Opis Profesionalni karaoke blutut zvučnik – Sonivox – SS2590 Profesionalni karaoke blutut zvučnik – Sonivox – SS2590 Bluetoot profesionalni karaoke i Zvucnik Sonivox SS2590 Pred Vama je najbolji i najnoviji model iz druge polovine 2020 godine, prenosivog bluetooth zvučnika ! Blutut zvučnik SONIVOX SS2590 je fenomenalan zvučnik zanimljivog oblika i veoma, VEOMA jakog i čistog zvuka, zvučnik je visine 83 cm, precnika 32 cm! Poseduje i bass kojim takođe možete upravljati. Napredna verzija bluetooth-a + EDR! Možete birati numere, pojačavati, kontrolisati bass i ceo ekvilajzer i poigravati se sa tonovima! Uz zvučnik gratis ide bežični mikrofon za karaoke, sa opcijom podešavanja ECHO glasa. Zvučnik je najnovije generacije, savršenog zvuka i pri maksimalnom pojačavanju. Možete ga poneti uvek sa sobom, i koristiti za proslave na otvorenom i zatvorenom prostoru. Ulepšan je led diodama koje takođe daju sjajan efekat, i led ekran koji Vam daje informacije koji mood koristite. Muziku možete slušati putem bluetooth veze, SD KARTICE, USB FLASH memorije i FM RADIA. Sa litium jonskom baterijom snage 7500 mAh daje kapacitet slušanja muzike preko 8 časova ! Snaga: 150w Velicina zvucnika: 2×8” Velicina proizvoda: 83cm x 32cm Set sadrzi: 1 x profesionalni zvucnik vs-ss2590 1 x Daljinski upravljac 1 x Punjac/usb kabal 1 x Mikrofon za karaoke (BEZICNI ​ ​ Profesionalni karaoke blutut zvučnik – Sonivox – SS2590 Profesionalni karaoke blutut zvučnik – Sonivox – SS2590

Revolution 2 x 2 izrađen je od najboljih i najkvalitetnijih komponenti. Vrhunski Vishay, Nichicon i Wima kondenzatori korićteni su kroz celi strujni tok. Sva interna podešavanja pojačanja optimizovana su za najniži mogući ‘signal vs. šum’ omer. Potpuno analogni ulazi/izlazi nisu izvedeni samo od najfinijih komponenti, nego su u potpunosti razdvojeni i balansirani - do same jezgre konvertora. Većina proizvođača ne koristi ovu praksu i dozvoljava dodatni nivo zasićenja šumom tokom snimanja ili reprodukcije muzike. Ovo nije još samo jedan audio interfejs u nizu, već audio interfejs koji smo već dugo čekali, “karika koja nedostaje” između standardnih cenovno prihvatljivih audio interfejsa i onih vrhunskih skupih koji zaista pružaju beskompromisni skupi zvuk. U kompletu sa novim Black Lion Revolution2x2 dolazi i PreSonus Studio One Artist, Izotope Elements Suite uključujući Nectar, Neutron, Ozone i RX + BrainWorx BX Digital i Lindell 6X500 softver. Audio Pro Artist d.o.o. – Profesionalna studijska, razglasna i rasvetna oprema i muzički instrumenti po najnižim cenama. Posetite nas na www.audiopro.rs PreSonus E4.5 2-sistemski aktivni studio monitor daje Vam visoko-kvalitetnu i vrednu alternativu za "kompjuterske" zvučnike. Eris sadrži Kevlar woofer, silk-dome tweeter male mase, bi-amplifikaciju AB klase i profesionalne akustički podesive kontrole koje donose istinsku preciznost studijskih monitora, po ceni koja i nije puno veća od nekih boljih "kompjuterskih" zvučnika. Za razliku od zvučnika sličnog cenovnog ranga, Eris Vam daje kontrolu za podešavanje frekvencijskog opsega kako biste prilagodili monitore za potrebe studijskog snimanja. Želite precizne studijske monitore ali ne želite potrošiti mnogo novca? Trebali biste ozbiljno razmisliti o PreSonus Eris E4.5 studijskim monitorima. Audio Pro Artist d.o.o. – Profesionalna studijska, razglasna i rasvetna oprema i muzički instrumenti po najnižim cenama. Posetite nas na www.audiopro.rs

Opis Opis Sigurna i bezbedna kupovina. Poručivanje svim danima 00-24h. Garancija na ispravnost predmeta i povraćaj novca do 15 dana od dana kupovine. Poruči lako!!! Brzo i lako poručivanje. Pronadjite predmet koji želite na našem sajtu, slikajte ekran i posaljite nam sliku na viber. Ili poručite direktno preko sajta dodavanjem predmeta u korpu Ili na pošaljite sms sa Vašim podacima (ime, prezime,adresa za isporuku) i navedite predmet koji želite da poručite Mogućnost dodatnog slikanja predmeta na zahtev, i slanja slika na viber. Bluetoot zvucnik karaoke profesionalni Sonivox SS2590 Bluetoot zvucnik karaoke profesionalni Sonivox SS2590 Pred Vama je najbolji i najnoviji model iz druge polovine 2020 godine, prenosivog bluetooth zvučnika! Blutut zvučnik SONIVOX SS2590 je fenomenalan zvučnik zanimljivog oblika i veoma jakog i čistog zvuka, . Zvučnik je visine 83 cm, precnika 32 cm! Poseduje i bass kojim takođe možete upravljati. Napredna verzija bluetooth-a + EDR! Možete birati numere, pojačavati, kontrolisati bass i ceo ekvilajzer i poigravati se sa tonovima! Uz zvučnik gratis ide bežični mikrofon za karaoke, sa opcijom podešavanja ECHO glasa. Zvučnik je najnovije generacije, savršenog zvuka i pri maksimalnom pojačavanju. Možete ga poneti uvek sa sobom, i koristiti za proslave na otvorenom i zatvorenom prostoru. Ulepšan je led diodama koje takođe daju sjajan efekat, i led ekran koji Vam daje koji mood koristite. Muziku možete slušati putem bluetooth veze, SD KARTICE, USB FLASH memorije i FM RADIA. Sa litium jonskom baterijom snage 7500 mAh daje kapacitet slušanja muzike preko 8 časova ! Snaga: 150w Velicina zvucnika: 2×8” Velicina proizvoda: 83cm x 32cm Set sadrzi: 1 x profesionalni zvucnik vs-ss2590 1 x Daljinski upravljac 1 x Punjac/usb kabal 1 x Mikrofon za karaoke (BEZICNI) Bluetoot zvucnik karaoke profesionalni Sonivox SS2590

Airwave - Trilogique (Remastered & Re-Invented)Originalno izdanje na cetiri diska (digipak).Made in BelgiumNovo, neotpakovano, u celofanu!Spisak pesama:CD1Remastered01 Airwave - Sky Blues (Remastered Icarus Mix) 6:4802 Airwave - Hello Sunshine (Remastered Magical Dub) 8:4303 Airwave - Angelica (Remastered) [Featuring Markus Schulz] 6:5904 Airwave - Sunday Break (Remastered) 6:3905 Airwave - Terra Firma (Remastered) [Featuring Antidote] 5:5406 Airwave - Higher And Higher (Remastered) 5:1607 Airwave - People Just Don’t Care (Remastered) 7:5308 Airwave - Summer In (Remastered) 4:2509 Airwave - Summer Out (Remastered) 4:5510 Airwave - The Promise I Made (Remastered) [Featuring Jon O`Bir] 5:1211 Airwave vs. Rising Star - When Things Go Wrong 2005 meets Sunspot 2005 (Remastered) 14:14CD2Remastered01 Airwave - Intrusion (Remastered) 8:0002 Airwave - Appletonz (Remastered) 8:2103 Airwave - 8bitz (Remastered) 7:3104 Airwave - Close Encounters (Remastered) 6:5305 Airwave - Ubiquity (Remastered) 6:2706 Airwave - Mice (Remastered) [Featuring Ozgur Can] 5:5607 Airwave - Buzzer (Remastered) 7:5208 Airwave - Hardtek (Remastered) 7:0809 Airwave - Progressive Agressive (Remastered) 8:0610 Airwave - Ping Pong (Remastered) 5:58CD3Remastered01 Airwave - Bellywood (Remastered) 5:3102 Airwave - Beam (Remastered) 6:0703 Airwave - Sleep Alone (Remastered) 6:1504 Airwave - Gong Zu (Remastered) 7:0705 Airwave - 80211God (Remastered) 6:2906 Airwave - CCCP Genius (Remastered) 5:5507 Airwave - Space Beans (Remastered) 6:4608 Airwave - Faux Semblant (Remastered) 6:0809 Airwave - Trilogique (Remastered) 6:5010 Airwave - Forgotten Memories (Remastered) 6:0511 Airwave - Beam (Airwave’s 20 Years Rework) 6:1312 Airwave - Sleep Alone (Airwave’s 20 Years Rework) 6:17CD4Re-Invented01 Airwave - Sky Blues (2020 Re-Invented Icarus Mix) 8:4202 Airwave - Angelica (2020 Re-Invented Mix) [Featuring Markus Schulz] 6:4703 Airwave - Beam (2020 Re-Invented Mix) 6:3004 Airwave - Sunday Break (2020 Re-Invented Mix) 6:5205 Airwave - Summer Out (2020 Re-Invented Mix) 7:0806 Airwave - People Just Don’t Care (2020 Re-Invented Progressive Mix) 7:0207 Airwave - Trilogique (2020 Re-Invented Mix) 7:0408 Airwave - Buzzer (2020 Re-Invented Mix) 6:5109 Airwave - Mice (featuring Ozgur Can) (2020 Re-Invented Mix) 6:1710 Airwave - Progressive Aggressive (2020 Re-Invented Mix) 6:4011 Airwave - Ping Pong (2020 Re-Invented Mix) 5:01Stanje mozete videti na slikama.Zanrovi: electronic, progressive tranceVAZNO!Kupoprodaju obavljam iskljucivo na dva nacina. . . Licno preuzimanje (ukoliko je moguce) ili slanje preporucenom postom ili Post ekspresom nakon uplate na racun. PREDMETE NE SALjEM POUZECEM!pvs3r0

Još jedna karakteristika koju nećete pronaći na konkurentnim shotgun mikrofonima je ugrađeni izlaz za slušalice na Vmic-u, koji vam uvek omogućava da čujete zvuk, čak i kada vašoj kameri nedostaje priključak za slušalice. Sve kontrole na Vmic-u su jednostavne za upotrebu i lako im se pristupa. Ima podešavanje pojačanja od + 20 dB koje vam omogućava da isključite bučno predpojačalo fotoaparata da bi se postigao ultra-čist zvuk i omogućilo vam da odaberete teme iz daleka. Postavka -10dB smanjuje osjetljivost Vmic-a, tako da možete čisto snimati zvuk u glasnim okruženjima. Low cut prekidač čini dijalog razumljivijim i eliminiše neželjene duboke bas zvukove, poput ometanja vibracionih zvukova od koraka. Postavka za pojačavanje visokih frekvencija povećava oštrinu i jasnoću zvukova koje snimate. Uključen je kratak, spiralni izlazni kabl za povezivanje s kamerom ili diktafonom. Ovaj kabl je lako ukloniti, što omogućava korišćenje bilo kog kabla od 3,5 mm umesto njega. Kad vam je potrebna veća dužina nego što je isporučeno uz 8-inčni kabl, lako ga možete zamijeniti za duži. Penasti vetrobran je uključen za unutrašnju upotrebu, a za snimanje na otvorenom sa većim vetrovima možete koristiti VMIC-VS krzneni vetrobran koji je dizajniran za Vmic (prodaje se odvojeno). Vmic je odličan zvučni shotgun mikrofon koji nadmašuje konkurentne proizvode koji su znatno skuplji i koji nemaju kompromise mikrofona koji su po sličnim cenama. Shotgun mikrofon koji se kači na kameru kvaliteta za emitovanje sa ugrađenim džekom za slušalice, odvojivim izlaznim kablom, čvrstom metalnom konstrukcijom i robusnim integrisanim šokmauntom Neverovatno lak za upotrebu sa setom svestranih funkcija, +20dB boost prekidač za postizanje ultra čistog zvuka, -10dB prekidač za čisto hvatanje jakih zvukova Low-cut podešavanje čini dijalog jasnijim i eliminiše ometajuće zvukove žamora, high-frequency boost podešavanje poboljšava oštrinu i jasnoću Integrisana stopa ima metalni 1/4 20 stativ, šokmaunt je čvrst i robustan, nije tanak niti podložan savijanju i oštećenjima Radi sa 2 standardne AA baterije sa poklopcem za baterije kojem se lako pristupa Frekventni odziv:35 Hz do 20 kHz Tip mikrofona: kondenzatorski (jednosmerni) Polarni patern: superkardioidni Odnos signal/šum: 75 dB ili više Izlazna impedansa: 200 Ohms ili manje Osetljivost: -40 dB at 1 kHz Filter: High-pass 150 Hz Izlazi: 2 x ženski 1.8” (3.5 mm), 1 za slušalice, 1 za povezivanje kamere Baterija: 2 x AA (alkalna ili litijumska) Dimenzije: 10.2 x 2.60" (259.08 x 66 mm) Težina: 6.9 oz (196 g) 1 x shotgun mikrofon 1 x kratki, spiralni kabl sa pozlaćenim mini-plug konektorima 1 x penasti vetrobran 1 x odštampano uputstvo 1 x garantna kartica

