SPECIFIKACIJE: Great-sounding, easy-to-use 24-track multitrack recording solution Boasts a classic analog mixer-style design that's both intuitive and immediate 100mm faders provide precise control Familiar EQ and Aux controls for tweaking your tracks Generous complement of I/O including 16 high-grade mic preamps Internal recording to SD card at 24-bit/48kHz resolution Flexible routing and onboard effects Built-in 24-in/22-out audio interface for easy DAW integration Lightweight yet rugged design Type:Analog Mixer with USB Interface/Recorder Channels:22 input channels, 24-track Computer Connectivity:USB (24 x 22) A/D Resolution:24-bit/48kHz Faders:21 x 100mm Long Throw Inputs - Mic Preamps:16 x XLR Phantom Power:16 channels Inputs - Line:12 x 1/4" (mono), 8 x 1/4" (4 stereo), 2 x 1/4" (line/Hi-Z), 1 x 1/8" (stereo), 1 x Dual RCA Stereo Outputs - Main:2 x XLR (main), 2 x 1/4" (control room) Outputs - Other:2 x 1/4" (L/R subgroup) Aux Sends:2 x Monitor, 1 x FX Send/Return I/O:2 x 1/4" (monitor send), 1 x 1/4" (FX send) Busses/Groups:1 x Subgroup Inserts:2 x 1/4" (channel) Headphones:1 x 1/4" USB:1 x Type B Bluetooth:v4.0 Other I/O:1 x 1/4" (footswitch) EQ Bands:3-band EQ with Sweepable Mid Frequency, 100Hz Low-cut, 7-band Graphic EQ Signal Processing:12 x Channel Compressor Effects:Reverbs, Delays, Chorus, Flanger Storage:SD Card Slot, SDHC (4GB-32GB), SDXC (64GB-512GB) OS Requirements - Mac:Dual Core 2GHz Processor or higher, OS X 10.11 or later OS Requirements - PC:Dual Core 2GHz Processor or higher, Windows 7 SP1, 8.1, 10 1803 update or later Power Source:Standard IEC AC cable

This built-in speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages.The CORE130 is an active built-in speaker with an on-board amplifier of 20 W (tweeter) + 30 W (woofer). Its sleek shape houses a very thin chassis, a patented filter and a unique driver. It is finished with a sleek grille that fits with your ceiling seamlessly. The range of the CORE130 effortlessly fills any room of up to 40 m2. Not only is the CORE130 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, vTuner, etc. This allows you to effortlessly create a flexible multi-room system. Speakers From built-in speakers to personalised streaming services, Artcore is not just the first fully integrated multi-room system: it’s the only one. The speakers are available in different designs and price categories. Take your pick from affordable top quality to dizzying high-end technology. Inwall You decide when, where, and how loud you want to listen to your music. Powerful but discreet speakers provide superior sound reproduction. ArtSound Built-in is every bit as unique. Specs: Artcore : compatible Features : water repellent Multiroom : yes Range : < 50m2 System : 2-way coaxial Woofer : 5,25” aluminium cone rubber edge Tweeter : 0,75" richtbare neodymium alu dome Frequency range : 80 Hz - 18 kHz Power : 20W + 30W Power supply : 19V - 90W DC Dimensions cut-out : 180 mm (O) Dimensions : 200 x 80mm (O x d) Weight/piece : 1,10 kg Composition : ABS / aluminium grill Colour : White Features : paintable grill / water repellent Options : acoustic kit (KITRO2) Options : black grill (GRILL RO525 B) Extra : 2 Gigabit Ethernet Switch

You asked for more SiX… SSL listened. Introducing BiG SiX Based on the widely acclaimed Solid State Logic SiX desktop mixer and incorporating feedback from artists, producers and engineers to create the next step in SSL hybrid production, BiG SiX is a studio grade mixing console that combines features from legendary large-format SSL consoles with full USB integration, additional processing and extremely flexible routing to deliver the quality, features and workflow audio professionals have come to rely on from SSL. BiG SiX’s SuperAnalogueTM design delivers the punch, clarity, and ultra-low distortion that engineers love from the 9000 series consoles with the flexibility of 16 channels of high-quality AD / DA conversion and USB interface. Featuring an essential version of the SSL G-Comp Bus Compressor now with renowned ‘Auto’ release, Channel processing in the form of Dynamics and three band EQ based on the iconic SSL 4000E, comprehensive monitoring section and up to 18 channels of analogue summing at mix-down, BiG SiX is the essential SSL studio. Key Features: - Four SuperAnalogueTM ‘Money Channels’ featuring: Mic / line level input / Hi-Z Phantom power / HPF Classic SSL Channel Dynamics Updated three band LF/MF/HF SSL EQ (based on SSL E Series) Fully balanced insert point - Four stereo inputs featuring: Dual mono switching Wide gain range - Built in 16 channel high quality USB AD and DA Converters: 96 kHz / 24-bit Advanced routing - Three compressor flavours: Classic SSL Channel Dynamics Listen Mic Compressor Essential version of G-Comp Bus Compressor -100 mm studio grade faders: Classic SSL response curve with large sweet spot Long throw, as found on large-format SSL consoles - Professional LED meters: Fast and accurate peak response Large 12 segment main / 8 segment channel metering Defined segments for +24 dBu and +18 dBu -Essential version of SSL Bus Compressor: Based on legendary G-Comp design Now with renowned ‘Auto’ release -Two headphone outputs: Independently routable source matrix Professional quality headphone amp -Comprehensive Monitoring section: Switch between two sets of monitors Mono / dim / cut Flexible monitoring source matrix Talkback -Two stereo cue feeds -Bus B / Mute switching -Two fully balanced stereo summing inputs -Up to 18 inputs at mixdown -Mix Bus inject for cascading additional SiX/BiG SiX

