Transducer type: Moving coil Polar pattern: Cardioid Frequency response ( +/- 3 dB ): 60 - 14000 Hz Sensitivy 1 Khz: -53 dB +/-3dB Maximum SPL for 1% THD: 130 dB Impedance: 600 Ohm Connector: 3 pin XLR male Weight: 170 g Dimensions: L.180 mm x 45 mm

TRANSDUCER TYPE: Condenser POLAR PATTERN: Omnidirectional MICROPHONE FREQUENCY RESPONSE: 20-20.000 Hz CONNECTION TYPE: Mini-XLR 4-pin ARTICLE NO.: TG L58 (tan)

MA-PVA The MA-PVA power adapter is used for powering the beyerdynamic condenser microphones such as headset, lavaliere or instrument microphones with mini XLR connection and TG pin assignment. It converts the phantom power coming from a balanced microphone input (pre-amplifier, mixing console etc.) into AB powering which is required by electet capsules. Due to its belt clip the MA-PVA can be attached to a belt or clothing.

Theater, onstage miking Lectern Houses of worship Conferencing Cardioid polar pattern 125° pickup angle Screw-on Capsule Module Highly efficient windscreen The cardioid is the most popular polar pattern since it can be used almost universally. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone. The body is identical to that of the CK 32 and CK 33. Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module. The microphone shall be a screw-on cardioid capsule that mates with the AKG Discreet Acoustics Modular Series. The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc. The response shall be flat on-axis from 150 Hz to 6 kHz (±2 dB), with a low frequency rolloff below 150 Hz that reaches –10 dB at 50 Hz, and response at 20 kHz that is no more than –4 dB, relative to the midband response. The microphone shall have a sensitivity no less than 20 mV/Pa (–34 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 125 dB shall be no greater than 1%. The electrical impedance shall be no greater than 600 ohms. Electrical mating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods. The microphone shall be the AKG CK 31. Net/shipping weight: 5/88 g (0.17/3.1 oz.). Polar pattern cardioid Frequency range 50 to 20,000 Hz Sensitivity 20 mV/Pa (-34 dBV) re 1 V/Pa Max. SPL 125 dB (for 1 % THD) Equivalent noise level 21 dB-A Signal/noise ratio (A-weighted) 73 dB Impedance <=600 ohms Recommended load impedance >=2,000 ohms Powering Connector Discreet Acoustics Modular standard Finish matte dark grey Net weight 5 g (0.17 oz.) Shipping weight 88 g (3.1 oz.) User manual (PDF, 1,48 MB) Service documentation (PDF, 76,67 KB) Datasheet (US version) (PDF, 461,64 KB) Brochure Discreet Acoustics (PDF, 1,06 MB)

Garancija:

