Izgrađen na osnovu 60 godina iskustva izrade audio uređaja kompanije Universal Audio, Apollo Twin X samouvereno nadmašuje sve u svojoj klasi sa 127 dB D/A dinamičkog opsega, zajedno sa uključenim UAD analognim emulacijskim plug-inovima i LUNA Recording System-om, koji vam pruža kompletno opremljeni analogni studio na vašem desktopu. Snimajte i miksujte sa prvoklasnom A/D i D/A konverzijom — sa najširim dinamičkim opsegom i najnižim nivoom šuma u odnosu na bilo koji desktop interfejs. Dva pretpojačala sa Unison tehnologijom— snimajte numere sa skoro nultom latencijom sa emulacijama pretpojačala od Helios, Neve, API, Manley i ostalih* Onboard UAD obrada omogućava vam da stvarate numere i miksujete u realnom vremenu sa uključenim Teletronix LA‑2A i 1176 kompresorima, Pultec EQs, 610‑B cevnim pretpojačalom i još toga Sadrži LUNA Recording System — u potpunosti integrisanu i inspirišuću aplikaciju za muzičku produkciju Dva Unison pretpojačala: Dobićete autentični zvuk Neve®, Helios, API, Manley i još toga Apollo Twin X ima dva Unison-enabled mikrofonska pretpojačala, što vam omogućava da pravite numere zahvaljujući emulacijama mikrofonskih pretpojačala Neve®, Helios, API, Manley, Universal Audio i mnogih drugih. Ekskluzivna kod UA Audio interfejsa, Unison tehnologija pogađa ton ovih traženih cevnih i solid state mikrofonskih pretpojačala — uključujući njihovu ulaznu impedansu, “sweet spot-ove,” na bini i ponašanja kola na nivou komponenti originalnog hardvera. Tajna Unison tehnologije leži u njenoj integraciji hardvera i softvera između Apollo mikrofonskih pretpojačala i njene onboard UAD-2 DUO Core DSP akceleracije. Jednostavno stavite Unison plug-in za pretpojačalo u vaš mikrofonski ulaz u in Apollo Console softver i on fizički rekonfiguriše Apollo interfejs impedansu — tako da možete da utonete u klasične zvukove svetski najsnimanijih mikrofonskih pretpojačala. Pogledajte Unison Shoot Out (hardver vs. softver) video Prvoklasna A/D i D/A konverzija Sa hiljadama hit pesama i stotinama albuma koji su osvojili Grammy nagrade, Apollo interfejsi se koriste za svakodnevno stvaranje izuzetnih zvučnih zapisa. Kako bi poboljšali prethodnu generaciju Apollo interfejsa koji su vodeći u klasi audio konverzije, UA inženjeri redizajnirali su Twin audio konverziju kako bi isporučili upečatljivih 127 dB dinamičkog opsega i -117 dB THD + N, dajući Apollo TWIN X prostrani, organski zvuk koji lako staje rame uz rame sa high end konvertorima. Apollo: Izbor New-School profesionalaca Apollo je potvrđen izbor profesionalaca koji prave hitove, koji su navikli da snimaju najpoznatije albume Kendrick Lamar-a (DAMN.), Chris Stapleton-a (Iz A sobe: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), i mnogih drugih. Apollo linija interfejsa dobila je nekoliko nagrada od Sound on Sound, Future Music, i Electronic Musician — kao i prestižnu TEC nagradu za kompjuterski audio hardver tokom pet uzastopnih godina. Komplet klasičnih analognih plug-inova Direktno iz kutije, Apollo Twin X ima kolekciju neverovatnih emulacijskih plug-inova uključujući svetski jedini autentični Teletronix LA-2A, 1176LN, Pultec EQs, i UA 610-B cevno pretpojačalo i ekvilajzer. Razvijen od strane svetski priznatih algoritamskih inženjera Universal Audia, ovi analogni klasični plug-inovi u realnom vremenu uspostavljaju standard na osnovu koga se sve ostale hardverske emulacije procenjuju. Od toplote cevi Pultec EQ-a na gitarama, do nežnog limitiranja LA-2A na vokalima, vaši snimci će odskočiti u bogat, zvučno kompleksan analogni zvuk. Pogledajte Plug-Inove | Pogledajte live tracking video Uđite u svet UAD Plug-Inova Pored uključenih analognih klasičnih plug-inova u realnom vremenu, Apollo Twin USB Vam omogućava da koristite celu biblioteku nagrađivanih UAD plug-inova — uključujući vintage ekvilajzere, kompresore, reverbe, tejp mašine i još toga — sa skoro nultom latencijom, bez obzira na veličinu bafera vašeg audio softvera i bez opterećivanja procesora na vašem računaru. Sa ekskluzivnim emulacijama Neve, Studer, Manley, API, Ampex, Lexicon, Fender, i još toga,† to je kao da imate beskonačni anlogni studio, direktno na vašem desktopu. A za razliku od konkurentskih interfejsa, ovi DSP plug-inovi su takođe dostupni na vašem DAW-u za miksovanje. Snimajte sa vintage pojačalima Novinu kod Apollo Twin USB predstavlja Unison tehnologija kod ulaza za instrument na prednjoj strani koja vam omogućava emulacije gitarskih i bas pojačala kao što je Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959 i Ampeg B-15N Bas pojačalo. LUNA sistem za snimanje Deep Apollo integracija sa brzim, prirodnim procesom rada Apollo X serija interfejsa radi sa svim većim DAW-ovima. Ali oni postaju u potpunosti integrisani sistem sa LUNA-om, inovativnom aplikacijom za muzičku produkciju za Mac od Universal Audio. Koristite LUNA-in ubrzani nadzor nad realnim vremenom ™ i napajajte svoj radni tok mnoštvom ugrađenih funkcija i opcionalnih proširenja - od originalnog Neve zbrajanja i integrisane trake Studer, do inspirativnog LUNA instrumenata i još više. Dodatna povezivanja i ugrađeni Talkback Sa svoja dva onboard pretpojačala opremljena Unison tehnologijom, dva izlaza i optičkim ADAT/SPDIF ulazom— kao i daljinsko upravljanje posvećenim monitorom i ugrađeim Talkback mikrofonom —10 x 6 Apollo Twin X pruža Vam I/O koji Vam je potreban za numere i mikseve. Napravite Networked Studio Korisnici bilo kojeg Apollo interfejsa opremljenog Thunderboltom mogu da kombinuju do četiri Apollo-a i ukupno 6 UAD-2 uređaja - dodajući I / O i DSP kako studio raste. Jednom kada proširite svoj studio pomoću Apollo x6, x8, x8p ili x16 ugradive jedinice, možete da koristite Apollo Twin X kao desktop monitor, a da i dalje dodirnete dodatnu I / O i DSP snagu. *Apollo Twin X uključuje “Realtime Analog Classics” UAD plug-in-ove. Ostali UAD plug-inovi se odvojeno prodaju na www.uaudio.com. OSNOVNE KARAKTERISTIKE Desktop 10 x 6 Thunderbolt 3 audio interface za Mac i Windows sa prvoklasnom A/D i D/A konverzijom nasleđenom direktno od čuvenih Apollo X interfejsa sa rackmountom. 2 mikrofonska pretpojačala sa Unison tehnologijom nude fantastične modele klasičnih cevnih mikrofonskih pretpojačala i gitarskih pojačala zasnovanih na transformatoru. UAD-2 DUO ili QUAD Core obrada za rad uz pomoć vintage kompresora, ekvilajzera, tejp mašina, mikrofonskih pretpojačala i plag-inova za gitarska pojačala za skoro nultom latencijom. Stvarajte sa LUNA Recording Sistemom — u potpunosti integrisanom aplikacijom za snimanje napravljenom za Apollo (Mac/Thunderbolt) Front-panel sa ulazom za Hi-Z instrument opremljenim Unison™ tehnologijom i izlazom za slušalice Ugrađeni Talkback mikrofon za komunikaciju za studijom i snimanjem cue-ova Poboljšana monitorska funkcionalnost uključujući funkcije kojima se upravlja na daljinu Mono, Mute, DIM i ALT monitor kontrole Do 8 kanala dodatnog digitalnog ulaza putem Optical ADAT ili S/PDIF Uključuje "Realtime Analog Classics" UAD plag-inove koji imaju Teletronix LA-2A i 1176 kompresore, Pultec ekvilajzere UA 610-B cevno pretpojačalo i ekvilajzer i još mnogo toga. Ostali UAD plaginovi se prodaju posebno Pokreće UAD plug inove uz pomoć VST, RTAS, i AAX 64 u svim boljim DAW-ovima Beskompromisni analogni dizajn, superiorne komponente i prvoklasni kvalitet izrade Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers Sistemski zahtevi Apollo X serije SVI: Thunderbolt 3 kabl (nije uključen) Internet veza za preuzimanje softvera i autorizaciju UAD plug-inova 6 gigabajta raspoloživog prostora Quad Core i7 ili bolji processor preporučen Za dodatne informacije o kompatibilnosti, posetite help.uaudio.com MAC: Dostupan Thunderbolt 1, 2, ili 3 port Thunderbolt 1 i 2 povezivanja zahtevaju Apple Thunderbolt 3 na Thunderbolt 2 Adapter (nije uključen) macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, ili 10.15 Catalina PC: Dostupan Thunderbolt 3 port Windows 10 (64-Bit izdanje) UKLJUČENI PLUG-INOVI Realtime Analog Classics Sa Realtime Analog Classics plag-inovima, dobićete legendarne kompresore kao što je Teletronix® LA-2A i ekvilajzere kao što je Pultec® EQP-1A, fantastične emulacije gitarskih i bas pojačala, kao i UA poznato 610-B cevno pretpojačalo i EQ plug-in. UA 610-B Tube Preamp and EQ Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology. UA 610-B cevno pretpojačalo i EQ Obogatite svoje zapise ikonskom toplinom i karakterom klasičnog hardvera koji se koristi kod svih, od Duke Ellingtona do Coldplay-a. Emulirajući ceo signalnu putanju, uključujući cevna pojačala, transformatore i nelinearnosti kola, 610-B cevno pretpojačalo i EQ dodatak ubrizgavaju organske detalje i zasićenost bilo kojem signalu - bilo da ponovo pojačavate ili pratite kroz 610- B putem Unison ™ tehnologije Universal Audio. Marshall® Plexi klasično pojačalo Nesporan gospodar rokenrola i gitarskih pojačala, Marshall “Plexi” pojačalo je legendarno kao i muzika koju je pomogao da se stvori. Od Džimija Hendriksa, Džimija Pejdža, Duan Almana do Erika Kleptona, Plexi mešavina režanja, sustain-a, glatkoće i prostote definisala je rok zvuk. Razvijen od strane Softube-a, Marshall Plexi plug-in klasičnog pojačala omogućava zvuk ovog čuvenog pojačala sa savršeno pozicioniranim mikrofonom od inženjera Tonija Plata koji je snimio Back in Black i Highway to Hell od AC/DC. Teletronix® LA-2A klasično leveling pojačalo (cevni optički kompresor) (Legacy) Sa svojom nežnom programski zavisnom optičkom kompresijom i precizno dizajniranim cevnim pojačalom, LA-2A je pravi kompresor za prefesionalne mikseve širom sveta — naročito za vokale. Peak smanjenje i gain kontrole neverovatno lake za korišćenje daju vam idealnu optičku kompresiju zvuka za gitaru, bas, bubnjeve i još toga. 1176SE/LN® klasična pojačala sa limiterima (Legacy) Dobijte klasičnu ultra brzu FET kompresiju od svetski najpriznatijeg kompresor-a. 1176 će obogatiti punch-om, prisustvom i karakterom kao i autentičnom distorzijom na bubnjevima, vokalima, gitarama i basevima. 1176LN se može čuti na bezbroj pesama, od Led Zeppelin-a, do White Stripes i Michael-a Jackson-a. Pultec® Pro Ekvilajzeri (Legacy) Miksujte sa dva najtraženija hardverska EQ ikad napravljena — MEQ-5 ekvilajzerom srednjeg opsega i EQP-1A programskim ekvilajzerom. Obe ove ikone zasnovane na cevima isporučuju glatke i svilenkaste EQ krive sa mnogo toplog analognog karaktera. Ampeg® SVT-VR klasično bas pojačalo Predstavljen 1969. godine, Ampeg SVT bas pojačalo je još uvek suvereni vladar cevnog bas zvuka sa velikom snagom. Razvijen od strane Brainworx, plug-in Ampeg SVT-VR klasičnog bas pojačala savršeno hvata sirovu snagu i udare koji su napravili ovo svestrano pojačalo za rok, fank i soul muzičare. Snimajte u realnom vremenu koristeći Unison™ tehnologiju pretpojačala za zvuk, osećaj i dodir pravog SVT bas pojačala, ili transformišite DI numere sa gromoglasnim klasičnim tonom. Precision Mix Rack kolekcija S obzirom da ima Precision Channel strip, Precision Reflection Engine, i Precision Delay Modulation plug-inove, Precision Mix Rack kolekcija pruža četiri moderna, visoko pouzdana plug-ina za snimanje i miksovanje. Moćna i intuitivna, Precision Mix Rack kolekcija omogućava vam impresivni komplet — savršen za početnike i profesionalce. Sirova distorzija Oblikovana na osnovu Pro Co Rat vintage modela iz ranih -’80s, sirova distorzija isporučuje svu krupnu dinamiku legendarnog stompbox-a. A sa Unison™ tehnologijom, možete da se uključite u Apollo Twin, 8, ili u 8p-ovu prednju stranu Hi-Z instrument jack i iskusiti istu interakciju kola, gain opseg i clip tačke za pravi zvuk, osećaj i odgovor originalnog hardvera. RealVerb Pro Omogućujući vam da dizajnirate sobu onako kako to čujete, RealVerb Pro nadilazi jednostavno velike / male ili tamne / svetle, pružajući vašim izvorima glatku kontrolu difuzije bez izobličenja i ultra dugačak reverb rep.