When you need a comfortable, versatile headphone with excellent audio quality and smooth, extra deep lows, reach for TASCAM's TH-06. DJ's, producers, and remixers can rely on these headphones for producing EDM, Hip Hop, Metal, R&B, and other genres that need extra punch, and they're an excellent choice for music enthusiasts who simply love deep low end. The Choice for Big Bass The TH-06 employs a custom 45mm magnet driver and features Bass XL, a special voicing that delivers enhanced low-frequency response for superior dynamic range, while offering excellent clarity and minimal distortion. You get deep low bass that is balanced, never overpowering the rest of the audio field or sounding tubby or artificial. Work in Comfort Without Ear Fatigue TASCAM TH-06 headphones are lightweight and feature high-quality, circumaural, closed-back ear cups that provide listening isolation while minimizing headphone bleed. The ear cups rotate 180 degrees, and a special sewing process around the edge tightly stitches them around a stainless steel frame for extra cushion. Combined with a strong, flexible, lightweight manganese headband, this ensures a comfortable fit. With their comfort, adjustability, distortion-free sound, and listening isolation, you can monitor with TH-06 headphones for extended periods without ear fatigue. High Quality Cables and Connections TH-06 headphones are built to perform over the long haul, including internal connections that use OFC oxygen-free copper wire core. The 9.8ft (3m) cable gives you plenty of room to move around, and it comes with both a gold-plated, 1/8-inch (3.5mm) connector and a 1/4-inch (6.3mm) adapter. Features at a glance Ultra wide dynamic range with enhanced Bass XL response Smooth natural bass for DJ's, producers, remixers, or anyone wanting expanded low end Closed back, circumaural design with 180° cup rotation 45 mm magnet driver Dynamic transducer Strong, flexible, lightweight manganese headband A special sewing process around the edge tightly stitches ear cups around a stainless steel frame for extra cushion Cable length: About 9.8ft (3m) when fully extended Gold plated 1/8-inch (3.5mm) connector Screw-on 1/4-inch (6.3mm) adapter Frequency response: 10 – 26k Hz Max power: 1850mW Rating Power: 320mW Impedance: 45Ω Sensitivity: 94 dB (+/-3 dB) Spec description Operating principle Closed Transducer type Dynamic Frequency response 10Hz - 26kHz Input power handing capacity 1,850mW Impedance 45Ω Connection 1/8" (3.5mm) gold-plated stereo mini jack 1/4" (6.3mm) adapter Cable length About 9.8' (3m) when fully extended Sensitivity 94dB (+/- 3dB) Weight 310g Accessories 1/4" (6.3mm) adapter

Blast From The Past The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire. Designing For A Classic Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world. True '47 Style Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections. A large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. We are proud to be using such a faithful recreation of this classic part in an affordably priced '47 style microphone. A Look Inside The Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone. The Tube A Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. We auditioned 4 different tube brands and fell in love with the JJ 5751. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations. This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone. The Capacitors The WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer. The Cable One component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package. What's inside Microphone Wood Box Power Supply Unit Shockmount Gotham 7 Pin GAC-7 Cable IEC Power Cable Technical Specification Custom True '47 Capsule Reproduction (K47 Style) - Model# WA-47-B-80v Capsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6 Microns NOS Mylar (PET Film) TAB-Funkenwerk (AMI) USA Output Transformer JJ Slovak 5751 Vacuum Tube Gotham 5 meter GAC-7, 7-pin tube microphone cable Wima, Solen French, And Polystyrene Capacitors Self-Noise: 11dBA Polar Patterns: 9 Patterns - Cardioid, Omni, Figure-Of-Eight + 6 Mixed Patterns Dynamic Range: 130dBA Maximum SPL: 140dB (<0.5% THD) Frequency Range: 20 Hz~20 KHz Output Impedance: 200 ohms Rated Load Impedance: ≥2kOhms S/N Ratio: 82dBA Equivalent Noise: 10dBA (IEC651) External IEC Grounded PSU Total Weight - 9 Lbs Mic Diameter: 60mm Mic Length: 254mm

