Professional 3 pole cannon male. Black metal body, cable clamping system and rubber cable guide.

Klasični shotgun mikrofon superkardeoidne usmerene karakteristike, namenjen specifičnim visokozahtevnim aplikacijama u broadcast, televizijskoj i filmskoj industriji, kao i u profesionalnim radijskim aplikacijama i Napomenaištu. Kondenzatorska kapsula ovog mikrofona, zajedno sa vrhunskom SMT elektronikom osigurava kontrolisan dijagram usmerenosti s visokim stepenom suzbijanja neželjenih ambijentalnih šumova. Pored velikog frekventnog opsega i visoke dinamike, ovaj mikrofon može raditi na 48V fantomskom napajanju ili se može napajati standardnom AA 1,5V alkalnom baterijom, što ga čini upotrebljivim i u terenskim uslovima. Zahvaljujući odličnim tonskim karakteristikama i dobroj ceni, sve je češće deo opreme TV stanica. U kompletu sa mikrofonom dolazi RM5 nosač mikrofona, WSVM zaštitnik od vetra i ZP1 torba za transport. Tehnička specifikacija: * Acoustic Principle: Line Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: SuperCardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 250Ω * Maximum SPL: 131dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 6.9dBu (@ 1kHz, 1% THD into 1KΩ load) * Sensitivity: -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 18dB-A * Power Options: +48V phantom power; AA Battery * Weight: 161.00gm * Dimensions: 280.00mmH x 22.00mmW x 22.00mmD * Output: XLR Output

The RØDE VideoMic Pro+ is a new addition to the best-in-market on-camera category. It is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features. Automatic Power Function (with plug-in power availability) is perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera. Built-in Battery Door makes replacing the battery a breeze - plus it won't get lost. Power options- the VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB. Digital Switching - will ensure the user has ultimate capture of the audio signal at the source, reducing post-production and editing times. The Digital Switching includes: 2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning 3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras High-Frequency Boost will boost high frequencies enhancing detail and clarity in the recording Safety Channel to help ensure the signal does not clip when unexpected spikes occur Features Automatic Power Function with plug-in power Power via LB-1, 2 x AA Batteries, Micro USB Ships with LB-1 Lithium-Ion Rechargeable Battery, Detachable 3.5mm TRS Cable, Micro USB Cable Built-in Battery Door Optimized Windshield Shape LED indicator for power source and charging / discharging status USB micro port for charging removable LB-1 Bery Digital Switching Audio Level adjustment Dual high pass filter options High-frequency boost Dual mono unbalanced output Safety channel option on right channel Ambient light detect to boost LED brightness Low noise circuitry Improved RF immunity Rycote® Lyre® shock mounting onboard Specifications Acoustic Principle: Line Gradient Directional Pattern: Supercardioid Frequency Range: 20Hz ~ 20kHz (selected HPF @ 75Hz/ 150Hz) Sensitivity: -33.6dB re 1V/Pascal (21.20mV @ 94dB SPL) ±2dB @ 1kHz Output Impedance: 200Ω Equivalent Noise: 14dBA Maximum Output Level: 7.7dBu (@ 1kHz, 1% THD into 1kΩ) Dynamic Range: 118.8dB Maximum SPL: 133dBSPL Signal to Noise Ratio: 79.8dB Power Options: RØDE LB-1 Lithium-Ion Rechargeable Battery (~12mA current draw), 2 x AA Batteries (~17mA current draw), or via Micro USB Port LB-1 Battery Life: Over 100 hours of continuous use Battery Charger: Micro USB Cable (supplied) Output Connection: Dual mono unbalanced on the stereo 3.5mm jack Dimensions: 111mmH x 66mmW x 170mmD Net Weight: 122g