Technicial Specifications Converters 24-bit Sample Rates 44.1, 48, 88.2, 96kHz Analog In 1 x XLR mic input with preamp 1 x 1/4" hi-Z guitar 2 x 1/4" TRS phone (balanced/unbalanced) 1 x 1/8" stereo "mini" (unbalanced) Analog Outputs 2 x 1/4" balanced TRS main out 1 x 1/8" stereo "mini" line out (unbalanced) 1 x 1/4" TRS headphone Digital Input - none - Digital Output 1 x RCA coaxial S/PDIF Computer I/O 1 x USB 2.0 "High-speed" Sync Out S/PDIF Headphone Output 1 x 1/4" TRS phone with volume control Phantom Power +48V Power Supply 1 x Micro-B USB Top panel 2 x 3-segment ladder LEDs • main outs 1 x 4-segment LEDs • mic in 1 x 4-segment LEDs • guitar in 1 x 3-segment LEDs • line in 1 x 3-segment LEDs • line out 1 x LED • 48V phantom power 1 x LED • -20 dB pad 2 x LEDs • main/phone vol 1 x digital rotary encoder • mic trim 1 x digital rotary encoder • main/phone volume Power Specifications USB bus power (computer) USB-to-AC power adapter (iPad) (USB cable and AC wall adapter included) Dimensions Length: 5 ½ in / 14 cm Width: 3 ⅝ in / 9.2 cm Height: 1 ¼ in / 3.2 cm Mac System Requirements Any Mac with an Intel processor 4 GB RAM or more Mac OS X version 10.6.8 or later Available high-speed USB 2.0 port A large hard drive (preferably at least 250 GB) Windows System Requirements Pentium 4 CPU (or equivalent) 1 GHz or faster 4 GB RAM or more Windows 10, 8, or 7 Available high-speed USB 2.0 port A large hard drive (preferably at least 250 GB) iOS Requirements iOS 7 or later Included software CueMix FX AudioDesk Operating Systems Mac OS X version 10.11, 10.10, 10.9, 10.8, 10.7, 10.6 (10.6.8 or later required) Windows 10, 8, or 7 64-bit operation Available for Mac OS X version 10.6.8 or later Available for 64-bit versions of Windows 7 (or later) Requires a 64-bit CPU (and host application for plug-in versions) Compatible Mac software The MicroBook IIc ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows software The MicroBook IIc ships with standard Wave and ASIO drivers for Windows 10, 8, and 7 for compatibility with virtually all Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Feature Highlights 4-input, 6-output bus-powered "plug-and-play" high-speed USB 2.0 audio interface for Mac and Windows. 6 x 8 physical inputs and outputs. Support for Apple® iPad® and other iOS devices with camera connection kit (sold separately). 8-bus digital mixer to route and mix live inputs with computer tracks. Pre-amp equipped mic input with Precision Digital Trim™ 48V phantom power, and -20 dB pad. Hi-Z guitar input with -20 dB pad Precision Digital Trim. Stereo line level analog input (balanced TRS quarter-inch or stereo mini). Stereo balanced TRS quarter-inch line level main outs. Stereo eighth-inch "mini" line level out. S/PDIF digital out (duplicates main out). Headphones output on quarter-inch stereo jack with independent volume control. Digitally controlled analog trim for all analog inputs. Digital trim for all outputs. Output volume digital rotary encoder. Push to cycle among three modes: main out, phones, or both. Mic input digital rotary encoder for adjusting trim level, 48V and pad. Dedicated 3- or 4-segment LED meters for all inputs and outputs. Support for recording and playback at 2x sample rates (88.2 and 96 kHz) CueMix™ FX no-latency mixing and monitoring with EQ and dynamics processing. 7-band parametric EQ and compression. Instrument tuner. Test tone and white/pink noise generator. Advanced audio analysis software tools, including FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot, and phase torch. 100% compatible with all host-based effects processing in today's popular audio programs. Industry standard Mac and Windows audio drivers (Core Audio, Wave, and ASIO) for across-the-board compatibility. Compatible with all current and recent generation Macs and PCs. Includes AudioDesk™ full-featured audio workstation software for Mac OS X and Windows. USB cable included. Micro-USB cable with AC power adapter included for iOS operation.

HI-DEFINITION AUDIO Your desktop companion for better sound With Zen Q Synergy Core, attain a sonically precise sound in your studio. The interface has all of the core performance qualities that high-end Antelope Audio interfaces are known for, so you can reap the benefits of seamless workflow for any desktop studio layout. Class-leading AD/DA conversion The AD/DA converter chips grant 127dB of headroom with undeniable definition. Discrete console-grade preamps The two ultra-linear preamps feature true console-grade circuitry that imparts warmth and captures the natural details of any recorded instrument or voice. 64-bit AFC™ technology The 64-bit Acoustically Focused Clocking™ technology gives Zen Q efficient AD/DA conversion, deep soundstage, and clean channel separation. SYNERGY CORE COLLECTION Refine your sound with Synergy Core FX Along with our signature AuraVerb, Zen Q comes equipped with a virtual library of 37 free effects from the Synergy Core effects platform. You’ll get access to everything you need to capture and process audibly rich and dynamic sound. The collection includes analog-modeled compressors, equalizers, and mic-preamps, as well as guitar cabs & amps for dialing in the perfect guitar tone. Grow your collection of Synergy Core effects with 50 optional expansions. The selection grows over time and includes emulations of classic gear and special third-party effects. Antelope Audio is proud to include Grove Hill’s Liverpool, Gyratec’s legendary EQs, Antares’ Auto-Tune, and Inertia’s Instinct. Processes effects in real-time with imperceptible latency while monitoring, tracking or mixing. Offloads all processing to the interface thus saving your host computer CPU & memory. EXPLORE SYNERGY CORE Taking advantage of high-speed Thunderbolt, the AFX2DAW * plug-in lets you use Synergy Core effects as inserts inside your chosen DAW. This simplifies workflow and enables easy, immediate effects automation. *Available as a separate purchase for Mac Thunderbolt. FAST & FLEXIBLE From the desktop and beyond With diverse connectivity options and a compact size, Zen Q Synergy Core can be easily integrated into any setup or style of workflow you prefer. Its portability enables you to take the studio wherever you need to go, whether you’re recording on location or performing a live set onstage. Record, mix, and stream with low-latency – no power supply required. Bus-powered Thunderbolt Bus-powered Thunderbolt 3 connectivity gives you ultra-low latency and the utmost stability, allowing you to record from any location without ever questioning Zen Q’s reliability. Switchable inputs Zen Q comes with 2 combo XLR jacks and 2 additional TRS LINE/Hi-Z inputs. Use the combo jacks to choose between our Discrete console-grade preamps, LINE, or Hi-Z inputs. Expandable connectivity Take full advantage Zen Q’s digital expandability. The interface is expandable over ADAT via 8 additional input channels, and S/PDIF with 2 channels in and out. Loopback function for streaming For a convenient online broadcasting setup, use loopback capabilities for streaming and recording OS/DAW playback and interface inputs simultaneously. Session recall Enhance your workflow by customizing and saving session presets, then recall them from the hardware effortlessly. CONVERSION & CLOCKING • Class-leading AD/DA conversion with up to 127dB of headroom • Recording, mixing and playback at up to 24-bit/192kHz • Proprietary 64-bit Acoustically Focused Clocking (AFC™) technology & Jitter Management algorithm delivering increased width, separation, and detail. CONNECTIVITY • 2×Discrete ultra-linear preamps with 65dB of gain for studio-quality recordings. Both work as microphone/line/ Hi-Z inputs, on combo XLR jacks, and supply 48V of phantom power • 2×Hi-Z/line instrument inputs over TRS • 2×DC-coupled line outputs over TRS • Thunderbolt™ 3 port carrying up to 16 input and 16 output channels in any popular DAW with custom macOS & Windows drivers • Digitally expandable over ADAT IN , with 8 channels available • Digitally expandable over S/PDIF I/O, with 2 channels available • 1 × Stereo monitor output over TRS • 2 × Stereo headphone outputs with separate volume control WORKFLOW-ENHANCING FEATURES • Bus-powered interface – powered by the Thunderbolt™ connection without need for a dedicated power source • Direct monitoring with Synergy Core effects, processed in real-time with imperceptible latency • Simplified I/O routing with pre-configured settings, allowing immediate recording and playback • Front panel with easily accessible controls over input and output levels, and other settings • Customizable presets with signal routing, level adjustments, mixer and effects settings • Customizable monitoring mixes with adjustable volume, pan and reverb REAL-TIME EFFECTS PROCESSING • Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear • Synergy Core proprietary onboard platform powered by 2×DSP & 1 × FPGA chips for real-time effects processing with imperceptible latency • Modeling Engine allowing pairing with the Edge line of microphones for real-time use of vintage microphone emulations 37 INCLUDED SYNERGY CORE EFFECTS Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) VCA160 (VCA Compressor / Limiter) Stay-Levin (Vari-Mu Tube Compressor) FET-A76 (FET Compressor / Limiting Amplifier) VEQ-1A (2-Band Tube EQ) VMEQ-5 (3-Band Tube Mid-Range EQ) X903 (VCA Compressor / Limiter) PowerFFC (Feed-Forward Compressor) Clear Q (Parametric EQ) Power EX (Expander) VEQ-HLF (Tube 2-Band HPF / LPF) Auraverb (Reverb) BA-31 (Germanium Mic Preamp) Power Gate (Noise Gate) A-Tuner (Guitar Tuner) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2×12 (2×12 Guitar Cabinet) Top30 2×12 (2×12 Guitar Cabinet) Modern 4×12 (4×12 Guitar Cabinet) Green 2×12 (2×12 Guitar Cabinet) Vintage 4×12 (4×12 Guitar Cabinet) Green 4×12 (4×12 Guitar Cabinet) Caliper 50 1×10 (1×10 Guitar Cabinet) Bluelux 1×12 (1×12 Guitar Cabinet) Clst 1×12 (1×12 Guitar Cabinet) England 4×12 (4×12 Guitar Cabinet) Bass Tube 1×15 (1×15 Guitar Cabinet) IN-THE-BOX CONTENT • Zen Q Synergy Core • Warranty card *Note: Thunderbolt cable is not included • Getting Started leaflet

