serious bang for your I/O buck. Antelope Audio's Proven Clocking Technology Top recording studios, film and broadcast facilities, and massive live productions rely on Antelope Audio master clocks like the OCX HD and Pure2 to maintain stability and sonic integrity in PCM digital audio. A reliable master clock lies at the heart of every pro studio, and the Discrete 4 Synergy Core wouldn't be an Antelope Audio interface if it didn't offer rock-solid clocking. Loaded with Antelope's 4th-Generation 64-bit Acoustically Focused Clocking (AFC) jitter management algorithm, the Discrete 4 Synergy Core offers two 75-ohm BNC Word Clock outputs so you can expand your studio with more digital gear and clock it all to the Discrete 4 Synergy Core. Add Antelope's industry-leading digital clocking to your studio, and capture recordings with greater clarity, dimension and detail. 36 Synergy Core effects plug-ins included -- a $3,000+ value Gyraf Gyratec IX Tube Mic Preamp VCA160 Compressor Stay-Levin Compressor FET-A76 FET Compressor VEQ-1A Tube EQ VMEQ-5 Tube EQ X903 Compressor / Limiter FeedForward Antelope Compressor Compressor Clear Q Parametric EQ Power EX Expander VEQ-HLF Passive High/Low Filter Auraverb Reverb BA-31 Mic Preamp Power Gate Gate Plexi 59 (UK) Tube Guitar Amp Bass SuperTube VR Tube Guitar Amp Darkface 65 (US) Tube Guitar Amp Top30 (UK) Bright Tube Guitar Amp Tweed Deluxe (US) Tube Guitar Amp Overange 120 (UK) Tube Guitar Amp BurnSphere (DE) Lead Tube Guitar Amp Marcus II (US) Lead Tube Guitar Amp Modern (US) CH3 Tube Guitar Amp Rock 75 (UK) Tube Guitar Amp Rock 22.10 (UK) Tube Guitar Amp Darkface 65 2x12 Guitar Cabinet Top30 2x12 Guitar Cabinet Modern 4x12 Guitar Cabinet Green 2x12 Guitar Cabinet Vintage 4x12 Guitar Cabinet Green 4x12 Guitar Cabinet Caliper 50 1x10 Guitar Cabinet Bluelux 1x12 Guitar Cabinet Clst 1x12 Guitar Cabinet England 4x12 Guitar Cabinet Bass Tube 1x15 Guitar Cabinet Specifications: Analog Analog Inputs: 2 x Mic / Line Inputs, 2 x Mic / Line / Hi-Z Inputs Analog Outputs: 1 x Monitor Out on TRS 1/4 Jacks, +20 dBu max, 4 x Line Outs on TRS, +20 dBu max, 4 x Stereo Headphone Outputs Mic Preamp EIN: -128 dBu (A-weighted) Dynamic Range: -121 dB (A-weighted) THD: -106 dB Max input: +18 dBu Max Gain: 65 dB D/A Monitor Converter Dynamic Range: 121 dB THD + N: -100 dB A/D Converter Dynamic Range: 121 dB THD + N: -112 dB D/A Converters(Line Out) Dynamic Range: 118 dB THD + N: - 100dB DC Coupled Digital Digital Inputs: 1 x ADAT (up to 8CH), 1 x S/PDIF Digital Outputs: 1 x ADAT (up to 8CH), 1 x S/PDIF USB 2.0 I/O: USB 2.0 Type B connector Thunderbolt: Thunderbolt connector Clocking Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz Clocking System: 4th Generation Acoustically Focused Clocking 64-bit DDS Sample Rates (kHz): 32, 44.1, 48, 88.2, 96, 176.4, 192 Other Operating Temperature: 0-50°C, 32-122°F Weight (Approx): 1.7 kg Dimensions (Approx): Width: 261 mm Height: 44 mm Depth: 208 mm Power Consumption: 15 Watts In the box Discrete 4 Synergy Core Interface Quick Start Guide Wart External Power Supply Unit USB Cable Warranty Card

The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! Highlights Balanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem solver. Its pro-class sound qualifies it also as extension for other premium converters. The ADI-2 FS is equipped with two servo-balanced analog line inputs via XLR/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I/O, and a coaxial SPDIF I/O (RCA, AES/EBU compatible). These extensive connectivity options provide most flexible and uncompromised signal transmission. The analog inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analog domain. A further highlight is SteadyClock FS,RMEs latest clock technology for maximum jitter suppression and lowest self-jitter. It guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x family and the AK4490 not only offer 192 kHz sampling frequency and lowest distortion, but also a dynamic range of 120 dBA. But the ADI-2 has more to offer than tremendous sound. It also provides exciting digital connectivity. Its coaxial RCA SPDIF I/O has a switchable Channel Status to make it fully AES/EBU compatible (cable adapter required). The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O, even at 192 kHz. An operation with