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Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 1.00" * Polar Pattern: Cardeoid * Address Type: Side * Frequency Range: 20Hz - 20kHz * Output Impedance: 100Ω * Maximum SPL: 132dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 8.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -29.0dB re 1 Volt/Pascal (35.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 4dB-A * Power Options: +24V phantom power+48V phantom power * Weight: 440.00gm * Dimensions: 187.00mmH x 50.00mmW x 50.00mmD * Output: XLR Output

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34,680RSD
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Products Features EQ6 SynScan Upgrade Kit includes: DEC motor RA motor SynScan hand control RS 232 cable Power cable Hand control holder Control Panel Connecting cable Polarsope illuminator

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30,000RSD
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APPLE A1362 SDXC camera connection kit, Podržava samo SDXC kartice i to ako nisu formatirane kao ExFAT, stanje kao na slikama ... Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku ! Slanje : Post Express-om o trošku kupca ! ***** Pogledajte i ostalu moju prodaju na Kupindu, možda nađete nešto interesantno : http://www.kupindo.com/Clan/nin2/SpisakPredmeta

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650RSD
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Key Features For Rack Mounting the Source Monitor Fits 19" Studio Rack 1 RU of Rack Space The Dangerous Music SRK SOURCE Rack Kit is a 1 RU 19" rack mountable faceplate for converting the SOURCE Monitor from a tabletop device to a rack mountable device. You simply unscrew the default SOURCE front panel face plate, replace it with the rack kit, and then install it into 1 RU of your studio equipment rack.

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Lens Filter Adapter Kit 40.5mm UV for PowerShot G7X Mar

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2,500RSD
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Prodajem nastavke za GoPro kameru HERO 3/3+/4. Šifra artikla ASDRK-301 Paket sadrži: 1.Standard BacPac Backdoors Woterproof 197`/60m(Dive Housing) 2.Skeleton BacPac Backdoors Not Woterproof (Dive Housing) 3.Skeleton BacPac Backdoors Not Woterproof (Standard Housing) Gratis troje vrata (na slici)

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400RSD
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Recording Set Includes AI-1 audio interface, NT1 microphone, SMR spider, XLR microphone cable and Ableton Live Lite software Features AI-1 audio interface: USB 2.0 audio interface 24-bit / 96 kHz Gain control with signal LED Switchable direct monitoring of the recording signal Switchable phantom power +48 V 1x microphone / instrument combo input XLR / 6.3 mm jack 2x line output 6.3 mm jack balanced Stereo headphone jack 6.3 mm jack USB-C Power supply via USB Dimensions: 124 x 100 x 38 mm Weight: 560 g Including USB C / A cable Features NT1 large diaphragm condenser microphone: Gold-plated 1" capsule, stored in miniature Lyre of Rycote Black metal housing with scratch-resistant ceramic coating Extremely low self-noise (4.5 dBA) Directivity: Kidney Transmission range: 20 - 20000 Hz Output impedance: 100 ohms Sensitivity: 35.0 mV / Pa Replacement noise level: 4.5 dBA (according to IEC651), Max Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load) Dynamic range: 128 dB Boundary sound pressure level: 132 dB Signal-to-noise ratio: 90 dBA (according to IEC651) Requires phantom power 24 V / 48 V. Connection: 3-pin XLR Dimensions: 50 mm x 190 mm (diameter x length) Weight: 395 g Includes special spider SMR with double lyre by Rycote, pluggable metal pop protection and dust bag Made in Australia 10-year guarantee for registered users (special guarantee between manufacturer and buyer)

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43,080RSD
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The Charge Case for Wireless GO II is a convenient solution to securely storing, transporting and recharging your wireless kit on the road or at home. It can fit two transmitters and a receiver and top up all three units with an extra two full charges, giving you up to 21 hours of use. With a durable exterior and an innovative zip-up design, the Charge Case will not only keep your Wireless GO II topped up, it will also ensure it's kept safe and secure whether you’re at home or between shoots. Key Features Custom charging case for the Wireless GO II Fits three Wireless GO II units – two transmitters and a receiver Provides an additional two recharges for up to 21 hours of use Rugged protective case with a zip to keep your Wireless GO II kit safe and secure Charging status LED