Form Factor Tabletop Display None Channels of I/O Analog: 2 Inputs / 4 Outputs Digital: 8 Inputs / 0 Outputs Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 2 x Knob Expansion Slots None Pad None Gain/Trim Range Mic/Line/Hi-Z Inputs: +57 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line/Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT Input (S/MUX Support) Host Connection / USB 1 x USB Type-C (USB 2.0) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.03 dB 20 Hz to 35 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB 20 Hz to 35 kHz ±0.15 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB 20 Hz to 35 kHz ±0.15 dB Line, Monitor Outputs: 20 Hz to 20 kHz ±0.02 dB 20 Hz to 35 kHz ±0.02 dB Headphone Outputs: 20 Hz to 20 kHz ±0.06 dB 20 Hz to 35 kHz ±0.07 dB Max Input Level Mic Inputs: +18 dBu Line Inputs: +26 dBu Hi-Z Inputs: +15 dBu Max Output Level Line/Monitor Outputs: +18 dBu Headphone Outputs: +16 dBu Impedance Inputs: 2.2 Kilohms Dynamic Range Mic Inputs: 118 dB (Min Gain) Line Inputs: 118 dB (Min Gain) Hi-Z Inputs: 116 dB Line/Monitor Outputs: 124 dB Headphone Outputs: > 118 dB THD+N Mic Inputs: -110 dB (+20 dB Input, at -1 dBFS) Line Inputs: -100 dB (Min Gain, at -1 dBFS) Hi-Z Inputs: -96.5 dB (Min Gain, at -1 dBFS) Line/Monitor Outputs: -106 dB Headphone Outputs: -104 dB EIN Mic Inputs: < -129 dBu Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Sync Sources ADAT, Internal, S/PDIF Memory Card Slot None Compatibility OS Compatibility macOS 10.11 or Later macOS 11 Windows 7 or Later Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: Brainworx bx_console Focusrite SC Dynamics: Focusrite Red 3 Compressor Equalization: Focusrite Red 2 Equalizer Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available USB 2.0 Port, USB 3.0 / 3.1 Gen 1 Port, or USB Type-C Port USB Cable (Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) or USB Bus Power AC/DC Power Adapter 12 VDC at 1.5 A, Center-Positive (Included) Physical Anti-Theft Features Kensington Security Slot Dimensions 8.27 x 6.34 x 2.17" / 21.01 x 16.1 x 5.51 cm Weight 3.0 lb / 1.4 kg Packaging Info Package Weight 4.085 lb Box Dimensions (LxWxH) 10.6 x 10.2 x 4.5"

Microphone Preamplifier MIC GAIN:0 to +60dB LINE GAIN:-10 to +50dB PHANTOM POWER:48v +/-4v @ 10mA/Channel MIC EIN:-126dBu CMRR:>80dB @ 1kHz MAXIMUM INPUT LEVEL:+18dBu INPUT IMPEDANCE (Mic):3k Ω balanced INPUT IMPEDANCE (Line):10k Ω balanced FREQUENCY RESPONSE:±0.5dB 10Hz to 65kHz CROSSTALK:<-90dBu @ 1kHz & 10kHz THD+N @ 0dBu (1kHz):0.003% (-90dB) SNR:96dB XLR:Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) PAD:-10dB HPF:-3dB @ 100Hz, 2nd Order (12dB/Octave) D.I / Instrument Input (Channel 1) D.I GAIN:0 to +60dB MAXIMUM INPUT LEVEL:+10dBu INPUT IMPEDANCE:1MegΩ Unbalanced FREQUENCY RESPONSE:±0.5dB 10Hz to 50kHz THD+N @ 0dBu (1kHz):<0.3% SNR:95dB A-weighted 1/4” JACK:Tip (Hot) & Sleeve (Shield) Analogue to Digital Converter (ADC 1 & 2): (Measured via Insert Returns under AES-17) MAXIMUM INPUT LEVEL:+18dBu (0dBFS digital maximum) DIGITAL REFERENCE LEVEL:+18dBu = 0dBFS INPUT IMPEDANCE:>10k Ω Balanced CROSSTALK:<-118dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 (Nyquist) THD+N @ -1dBFS (1kHz):<0.0003% (-112dB) DYNAMIC RANGE:120dB A-weighted 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Digital to Analogue Converter (DAC 1, 2, 3 & 4): (Measured under AES-17 at line outputs 1, 2, 3 & 4) MAXIMUM OUTPUT LEVEL:+18dBu (0dBFS digital maximum) OUTPUT IMPEDANCE:<100 Ω CROSSTALK:<-118dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 (Nyquist) THD+N @ -1dBFS (1kHz):<0.0006% (-104dB) DYNAMIC RANGE:124dB un-weighted, 126dB A-weighted 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Outputs (Measured under AES-17 at phones output) MAXIMUM OUTPUT LEVEL:+14dBu (0dBFS digital maximum) OUTPUT IMPEDANCE:<50 Ω unbalanced CROSSTALK:<-110dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 CROSSTALK:-115dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz):<0.0008% (-103dB) DYNAMIC RANGE:121dB un-weighted, 124dB A-weighted MAX LEVEL INTO 30ohms:+10.2dBu 0.002% THD+N Power: 210mW MAX LEVEL INTO 60ohms:+14.2dBu 0.001% THD+N Power: 54mW MAX LEVEL INTO 600ohms:+14.2dBu 0.001% THD+N Power: 54mW 1/4” JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Digital Input ADAT 16 CHANNELS:44.1kHz to 48.0kHz ADAT 8 CHANNELS (SMUX):88.2kHz to 96.0kHz STEREO S/PDIF:44.1kHz to 96.0kHz Digital Output ADAT 16 CHANNELS:44.1kHz to 48.0kHz ADAT 8 CHANNELS (SMUX):88.2kHz to 96.0kHz STEREO S/PDIF:44.1kHz to 96.0kHz USB2.0 High Speed No. of INPUT CHANNELS 20:20 (4 Analogue, 16 Digital) No. of OUTPUT CHANNELS 24:24 (8 Analogue, 16 Digital) CONNECTOR:USB Type-C INCLUDED CABLES:1.5m USB 2.0 Type-C to USB Type-C, 1.5m USB 2.0 Type-C to USB Type-A DSP Mixer Latency – ROUND TRIP (in-to-out) 44.1kHz0.677ms 48.0kHz0.625ms 88.2kHz0.354ms 96.0kHz0.323ms Word Clock Output WORD CLOCK OUTPUT:44.1kHz to 96kHz Dimensions Unit 276mm (w) x 51mm (h) x 174mm (d)

Two inputs (1 mic / 1 line) / powered by USB bus power US-1x2HRUS-1x2HR Equipped with two inputs (1 mic / 1 line) and one USB-C port for USB bus power connection. Natural, crisp & clear sound quality thanks to the implemented Ultra HDDA Mic Preamp with 192 kHz support US-1x2HRUS-1x2HRUltra-HDDA High resolution reproduction in the US-HR series has been pursued based on TASCAM's policy to recreate sound as close to the original as possible. Therefore, the in-house developed Ultra HDDA mic preamp combined with a newly improved audio circuit delivers enhanced audio performance with the most transparent and low-noise sound. Zero-latency direct monitoring function Direct monitoring will diverge signals before sending them to the computer, resulting in smooth, in-time monitoring without any sound delay during both recording and performance. Create quality content with bundled software The US-HR models come bundled with world-renowned software that will enhance the user's production workflow. At the core of music production, Steinberg's Cubase LE/Cubasis LE 3 DAW is included, along IK Multimedia's Sample Tank SE, which comes free of charge with a massive 30 GB sound library encompassing more than 2,000 different musical instruments. US-1x2HR US-HR models also come with a free 3-month subscription to Auto-Tune Unlimited, a comprehensive suite of industry standard pitch correction and vocal effects. Interface for podcasts and live streaming The US-1x2HR can be used with computers or smartphones to easily create podcasts or live streams. The audio can be switched between stereo/mono, and the loopback function allows the audio from the computer to be returned to the streaming software for playback during live streams. US-1x2HR also supports OBS, which is popular and used worldwide. Compatible with iPad and other iOS devices The US-1x2HR can be used as an interface for iPad and other iOS devices. New audio interface engine Capitalizing on our experience being one of the pioneers in manufacturing USB audio interfaces, we achieved further stability in our native driver. The audio buffer size can be set starting from 4 samples (Windows only) to give the best performance to every different environment; maximizing the capability of the computer in use while creating a low-latency environment. Robust metal casing The US-HR models share a solid and practical design intended to withstand long hours of hard use. Its robust metal jacket not only improves its durability but, combined with dye-cast aluminum side panels, provides a sleek, eye-catching design. In addition, all models have just the right weight, so they won't move when cables are connected or disconnected. Features at a glance 2-in/2-out USB audio interface Supports up to 24-bit/192 kHz audio formats Improved TASCAM driver with selectable buffer size from 4 samples provides low-latency and stability (Windows: TASCAM native driver) 1 XLR input equipped with Ultra HDDA mic preamp and +48V phantom power 1 TRS line/inst. input RCA line L/R inputs RCA line L/R outputs 1 headphone output USB Type-C connection (USB Type-A to Type-C cable included) Powered by USB bus power Zero-latency direct monitoring Compatible with iPad and other iOS devices Extensive line-up of bundled software Steinberg Cubase LE, Cubasis LE 3 IK Multimedia Sample Tank 4 SE Antares AUTO-TUNE UNLIMITED (available free of charge up to 3 months) Compatible with mainstream DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand, Logic Pro) Stereo/mono selectable loopback function (Windows, Mac, iOS, iPad OS) OBS support Included items US-1x2HR USB cable (Type-A to Type-C) DAW software installation guide DAW plug-in software installation guide set Owner's manual（warranty card included) Spec description Sampling frequency 44.1k/48k/88.2k/96k/176.4k/192k Hz Quantization bit rate 24bit Analog audio inputs MIC IN (IN 1) Connector XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED Input impedance 2.４k ohms Maximum input level (GAIN:MIN) +9dBu (2.183Vrms) Gain 58dB LINE/INST IN(IN 2) LINE IN Connector 6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED * When set to "LINE" at LINE/INST switch Input impedance 10k ohms Maximum input level (GAIN:MIN) +20dBu(7.75Vrms) Gain 45dB INST IN Connector 6.3mm(1/4") TS-jack(T:HOT, S:GND), UNBALANCED * When set to "INST" at LINE/INST switch Input impedance 1M ohms or more Maximum input level (GAIN:MIN) +3dBV(1.1425Vrms) Gain 45dB LINE L/R IN Connector RCA pin-jack, UNBALANCED Input impedance 10k ohms Maximum input level +6dBV(1.9953Vrms) Analog audio outputs LINE OUT Connector RCA pin-jack, UNBALANCED Output impedance 100 ohms Maximum output level +6dBV (1.995Vrms) PHONES Connector 6.3mm(1/4") stereo phone jack Maximum output level 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) Output impedance 66ohms Working impedance 16ohms to 250ohms Control IN / OUT USB Connector USB Type-C Format USB2.0 HIGH SPEED (480Mbps) DC IN 5V Connector USB Micro B type Power When connected PC USB bus powered When connected iOS USB power adapter (that can supply 5V and a current of at least 700mA)*1 External battery pack (that can supply 5V and a current of at least 700 mA)*2 *1 We strongly recommend using TASCAM PS-P520E AC adapter or the USB power adapter included with the iPad/iPhone. No USB power adapter is included with an iPod touch. To use it with an iPod touch, purchase a genuine Apple USB power adapter (that can supply 5V and a current of at least 700mA) separately. *2 We strongly recommend using a TASCAM BP-6AA external battery pack. If using another external battery pack or mobile battery, purchase one that can supply 5V and a current of at least 700mA. Power consumption 1.8W Dimensions 146(W) × 55(H) × 120(D)mm (including protrusions) Weight 623g Operating temperature 5 to 35°C Accessories USB cable (Type-A to Type-C), Set of DAW software installation guides, Set of DAW plug-in software installation guides, Owner's Manual (including warranty)