The Saramonic SoundBird T3L is a professional long shotgun microphone with the advanced technology and sound quality of the SoundBirdT3 in a longer body with more focused directionality and off-axis rejection. It delivers clear, focused, broadcast-quality sound and provides a comprehensive set of includes a suite of vital, must-have accessories. The all-brass construction is extremely durable and helps to reduce radio frequency interference. Its long interference tube and ultra-low noise circuitry delivers natural on- and off-axis sound in any environment. The gold-plated XLR output provides the best possible signal transfer and resists corrosion. The SoundBird T3L is powered by either +48 volts Phantom Power or its internal rechargeable Li-Ion battery which provides power for up to 150-hours. At 15.5” the SoundBird T3L is the ideal size for use on a boom pole or stand, but also is capable of camera mounting for professional film and television productions. Features and Controls to Tailor Your Sound Several built-in controls let you tailor the shotgun’s performance to your needs and achieve the best possible sound quality in a variety of situations. Two selectable High-Pass Filters (75 and 150Hz) eliminate distracting deep bass frequencies like the rumble from HVAC, footsteps and traffic noise that can ruin a recording. A +6dB High-Frequency Boost compensates for frequencies that are lost when you use furry wind protection or in a blimp and increases vocal intelligibility when using only a foam windscreen. A -10dB Pad makes it possible to capture loud sounds without clipping. All of the buttons are illuminated so you can easily see the settings, and an On/Off button changes color based on power source and with a double press of the power button, the 5 button indicators show remaining battery power of Li-Ion battery. To ensure you can begin filming quickly even after you turn the mic off, all of your settings are saved when you turn the mic back on. All Vital Accessories are Included You will need many accessories to use your shotgun microphone properly, and instead of making additional purchases, all of these accessories are all included with SoundBird T3L. You get an SR-SMC3 premium shock mount with 4x replacement bands and a SR-SMC1 mic clip stand mount, allowing you to mount the T3L to boom poles, stands or even shoe mounts of a camera. Both feature 1/4”-20, 3/8”, 5/8” and cold-shoe mounts, allowing you to mount the T3L into any set-up or filming rig. You also get a 1.9-foot (60cm) XLR output cable, a foam windscreen, and a Micro-USB charging cable. You will have all of the essentials for capturing the best possible sound quality for your productions and be ready to start recording, right out of the box. Advanced 15.5” long supercardioid shotgun microphone, ideal for professional film production that delivers clear, broadcast-quality sound with focused directionality, excellent off-axis rejection 2x High-Pass filters (75 & 150Hz) eliminate unwanted low-frequency noise & rumble, a +6dB High-Frequency Boost adds highs lost with windscreens & increases vocal intelligibility, and a -10dB Pad Powered by +48v Phantom Power or built-in Li-Ion battery with 150-hour run-time, illuminated settings & On/Off button that indicates remaining battery power level when double pressed Includes must-have accessories: Premium Shock Mount with Replacement Bands, a Mic Clip and Stand Mount, Foam Windscreen, and a 1.9-foot (60cm) XLR Cable Durable solid brass construction prevents radio-frequency interference, gold-plated XLR connector resists corrosion and provides the best possible signal transfer Acoustic Principle: Line Gradient Polar Pattern: Supercardioid Frequency Range: 35Hz to 20kHz Sensitivity: -36±3dB (0dB=1V/Pa,at 1KHz) 1.5V 2.2k Output Impedance: 150 Ohm Maximum Output: 10dBu (at 1kHz,1%THD into 1k Ohm) Dynamic Range: 125dB (per IEC651) Maximum SPL: 110dB Signal-to-Noise Ratio: 80dB SPL (per IEC651) High-Pass Filters: 75Hz and 150Hz Pad: -10dB High Frequency Boost: +6dB Material: Brass Power Requirements: +48V Phantom Power or Built-in Lithium Battery Battery Life: 150 Hours Output Connection: 3-pin XLR, Balanced Output Between Pin 2 (+), Pin 3 (-) and Pin 1 (Ground) Diameter: 0.91” (2.3cm) Length: 15.5” (39.5cm) Weight: 7.83oz (222g) 1 x SoundBird T3L Shotgun Microphone 1 x SR-SMC3 Premium Adjustable Shock Mount 4 x Replacement Shock Mount Bands 1 x SR-SMC1 Mic Clip and Stand Mount 1 x Foam Windscreen 1 x 1.9’ (60cm) Female to Male XLR Cable 1 x Micro-USB to USB-A Charging Cable 1 x User Manual 1 x Warranty Card

Garancija: 12 meseci

Hanging module with rugged thread connection and self-cleaning, gold plated contacts For use with five different Capsule Modules Integrated switchable LED ring Integrated bass rolloff filter Rugged all-metal construction Non-reflective anthracite finish Using microphones flown from the ceiling to record music or speech in places of worship, conference rooms, or on theater stages is becoming more and more popular. A 10-m (33-ft.) special cable that is treated specially to reduce twisting to a minimum even if the temperature varies and a spring steel hanging clamp for precise microphone alignment will keep the microphone securely in its position. A switchable LED ring helps the sound engineer to check system function during the soundcheck. Available capsule modules for HM 1000: CK 31, CK 32, CK 33, CK 47, CK 80. Bass filter 250 Hz, -10 dB at 50 Hz Impedance <=600 ohms Recommended load impedance >=2,000 ohms Supply voltage 9 to 52 V phantom power to DIN/IEC Powering Connector 3-pin male XLR Cable 10 m (33 ft.) Finish matte dark grey Net weight 400 g (14.1 oz.) Shipping weight 600 g (1.3 lbs.)