Energy-Efficient, Multi-Function 180-Watt Auto-Mixing Amplifier with Dual 70/100 V and 4 Ohms Outputs Outstanding Performance and Scalability MA6000 Series products are the most powerful, feature-rich mixer-amps, power amps and stand-alone mixers in the EUROCOM family, combining automatic mixing, expandability, dual-channel amplification and a vast array of standard features with a sleek, stylish front panel that focuses on simplicity. Boasting high power, scalability, unprecedented value and reliability, MA6000 Series automixer-amplifiers are destined to set new standards in distributed system designs. Versatile Configurations Mixer and mixer-amplifier models feature 8 universal inputs (expandable up to 32) with 2-band EQ, direct outs, and an automatic proportional gain system that supports multiple open mics. Back-panel controls provide tremendous flexibility in customizing the mixer to the needs of each installation. Add to all this 4 remotely selectable Aux inputs, plus remote control of system volume, source selection and power—and the MA6000 Series becomes the ideal choice for conference rooms, shopping centers, meeting rooms, houses of worship, auditoriums, hotels, sports complexes, restaurants, and anywhere else the ultimate in control and scalability is desired. Remote Control Options Optional CP6000UL (USA) and CP6000EU (Euro) wall controllers provide convenient selection of auxiliary inputs (A, B, C, D), volume control for either auxiliary inputs or the main mix bus (selectable), muting of all sources and the ability to toggle power remotely over distances up to 300' (100 M). Inexpensive CAT5 cable may be used with terminal blocks provided on the wall plate to simplify connection (no RJ45 crimping required!). All soft touch control buttons plus the ergonomic dial are illuminated via power provided from the MA6000 (no local power required) and generous space is provided for input labeling. Multi-function 180-Watt auto-mixing amplifier with dual 70/100 V and 4 Ω outputs, designed for continuous operation in distributed music, paging and AV applications State-of-the-art, energy-saving Switch-Mode Power technology with up to 72% power efficiency drastically reduces energy cost 2 transformerless, cool-running Class-D amplifiers simultaneously drive 70/100 V and 8 Ω loads with adjustable Balance control 8 Mic/Line inputs on XLR/TRS and Euroblock connectors, each with Lo and Hi frequency EQ, individual Trim control and post-trim input level LED Switchable Mic/Line, Phantom power, Main Mix and/or Zone 2 output, Mute Send/RCV, Remote Volume control, Chime, and Auto-mixing on each input 4 pair summed RCA Aux inputs are assignable to the Main Mix, Zone 2, and/or MOH Multi-featured, dedicated page input with assignable Chime, switchable Mic/Line and Phantom power Wired Remote volume, power control and aux channel selection plus remote volume assign switch Individual front panel input Level controls, Lo and Hi Main and Aux EQ, Aux input and Zone 2 Level controls Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control 4 front panel buttons select which four rear-panel Aux inputs are active and feeding the Main mix bus at any given time Main mix output on Euroblock connector with selectable 70/100 V and 4 Ω outputs. Zone 2 and MOH assignable output with independent gain control 2 Preamp Out/Amp In processing loops for each 70/100 V and 4 Ω output Dual bridging input/output connectors allow multiple units to be interconnected Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connectors included Independent DC and thermal overload protection plus automatic limiters for each amplifier prevent overload, clipping and distortion without shutting down audio Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

The Condenser Mic Value You've Been Waiting For The Golden Age Project FC 3 is a full-featured large-diaphragm condenser microphone inspired by vintage classics. Offering broad frequency response, wide dynamic range, and a choice of three polar patterns, the FC 3 is a versatile performer in the studio, onstage, and in broadcast applications. Golden Age bred the FC 3 to have impeccable manners, with discrete Class A electronics, a sweet-sounding top end, and the ability to handle loud sources without losing its composure. The retro sonic character of the FC 3 works well in any application where you would use a large capsule-condenser mic, including vocals and choirs, acoustic and electric guitars and other fretted instruments, and drum overheads or room mics. Full-featured for critical recording applications The FC 3's three polar patterns — cardioid, omnidirectional, and figure-8 — give you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. And owning a