The VideoMic Pro with Rycote Lyre Suspension Mount from Rode is a supercardeoid condenser shotgun microphone that terminates in a 1/8" stereo mini-jack (dual mono), includes an integrated shockmount, and an integrated foam windscreen. It can be used to capture audio for camcorders, DSLR, and portable recorders as a source of primary and reference audio. The VideoMic Pro has been upgraded from earlier models with a 1/2" condenser capsule that provides broadcast-quality audio. Its 1/8" stereo mini-jack connector (outputting the mono signal to both left and right channels) delivers low self-noise of just 14 dB. A supercardeoid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera. In addition, the Rycote Lyre-based shockmount is built from a single piece of hard-wearing thermoplastic. It separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. This suspension will never wear out, sag or snap. Easily accessible on the rear face of the microphone are the power, the filter, the level controls and a selectable high-pass filter at 80 Hz. The filter will prevent low-end noise such as air conditioners and traffic from being recorded. Furthermore, the -10 dB (or pad) is suitable when recording loud sound sources such as live music, motorsports, or interviews, where the subject is very close to the camera. There is a +20 dB level boost designed for use with DSLR cameras, so the user can reduce the camera's preamp level, effectively reducing the amount of noise generated by the camera's audio circuitry. The Rode VideoMic Pro uses a standard sized shoe-mount for on-camera use and features a 3/8" thread in the base of the mount for easy boom-pole mounting. The VideoMic Pro is battery powered and provides over 70-hours recording from a single 9V battery. 9V battery powered with over 70 hours use (alkaline) Camera shoe mount with 3/8" thread for easy boom-pole mounting Compact form factor is only 6.7" length

The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes 2 microphones, mic clips, and windscreens

Recording Set Includes AI-1 audio interface, NT1 microphone, SMR spider, XLR microphone cable and Ableton Live Lite software Features AI-1 audio interface: USB 2.0 audio interface 24-bit / 96 kHz Gain control with signal LED Switchable direct monitoring of the recording signal Switchable phantom power +48 V 1x microphone / instrument combo input XLR / 6.3 mm jack 2x line output 6.3 mm jack balanced Stereo headphone jack 6.3 mm jack USB-C Power supply via USB Dimensions: 124 x 100 x 38 mm Weight: 560 g Including USB C / A cable Features NT1 large diaphragm condenser microphone: Gold-plated 1" capsule, stored in miniature Lyre of Rycote Black metal housing with scratch-resistant ceramic coating Extremely low self-noise (4.5 dBA) Directivity: Kidney Transmission range: 20 - 20000 Hz Output impedance: 100 ohms Sensitivity: 35.0 mV / Pa Replacement noise level: 4.5 dBA (according to IEC651), Max Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load) Dynamic range: 128 dB Boundary sound pressure level: 132 dB Signal-to-noise ratio: 90 dBA (according to IEC651) Requires phantom power 24 V / 48 V. Connection: 3-pin XLR Dimensions: 50 mm x 190 mm (diameter x length) Weight: 395 g Includes special spider SMR with double lyre by Rycote, pluggable metal pop protection and dust bag Made in Australia 10-year guarantee for registered users (special guarantee between manufacturer and buyer)

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone. Neumann TLM 102 Transformerless Cardioid Condenser Microphone at a Glance: A great way to naturally sweeten vocals Tiny condenser with massive versatility TLM technology means low noise and high clarity A great way to naturally sweeten vocals Up to 6kHz the frequency response of the TLM 102 extremely linear. But just after 6kHz, Neumann built in a slight boost to bolster the presence of the voice. This characteristic adds a quality often called "sweetness" to vocals that makes them jump out in the mix. The extra smoothness tends to enhance vocals by smoothing out a highly audible frequency range and adds some extra dimension to spoken recordings. The small stature of the TLM 102 is also a major asset in applications where maintaining a clear line of sight between the vocalist and the control room or or band is a priority. Tiny condenser with massive versatility The TLM 102 has an extremely flexible field of application and is affordable enough to find a place in professional and project studios alike, as well as in broadcast and live sound. Its largely linear frequency response extends across the audible spectrum from 20Hz to 20kHz. Since it doesn't take up as much space as a typical large-diaphragm condenser, it is easy to position the TLM 102 in front of guitar cabinets or use it as a drum mic. And there's no need to worry about high SPLs — the TLM 102 can easily handle up to 144dB, so loud sound sources are not off limits. TLM technology means low noise and high clarity The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. TLM technology ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. The capsule's built-in elastic suspension mechanism and pop screen in the TLM 102 also further diminish the noise of handling and use. Neumann TLM 102 Transformerless Cardioid Condenser Microphone Features: Maximum 144dB maximum SPL Cardioid pickup pattern 20Hz - 20kHz frequency range 132dB dynamic range 50-ohm impedance Weight: approximately 260g Diameter: 52mm Length: 116mm