THE MICS: f5 x 1 -Snare, Timbale, Guitar Cabs The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz – 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Other features include roadworthy construction, precision cast zinc alloy body, steel mesh grill, black coat finish, laser etched model number, gold XLR connector and a heavy duty nylon mic clip. f2 x 3 - Rack Toms, Floor Toms, Congas The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB. Other features include roadworthy construction, a precision cast zinc alloy body, black coat finish, laser etched model, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip. f6 x 1 Kick drum, Cajon, Djembe, Bass Cabs The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

Ima čvrstu metalnu konstrukciju i isporučuje odličan kvalitet zvuka po pristupačnoj ceni. TX-XLR9 je ultra kompaktan, lagan i lako se nosi gde god da snimate. TX-XLR9 je dizajniran da se koristi sa Saramonic UwMic9 RX9 dvokanalnim bežičnim prijemnikom koji se kači na kameru (koji se prodaje posebno). RX9 Vam omogućava da imate dva subjekta na kameri sa sopstvenim bežičnim mikrofonima uz dodavanje ili TX9 pojasnog predajnika ili lavalier mikrofona sa štipaljkom (bubice), HU9 ručnog mikrofona ili dodatnog TX-XLR9 predajnika i ručnog XLR mikrofona. TX-XLR9 je napravljen od čvrste metalne konstrukcije, poseduje locking XLR konektor da bi prikačeni mikrofon bi čvrsto na svom mestu i sinhronizuje se sa RX9 prijemnikom bežično uz pomoć infracrvenih senzora koji se lako koriste. Pregledni LCD displej sa pozadinskim osvetljenjem omogućava vam brza podešavanja na intuitivnim menijima u najsvetlijim i najtamnijim okruženjima. TX-XLR9 može se potpuno isključiti pritiskom na jedno dugme, a svetleće creno svetlo LED Vas podseća na to da je isključen. Dugmad mogu biti “zaključana” kada se koriste kako bi se sprečilo slučajno isključivanje. TX-XLR9 predajnik takođe ima RF izlaz za napajanje koji se može birati. “Low” podešavanje vam omogućava da produžite trajanje baterije u situacijama u kojim je subjekat blizu prijemnika. Medium i High su korisni kada će subjekat biti daleko ili kada koristite TX-XLR9 u okruženju sa više potencijalne interference. TX-XLR9 je visoko kvalitetan komad opreme sa profesionalnim karakteristikama, odilčnim kvalitetom zvuka i vrlo pristupačnom cenom. UHF bežični plug-on predajnik kvaliteta za snimanje za dvokanalni RX9 prijemnik (prodaje se odvojeno) Čini svaki mikrofon bežičnim i omogućava +48v fantomskog napajanja za kondenzatorske mikrofone Radi čim se izvadi iz kutije sa lakim plug-and-play načinom rada Čvrsta metalna konstrukcija sa preglednim LCD displejem sa pozadinskim osvetljenjem, menijima i kontrolama lakim za upotrebu i locking XLR konektorom koji održava povezani mikrofon čvrsto prikačen Omogućava do 100m radne distance sa infracrvenim svetlom zahvaljujući kojem se lako sinkuje Specifikacije: Kanal: 96 kanala koji se mogu menjati u 2 grupe (A i B) Bežični frekventni opseg: 514 MHz - 596 MHz Tip oscilatora: PLL sintisajzer Ulaz: Locking XLR konektor Fantomsko napajanje: može se birati +48V fantomsko napajanje (On/Off) Referentni nivo audio ulaza: –60 dBV (MIC ulaz, 0 dB utišavanje) Antena: 1/4 λwire antena Odnos signal-šum: 70 dB ili više Voice Delay: 12 ms Referentno odstupanje: +/- 5 kHz (-60 dBV, 1 kHz ulaz) Frekventni odziv: 40 Hz to 18 kHz (+/- 3dB) Distorzija: 0.5% ili manje Suzbijanje tragova: -60 dB Baterije: 2 LR6/AA baterije Dimenzije: 4.15 x 1.69 x 1.37” (105.5 x 43 x 34.7mm) Težina: 4.87 oz (138g) (bez baterija) Kanali sa prijemnikom 1 x TX-XLR9 plug-on predajnik 1 x SR-UMBC1 odeljak za baterije 1 x odštampano korisničko uputstvo 1 x garantna kartica

