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Featuring the sonic signature of the Hi-X6 series, with its natural and spacious sound, the Hi-X60 over-ear, closed-back design is ideally-suited for use in loud environments, for example, in the studio or front-of-house (FOH). In the studio the Hi-X60's closed-back isolation prevents sound from escaping out into the recording environment and interfering with the microphone capture. At FOH the high passive noise suppression ensures an optimum signal-to-noise ratio creating an accurate and hearing-friendly sonic environment. For instrument or vocal tracking both features work together to provide the artist with a coherent, healthy signal without leakage. Key features Closed Back Design Outstanding high-precision sound thanks to proprietary Hi-X technology (High Excursion) Drivers Best-in-class comfort with special slow retention memory foam earpads to keep you comfortable even during the longest sessions Replaceable ear pads and bow pad, for long lifetime and hygienic use Detachable cable that can be easily replaced (1x 3m and 1x 1.2m included) Metal hinges and bow for maximum durability and stability Foldable construction for easy storage Made in Austria
Now there’s a compact XLR studio microphone for making professional recordings anywhere, any time. iRig Mic Studio XLR is an ultra-compact cardioid studio condenser microphone designed to be used in your standard studio setup, or for capturing pro recordings on the go with your iOS, Android or Mac/PC and a compatible interface like iRig Pro Duo, iRig Pro or iRig Pre. Developed for professional studio-quality recordings, the iRig Mic Studio XLR features a high quality unidirectional 1" condenser-electret microphone capsule. The iRig Mic Studio XLR is a pro-quality condenser microphone that requires 48v phantom power which may be provided by a mixer, external microphone preamplifier or interfaces like iRig Pro Duo, iRig Pro or iRig Pre. Output from the microphone's XLRM-type connector is Low impedance balanced. Record anything – anywhere Despite its professional features and sound, iRig Mic Studio XLR is extremely compact and affordable, with just 45 mm diameter and about the length of an iPhone. iRig Mic Studio XLR fits easily into your laptop or gig bag for on-the-go recording anywhere inspiration strikes. Simply plug iRig Mic Studio XLR into your mobile interface’s XLR input, turn on the phantom power, adjust the gain settings for your application and hit record. Use iRig Mic Studio XLR to record ideas quickly and easily — mic your guitar amp in a snap, capture that acoustic performance with ease or over-dub a stunning vocal into your mix on the go. You can use it to record a single performance, or an entire band. And with its unidirectional pattern design, you can easily capture your audio source with no background noise interference. When used with an iRig Pro Duo, you’ll have the perfect idea-capturing system for the traveling singer-songwriter group writing sessions — plug iRig Mic Studio XLR into one channel for vocals and use the other channel for your acoustic input. AmpliTube and VocaLive for iOS both support multi-channel recording giving you the perfect “plug-and-play” solution for recording mobile sessions. Now you have the XLR flexibility to grab stunning audio on the go with iRig Mic Studio XLR. Features Professional studio microphone with large-diaphragm capsule Ultra-compact size that’s easy to carry around High-quality 1” back electret condenser capsule Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Perfect for use with iRig Pro Duo, iRig Pro and iRig Pre, but works with any standard XLR interface/input 48v Phantom power required Includes portable tripod tabletop stand and microphone stand clamp Specs iRig Mic Studio XLR Specifications Microphone Type: condenser, back electret Capsule Size: 1” Polar Pattern: cardioid, unidirectional Frequency Response: 20Hz - 20kHz Maximum Sound Pressure: 142dB Sensitivity: -37.5dB at 1 kHz Equivalent Noise Level, A-weighted: 17dB-A Connector Type: male 3-pin XLR Package includes iRig Mic Studio XLR microphone XLR connection cable (2m/6') Mic clamp Table top stand Dimensions Size: 45mm/1.77” x 117mm/4.61” Weight: 218g/7.69oz Cables length: 2m/6' Compatibility Compatible with any microphone preamplifier with phantom power supply. Can be connected to a Mac, PC, iPhone, iPad, iPod touch using an interface like iRig Pro Duo, iRig Pro or iRig Pre.