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OC18 Dual Set Plus We are proud to announce the OC18 Dual Set Plus, a kit centered around two of the critically-acclaimed OC18 large capsule condenser microphones as well as a host of accessories. The OC18 Dual Set Plus is shipping now. “Our first Dual Set Plus for the OC818 has proven to be a big success,” says Martin Seidl, CEO of Austrian Audio, “so we’re now offering the same set for the OC18 to enable everyone who prefers the single capsule mic and meet all the recording needs of artists, producers and engineers, whether they record at home or in a studio.” The OC18 Dual Set Plus, a kit with two of the critically-acclaimed OC18 large capsule condenser microphones as well as a host of accessories: 2x OC18 large diaphragm condenser microphones with cardioid polar pattern 2x OCS8 microphone shock mounts 2x OCW8 foam windscreens 2x OCH8 mic clips 1x SB1 stereo bar all in a protective carrying case

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238,680RSD
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Kompaktni radni mikser/pojačalo sa pojačalom snage 30W i jednostavnim mikserom s 3 ulaza. Namijenjen za ugradnju u rack uz pomoć IC30RMK dodatka. * 3 Dual balanced microphone/line inputs * 100V, 70V and 4 ohm outputs * Auto Limiting * 240VAC/12VDC operation * Shorting/Vox mute (Vox mute via optional TX3010 Module) * Optional Rack Mount kit (IC30RMK)

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14,778RSD
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High Quality Audio Distribution Amp 1 input/4 output with output trim adjustments Transformerless design for wide, flat frequency response Works for audio or time code Transformerless High Performance Audio Distribution Model 120B is a high performance audio distribution amplifier with a single high impedance input and four low impedance outputs, all electronically servo-balanced and designed to be as transparent as possible. The 120's transformerless circuits are designed for wide, flat frequency response, free from ringing or overshoot, making it ideal for distribution of time code or audio. Each output has its own amplifier and level control for maximum versatility and isolation. The sturdy steel chassis may be used stand-alone or rackmounted, singly or in pairs. Input The input circuit is adjusted for optimal common-mode rejection. Servo-balancing compensates for high common-mode voltages, so headroom isn't sacrificed. The high input impedance allows bridging of the input signal with minimum loading. This way several amplifiers can be easily driven from the source. Outputs The individual output amplifiers are very low impedance so long lines and capacitive loads are easily driven with no loss of stability or high frequency response. Servo-balancing permits the outputs to be used single-ended at any time without a change in gain by simply grounding the unused pin. Individual output level controls are recessed for bump-proof operation, yet can be easily adjusted without tools. The front panel power LED also acts as a signal present and clip indicator for the input. Rackmount Kit for 120B, 124B and 141B Allows for the rack mounting of one or two "B" series products in one rack space. The new front panel design of the "B" series products and the new rack mount kit design makes installation 100% faster! Specs: Audio Frequency Response: 5Hz - 100 kHz (+0, -0.5dB) Dynamic Range: 94 dB Hum and Noise: Better than -90 dBm at unity gain THD: 0.002% @ +4dBm, 0.005% @ +20dBm IMD: 0.002% @ +10dBm Channel Isolation: 70dB Slew Rate: 13 V/usec Input Connector: XLR 3-pin Female Type: Transformerless, differential servo balanced Impedance: 100k ohms balanced Maximum Level: +25 dBm CMRR (typical): > 45 dB Output Connector: XLR 3-pin Male Impedance: 65 ohms Maximum Level: +25dBm into 600 ohms balanced, +21dBm unbalanced Output Gain Range: ±15 dB Other Specifications Power Requirements: 100, 120, 220, OR 240 VAC, 50-60Hz Dimensions: 1.75"H x 8.25"W x 7.25" D (44.5mm x 209.5mm x 184.2mm) Net Weight: 3.5 lbs (1.6 kg)