Komplete Audio 2 sa uključenim softverom: Maschine Essentials: Kompletan Maschine softver (isti kao MIKRO, Maschine MK3, JAM) sa 1.6 GB Maschine fabričkom slelekcijom semplova, snimaka, lupova i instrumenata. Mogućnost apgrejdovanja na celu Maschine Factory Library i na Komplete 12 Select Replika: profesionalni kreativni dodatak za eho (odloženi zvuk) Solid Bus Comp: moćni kompresor za miksovanje i mastering Phasis: bezremeni fazni efekti za dodavanje pokreta bilo kom zvuku Monark: topli vintage tonovi od neospornog kralja mono zvuka do akustičnih analognih sintisajzera Komplete Start: NI’s besplatan paket za produkciju je automatski uključen Ableton Live Lite: softver za komponovanje muzike Besplatna dvomesečna pretplata na Sounds.com Native Instruments Komplete Audio 1 USB Audio interfejs sadrži: 2 XLR/DI kombinovana ulaza za mikrofon sa 48V fantomske snage za fleksibilno stereo snimanje Stereo izlazi džekovi za korišćenje kod kuće, u studiju i na bini VU Metar za precizno podešavanje nivoa Direktni Monitoring: bez kašnjenja (latencije), izlaz visoke snage Veliko dugme za jačinu zvuka za lako podešavanje nivoa izlaza Input/host miks omogućava opciju slušanja snimka tokom snimanja USB 2.0 prilagođen za maksimalnu prenosivost Prvoklasni audio kvalitet na 24-bit/192kHz Drajveri za Mac/PC (ASIO/Core Audio/DirectSound/WASAPI) Tehničke specifikacije Povezivanje sa kompjuterom:USB 2.0 Vrsta:Desktop Simultani I/O:2 x 2 Broj pretpojačala:2 Fantomska struja:Da A/D Rezolucija:24-bit/192kHz Analogni ulazi: 2 x XLR-1/4" combo (mic/line/Hi-Z) Analogni izlazi: 2 x 1/4" TRS Slušalice:1 x 1/4" USB:1 x Tip B Softver: Ableton Live 10 Lite, Maschine Essentials, Komplete Start Operativni sistem - Mac: MacOS 10.12 ili noviji, Intel Core i5 ili veći Operativni sistem - PC: Windows 10 ili noviji, Intel Core i5 ekvivalent ili veći Priključak preko USB:Da Dubina:51" Širina:41" Visina:04" Težina:79 lbs (0.35 kg) Fabrički broj:26148

This interface is designed to be paired with separately available Slate Digital microphones to deliver what slate calls the VRS, or Virtual Recording Studio. Using this preamp, the aforementioned microphones, and included software, the VRS aims to put heretofore cost-prohibitive, holy-grail mic/pre combinations at your fingertips, with each element in the chain contributing to that goal. Slate Digital is a company well-regarded for its modeling software, and the VRS8 offers almost all of this software, some of it on perpetual basis—as is the case with the Virtual preamp collection—and the rest of it via annual licenses. In fact, a complimentary one-year subscription to the Slate Everything Bundle is included with your purchase. This package of software comprises a continuously updated suite of emulations and plug-ins, including venerable compressors, equalizers, tube-circuit modules, tape machines, consoles, mastering processors, and more. Everything from vintage and modern buttons from the 76s are represented, as are channel strips from venerated boards, and a few proprietary designs such as an Air EQ by way of Eiosis and a harmonic enhancer by way of the Revival. Using the VRS8, an ML-1 Microphone, and the Everything Bundle, you can achieve the sound of a 67 through a variety of authentic-sounding gear, such as a British channel strip, a 73-style preamp, a 76-style compressor, a de-esser, and a tape machine emulation—all in real time. This software is compatible with Mac and Windows platforms, operating in AU, VST and AAX formats. On Mac computers, the interface connects via Thunderbolt. A PCIe card is provided for use with Windows machines and other compatible computing systems. VRS8 Interface 8 Linear Preamps The start of any signal chain is extremely important, which is why the VRS8 features eight high-bandwidth Ultra Linear microphone preamps. These are of the same blank canvas design as the VMS-One preamp, enabling you to use the modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp. High-Quality Converters The next step in the signal chain is the converter itself. The VRS8 offers AKM AK5578 converter chips that provide 124 dB of dynamic range. LLN Technology In order to achieve low-latency across multiple platforms, Slate developed LLN technology, which stands for Low Latency Native. LLN utilizes a custom hardwired converter chipset, which reduces managed components in the audio path and allows an 0.7 milliseconds of latency at 96K (with a 32-sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later. XTC Audio Clock The audio clock is the heart of any recording interface, and the VRS8 is no exception with its XTC clocking technology. This clock is satellite-grade, utilizing four temperature-compensated crystal oscillators for stability, keeping your audio jitter and distortion free. Discrete Headphone Amplifiers Most engineers listen to music on headphones when working in the studio, so Slate has implemented discrete amplifiers to ensure that your headphones sound robust and clear. Not only that, Slate also added two separate monitor mixes and the ability to use the VRS8 as a speaker switcher. Cross Platform Low-Latency Performance The world of audio interfaces is rarely cross-platform when it comes to performance, meaning that Mac devices (using Thunderbolt) usually far outperform Windows interfaces (using USB). While USB can be effective for two-channel designs, it requires more CPU overhead to manage, resulting in higher CPU usage and longer latency values than Thunderbolt. Thus, the VRS8 offers both Thunderbolt and PCIe connectivity for maximum cross-platform compatibility. The PCIe performance is the same as Thunderbolt, so you can decide for yourself which connection to use. You can also link up to 6 VRS8's via Thunderbolt to achieve 48 inputs and outputs. Native MIDI I/O Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic), MIDI I/O on the VRS8 never touches the USB bus. You can count on accurate MIDI timing. Included Preamp Models More preamp models will be released, but at the very least, you get the following: FG-73: The FG-73 preamp module is modeled after a famous, discrete solid-state preamp made in Britain and used on countless recordings from the 70s onwards. It has a bold, present, and warm sound that works great on any audio source, even full mixes. FG-76: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick, colorful tone that can help enliven tracks and mixes. The bottom-end saturates in a musical way, making it a great module for bass guitar. Everything Bundle Included Software The Everything Bundle is constantly updating with new products, but at its core are the following: Audified U73b FG-Stress Classic Tubes 1 Classic Tubes 2 Classic Tubes 3 Virtual Tube Collection Virtual Console Collection Virtual Preamp Collection FG-116 FET Blue Series FG-Bomber Custom Series Air & Earth Modules Mix Bundle (FG-N, FG-S, FG-401, FG-116) The Monster Revival Trimmer Virtual Buss Compressors Virtual Tape Machine FG-X Mastering Processor

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording Collaborate with Best-in-Class Audio Quality From the team that brought you the game‑changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture Classic Vocals with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. Easy In, Easy Out Volt 2 gives you simple 2-in/2-out audio connections. Just plug your mics or instruments into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be creating like a pro, fast. iPad & iPhone Ready Traveling light? Plug Volt 2 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged all-metal construction and sleek, vintage-inspired industrial design, Volt 2 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 2-in/2-out USB 2.0 audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Included software bundle features titles from Ableton, Melodyne, Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring Mic, line, and instrument inputs 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later

The ADT1616 gives you digital access to the numerous digital recorders, synthesizers and outboard gear that support the ADAT ® multi-channel optical digital format. Its “double” I/O offers 16 inputs and outputs (2 x 8 each). The auto-clock data stream allows the DDX3216 to be synchronized with external ADAT ® devices without an additional wordclock connection. Behringer ADT1616 Features: • 16 inputs and outputs • Auto-clock data stream synchronizes with external ADAT devices

Line or microphone sources can be connected via the four XLR-1/4" combo inputs, while two front-panel 1/4" jacks accommodate instruments such as guitars or synthesizers. Phantom power is selectable as are the input pads and built-in limiters. Four rear-panel 1/4" jacks are provided for dedicated line inputs. The eight 1/4" line outputs are ideal for connection to speakers and power amps while the two front-panel 1/4" jacks offer dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Titan is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, rackmount ears, and XLR-to-RCA adapters are included. Signal Path Eight analog input channels and up to ten digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can play 20 different channels. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments, or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Titan is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Titan controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Titan is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. Flexible I/O The Titan offers four high-grade mic preamps with software-controlled gain in 1 dB steps, individually switchable phantom power, 20 dB pads, and low noise and distortion. Four 1/4" TRS jacks accommodate line-level signals, while the four XLR-1/4" combo jacks support both mic and line inputs, with digitally-controlled mic gain in excess of 60 dB. Two front-panel 1/4" inputs also support direct-injection (DI) instrument connections. RIAA equalization can be selected in the controller applet on channels one and two so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI), low- or high-impedance cartridges can be loaded with suitable termination impedances. All analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Titan controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format, and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Titan can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Flexible Monitoring To facilitate surround sound monitoring for HDTV and DVD, the eight analogue outputs allow monitor setups from multi-stereo up to 7.1 surround. The Titan's volume knob can be assigned to any or all of the analogue or digital outputs for use as a control room monitor level. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, the Titan can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with the four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16 bits for CDs at mastering-house quality. Stable Clocking State-of-the-art clock generation with proprietary hybrid 2-stage DPLL keeps jitter to a minimum. The sample rate can be sourced from the local clock, BNC word clock, or digital input stream. Standalone Operation The Titan can also operate in a standalone mode using its ADAT or coaxial digital I/O connections. Once set up using the Titan controller applet, the unit can be disconnected from the host computer and used independently. The Titan will retain its settings when powered down so even if it is switched off, it can be re-powered and standalone operation can continue with the automatically stored settings. Comprehensive Indicators With ten multi-segment bargraphs with overload indication (assignable to inputs or outputs), Overkiller LEDs, digital input lock-status indication, sample rate conversion and host/master sync LEDs, and illuminated volume controls, the Titan makes viewing interface activity easy. Expansion Slot The expansion slot supports Prism Sound's MDIO expansion cards, which provide alternative host connections. The host is usually a computer, and the Titan interface provides a means of connection between the host and the external analog and digital audio I/O ports. Without an MDIO expansion card fitted, the host connection would always default to the USB connection. The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used. Prism Sound TITAN Specs Form Factor Rackmount Display 1 x Color Channels of I/O 8 Input / 8 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 4 Preamps Built-In Microphone None Input Level Adjustment 1 x Knob Expansion Slots 1 x Digital I/O Slot Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 4 Channels) Connectivity Analog Audio I/O 4 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 4 x 1/4" TRS Balanced/Unbalanced Line Input 2 x 1/4" TS Unbalanced Hi-Z Input 8 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output Host Connection / USB 1 x USB-B Host Connection Protocol USB 2.0 Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB MIDI I/O None Wireless Connectivity None Performance Frequency Response 20 Hz to 20 kHz Impedance BNC Word Clock : 75 Ohms Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.4 or Later Windows Vista Windows 7 Windows 8 (32/64-Bit) *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Mobile Device Compatibility None Required Hardware USB 2.0 Port Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 90 to 250 VAC, 50 / 60 Hz Power Consumption 35 W Physical Rackmount Size 1 RU Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 17.3 x 11.4 x 2" / 440 x 290 x 50 mm (with Feet) 19 x 11.4 x 1.8" / 483 x 290 x 44.5 mm (with Rack Ears) Weight 8.2 lb / 3.7 kg

Analog or Digital - Options Galore The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Anniversary Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1") Accessories Artikelnummer Beschreibung NT-RME-2 (lockable) Power supply for ADI-2 Pro. Robust and light-weight switching power supply, 100 V-240 V AC, 12 V 2 A DC. Lockable DC connector. BO968 Digital breakout cable (9-pin D-sub to 2 x XLR and 2 x RCA) RM-19-X 19" Rack Adapter, mounted on the sides of the ADI-2 Pro Unirack Universal rackmount adapter (tub for two 9.5" devices) AUTOK Cable for connection to car lighter socket AKKUK Cable for battery operation (6.3 mm flat connectors) Driver and Software Windows Driver for Windows 7 to 10. WDM/ASIO for ADI-2 Pro. Version 0.9680, 11/05/2018 driver_madiface_win_09680.zip Firmware Update Updates the ADI-2 Pro firmware to version 185 DSP 89 (shown on the display during boot). (11/27/2018). Windows 7/8/10 Mac OS X DIGICheck 5.92 / 0.73 Stereo- and Multichannel Level Meter, Analyzer, Bit Statistics & Noise, ITU1770 Meter, Goniometer, Surround Level Meter, Totalyzer. (09/2018). Windows 7/8/10 Mac OS X Bit Test WAV Files Stereo WAV files 16/24/32 bit, 44.1/96/192 kHz for Bit Test via USB, AES and SPDIF/ADAT with ADI-2 Pro (04/27/2017). bit_test_wavs.zip Manual ADI-2 Pro FS Latest version always online! adi2profs_e.pdf