SPDIF input and ADAT output or vice versa is supported, in both AD/DA and D-D mode. The clear layout and distinct labeling of the front panel with its functional buttons, the informative status display, a 6 LED level meter as well as the tidy back panel make it easy to operate the unit right out of the box. Unexpected Versatility With input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output. A format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analog output circuitry directly to the analog input circuitry. The DA converter is no longer active. The AD converter continues to convert the analog input signal to SPDIF (AES) or ADAT, with the outputs SPDIF coaxial and ADAT optical simultaneously available. This 'analog bypass' allows the ADI-2 FS to be used as an analog preamp. Gain and attenuation can be achieved via the level adjustment of input and output, or even fully variable when the VOL potentiometer is inserted. In this mode, the ADI-2 FS supports analog levels up to +22 dBu. In addition, it can work as a converter balanced to unbalanced and vice versa. The front panel knob adjusts the volume of the headphone output. It can also be inserted into the rear signal path via a simple key combination, so that the rear line outputs can be steplessly adjusted in level as the phones output. The choice of three hardware levels stays available, thus allows for a better matching of the desired levels on front and rear outputs. High Power² Headphone Output The ADI-2 FS uses a down-scaled version of the ADI-2 Pro's Extreme Power output stage. With power of up to 0.7 watts per channel, 0.1 ohm output impedance, a maximum output level of +19 dBu and very low THD (-110 dB), the High Power² circuitry is universally applicable. A relay ensures click-free on and off switching. Power Supply Power is supplied via an included, external switching power supply with lockable connector. Thanks to a wide operating voltage range of 9 - 15 volts, the ADI-2 FS can be easily used with battery or rechargeable battery, thus also for mobile use. It is also fully suitable for e.g. a galvanic isolation in the laboratory or measuring applications. Specs: ANALOG AD Signal to Noise ratio (SNR) @ +19 dBu: 117 dB RMS unweighted, 121 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz THD @ -1 dBFS: -114 dB, 0.00015 % THD+N @ -1 dBFS: -112 dB, 0.00025 % Channel separation: > 110 dB Max Input Level AD: +19 dBu Input: XLR or 1/4" TRS, electronically balanced Input impedance balanced: 36 kOhm, unbalanced: 18 kOhm Input sensitivity switchable: +4 dBu, +13 dBu, +19 dBu @ 0 dBFS DA Signal to Noise ratio (SNR): 117 dB RMS unweighted, 120 dBA Frequency response @ 44.1 kHz, -0.1 dB: 10 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 44.9 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 88 kHz THD @ -1 dBFS: -112 dB, 0.00025 % THD+N @ -1 dBFS: -110 dB, 0.00032 % THD @ -3 dBFS: -116 dB, 0.00016 % Channel separation: > 110 dB Max Output Level DA: +19 dBu Output: XLR balanced, 1/4" TRS unbalanced/balanced Output impedance: XLR balanced 150 Ohm, TS unbalanced 100 Ohm Output level switchable: +4 dBu, +13 dBu, +19 dBu @ 0 dBFS DA - Phones as DA, except: Output: 6.3 mm stereo TRS, unbalanced Output impedance: 0.1 Ohm Output level at 0 dBFS, load 100 Ohm or up: +19 dBu (6.9 Vrms) Max power 32 Ohm load: 0.7 W per channel (0.01% THD, +16 dBu, 4.9 Vrms) THD 32 Ohm load @ +15 dBu: -110 dB, 0.0003 % Mode ANA (Analog In to Analog Out) Signal to Noise ratio (SNR) @ +19 dBu: 123 dB RMS unweighted, 126 dBA Signal to Noise ratio (SNR) @ +13 dBu: 119 dB RMS unweighted, 122 dBA Signal to Noise ratio (SNR) @ +4 dBu: 112 dB RMS unweighted, 115 dBA Frequency response -0.5 dB: 1 Hz – 120 kHz THD+N @ +19 dBu: -116 dB, 0.00016% Channel separation: > 120 dB Maximum input / output level: +22 dBu DIGITAL Clocks: Internal, ADAT In, SPDIF In Jitter suppression of external clocks: > 50 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates with external clocking (SPDIF): 28 kHz up to 200 kHz Supported sample rates with external clocking (ADAT): 40 kHz up to 49 kHz Internal clocks: 32 kHz, 44.1 kHz, 48 kHz, 64 kHz, 88.2 kHz, 96 kHz, 176,8 kHz, 192 kHz Digital I/O Digital input coaxial ground-free transformer coupled Formats: optical (TOSLINK), RCA (SPDIF, AES/EBU compatible) Format