pair of them vastly increases the versatility of this microphone, opening up highly effective stereo recording techniques such as Spaced Pair (A-B), XY (including Blumlein), ORTF array, and mid-side (MS). The FC 3 features high 140dB SPL handling and is equipped with a 10dB pad — which means you can use it on the loudest sources without fear of overload, while a highpass filter lets you roll off structure-borne rumble that could derail a perfect performance. Every studio needs at least one quality large-diaphragm condenser. The Golden Age FC 3 is an uncanny value. The Golden Age Project The Golden Age Project was founded in 2005 on the belief that vintage gear sounds best and on the desire to pass on this sonic legacy to a new generation of musicians, engineers, and producers. All-discrete, Class A signal paths with no integrated circuits; the use of transformers, stepped controls, and military-grade build quality: these are the cornerstones of the legendary British equipment deployed in world-class recording and broadcast studios in the 1970s — the Golden Age of analog. Fat, warm, punchy, and authoritative — this is the sound heard on countless hits for nigh unto half a century. Locating, purchasing, restoring, and maintaining vintage gear is time-consuming and costly. Fortunately, this small, family-owned Swedish company makes gear the same way it was made back in the day — at an amazingly gentle price. A distributor of high-end studio equipment for many years, Golden Age Project founder, Bo Medin, wanted to be able to offer products with much of the same exclusive sound in a price range that made them available to a larger audience. Inspired by original designs, Golden Age uses modern technology to re-create that lush, opulent sound, making it surprisingly affordable. They use some modern ingenuity to add new functionality to superb classic designs and produce them in a cost-effective way, which allows them to be both optimized and affordable. From outboard equipment to condenser, dynamic, and ribbon mics, you can outfit your entire studio with vintage-inspired Golden Age gear without exceeding your budget. Golden Age FC 3 Large-diaphragm Condenser Microphone Features: True condenser mic with 28mm, 3um gold-sputtered, low-distortion dual capsule Shockmounted capsule internally for reduced handling noise and structure-borne rumble 1.10" pressure-gradient capsule Discrete Class A electronics Low-noise FET first-stage amplification Cardioid, omnidirectional, and figure-8 polar patterns for sound-capturing options Room pickup, proximity effect, and tonal response change depending on the selected polar pattern External switches for highpass filter and pad Attractive, heavy-duty brass body Frequency response: 20Hz–20kHz Equivalent noise level: 17dB, A-weighted Maximum SPL: 140dB; THD: 1% Impedance: 250 ohms; load impedance: 1,000 ohms Sensitivity: -37dB at 1kHz Operating voltage: 48 volts (requires phantom power) Output connector: 3-pin gold-plated XLR Spider-type shockmount included

An M32 Packed Into a Single Rack Space! Packing the brain of their flagship M32 into a single rack space, the 40-input, 25-bus Midas M32C digital rack mixer lets you run massive amounts of I/O to multiple locations via digital snake, and it's all piped through a single, convenient Cat 5 cable, thanks to integrated AES50 networking technology. In other words: say goodbye to your bulky analog snake! You also get 8 DCA groups, 6 mute groups, 8 effects engines, an expansion port, and wireless remote control via your computer or smart device. So step up to the digital age - order your Midas M32C digital rack mixer from us today! Midas M32C Digital Rack Mixer at a Glance: AES50 ethernet connectivity for high-quality audio and control 8 effects engines put the final polish on your mix Ultranet provides compatibility with Powerplay monitor systems Remote control via computer, iOS, and Android Well-equipped and ready to expand AES50 ethernet connectivity for high-quality audio and control Because it comes equipped with AES50-compatible ethernet connectivity, the Midas M32C digital rack mixer integrates effortlessly into your live-sound hardware environment. You can easily and conveniently run full bandwidth audio from a digital snake to the M32C over a single Cat 5 cable! 