Line or microphone sources can be connected via the eight XLR-1/4" combo inputs, while two front-panel 1/4" jacks accommodate instruments such as guitars or synthesizers. Phantom power is selectable as are the input pads and built-in limiters. The eight 1/4" line outputs are ideal for connection to speakers and power amps, while the front-panel 1/4" jacks offer dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Atlas is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, rackmount ears, and XLR to RCA adapters are included. Signal Path Eight analog input channels and up to ten digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can play 20 different channels. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments, or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Atlas is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Atlas is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. Flexible I/O The Atlas offers eight high-grade mic preamps with software-controlled gain in 1 dB steps, individually switchable phantom power, 20 dB pads, and low noise and distortion. The XLR-1/4" combo jacks support both microphone and line input, with digitally-controlled mic gain in excess of 60 dB. Two front-panel 1/4" inputs also support direct-injection (DI) instrument connections. RIAA equalization can be selected in the controller applet on channels one and two so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI), low- or high-impedance cartridges can be loaded with suitable termination impedances. All analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Atlas controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format, and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Atlas can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, and can deal with unsynchronised or wrong-rate digital inputs. The Atlas can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with all four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Standalone Operation Atlas can also operate in a standalone mode using its ADAT or coaxial digital I/O connections. Once configured via the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down; and even if it is switched off, Atlas can be repowered, and standalone operation can continue with the automatically stored settings. Comprehensive Indicators With ten multi-segment bargraphs with overload indication (assignable to inputs or outputs), Overkiller LEDs, digital input lock-status indication, sample rate conversion and host/master sync LEDs, and illuminated volume controls, the Atlas makes viewing interface activity easy. Expansion Slot The expansion slot supports Prism Sound's MDIO expansion cards, which provide alternative host connections. The host is usually a computer, and the Atlas interface provides a means of connection between the host and the external analog and digital audio I/O ports. Without an MDIO expansion card fitted, the host connection would always default to the USB connection. The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used. Prism Sound ATLAS Specs Form Factor Rackmount Display 1 x Color Channels of I/O 8 Input / 8 Output Built-In DSP None Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone None Expansion Slots 1 x Digital I/O Slot Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 4 Channels) Connectivity Analog Audio I/O 8 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input 8 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output Host Connection / USB 1 x USB-B Host Connection Protocol USB 2.0 Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Impedance BNC Word Clock : 75 Ohms Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.4 or Later Windows Vista Windows 7 Windows 8 (32/64-Bit) *As of June, 2022: Check with manufacturer for the most up-to-date compatibility Included Software None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Internet Connection Required for Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 90 to 250 VAC, 50 / 60 Hz AC/DC Power Adapter 90 to 250 VAC (Included) Power Consumption 35 W Physical Rackmount Size 2 RU (with Included Hardware) Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 17.3 x 11.4 x 3.7" / 440 x 290 x 95 mm (with Feet) 19 x 11.4 x 3.5" / 483 x 290 x 88 mm (with Rack Ears) Weight 11.0 lb / 5.0 kg

In the early days of DAW recording, Apogee’s dedicated converters became an industry standard and were primarily used as a secondary front-end to bypass the converters of Pro Tools interfaces. While Pro Tools interfaces have come a long way since then, Apogee hasn’t been sitting on its hands. Not only have their converters gotten better after 30 years of leading the field, they have been incorporated into all-in-one modular interfaces that are capable of direct connection to Pro Tools via PT HD ports. They also offer your choice of powerful, high-speed Thunderbolt 2.0 connectivity, as well as Waves SoundGrid and Dante network audio systems. To meet the current demands of audio professionals in a volatile marketplace, Apogee offers the Symphony I/O Mk II—a multi-channel audio interface featuring Apogee’s latest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display, and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production centerpiece for any modern studio. Apogee Symphony I/O Mk II—Just the Facts: Thunderbolt 2.0 connectivity (Empty slots) Best AD/DA conversion of any Thunderbolt audio interface in its class Up to 32 channels of modular analog I/O with optional 8 mic preamps Original Symphony I/O modules are compatible with new Mk II chassis Best per-channel value of any interface in its category Ultra-low latency performance; 1.35 ms with Thunderbolt and Logic Pro X Highly customizable Symphony Control software provides easy access to all I/O parameters (Optional Apogee Remote hardware controller for control software, sold separately) Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Apogee Symphony I/O Mk II—Under the Hood Designed for the ultimate in integration flexibility Offering a choice of digital connectivity including Thunderbolt, Pro Tools DigiLink, Waves SoundGrid, and Dante, there’s a Symphony I/O Mk II solution for everyone; home studio, project studio, commercial recording studio, and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of AD/DA conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Comprehensive control via front-panel touchscreen For convenient setup and control, all essential input and output settings can be accessed from Symphony MII’s front-panel touchscreen. It gives you easy access to input selection, monitoring levels, mic pre gain, or system calibration to match the levels of the other analog gear in your studio. All visual feedback critical for recording and monitoring is presented by high-resolution TFT display. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O (32-in x 32-out), signal levels, polarity, muting, phantom power, and Soft Limit. Making modular merriment A common dilemma of gear acquisition facing both manufacturer and customer was hoping that the unit you wanted had the right I/O for your system. Disappointment prevailed when I/O didn’t match up. Some manufacturers went as far as to consult with pro audio salesmen to see what their customers were requesting, but that was still hit or miss. Challenge accepted! Problem solved with the Symphony I/O MKII. The Symphony’s I/O Modules are designed to future-proof your investment in Apogee sound quality. Representing over 30 years of Apogee R&D and design excellence, these powerful modules deliver superior-sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities. Additionally, if you already own an original Symphony I/O, you’re still good to go. The Symphony I/O Mk II chassis can increase the longevity of your system by offering backward compatibility with the first-generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules—investment saved. True Thunderbolt performance Symphony I/O Mk II Thunderbolt is the most powerful multi-channel audio interface for Thunderbolt-based Mac workstations. Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. Low-latency operation Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. * Logic Pro X at 96kHz / 32 buffer setting High track count, low CPU hit Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. Option card slot for future connectivity If you’re currently working in Pro Tools | HD, thinking about going Native with Thunderbolt, or setting up an audio over Ethernet network, the Option card slot offers flexibility for the present as well the future. As new platforms develop and audio recording workflows evolve, Apogee engineers will create new cards to accommodate technological advances, thus prolonging the life and relevance of your Symphony MKII, For example, Dante Audio over IP network connectivity is coming soon to a Symphony I/O MKII near you—so stay tuned. Dynamic temperature control Let's face it, when it comes to prolonging the life of electronics, the only thing running through it that should be hot is your licks. To keep the Symphony I/O Mk II running at optimal temperature, it features advanced controls to ensure the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control software Designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control for Mac has been built from the ground up and replaces Apogee’s Maestro software. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features, such as talkback functionality, a simplified “Essentials” control window, and an FX Send mixer feature, recently introduced as part of the Element Control software. With the introduction of Symphony Control, you can use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection (Mac). Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available, with superior-quality high-channel-count recording with incredibly low latency. Optional hardware remote control via Apogee Control software Symphony Control software also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. The optional hardware remote control features a Symphony-inspired control knob, three control-knob focus buttons, plus 8 user-configurable buttons that grant direct access to a wide range of Apogee Control software functions. Sold separately, Apogee Control hardware remote connects directly to your Mac via included USB cable. Standalone mode Standalone Routing lets you set up and use Symphony I/O Mk II without a computer. From the front-panel touchscreen you can set up Symphony I/O Mk II for use in the following situations and more: Hi-Fi Systems: Connect Symphony I/O MkII to a Blu/Ray, CD player, or power amp for high-end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations: Use a third party ADAT or AES PCI interfacing card to use Symphony I/O MkII converters on a Windows Machine. Standalone Converter: Standalone AD/DA converters can be used alongside other digital gear. For example, to expand other interfaces, connect to live sound or studio digital consoles, or broadcast equipment. With Standalone mode, you can also bypass the converters of your existing gear (just like the days of yore when Apogee saved the day). Apogee’s legendary sound quality Apogee engineers have made it their passion to improve every new product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30-year ongoing mission, raising the bar on all that’s come before, with even better clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt-based systems.

The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt™ (Mac), Pro Tools® HD (Mac/PC), Dante™+ Pro Tools® HD (Mac/PC, or Waves SoundGrid (Mac/PC) connectivity. Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X All new, highly customizable Symphony Control software provides easy access to all I/O parameters Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Input and Output Flexibility There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Legendary Sound Quality Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers. Symphony I/O Mk II Select one of three Symphony I/O Mk II connectivity options. Thunderbolt For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit and up to 2 units per system for a maximum of 64 channels of I/O with latency as low as 1.35 ms in Logic Pro X (96kHz / 32 buffer). Pro Tools HD For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. Up to 1 Symphony I/O Mk II unit connected to each HD port (max. 32×32 per unit). Waves SoundGrid Network Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Front Panel Touchscreen with Comprehensive Control All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit. Mic Pre Input Screen Dynamic Temperature Control Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control Software Symphony Control software for Mac, is designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control has been built from the ground up and replaces Apogee’s Maestro software for Symphony I/O Mk II users. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features like Talkback functionality, the simplified “Essentials” control window and an FX Send mixer feature, recently introduced as part of the Element Control software. Symphony Control software is now available. Download here. Apogee Control Hardware Remote Accessory Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. US customers can purchase Apogee Control in the Apogee web store. Multi-unit support for up to 64 channels of I/O With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available with superior quality high-channel count recording at incredibly low latency. Symphony I/O Mk II setup screen for Standalone mode Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touch screen you can set up Symphony I/O Mk II for use in these situations and more: Hi-Fi Systems Connect Symphony I/O MkII to a Blu/Ray, CD Player or Power Amp for high end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations Use Symphony I/O mkII on a Windows computer with Dante™, Pro Tools® HD, Waves SoundGrid®, or as a Standalone converter with a third party ADAT/AES PCI interfacing card. Standalone Converter Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. With Standalone mode you can also bypass the converters of your existing gear. Highlights: Best AD/DA conversion of any Thunderbolt audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools HD (Mac/PC) or Waves SoundGrid connectivity Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dynamic range: 122dB A weighted Maximum input levels: +4dB setting: +24dBu -10dB setting: +6dBV Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Input impedance: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dynamic Range: 126dB A weighted Max output levels – ∞ to +24dBu Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB) Output impedance: 50 Ohm Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) Headphone Output: 1 stereo 1/4″ headphone output on front panel THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dynamic Range: 121db A weighted Output: Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones Power: 90-240VAC, 50-60Hz, 150W Operating System: Thunderbolt: Mac OS only 10.10 and above HD: Any Mac or PC running Pro Tools HD 9 or greater Software Compatibility: Thunderbolt: Logic Pro or any Core Audio compatible application on Mac OS X HD: Pro Tools HD 9 or greater Package Contents: Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet Symphony I/O Mk II Dimensions: Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 Packaging Dimensions: Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3

Furnished with elite-class 24-bit / 192 kHz conversion akin to the popular Apollo X rackmount interfaces, the Apollo x4 gives musicians, producers, songwriters, and audio engineers the appreciable value of crystal-clear, high-resolution recording and mixing with low distortion (-117 dB) and immense dynamic range (127 dB). The interface features four XLR-1/4" mic/line combo inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x4's face. In addition to the four primary analog inputs, you can record up to eight more channels by connecting external preamps with ADAT or S/PDIF optical outputs to the TOSLINK optical input port on the Apollo x4. An optical output is also featured on the Apollo x4, allowing it to route up to eight channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. The built-in QUAD Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units plug-in support. The Apollo x4 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), four 1/4" line outputs are available for connection to a second set of monitors and outboard processors. At any point, you can increase the power and capability of the Apollo x4 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x4. The Thunderbolt 3 port is backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x4 interface found in the standard edition but with more plug-ins. The standard Apollo x4 includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins QUAD Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware High-speed Thunderbolt 3 connectivity for Mac and Windows computers (Thunderbolt cable available separately) Convenient desktop form factor with reliable AC powering (external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Studio 12x18 audio interface with four Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Four additional 1/4" line-level outputs, may be used for alternate monitor outputs or analog outboard processors Add up to eight extra input channels via one TOSLINK optical ADAT port (may alternatively be used for stereo S/PDIF) TOSLINK optical output supports ADAT or S/PDIF format for sending up to eight channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Expand your studio with an Apollo X rackmount unit (available separately), so you can use your Apollo x4 as a desktop monitor controller with additional I/O and DSP power Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x4 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA Instruments and Extensions such as Studer multitrack tape and Neve Summing Universal Audio Apollo X4 Specs Form Factor Tabletop Display 9 x Multi-Segment LED Meter Channels of I/O Analog: 4 Inputs / 10 Outputs at 192 kHz Digital: 8 Inputs / 8 Outputs at 48 kHz 4 Inputs / 4 Outputs at 96 kHz 2 Inputs / 2 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 4 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz Expansion Slots None Connectivity Analog Audio I/O 4 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TRS Unbalanced Hi-Z Input 4 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) 1 x TOSLINK Optical ADAT / S/PDIF Output (S/MUX4 Support) Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 3) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic, Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.05 dB Headphone, Monitor Outputs: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: 25.6 dBu (with Pad) Hi-Z Inputs: 12.2 dBu (Min Gain) Line Inputs: 20.2 dBu (Min Gain) Max Output Level Line/Monitor Outputs: 20.2 dBu Headphone Output Power 96 mW into 300 Ohms (Max) Impedance Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Line Inputs: 5 Kilohms Line Outputs: 100 Ohms Monitor Outputs: 100 Ohms Dynamic Range Mic Inputs: 123 dBA Hi-Z Inputs: 122 dBA Line Inputs: 122 dBA Line Outputs: 127 dBA Monitor Outputs: 127 dBA Headphone Outputs: 124 dBA THD+N Mic Inputs: -115 dB (1 kHz, at -1 dBFS) Hi-Z Inputs: -108 dB (1 kHz, at -1 dBFS) Line Inputs: -114 dB (1 kHz, at -1 dBFS) Line Outputs: -117 dB (1 kHz, at -1 dBFS) Monitor Outputs: -116 dB Headphone Outputs: -98 dB (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz (AD/DA Conversion) Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt 3 Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 19 W (Maximum) Physical Anti-Theft Features Kensington Security Slot Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 9.17 x 6.17 x 2.6" / 23.29 x 15.67 x 6.6 cm (Including Controls and Protrusions) Weight 3.2 lb / 1.5 kg (Without Accessories) Packaging Info Package Weight 5.685 lb Box Dimensions (LxWxH) 10.8 x 8.3 x 5.2"