SR-XMS2 odlikuje se višesmernim pick-up paternom uzorkom preuzimanja koji omogućava gladak, ravnomeran kvalitet zvuka bez obzira na to kako se postavlja kad je pričvršćen za kragne i druge delove odeće. Uključena štipaljka za mikrofon obezbeđuje sigurno držanje na mestu. Standardni izlazni konektor 1/8 "(3,5 mm) kompatibilan je sa većinom kamera, audio rekordera i druge opreme. SR-XMS2 poseduje kabl od 20 m koji vam daje dovoljno dužine da postavite svoj objekat ispred kamere ili da izvršite druge tehnike pozicioniranja mikrofona. Uključeno je penasti vetrobran za ublažavanje neželjene buke vetra. SR-XMS2 je povoljan stereo lavalier mikrofon koji pruža impresivan kvalitet zvuka i veći odnos signal-šum u odnosu na druge opcije na tržištu, poput skupljih Rode smartLav+. Stereo lavalier mikrofon sa zvukom kvaliteta za emitovanje za DSLR fotoaparate, kamere bez ogledala, video kamere, audio rekordere i još mnogo toga Kabl od 6 m pruža velikodušnu dužinu za snimanje Višesmerni pickup patern idealan je za video produkciju i audio snimke Izuzetno lak za korišćenje, radi bez baterije Kompatibilan sa širokim spektrom opreme Specifikacije: Tip: stereo Polarni patern: Višesmerni Frekventni odziv: 35Hz do 18kHz Signal-šum: 78 dB SPL Osetljivost: -42 dB ±3 dB, 0 dB= 1 V/Pa, 1 kHz KIonektor: 1/8" (3.5 mm) TRS 3-polni priključak Dužina kabla: 20' (6.0 m) Uključeno: 1 x stereo lavalier mikrofon sa kablom od 6m 1 x žabica - štipaljka za mikrofon 1 x penasti vetrobran 1 x garantna kartica

Na zadnjoj strani AX100 nalaze se tri 1/8 ”(3,5 mm) (1 stereo i dva mono) ulaza za povezivanje mikrofona sa napajanjem preko baterije i bežičnih mikrofonskih risivera. Dva dugmeta za prigušivanje na prednjoj strani modela AX100 omogućavaju lako podešavanje nivoa mikrofona koji su priključeni, a tasteri sadrže stepenaste uvlake za precizno podešavanje. Mono / stereo prekidač vam omogućava kontrolu načina snimanja mikrofona u vašoj kameri. Stereo režim razdvaja zvuk na pojedinačni levi i desni kanal na vašoj kameri, savršen za dobijanje dva odvojena mikro signala za mešanje u postprodukciji. U režimu Mono se mešaju zajedno što je korisno kada ste uključili dva mikrofona, ali želite da se zvuk meša i na levi i u desni kanal u vašoj kameri. Gornji i bočni deo AX100 sadrže izdržljive nosače, koji deluju kao nosač koji transformiše jednu stopicu na vašoj kameri u tri, pružajući vam pogodna mesta za pouzdano montiranje svetla, mikrofona i bežičnih prijemnika. AX100 je toliko mali i lagan da ga možete lako doneti sa sobom gde god krenete, a njegova metalna konstrukcija znači da je izgrađen kao tenk i spreman za putovanja. Napomena: Mikrofoni koji se ne napajaju preko baterija nisu kompatibilni. Omogućava vam da priključite i miksujete 2 mikrofona u kamere sa samo 1 mikrofonom Izuzetno kompaktan i radi bez baterija Integrisani nosač s metalnim navojem 1 / 4-20 stativa Veliki stepenasti upravljački tasteri s preciznim podešavanjem, izdržljiva konstrukcija od metala Izdržljiva konstrukcija sa 3 dodatna držača za pričvršćivanje mikrofona, svetla i još mnogo toga Specifikacije Ulazi: 1 x 1/8" (3.5 mm) stereo mini-džek ulaz, 2 x 1/8" (3.5 mm) mono mini-džek ulazi Izlaz: 1 x 1/8" (3.5 mm) stereo mini-džek izlaz Ulazni nivo: -35 dBu minimum Gain: Unity Frekventni odziv: 20 Hz to 20 Khz (+/-0.5 dB) Dimenzije: 3.0 x 2.3 x 2.2" (76 x 59 x 55mm) Težina 5.4 oz (153.1g) Uključeno: 1 x SR-AX100 audio mikser 1 x kratki, namotan 3.5mm izlazni kabl sa pozlaćenim konektorima 1 x odštampano uputstvo 1 x garantna kartica