The sE X1 is one of our most popular microphones and whether you’re recording vocals, percussion, guitar or any other instrument, the sE X1 is the perfect choice. It features a hand built capsule with a 10dB pad and low cut bass filter and is finished in noise damping black paint. The sE X1 is ideal for both male and female vocals. The sE X1 Vocal Pack consists of everything you need to start recording straight away in your project and home studio. The unique shockmount mounting system makes for quick and easy setup. The sE X1 Vocal Pack includes the recording essentials; sE X1 condenser microphone, a shock mount, sE Metal Pop Filter and a 3m high-quality microphone cable. The sE Metal Pop Filter is crucial for recording vocals and has been created with the metal screen louvered at a slight angle. This redirects any ultra-low frequency blasts leaving the vocal performance unaffected and without any low frequency ‘pop’s. Being made of metal as opposed to the traditional fabric shield makes the sE Pop Filter much more durable. Technical Specs for the sE X1 Condenser microphone: Frequency Response: 20Hz-20KHz Sensitivity: -32 dBV/Pa (25.1mV/Pa) Polar Pattern: Cardeoid Impedance: ≤ 200 Ohms Equivalent Noise Level: 16dB(A weighted) Max SPL for 0.5% THD@1000Hz: 125dB Power Requirement: Phantom power 48V±4V Connector: 3-pin The sE X1 Vocal Pack includes: sE X1 Condenser microphone sE Metal Pop Filter sE Shock Mount sE XLR-XLR 3m Microphone Cable
Everybody´s darling The AKG K240 MKII professional over-ear, semi-open headphones carry on the success of their predecessor—the AKG K240 Studio—and are a standard in studios, orchestras and on stages around the world. Their advanced 30 mm XXL transducers with patented Varimotion diaphragms deliver a wide dynamic range, increased sensitivity and high sound levels, while their semi-open design provides the airiness of open headphones with the powerful bass response of closed designs. With impressive accuracy, musicians, producers and engineers rely on the AKG K240 MKII to clearly hear mixing details, which has made these headphones a standard in recording settings. In addition to great sound quality, the headphones are extremely durable and comfortable. Not only built to withstand the demands of countless hours in the studio, their self-adjusting headband provides an ideal fit and their over-ear pads nicely envelop the ears. The AKG K240 MKII headphones also feature a professional mini XLR connector and come with a 3m (10ft) straight cable, 5m (16ft) coiled cable and convertible jack plug for connecting portable equipment easily. Altogether, from performance and ease of use to comfort and reliability, the AKG K240 MKII is a powerful tool for production environments. Specs General Specifications Headphone type: semi-open Sensitivity headphones: 104 dB SPL/V Rated Impedance: 55 Ohms Detachable cable: yes Cable Length: 3 m Earpads replaceable: yes Audio Specifications Maximum input power: 200 mW Audio frequency bandwidth: 15 - 25000 Hz Dimensions Length: 110 mm Width: 190 mm Height: 200 mm Net Weight: 240 g Audio Interface Type: Stereo plug – 3.5mm (1/8-inch) with 6.3 mm (1/4”) screw-on adapter Gender: Male Contacts: 3-pin Interface finish: Gold Cable Detachable: Yes Wearing Style Over-ear: Yes Application Studio Monitoring: Yes Hi-Fi Listening: Yes Foldable Not foldable: Yes Cup Style Semi-open: Yes Features Foldable: No
Studio sound wherever you go Professional musicians and audio engineers rely on high-quality headphones in the studio to make sure they can hear every sonic detail. PreSonus® Eris HD10BT headphones provide studio-quality audio performance with the mobility and freedom of Bluetooth connectivity. Active Noise Canceling (ANC) reduces ambient sounds by up to 18 dB, so whether you’re walking down a busy street, or sitting in the middle seat on an airplane, you can listen to your favorite music, podcasts, or binge-worthy TV series in vivid sonic fidelity. Professional performance Eris HD10BT headphones are built with 1.57-inch (40 mm) drivers that deliver superior clarity and extended bass response you’d expect from professional studio headphones. The over-ear design ensures optimal sound isolation whether you’re producing your next record or listening to your favorite artist’s latest release. Flexible connectivity Designed to be used wired or wirelessly, Eris HD10BT headphones provide