Producenti, muzičari, duo podkasteri USB Type-C konektivnost 2 mikrofonska / linijska / instrumentalna pretpojačala 1 izlaz za slušalice, stereo monitor izlaz 24-bitni / 192 kHz konverteri USB napajanje / Mac, Windows Fantomsko napajanje, direkt monitor & MIDI I/O Ugrađeni USB hab za kontrolere klavijature Loopback funkcija za content kreatore DAW, Amp Sim, VIs, i FX Brzo pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 2, prenosivi 2x2 USB Type-C audio/MIDI interfejs, koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svoja 2 low-noise mic/line/instrument pretpojačala, MiniFuse 2 pomaže pevačima-autorima pesama, muzičarima, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. Takođe ima virtuelni loopback kanal koji omogućava lako snimanje zvuka sa kompjutera uz live ulaz, kao što je voiceover ili sviranje gitare. MiniFuse 2 pruža obilje konekcija. Pored dualnih XLR-1/4" kombo ulaza, postoje 1/4" izlazi za zvučnike i slušalice sa individualnim kontrolama jačine zvuka, tradicionalne 5-pinske MIDI sokete za integraciju MIDI opreme, i ugrađeni USB 2.0 Type-A hub koji je savršen za povezivanje kontrolera klavijature. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Inspiracija na dohvat ruke - izrazite se kroz zvuk bilo kada i bilo gde sa ovim prenosivim, potpuno opremljenim interfejsom jednostavnim za upotrebu. Bez obzira da li ste pevač-autor pesama, klavijaturista, kompozitor ili nešto između, uživajte u kvalitetu zvuka, pametnim funkcijama i sjajnom standardno uključenom softveru. Kreativna konektivnost MiniFuse 2 spaja vaše ideje i vaš finalni muzički proizvod pomoću svojih ulaza i izlaza. Njegov dualni XLR-1/4" kombinovani ulaz sa Fantomskom snagom od 48V omogućava vam lako povezivanje dva mikrofona, Hi-Z instrumenta ili line-level izvora. Sinhronizujte i snimajte svoje MIDI uređaje sa 5-pinskim DIN konekcijama. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnim USB Type-A hub socket-om. Visokokvalitetni zvuk Za audiofile, MiniFuse 2 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn MiniFuse 2 je dizajniran da vas prati na vašim last-minute sesijama, u kratkim rokovima i spontanim muzičkim momentima. MiniFuse nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Ponesite svoj zvuk sa sobom gde god da idete. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Loopback za content kreatore Lako snimite glas preko zvuka aplikacije ili video igre pomoću MiniFuse-ove Loopback funkcije, za kvalitetan sadržaj u jednom take-u. Podesiv miks monitora Bilo da snimate uživo, overdub-ujete lejere ili se krećete kroz mikseve, možete brzo da pozovete savršen blend ulaznog i računarskog povratnog signala sa MiniFuse 2 podesivim monitor miksom. Takođe ima prekidač za slušanje u mono režimu, što je odlično kada istovremeno snimate vokal preko kanala 1 i instrument preko kanala 2. Vrhunski softver MiniFuse dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte sve uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style auto-tune sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition, royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

Thunderbolt 2 Mac audio interfejs ADC (analog-to-digital) konverzija za snimanje do 24-bit/192kHz Pripadajući Thunderbolt audio driver i ESS Sabre32 DAC daju pun 32-bitni plejbek 2 OLED displeja visoke rezolucije, dugmići za ugodno biranje parametara i podešavanja (4 dugmeta dodeljivih funkcija; Talkback MIC (integriasni ili eksterni) Najniža latencija među svim audio interfejsima (1.1 ms punog kruga) - "Ansamblov" jedinstveni Thunderbolt drajver od početka stvaran za Mac OS X Mavericks, donosi efikasnost bez premca, koja će vas osloboditi briga - da li da se opredelite za snagu ili za brzinu Kastomizirani drajver uključuje i dve inventivne funkcije koji maksimalno iskorišćavaju performanse na softver-hardver relaciji: 1) pun 32-bitni signal od vašeg DAW izlaza pravo do ESS DAC (najvišeg kvaliteta), i 2) revolucionarni DMA (Direct Memory Access) endžin za efikasnije iščitavanje/pisanje memorije direktno na Mac-ovoj memoriji, nezavisno od rada samog Mac-a 8 analognih ulaza, do 8 mikrofona ili kombinacija instrumenata, eksternih mikrofonskih pretpojačanja, ili drugih analognih uređaja 10 analognih izlaza, integrisani mikrofon + Talkback Do 18 digitalnih I/O - ADAT, SMUX, S/PDIF optičkih i S/PDIF koaksijalnih formata, za laku integraciju ekspandera, hardver sintova i digitalnih efekata Koristite "Ansambl" kao master clock za punu upotrebu superiorne Apogee-jeve integrisane Clocking tehnologije Dizajnirano u Kaliforniji, Made in the U.S.A. Specifikacije: Zahtevnost radnog sistema: Mac (iMac, Macbook Pro, Macbook Air, Mac Pro) sa Thundertbolt-om, Memorija: 4 GB RAM minimum, preporučeno 8 GB; OS: 10.9.3 ili noviji Preporučeni programi: Logic Pro, Pro Tools, GarageBand, MainStage, Final Cut, Ableton Live, Digital Performer, Studio One, Cubase, Nuendo Sadržaj paketa: Apogee Ensemble, IEC 3-pinski kabl za napajanje, gumeni držač, uputstvo za upotrebu, garantni list AC IN 100-240V, 50-60 HZ, 65W MAX Dimenzije: 483 mm x 308 mm x 439 mm; Težina: 5.1 kg Analogni ulazi: 4 x Combo mic/line/instrument, 2 x 1/4″-ni balansirani analog insert(i), 4 x XLR mic/line, 2 x 1/4″-ni Hi-Z gitarski/instrument ulazi sa Class-A JFET input stejdžom Digitalni ulazi i izlazi: Optical IN/Optical OUT - podržani ADAT, SMUX & S/PDIF ADAT: 16 kanala 44.1-48 kHz na 2 Toslink konektora SMUX: 8 kanala 88.2-96 kHz na 2 Toslink konektora S/PDIF: 4 kanala, do 96 kHz na 2 Toslink konektora Coax IN/Coax OUT: (2 x) 2 kanala S/PDIF, do 192 kHz na 1 x RCA konektoru Integrisani microfon: Mono višedirekcionalni kondenzator kapsule na prednjem panelu Pretpojačaka za mikrofone: 8 x Gain: do 75 dB i napredni Stepped Gain dizajn kola Selektivnih 48v fantom napajanja, hi-pass filter, Soft Limit ̈ & polarity invert EIN: 129dB (un-weighted) @ 60dB, 150 Ohm input Maksimalni ulazni nivo: +20dBu Ulazna impedansa: 3K Ohm Hi-Z: Maksimalni ulazni nivo - 14 dBu, Ulazna impedansa: >2MOhm Analogni izlazi: 2 x 1/4″-ni balansirani monitorski izlazi, 8 balansiranih izlaza na 1 x DSUB 25-pin konektoru, 2 x nezavisna 1/4″-na stereo izlaza za slušalice, 2 x 1/4″-ni dual-mode gitarski/instrument izlazi A/D konverzija: Maksimalni ulazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Ulazna impedansa: 5 KOhm Rel. THD + N: -110dB (@ 96Khz) D/A konverzija: Maksimalni ulazni nivo (+4dBu ref): +20dBu, Maksimalni izlazni nivo (-10dBV ref): +6dBV Izlazna (line) impedansa: 90 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB (@96Khz) Dinamički opseg: 123dB (A-weighted) Gitarski izlaz na prednjem panelu: balansirana impedansa maksimalnog nivoa 14 dBu Max output level slušalica: 19dBu Slušalice Rel THD + N into 600 Ohm: -109dB Dinamički opseg (slušalice): 120dB (A-weighted)

Connector: XLR/TRS combo jack (XLR: 1 hot, TRS: TIP hot) Input gain: 0 – 43 dB Input impedance: 2.6 k Ω (MIC) 484 k Ω (Hi-Z) Maximum input level: -0.8 dBu (MIC) /+8.7 dBu (Hi-Z) Phantom power: +48V ANALOG IN: LINE IN Connector: Stereo mini jack Input impedance: 22 kΩ Maximum input level: +1.0 dBu ANALOG OUT: OUTPUT L/R Connector: RCA (coaxial) Maximum output level: -0.8 dBu (at 0 dBFS) (into 10 kΩ load) Output impedance: 1 kΩ ANALOG OUT: PHONES Connector: Standard stereo phone jack
10 mW x 2 (into 32 Ω load) Output impedance: 10 Ω Frequency characteristics: At 44.1 kHz: ±1.5dB: 20 Hz - 20 kHz
 At 96 kHz: ±2 dB: 20 Hz - 40 kHz Input conversion noise: Measured EIN: -120 dB or less (IHF-A)
 at 43 dB, 150 Ω input Number of audio recording and playback channels: Recording: 2 channels
 Playback: 2 channels Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Bit depth: 24-bit Interface: USB 2.0 Power Source: USB bus power (Type B)
 Zoom AD-17 (Micro-B) 
DC 5V power supply (Micro-B)
 2 AA batteries (About 5 hours continuous operation with phantom power off) Power consumption: 5W maximum Dimensions: 119.2 mm (D) x 91.8 mm (W) x 44.6 mm (H) Weight (main unit only): 151 g *0dBu=0.775Vrms