970,00 RSD(sa PDV-om) Daljinski upravljač STV Timok je namenjen da u potpunosti zameni 99,99 posto svih modela prijemnika zemaljskog televizijskog digitalnog signala, standarda DVBT 2, nazvanih Set Top Box prijemnika STB. Karaterišu ga izuzetno veliki domet, kao i širok ugao emitovanog signala što omogućava upravljanje televizorom i kada daljinski nije usmeren direktno ka televizoru. Maksimalno moguća brzina odziva na pritisak tastera upotpunjuje osećaj lakoće upravljanja televizorom. Podržava 99,99 posto svih modela STB DVBT2 prijemnika. Podžava prijemnike DVBT2 signala: Adler, Alfa star, Alfa star 1389, Axil RT0430T2, Bear, Cripton, Denver, Flame SAT FS 820T2, Falcon, Haus max, Horizons A115, Net 5000, Net 5001, Net 5002, NSFLZHY, Orion Telekom, Prosto RT5400, Prosto RT 54301, Prosto RT 5454 T2, RAI-M ACI box, Micron NAX602T2, Sagem DTHD84, Strong, Synaps, Synergy, Tesla box 601, Thomson, TV Star, TV Star T2 516, TV Star T2 517, Vivax DVBT2 106, Vivax DVBT2 107, Vivax DVBT2 152, Vivax DVBT2 153, Vivax DVBT2 154, Vivax DVBT2 155, Vivax DVBT2 170, Vivax DVBT2 175H, Vivax DVBT2 181, VOX STB 200, VS 020 STB, Xwave, Xwave mali, Infinity, Xplore, Falcom T2400, Falcom T2265+, Veltech 600, GMB T2 404. taster 1: Synergy, Tesla Box 601, TV Star T2 516; 517, X Wave digital one taster 2: Vivax DVBT2 152; 153; 154; 181 taster 3: Falcom T2400, Alpha Star 1389, Cripton, VOX STB 200, taster 4: Spell, Stark, VELTECH 600, GMB T2 404, Bear, Denver, Flame SAT FS820T2, Hausmax, NET 5000; 5001; 5002, NSLF ZHY, Thomson, Strong, Vivax DVBT2 107, Tekcomm taster 5: Falcon, Orion Telekom, Synaps taster 6: Falcon, Axil RT0430T2, Horizons A115, Porosto RT5400, 5430, Sagem DTHD84, Vivax DVBT2 170 taster 7: Alpha Star, TV Star, X Wave taster 8: Infinity, Xplore, Falcom T2265, Denver taster 9: Adler, Micron Max 602T2 taster 0: RAI-M Aci Box, taster exit: Vivax DVBT2 175H Podešavanje: Potrebno je izabrati jedan od deset ( 10 ) tastera iz tablice na poleđini vašeg daljinskog upravljača. Pritisnite izabrani taster ( na primer 1 ) i držite pritisnutim u trajanju duže od šest sekundi, dok led lampica prestane da blinka brzo i zablinka tri puta sporo. Testirajte funkcionalnost, ako svi tasteri rade ispravno podešavanje je završeno, ako ne rade ponovite postupak sa narednim testerom. Možete potražiti model vašeg DVBT2 prijemnika i u tablici podržanih modela, pa direktno pritisnuti broj tastera koji ste pronašli kao odgovarajući po modelu vašeg DVBT2 prijemnika. DEKLARACIJA: Naziv i vrsta robe: STV Timok – daljinski upravljač za televizor Uvoznik: TV Spektar S.Z.T.R. Novi Sad, Branimira Ćosića 23, 21000 Novi Sad, Republika Srbija Preduzetnik Srđan Jokić, Tel. 021 477 8044, www.tvspektar.rs Zemlja porekla: N.R. Kina Zemlja uvoza: N.R. Kina Godina proizvodnje: 2021 Godina uvoza: 2021 Prava potrošača: Zagarantovana sva prava kupaca na osnovu zakona o zaštiti potrošača DODATI U KORPU PREUZMI UPUTSTVO PREUZMI TABELU Kategorija: Univerzalni daljinski pojedinačno za svaki brend, Univerzalni daljinski upravljači za Set Top Box prijemnike DVB-T2 signala

The British At MIDEM 2004Originalno trostruko izdanje sa bukletom, u duploj debeloj kutiji. Knjizica ima 22 strane.Made in UKOcuvanostCD1: 5-CD2: 4+++ (nekoliko sitnih crtica, ne utice na rad)CD3: 5-Knjizica: 4+ (na donjoj ivici savijena)Omot: 5Sitna naprslina na prednjoj strani kutije.Spisak pesama:CD 101 Martina Topley-Bird - Need One02 Tiz - Your Life Is Not Over03 Cathy Burton - La La Love04 Lauren Field - The Story Of Us05 Los Paranoias - If I Squint They Look Like Stars06 Ani DiFranco - Swim07 Kate Walsh - It`s Never Over08 Katoorah Jayne - Anything09 Karen Louise - Lullaby10 Helen J. Hicks / The Honey Riders - Colour A Lifetime11 Karine Polwart - Only One Way12 The A-Sides Feat. Saranagati - Lead Me to Water13 Phoenix J - Once In A Lifetime14 Phoebe K. - One Way Street15 Freefall - Daylight Grinder16 PBM - Superhero17 Obi - Old Rodriguez18 Hey Negrita - The Minnesota Method19 Vanity Project - Goldstar20 Beats For Beginners - Summer Lovers Morning21 Ryan Edwards - A40622 Mark Abis - Changing Inside23 Charlie Landsborough - Smile24 Jim Moray - Early One Morning25 Pierre-Laurent Aimard - Debussy: Image `Movement`26 Daniel Hope / Philip Dukes / Paul Watkins - Allegro - Gideon Klein String TrioCD 201 Stylus Junkies VS UB40 - Food For Thought02 Strut Feat. Nikole - Look To The Light03 StoneBridge Feat. Therese - Put `Em High04 The Limp Twins - Moving Closer To The Sofa05 Happening - Monkey06 Glama Wayne - Fealin`s07 United State Feat. Rodney P - All My Love (Goes Your Way)08 Rosie Gaines - Give It To Me09 Phoebe One (AKA Skillsz 4 Short) - Skillsz 4 Short10 The Colourstone - Loose On The Streets11 Eventually - What`s It To Ya?12 The Buttercuts Crew - State Of Catastrophe13 The Three Knights - Burial Proceedings In The Coarse Of Three Knights14 SKAII - Yess Ya`ll15 Future Funk Squad - Sorcerary16 JX - Restless17 Urban Lea Feat. Tiff - I`m In Freefall (Spell Cast)18 DJ Seduction - Hardcore Heaven19 Heaven 17 - I`m Gonna Make You Fall In Love With Me20 C + C Music Factory Feat. Freedom Williams - Sweat The Remix - R&B Mix Everybody Dance Now21 NuBreed - One Day22 Tezla - All Night23 Honeyroot - Sweet As Honey24 Kava Kava - Space People25 Linny - Games Lovers PlayCD 301 Zoot Woman - Grey Day02 Piney Gir - Hell To Helsinki03 The Hazzards - Gay Boyfriend04 Rio Klein - Fearless05 Mylo - Musclecars06 Radioactive Man - Fed-Ex München07 Williams - Bad Boy08 Mellafone - Every Word I Drop09 Carl Cox - Room 71310 Kele Le Roc - What I Found In You11 James T - And Arriving12 Apollo Nova - Miles Away13 Department Of Sound - White Light14 Freedom Republic - Starshaking15 Rob Reynolds - Sweet Mother16 Aziz - Middle Road17 Razorlight - Rock `N` Roll Lies18 Jarcrew - Paris & The New Math19 Earth the Californian Love Dream - In The Garden20 Ohm - Forget Who We Are21 Zero Point Field - Cellophane22 Colour of Fire - Italics23 Phenomena - Karma24 Senser - Crucible25 Brigade - Stunning26 Sterling Roswell - VU Meter The Measure Of KicksStanje mozete videti na slikama.Zanrovi: electronic, hip hop, rock, indie, jazz, pop, funk, soul, classical, reggaeVAZNO!Kupoprodaju obavljam iskljucivo na dva nacina. . . Licno preuzimanje (ukoliko je moguce) ili slanje preporucenom postom ili Post ekspresom nakon uplate na racun. PREDMETE NE SALjEM POUZECEM!pvs3r9

Yamaha kodovi za risivere, pojacala, CD i sl. nasnimljeni na poseban daljinski Lokacija: Novi Sad (Srbija, Novi Sad) Kategorije: Dodaci Garancija: Nema Stanje: Korišteno Tekst oglasa Yamaha kodovi za risivere, pojacala, CD i sl. nasnimljeni na poseban daljinski Yamaha: A-S 301, A-S 701, AV-S 700 CD/FUNCT. , AV-S 700 HI FI, AVC 30, AX 2000- HI FI, AX 380 – HI FI, AX 390, AX 396, AX 470-HI FI, AX 490-HI FI, AX 192-HI FI, AX 496, AX 497, AX 550-HI FI, AX 570-HI FI, AX 590-HI FI, AX 592-HI FI, AX 596, AX 750, AX 750 RS, AX 890-HI FI, AX 892-HI FI, CD-N 301, CD-N 500, CD-NT 670, CD-S 300 BLACK, CD-S 300 SILVER, CD-S 700B, CD-S 700 BLACK, CD-S 700 SCHWARTZ, CD-X 7 WQ 06680, CDC-575, CDC-675, CDC-VP 608400 CD/FUNC, CDC-YWR 56060, CDR 1000, CDX-E 200, CDX-E 400, CDX 10, CDX 2, CDX 2000- CD/FUNKCT. , CDX 396, CDX 469, CDY 480- CD/FUNCT. , CDX 490-CD/FUNCT. , CDX 580-CD/FUNCT. , CDX 590-CD/FUNCT. , CDX 596, CDX 630 E, CDX 670-CD/FUNCT. , CDX 870-CD/FUNCT. , CDX 880-CD/FUNCT. , CDX 890-CD/FUNCT. , CDX 910-CD/FUNCT. , CRX-040, CRX-330, CRX-332, CRX-E 150, CRX-E 500, DRX -730, DSP – A 15, DSP-A 2070 CD/FUNCT. , DSP – A 2070 HIFI, DSP – A 492, DSP-A 5, DSP-A 590 HIFI, DSP-A 595 A, DSP-A 780 HI FI, DSP-A 970 HI FI, DSP-A 970 CD/FUNCT. , DSP-AX 620, DSP-E 492 HI FI, DSP-Z 7, FSR 111, FSR 111-WV 21820, FSR 111-YSP 2200, FSR 21, FSR 21-WP 08300, FSR 60, FSR 60-WY 57800, FSR 73, FSR 73-ZP 80760, FSR 78, FSR 78-ZY 28960, HTR-2064, HTR-2067, HTR-2071, HTR-3063, HTR-3064, HTR-3065, HTR-4068, HTR-4072, HTR-5240 RDS, HTR-5540, HTR-5540 RD, HTR-5830, HTR-5930, HTR-5940, HTR-6030, HTR-6230, ISX-800, MCR-040, MCR-730, MCR-730-WP 50750, MCR-840, MCR-B 020, MCR-B 043, MCR-B 142, MCR-E 700 WF 70350, MCR-N 670, MCS-1330, R-N 303, RAV-243, RAV 1 VU 60900, RAV 12-V 499940, RAV 14, RAV 14-V 694130, RAV 15, RAV 16, RAV 16-WA 61710, RAV 16-WA 61770, RAV 171, RAV175, RAV 201 V 269020 EU (DVD-LD/DVD-MENU), RAV 201 V 269020 EU (TUNER/TAPE-MD/CD), RAV 203 V 473190 EU (DVD-LD/DVD-MENU), RAV 203 V 473190 EU (TUNER/TAPE-MD/CD), RAV 204, RAV 204 V 473190 EU, RAV 204 V 473190 EU (DVD-LD/DVD-MENU), RAV 204 V 473190 EU (TUNER/TAPE-MD/CD), RAV 206, RAV 211 V429770 EU, RAV 214, RAV 22, RAV 231 V 754590 EU (AMP/CD-R), RAV 231 V 754590 EU (CD/TUNER/MD-TAPE), RAV 231 V 754590 EU (DVD), RAV 241, RAV 241-V 829510 EU, RAV 249, RAV 250, RAV 251, RAV252, RAV 254-TUNER, RAV 255, RAV 258, RAV 271 WC 63300 EU (AMP/CD-R), RAV 271 WC 63300 EU (CD/TUNER/MD-TAPE), RAV 271 WC 63300 EU (DVD), RAV 28, RAV 28-WJ 40870 EU, RAV 28-WJ 40970 EU, RAV 293, RAV 304, RAV 307, RAV 311, RAV 311-WJ 40930 US, RAV 320, RAV 326, RAV 326-WJ 19440 US, RAV 331, RAV 331-WT 92670 US, RAV 333, RAV 333-WT 92610 EV, RAV 334, RAV 34, RAV 34 WN 46680 EU, RAV 345, RAV 358, RAV 386, RAV 386-WN 38400U, RAV 391, RAV 391-WN 98450 EX, RAV 432, RAV 433, RAV 433-WW 51050 EO, RAV 435, RAV 443, RAV 463, RAV 471, RAV 500, RAV 500-ZY 74900, RAV 510, RAV 521, RAV 521-ZJ 66500, RAV 523, RAV 532, RAV 533, RAV 533-ZP 35490, RAV 534, RAV 547, RAV 550, RAV 550-ZJ 59550, RAV 552, RAV 552-ZW 44560, RAV 574, RAV 8, RAV 9, RAX 1, RAX 101, RAX 101-WF 63810 EX, RAX 15, RAX 16, RAX 16-WF 67630, RAX 21, RAX 21-WG 06650, RAX 27, RAX 27-WY 56060, RAX 31, RAX 31-ZN 04320, RAX 35, RAX 35-ZX 22830, RAX 7, RDP-81, RDX-E 700 DVD/AUDIO, RN-301, RN-500, RS-201, RS-500, RS-700, RX-V 3900, RX-381, RX-797, RX-A 740, RX-DV 550, RX-E 400, RX-S 600, RX-S 601, RX-S 601D, RX-V 1200, RX-V 2600, RX-V 340 RDS, RX-V 350 RDS, RX-V 359, RX-V 361, RX-V 365, RX-V 371, RX-V 375, RX-V 393 RDS, RX-V 396 RD, RX-V 396 RDS, RX-V 4A, RX-V 420, RX-V 420 RDS, RX-V 430 (2, RX-V 440 RDS, RX-V 459, RX-V 461, RX-V 465, RX-V 467, RX-V 471, RX-V 481 D, RX-V 483, RX-V 485, RX-V 493 RDS, RX-V 495, RX-V 496, RX-V 520, RX-V 530, RX-V 530 RDS, RX-V 540 RDS, RX-V 550, RX-V 557, RX-V 559, RX-V 583, RX-V 592 RAS, RX-V 595 RDS, RX-V 620, RX-V 620 RDS, RX-V 630 RDS, RX-V 637, RX-V 650, RX-V 657, RX-V 659, RX-V 661, RX-V 771, RX-V 795 RDS, RX-V 800 RDS, RX-A 1030, RX 385 RDS-HI FI, RX 395 RDS-HI FI, RX 396, RX 396 RDS, RX 485 RDS-HI FI, RX 495 RDS-HI FI, RX 496, RX 496 RDS, RX 700-CD/FUNCT. , RX 700 RDS-HI FI, RX 9, SYS 33, TD 500, TSX-130, V 302260, V 349650, V 694130, V 829510 EU, V 891340, VP 59040, VS-10, VS 71400, W 455 S 20, WA 61710, WA 61770, WC 55260 US, WE 45870 US-TUNER, WF 63810 EX, WF 67630, WG 06650, WG 70720, WJ 19440 US, WJ 210600, WJ 40930 US, WJ 55350 (AUDIO), WK 86950, WN 38400 U, WN 41680 E, WN 46680 E, WN 98450 EX, WP 08300, WP 50750, WS 19340, WS 40650, WT 92610 EV, WT 92670 US, WV 21820, WW 51050 EO, WY 56060, WY 57800, WY 92710, WY 93390, YAS-71, YAS 105, YAS 107, YHT 196, YSP-1100 (AUDIO), YSP-3000 (AUDIO), YSP -4000 (AUDIO), YSP-500 (AUDIO), YSP-900 (AUDIO), YSP 2200, YSP 500, ZC 89230, ZJ 59550, ZJ 66500, ZN 04320, ZP 35490