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54,000RSD
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An all-in-one analog mixer, multi-track digital recorder and audio interface TASCAM's Model 16 all-in-one mixer brings the flagship Model 24's powerful recording and mixing features and functionality to a new level of compactness and affordability, creating a full-featured small format mixer that combines the warmth of analog with a digital workflow. The Model 16 is the perfect mixing solution for small format live performance, recording and production environments, featuring a multi-track recorder, USB audio interface, effects, comprehensive mixing and routing capabilities, and Bluetooth wireless. With the Model 16, your perfect mix has met its match. 14 Inputs for Complete Flexibility 14 easy-to-access top-panel inputs provide flexible options for microphones or instrument connections, including 10 Mic/14 Line/2 Inst to allow easy access for connecting microphones, instruments or other audio sources for live recording or mixing. A Bluetooth 5.0 enabled Stereo Input Source Channel also provides stereo RCA and 1/8" Stereo (selectable) jacks for streaming audio device level control. Pristine Audio Quality Mic Inputs 1 through 8 deliver pristine audio quality, featuring TASCAM's Ultra-HDDA (High Definition Discrete Architecture) technology for pure, transparent natural tone with ultra-low noise. Professional Channel Strip Control Features A tactile Gain knob tops each channel for precise tweaking of input levels. A push-button Lo-Cut filter and three-position Input Selector (Live/PC/MTR) facilitate quick and precise control of input source signals. A 1-knob inline Compressor is available on inputs 1-8 as is a mid-range sweepable 3-band EQ. Maximum Audio Routing Possibilities and Monitoring 3 Aux bus (MON1, MON2[pre/post], FX) and PFL Listen round out the Model 16's pro-level signal path routing options. A Sub bus provides an additional stereo lineout source to the master SEND section. 3 AUX Outs let you route the audio signal for stage monitoring, or to external gear such as outboard effects, signal processors or headphone mixes. And the Footswitch control jack provides additional monitoring and control features. Powerful Internal 16-Track Multi-track Digital Recorder The Model 16's MTR section features a powerful internal 16-Track Multi-track recorder, capturing 14 Inputs and 2 Main Mix simultaneous tracks of audio to an internal SD card in pristine 24-bit/48 kHz quality. Record anything from live performance to rehearsals, worship events, spoken word and meetings, as well as perform overdubs and punch-in/out quickly and easily. Recorded tracks can be immediately mixed, mastered or exported to a computer for further editing, formatting and publishing. High-Quality Internal Audio Interface An internal 16 input/14 output USB audio interface captures audio at a 24-bit/48 kHz sampling rate for recording or playing back from an external DAW (digital audio workstation). The new generation TASCAM USB driver delivers the minimum size of the audio buffer which can be set to as low as 4 samples, resulting in extremely low latency and the highest level of efficiency when recording audio. Versatile Input Capability Using the channel Mode switch, each channel can select the input source as needed. This allows a super flexible input configuration to be selected where some inputs can be live, other inputs can play tracks from the internal MTR, while other inputs can play tracks from a computer via USB, all simultaneously. 16 Editable Multi-Effects The Model 16's versatile Effects Section offers 16 editable and foot-controllable multi-effects, including reverb, delay, chorus and flange. 4-Band Master EQ A 4-Band EQ with mid-range sweepable, wide/narrow Q can be dialed in for crafting the perfect mix, assignable to MAIN outs or MON1/2 outs as you like. Options and Accessories Expand recording and mixing possibilities with Model 16's optional accessories, including the RC-1F Footswitch, AK-RM16 Model 16 Rack Mount Kit, AK-DC16 Model 16 dust cover, TM-Series Microphones, and TH-Series Headphones. Features: 16-track multi-track recorder (WAV, up to 48kHz/24-bit) to SD, SDHC and SDXC cards (Class 10 or higher required) Punch in/out capability (up to 8 tracks simultaneously) Built-in USB Audio Interface to send/receive (16-in/14-out) audio data to/from DAW 14 inputs (10 Monaural XLR/TRS balanced and 2 Stereo-paired TRS balanced) 10 mic Pre-amps utilizing TASCAM Ultra-HDDA Mic Pre-amp technology (CH 1 thru 8) Pre-amp Gain Controller with Signal/Over-load Indicator (CH 1 thru 12) Input Mode switch (LIVE/USB/MTR) per input channel 1-knob compressor (CH 1 thru 8) 3-band EQ with a sweep-able mid-range frequency (CH 1 thru 8) 100Hz Low-cut Filter (CH 1 thru 12) Phantom Power (+48V) for all XLR inputs 3 AUX Outputs (MON 1[pre], MON 2[pre/post], FX[post]) Mute, MAIN/SUB, PLF switches per input channel Bluetooth® 5.0 input supporting both AAC and SBC codecs LINE Inputs via RCA Pin and 1/8" Stereo Mini jacks (CH 13/14) Hi/Lo shelf, wide and narrow-Q semi-parametric EQs (for Main and SUB outputs) 16 TASCAM Effects like reverb, delay, chorus and flange MAIN Output via XLR balanced and SUB Output via TRS balanced connectors 12-segment LED Output Level Meters 1 Stereo Output for Control Room 1/4" Stereo Headphone Output REMOTE connector for a Foot Switch (TASCAM RC-1F) Self-emitted buttons for key operations such as REC and Play for better status legibility Comprehensive simplified menu tree Multi Jog-dial for quick menu operation 19-inch rack mountable with optional Model 16 rackmount kit FAUX wood Side Panels (Removable)