Now even more simple, flexible and reliable: The 100 series has become the first choice for both sound designers and occasional users because of its simple operating concept – and because the system makes no compromises in terms of live sound. Key Features Engineered for professional live sound: Rugged all-in-one wireless system for singers and presenters. State-of-the-art live sound featuring Sennheiser‘s renowned e 835, e 845, e 865, e 935, e 945 capsules on a lightweight aluminium transmitter with integrated mute switch True diversity half-rack receiver in a full-metal housing with intuitive LCD display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Fast frequency allocation for up to 12 receivers via new linking functionality Up to 20 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 30 mW) depending on country regulations

Made for tight situations There are times that you need to use the mic when there isn’t much space available around your smartphone or device, like when a smartphone is mounted in a gimbal. That’s why the LavMicro U3A comes with the SR-C2005, a handy 90-degree right-angle USB-C adapter with male-to-female ports. It’s as compact as possible which lets you fit USB Type-C cables and connectors into tight spaces while relieving unwanted strain on ports and equipment. Great sound made easy This is a high-quality microphone that delivers rich, broadcast-quality sound. It features an omnidirectional pickup pattern that captures sound equally in every direction, which means you don’t need to worry about what direction it’s pointing in when you clip it to your clothing. In addition to the right-angle USB-C adapter, an alligator-style mic clip, a foam windscreen, a reusable cable strap, and a storage pouch with a locking drawstring are all included. You get everything you need to capture great sound in any situation with a package that fits in your pocket. Output: USB Type-C Connector Sensitivity: -40+/-3dB (0dB=1V/Pa, at 1KHz) Polar Pattern: Omnidirectional Signal-to-Noise Ratio: 65dB SPL Sampling Frequency: 48kHz Bitrate: 16Bit Frequency Response: 50Hz - 20kHz Power Requirement: Supplied by USB Type-C Devices Cable Length: 6.56’ (2m) Lavalier Weight: 0.7oz (19.9) SR-C2005 Adapter Weight: 0.2oz (5.7g)

Odbacivanje pozadinskog šuma najbolje u klasi znači da ćete iz PR 22 dobiti više zvuka pre nego što se pojave povratne informacije. PR 22 mikrofon ima izuzetne srednje i visoke tonove, ali ne na uštrb bilo kog svog frekvencijskog opsega. PR 22 je izvanredan mikrofon „prikladan za scenu“ koji može da postigne pun udarac u doboš i isporuči najbogatiji zvuk doboša bez preopterećenja i bez kompromisa. Kada koristite par PR 22 na dobošu (jedan gornji i jedan ispod), oni proizvode ono što kažu da je najbolji zvuk doboša dostupan po bilo kojoj ceni, sa malo ili bez EQ. PR 22 je u mogućnosti da isporuči bogate vokale, toplu i tačnu gitaru, oštar dobošsa dubinom, sjajni klavir, svetlucave činele i još mnogo toga, kao nikada pre. Bez obzira da li sa PR 22 snimate u studiju ili ga koristite za live primenu, uši će vam reći da je to kvalitet iznad svih „starih mikrofona“. Uz PR 22 dobijate torbu za nošenje od veštačke kože, držač za mikrofon i tri zvučno identične metalne mreže (crnu, srebrnu i zlatnu) Preuzemite detaljne specifikacije Proizvod: PR 22 Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 50 Hz – 18 kHz Polarni patern: kardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -30 dB Impedansa: 600 ohms balansirano Izlazna jačina: -55 dB @ 1 kHz Težina: 397 g Maksimalni SPL: 145 dB