touch controls to quickly pair your Bluetooth device, wirelessly start and stop audio, adjust the volume, and navigate to your favorite track. With up to 16 hours of battery life, the Eris HD10BT headphones will let you listen comfortably all day long. The included cable lets you connect your Eris HD10BT headphones to your audio interface, mixer, or computer. A built-in microphone and basic call function even let you answer the phone without missing a beat. Get personal space—even in a crowd Long commutes and plane rides are the ideal time to catch up on audiobooks, podcasts, and your watch list, but noisy companions can get in the way of enjoying your downtime. Active Noise Canceling turns your Eris HD10BT headphones into your own private listening environment. ANC can be activated with or without Bluetooth, so you can use it whenever and wherever you need it. The included hardshell case holds your Eris HD10BT plus its included cables and adapter, so your headphones are ready to fit in your carry-on, purse, or backpack—take studio sound with you wherever you go. Features: Bluetooth® 5.0 wireless for mobile use, plus wired connectivity for use with professional devices, when wireless operation is prohibited, or when battery life is low (cable and ⅛”- to-¼” adapter included) Active Noise Canceling (ANC) to reduce environmental noise Closed back, over-ear design for superior isolation Easy-to-use level and track navigation controls 40 mm drivers for studio-quality sound reproduction Single-button call functionality with built-in microphone. Answer the phone without missing a beat Up to 16 hours of continuous battery life 96 dB sensitivity (±3 dB) Balanced frequency response (20Hz - 20kHz) Micro USB charging cable and hardshell carrying case included Technical Specifications: Type: Closed cup, circumaural Drivers: 40 mm, 16 ohm Frequency Response (Headphones): 20 Hz to 20 kHz Frequency Response (Microphone): 100 Hz to 10 kHz Sensitivity (Headphones): 96 dB Sensitivity (ANC Microphone): -36 dB Sensitivity (Call Microphone): -45 dB Bluetooth Operating Range: 33 feet (10M) Playtime: Up to 16 hours (ANC off), Up to 8 hours (ANC on) Lithium Battery: 3.7V, 300mAH User Controls: Power/pair/call answer, volume, ANC on/off Connections: 1/8" stereo audio input, micro USB charging port Included Accessories: Micro USB charging cable, 1/8" audio cable, 1/8" to 1/4" audio adapter, hardshell carrying case
Hear for yourself. Mix for everyone. When you need to do serious work without bothering anyone in your living space and without being distracted by outside sound, choose PreSonus® HD9 headphones. They're clean-sounding, extra-comfortable, and offer a broad, transparent frequency response that ensures accurate mixing. Nothing but clear, accurate sound. The HD9’s closed-back acoustic design provides superior listening isolation and reduces headphone bleed, so you hear nothing but music—and your housemates hear nothing at all. Peerless construction, surgical accuracy. The HD9's 45 mm dynamic, neodymium drivers and high power handling (900 mW per channel into 40 ohms) deliver loud, clear, clean audio, minimizing listening fatigue. Best of all, its tailored frequency response extends all the way from 10 Hz to 26 kHz, with accurate bass response, enabling precise mixes. Comfort matters. The lightweight HD9 features an adjustable headband, cups that rotate 180° on two axes, and comfortable, durable ear pads. The straight, ten-foot cable drops down one side so it doesn’t get in your way. The result is a comfortable listening experience that you’ll continue to enjoy during long sessions. And the HD9 is built tough so you can rely on it wherever your travels take you. You listen thoughtfully—so why not think like a listener? The PreSonus HD9s are an invaluable addition to your sonic toolbox. While there will always be a place in the studio for powerful and articulate studio monitors, fact is that more people are choosing portable, personal listening solutions nowadays. As trends in listening shift, it’s wise for you to check your mixes on high-quality headphones as well as on your finely calibrated studio monitors. With the HD9s, you can rest assured that your mixes are translating well across myriad listening environments. And with the HD9’s combination of comfort, adjustability, sturdy construction, and acoustic isolation, you can mix better for longer.