Consumer SPDIF according to IEC 60958 Format Professional according to AES3-1992 Amendment 4 SPDIF coaxial RCA, according to IEC 60958 High-sensitivity input stage RCA: < 0.2 Vpp input level Output voltage RCA Consumer 0.7 V, Professional 1.4 V Single Wire mode, sample rate 28 kHz up to 200 kHz SPDIF optical 1 x optical, according to IEC 60958 Sample rate 28 kHz up to 200 kHz ADAT TOSLINK Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz General Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts Idle power consumption: 5,2 W (430 mA @ 12V) Max. power consumption: 10 Watts (830 mA @ 12 V) Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1") Weight: 900 g ( 2.0 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing

DALI OBERON 7 The floor-standing DALI OBERON 7 speaker is a true showcase of DALI ideas, traditions and inventions - all wrapped in an elegant and modern design. It redefines what is possible, both in audio quality and visual design, in its price range. The two 7" woofers and one oversized 29 mm ultra-lightweight soft dome tweeter delivers the very best in deep bass and large room performance. Despite its size, this speaker is surprisingly delicate and will impress with its ability to render any music style naturally and lifelike. CONTEMPORARY DESIGN The rounded edges and rustic fabric of these new DALI front grilles add a lighter and more contemporary visual look to the OBERON series. This look is enhanced by the elegantly shaped aluminium base mounted on the two floor-standing models. PATENTED SMC The iron pole piece of the OBERON woofer magnet is crowned by a patented SMC disk - minimizing the negative effects of the iron. The use of the SMC disk greatly reduces mechanical distortion, which lowers third order distortion. This allows for a longer listening pleasure, a relaxed midrange and a surprising amount of detail for its price class. WOOD FIBRE CONE The OBERON woofer features a wood fibre cone with a blend of fine grain paper pulp, reinforced with wood fibres, which creates a stiff, light-weight and well-behaving structure. In combination with a low-loss surround and spider suspension, this cone reproduces the micro details in the signal - unfiltered and with high accuracy. EASY TO POSITION The driver materials, crossover design and geometry applied in the OBERON series has been selected to achieve a wide dispersion pattern. This ensures a well-integrated sound, even when listening at a significant off-axis angle. An added benefit is seriously reduced harmonic distortion and diffractions causing frequency distortion. This is why all DALI speakers are not designed to be toed-in. PRODUCT DETAILS With the launch of the DALI OBERON loudspeaker series, we have picked the best elements from our current speakers and brought them together in a series that delivers on audio quality, looks and versatility. This large floor-standing OBERON 7 speaker features 2 x 7” wood fibre SMC based woofers and an oversized 29 mm ultra-lightweight soft dome tweeter. This, combined with the large but elegant cabinet, delivers the very best in deep bass and large room performance. Despite its size, this speaker is surprisingly delicate and will impress with its ability to render any music style naturally and lifelike even at lower volumes. This makes the OBERON 7 perfect for almost any audio setup and any music or movie style. With the OBERON 7, we have made it easy to integrate your loudspeakers into any room. Both the driver materials and geometry applied in the OBERON 7 has been selected to achieve a wide dispersion pattern in the listening area. The same principles have been applied in the design of the crossover. As result, you will experience a well-integrated sound, even when listening at a significant off-axis angle. This is important as you are rarely seated directly in front of your loudspeakers when listening to music. An added benefit is seriously reduced harmonic distortion and diffractions causing frequency distortion, as these will always be stronger in an on-axis response. This is also the reason why all DALI speakers are not designed to be toed-in. WOOFER The OBERON 7 features a pair of 7" low-loss woofers that are optimised with a new wood fibre structured cone which is dedicated to reproduce the delicate