Međutim, PR 35 je podjednako dobar i u vašoj ruci, kao kada ozvučava gitarski kabinet ili je smešten u nosač. PR 35 ima odličnu artikulaciju i prirodni gornji srednji opseg, zajedno sa glatkim ravnim odzivom. Bićete pod velikim pritiskom da iskusite preopterećenje ili povratne informacije sa PR 35. PR 35 dodaje prekidač za low-cut roll-off, omogućavajući vam da sprečite da loopovi povratnih informacija nižih tonova ikad počnu. PR 35 će pružiti vrhunske studijske rezultate uživo, u studiju ili negde drugde. Pored vokala, PR 35 je odličan za razne instrumente, uključujući kabinete za gitaru, bubnjeve i još mnogo toga. Uz PR 35 dobijate tri zamenjiva trim prstena u boji (crni, srebrni i ljubičasti) i kopču za mikrofon zajedno sa crnim akustičnim vetrobranom, u postavljenoj futroli od veštačke kože. Preuzmite detaljne specifikacije Proizvod: PR 35 Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 40Hz-18kHz (UP- no filter) 80Hz-18kHz (DOWN- filter on) Polarni patern: superkardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -35 dB Impedansa: 370 ohms balansirano Izlazna jačina: -52.9 dB @ 1 kHz Težina: 256 g Maksimalni SPL: 140 dB

Najbolji u klasi, gladak, ravan odgovor velikog, dijafragmskog elementa male mase koje pokreće snažni magnet, nagradiće vas bogatim zvukom u svom širokom frekvencijskom opsegu. Fin je sjajan u studiju, ili uživo, a odličan za odlične visoke srednje tonove. Fin ima lepo izvajano telo koje je dvostruko hromirano u trostepenom procesu oblaganja. Horizontalne linije ističu njegov ugaoni profil. Kao dodatni bonus, The Fin blista kroz četiri L.E.D. unutrašnja svetla koja se mogu uključiti i isključiti pomoću fantomskog napajanja sa ploče za miksovanje. Ovo može stvoriti dramatičan efekat ili stvoriti onu „određenu vibraciju“ da bi poboljšali vaše sledeće izvođenje. Proverite ... Fin mikrofon iz Heil-a čini da svi okreću glavu ... Mnogo glava! Fin je opremljen hromiranim i mat crnim telima. Svaka verzija ima ili crvenu, belu ili plavu penastu boju / LED diode. Boja pene i LED diode takođe se mogu promeniti u zelenu ili žutu prema vašoj želji. Uz Fin mikrofon dobijate vrhunsku aluminijumsku futrolu. Preuzmite detaljne specifikacije Proizvod: The Fin Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 50 Hz – 18 kHz Polarni patern: kardioidni Odbijanje za zadnje strane @ 180 stepeni van ose: -30 dB Impedansa: 600 ohms balansirano Izlazna jačina: -55 dB @ 1 kHz Težina: 706 g Maksimalni SPL: 142 dB Napajanje: 48 volti DC fantomsko

It provides all of the features of the analog counterpart. Additionally, it offers the advantages of Neumann’s digital microphone technology, such as an extended dynamic range, a more robust operation (EMC safe), and clipping protection by means of the integrated peak limiter/ compressor. Using the DMI-2 or DMI-8 digital microphone interface together with the Remote Control Software (RCS), any pre-programmed settings may be stored in the microphones. Further information on this microphone can be found on the webpages of the analog variant, the KMS 104. Further information on the Neumann digital microphone technology can be downloaded as PDF. The digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. There will be no further updates of the RCS software. Acoustical operating principle Pressure gradient transducer Directional Pattern Cardioid Frequency Range 60 Hz ... 20 kHz Sensitivity at 1 kHz, 0 dB gain, and 94 db SPL 47 dBFS Equivalent noise level, CCIR 1 27 dB Equivalent noise level, A-weighted 2 16 dB-A Maximum SPL at 0 dBFS (re. 94 dB SPL) 141 dB SPL Maximum SPL with 18 dB preatt. (RCS) (re. 94 dB SPL) 159 dB SPL Signal-to-noise ratio, CCIR (re. 94 dB SPL) 3 67 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 4 78 dB Matching connector XLR 3 F Weight 300 g Diameter 48 mm Length 180 mm A/D conversion Neumann process (patented), 28-bit internal word length Digital signal processing Fixed-point, variable internal word length 28 bits to 60 bits Sampling rates 44.1/48/88.2/96/176.4/192 kHz Output data format 24 bits as per AES/EBU (AES 3) Latency: 44.1/48 kHz 41 samples Latency: 88.2/96 kHz 49 samples Latency: 176.4/192 kHz 99 samples Synchronization: Free-running (non-synchronous operation), frequency stability ± 25 ppm Synchronization: Synchronous operation, pulling range min. ± 100 ppm Supply voltage range +7 V to +10.5 V Current consumption max. 150 mA (DDP)