BEST IN CLASS Audio Quality Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity. ☑ ESS Sabre32 Ultra™ DAC technology for superb analog sound ☑ The same converter technology used in audio interfaces costing thousands ☑ Measured 120 dB dynamic range on outputs ☑ Measured -129 dBu EIN on mic inputs ☑ ESS-driven headphone output BEST IN CLASS Speed The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer). BEST IN CLASS Metering When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right. LIVE STREAMING Loopback The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding! TECH SPECS Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic/line/guitar inputs 2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input Analog outputs 2 x 1/4" TRS line out (balanced, DC coupled) 2 x RCA (unbalanced) analog out (mirrored) 1 x 1/4" TRS stereo headphone Computer I/O 1 x USB-C (compatible with USB Type A) 2.0 audio class compliant MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host Headphone 1 x 1/4" TRS stereo phone Phantom power 2 x individual +48V Front panel 1 x 1/4" TRS headphone output 2 x XLR/TRS combo inputs 1 x potentiometer • monitor vol 1 x potentiometer • phone vol 2 x potentiometer • mic/instr input gain 4 x switches • (2) 48V and (2) MON 160 x 120 pixel full-colored LCD with input and output level meters Power Bus-powered through USB Dimensions and weight (width x depth x height, enclosure only) 7.5 x 4.25 x 1.75 inches 19.05 x 10.8 x 4.5 cm 1.35 lbs / 0.61 kg System Requirements Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording) Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB port A large hard drive (at least 500 GB for recording) Class-Compliant Support USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required) Included Software MOTU Performer Lite Ableton Live 10 Lite 6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU Analog I/O Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Line Output 1/4" TRS, balanced, tip hot 120dB -110dB +16dBu Mic input XLR, balanced, pin 2 hot 115dB -129dBu EIN +10dBu (at minimum gain) Phones 1/4", TRS stereo 115dB -110dB +12.5dBu Compatible Mac Software The M2 ships with standard Core Audio drivers for macOS for compatibility with virtually all Core Audio-compatible apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Presonus Studio One Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The M2 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Native Instruments Kontakt Presonus Studio One Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) M2 Feature Highlights 2-in / 2-out USB audio interface with studio-quality sound Best-in-class audio quality driven by ESS Sabre32 Ultra™ DAC Technology Best-in-class speed (ultra-low latency) for host software processing Best-in-class metering for all inputs/outputs with a full-color LCD 2x mic/line/hi-Z guitar inputs on combo XLR/TRS Individual preamp gain and 48V phantom power for each input Hardware (direct) monitoring for each input (mono or stereo) Measured -129 dB EIN on mic inputs 2x balanced, DC-coupled 1/4-inch TRS outputs Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs 2x RCA (unbalanced) analog out (mirrored) 1x headphone out (driven by ESS converters) with independent volume control MIDI in/out Support for 44.1 to 192 kHz sample rates USB audio class compliant for plug-and-play operation on Mac (no driver required) Windows driver with 2.5 ms Round Trip Latency (32 sample buffer at 96 kHz) Mac driver (optional, for 2.5 ms RTL@32/96 kHz and loopback feature) iOS compatible (USB audio class compliant) Driver loopback for capturing host output, live streaming and podcasting Bus powered USB-C (compatible with USB Type A) with power switch (USB cable included) Rugged metal construction Workstation software included (MOTU Performer Lite 10 and Ableton Live Lite 10) 100+ instruments (in Performer Lite) Over 6 GB of included free loops, samples and one-shots from industry leading libraries Kensington security slot Built in the USA Two-year warranty

Kombinujući dobro znane superiorne performanse, Symphony Desktop sadrži i nove funkcije – emulaciju za mikrofonska pretpojačala, ECS Channel Strip (kontrole EQ-a, kompresije i saturacije), reverb plag-ina Clearmountain’s Spaces, te ultra-nisku latenciju snimanja (hardver DSP, i Apogee FX plag-inova). Sve ovo učiniće da vaša kreativnost u studiju dođe do izražaja, pružajući sve dragocene prednosti Apogee-jevog visokog zvučnog kvaliteta. Kao i kod većeg Symphony I/O Mk II, stejdž konverter analognog-u-digitalno pruža ultra nisku distorziju, visoku brzinu odziva, i punu diferencijaciju operacionih pojačavača. Kreirajte sa samopouzdanjem – da će i najtatnija nijansa vašeg analognog inputa biti verno reprodukovana u digitalnom domenu. Mikrofonsko pretpojačalo AP-57 daje sočan, masivan zvuk AMpex 601 preamp-a iz ’50-ih godina, pažljivo restaurisan i lišen niskog šuma, uz veći dinamički opseg. Apogee FX Plugins, i FX Rack plag-inovi pružaju superioran kvalitet zvuka, i pun propusni opseg (44.1 do 192.kHz) za sve digitalne audio radne stanice na vašem Mac-u (uz moderan vizuelni interfejs). Karakteristike & specifikacije: Najpristupačnija cena za jedan Symphony interfejs ikada! Dinamični displej/ekran na dodir za napredne kontrole hardvera FET ulaz za instrumente sa karakteristikama gitarskog lampaškog pojačala 10 IN x 14 OUT simultanih audio kanala MIDI via USB Digitalni I/O: 2 x optički Toslink (ADAT, S/PDIF) Apogee Alloy Mic Preamp emulacija (analogno procesovanje + DSP modeling) Ugrađeno DSP procesuiranje za Apogee FX plag-inove 2 potpuno izbalansirana ¼”-na izlaza, 2 dodeljiva izlaza za slušalice: 1 x 1/4″, 1 x 1/8” Kompatibilnost: macOS: 10.13 High Sierra (ili noviji), iOS/iPad pro: iOS 13, PC: Windows 10 Anniversary update (ili noviji) Emulacije pretpojačala: AP-66 - British Solid State, AP-57 - 50s American Tube A/D konverzija: Maksimalni ulaz/izlazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Ulazna impedansa: 4 KOhm Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Rel. THD + N: -113dB Dinamički opseg: 123dB (A-weighted) Pretpojačala: Gain – do 75 dB i napredni Stepped Gain dizajn kola, Selektivnih 48v fantom napajanja, Soft Limit ̈ & polarity invert EIN: 129dB (un-weighted) @ 60dB, 150 Ohm input Maksimalni ulazni nivo: +20dBu, Ulazna impedansa: 150 – 4K Ohm (default) Hi-Z: Maksimalni ulazni nivo - 14 dBu, Ulazna impedansa: 220k/470k/>20 MOhm D/A konverzija: Maksimalni ulaz/izlazni nivoi (+4dBu ref): +20dBu, (-10dBV ref): +6dBV Izlazna (line) impedansa: 50 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB Dinamički opseg: 129dB (A-weighted) Maksimalni izlazni nivo za slušalice: 520 mW into 30 Ohm, 90 mW into 600 Ohm Headphone Rel THD+N: -111 dB with 600 Ohm load Dinamički opseg (slušalice): 183dB (A-weighted)

UKLJUČITE SE UZ STUDIJSKI ZVUK Povežite se, stvarajte i sarađujte sa našim šestoulaznim i šestoizlaznim audio ainterfejsom. Uz visoku definiciju pri snimanju, veoma malu latenciju i fleksibilno povezivanje, AUDIO 6 predstavlja Vaš ceo setap. Možete da priključite mikrofone, gitare i sintisajzere, stvarate povratne lupove sa efektima, kao i da kontrolišete sintisajzere i ritam mašine. Pored toga, dobijate kompletan softver koji Vam je potreban kako biste snimili izvođenja, snimili pesme i izbrusili Vaše snimke – odnosno oživeli svaku Vašu ideju. SPREMAN ZA SNIMANJE, U HODU Bilo da snimate Vaš sledeći album ili Vaš poslednji nastup, Vaš fokus bi trebalo da bude na stvaranju. Sa pro-grade zvukom, nosivošću spremnom za nastup, i ‘’uključi se i sviraj’’ jednostavnošću, AUDIO 6 Vam upravo to omogućava. NAPRAVITE MAGIJU U STUDIJU AUDIO 6 radi sa svim Vašim mikrofonima, instrumentima i slušalicama. Možete da birate način povezivanja i opcije: 48V fantomska struja, MIDI ulaz/izlaz, i 4 analogna izlaza sa dodatnom CV/gate kontrolom za Vašu analognu opremu. Uz to, lako vidljiv top panel LED VU-metri za sva četiri analogna ulaza i glavni stereo izlaz. ZAVLADAJTE SCENOM Bilo da ste solo izvođač, nastupate u duetu, ili kao ceo bend, izvorni audio kvalitet interfejsa AUDIO 6 omogućava Vam da zvučite jednako dobro na bini kao i u studiju. Uključite Vaš laptop u opremu za nastup uživo ili u processor vokala, sa fleksibilnim povezivanjem kako bi se prilagodili bilo kojoj vrsti nastupa. Zahvaljujući USB napajanju imaćete manje kablova i priključaka za struju, a uz veliko dugme za pojačavanje moći ćete da lako podešavate nivoe zvuka dok ste na bini. DVOSTRUKI IZLAZ ZA SLUŠALICE Dva izlaza za slušalice velike snage, sa indivudalnim kontrolama jačine, čine ga lakim za saradnju. Slušajte upravo ono što snimate, u realnom vremenu, uz direktan monitoring bez kašnjenja (latencije) što Vam omogućava da pomešate snimljenu deonicu i praćeni audio snimak prema Vašoj želji. Takođe smo udvostručili izlaznu snagu – što je odlično za upotrebu na bini ili slušalice sa velikom impedansom. POVEŽITE SE Bilo da nastupate sa malim bendom ili se radi o slobodnom nastupu sa modularnim sintisajzerom, fleksibilan set za povezivanje Vam omogućava da na jednom mestu objedinite vaše ideje i snimite muziku u trenutku. XLR, TRS, S/PDIF, i MIDI nisu samo slova, to su načini da se ožive muzičke ideje – i ova povezivanja smo stavili baš tamo gde su Vam potrebna. POGLED IZBLIZA Povezivanje: 6 ulaza:2x combo-XLR/¼” TRS linijska ulaza sa 48V fantomske struje, i kontrola jačine za fleksibilno stereo snimanje, 2x ¼” TRS linijska ulaza, 1x SPDIF digitalni stereo ulaz (RCA) 1x MIDI in 6 izlaza: 4x DC uparena ¼” TRS izlaza za modularnu kontrolu*, 1x SPDIF digitalni stereo izlaz (RCA), 1x MIDI out Audio kvalitet: Prvoklasni kvalitet pri 192 kHz / 24-bit 4x LED ulazni VU indikator 1x LED izlazni VU indikator 48V, USB, i MIDI status LEDs Direktni monitoringsa mono/stereo prekidačem, za menjanje kanala (1-2 / 3-4) za podešavanje audio snimka tokom snimanja Veliko dugme za jačinu zvukaza brzo podešavanje jačine zvuka 2x izlaza za slušalicesa izlazom velike snage i individualnom kontrolom jačine zvuka USB 2.0 napajanje– nije potrebno dodatno strujno napajanje Kompatibilan sa Mac i PC (ASIO®/Core Audio/DirectSound®/WASAPI) Kensington Security Slot Link za specifikacije https://www.native-instruments.com/en/products/komplete/audio-interfaces/komplete-audio-6/specifications/ SISTEMSKI ZAHTEVI macOS 10.12, 10.13, 10.14 ili 10.15 (poslednje ažuriranje), i5, 4 GB RAM Windows 10 (najnovije izdanje), Intel Core i5 ili ekvivalentni CPU, 2 GB RAM USB 2.0 ili veći kabl je uključen) Grafička kartica koja podržava Open GL 2.1 ili veći 3 GB slobodnog prosta na disku za MASCHINE Essentials, plus 1 GB slobodnog prostora na disku za sav ostali softver KOMPATIBILNOST Kompatibilan sa Mac i PC (ASIO/Core Audio/DirectSound/WASAPI) KOMPLETE AUDIO 6: VELIČINA I TEŽINA Dimenzije: 55.6 x 200 x 136.55 mm Težina: 850 g KARAKTERISTIKE HARDVERA KOMPLETE AUDIO 6 Balansirani izlaz Maksimalna izlazna jačina +11.5 dBu (balansirani) Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Slušalice Maksimalna izlazna jačina 2x 25mW @ 33 Ohms Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Ulaz za instrument Maksimalna ulazna jačina +13 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Linijski ulaz Maksimalna ulazna jačina +13 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB Mikrofon Maksimalni ulazna jačina +6 dBu Frekventni odziv 20 Hz ­20 kHz +/­ 0.1 dB AD/DA Konvertori AD kanali 6 DA kanali 6 Maks. brzina uzorkovanja 192 kHz Dubina bita 24 bit Uključivanje u struju USB napajanje