midrange and bass frequency area - like every other driver made by DALI. It is constructed from a blend of fine grain paper pulp and reinforced with wood fibres, which creates a stiff, light-weight and well-behaving structure. In combination with a low-loss surround and spider suspension, this cone reproduces the micro details in the signal - unfiltered and with high accuracy. For the OBERON 7 and OBERON 3, we chose a 7" driver with a membrane that has a 15% larger dimension than the common 6½ market standard. The larger cone area allows a lower voice coil excursion at the same sound pressure level compared to a 6½ woofer. It also allows a higher maximum sound pressure level, which leads to an effortless reproduction of the dynamics in the music. The membrane terminates in a rubber surround that is chosen for its soft and very flexible properties. This gives the membrane free movement with a very low dampening effect, and leaves the magnet motor to control the membrane movement. SMC The use of SMC in the OBERON 7 greatly reduces mechanical distortion caused by hysteresis and eddy currents. These combined improvements in the magnet motor system results in a lowering of third order distortion. This allows the OBERON 7 to present longer listening pleasure, a relaxed midrange and a surprising amount of detailing for the class. The magnet motor itself consists of a large ferrite magnet that sorrounds a pole piece made with a unique combination of iron and SMC. The iron ferrrite forms the lower base of the pole cylinder, topped of with 10 mm SMC disk to crown the pole piece. This combination minimizes the negative effects of the iron, while placing the SMC disk right in the main working area of the 4-layer voice coil. This placement ensures the maximum effect from the SMC on the voice coils environment, resulting in a greatly improved constant flux field. TWEETER The brand new 29 mm ultra-light soft dome tweeter used in the OBERON 7 is manufactured by DALI and has been developed specifically for the OBERON series - combining well proven technologies from our existing DALI ranges with new features. The oversized 29 mm membrane is constructed based on an ultra-light wave weave fabric and is additionally optimised for a larger bandwidth in its lower frequency area. This ensures the optimal handover from the midrange woofer to the tweeter, creating a well-balanced, unforced and very coherent upper midrange. Compared to most soft dome tweeters in the market, the DALI dome material is less than half the weight (0.060 mg/mm2). The large size of the membrane lets the tweeter generate higher sound pressure with less excursion, keeping the voice coil motion to a precise minimum. The tweeter front plate near the dome has been designed with similar geometry as the OPTICON and RUBICON tweeters to create the optimal working conditions for the soft dome. The aim is to combine an extended frequency response with wide dispersion and low coloration. CABINET The cabinet housing of the OBERON 7 is constructed from high-density CNC machined MDF board - dressed in carefully selected high-grade vinyl. The OBERON 7 cabinet employs a very rigid construction, with solid bracings across the inside of the cabinet for reinforcement. This contributes to the stiffness and practically eliminates resonance within the cabinet. To optimise timing, the speakers are fitted with acoustic damping material internally along the sides, top and bottom. This creates a more direct contact between woofer and bass port. The audible result is a more precise bass and increased ‘attack’ in the midrange. The bass ports are placed on the rear of the OBERON 7, optimising room integration by utilising the wall for improved bass performance. With the OBERON range, DALI introduces a brand new front grille design. The new rounded front grille adds a lighter and more contemporary visual look to the speaker series. 