8 effects engines put the final polish on your mix Midas packed 8 effects processors into the M32C digital rack mixer, based on their True Physical Modeling technology. These provide spot-on emulations of classic audio processors such as the Urei 1176, Teletronix LA-2A, Fairchild 670 compressors, Pultec's EQP-1a and EQ5 equalizers, and more. In all you've got more than 50 processors to work with, replacing racks full of expensive and sensitive outboard equipment. Ultranet provides compatibility with Powerplay monitor systems Streamlined, affordable, and super-easy-to-use, everyone's raving about Behringer's Powerplay P16 personal monitoring systems. Well, with the M32C digital rack mixer's built-in Ultranet port ready to go, you can connect P16 personal monitor mixers to the M32C without any additional hardware required. Remote control via computer, iOS, and Android The M32C digital rack mixer has a built-in Ethernet port, making it easy to connect to a local network for remote control via your computer. Or connect to a wireless network and control the M32C with your iPad, iPhone, or Android device remotely. No matter where you are in your facility - or outside of it - you can always maintain control of the M32C. Well-equipped and ready to expand Midas equipped the M32C digital rack mixer with Ethernet for network control, USB for 32 x 32 computer recording, and even MIDI connectivity. Plus, an expansion port allows you to meet the needs of any complex audio system. You can add FireWire recording capability or increase your maximum channel count with ADAT, MADI, or Dante. For help integrating the M32C with your existing system, contact your Sales Engineer to learn more about these powerful expansion options. Midas M32C Digital Rack Mixer Features: 40-input channel, 1U rackmountable digital mixer 25 time-aligned and phase-coherent mix buses AES50 networking allows up to 96 inputs and 96 outputs 40-bit floating point processing delivers stellar sound 8 digital effects engines for putting the final polish on your mix 32 x 32 channel USB 2.0 audio interface for recording into your DAW Built-in expansion port for audio interface cards or digital networking bridges MIDI In/Out for remote scene recall or controlling other MIDI equipment Optional wireless remote control with Midas apps for iPhone and iPad Auto-ranging universal switch-mode power supply High-performance aluminium and high-impact steel structure Bring your live rig into the digital age with the Midas M32C digital rack mixer! Tech Specs Type:Digital Rackmount Mixer Channels:40 Inputs - Mic Preamps:1 x 1/4" (talkback mic) Outputs - Other:2 x 1/4" (monitor) Inputs - Digital:2 x RJ EtherCon (AES50) Outputs - Digital:2 x RJ EtherCon (AES50) Busses/Groups:25 Talkback:Yes MIDI I/O:In/Out Data I/O:2 x Ethernet (Ultranet Monitoring, Remote) USB:1 x Type B, 1 x Type A Computer Connectivity:USB (32 x 32), Ethernet I/O Expansion Slots:1 x interchangeable slot Effects:8 x DSP effects engines Software:Remote Control features (PC, Mac, Linux, Android, iOS) Rackmountable:1U

Faderstarts and Cleanfeeds are standard We designed the Airmate-USB to fulfill the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And… every line level line B input can be converted into a phono (record player) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. Built in Telephone Hybrids This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Fader start generates in the Mic mode a Mic-on signaling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external analog and digital Hybrids. Built in VoIP or Telco channels We now have dedicated VoIP channels available for the AIRMATE-USB, or a combination of one TELCO module and one VoIP module. If you still want to use a classic analogue or digital Hybrid we have designed a cleanfeed output on pin 1-4 of the RJ11 connector. You can return the Hybrid signal on the line input of the VoIp module. Please tell your dealer the combination you want. Now is the time to install your own production room The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The focal point in a production studio The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programs. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer.

AIRMATE-USB 8 channel (with 6 triple and 2 dual inputs) radio production console, Model 2012 6x Mic inputs, 12x stereo line inputs, 4x inserts on Mic input 1-4, 2x USB stereo send/return, 2x Telephone Hybrids. We designed the Airmate-USB to fulfil the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And... every line level line B input can be converted into a phono (grammophone) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. EXTENSIVE MASTER SECTION FOCUSED ON RADIO. This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Faderstart generates in the Mic mode a Mic-on sig­nalling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external Hybrids. NOW IS THE TIME TO INSTALL YOUR OWN PRODUCTION ROOM. The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programmes. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer. TECHNICAL SPECIFICATIONS INPUTS Mic inputs: bal, 2kOhm, XLR. Phantom: 48 volt. Noise: - 122 dBr (A-weighted). Sensitivity: - 70dB min, OdB max. Insert: -10dBv in/out. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. 