With the introduction of the Pro-11, Profoto satisfies the need for speed while continuing on a technical roll by giving Pros some exciting, advanced features. Yes, the two-outlet 2400Ws pack recycles in 0.02 to 0.7 seconds, is capable of quick bursts up to 50 flashes per second, and has a super-short minimum flash power of 1/80,000 second for the ultimate in action-stopping whether your subject is dance, fashion, or splash shots. The power range boasts 11 stops (2.4-2400Ws) and selectability in full or 1/10 stop increments on its high-resolution display. Now for the special part. While the Pro-11 revisits integrated TTL and is fully compatible with the optional Air Remotes TTL-S/N/C/F for Sony, Nikon, FUJIFILM, and Canon, which allow wireless TTL and exposure compensation at distances up to 330' in TTL mode and up to 1000' in manual mode. It also heralds smartphone connectivity! Not only can you can you channel the Pro-11's updates through the phone and control the pack wirelessly with it, but if the spirit moves you, you can take a photo with the phone! As Profoto's product manager puts it "The connectivity between cameras, lights, and apps will define how professional images will be created going forward." It kind of makes you wonder when Profoto will stop. The answer is: apparently never. Benefits Built-in Profoto AirX, the Bluetooth enabled 3rd generation of wireless Profoto connectivity. AirX also supports all legacy Air and AirTTL functionality and also adds dedicated AirX functionality with AirX enabled Profoto apps and devices Captures the action with super quick burst up to 50 flashes per second Freezes the moment with extremely short flash duration down to 1/80,000s Compatible with multiple different flash heads and 120+ Profoto Light Shaping Tools Delivers 2400Ws with precision and control over an 11 f-stop power range in 1/10 f-stop increments on two individual outlets Durable and built to shoot at high volumes with incredible consistency and reliability Simple, intuitive user interface with large high-resolution display Pro-11 improvements over the Pro-10 User Functionality Wireless firmware update from smartphone Wireless flash connectivity with smartphone cameras Wireless remote control with smartphones Hardware enabled for additional AirX functionality Latest visuals and Audible Design Latest external design (housing, display, etc.) Latest user interface and settings menus Latest sounds Internal Redesign for Increased Robustness and Relatability Protective earth is separated between flash circuits and logic to remove potential risk of damage in fault events such as exploding flash tubes Dump circuit is redesigned to be more robust Creepage distances between high voltage circuits and protective earth is increased to reduce risk of short circuit due to internal condensation Advanced Circuit Boards vs Latest Pro-10 Revision H3 Advanced panel board Advanced flash board Advanced power board AC Input Power 120 to 240 VAC, 50 / 60 Hz Watt Seconds 2400 Ws General Number of Connections 2 Sync Input 1/4" / 6.35 mm Built-In Receiver Yes Built-In Optical Receiver Yes Fan Yes Dimensions 11.4 x 8.3 x 11.8" / 29 x 21 x 30 cm Weight 29.8 lb / 13.2 kg

Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! Premier Vs. Pro Warm makes two lines of cable - Premier and Professional - in order to offer the largest number of options possible in two different price ranges. Both lines take advantage of Gotham’s state-of-the-art construction, offering absolutely stellar audio performance, near-perfect signal transfer and the ultimate in reliability (which is why they both feature a lifetime warranty!). Both cable lines produce fabulous results, but the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI and Double-Reussen shielding for increased rejection of RFI. There simply is no better-sounding or more reliable cable on the planet, and Warm Cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Warm Audio Premier and Pro cables are offered in XLR, XLR to TRS, TS to TS, and TS to angled TS varieties. What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs. StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! Premier Vs. Pro Warm makes two lines of cable - Premier and Professional - in order to offer the largest number of options possible in two different price ranges. Both lines take advantage of Gotham’s state-of-the-art construction, offering absolutely stellar audio performance, near-perfect signal transfer and the ultimate in reliability (which is why they both feature a lifetime warranty!). Both cable lines produce fabulous results, but the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI and Double-Reussen shielding for increased rejection of RFI. There simply is no better-sounding or more reliable cable on the planet, and Warm Cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Warm Audio Premier and Pro cables are offered in XLR, XLR to TRS, TS to TS, and TS to angled TS varieties. What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs. StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

FEATURES AND BENEFITS SUPERIOR VIDEO AND AUDIO PERFORMANCE Independently tested to 15.9Gb/s* to deliver High Speed w/Ethernet and exceed the latest HDMI specification. Supports Full HD, 3D, 4K and Deep Colour. VERY LOW JITTER Performance HDMI measures at less than 50ps of jitter, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. * QED Laboratory tested 1m length using unequalised pseudo random bit pattern and standard eye mask for TP2 (H = 0.6TBIT V = 335mV) SHIELDED FOR ENHANCED SIGNAL PROTECTION Protects delicate digital signals from interference from high voltage equipment. SPECIFICATIONS 99.999% Oxygen Free Copper conductors 3D Compatible Supports 4k x 2k Resolution Full HD 1080p60 Deep Colour HDMI Ethernet & Audio Return Channel QED Lifetime Guarantee CABLES MATTER QED is the only UK manufacturer able to test HDMI cable designs beyond the scope of the current HDMI specification, which means it is uniquely placed to evaluate new technical innovations before deciding whether or not to introduce them into full production. QED has identified cable induced timing error, termed ‘jitter’, as one of the key differentiators between satisfactory and outstanding cables. These findings have enabled us to optimise transmission speed and jitter performance to ensure that both exceed the high standards we set for our Performance cable range. Naturally, because QED customers demand better, we have scientifically designed our cables to reduce jitter to the absolute minimum. QED VS THE COMPETITION The eye diagram above demonstrates that a competitor’s 3m HDMI cable narrowly passes the test and exhibits up to 103 pico seconds (ps) of jitter; enough to allow ‘bit errors’ into the video signal. The diagram above shows the results of an identical test on a 3m QED Performance HDMI cable. The eye is much more ‘open’, showing superior headroom compared with the competitor cable. Importantly, Jitter is reduced to just 66 ps, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. WHAT THIS CABLE IS USED FOR CONNECT YOUR: Blu-ray DVD player Digital box Games console Home cinema amplifier TO YOUR: 3D TV 4K TV Projector HDTV LCD TV Receiver AV Amplifier OVERALL PERFORMANCE 3D & 4K COMPATIBLE 3D = compatible with 3D TVs; cable has a minimum bit rate of 4.45 Gb/s 1080p Full HD = a video resolution with a bit rate of 4.45 Gb/s 4K = Highest native video resolution offered by HDMI 1.4b; 4096×2160p24 36 bit/px = bit rate 8.03 Gb/s High Speed with Ethernet = 10.2Gb/s so any High Speed Cable supports all these resolutions VERY LOW JITTER Jitter is the undesired deviation from true periodicity of an assumed periodic signal in electronics and telecommunications, often in relation to a reference clock source. A cable displaying very low jitter has been measured at typically 50ps. HDMI HIGH SPEED WITH ETHERNET Applies to any HDMI cable that has been tested at an authorised test centre and has been found to pass the eye mask test at a combined data rate of 10.2Gb/s 340Mhz pixel clock. The cable must also have passed testing of the CEC and DDC connectivity and be compliant with HDMI Ethernet and Audio Return Channel test procedure.

FEATURES AND BENEFITS Minimum Load Impedance - 4 Ω (using two pairs of 8 Ω speakers) Power Rating: 150 Watts RMS Silver Plated Switch Contacts Binding Post Terminals (Can Be Used with 4 mm Speaker Plugs) Dimensions (HxWxD): 55 mm x 157 mm x 170 mm Suitable for Use with the WM14 Wall Mounted Volume Control Suitable for Bi-Wiring (Spade + Banana) QED SWITCHING FAQ What are the differences between the speaker switches in terms of impedance? All the speaker switches are configured so that if you use 8 Ω speakers the minimum impedance seen by the amplifier will be 4 Ω What are the benefits of series vs parallel ? The switches which have more than two sets of speakers use a combination of series and parallel switching to achieve the minimum impedance of 4 Ω no matter what combination of speakers are switched on. For the two way switches there is a choice between exclusively series or parallel versions. If you have 8 Ω speakers (and a 4 Ω min amp) you should always use the parallel switch. If you have 4 Ω speakers and a 4 Ω min amp you should always use the series switch. All QED switches load on 4 Ω using 8 Ω speakers. What happens if my speakers are 6 Ω? 1. Check your amp - if it can cope with a 3 Ω load or less (and some can) then you are alright. The rule is you must always use speakers with double the impedance of the amp minimum. 2. If you only have two pairs of speakers then use the two way SERIES switch. How do the switches deal with power, e.g. if I have an amplifier with more than 150 watts? These accessories use mains switches which are rated at 6A which means the max power they can handle is 288W given an 8 Ω load If my amp is rated 6-16 Ω should I really be running a 4 Ω load? NO, NEVER - you should use 12 Ω minimum speakers. You can get 16 Ω speakers though - but it may just be easier to change the amp. Can I use them in reverse e.g. as an amplifier switcher (we know the answer is no, but why?) NO - because the speaker switches are designed to have two sets or more of speakers attached to one amp, if used in reverse there is always the possibility of connecting two amps at once to one pair of speakers resulting in damage to one or both amps. What is the technical definition of 'transmatch'? For the 5 way speaker switch we don't use parallel or series switching but use transformer coupling instead. Again you have to use 8 Ω speakers minimum if your amp is a 4 Ω minimum amp. The impedance is then matched by the transformer (hence the name) so that a net 1.6 Ω load (all 5 sets of 8 Ω speakers switched on)is converted back to a 4 Ω load. One pair of speakers (A) is not connected to the transformer but is directly connected to the amp, these will be the main speakers. The four B pairs are connected via the transformer.