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95,400RSD
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Odličan set za mlade naučnike Zemlja porekla: Kina, kontrolisano od strane Levenhuk-a, Inc. (USA) Težina: 1,974 kg Veličina paketa (DxŠxV): 88x24x10 cm OPIS Levenhuk LabZZ MTB3 Kit je idealan poklon za dete istraživača. Komplet sadrži tri optička instrumenta - mikroskop, teleskop i dvogled. Sva tri su dizajnirana da zadovolje potrebe mladih posmatrača, dok su njihove mogućnosti slične onima u `odraslim` modelima. Komplet pomaže deci da urone u sva čuda i misterije sveta oko nas - Vaše dete može proučavati mikrokosmos, istražiti prostor i otkriti upečatljiv svet divljine. Glavne prednosti ovog kompleta su: Velika poklon ideja Zabavni naučni set Tri-u-jednom komplet: mikroskop, teleskop i dvogled Preko 20 pribora u kompletu Mikroskop ima alate za izvođenje eksperimenata Teleskop je takođe pogodan za zemaljska posmatranja Torbica za dvogled je već uključena u komplet Mikroskop Levenhuk LabZZ MTB3 je klasični biološki mikroskop sa donjim osvetljenjem. Revolver nosač objektiva dizajniran je da ima tri povećanja. Sa okularom uključenim u komplet, mikroskop može da proizvede 150x, 450x i 900x uvećanje. Možete proučavati sve transparentne uzorke i pripremljene slajdove mikroskopa. Mikroskop je prilično prenosiv. Njegovo osvetljenje radi na baterije, tako da ga možete poneti sa sobom u šetnju, u školu ili u posetu prijateljima. Tokom dnevnog posmatranja, ugrađeno ogledalo se može koristiti za osvetljavanje uzoraka, tako da baterije neće biti potrebne. Komplet uključuje sve neophodne alate za pripremu slajdova za mikroskop i sprovođenje uzbudljivih eksperimenata. Teleskop Levenhuk LabZZ MTB3 je refraktor početnog nivoa koji je sposoban pokazati mladom astronomu planete Sunčevog sistema, Mesec i panoramski pogled na svetle zvezde. Teleskop se instalira na jednostavan alt-azimut nosač savršen za korisnike na početnom nivou i dolazi sa stabilnim aluminijumskim stativom. Visina stativa može se podesiti. Dvogled Levenhuk LabZZ MTB3 je kompaktni dvogled dvostrukog optičkog sklopa sa laganim plastičnim kućištem i uvećanjem od 4x. Ovaj mali dvogled je savršen za duže šetnje, uživajući u svežem vazduhu i intrigantnim pogledom. Sa ovim dvogledom, Vaše dete će se osećati kao pravi istraživač i avanturista! Objektivi ovog modela napravljeni su od optičkog stakla i prekriveni su anti-refleksivnim premazom, tako da su proizvedene slike visokog kvaliteta. Dvogled je savršeno prilagođen dnevnim opažanjima. On sakuplja dovoljno svetla i proizvodi svetlu i oštru sliku. Dvogled dolazi sa tašnom, trakom i tkaninom za optičko čišćenje. Komplet za mikroskop obuhvata: Mikroskop 10x okular Rezervna sijalica Prazne bočice (3 komada) Prazni slajdovi (3 komada) Pokrovna stakla (3 komada) Slajd nalepnice (3 komada) Skalpel Pipeta Spatula Pinceta Disekciona igla Komplet za teleskop obuhvata: Teleskop 5mm okular Okular od 10 mm 2x optički tražilac Dijagonalno ogledalo Aluminijumski stativ Komplet dvogleda uključuje: Dvogled Mekana torbica Krpica za čišćenje Tanak kaiš Upotreba: Proizvod za generalnu upotrebu. Mogu ga koristiti deca starija od 3 godine.