2 Track return: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereo USB Fully compliant with USB 2.0 playback and record mode. HID Functions: Volume/Mute TELEPHONE HYBRIDS RJ-11 connectors for phone line/dialler Mix Minus rejection @1kHz -60dB. OUTPUTS Left/Right: + 4 dBu bal. XLR. Monitor/Aux : + 4dBu unbal. on Cinch. Cleanfeed/Announcer: + 4dBu, Jacks. Tape outp: -10dBv, unbal. Cinch. Headphone: 16-600 Ohm, Jack. Announcer: 16-600 Ohm, Jack. EQUALIZER High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz bell curve. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.009% max at 1 kHz. Start switch: reed relay. Ledbars: 21 segment. Power Consumption: 25VA REMOTE RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.) Center Contact = Tip Normally Closed = Shield Normally Open = Ring OVERALL Frequency response 10-60.000 Hz (+/- 0.5dB). Distortion: <0.009% max at 1 kHz. Dimensions: 483x356x95 mm ( 8HE ) . Weight: 9 kg. DIMENSIONS Left-Right 19" rack mountable. (482mm width) Front-Back: 356mm (8HE). Height: 95mm. Space below front panel: 20mm Weight: 11 kg. For Drop through mounting cut a hole of 450 x 330 mm (console height is 95mm)

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

800 Watt Amplifier with 2 Flexible Output Channels for Installation Applications E SERIES E 8:2 The E 8:2 Has Smart Green Credentials Delivering Low Lifetime Cost of Ownership Small in Size, Huge in Benefits Building on LAB GRUPPEN’s touring reputation for sonic excellence and rock-solid durability, E Series brings a competitive edge to the installation market by adding ultra-compact size, high operating efficiency, output configuration flexibility, and an unprecedented cost-benefit ratio. At the heart of E Series is LAB GRUPPEN’s IDEEA (IntelliDrive Energy Efficient Amplifier) technology. Based around a patented Class D variant output stage, IDEEA produces high power levels with very low distortion while drawing minimal mains current. LAB GRUPPEN’s proprietary Rail Sensing Limiter (RSL™), also exclusive to E Series, greatly reduces signal clipping to ensure high quality audio output at all times. User configurable for Hi-Z (70 V) or Lo-Z, RSL senses rail voltages and optimizes each output for instantaneous load conditions. RSL settings also facilitate asymmetric loading of the channels to optimize performance and efficiency. Total available output power can be allocated among the channels as required by the application. This makes it possible, for example, to drive a small sub on one channel, a number of 70 V ceiling loudspeakers on the second channel. LAB GRUPPEN Performance with Energy Star Compliance LAB GRUPPEN’s IDEEA architecture secures full Energy Star compliance by combining net operating efficiency of greater than 80% with an auto-power-down feature. After 20 minutes with no input signal, the amplifier automatically switches to standby mode – with consumption of less than 1 W – and switches back on when an input signal returns. GPIO facilities enable third-party systems to remotely control and monitor power state via contact closure. Smart Green Credentials with Our IDEEA Platform The now proven IntelliDrive Energy Efficient Amplifier (IDEEA) platform represents the latest evolution of our amplifier design philosophies, drawing from technologies in our flagship PLM Series, to create ingenious contractor solutions with supreme green credentials. Energy Star Qualified By maintaining very low current draw during operating cycles even at high output levels, and reduced power consumption during non-operational cycles, our Energy Star qualified products harness impeccable LAB GRUPPEN sonic performance and robust power output while meeting the rigorous efficiency requirements of current Energy Star certification standards. Flexible Asymmetric Loading Optimize performance and efficiency from each individual unit - allowing the total available output power to be utilized unequally between the channels, or for mono use with all power on a single channel. Enabling you to drive a small sub on one channel and a number of 70 V distributed ceiling loudspeakers on the other. Features 800 W amplifier carrying 2 flexible output channels in a high power density 1 rack unit form factor saves rack space and system cost Energy efficient with Energy Star* certification for supreme green credentials and exceptionally low lifetime running costs Flexible IntelliDrive permits delivering the 2 x 400 W at constant voltage 70 V or low impedance (2, 4 and 8 Ohms) on any channel Asymmetric channel loading allows mixing and matching loads with different impedances to maximize overall system efficiency and inventory utilization High efficiency amplifier with low power consumption and minimized heat generation lowers demands on the installations' mains distribution and cooling systems IDEEA outputs stage based on proprietary, state-of-the-art Class-D amplifier technology for superior performance Comprehensive fail safe circuit protection ensures continued operation even under reduced operating conditions Auto-standby and auto-power-on reduces