FEATURES AND BENEFITS SUPERIOR VIDEO AND AUDIO PERFORMANCE Independently tested to 15.9Gb/s* to deliver High Speed w/Ethernet and HDMI 2.0 specification. Supports Full HD, 3D, 4K and Deep Colour. VERY LOW JITTER Performance e-Flex HDMI measures at less than 50ps of jitter, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. *QED Laboratory tested 1m length using unequalised pseudo random bit pattern and standard eye mask for TP2 (H = 0.6TBIT V = 335mV) E-FLEX CORDAGE The e-Flex jacket is comprised of a special PVC compound which makes the cable extremely flexible, enabling it to be used in tight spaces between the TV or projector and the wall. SHIELDED FOR ENHANCED SIGNAL PROTECTION Protects delicate digital signals from interference from high voltage equipment. SPECIFICATIONS 99.999% Oxygen Free Copper conductors Minimum bend radius - 10mm Minimum clearance - 50mm 3D Compatible Supports 4k x 2k Resolution Full HD 1080p60 Deep Colour HDMI Ethernet & Audio Return Channel Lifetime Guarantee WHAT THIS CABLE IS USED FOR CONNECT YOUR: Blu-ray DVD player Digital set-top box Games console Home cinema amplifier TO YOUR: 3DTV 4K TV HDTV LCD TV Receiver AV Amplifier Projector CABLES MATTER QED is the only UK manufacturer able to test HDMI cable designs beyond the scope of the current HDMI specification, which means it is uniquely placed to evaluate new technical innovations before deciding whether or not to introduce them into full production. QED has identified cable induced timing error, termed ‘jitter’, as one of the key differentiators between satisfactory and outstanding cables. These findings have enabled us to optimise transmission speed and jitter performance to ensure that both exceed the high standards we set for our Performance cable range. Naturally, because QED customers demand better, we have scientifically designed our cables to reduce jitter to the absolute minimum. QED VS THE COMPETITION The eye diagram above demonstrates that a competitor’s 3m HDMI cable narrowly passes the test and exhibits up to 103 pico seconds (ps) of jitter; enough to allow ‘bit errors’ into the video signal. The diagram below shows the results of an identical test on a 3m QED Performance e-Flex HDMI cable. The eye is much more ‘open’, showing superior headroom compared with the competitor cable. Importantly, Jitter is reduced to just 66 pico seconds, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. OVERALL PERFORMANCE EFLEX CORDAGE Incorporates an Ultra Matte PVC jacket to give the cable ultimate feel and flexibility. Only available in matte black or white HDMI HIGH SPEED WITH ETHERNET Applies to any HDMI cable that has been tested at an authorised test centre and has been found to pass the eye mask test at a combined data rate of 10.2Gb/s 340Mhz pixel clock. The cable must also have passed testing of the CEC and DDC connectivity and be compliant with HDMI Ethernet and Audio Return Channel test procedure. VERY LOW JITTER Jitter is the undesired deviation from true periodicity of an assumed periodic signal in electronics and telecommunications, often in relation to a reference clock source. A cable displaying very low jitter has been measured at typically 50ps.

Our rugged CK-40 microphone body and capsule assembly are precision machined of BRASS. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The Discreet Class A Low-Noise FET circuitry will yield pleasing professional results comparable to much more expensive designs. Any studio can proudly offer the stereo CK-40 as a group vocal mic, room mic, piano mic, or utility condenser due to its versatility...It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile Avantone CK-40 Stereo Class A FET microphone features twin LARGE 35mm center-terminated pressure gradient transducers. Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule/grill assembly rotates UP TO 90 degrees relative to the lower capsule/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident / Blumlein, M-S) The 2 sets of pad, pattern select & LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill/capsule while the rear switches control the upper rotating headgrill.) The 3 patterns allow the CK-40 to be used in a variety of situations including M-S recording. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track. The CK-40 operates on standard 48 volt phantom power and includes a 5-Pin mic cable that plugs into the included 1x2 stereo splitter box. Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp/console channel. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. So many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni vs cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc... Specifications Type: Stereo True Condenser Microphone Polar Pattern(s): Cardioid, Omni, Figure-8 (x2) Capsule: (2) Dual plate 35mm gold sputtered diaphragm / brass assembly Frequency Response: 20-20,000 Hz +/- 3dB Output Impedance: <=250 Ohms / transformer isolated Sensitivity: -40dB S/N Ratio: 77dB re 1Pa Maximum SPL: 147 dB (0.5% THD @1000Hz) Equivalent Noise Level: 17dB (A weighted EC651) Output Connector: Male XLR 5 pin with included breakout box and cable High-Pass Switch: 80 Hz 6dB/octave Attenuation Switch: -10dB Power Requirement: Standard 48 Volt Phantom (x2) 3mA current consumption Included Accessories: Shockmount Padded Wooden Box Foam Filter 2x1 splitter box 30' Cable Metal road case Dimensions: 27.6mm X 49mm Weight: .95 kgs / 2.1 lbs Finish: Polished Nickel trim / Metallic Cabernet Red Body Features Features Each CK-40 Mic is individually serialized. Uses Include: Studio group vocals, acoustic guitar, mandolin, drum overheads, piano, room mic, etc... Standard Items Supplied: Avantone CK-40 Stereo Multi-Pattern FET Microphone Avantone Custom Retro Shockmount W/ Extra Elastic bands 1 x 2 Splitter Box (Stereo Breakout Box) Elegant padded genuine wooden Mic box 30' 5-pin cable Foam wind filter Padded Aluminum storage / travel case Owners Manual

FEATURES AND BENEFITS SUPERIOR VIDEO AND AUDIO PERFORMANCE Independently tested to 15.9Gb/s* to deliver High Speed w/Ethernet and HDMI 2.0 specification. Supports Full HD, 3D, 4K and Deep Colour. VERY LOW JITTER Performance e-Flex HDMI measures at less than 50ps of jitter, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. *QED Laboratory tested 1m length using unequalised pseudo random bit pattern and standard eye mask for TP2 (H = 0.6TBIT V = 335mV) E-FLEX CORDAGE The e-Flex jacket is comprised of a special PVC compound which makes the cable extremely flexible, enabling it to be used in tight spaces between the TV or projector and the wall. SHIELDED FOR ENHANCED SIGNAL PROTECTION Protects delicate digital signals from interference from high voltage equipment. SPECIFICATIONS 99.999% Oxygen Free Copper conductors Minimum bend radius - 10mm Minimum clearance - 50mm 3D Compatible Supports 4k x 2k Resolution Full HD 1080p60 Deep Colour HDMI Ethernet & Audio Return Channel Lifetime Guarantee WHAT THIS CABLE IS USED FOR CONNECT YOUR: Blu-ray DVD player Digital set-top box Games console Home cinema amplifier TO YOUR: 3DTV 4K TV HDTV LCD TV Receiver AV Amplifier Projector CABLES MATTER QED is the only UK manufacturer able to test HDMI cable designs beyond the scope of the current HDMI specification, which means it is uniquely placed to evaluate new technical innovations before deciding whether or not to introduce them into full production. QED has identified cable induced timing error, termed ‘jitter’, as one of the key differentiators between satisfactory and outstanding cables. These findings have enabled us to optimise transmission speed and jitter performance to ensure that both exceed the high standards we set for our Performance cable range. Naturally, because QED customers demand better, we have scientifically designed our cables to reduce jitter to the absolute minimum. QED VS THE COMPETITION The eye diagram above demonstrates that a competitor’s 3m HDMI cable narrowly passes the test and exhibits up to 103 pico seconds (ps) of jitter; enough to allow ‘bit errors’ into the video signal. The diagram below shows the results of an identical test on a 3m QED Performance e-Flex HDMI cable. The eye is much more ‘open’, showing superior headroom compared with the competitor cable. Importantly, Jitter is reduced to just 66 pico seconds, significantly reducing the incidence of bit errors reaching the TV and maximising the audio and video data transfer. OVERALL PERFORMANCE EFLEX CORDAGE Incorporates an Ultra Matte PVC jacket to give the cable ultimate feel and flexibility. Only available in matte black or white HDMI HIGH SPEED WITH ETHERNET Applies to any HDMI cable that has been tested at an authorised test centre and has been found to pass the eye mask test at a combined data rate of 10.2Gb/s 340Mhz pixel clock. The cable must also have passed testing of the CEC and DDC connectivity and be compliant with HDMI Ethernet and Audio Return Channel test procedure. VERY LOW JITTER Jitter is the undesired deviation from true periodicity of an assumed periodic signal in electronics and telecommunications, often in relation to a reference clock source. A cable displaying very low jitter has been measured at typically 50ps. 3D & 4K COMPATIBLE 3D = compatible with 3D TVs; cable has a minimum bit rate of 4.45 Gb/s 1080p Full HD = a video resolution with a bit rate of 4.45 Gb/s 4K = Highest native video resolution offered by HDMI 1.4b; 4096×2160p24 36 bit/px = bit rate 8.03 Gb/s High Speed with Ethernet = 10.2Gb/s so any High Speed Cable supports all these resolutions

Aston Origin The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand. Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market. Origin vs Spirit - Sound distinction The Origin is the cornerstone of the Aston brand, our first mic, and a global best seller. Simple, but incredibly well engineered, and perfect for everyone from budding singer-songwriters to seasoned industry pros. The Origin’s sound can be best described as ‘forgiving’… it doesn’t flatter to deceive but its ultra-smooth and pure sound, while rich with detail, will not overload with harmonics and leave you reaching for the EQ. It sounds, well, just like you do. There is a lot of subjective talk about ‘this mic for this application… the perfect vocal mic, the perfect instrument mic etc’ … yes, sometimes that can be the case, but mostly this is just manufacturers trying to make the easy sale. Tell someone, ‘this is ideal for guitar recording’ and they’ll migrate to that product. The truth is somewhat different from the marketing hype. Most good condenser microphones will be equally at home on vocals and various instruments. This is especially true of both the Origin and Spirit, which find themselves on everything from vocals for the likes of Noel Gallagher and Kylie Minogue, to drums for Arcade Fire and Geoff Dugmore (Elton John, Tina Turner, Bruce Springsteen) and live guitar cab mics for Radiohead's Thom Yorke. So more important is to go for a mic which gives you the sound that you want. If you’re looking for a really, REALLY good all-rounder, which will make your playing, or your singing, sound incredibly natural and true and easy to manage in the mix, then the Origin is the mic for you. The Spirit can be considered the ‘pro’ option, simply because it’s more revealing than most mics. It’s transformer based circuit gives oodles of headroom, which means more ‘air’ and ‘space’ to the sound, and an incredible amount of detail and harmonic content. It’s a big, expensive-sounding mic, that will allow you to get the very best results possible from any recording. A sports car of a mic… it’ll give you fabulous results if you treat it with respect and give your best. Also a great all-rounder mic, and equally suited to recording pretty much any instrument, and getting a stunningly transparent vocal sound… if you want one of the most professional sounds out there, Spirit is your mic. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!). Transducer Type Condenser Acoustic Operating Principle Pressure Gradient Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Noise Level 18dB A-Weighted Sensitivity at 1kHz into 1kohm 23.7mV/Pa Maximum SPL for THD 0.5% 127dB Signal-to-Noise Ratio (rel. 94dB SPL) 76dB A-Weighted Pad Switch -10dB Low-Cut Filter 80Hz Product length 125 mm / 4.92 in Product width 54 mm / 2.13 in Product weight 450 g / 0.99 lb

Digitalni HDMI kabl s podrškom za Ethernet i najnoviji eARC standard. Opremljen je punim provodnicima od bakra i obezbeđuje protok od 48 gigabita u sekundi, pa je pogodan za prenos 8K i 10K materijala. Sound first. While 8K and other compelling video/gaming features make the HDMI headlines, AudioQuest’s 48 and eARC-Priority Series HDMI cables are our best-sounding HDMI cables yet. The greater precision and tighter manufacturing tolerances required to deliver HDMI cables that transfer up to 48Gbps bandwidth mean all of AudioQuest’s tried-and-true ingredients and techniques matter every bit as much as ever before. Pearl 48 features high-purity Long-Grain Copper conductors that have been direction-controlled for the most efficient dissipation of radio-frequency noise. 8Gbps Bandwidth AudioQuest “48” HDMI cables can transfer up to professional 10K Ultra-HD video. The 48Gbps bandwidth is made possible by 4 balanced audio/video pairs capable of 12Gbps each. The precision and tighter manufacturing tolerances required to produce HDMI cables that transfer up to 48Gbps bandwidth mean many of AudioQuest’s tried-and-true ingredients and techniques are more important than ever before. 8K/10K 8K/10K AudioQuest 48Gbps HDMI cables have the bandwidth required for video with resolutions up to 10K and resolutions/refresh rates up to 8K/60 and 4K/120. All AudioQuest HDMI cables are completely backwards compatible with existing 4K displays. Long-Grain Copper Conductors (HDMI) LONG-GRAIN COPPER CONDUCTORS (HDMI) In AudioQuest HDMI cables, Solid Long-Grain Copper, Silver-Plated Copper, or Perfect-Surface Silver conductors improve Noise-Dissipation and overall performance. Pearl 48 uses Long-Grain Copper for its conductors. Level 1 Noise Dissipation: Direction-Controlled LEVEL 1 NOISE DISSIPATION: DIRECTION-CONTROLLED This is the foundation of AudioQuest’s Noise-Dissipation technologies. Traditional “100% shielding” is not enough to guard against the increasingly prevalent effects of Wi-Fi, cellular, and satellite radiation. In AudioQuest HDMI cables, all 19 conductors are Direction-Controlled to minimize the RF Noise that damages performance by “directing” or draining it away from the most vulnerable circuits. Additional Noise-Dissipation techniques (Levels 2 and up) are applied as budget permits to further reduce noise. eARC: LGC + Level-1 Noise Dissipation eARC: LGC + Level-1 Noise Dissipation Because sound matters, the eARC conductors in AudioQuest's 48-Series HDMI cables receive equal love and affection, featuring the same superior metals, Direction-Controlled Conductors, and Noise-Dissipation technologies as the main AV data pairs. In AudioQuest eARC-Priority cables, the main A/V data pairs have Cinnamon-level performance (Forest 48’s solid 0.5% Silver + Carbon & Vodka 48’s Level-3 Noise-Dissipation), while the eARC data pair and Ground-Reference drain use all the same advanced design ingredients as their “48” counterparts. HDMI’s Audio Return Channel (ARC) sends audio from a TV to a soundbar or AV receiver for greater simplicity and flexibility in system setup. Hardware’s previous ARC capabilities max out at lossy (compressed) 5.1-channel surround sound. Today’s HDMI 2.1 hardware supports enhanced Audio Return Channel (eARC), which increases the digital bandwidth dramatically to support uncompressed and lossless high-resolution multichannel audio, including Dolby TrueHD and Atmos, and DTS-HD Master Audio and DTS: X. Limited Lifetime Warranty LIMITED LIFETIME WARRANTY AudioQuest HDMI cables are manufactured to exacting standards and are subject to rigorous quality control. However, if your HDMI cable has a real manufacturing defect, AudioQuest’s non-transferable original-owner limited lifetime warranty has you covered for cable purchased through an authorized AudioQuest US dealer. At its option, AudioQuest will repair or replace any defective HDMI cable that has not been abused, for the lifetime of the product. Proof of original purchase is required. This warranty is not an upgrade program for AudioQuest HDMI cables that were designed to meet previous generations of HDMI specifications. Current AudioQuest models are designed to meet HDMI 2.0 (18Gbps) or HDMI 2.1 (48Gbps). All generations of HDMI cable will provide some, but not all, of the features made possible by HDMI 2.0 and 2.1. All generations of HDMI cable are backwards compatible – they provide all the capabilities of previous generations. To experience the audio/video benefits made possible by the latest HDMI 2.1 hardware, an HDMI cable must meet HDMI specifications, specifically an FRL-enabled bandwidth of 48Gbps. Whether using HDMI-enabled gear with Standard Speed, High Speed (10.2Gbps), 18Gbps, or Ultra High Speed (48Gbps), AudioQuest’s HDMI “48” Series provide superior sound and a superior experience vs. even AudioQuest 18Gbps cables. This warranty is valid in the United States only. For warranty policies in other countries, please contact your local dealer or distributor.