Prvo što vidite je perfektan dizajn... A onda ih poslušajte... Prethodnik svih visoko kvalitetnih HI-FI modela iz Ultrasone programa i jos uvek njihov best-seller. -S-Logicâ„¢ Natural Surround Sound Plus Dynamic principle -Frequency range 10-26.000 Hz -Impedance 35 Ohm -Sound pressure level 96 dB -MU Metal bufferboard, reduced field emissions in accordance with ULE (=Ultra Low Emission) standard -Driver 40 mm gold-plated -Weight 285 g (without cord) -Straight cord (length ca 1m) / 3.5mm gold-plated plug -Incl. extension cord (ca 4m) 3,5/6,3 mm screwable gold-plated plug -Transportation bag -Demo CD -Instruction manual Prvobitno zamišljene za studijski rad, HFI 780 su tokom godina doživele nekoliko značajnih modifikacija, prvenstveno da se prilagode muzičkim i filmskim entuzijastima. Napretkom u muzičkoj, a naročito u filmskoj produkciji, te promene su najviše izražene stalnim povećanjem frekventnog opsega, stavljajući poseban akcenat na bas frekvencije, da bi dobili što vernije rezultate. Samim tim su idealno rešenje kod korišćenja bilo kog DSP sistema (DOLBY HEADPHONEâ„¢ , Yamaha silent cinema itd...). Rezultat je čisto uživanje...
800 Watt Amplifier with 2 Flexible Output Channels for Installation Applications E SERIES E 8:2 The E 8:2 Has Smart Green Credentials Delivering Low Lifetime Cost of Ownership Small in Size, Huge in Benefits Building on LAB GRUPPEN’s touring reputation for sonic excellence and rock-solid durability, E Series brings a competitive edge to the installation market by adding ultra-compact size, high operating efficiency, output configuration flexibility, and an unprecedented cost-benefit ratio. At the heart of E Series is LAB GRUPPEN’s IDEEA (IntelliDrive Energy Efficient Amplifier) technology. Based around a patented Class D variant output stage, IDEEA produces high power levels with very low distortion while drawing minimal mains current. LAB GRUPPEN’s proprietary Rail Sensing Limiter (RSL™), also exclusive to E Series, greatly reduces signal clipping to ensure high quality audio output at all times. User configurable for Hi-Z (70 V) or Lo-Z, RSL senses rail voltages and optimizes each output for instantaneous load conditions. RSL settings also facilitate asymmetric loading of the channels to optimize performance and efficiency. Total available output power can be allocated among the channels as required by the application. This makes it possible, for example, to drive a small sub on one channel, a number of 70 V ceiling loudspeakers on the second channel. LAB GRUPPEN Performance with Energy Star Compliance LAB GRUPPEN’s IDEEA architecture secures full Energy Star compliance by combining net operating efficiency of greater than 80% with an auto-power-down feature. After 20 minutes with no input signal, the amplifier automatically switches to standby mode – with consumption of less than 1 W – and switches back on when an input signal returns. GPIO facilities enable third-party systems to remotely control and monitor power state via contact closure. Smart Green Credentials with Our IDEEA Platform The now proven IntelliDrive Energy Efficient Amplifier (IDEEA) platform represents the latest evolution of our amplifier design philosophies, drawing from technologies in our flagship PLM Series, to create ingenious contractor solutions with supreme green credentials. Energy Star Qualified By maintaining very low current draw during operating cycles even at high output levels, and reduced power consumption during non-operational cycles, our Energy Star qualified products harness impeccable LAB GRUPPEN sonic performance and robust power output while meeting the rigorous efficiency requirements of current Energy Star certification standards. Flexible Asymmetric Loading Optimize performance and efficiency from each individual unit - allowing the total available output power to be utilized unequally between the channels, or for mono use with all power on a single channel. Enabling you to drive a small sub on one channel and a number of 70 V distributed ceiling loudspeakers on the other. Features 800 W amplifier carrying 2 flexible output channels in a high power density 1 rack unit form factor saves rack space and system cost Energy efficient with Energy Star* certification for supreme green credentials and exceptionally low lifetime running costs Flexible IntelliDrive permits delivering the 2 x 400 W at constant voltage 70 V or low impedance (2, 4 and 8 Ohms) on any channel Asymmetric channel loading allows mixing and matching loads with different impedances to maximize overall system efficiency and inventory utilization High efficiency amplifier with low power consumption and minimized heat generation lowers demands on the installations' mains distribution and cooling systems IDEEA outputs stage based on proprietary, state-of-the-art Class-D amplifier technology for superior performance Comprehensive fail safe circuit protection ensures continued