It provides all of the features of the analog counterpart. Additionally, it offers the advantages of Neumann’s digital microphone technology, such as an extended dynamic range, a more robust operation (EMC safe), and clipping protection by means of the integrated peak limiter/ compressor. Using the DMI-2 or DMI-8 digital microphone interface together with the Remote Control Software (RCS), any pre-programmed settings may be stored in the microphones. Further information on this microphone can be found on the webpages of the analog variant, the KMS 105. Further information on the Neumann digital microphone technology can be downloaded as PDF. The digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. There will be no further updates of the RCS software. Acoustical operating principle Pressure gradient transducer Directional Pattern Supercardioid Frequency Range 60 Hz ... 20 kHz Sensitivity at 1 kHz, 0 dB gain, and 94 db SPL 47 dBFS Equivalent noise level, CCIR 1 27 dB Equivalent noise level, A-weighted 2 16 dB-A Maximum SPL at 0 dBFS (re. 94 dB SPL) 141 dB SPL Maximum SPL with 18 dB preatt. (RCS) (re. 94 dB SPL) 159 dB SPL Signal-to-noise ratio, CCIR (re. 94 dB SPL) 3 67 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 4 78 dB Matching connector XLR 3 F Weight 300 g Diameter 48 mm Length 180 mm A/D conversion Neumann process (patented), 28-bit internal word length Digital signal processing Fixed-point, variable internal word length 28 bits to 60 bits Sampling rates 44.1/48/88.2/96/176.4/192 kHz Output data format 24 bits as per AES/EBU (AES 3) Latency: 44.1/48 kHz 41 samples Latency: 88.2/96 kHz 49 samples Latency: 176.4/192 kHz 99 samples Synchronization: Free-running (non-synchronous operation), frequency stability ± 25 ppm Synchronization: Synchronous operation, pulling range min. ± 100 ppm Supply voltage range +7 V to +10.5 V Current consumption max. 150 mA (DDP)

16 Selectable UHF channel Adopt PLL-Synthesized control technic LCD information display Balanced XLR and unbalanced 1/4" outputs SPECIFICATIONS RF Frequency Range:460-970MHz Image & Squrious Rejection:>70dB Receiving Sensitivity:-105dBm Signal /Noise Ratio:-1 OS dB Border Upon Channel Rejection>70dB T.H.D.:<1% Audio Output Levei:0-300mV Power Requirements:13-15V DC nomin al 300mA Dimensions:21.5x17x5cm BOOYPACK TRANSMITTER SPECIFICATIONS RF Frequency Range:460·970MHz RF Output:>IOdBm Modulation Type:FM Max Deviation: ± 40KHz Spurious Emission:>53dBc Nominal Current Drain:<40mA Power Requirements: 2x1.5V AA Dimensions: I 0.5x6.5x3cm