Digitalni HDMI kabl s podrškom za Ethernet i Audio Return Channel. Opremljen je punim provodnicima s posrebrenom oplatom i penastom HCF izolacijom. Obezbeđuje protok od 18 gigabita u sekundi, pa je pogodan za prenos 8K i 4K materijala. Sound first. While 8K and other compelling video/gaming features make the HDMI headlines, AudioQuest’s 48 and eARC-Priority Series HDMI cables are our best-sounding HDMI cables yet. The greater precision and tighter manufacturing tolerances required to deliver HDMI cables that transfer up to 48Gbps bandwidth mean all of AudioQuest’s tried-and-true ingredients and techniques matter every bit as much as ever before. Forest 48 features 0.5% Silver-Plated Copper conductors that have been direction-controlled for the most efficient dissipation of radio-frequency noise. 48Gbps Bandwidth AudioQuest “48” HDMI cables can transfer up to professional 10K Ultra-HD video. The 48Gbps bandwidth is made possible by 4 balanced audio/video pairs capable of 12Gbps each. The precision and tighter manufacturing tolerances required to produce HDMI cables that transfer up to 48Gbps bandwidth mean many of AudioQuest’s tried-and-true ingredients and techniques are more important than ever before. 8K/10K 8K/10K AudioQuest 48Gbps HDMI cables have the bandwidth required for video with resolutions up to 10K and resolutions/refresh rates up to 8K/60 and 4K/120. All AudioQuest HDMI cables are completely backwards compatible with existing 4K displays. 0.5% Silver-Plated Copper A/V Conductors (HDMI) 0.5% Silver-Plated Copper A/V Conductors (HDMI) In AudioQuest HDMI cables, increasingly thick layers of silver plating are applied to AudioQuest’s Long-Grain Copper (LGC) conductors to improve Noise-Dissipation. Placing the superior metal on the outside of the conductor produces the greatest benefit on overall performance—a superbly cost-effective way to maximize a digital cable. Forest 48 uses 0.5% Silver-Plated Copper for its conductors. Level 1 Noise Dissipation: Direction-Controlled LEVEL 1 NOISE DISSIPATION: DIRECTION-CONTROLLED This is the foundation of AudioQuest’s Noise-Dissipation technologies. Traditional “100% shielding” is not enough to guard against the increasingly prevalent effects of Wi-Fi, cellular, and satellite radiation. In AudioQuest HDMI cables, all 19 conductors are Direction-Controlled to minimize the RF Noise that damages performance by “directing” or draining it away from the most vulnerable circuits. Additional Noise-Dissipation techniques (Levels 2 and up) are applied as budget permits to further reduce noise. eARC: 0.5% Silver + Level-1 Noise Dissipation eARC: 0.5% Silver + Level-1 Noise Dissipation Because sound matters, the eARC conductors in AudioQuest's 48-Series HDMI cables receive equal love and affection, featuring the same superior metals, Direction-Controlled Conductors, and Noise-Dissipation technologies as the main AV data pairs. In AudioQuest eARC-Priority cables, the main A/V data pairs have Cinnamon-level performance (Forest 48’s solid 0.5% Silver + Carbon & Vodka 48’s Level-3 Noise-Dissipation), while the eARC data pair and Ground-Reference drain use all the same advanced design ingredients as their “48” counterparts. HDMI’s Audio Return Channel (ARC) sends audio from a TV to a soundbar or AV receiver for greater simplicity and flexibility in system setup. Hardware’s previous ARC capabilities max out at lossy (compressed) 5.1-channel surround sound. Today’s HDMI 2.1 hardware supports enhanced Audio Return Channel (eARC), which increases the digital bandwidth dramatically to support uncompressed and lossless high-resolution multichannel audio, including Dolby TrueHD and Atmos, and DTS-HD Master Audio and DTS: X. Limited Lifetime Warranty LIMITED LIFETIME WARRANTY AudioQuest HDMI cables are manufactured to exacting standards and are subject to rigorous quality control. However, if your HDMI cable has a real manufacturing defect, AudioQuest’s non-transferable original-owner limited lifetime warranty has you covered for cable purchased through an authorized AudioQuest US dealer. At its option, AudioQuest will repair or replace any defective HDMI cable that has not been abused, for the lifetime of the product. Proof of original purchase is required. This warranty is not an upgrade program for AudioQuest HDMI cables that were designed to meet previous generations of HDMI specifications. Current AudioQuest models are designed to meet HDMI 2.0 (18Gbps) or HDMI 2.1 (48Gbps). All generations of HDMI cable will provide some, but not all, of the features made possible by HDMI 2.0 and 2.1. All generations of HDMI cable are backwards compatible – they provide all the capabilities of previous generations. To experience the audio/video benefits made possible by the latest HDMI 2.1 hardware, an HDMI cable must meet HDMI specifications, specifically an FRL-enabled bandwidth of 48Gbps. Whether using HDMI-enabled gear with Standard Speed, High Speed (10.2Gbps), 18Gbps, or Ultra High Speed (48Gbps), AudioQuest’s HDMI “48” Series provide superior sound and a superior experience vs. even AudioQuest 18Gbps cables. This warranty is valid in the United States only. For warranty policies in other countries, please contact your local dealer or distributor.

The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to. Aston Spirit The Spirit represents one of the biggest engineering advancements in the microphone industry in decades. Nominated for the prestigious NAMM TEC Award in 2017 and universally acclaimed as one of the best mics on the market today at any price, it achieves a level of technical excellence and performance never before seen at this price point. Origin vs Spirit - Sound distinction The Spirit can be considered our ‘pro’ mic option, simply because of its revealing and incredibly polished sound. It’s transformer based circuit gives oodles of headroom, which means more ‘air’ and ‘space’ to the sound, and an incredible amount of detail and harmonic content. It’s a big, expensive-sounding mic that will allow you to get the very best results possible from any recording. A sports car of a mic… it’ll give you fabulous results if you treat it with respect and give your best. Spirit is a superb all-rounder mic, delivering a stunningly transparent vocal sound, yet equally suited to recording pretty much any instrument. If you want one of the most professional sounds out there, Spirit is your mic. There is a lot of subjective talk about ‘this mic for this application… the perfect vocal mic, the perfect instrument mic etc’ … yes, sometimes that can be the case, but mostly this is just manufacturers trying to make the easy sale. Tell someone, ‘this is ideal for guitar recording’ and they’ll migrate to that product. The truth is somewhat different from the marketing hype. Most good condenser microphones will be equally at home on vocals and various instruments. This is especially true of both the Origin and Spirit, which find themselves on everything from vocals for the likes of Noel Gallagher and Kylie Minogue, to drums for Arcade Fire and Geoff Dugmore (Elton John, Tina Turner, Bruce Springsteen) and live guitar cab mics for Radiohead's Thom Yorke So more important is to go for a mic which gives you the sound that you want. The Origin, by comparison, is the cornerstone of the Aston brand, our first mic, and a global best seller. Simple, but incredibly well engineered, and perfect for everyone from budding singer-songwriters to seasoned industry pros. The Origin’s sound can be best described as ‘forgiving’… it doesn’t flatter to deceive but its ultra-smooth and pure sound, while rich with detail, will not overload with harmonics and leave you reaching for the EQ. It sounds, well, just like you do. So, If you’re looking for a really good all-rounder, which will make your playing, or your singing, sound incredibly natural and true and easy to manage in the mix, then the Origin is the mic for you. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Spirit comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Spirit just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Spirit (and it looks awesome too!). Transducer Type Condenser Acoustic Operating Principle Pressure Gradient Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Noise Level 14dB A-Weighted Sensitivity at 1kHz into 1kohm 23.7mV/Pa Maximum SPL for THD 0.5% 138dB Signal-to-Noise Ratio (rel. 94dB SPL) 80dB A-Weighted Polar pattern Omni/Cardioid/Figure-of-Eight Pad Switches -20dB/-10dB/0dB Low-Cut Filter 80Hz Product length 175 mm / 6.89 in Product width 54 mm / 2.13 in Product weight 625 g / 1.38 lb

Q8n-4K -VS- Q8 Unapređujući model Q8, model Q8n-4K pruža višestruka poboljšanja u obliku i funkciji. UHD 4K video rezolucija pri 30 fps (2K na Q8) f/2.8 / 150° širokougaoni objektiv (f/2.0 / 160° na Q8) Zadnji ekran koji se okreće za snimanje selfi video klipova Redizajnirana operativnost za lakoću korišćenja Podrška za microSDXC kartice do 512 GB (maksimalno 128 GB na Q8) Daljinsko upravljanje putem aplikacije sa iOS/Android mobilnog uređaja (potreban je poseban, dostupan Bluetooth adapter Zoom BTA-1) 4K kada vam je potrebno 4K je kvalitet koji snimatelji traže. Međutim, Q8n-4K vam daje mogućnost snimanja u nižim formatima rezolucije kada vam je prioritetna manja veličina fajla. Širokougaoni objektiv Objektiv od 150° pruža dovoljno prostora za širokougaone akcije, poput bendova koji skaču po pozornici ili opuštajuće veličanstvenosti prirode. Sa 5 postavki polja gledanja (FOV), Q8n-4K takođe može pružiti uže okvire kada je to potrebno. Upečatljiv video Podešavanje osvetljenja i unapred pripremljenih scena (tzv. Scenes) dostupni su jednim pritiskom na dugme, što povećava video agilnost Q8n-4K. Dok je Q8 imao tri prethodno podešene scene, Q8n-4K nudi pet - Unutrašnja, Spoljna, Noćna, Koncert i Auto - da vam pomogne da dobijete pravo osvetljenje za vaše okruženje. Izlazni video port Ako želite da proverite svoj video na monitoru, jednostavno povežite mikro-HDMI izlaz snimača na vaš preferirani ekran (odgovarajući kablovi su dostupni zasebno). Snimanje visokokvalitetnog zvuka Q8n-4K vam pruža iste formate visokokvalitetnog zvuka kao i Zoom-ovi namenski audio snimači. Možete snimati u WAV formatu do 24 bita, sa 96 kHz rezolucije. Pored taktilnih kontrola za pojačanje i signalne suspenzore, sistemski meni omogućava pristup filtriranju, jačini zvuka, niskom preseku filtriranja i dinamičkim procesorima poput kompresora, limitera, levelera, de-esser-a i noise gate-a. Zvuk se može snimati zajedno sa videom ili odvojeno, omogućavajući Q8n-4K da funkcioniše kao samostalni četvorokanalni audio snimač. X/Y mikrofonska kapsula XYQ-8n kapsula ima dva uparena unidirekciona kondenzatorska elementa u 120° X/Y konfiguraciji, pružajući pravu stereo sliku bez potrebe za zasebnim mikrofonima i kablovima. To je sjajno integrisano rešenje, ali se može zameniti drugim Zoom mikrofonskim kapsulama (dostupne zasebno), poput VRH-8 Ambisonic mikrofonske kapsule namenjene za imersivni 360° zvuk. Dva XLR ulaza Ako želite da unesete spoljne signale, Q8n-4K će vam rado pomoći. Dva XLR ulaza za mikrofone/linije sa fantomskim napajanjem i prekidačem za smanjenje nivoa signala za 20 dB omogućavaju snimanje sa profesionalnim mikrofonima (dinamičkim ili kondenzatorskim) ili čak sa glavnim izlazima za miksete. Priključak za slušalice Praćenje audio signala je jednostavno; samo priključite slušalice u 3,5 mm priključak na bočnoj strani Q8n-4K i slušajte kako bi se uverili da je zvuk čist i bez distorzije. USB mikrofon/Web kamera Q8n-4K ne samo da snima na microSD kartice, već može da funkcioniše i kao USB uređaj. Dakle, bilo da vam treba kul veb kamera ili sposoban audio interfejs, Q8n-4K je tu za vas. Metode napajanja Napajanje ovog snimača neće biti problem. S obzirom da možete da koristite priloženu punjivu Li-jonsku bateriju, napajati ga preko USB-a, ili pokrenuti ga iz opcionog AC adaptera, Q8n-4K je idealan za sve - od uzastopnih snimanja do dugih koncerata. Opcije montiranja Navoj 1/4"-20 na donjoj strani kućišta omogućava da se snimač postavi na tronožac ili gimbal. SPECIFIKACIJE Camera Tip senzora 1/2.3"-Type CMOS Sensor Rezolucija Senzora Effective: 16 Megapixel Optika Maksimalni otvor blende f/2.8 Fiksni Fokus Da Ugao vidnog polja 150° Zoom None Ugrađeni ND Filteri Snimanje Sistem NTSC/PAL Media/Memory Card Slot Single Slot: microSD/microSDHC/microSDXC [512 GB Maksimum] Video Format 3840 x 2160 at 24/25/30 fps (H.264/AVC, MPEG-4) 1920 x 1080 at 24/25/30/50/60 fps (MOV via H.264/AVC, MPEG-4) 1280 x 720 at 24/25/30/50/60 fps (MOV via H.264/AVC, MPEG-4) Mikrofonski ugao snimanja 120° Kanali 4.0-Kanal Audio Format WAV Sempling Frequencije WAV: 96.0 kHz WAV: 48.0 kHz WAV: 44.1 kHz None Displej Tip displeja LCD Veličina 2" Rezolucija 320 x 240 Kontrola ekspozicije Self-Timer 3, 5, 10 Sec Daljinsko upravljanje Opciono Karakteristike Scene Modes Preset: Da Ugrađeni mikrofon Da Ugrađeni zvučnik Da Ugrađeni osvetljivač/fleš Svetlo - Ne Fleš - Ne Torbica za dodatke Nema Tripod Nosač 1/4" - 20 Ulaz/Izlaz - konektori Video I/O 1 x Micro-HDMI Output Audio I/O 2 x 3-Pin XLR Mic/Line (+48 V Phantom Power) Input 1 x 3.5 mm TRS Stereo Headphone/Line Output Power I/O 1 x USB Type-C Input Ostali I/O 1 x USB Type-C Data/Video Output (Shared with Power Input) 1 x USB Type-A Control Input Bežično Bluetooth kontrola *Adapter je potreban Ostalo Baterija Paket punjiva Litijum-Jonska baterija, 3.7-4.2 VDC, 1600 mAh Maksimalno vreme upotrebe: 2.5 sata po punjenju Metoda punjenja AC Adapter USB Vreme punjenja 4.5 sata Strujni adapter 5 VDC Dimenzije (širina x visina x dubina) 2.7 x 2.6 x 6.3" / 68.0 x 65.0 x 159.0 mm Mic Arm Lowered 2.7 x 5.3 x 5.3" / 68.0 x 135.0 x 134.0 mm Mic Arm Raised Težina 12.9 oz / 367 g (kućište zajedno sa baterijom) Informacije o pakovanju Težina pakovanja oko 700g Dimenzije kutije (dužina x širina x visina) 23 x 16 x 9 cm

