Compatibility is key As we've said, iRig MIDI 2 is the first portable MIDI interface that’s compatible with Apple's Lightning cable. This, however, does not come at the expense of universal support. At the center of iRig MIDI 2 is its detachable Mini-DIN connector, which lets you attach a Lightning (included), USB (included), OTG to Mini-DIN (optional), 30-pin (optional) cable depending on the mobile device or computer that you'd like to use. Now you have the flexibility to use MIDI with whatever device you want, anytime, and anywhere. All-platform It’s all about the connections iRig MIDI 2 is small, but it can be made even smaller when all of its cables are detached. Because of its Mini-DIN connector, you can remove all cables for extreme portability: Now you have something that you can easily carry with you in your pocket to any gig, performance, studio or jam session. In addition, all iRig MIDI 2 cables are bumper friendly, which means you can connect and start jamming without having to remove your mobile device's protective carrying case. Mobile MIDI like never before Like iRig MIDI before it, iRig MIDI 2 features three MIDI ports: IN, OUT and THRU. But this time around the ports are standard-sized and require no adaptor or special cable to use — in fact, you can use any standard MIDI cable you'd like. These ports give you all the control and connectivity that MIDI allows: Use the IN port to use external keyboards and controllers to play your favorite software sound modules and synthesizers. Use the OUT port to control external hardware or synthesizers from your mobile device or computer. And you can use the THRU port to send MIDI data to multiple instruments at once. Monitoring MIDI data with iRig MIDI 2 is easy, it comes with two LEDs that give you an at-a-glance readout of the note data as it passes through the IN and OUT ports. A whole suite of apps With iRig MIDI 2, you get more than just a supremely portable MIDI interface; you also get a full suite of music creation apps. As soon as you open the box you'll be ready to go. iOS users get two of IK’s most popular mobile apps: SampleTank FREE is a sound and groove workstation filled with hundreds of high-quality instruments and patterns. iGrand Piano FREE is a concert-quality piano app that puts world-class piano sounds at your fingertips. Android users also get a serious sonic suite to start out with that includes Android versions of iGrand Piano FREE and iLectric Piano FREE, IK's powerful high-quality piano apps that deliver amazing acoustic and electric piano sounds. And Mac and PC users can enjoy the full creative power of SampleTank 4 SE, a free version of IK’s next generation SampleTank 4 desktop sound workstation. Beyond all that’s included, iRig MIDI 2 works with all MIDI-compatible Mac and PC software as well as the entire spectrum of Core MIDI apps for iOS such as GarageBand, Cubasis, Beat Maker 2, Auria and many more. A legacy of superior Italian design iRig MIDI 2 has been designed and manufactured in Modena, Italy — a city famous for high-performance Italian industrial design. Like all IK products, it’s been through rigorous quality testing to ensure the utmost in dependability — iRig MIDI 2 is housed in a durable rubberized enclosure designed to last performance after performance and gig after gig. IK Multimedia uses only the best components, materials and processes to create solid, smartly manufactured products at an affordable price. Features Universal MIDI interface for Lightning iOS devices as well as all prior generations of iPhone, iPad and iPod touch plus Android and Mac/PC Ultra-portable, pocket-sized form factor that you can take with you anywhere Detachable bumper-friendly cables for seamless, universal connectivity Lighting connector and USB cable included, OTG to Mini-DIN and 30-pin cable available separately Standard-sized