operation even under reduced operating conditions Auto-standby and auto-power-on reduces power consumption to below 1 W in non-operating cycles Rail Sense Limiter (RSL) greatly reduces signal clipping and ensures simple configuration for constant voltage and low impedance loads Built in 50 Hz high pass filter selectable per channel available on rear panel switch Per-channel attenuation knob and signal LED on rear panel for simple commissioning Efficient cooling with temperature-controlled fan with front to back airflow Aluminum front panel with power and temperature LEDs and per-channel signal and limit LEDs GPIO connector with power control and indication for further system integration Balanced high-quality analog inputs and amplifier outputs on detachable screw terminals 10-Year Warranty Program* Designed and engineered in Sweden Specs General Number of amplifier channels:2 Max total output all channels driven:800 W Peak output voltage per channel:100 V / 70 Vrms Max. output current:16 Arms Max output power (all channels driven) 2 ohms: 400 W 4 ohms:400 W 8 ohms: 400 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 200 W) 16 ohms: 290 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 100 W) 70 V: 400 W 100 V: Can deliver 400 W to a 100 V load tapped at 800 W Performance THD 20 Hz - 20 kHz at 1 W: <0.1% THD at 1 kHz and 1 dB below clipping: <0.05% Signal to Noise Ratio: >112 dBA Channel separation (Crosstalk) at 1 kHz: >70 dB Frequency Response: 2 Hz - 40 kHz Input impedance: 20 kOhm Common Mode Rejection (CMR): 50 dB Output impedance: 25 mOhm Gain, Sensitivity and Limiters Limit and gain switch defining limit and gain (per channel): 2 pos: Lo-Z and 70 V VPL for 70 V mode: 100 V VPL for Lo-Z mode: 56.6 V Sensitivity for stated power into 4 Ohm in Lo-Z mode: 4 dBu Sensitivity for 70.7 V out in 70 V mode: 4 dBu Sensitivity for stated power into 2 Ohm in Lo-Z mode: 1 dBu Sensitivity for stated power into 8 Ohm in 70 V mode: 2.1 dBu Sensitivity for stated power into 16 Ohm in 70 V mode: 3.7 dBu Gain in 70 V mode: 35.2 dB Gain in Lo-Z mode: 30.3 dB Level adjustment (per channel): Rear panel potentiometer, from -inf to 0 dB Connectors and Buttons Input connectors (per ch.): 3 - pin detachable screw terminals, electronically balanced Output connectors (per ch.): 2 - pin detachable screw terminals High pass filter: Fixed at 50 Hz, switchable per channel Power control: Can be used to go between standby and ON GPI (power control input): Contact closure type, 2-pin detachable screw terminal, controls the power state GPO (power state output): Contact closure type, 2-pin detachable screw terminal, for external monitoring of the power state Cooling: Single fan, front to rear airflow, no filter required, temperature controlled speed Power Nominal voltage: 100 – 240 VAC perating voltage: 70 – 265 VAC Standby consumption: <1 W Mains connector: IEC inlet Dimensions Dimensions: W: 483 mm (19”), H: 44 mm (1 U), D: 276 mm (10.9”) Weight Weight: 4.2 kg (9.3 lbs) Finish Finish: Dark grey aluminum front and black steel chassis Approvals Approvals: CE, RoHS, WEEE, UL (UL 60065), CSA C22.2 NO. 60065, FCC Part 15 Subpart B Class A, PSE, CCC Energy Star
Studijsko pojačalo maksimalne snage 500 W, linearnog frekvencijskog odaziva, i gotovo bešumnog rada izbor je velikog broja ljubitelja dobrog zvuka da gotovo nema konkurenciju u ovoj klasi. Često ovo pojačalo možete videti i u caffe i drugim instalacijama. Snaga: 2 x 230W na 4 Ohm ili 500W na 8 Ohm u bridge načinu rada. Tehnička specifikacija: * Ultra-linear power amplifier for recording studios, post-production, live sound and HiFi application * 2 x 300 Watts into 4 Ohms, 600 Watts into 8 Ohms in bridged mono operation * Servo-controlled design can drive virtually any passive speaker such as studio monitors, etc. * Advanced convection-cooling for absolutely noise-free and stable operation (no fan) * Precise level meter and clip indicators for accurate performance monitoring * Input connections on balanced XLR, 1/4'' TRS and RCA connectors * Speaker outputs on professional ''touch-proof'' binding posts and 1/4'' TS connectors * Ultra-reliable Toshiba / Fairchild power transistors * Independent thermal overload protection with LED indicator for each channel automatically protects amplifier and speakers * High-current toroidal transformer for absolute reliability and lowest noise interference * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany
Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones. Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition. The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield. It is supplied with a removable microphone ‘flag’ that can accommodate high-visibility branding. The Reporter is covered by RØDE’s industry-leading support guarantee, with a twelve month warranty ‘out of the box’ that is easily increased to ten years free of charge, following online registration of the microphone.