A2 TECHNOLOGY The A2 continues the success of our fully mechanical automatic turntables. With the A2, you can now select the drop off point for 7“ (singles) or 12“ (LPs) for 45 RPM records. We have also added 78 RPM to the system allowing you to dig back into old shellac collections. To enjoy listening to your A2, just press start and the tonearm automatically moves to the lead in groove of the record. Once playing, the automatics are completely taken out of the equation. And because the automatics are working entirely mechanically – no additional electronics needed – they truly do not influence or degrade sound quality during playback! At the end of the record, the tonearm is automatically brought back and gently lowered into its resting position and the motor shut off. Why sub-chassis? Automatic turntables have many small mechanical parts, which means you need more hollow space in the chassis to fit them. Hollow spaces are the biggest problem as they always reinforce resonances. By using a sub-chassis, you decouple the tonearm and drive from the chassis. In other words, a sub-chassis is a MUST for automatic turntables and enables them to reach excellent sound performance. Floating sub-chassis The A2 employs a sub-chassis construction, where the tonearm, platter bearing and motor are mounted onto a separate floating sub-chassis. This isolates all the most critical turntable elements further and adds an extra layer of protection against outside noise, resonances and interference. This has especially big advantages, when your loudspeakers are very close to the turntable. Pro-Ject Design Philosophy Adding Pro-Ject designs and ideas, we have spent a lot of time on the A2‘s clean design language. You will see similarities to iconic designs of the German audio industry. Today, we believe that this minimalistic approach is very much modern again. IMPROVED AUTOMATIC MECHANISM We have invested in a new aluminium diecast top for the whole sub-chassis and automatic mechanism. We have tried to avoid plastic parts from the original German automatic design as much as possible. This is the first time in all the 50 years of its existance that the original automatic design has received an improvement like this. Due to the new aluminium diecast cover and the massive chassis, the whole sub-chassis construction is more effective and isolates unwanted resonance much better. MASSLESS TRACKING FORCE ADJUSTMENT The A2 uses a new system for setting the tracking force. As usual, you first level out the tonearm with the damped counterweight. Damping the counter- weight makes the tonearm as a whole more robust and decouples the counterweight from the tonearm reducing resonant frequencies. Afterwards the tracking force is set by turning a dial directly on the tonearm bearing. Not only is this system very fast, precise and efficient, it also keeps the center of gravity directly on top of the bearing center. The spring based anti-skating can also be adjusted directly on the tonearm base. IMPROVED TONEARM & CARDANIC BEARING The A2 features an 8.3” ultra-light-mass aluminium tonearm with an improved tonearm tube with bigger diameter. The is a perfect match for the slightly heavier Ortofon 2M Red. In combination we retain the super fast response and all transient detail with lots of fine microdynamics, while the new 2M Red adds a lot of body and musical warmth. The tonearm bearing has received a major upgrade, is now made out of aluminium and features a 4-pin-point cardanic construction with steel tip ball bearings from our own production. This allows for unhindered and free tonearm movement with the lowest amount of friction possible. The A2 will track your vinyl records with the utmost of precision and tightness. WHY ULTRA-LIGHT-MASS TONEARM? Since forever, there has been this technical discussion about light-weight tonearms with high compliance MM cartridges vs. heavy tonearms with low compliance MC cartridges. Both approaches have advantages and disadvantages and you‘ll find detailed analysis in concerned literature. However, when it comes to automatic turntables, we NEED ultra-light-mass tonearms. There is no way around it. We need the automatic mechanics to be like those in mechanical watches: small and precise. A heavy tonearm would result in a rougher mechanical design as much higher masses have to be moved. Therefore, the A2 reaches performance hights like no other automatic turntable on the market. Audiophile Features Ortofon 2M Red Moving-Magnet Cartridge 2M Red is an all-purpose cartridge that delivers open, dynamic sound with a slight touch of warmth. (*US Version comes with Sumiko Rainier) New Headshell Carbon fibre reinforced anti-magnetic headshell The headshell is made of carbon fibre reinforced polymer which makes it super stable and rigid, all while keeping the weight at a lowest to work perfectly with the ultra-light-mass tonearm design. Heavy MDF main chassis Heavy and avoids hollow spaces The new heavy MDF main chassis is made and designed in Austria and carefully hand painted in a luxurious 8-layer matt black finish. It provides a very sturdy base for the sub-chassis and reduces hollow spaces to avoid resonances. Such a massive chassis is very unusual in this price range and the base for natural sound. Floating sub-chassis With aluminium diecast top Isolating all the most critical turntable elements adds an extra layer of protection against outside noise. A must for automatic turntables. Damped Platter Precision balanced aluminium The damping ring on the inside adds weight and reduces resonances. In the last step the platter is turned and precision balanced to receive its fine edges and lowest wow and flutter deviations. Connect it E Semi-balanced RCA cable To guarantee a perfect connection to your amp we use a high-quality phono RCA cable. Our Connect it E is a semi-balanced, low-capacitance cable, with superior shielding. 33/45/78 RPM Ready for singles, LPs & shellacs No need to change the belt position. Easily change speed with the push of only a single button & listen to your favourite LP, single or shellac. Automat Line Handmade in Germany The A2 is fully handmade in Germany and looks back on decades of experience. Paired with Pro-Ject technology, it sets new standards in automatic turntable design. Speed: 33, 45, 78 (electronic speed change) Drive principle: belt drive, fully automatic Platter: damped aluminium platter Wow & flutter: 33: +/-0,14%; 45: +/-0,12% Speed drift: 33: +/-0,27%; 45: +/-0,22% Signal to noise: 74dB Tonearm: ultra-light-mass 8,3” aluminium tonearm Effective arm length: 211mm Overhang: 19,5mm Included accessories: 15V DC / 0,8A power supply, dust cover, 7‘‘ single adapter, feltmat, phono cable Power consumption: 1,5W Dimensions: 430 x 150 x 365 mm (WxHxD) Weight: 7,3 kg net / 10 kg with packaging

From the intuitive, tactile controls to the powerful audio processing and editing functions, the PodTrak P8 is well equipped to help you record, stream, and export pristine audio for complex panel podcasts. Dynamic and condenser mics, customizable sound pads, call-ins via your smartphone or computer, and independent headphone outs; the PodTrak P8 can manage everything you need a podcast production station to do. Extra touches including per-channel tone controls, compression/de-essing, limiters, low-cut filters, and noise reduction—all stellar tools for achieving professional-sounding tracks, an integrated mix-minus function to prevent echo and feedback for remote guests, and multiple powering methods make the PodTrak P8 a truly powerful all-in-one solution for podcasting. PodTrack P8 vs P4 How does the PodTrak P8 differ from the smaller PodTrak P4? The P8 is made to handle even more complex podcasts with even more people. The P8 packs in more mic preamps, more headphone outputs (plus speaker outputs), more sound pads, more ways to sweeten your signal, a set of fluid editing functions, and a large 4.3" full-color touchscreen for intuitive access to all tweakable settings. Plus, with the P8, you can edit and export full podcasts without ever touching a computer. Six High-Gain Mic Inputs Whether you rely on announcer-style dynamic microphones such as the Zoom ZDM-1 (available separately) or prefer the sheen of crisp condenser mics, the PodTrak P8's six mic preamps are up to the task. Each features a balanced XLR input jack, selectable +48V phantom power, and up to 70 dB of gain, plenty of boost to ensure optimal recording levels with all kinds of mics, such as the venerable Shure SM7B. Headphone Mixes for You and All Your Guests Outfitted with six 3.5mm stereo headphone outputs, the PodTrak P8 can provide you and your guests with independent headphone mixes, each with its own color-coded level control below the color-matched headphone jack. No matter the scenario—an exclusive interview or a raucous panel podcast, everyone will be able to clearly hear what's going on. For optimal configuration in your home studio, the PodTrak P8 also has two balanced 1/4" speaker outputs with a dedicated volume control; just plug them into a pair of active monitors, turn up the volume, and listen away. Echo-Free Remote Call-Ins Knowing how frequently podcasters collaborate with remote guests, Zoom integrated two ways to accommodate call-ins through physical connections—plug your smartphone directly into the 3.5mm TRRS phone port (on channel 7), connect a computer via USB to bring in the audio from your conferencing software of choice to channel 6, or do both at the same time to feature two remote guests. Whether you use TRRS, USB, or both, the PodTrak P8 automatically prevents echo and feedback with its built-in mix-minus feature; your remote guests will never be distracted by hearing their own voice echo back to them. Supports BTA-2 for Wireless Remote Guests If you prefer to go wire-free for call-ins, connect the Zoom BTA-2 Bluetooth receiver (available separately) to the PodTrak P8 and use your smartphone to wirelessly pipe in your call audio via Bluetooth. Assignable Sound Pads with Preset Sounds The PodTrack P8 is equipped with nine sound pads next to the LCD touchscreen, perfect for elevating your podcast production quality with music, jingles, ads, sound effects, or pre-recorded interviews triggered at the push of a button. Use the 13 preset sounds or load up to 36 of your own samples (organized in four banks) for even more versatility. Plus, a dedicated fader allows easy adjustment of the sound pad output volume. Instant Access to Volume, On-Air, and Mute for Each Input Each channel on the PodTrak P8 has its own volume slider, mute, and on-air button. So not only can you quickly adjust volume and mute/unmute guests without having to navigate through menus, but a simple deselection of a channel's on-air button routes it only to the headphones, but not to the speakers, USB output, or recording—an ideal setup for conversing on the side or prepping your guests before the next segment. Record up to 13 Tracks Simultaneously With the PodTrak P8, you can simultaneously record up to 13 tracks to an SD card—six or seven tracks from the mic input channels (channel 6 can record stereo in USB mode), two tracks from the smartphone input, two tracks from the sound pads, and two tracks from the overall stereo mix. User-Friendly Editing Built-in edit functions let you trim, split, combine, and fade audio clips to produce a finished episode without ever leaving the P8, meaning you can edit and export full podcasts without ever touching a computer. All this is done intuitively through the P8's color touchscreen. SD Card Recording and Audio Interface Functionality Designed for truly convenient portability, the PodTrack P8 can record directly to an SDHC card (up to 32GB capacity) or an SDXC card (up to 512GB capacity). A 4GB card will yield over three hours of 16-bit / 44.1 kHz 4-channel recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards may increase startup times. Alternatively, use the PodTrak P8 as a 2-in/2-out USB 2.0 audio interface (at 16-bit / 44.1 kHz) with your Mac/Windows computer or iOS/Android mobile device (separately available Apple Camera Connection Kit is required for use with iOS devices). Powered via AA Batteries, AC Adapter, or USB Power the PodTrak P8 via four AA batteries (available separately), plug it into a wall outlet with the included AD-14 AC adapter, or use an external USB battery. Alkaline batteries can keep the P8 running for up to two hours of continuous recording. When using the P8 in the stereo USB audio interface mode, USB bus powering is also possible. Powerful Signal Processing Adds Sonic Polish The PodTrak P8's onboard effects allow you to add professional polish to your recordings without resorting to postproduction processing on a computer. Via the touchscreen, you can access each channel's easy-to-use settings. Mic Preamp Gain: A simple slider adjusts the mic preamp gain while the meter is divided into Low, Good, and Over sections to help you set the level properly Limiter: Prevents distortion from sudden spikes in level Low-Cut Filter: Reduces wind noise, blowing, and other kinds of low-frequency rumble Tone: Drag the slider to make the sound brighter or warmer Compresser/DeEsser: Provides more presence and impact Plus, a selectable Noise Reduction setting automatically lowers the volume of silent mic tracks to reduce overall background noise. Extra Enhancements Ideal for international use, the PodTrak P8’s touchscreen can be set to one of six languages—English, French, German, Spanish, Italian, or Japanese Color-coded inputs, outputs, and controls make on-the-fly adjustments a breeze and keep you focused on the discussion Transfer track files to your computer to do a final mix in your favorite DAW software Zoom PodTrak P8 Specs Form Factor Tabletop Display 1 x Touchscreen Channels of I/O Analog: 8 Input / 2 Output at 44.1 kHz Max Sample Rate/Resolution 44.1 kHz / 16-Bit Number of Mic Preamps 6 Input Level Adjustment 6 x via Touchscreen Number of Headphone Mixes 1 x Master 5 x Guest Solo/Mute Mute per Input Channel Pad None Sample Pads 9 x Assignable Connectivity Analog Audio I/O 6 x XLR 3-Pin Balanced Mic Input 6 x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2 x 1/4" TRS Balanced Monitor Output 1 x 1/8" / 3.5 mm TRRS Unbalanced Aux In/Out Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB 1 x USB Type-C (Class-Compliant USB 2.0) Memory Card Slot 1 x SDXC Performance Frequency Response 20 Hz to 20 kHz ±1 dB (at 44.1 kHz) Gain/Trim Range Mic Inputs: 0 dB to +70 dB Max Input Level XLR Mic Inputs: +5 dBu for 0 dBFS 1/8" / 3.5 mm Aux Inputs: +2.5 dBu Max Output Level Monitor Outputs: +5.5 dBu Headphone Output Power 20 mW per Channel into 32 Ohms Impedance XLR Mic Inputs: 3 Kilohms 1/8" / 3.5 mm Aux Inputs: 3 Kilohms 1/4" Monitor Outputs: 320 Ohms 1/8" / 3.5 mm Headphone Outputs: 27 Ohms EIN -124 dBu (150-Ohm Source, +70 dB Gain) Digital Audio Sample Rates 44.1 kHz Bit Depths 16-Bit Compatibility OS Compatibility macOS Windows iOS Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Required Hardware Available USB 2.0 Port USB Cable (Not Included) Power Power Requirements AC/DC Power Adapter (Included), Battery, or USB Bus Power AC/DC Power Adapter 5 VDC at 1 A Power Consumption 5 W Battery Type 4 x AA Approximate Battery Life 2 Hours (AA Alkaline, Phantom Off, Recording, with Headphones) 3.5 Hours (AA NiMH, Phantom Off, Recording, with Headphones) 6.5 Hours (AA Lithium, Phantom Off, Recording, with Headphones) Physical Anti-Theft Features Kensington Security Slot Dimensions 11.6 x 9.8 x 2.4" / 29.5 x 24.8 x 6.1 cm Weight 3.1 lb / 1.4 kg Packaging Info Package Weight 4.595 lb Box Dimensions (LxWxH) 14.8 x 11.2 x 3.3"