The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt™ (Mac), Pro Tools® HD (Mac/PC), Dante™+ Pro Tools® HD (Mac/PC, or Waves SoundGrid (Mac/PC) connectivity. Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X All new, highly customizable Symphony Control software provides easy access to all I/O parameters Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Input and Output Flexibility There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Legendary Sound Quality Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers. Symphony I/O Mk II Select one of three Symphony I/O Mk II connectivity options. Thunderbolt For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit and up to 2 units per system for a maximum of 64 channels of I/O with latency as low as 1.35 ms in Logic Pro X (96kHz / 32 buffer). Pro Tools HD For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. Up to 1 Symphony I/O Mk II unit connected to each HD port (max. 32×32 per unit). Waves SoundGrid Network Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Front Panel Touchscreen with Comprehensive Control All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit. Mic Pre Input Screen Dynamic Temperature Control Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control Software Symphony Control software for Mac, is designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control has been built from the ground up and replaces Apogee’s Maestro software for Symphony I/O Mk II users. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features like Talkback functionality, the simplified “Essentials” control window and an FX Send mixer feature, recently introduced as part of the Element Control software. Symphony Control software is now available. Download here. Apogee Control Hardware Remote Accessory Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. US customers can purchase Apogee Control in the Apogee web store. Multi-unit support for up to 64 channels of I/O With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available with superior quality high-channel count recording at incredibly low latency. Symphony I/O Mk II setup screen for Standalone mode Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touch screen you can set up Symphony I/O Mk II for use in these situations and more: Hi-Fi Systems Connect Symphony I/O MkII to a Blu/Ray, CD Player or Power Amp for high end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations Use Symphony I/O mkII on a Windows computer with Dante™, Pro Tools® HD, Waves SoundGrid®, or as a Standalone converter with a third party ADAT/AES PCI interfacing card. Standalone Converter Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. With Standalone mode you can also bypass the converters of your existing gear. Highlights: Best AD/DA conversion of any Thunderbolt audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools HD (Mac/PC) or Waves SoundGrid connectivity Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dynamic range: 122dB A weighted Maximum input levels: +4dB setting: +24dBu -10dB setting: +6dBV Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Input impedance: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dynamic Range: 126dB A weighted Max output levels – ∞ to +24dBu Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB) Output impedance: 50 Ohm Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) Headphone Output: 1 stereo 1/4″ headphone output on front panel THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dynamic Range: 121db A weighted Output: Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones Power: 90-240VAC, 50-60Hz, 150W Operating System: Thunderbolt: Mac OS only 10.10 and above HD: Any Mac or PC running Pro Tools HD 9 or greater Software Compatibility: Thunderbolt: Logic Pro or any Core Audio compatible application on Mac OS X HD: Pro Tools HD 9 or greater Package Contents: Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet Symphony I/O Mk II Dimensions: Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 Packaging Dimensions: Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3

INTEGRATION More streamlined workflow, less clutter The interface is designed to be the hub of your entire recording environment that eliminates the need for any expansion modules and cards, thus centralizing your entire setup. Switching from project to project is effortless with the fast recall of presets and adapting to different workflows is made easier by allowing you to address numerous applications using a single hardware frame. CONNECTIVITY World’s first 64-channel AD/DA converter in 2U rack space Galaxy 64 Synergy Core is the only interface to offer two Dante ports for audio networking, four HDX ports for a full array of 128 channels in Pro Tools as well as Thunderbolt connectivity. These features can be used simultaneously with multiple systems for easy adaptation to different workflows with preferred DAW applications. This is all made possible by utilizing our exclusive FPGA configuration and advanced digital routing. DANTE® AUDIO OVER IP Build your network Dante is the number one audio over IP choice for installations, live events, production facilities, and any situation where large volumes of high-definition digital audio must be reliably transferred over long distances. Achieved using just an Ethernet port, Dante connection is preferred among other digital network standards, due to its easy configuration and variety of product support. The configuration provides straightforward integration and reliable redundancy, with the secondary RJ-45 port serving as a backup 64-channel Dante route. Galaxy 64 Synergy Core allows extensive real-time backup and multi-level recording options throughout every production stage. HDX CONNECTION 128 channels in Pro Tools at 192kHz sample rate The only interface to offer four HDX ports provides primary or secondary recording solution per card or a full array of 128 channels of recording split to two systems. What is especially impressive about our exclusive FPGA configuration is that it allows this channel count to be maintained at high sample rates such as 192kHz. Unlike modular systems, all I/O is available at any time without the need to exchange boards or change setups. This is the easiest way to interface multiple Pro Tools sessions through several hosts. SOUND High-fidelity conversion High-spec AD/DA converters provide low total harmonic distortion and signal-to-noise ratio for artifact-free recording sessions. The Galaxy 64 Synergy Core does not require external converters for monitoring because of the dedicated mastering-grade monitor converter. It facilitates audio reproduction with a wider soundstage for critical listening without coloration or signal degradation. Industry-leading clocking technology Our proprietary 64-bit Acoustically Focused Clocking and Jitter Management algorithm ensure the kind of audio quality that sets apart the legendary Isochrone Trinity master clock. The Galaxy 64 Synergy Core delivers the same increased width, separation, and detail in your musical performances. D/A STAGE DYNAMIC RANGE 128 dB A/D STAGE DYNAMIC RANGE 121 dB MONITOR CONVERTER DYNAMIC RANGE 130 dB galaxy64SC FX EFFECTS PROCESSING 36 Real-time effects included Galaxy 64 Synergy Core includes a massive expandable library of 36 real-time effects. It is largely composed of software emulations of vintage analog gear found in world-renowned recording studios. The collection does not lack in variety – you can find rarities like a boutique autowah pedal from Finland, a Danish master-grade compressor or emulation of famous units like American-design EQs. 18 EQUALIZERS, 12 COMPRESSORS & LIMITERS, 2 PREAMPS & CHANNEL STRIPS, 1 REVERB, 1 DE-ESSER, 1 TREMOLO, 1 AUTOWAH PEDAL Synergy Core is currently one of the fastest-growing real-time effects processing platforms in the pro audio industry. In short, the Antelope Audio Synergy Core technology is a combination of the best of FPGA and DSP processing, brought together to give you a powerful, yet simple to use effects platform. It allows you to: offload all processing to the interface thus saving your host computer CPU & memory load effects while tracking or mixing and process with imperceptible latency HDX Ports 3535 CONTROL PANEL Intuitive control over all features Take charge of each aspect of the unit’s functionalities with a convenient software Control Panel. It provides intuitive control of all settings, gain adjustments, real-time effects, metering, and presets. From the Control Panel you have immediate access to the flexible Routing Matrix and the low latency internal mixers. Every Galaxy 64 Synergy Core feature works seamlessly once you establish your Control Panel workflow. ROUTING MATRIX The comprehensive Routing Matrix houses an advanced digital patch bay to freely route audio between the unit’s analog and digital inputs and outputs. This happens with simple drag and drop functionality, while user labeling, and color-coding facilitate immediate and intuitive operation. LOW LATENCY INTERNAL MIXERS The Control Panel houses 8 low latency 32-channel mixers that can be split into individual cue mixes and sub-mixes, allowing you to distribute headphone mixes for your musicians while applying pan, reverb, other effects and stereo link. Each mixer has 32 inputs and a stereo output which makes them ideal for real-time multi-channel hardware-based monitoring and signal summing. REMOTE CONTROL & STANDALONE OPERATION The interface allows interfacing to a second computer via USB-C for the purposes of remote control. This way, you can run dedicated live/recording and Control Panel setups without being tied to a single computer. Network control is also a possibility through a proprietary client/server system. With the interface, you also have the option to work without being connected to a computer. CUSTOMIZABLE PRESETS Create custom presets for any scenario, complete with signal routing, level adjustments, mixer settings and sub-mixes. Everything can be custom configured for individual recording sessions, live events, and pre/post-production sessions. Preset files can be shared across multiple studios and devices to ease workload and optimize the production process. LOW LATENCY DIRECT MONITORING Record and monitor with analog-modeled effects processed with imperceptible latency in real-time. This feature will help you find creative solutions faster and commit to your sound early in the process, thus speeding up your workflow and avoiding the need to ‘fix it in the mix’. TOUCHSCREEN CONTROLS The touchscreen functionality saves time and offers efficiency when immediate access to the Control Panel application is not there. The precise touch control facilitates fast and immediate access to metering, level controls, presets and settings. ANALOG & DIGITAL CONNECTIVITY • 64 analog input channels over 8 D-Sub 25 connectors with AC/DC coupling switch (TASCAM standard) • 64 analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard) • Dante™ audio over IP with primary/secondary port for audio transfer over long distances • Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration • Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application • Digital I/O: 64 channels of optical MADI, 2 channels over AES/EBU, and 2 channels over S/PDIF CLOCKING & CONVERSION • Proprietary 64-bit Acoustically Focused Clocking technology for increased width, separation, and detail in musical performances • Proprietary Jitter Management algorithm delivering truthful and expanded soundstage • High-resolution A/D and D/A conversion ensuring artefact-free recordings and mastering-grade converter with 130dB headroom for critical listening without coloration or signal degradation ONBOARD REAL-TIME EFFECTS • Collection of 36 analog-modeled effects featuring classic as well as rare compressors, EQs, mic preamps and pedals • 12×DSP, 2×FPGA Synergy Core proprietary onboard real-time plugin processing platform • Up to 256 plugin instances per session loaded simultaneously on 64 individual virtual racks WORKFLOW-ENHANCING FEATURES • Advanced digital routing matrix that allows execution of complicated input/output routing with a simple drag and drop functionality • 8 low latency hardware-accelerated 32-channel mixers that can be split into individual cue mixes and sub-mixes while applying pan, reverb, other plugins and stereo link • Customizable presets complete with signal routing, level adjustments, mixer settings and sub-mixes • Direct monitoring with plugins, processed in real-time with imperceptible latency • Intuitive touchscreen interface with recallable hardware-based presets • Daisy chain over Thunderbolt™ 3 & remote control over USB Type-C • Option to work without being connected to a computer (standalone operation) • Wireless control of software features from a separate computer connected to the same network 36 INCLUDED SYNERGY CORE EFFECTS VEQ-55A (3-Band EQ / HPF / LPF) VEQ-4K BLACK (4-Band EQ / HPF / LPF) VEQ-4K BROWN (4-Band EQ / HPF / LPF) VEQ-4K ORANGE (4-Band EQ / HPF / LPF) VEQ-4K PINK (4-Band EQ / HPF / LPF) VEQ-HA32C (4-Band EQ / HPF / LPF) VEQ-STU 900 (4-Band EQ / HPF / LPF) NEU-W492 (4-Band EQ) VMEQ-5 (3-Band Tube Mid-Range EQ ) BAE-1084 (3-Band EQ / HPF / LPF) VEQ-STU 089 (3-Band EQ / HPF / LPF) BAE-1023 (3-Band EQ / HPF) VEQ-1A (2-Band Tube EQ) VEQ-HLF (Tube 2-Band HPF / LPF) VEQ-STU 169 (3-Band EQ / HPF) NEU-PEV (3-Band EQ) NEU-W495 (3-Band EQ) Clear Q (Parametric EQ) VCA160 (VCA Compressor / Limiter) X903 (VCA Compressor / Limiter) ALT-436C (Vari-Mu Tube Compressor Amplifier) Tube 176 (Vari-Mu Tube Compressor / Limiter) Stay-Levin (Vari-Mu Tube Compressor) SMT-100A (Tube Leveling Amplifier / Limiter) FET-A78 (FET Compress Stereo Peak Limiter) FET-A76 (FET Compressor / Limiting Amplifier) BAE 10DCF (Compressor / Limiter) PowerEX (Expander) PowerFFC (Feed-Forward Compressor) PowerGate (Noise Gate) BA-31 (Germanium Mic Preamp) Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) Marble White AutoWah (Auto-Wah Pedal) Vari-Speed Tremolo (Tremolo) Auraverb (Reverb) Master De-Esser (De-Esser)

Onyx Artist 1x2 interfejs je veoma lagan uprkos robusnoj čeličnoj šasiji, koja čuva analogna kola i Onyx-ovo pretpojačalo za mikrofon. Tu su i čvrsti potenciometri za sve vrste rada/opterećenja Direktni monitoring za signal (iz) pretpojačala - dok snimate, tako da se latencija čujenja zvuka kroz DAW (digitalnu radnu stanicu) eliminiše Ključne karakteristike: 2x2 interfejs za snimanje do 24-bitne / 192 kHz rezolucije, Onyx-ovo pretpojačanje za MIC +48V fantomsko napajanje za kondenzatorski mikrofon 1/4" TRS ulaz sa Hi-Z prekidačem za povezivanje gitare, basa ili klavijature Direktni monitoring za inpute sa nultom latencijom 1/4" TRS izlaz za povezivanje studijskih monitora USB 2.0 povezivanje (i napajanje istim putem) 1/4" izlaz za slušalice Svi Pro Tools | First & Waveform plag-inovi, plus 23 ekskluzivna iz kolekcije Mackie Musician: Avid 304E EQ, Avid 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri-Knob Fuzz, Vari-Fi, Vibe Phaser, White Boost