Trusted by industry professionals Whether it’s on the boardroom table, the stage or in the studio, Audio-Technica products are trusted time and again by industry professionals looking for reliable, lovingly developed audio products for all budgets. It’s Audio-Technica’s commitment to innovation, customer service and meticulous design that ensure professionals turn to us to provide solutions in conferencing, houses of worship, broadcasting, live sound, recording studios and beyond. Capture the realism of live sound with two mics in one Compact design ideal for use with video camera and portable audio recorder High-quality stereo pickup in a single mic Includes short camera cable & long recording cable Generously equipped with accessories Specifications Element Stereo condenser Polar Pattern Dual cardioid Frequency Response 70 - 18.000 Hz Open Circuit Sensitivity -50 dB Impedance 600 Ω Weight 79 g without cable Output Connector Screw-in 3.5 mm stereo (female) Cable Camera Cable: 0.2 m long, 3.5 mm (1/8”) stereo to 3.5 mm (1/8”) stereo - Recording Cable: 3m long, 3.5mm (1/8”) stereo to two 3.5mm (1/8”) mono plugs Accessories Included Professional camera mount; interchangeable mic-stand base; foam windscreen; two 3.5 mm (1/8”) to 6.3 mm (1/4”) mono adapters; AA battery
The sE X1R ribbon microphone is the new high performance passive ribbon from sE Electronics. The sE Electronics X1R is suited to a variety of recording applications including guitar cabs, overhead drums, brass, woodwind, strings, commercial broadcast and voice-over. This state of the art ribbon element enclosed by top grade Neodymium magnets boasts some of the latest ribbon microphone technologies from sE Electronics. We have combined our traditional ribbon technology with some of the mechanical elements of our patented Voodoo microphone HF (High Frequency) extension technology to bring you a classic sounding ribbon mic with a gentle HF lift. The sEX1R does not offer the full frequency response performance of the Voodoo VR1 / VR2 and the widely acclaimed sE Rupert Neve RNR1, but a hybrid of old and new ribbon technology which gives you all the natural beauty of the ribbon sound, but with more versatility and ease of use than the majority of ribbons on today's market. The sE X1R also draws on the chassis and design elements of the hugely successful sE X1 Cardeoid Condenser Microphone to bring you exceptional performance, and the hand-crafted capsule quality you expect from all sE mics, but at a fraction of the cost of other boutique brands. Type: Passive Element: 2µ aluminum ribbon Frequency Response: 20-16K Hz ±1dB Sensitivity: -55.3dB 1V/Pa ±1dB Directional pattern: Figure of 8 Impedance: ≤200 ohm Connector: 3-pin Max SPL: 135dB Weight: 0.5KG
AIRMATE-USB 8 channel (with 6 triple and 2 dual inputs) radio production console, Model 2012 6x Mic inputs, 12x stereo line inputs, 4x inserts on Mic input 1-4, 2x USB stereo send/return, 2x Telephone Hybrids. We designed the Airmate-USB to fulfil the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And... every line level line B input can be converted into a phono (grammophone) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. EXTENSIVE MASTER SECTION FOCUSED ON RADIO. This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Faderstart generates in the Mic mode a Mic-on signalling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external Hybrids. NOW IS THE TIME TO INSTALL YOUR OWN PRODUCTION ROOM. The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Selfop switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s comprehensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programmes. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer. TECHNICAL SPECIFICATIONS INPUTS Mic inputs: bal, 2kOhm, XLR. Phantom: 48 volt. Noise: - 122 dBr (A-weighted). Sensitivity: - 70dB min, OdB max. Insert: -10dBv in/out. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. 2 Track return: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereo USB Fully compliant with USB 2.0 playback and record mode. HID Functions: Volume/Mute TELEPHONE HYBRIDS RJ-11 connectors for phone line/dialler Mix Minus rejection @1kHz -60dB. OUTPUTS Left/Right: + 4 dBu bal. XLR. Monitor/Aux : + 4dBu unbal. on Cinch. Cleanfeed/Announcer: + 4dBu, Jacks. Tape outp: -10dBv, unbal. Cinch. Headphone: 16-600 Ohm, Jack. Announcer: 16-600 Ohm, Jack. EQUALIZER High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz bell curve. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.009% max at 1 kHz. Start switch: reed relay. Ledbars: 21 segment. Power Consumption: 25VA REMOTE RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.) Center Contact = Tip Normally Closed = Shield Normally Open = Ring OVERALL Frequency response 10-60.000 Hz (+/- 0.5dB). Distortion: <0.009% max at 1 kHz. Dimensions: 483x356x95 mm ( 8HE ) . Weight: 9 kg. DIMENSIONS Left-Right 19" rack mountable. (482mm width) Front-Back: 356mm (8HE). Height: 95mm. Space below front panel: 20mm Weight: 11 kg. For Drop through mounting cut a hole of 450 x 330 mm (console height is 95mm)
Energy-Efficient 80-Watt Mixer Amplifier with 70 V Output for Distributed Music, Paging and AV Applications Combining superior performance and ease-of-use with unprecedented value, the EUROCOM SN2108 mixer-amplifier is an innovative yet practical solution for distributed sound in low- complexity environments. Designed exclusively for Hi-Z systems, the SN2108 unites a 5-input mixer with an 80 W RMS mono amplifier engineered for continuous 70/100 V output. SN2108 is an ideal match for retail, hospitality,office, medical, educational and industrial spaces. Multi-function 80-Watt mixer amplifier, designed for continuous operation in distributed music, paging and AV applications State-of-the-art, energy-saving Switch-Mode Power technology with up to 80% power efficiency drastically reduces energy cost Transformerless, cool-running Class-D amplifier drives 70 V loads directly 3 balanced or unbalanced microphone inputs on TRS connectors 2 Aux inputs for music or program signals on RCA connectors Variable voice-activated music muting Lo and Hi frequency EQ for ultimate sound adjustment Intuitive front panel with dual-function indicator ring Secure 2-position terminal strip speaker output connector Independent DC and thermal overload protection plus automatic limiters for each amplifier prevent overload, clipping and distortion without shutting down audio Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption High-quality components and exceptionally rugged construction ensure long life
Kompaktni radni mikser/pojačalo sa pojačalom snage 30W i jednostavnim mikserom s 3 ulaza. Namijenjen za ugradnju u rack uz pomoć IC30RMK dodatka. * 3 Dual balanced microphone/line inputs * 100V, 70V and 4 ohm outputs * Auto Limiting * 240VAC/12VDC operation * Shorting/Vox mute (Vox mute via optional TX3010 Module) * Optional Rack Mount kit (IC30RMK)
Energy-Efficient, Multi-Function 180-Watt Auto-Mixing Amplifier with Dual 70/100 V and 4 Ohms Outputs Outstanding Performance and Scalability MA6000 Series products are the most powerful, feature-rich mixer-amps, power amps and stand-alone mixers in the EUROCOM family, combining automatic mixing, expandability, dual-channel amplification and a vast array of standard features with a sleek, stylish front panel that focuses on simplicity. Boasting high power, scalability, unprecedented value and reliability, MA6000 Series automixer-amplifiers are destined to set new standards in distributed system designs. Versatile Configurations Mixer and mixer-amplifier models feature 8 universal inputs (expandable up to 32) with 2-band EQ, direct outs, and an automatic proportional gain system that supports multiple open mics. Back-panel controls provide tremendous flexibility in customizing the mixer to the needs of each installation. Add to all this 4 remotely selectable Aux inputs, plus remote control of system volume, source selection and power—and the MA6000 Series becomes the ideal choice for conference rooms, shopping centers, meeting rooms, houses of worship, auditoriums, hotels, sports complexes, restaurants, and anywhere else the ultimate in control and scalability is desired. Remote Control Options Optional CP6000UL (USA) and CP6000EU (Euro) wall controllers provide convenient selection of auxiliary inputs (A, B, C, D), volume control for either auxiliary inputs or the main mix bus (selectable), muting of all sources and the