Izgrađen na osnovu 60 godina iskustva izrade audio uređaja kompanije Universal Audio, Apollo Twin X samouvereno nadmašuje sve u svojoj klasi sa 127 dB D/A dinamičkog opsega, zajedno sa uključenim UAD analognim emulacijskim plug-inovima i LUNA Recording System-om, koji vam pruža kompletno opremljeni analogni studio na vašem desktopu. Snimajte i miksujte sa prvoklasnom A/D i D/A konverzijom — sa najširim dinamičkim opsegom i najnižim nivoom šuma u odnosu na bilo koji desktop interfejs. Dva pretpojačala sa Unison tehnologijom— snimajte numere sa skoro nultom latencijom sa emulacijama pretpojačala od Helios, Neve, API, Manley i ostalih* Onboard UAD obrada omogućava vam da stvarate numere i miksujete u realnom vremenu sa uključenim Teletronix LA‑2A i 1176 kompresorima, Pultec EQs, 610‑B cevnim pretpojačalom i još toga Sadrži LUNA Recording System — u potpunosti integrisanu i inspirišuću aplikaciju za muzičku produkciju Dva Unison pretpojačala: Dobićete autentični zvuk Neve®, Helios, API, Manley i još toga Apollo Twin X ima dva Unison-enabled mikrofonska pretpojačala, što vam omogućava da pravite numere zahvaljujući emulacijama mikrofonskih pretpojačala Neve®, Helios, API, Manley, Universal Audio i mnogih drugih. Ekskluzivna kod UA Audio interfejsa, Unison tehnologija pogađa ton ovih traženih cevnih i solid state mikrofonskih pretpojačala — uključujući njihovu ulaznu impedansu, “sweet spot-ove,” na bini i ponašanja kola na nivou komponenti originalnog hardvera. Tajna Unison tehnologije leži u njenoj integraciji hardvera i softvera između Apollo mikrofonskih pretpojačala i njene onboard UAD-2 DUO Core DSP akceleracije. Jednostavno stavite Unison plug-in za pretpojačalo u vaš mikrofonski ulaz u in Apollo Console softver i on fizički rekonfiguriše Apollo interfejs impedansu — tako da možete da utonete u klasične zvukove svetski najsnimanijih mikrofonskih pretpojačala. Pogledajte Unison Shoot Out (hardver vs. softver) video Prvoklasna A/D i D/A konverzija Sa hiljadama hit pesama i stotinama albuma koji su osvojili Grammy nagrade, Apollo interfejsi se koriste za svakodnevno stvaranje izuzetnih zvučnih zapisa. Kako bi poboljšali prethodnu generaciju Apollo interfejsa koji su vodeći u klasi audio konverzije, UA inženjeri redizajnirali su Twin audio konverziju kako bi isporučili upečatljivih 127 dB dinamičkog opsega i -117 dB THD + N, dajući Apollo TWIN X prostrani, organski zvuk koji lako staje rame uz rame sa high end konvertorima. Apollo: Izbor New-School profesionalaca Apollo je potvrđen izbor profesionalaca koji prave hitove, koji su navikli da snimaju najpoznatije albume Kendrick Lamar-a (DAMN.), Chris Stapleton-a (Iz A sobe: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), i mnogih drugih. Apollo linija interfejsa dobila je nekoliko nagrada od Sound on Sound, Future Music, i Electronic Musician — kao i prestižnu TEC nagradu za kompjuterski audio hardver tokom pet uzastopnih godina. Komplet klasičnih analognih plug-inova Direktno iz kutije, Apollo Twin X ima kolekciju neverovatnih emulacijskih plug-inova uključujući svetski jedini autentični Teletronix LA-2A, 1176LN, Pultec EQs, i UA 610-B cevno pretpojačalo i ekvilajzer. Razvijen od strane svetski priznatih algoritamskih inženjera Universal Audia, ovi analogni klasični plug-inovi u realnom vremenu uspostavljaju standard na osnovu koga se sve ostale hardverske emulacije procenjuju. Od toplote cevi Pultec EQ-a na gitarama, do nežnog limitiranja LA-2A na vokalima, vaši snimci će odskočiti u bogat, zvučno kompleksan analogni zvuk. Pogledajte Plug-Inove | Pogledajte live tracking video Uđite u svet UAD Plug-Inova Pored uključenih analognih klasičnih plug-inova u realnom vremenu, Apollo Twin USB Vam omogućava da koristite celu biblioteku nagrađivanih UAD plug-inova — uključujući vintage ekvilajzere, kompresore, reverbe, tejp mašine i još toga — sa skoro nultom latencijom, bez obzira na veličinu bafera vašeg audio softvera i bez opterećivanja procesora na vašem računaru. Sa ekskluzivnim emulacijama Neve, Studer, Manley, API, Ampex, Lexicon, Fender, i još toga,† to je kao da imate beskonačni anlogni studio, direktno na vašem desktopu. A za razliku od konkurentskih interfejsa, ovi DSP plug-inovi su takođe dostupni na vašem DAW-u za miksovanje. Snimajte sa vintage pojačalima Novinu kod Apollo Twin USB predstavlja Unison tehnologija kod ulaza za instrument na prednjoj strani koja vam omogućava emulacije gitarskih i bas pojačala kao što je Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959 i Ampeg B-15N Bas pojačalo. LUNA sistem za snimanje Deep Apollo integracija sa brzim, prirodnim procesom rada Apollo X serija interfejsa radi sa svim većim DAW-ovima. Ali oni postaju u potpunosti integrisani sistem sa LUNA-om, inovativnom aplikacijom za muzičku produkciju za Mac od Universal Audio. Koristite LUNA-in ubrzani nadzor nad realnim vremenom ™ i napajajte svoj radni tok mnoštvom ugrađenih funkcija i opcionalnih proširenja - od originalnog Neve zbrajanja i integrisane trake Studer, do inspirativnog LUNA instrumenata i još više. Dodatna povezivanja i ugrađeni Talkback Sa svoja dva onboard pretpojačala opremljena Unison tehnologijom, dva izlaza i optičkim ADAT/SPDIF ulazom— kao i daljinsko upravljanje posvećenim monitorom i ugrađeim Talkback mikrofonom —10 x 6 Apollo Twin X pruža Vam I/O koji Vam je potreban za numere i mikseve. Napravite Networked Studio Korisnici bilo kojeg Apollo interfejsa opremljenog Thunderboltom mogu da kombinuju do četiri Apollo-a i ukupno 6 UAD-2 uređaja - dodajući I / O i DSP kako studio raste. Jednom kada proširite svoj studio pomoću Apollo x6, x8, x8p ili x16 ugradive jedinice, možete da koristite Apollo Twin X kao desktop monitor, a da i dalje dodirnete dodatnu I / O i DSP snagu. *Apollo Twin X uključuje “Realtime Analog Classics” UAD plug-in-ove. Ostali UAD plug-inovi se odvojeno prodaju na www.uaudio.com. OSNOVNE KARAKTERISTIKE Desktop 10 x 6 Thunderbolt 3 audio interface za Mac i Windows sa prvoklasnom A/D i D/A konverzijom nasleđenom direktno od čuvenih Apollo X interfejsa sa rackmountom. 2 mikrofonska pretpojačala sa Unison tehnologijom nude fantastične modele klasičnih cevnih mikrofonskih pretpojačala i gitarskih pojačala zasnovanih na transformatoru. UAD-2 DUO ili QUAD Core obrada za rad uz pomoć vintage kompresora, ekvilajzera, tejp mašina, mikrofonskih pretpojačala i plag-inova za gitarska pojačala za skoro nultom latencijom. Stvarajte sa LUNA Recording Sistemom — u potpunosti integrisanom aplikacijom za snimanje napravljenom za Apollo (Mac/Thunderbolt) Front-panel sa ulazom za Hi-Z instrument opremljenim Unison™ tehnologijom i izlazom za slušalice Ugrađeni Talkback mikrofon za komunikaciju za studijom i snimanjem cue-ova Poboljšana monitorska funkcionalnost uključujući funkcije kojima se upravlja na daljinu Mono, Mute, DIM i ALT monitor kontrole Do 8 kanala dodatnog digitalnog ulaza putem Optical ADAT ili S/PDIF Uključuje "Realtime Analog Classics" UAD plag-inove koji imaju Teletronix LA-2A i 1176 kompresore, Pultec ekvilajzere UA 610-B cevno pretpojačalo i ekvilajzer i još mnogo toga. Ostali UAD plaginovi se prodaju posebno Pokreće UAD plug inove uz pomoć VST, RTAS, i AAX 64 u svim boljim DAW-ovima Beskompromisni analogni dizajn, superiorne komponente i prvoklasni kvalitet izrade Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers Sistemski zahtevi Apollo X serije SVI: Thunderbolt 3 kabl (nije uključen) Internet veza za preuzimanje softvera i autorizaciju UAD plug-inova 6 gigabajta raspoloživog prostora Quad Core i7 ili bolji processor preporučen Za dodatne informacije o kompatibilnosti, posetite help.uaudio.com MAC: Dostupan Thunderbolt 1, 2, ili 3 port Thunderbolt 1 i 2 povezivanja zahtevaju Apple Thunderbolt 3 na Thunderbolt 2 Adapter (nije uključen) macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, ili 10.15 Catalina PC: Dostupan Thunderbolt 3 port Windows 10 (64-Bit izdanje) UKLJUČENI PLUG-INOVI Realtime Analog Classics Sa Realtime Analog Classics plag-inovima, dobićete legendarne kompresore kao što je Teletronix® LA-2A i ekvilajzere kao što je Pultec® EQP-1A, fantastične emulacije gitarskih i bas pojačala, kao i UA poznato 610-B cevno pretpojačalo i EQ plug-in. UA 610-B Tube Preamp and EQ Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology. UA 610-B cevno pretpojačalo i EQ Obogatite svoje zapise ikonskom toplinom i karakterom klasičnog hardvera koji se koristi kod svih, od Duke Ellingtona do Coldplay-a. Emulirajući ceo signalnu putanju, uključujući cevna pojačala, transformatore i nelinearnosti kola, 610-B cevno pretpojačalo i EQ dodatak ubrizgavaju organske detalje i zasićenost bilo kojem signalu - bilo da ponovo pojačavate ili pratite kroz 610- B putem Unison ™ tehnologije Universal Audio. Marshall® Plexi klasično pojačalo Nesporan gospodar rokenrola i gitarskih pojačala, Marshall “Plexi” pojačalo je legendarno kao i muzika koju je pomogao da se stvori. Od Džimija Hendriksa, Džimija Pejdža, Duan Almana do Erika Kleptona, Plexi mešavina režanja, sustain-a, glatkoće i prostote definisala je rok zvuk. Razvijen od strane Softube-a, Marshall Plexi plug-in klasičnog pojačala omogućava zvuk ovog čuvenog pojačala sa savršeno pozicioniranim mikrofonom od inženjera Tonija Plata koji je snimio Back in Black i Highway to Hell od AC/DC. Teletronix® LA-2A klasično leveling pojačalo (cevni optički kompresor) (Legacy) Sa svojom nežnom programski zavisnom optičkom kompresijom i precizno dizajniranim cevnim pojačalom, LA-2A je pravi kompresor za prefesionalne mikseve širom sveta — naročito za vokale. Peak smanjenje i gain kontrole neverovatno lake za korišćenje daju vam idealnu optičku kompresiju zvuka za gitaru, bas, bubnjeve i još toga. 1176SE/LN® klasična pojačala sa limiterima (Legacy) Dobijte klasičnu ultra brzu FET kompresiju od svetski najpriznatijeg kompresor-a. 1176 će obogatiti punch-om, prisustvom i karakterom kao i autentičnom distorzijom na bubnjevima, vokalima, gitarama i basevima. 1176LN se može čuti na bezbroj pesama, od Led Zeppelin-a, do White Stripes i Michael-a Jackson-a. Pultec® Pro Ekvilajzeri (Legacy) Miksujte sa dva najtraženija hardverska EQ ikad napravljena — MEQ-5 ekvilajzerom srednjeg opsega i EQP-1A programskim ekvilajzerom. Obe ove ikone zasnovane na cevima isporučuju glatke i svilenkaste EQ krive sa mnogo toplog analognog karaktera. Ampeg® SVT-VR klasično bas pojačalo Predstavljen 1969. godine, Ampeg SVT bas pojačalo je još uvek suvereni vladar cevnog bas zvuka sa velikom snagom. Razvijen od strane Brainworx, plug-in Ampeg SVT-VR klasičnog bas pojačala savršeno hvata sirovu snagu i udare koji su napravili ovo svestrano pojačalo za rok, fank i soul muzičare. Snimajte u realnom vremenu koristeći Unison™ tehnologiju pretpojačala za zvuk, osećaj i dodir pravog SVT bas pojačala, ili transformišite DI numere sa gromoglasnim klasičnim tonom. Precision Mix Rack kolekcija S obzirom da ima Precision Channel strip, Precision Reflection Engine, i Precision Delay Modulation plug-inove, Precision Mix Rack kolekcija pruža četiri moderna, visoko pouzdana plug-ina za snimanje i miksovanje. Moćna i intuitivna, Precision Mix Rack kolekcija omogućava vam impresivni komplet — savršen za početnike i profesionalce. Sirova distorzija Oblikovana na osnovu Pro Co Rat vintage modela iz ranih -’80s, sirova distorzija isporučuje svu krupnu dinamiku legendarnog stompbox-a. A sa Unison™ tehnologijom, možete da se uključite u Apollo Twin, 8, ili u 8p-ovu prednju stranu Hi-Z instrument jack i iskusiti istu interakciju kola, gain opseg i clip tačke za pravi zvuk, osećaj i odgovor originalnog hardvera. RealVerb Pro Omogućujući vam da dizajnirate sobu onako kako to čujete, RealVerb Pro nadilazi jednostavno velike / male ili tamne / svetle, pružajući vašim izvorima glatku kontrolu difuzije bez izobličenja i ultra dugačak reverb rep.