'Mountain Grey' is the standard grille supplied with the light finishes (White and Light Oak), while 'Shadow Black' is standard on the dark finishes (Black Ash and Dark Walnut). For an all white look, 'Marshmallow White' is also available as an accessory. The elegantly shaped aluminium base gives the floor-standing OBERON 7 a lighter look DALI OBERON WHITE PAPER DALI OBERON MANUAL DALI OBERON BROSHURE DALI OBERON 7 SPECS Product series OBERON Frequency Range (+/-3 dB) [Hz] 36 - 26,000 Sensitivity (2,83 V/1 m) [dB] 88.5 Nominal Impedance [ohms] 6 Maximum SPL [dB] 110 Recommended Amplifier Power [W] 30 - 180 Crossover Frequency [Hz] 2,300 Crossover Principle 2-way High frequency driver, Quantity 1 x 29 mm High frequency driver, Diaphragm type Soft Textile Dome Low frequency driver, Quantity 2 X 7" Low frequency driver, Diaphragm type Wood Fibre Cone Enclosure type Bass Reflex Bass Reflex Tuning Frequency [Hz] 39.5 Connection Input Single Wire Recommended Placement Floor Recommended Distance From Wall [cm] 20 - 80 Dimensions With Base (HxWxD) [mm] 1015 x 200 x 340 Accessories Included Manual Rubber Feet Spikes Front Grille Weight [kg] 14.8 Deklaracija : Naziv: DALI Oberon 7 Vrsta robe: STEREO ZVUCNICI Uvoznik: AUDIO PLUS DOO Zemlja proizvodnje: DANSKA

The Multichannel Flagship Interface The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application. Packed with professional features, including SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering. Powerful USB 3 Performance The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium. The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required. Comprehensive MADI Connectivity The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series. To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial. Powerful Applications for Mixing, Monitoring and Measurement included The Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi. DC-Coupled Outputs - CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UFX III’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. USB 3 Class Compliant Audio The Fireface UFX III operates in two different modes: driver-based USB 3 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level. ARC USB Remote Control - Plug’n Play Plus The optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX III. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III. DURec (Direct USB Recording) DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. SPECS Fireface UFX III Analog AD, Line In 1-8, rear Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD+N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable digital gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance @ 1 kHz: 3.4 kOhm Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 % Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Input: 6.3 mm TS jack, unbalanced Input impedance @ 1 kHz: 1 MOhm Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 % Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear Output: 6.3 mm TRS jack, servo-balanced Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz THD+N: < -110 dB, < 0.00032 % Channel separation: > 110 dB Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 75 Ohm DA - Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 150 Ohm DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +2 dBV Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu) Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA Output impedance: 2 Ohm MIDI 2 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output 1 x MIDI I/O via MADI Invisible transmission via User bit of channel 56 (up to 48 kHz) Invisible transmission via User bit of channel 28 (up to 96 kHz) Digital Clocks: Internal, ADAT, AES, SPDIF, word clock Jitter suppression: > 50 dB (> 1 Hz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz Digital Inputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) ADAT Optical 2 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (> 1 Hz) SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp – 5.6 Vpp Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Digital Outputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT 1 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Max. output voltage: 5 Vpp Output voltage @ 75 Ohm termination: 4.0 Vpp Output impedance: 10 Ohm Frequency range: 27 kHz – 200 kHz General Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts Idle power consumption: 19 Watts Typical power consumption: 22-25 Watts Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") Total depth: 240 mm (9.4”) Weight: 3 kg ( 6.6 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensingAll trademarks are the property of their owners.