ability to toggle power remotely over distances up to 300' (100 M). Inexpensive CAT5 cable may be used with terminal blocks provided on the wall plate to simplify connection (no RJ45 crimping required!). All soft touch control buttons plus the ergonomic dial are illuminated via power provided from the MA6000 (no local power required) and generous space is provided for input labeling. Multi-function 180-Watt auto-mixing amplifier with dual 70/100 V and 4 Ω outputs, designed for continuous operation in distributed music, paging and AV applications State-of-the-art, energy-saving Switch-Mode Power technology with up to 72% power efficiency drastically reduces energy cost 2 transformerless, cool-running Class-D amplifiers simultaneously drive 70/100 V and 8 Ω loads with adjustable Balance control 8 Mic/Line inputs on XLR/TRS and Euroblock connectors, each with Lo and Hi frequency EQ, individual Trim control and post-trim input level LED Switchable Mic/Line, Phantom power, Main Mix and/or Zone 2 output, Mute Send/RCV, Remote Volume control, Chime, and Auto-mixing on each input 4 pair summed RCA Aux inputs are assignable to the Main Mix, Zone 2, and/or MOH Multi-featured, dedicated page input with assignable Chime, switchable Mic/Line and Phantom power Wired Remote volume, power control and aux channel selection plus remote volume assign switch Individual front panel input Level controls, Lo and Hi Main and Aux EQ, Aux input and Zone 2 Level controls Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control 4 front panel buttons select which four rear-panel Aux inputs are active and feeding the Main mix bus at any given time Main mix output on Euroblock connector with selectable 70/100 V and 4 Ω outputs. Zone 2 and MOH assignable output with independent gain control 2 Preamp Out/Amp In processing loops for each 70/100 V and 4 Ω output Dual bridging input/output connectors allow multiple units to be interconnected Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connectors included Independent DC and thermal overload protection plus automatic limiters for each amplifier prevent overload, clipping and distortion without shutting down audio Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
Rode VXLR - Mono Mini-Jack to XLR Converter The VXLR from Rode Microphones is an adapter that converts a 3.5 mm mono mini jack input to a male XLR output. The adapter is especially useful for the videographer who needs to have a microphone with a mini jack, connect to an XLR input on a video camera.
Furman AP-230 is noise sniffer that provides an analysis of noise power which can be heard. The device is used for detecting disturbance such as electromagnetic interference (EMI) and radio frequency interference (RFI) on the power grid. These disturbances can affect electrical circuits because of either their electromagnetic radiation or electromagnetic induction. These disturbances may detain, disrupt, limit, or lower the effective performance of the device. They can cause simple degradation of data or even, a total loss of data. However, by using the Furman AP-230 noise sniffer, all of these disturbances can be detected to prevent the users from the risk of any loss that may occur. For rear rack illumination, Furman AP-230 uses gooseneck lamp which is a kind of light fixture where a lamp is attached to an adjustable and flexible shaft. It allows the users to place the light source without making any movement to the item or fixture that they will illuminate. The gooseneck lamp used by Furman AP-230 is the lamp with a voltage of 12 volt and a current of 1.5 amp. Furthermore, Furman AP-230 also sports Series Mode Protection (SMP) and Linear Filtering Technology (LiFT). It gets noise attenuation of 10dB at 10 kHz, 40 dB at 100 kHz and 100 dB at 10 MHz. Features: • Noise attenuation of 10dB at 10 kHz, 40 dB at 100 kHz and 100 dB at 10 MHz. • Sporting Series Mode Protection (SME) and Linear Filtering Technology (LiFT) • Gooseneck lamp to illuminate the rear rack Specification: • Delay connection (in second): 0, 0.5, 5, and 10 • Noise Attenuation: 10 dB @ 10 kHz, 40 dB @ 100 kHz, 100 dB @ 10 MHz • Dimensions: 19 “/ 1U, depth 27 cm, • Weight: 5 kg • Gooseneck lamp voltage: 12 V • Gooseneck lamp current: 0.5 A