Created in collaboration with Mastering Engineers Gavin Lurssen and Reuben Cohen of Multi Grammy Award winning facility Lurssen Mastering, Inc. in Los Angeles, it puts you at the controls in the studio with all of the secret tools, settings and techniques that have made the Lurssen sound so sought after by the world’s top-tier recording artists and producers. It faithfully recreates Lurssen's “whole is greater than the sum of its parts” philosophy of mastering. With it, you get a top of the line mastering processor chain that has been created and tweaked by Gavin and his team to reflect the settings they use in the studio while mastering hip-hop, rock, pop and more. With Lurssen Mastering Console, you finally have a way to make professional sounding masters no matter whether you’re in the studio or on the go. A sound philosophy Lurssen Mastering Console is a totally new approach to digital audio mastering. It provides a complete emulation of the entire mastering processing chain used by world-renowned mastering engineers Gavin Lurssen and Reuben Cohen and their team. This chain includes tube equalizers, solid state equalizers, limiters, de-essers and solid state compressors. The simulation of this chain reflects their “whole chain philosophy”. Lurssen Mastering Console models and recreates the interactions between the individual processors in its chain down to the actual gear hookup schematics themselves. This approach effectively gives you access to decades worth of knowledge in the form of workflow secrets, special techniques, signal chains and technical know-how. Hear the Lurssen Mastering Console difference Here are just a few examples of mixes before and after being mastered with Lurssen Mastering Console. Using the "styles" presets as a starting point, the mixes were tweaked in real time using push, automation, and eq controls to capture the magic in the music. (Settings for each mastered file can be found in the audio file descriptions.) Master your audio everywhere No matter whether you use iPhone, iPad or a Mac or PC, there's a Lurssen Mastering Console for you. It is available in two different versions depending on your needs. It's available as a universal iPhone/iPad app — just the thing for when you want to master on the go or demo your material on a wide variety of sound sources while mastering. This app is available as a free download that operates in demo mode, and features two full-functionality unlock modes: Play/Process and HD Engine. It's also available as software for your Mac or PC. This version can be used either standalone or as an Audio Units, VST 2, VST 3 or AAX plug-in in your DAW of choice for amazing audio mastering in the studio or on your laptop. When you master, you want your audio productions to sound good when played on a wide variety of different speakers and setups from car radios to home hi-fis, iPods to club sound systems and more. Lurssen Mastering Console helps you achieve consistently great sounding results because it lets you demo your projects on a wide variety of soundsystems thanks to its iPhone/iPad version. Now you can take your projects with you anywhere so you can hear exactly how they perform in the wild. A lifetime’s worth of mastering experience at your fingertips It’s easy to get great results with Lurssen Mastering Console. It comes with 40 unique mastering templates, called “Styles,” that custom tailor its mastering processing chain for hip-hop, hard rock, heavy metal, country, Americana and more. These templates eliminate all the hard work of the mastering process; Gavin and his team have set everything up for you from the signal flow to the individual settings of each processor. All you have to do is load a track, choose a template and you’ll be ready to start mastering. Or, in other words, Lurssen Mastering Console can help you achieve amazingly professional results even when a trip to Lurssen Mastering in Los Angeles just isn’t in the budget. Streamlined control Once you’ve selected a template, Lurssen Mastering Console presents you with three easy to use controls that let you adjust the master to your taste. Just like in Gavin’s studio, you can adjust a linked Input Drive, adjust a five band EQ and also use a special “PUSH” knob. The PUSH knob is particularly important because it lets you subtly and uniformly nudge the EQs so you can “ride” the flow of the song and highlight parts, adding that special Lurssen magic to your masters. You also get two VU meters, a master bypass switch (quite handy for hearing your work versus the original file) and a STEREO/MONO monitoring switch. You can record the real-time adjustments to the two master knobs via the automation feature so you can really dig into the nitty gritty of your master and record your work for later. Lurssen Mastering Console lets you see your audio thanks to this handy waveform display. You can loop audio here, view and edit automation data and move freely through your chosen song. Styles and control Lurssen Mastering Console has been designed to sound great without any tweaking required on your part. That being said, you can view and alter some of the settings of Gavin’s processing chain thanks to the Chain view screen. Here you can view the individual components that comprise each Style template and make adjustments to things like gain reduction on specific pieces of gear. You can save your changes to the Style templates as presets, which can also store different EQ settings. Mono, stereo and surround The Lurssen Mastering Console plugin can be inserted in mono, stereo, multi-channel tracks and buses in any compatible DAW, for ultimate flexibility and usability as both mastering and mixing tool. The mono operation not only allows you to use the plugin on simple mono tracks (such as vocals, bass, guitars etc.) in regular mixing sessions, or stereo buses for stem mixing or mastering duties, but it can also be used on 5.1 surround or even greater projects, depending on the selected DAW. The parameters, presets and Styles will remain consistent across all instances on a multichannel bus when settings are linked. This will allow more precision and coherency over surround operation. Powerful processing and effortless export As with mixing, mastering is about ensuring that your audio sounds as good as possible on as many playback devices as possible. Lurssen Mastering Console allows for an extreme degree of sonic detail thanks to its 88.2/96kHz DSP processing. Finished audio rendered with Lurssen Mastering Console sounds great in any format. It allows for export to all popular file formats from AAC to WAV, FLAC and beyond. Projects in Lurssen Mastering Console for Mac and PC are compatible with Lurssen Mastering for iPhone/iPad. That means that if you have both applications, you can transfer your projects and use the iPhone/iPad version to hear how your work sounds on a variety of different output devices (you can also use the iPhone/iPad version to finish projects and vice versa). With Lurssen Mastering Console, musicians finally have a way to achieve professional-quality audio mastering results any time and everywhere they go. Digital Delivery Mastering “Mastered for iTunes” If you are mastering your music for digital distribution and streaming services like iTunes®, Pandora® and Spotify®, Lurssen Mastering Console can ensure your music gets heard. Lurssen Mastering Console has a new Digital Delivery Mastering feature that provides you with mastered audio files that comply with Apple’s “Mastered for iTunes” specifications for sample rate, bit depth and peak levels, ensuring that your audio translates perfectly for compressed formats like AAC. Digital distribution and streaming services have become the current de-facto standard of music delivery to consumers, and engineers have started to put more care into the production of the final master to ensure that the quality of the audio, when compressed to AAC or other formats, is as close as possible to the original source file. For this reason Apple has developed a set of best practices and tools that should be used for compliance to what has been labeled as “Mastered for iTunes®”. Technically, files have to comply with high-resolution sample rate and bit depth requirements, but the most important aspect is peak level. As the tendency in contemporary digital music production is to go for super loud masters, distortion is created as a by-product of extreme use of digital peak limiters pushing up the level. Even though the file’s maximum peak level is not exceeding 0.0 dBFS, digital overshoots will still occur when the file is de-compressed back to PCM format for playback. Apple’s Mastered for iTunes® criteria states that no clipping at or over 0.0dBFS should be present in the digital master to be submitted. When checked with Apple’s tools specifically made for this purpose, masters with digital overs may be rejected. This is where the new Digital Delivery Mastering option for Lurssen Mastering Console comes in. It offers an additional layer of protection against peak overshoots that could be generated by the AAC compression and decompression process. This can cause clips that may go unnoticed while mixing and mastering with regular sample peak meters. This is achieved by the peak limiter at the end of the mastering chain working in a specific way. This guarantees that the compressed file is safe from distortion when played back from digital distribution services such as Apple’s iTunes®, Spotify and Pandora. The Digital Delivery Mastering option is part of the HD Engine in-app purchase, and can be enabled independently from the HD Engine in the settings menu. It is also included in the free update for Mac/PC users. Note: Please be aware that under certain extreme circumstances such as an unbalanced high frequency content of the audio file or an overly loud and distorted master due to an improper use of the application’s gain staging could make for digital overshoots that may not be avoided by the DDM algorithm. Try before you buy Lurssen Mastering Console for iPhone and iPad is free to try. That means you can experience its amazing ease of use and phenomenal sound today for no cost whatsoever. A random noise will interrupt playback in the demo version. Lurssen Mastering Console for iPhone/iPad features two in-app purchases that unlock the full functionality: Play/Process and HD Engine. Play/Process enables unrestricted playback, monitoring and processing, 48kHz maximum sample rate of the DSP processing and export of compressed formats such as AAC & OGG. HD Engine allows unrestricted playback, processing and monitoring at 88.2/96kHz sample rates for DSP and export, selectable dithering and export of uncompressed formats such as WAV & FLAC. Lurssen Mastering Console for Mac/PC is free to try for 10 days. A random noise will interrupt playback after the trial period expires. Features Created in collaboration with mastering engineers Gavin Lurssen, Reuben Cohen and the team at multi-Grammy award-winning Lurssen Mastering, Inc. Accurately reproduces Lurssen Mastering's unique philosophy, studio workflow and signal chain Separate versions available for iPhone/iPad and Mac/PC Mac/PC version works as a standalone application or as a plug-in for your DAW 40 pre-made "Styles" created by Gavin Lurssen and team that reproduce the settings and gear used to master pop, hip-hop, rock and more 3 easy-to-navigate displays: A Studio view with controls, a Wave waveform view and a Chain view for individual processors Input Drive knob 5 band EQ with fixed frequency "PUSH" Knob to subtly enhance selected song passages via uniform EQ adjustment Full automation of audio content adjustment Full automation of audio content adjustment Linkable Input Drive control for stereo balance tweaks Input/Process assignable VU metering Stereo/Mono monitoring capability 88.2/96kHz DSP processing Audio import from iPhone/iPad music library Resizable GUI (Mac/PC version) Full-featured modes available via in-app purchase: Play/Process and HD Engine (iPhone/iPad version) Digital Delivery Mastering (DDM) feature ensures your masters conform to Apple's "Mastered for iTunes" specifications and other digital distribution systems Project file compatibility between Mac/PC and iPhone/iPad What's new Multi-mono support (Mac/PC plug-in version) allows the plug-in to be inserted on mono or multichannel tracks or buses in any compatible DAW New Classical and Jazz Styles added Extended De-esser threshold range: more usability and control in the upper part of the range for lighter de-essing action Improved dynamic range and signal to noise ratio iloud mtm iLoud Micro Monitors set a new standard for size vs. performance, and now iLoud MTMs deliver stunning sound and features you ’d expect from monitors twice their size and price. See how iLoud MTMs have re-invented studio monitoring.