Professional Microphone Cable realized with moulded cannon connectors and 6 mm. shielded cable. Available in black/orange, length 4,5 mt. Package 1 Cable Type stereo 6 mm. Cable Length 4,5 mt. Connectors Used cannon M - cannon F Cables Colors Available black/orange Packaging Blister

Instrument cable realized with moulded mono jacks and shielded 6 mm. cable. Available in black/orange. Length 6 mt. Package 1 Cable Type mono 6 mm. Cable Length 6 mt. Connectors Used jack mono - jack mono Cables Colors Available black/orange Packaging Blister

Tehnička specifikacija - Quality microphone XLR cable - Low-wear rubber jacket - For years approved XLR connectors - Efficient lead cleat - Best shielding against noise - Delivery including Velcro strip - ROHS approved - Lifetime warranty on material and workmanship

very flexible fully compatible with any audio device with a 3.5 mm jack female 24 carat gold-plated contacts for loss-free transitions really lightweight very durable

Tehnička specifikacija - Quality microphone XLR cable with Neutrik plugs - Low-wear rubber jacket - For years approved XLR connectors - Efficient lead cleat - Best shielding against noise - Delivery including Velcro strip - ROHS approved - Lifetime warranty on material and workmanship

Professional Microphone Cable realized with moulded cannon connectors and 6 mm. shielded cable. Available in black/orange, length 3 mt. Package 1 Cable Type stereo 6 mm. Cable Length 3 mt. Connectors Used cannon M - cannon F Cables Colors Available black/orange Packaging Blister

Tehnička specifikacija Quality microphone XLR cable Low-wear rubber jacket For years approved XLR connectors Efficient lead cleat Best shielding against noise Delivery including Velcro strip ROHS approved

Professional quality at affordable prices, these studio monitor stands are equipped with adjustable rubber spikes and foam pads for superior stability and sound Main Features plate size - 230 x 230mm height - 400mm weight - 5.90Kg load capicity - 30kg available colours - black

Ovaj H4n daljinski upravljač daje Vam pristup širokom broju funkcija uključujući početak snimanja, pokretanje reprodukcije, zaustavljanje reprodukcije, brzo premotavanje prema napred/natrag, podešavanje glasnoće snimanja, biranje ulaznog izvora zvuka. Osim već nabrojenog, RC4 je koristan za prevenciju pojavljivanja zvukova koji nastaju tokom korišćenja kontrola na Zoom H4n snimaču. Ovaj daljinski upravljač dolazi sa produžnim kablom. Dodatne informacije: This H4n remote control gives you access to a range of functions including recording start, play, stop, fast forward/reverse, recording level adjustment, and input source switching. It is also useful for preventing any handling noise. Comes with extension cable.

Adapter plug 3pin XLR male to 6,3 Jack mono Metal version

Microprocessor-Controlled 8-in-1 Cable Tester Microprocessor-controlled cable tester featuring 3 modes: cable and installed cable test plus test tone mode Accepts all standard connectors: XLR, Speakon*, TRS (1/4", 1/8"), RCA, RJ45, MIDI and USB Super-easy operation with intuitive LED display Continuity check and intermittent contact detection Phantom-power and ground-shield check Test-tone generator: 1 kHz or 440 Hz at +4 dBu, -10 dBV or -50 dBV Operates with 2 AA size batteries (not included) Designed and engineered in Germany

Tehnička specifikacija * Low Distortion with Wide Frequency Response * Two Functions In One Box - Combines And/Or Splits * Phase Invert Switch For Subtractive Combining * Galvanic Isolation To Block Phantom-Power Between Channel * Ground Lift Switch To Reduce Noise Due To Ground Loops Dodatne informacije Use the SPLITCom Pro to Split or Combine balanced low impedance microphone signals. As a Splitter: The SPLITCom Pro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The MAIN MIC OUTPUT passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the ISOLATED MIC OUTPUT. AS A COMBINER: The SPLITCom Pro provides one output from two microphone inputs. The PHASE switch can be used to invert the relative phase of the ISOLATED MIC INPUT. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to their respective input, (MAIN to MAIN, ISOLATED to ISOLATED), however phantom power is blocked from passing between the MAIN and ISOLATED signal paths. Only the audio passes between the MAIN and ISOLATED signal paths (it is present on all inputs and outputs).

3 pola muški cable connector, Nickel housing, silver contacts