power consumption to below 1 W in non-operating cycles Rail Sense Limiter (RSL) greatly reduces signal clipping and ensures simple configuration for constant voltage and low impedance loads Built in 50 Hz high pass filter selectable per channel available on rear panel switch Per-channel attenuation knob and signal LED on rear panel for simple commissioning Efficient cooling with temperature-controlled fan with front to back airflow Aluminum front panel with power and temperature LEDs and per-channel signal and limit LEDs GPIO connector with power control and indication for further system integration Balanced high-quality analog inputs and amplifier outputs on detachable screw terminals 10-Year Warranty Program* Designed and engineered in Sweden Specs General Number of amplifier channels:2 Max total output all channels driven:800 W Peak output voltage per channel:100 V / 70 Vrms Max. output current:16 Arms Max output power (all channels driven) 2 ohms: 400 W 4 ohms:400 W 8 ohms: 400 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 200 W) 16 ohms: 290 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 100 W) 70 V: 400 W 100 V: Can deliver 400 W to a 100 V load tapped at 800 W Performance THD 20 Hz - 20 kHz at 1 W: <0.1% THD at 1 kHz and 1 dB below clipping: <0.05% Signal to Noise Ratio: >112 dBA Channel separation (Crosstalk) at 1 kHz: >70 dB Frequency Response: 2 Hz - 40 kHz Input impedance: 20 kOhm Common Mode Rejection (CMR): 50 dB Output impedance: 25 mOhm Gain, Sensitivity and Limiters Limit and gain switch defining limit and gain (per channel): 2 pos: Lo-Z and 70 V VPL for 70 V mode: 100 V VPL for Lo-Z mode: 56.6 V Sensitivity for stated power into 4 Ohm in Lo-Z mode: 4 dBu Sensitivity for 70.7 V out in 70 V mode: 4 dBu Sensitivity for stated power into 2 Ohm in Lo-Z mode: 1 dBu Sensitivity for stated power into 8 Ohm in 70 V mode: 2.1 dBu Sensitivity for stated power into 16 Ohm in 70 V mode: 3.7 dBu Gain in 70 V mode: 35.2 dB Gain in Lo-Z mode: 30.3 dB Level adjustment (per channel): Rear panel potentiometer, from -inf to 0 dB Connectors and Buttons Input connectors (per ch.): 3 - pin detachable screw terminals, electronically balanced Output connectors (per ch.): 2 - pin detachable screw terminals High pass filter: Fixed at 50 Hz, switchable per channel Power control: Can be used to go between standby and ON GPI (power control input): Contact closure type, 2-pin detachable screw terminal, controls the power state GPO (power state output): Contact closure type, 2-pin detachable screw terminal, for external monitoring of the power state Cooling: Single fan, front to rear airflow, no filter required, temperature controlled speed Power Nominal voltage: 100 – 240 VAC perating voltage: 70 – 265 VAC Standby consumption: <1 W Mains connector: IEC inlet Dimensions Dimensions: W: 483 mm (19”), H: 44 mm (1 U), D: 276 mm (10.9”) Weight Weight: 4.2 kg (9.3 lbs) Finish Finish: Dark grey aluminum front and black steel chassis Approvals Approvals: CE, RoHS, WEEE, UL (UL 60065), CSA C22.2 NO. 60065, FCC Part 15 Subpart B Class A, PSE, CCC Energy Star

Small in Size, Huge in Benefits Building on LAB GRUPPEN’s touring reputation for sonic excellence and rock-solid durability, E Series brings a competitive edge to the installation market by adding ultra-compact size, high operating efficiency, output configuration flexibility, and an unprecedented cost-benefit ratio. At the heart of E Series is LAB GRUPPEN’s IDEEA (IntelliDrive Energy Efficient Amplifier) technology. Based around a patented Class D variant output stage, IDEEA produces high power levels with very low distortion while drawing minimal mains current. LAB GRUPPEN’s proprietary Rail Sensing Limiter (RSL™), also exclusive to E Series, greatly reduces signal clipping to ensure high quality audio output at all times. User configurable for Hi-Z (70 V) or Lo-Z, RSL senses rail voltages and optimizes each output for instantaneous load conditions. RSL settings also facilitate asymmetric loading of the channels to optimize performance and efficiency. Total available output power can be allocated among the channels as required by the application. This makes it possible, for example, to drive a small sub on one channel, a number of 70 V ceiling loudspeakers on the second channel. LAB GRUPPEN Performance with Energy Star Compliance LAB GRUPPEN’s IDEEA architecture secures full Energy Star compliance by combining net operating efficiency of greater than 80% with an auto-power-down feature. After 20 minutes with no input signal, the amplifier automatically switches to standby mode – with consumption of less than 1 W – and switches back on when an input signal returns. GPIO facilities enable third-party systems to remotely control and monitor power state via contact closure. Smart Green Credentials with Our IDEEA Platform The now proven IntelliDrive Energy Efficient Amplifier (IDEEA) platform represents the latest evolution of our amplifier design philosophies, drawing from technologies in our flagship PLM Series, to create ingenious contractor solutions with supreme green credentials. Energy Star Qualified By maintaining very low current draw during operating cycles even at high output levels, and reduced power consumption during non-operational cycles, our Energy Star qualified products harness impeccable LAB GRUPPEN sonic performance and robust power output while meeting the rigorous efficiency requirements of current Energy Star certification standards. Flexible Asymmetric Loading Optimize performance and efficiency from each individual unit - allowing the total available output power to be utilized unequally between the channels, or for mono use with all power on a single channel. Enabling you to drive a small sub on one channel and a number of 70 V distributed ceiling loudspeakers on the other. Features 1,200 W amplifier carrying 2 flexible output channels in a high power density 1 rack unit form factor saves rack space and system cost Energy efficient with Energy Star* certification for supreme green credentials and exceptionally low lifetime running costs Flexible IntelliDrive permits delivering the 2 x 600 W at constant voltage 70 V or low impedance (2, 4 and 8 Ohms) on any channel Asymmetric channel loading allows mixing and matching loads with different impedances to maximize overall system efficiency and inventory utilization High efficiency amplifier with low power consumption and minimized heat generation lowers demands on the installations' mains distribution and cooling systems IDEEA outputs stage based on proprietary, state-of-the-art Class-D amplifier technology for superior performance Comprehensive fail safe circuit protection ensures continued operation even under reduced operating conditions Auto-standby and auto-power-on reduces power consumption to below 1 W in non-operating cycles Rail Sense Limiter (RSL) greatly reduces signal clipping and ensures simple configuration for constant voltage and low impedance loads Built in 50 Hz high pass filter selectable per channel available on rear panel switch Per-channel attenuation knob and signal LED on rear panel for simple commissioning Efficient cooling with temperature-controlled fan with front to back airflow Aluminum front panel with power and temperature LEDs and per-channel signal and limit LEDs GPIO connector with power control and indication for further system integration Balanced high-quality analog inputs and amplifier outputs on detachable screw terminals 10-Year Warranty Program* Designed and engineered in Sweden Specs General Number of amplifier channels: 2 Max total output all channels driven: 1200 W Peak output voltage per channel: 100 V / 70 Vrms Max. output current: 18 Arms Max output power (all channels driven) 2 ohms: 600 W 4 ohms: 600 W 8 ohms: 600 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 300 W) 16 ohms: 310 W (requires the “70 V” mode for the RSL, “Lo-Z” gives 150 W) 70 V: 600 W 100 V: Can deliver 600 W to a 100 V load tapped at 1200 W Performance THD 20 Hz - 20 kHz at 1 W : <0.1% THD at 1 kHz and 1 dB below clipping: <0.05% Signal to Noise Ratio: >112 dBA Channel separation (Crosstalk) at 1 kHz: >70 dB Frequency Response: 2 Hz - 40 kHz Input impedance: 20 kOhm Common Mode Rejection (CMR): 50 dB Output impedance: 25 mOhm Gain, Sensitivity and Limiters Limit and gain switch defining limit and gain (per channel)- 2 pos: Lo-Z and 70 V VPL for 70 V mode: 100 V VPL for Lo-Z mode: 69.3 V Sensitivity for stated power into 4 Ohm in Lo-Z mode: 4 dBu Sensitivity for 70.7 V out in 70 V mode: 4 dBu Sensitivity for stated power into 2 Ohm in Lo-Z mode: 1 dBu Sensitivity for stated power into 8 Ohm in 70 V mode: 3.8 dBu Sensitivity for stated power into 16 Ohm in 70 V mode: 4 dBu Gain in 70 V mode: 35.2 dB Gain in Lo-Z mode: 32 dB Level adjustment (per channel): Rear panel potentiometer, from -inf to 0 dB Connectors and Buttons Input connectors (per ch.): 3 - pin detachable screw terminals, electronically balanced Output connectors (per ch.): 2 - pin detachable screw terminals High pass filter: Fixed at 50 Hz, switchable per channel Power control: Can be used to go between standby and ON GPO (power state output): Contact closure type, 2-pin detachable screw terminal, for external monitoring of the power state Cooling: Single fan, front to rear airflow, no filter required, temperature controlled speed Power Nominal voltage: 100 – 240 VAC Operating voltage: 70 – 265 VAC Standby consumption: <1 W Mains connector: IEC inlet Dimensions Dimensions: W: 483 mm (19”), H: 44 mm (1 U), D: 276 mm (10.9”) Weight Weight: 4.2 kg (9.3 lbs) Finish Finish: Dark grey aluminum front and black steel chassis Approvals Approvals: CE, RoHS, WEEE, UL (UL 60065), CSA C22.2 NO. 60065, FCC Part 15 Subpart B Class A, PSE, CCC Energy Star