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Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

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119,880RSD
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Detaljnije

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

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117,480RSD
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Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

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Podcasting and home recording, simplified. With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators. A full-featured audio interface. The StudioLive AR8c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the six inputs, plus the main mix, for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus sound effects, loopback audio, and more. Four lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive. With a USB-C compatible connection, your StudioLive AR8c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity! The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings. The all-in-one recording package. The StudioLive AR8c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Create multitrack recordings for your podcast or band with one click thanks to PreSonus’ Capture™ live recording software. Capture is designed to make recording easy. Create complete studio productions with our award-winning Studio One® Artist DAW to add effects, bumpers, and more. With two professional recording applications included with your StudioLive AR8c, you’re ready to record right out of the box whether you’re creating a podcast, live streaming your performance, or recording your first EP. Record whenever and wherever you want. Whether you’re recording a mobile interview for your podcast or you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you, the StudioLive AR8c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix, so you can simplify your recording process whenever you want. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. Effects without latency Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content. All the connections you need with a familiar look. Packed with all the connections and controls needed to mix and record podcasts, live streams, and music productions, the StudioLive AR8c is the ultimate recording solution. The two mono channels and two stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. The USB-C compatible connector ensures your StudioLive AR8c audio interface will be the center of your studio for years to come. With high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR8c is the perfect recording and mixing solution for the modern musician and content creator. Features Recording 8x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface Record every channel plus the main mix 2x2 SD recorder to capture the main mix Supports SD™ and SDHD™ formats up to 32 GB Mixing 8-channel analog mixer 4 balanced microphone inputs with XMAX mic preamps 2 instrument/line inputs 6 balanced line level inputs: 2 mono 2 stereo pairs Stereo Super Channel (Ch. 13/14) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback 2 mono and 2 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ 1 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output L/R Control Room outputs with level control Headphone output with level control Signal Processing Highpass filter on every channel 3-band semi-parametric EQ on every channel Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack Mic/line boost on stereo channels for low-level input sources and consumer devices Included Software Capture™ live multitrack recording software Studio One ® Artist recording and production software (DAW) Studio Magic plug-in suite Power Internal power supply Standard IEC power connector Physical Sturdy metal construction Optional rackmount kit

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