Garancija: 12 meseci

Garancija: 12 meseci

Garancija: 12 meseci

The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity. The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera. Quality Sound The 10" long MKE 600 uses an interference tube and a supercardioid/lobar polar pattern to provide pronounced directivity on-axis along with significant attenuation of sound entering at the sides and rear, making the MKE 600 far more effective at capturing distant sources than the omnidirectional mics found in most cameras. Bass Roll-Off The MKE 600 naturally reduces sub-bass frequencies below 40 Hz to prevent unnatural bass buildup. Activate the switchable low-cut filter at 100 Hz to roll off more low-frequency noise from common sources such as air conditioners and traffic. Battery or Phantom Powered Thanks to its 3-pin XLR output and compliance with 48 VDC phantom powering, the MKE 600 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras. When using devices that don't offer phantom power, the MKE 600 may be powered for up to 150 hours by a single AA battery (included). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain. Ideal for Camera, Tripod, or Boompole Mounting The MKE 600 includes a shoe shockmount for easy placement on your camera or a tripod. To mount the MKE 600 on a boompole or mic stand, use the Rycote InVision INV-HG mkIII shockmount (available separately), which will also impede the transfer of vibrations between your boompole/stand and the mic. XLR to 3.5mm TRS Adapter Cable for Cameras Included with a MKE 600 is a short coiled adapter cable—XLR female to 3.5mm TRS male—that lets you connect the mic directly into a mini-jack mic input on a camera. Windscreen Minimizes Wind Noise The MKE 600 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners by up to 25 dB. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 15cm Super-Softie, which also provides high immunity to rain. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately). Sennheiser MKE 600 Specs Microphone Primary Applications Audio for Video, Location Sound Form Factor Stand/Boom Mount Intended Sound Sources Speech/Voice Over Sound Field Mono Operating Principle Line Gradient Capsule Condenser Polar Pattern Lobar, Supercardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter 100 Hz Tone Adjustment None Gain Adjustment None Indicators 1 x Red Single LED (Battery) On-Board Controls High-Pass Filter, On/Off Windscreen Foam (Included) Performance Frequency Range 40 Hz to 20 kHz Maximum SPL 132 dB SPL (Phantom Power) 126 dB SPL (Battery Power) Off-Axis Rejection 5 dB at 60° >15 dB at 120° >10 dB at 180° Sensitivity 21 mV/Pa (Phantom Power) 19 mV/Pa (Battery Power) Equivalent Noise Level 15 dB A-Weighted (Phantom Power) 16 dB A-Weighted (Battery Power) Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) 1 x 1/8" / 3.5 mm TRS Male (on Detachable Cable) Headphone Connector None Power Operating Voltage 48 V ± 4 V (Phantom Power) Operating Current Consumption 4.4 mA (Phantom Power) Battery Type 1 x AA (Not Included) Approximate Battery Life 150 Hours Physical Color Black Mounting Camera/Shoe-Mount (with Included Hardware) Included Case Soft Case Included Filters None Construction Material Metal Operating Temperature 14 to 140°F / -10 to 60°C Dimensions ø: 0.79 x L: 10.08" / ø: 20 x L: 256 mm Weight 4.52 oz / 128 g (Microphone)

Featuring Sennheiser's evolution Lavalier ME 2-II Selectable UHF frequencies within a large bandwidth Up to 10 compatible channels Diversity reception Sennheiser XSW 1-ME2 Specs System Modulation Wideband FM Frequency Range A: 548 to 572 MHz Switching Bandwidth Up to 24 MHz Signal to Noise Ratio ≥ 103 dBA Total Harmonic Distortion ≤ 0.9% Temperature Range Operation: 32 to 104°F (0 to +40°C) Storage -4 to 158°F (-20 to 70°C) Transmitter Synchronization 2.4 GHz, Low Power OQPSK (only active during synchronization) Receiver Principle Double superheterodyne Diversity Antenna switching diversity via internal antennas Sensitivity < 3 μV at 52 dBA RMS S/N (at peak deviation) Frequency Response 50 Hz to 16 kHz (-3 dB) Max Output Voltage At Peak Deviation, 1 kHz AF 1/4" (6.3 mm) Jack Socket (unbalanced): +6 dBu XLR Socket (balanced): +12 dBu Adjustment Range Audio: 45 dB, adjustable in 5-dB steps Power Supply 12 VDC nominal, 300 mA Squelch Adjustable from 3 dBμV to 28 dBμV (combined with pilot tone) Line/Mic Level 20 dB, switchable Material of Construction ABS housing Dimensions 7.9 x 1.7 x 5.0" (200 x 42 x 127 mm) Weight 12 oz (340 g) Bodypack Transmitter Output Power 10 mW Frequency Response Line: 50 Hz to 16 kHz Mic: 50 Hz to 16 kHz Audio Input 1/8" (3.5 mm) jack socket Input Voltage Mic/Line at 3% THD: Typ. 1.V RMS mic / typ. 2.6 V RMS line at -30 dB gain Power Supply 2 x AA batteries, 1.5 V Operating Time Approximately 10 hours Adjustment Range Transmitter Sensitivity: 0 to -30 dB, adjustable in 10 dB steps Material of Construction Rugged ABS housing Dimensions 2.8 x 3.8 x 1.1" (71 x 96 x 28 mm) Weight 3.4 oz (95 g) Lavalier Microphone Specs Microphone Type Condenser, pre-polarized Sensitivity 20 mV/Pa Polar Pattern Omnidirectional Max SPL 130 dB