MIDI IN, OUT and THRU ports MIDI IN/OUT LED indicators for at-a-glance monitoring of MIDI data transmission Draws power from host device instead of a bulky power adaptor Can be used with Android devices via OTG to Mini-DIN cable Comes with SampleTank FREE iOS and iGrand Piano FREE apps (download from the App store) Comes with free Mac/PC virtual instrument: SampleTank 4 SE (download from IK User Area) Comes with iGrand Piano FREE and iLectric Piano FREE for Android (download from Google Play or Samsung Galaxy Apps) Elegant and durable rubberized enclosure Designed and made in Modena, Italy What's new This audio processor module is part of T-RackS CS "Custom Shop" Mixing and Mastering Plug-In Collection. With T-RackS CS you can: Works with Android devices via optional OTG to Mini-DIN cable Comes with iGrand Piano FREE and iLectric Piano FREE for Android (download from Google Play or Samsung Galaxy Apps) Comes with free Mac/PC virtual instrument: SampleTank 4 SE (download from IK User Area)

D.I / Instrument Input RANGE:40dB LINEUP:12dBu = 0dBFS THD+N @ 0dBu:0.1% SNR:100dBu A-Weighted FREQUENCY RESPONSE – MIN GAIN:±0.5dB 10Hz to 20kHz Microphone Preamplifier GAIN RANGE: 58dB LINEUP:12dBu = 0dBFS MIC MAX INPUT LEVEL:12dBu LINE MAX INPUT LEVEL:21dBu INPUT IMPEDANCE (Mic):2.8k INPUT IMPEDANCE (Line):>8k PHANTOM POWER: (48V +/-4V @ 10mA/Channel) THD+N @ 0dBu:0.00170% THD+N @ 0dBu MAX GAIN:<0.04% SNR:101dBu A-Weighted EIN:129dB A-Weighted CMRR @ 1k:>75dB FREQUENCY RESPONSE – MIN GAIN:±0.5dB 10Hz to 40kHz Analogue to Digital Converter THD+N @ -1dBFS:0.001% DYNAMIC RANGE:120dB A-Weighted FREQUENCY RESPONSE:±0.5dB 10Hz to 40kHz Line Outputs (DAC) LINEUP:12dBu = 0dBFS THD+N @ -1dBFS:0.0006% DYNAMIC RANGE:125.5dB A-Weighted CROSSTALK:>120dB FREQUENCY RESPONSE:±0.1dB 10Hz to 40kHz 1/4” TRS JACK:Tip (Hot), Ring (Cold) & Sleeve (Shield) Headphone Outputs LINEUP:18dBu = 0dBFS THD+N @ -1dBFS:0.0009% DYNAMIC RANGE:125.5dB A-Weighted CROSSTALK:>116dB FREQUENCY RESPONSE:±0.1dB 10Hz to 40kHz MAXIMUM LEVEL @ 30R:2.59V Peak, 1.827V RMS, 223mW MAXIMUM LEVEL @ 62R:4.18V Peak, 2.95V RMS, 280mW MAXIMUM LEVEL @ 600R:7.72V Peak, 5.46V RMS, 100mW 1/4” TRS JACK:Tip (Left), Ring (Right) & Sleeve (Shield) USB-C High Speed BUS POWER: MIN REQUIREMENT:0.9A @ 5V >=USB 3.0 Port MAX REQUIREMENT:1.5A @ 5V USB-C: Provides higher headphone outputs levels No. of INPUT CHANNELS:2 (2 Analogue) No. of OUTPUT CHANNELS:2 (2 Analogue) DSP MIXER LATENCY ROUND TRIP (in-to-out):44.1kHz 0.65mS DSP MIXER LATENCY ROUND TRIP (in-to-out):48.0kHz 0.6mS DSP MIXER LATENCY ROUND TRIP (in-to-out):88.2kHz 0.33mS DSP MIXER LATENCY ROUND TRIP (in-to-out):96.0kHz 0.31mS

D.I / Instrument Input RANGE: +58dB LINEUP: 12dBu = 0dBFS THD+N @ 0dBu: 0.1% SNR: 100dBu A-Weighted FREQUENCY RESPONSE – MIN GAIN: ±0.5dB 10Hz to 20kHz 1/4” TS JACK:Tip (Hot) & Sleeve (Shield) Microphone Preamplifier GAIN RANGE: 58dB LINEUP: 12dBu = 0dBFS MIC MAX INPUT LEVEL: 12dBu MAX INPUT LEVEL: 21dBu INPUT IMPEDANCE (Mic): 2.8k INPUT IMPEDANCE (Line): >8k THD+N @ 0dBu: 0.00170% THD+N @ 0dBu MAX GAIN: <0.04% SNR: 101dBu A-Weighted EIN: 129dB A-Weighted CMRR @ 1k: >75dB CROSSTALK: >-100dB FREQUENCY RESPONSE – MIN GAIN: ±0.5dB 10Hz to 40kHz PHANTOM POWER: (48V +/-4V @ 10mA/Channel) XLR COMBI FEMALE: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield) Analogue to Digital Converter THD+N @ -1dBFS: 0.001% DYNAMIC RANGE: 120dB A-Weighted CMRR: >80dB FREQUENCY RESPONSE: ±0.5dB 10Hz to 40kHz Line Outputs (DAC) LINEUP: 12dBu = 0dBFS THD+N @ -1dBFS: 0.0006% DYNAMIC RANGE: 125.5dB A-Weighted CROSSTALK: >120dB FREQUENCY RESPONSE: ±0.1dB 10Hz to 40kHz 1/4” TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield) Headphone Outputs LINEUP: 18dBu = 0dBFS THD+N @ -1dBFS: 0.0009% DYNAMIC RANGE: 125.5dB A-Weighted CROSSTALK: >116dB FREQUENCY RESPONSE: ±0.25dB 10Hz to 40kHz MAXIMUM LEVEL @ 30R: 2.59V Peak, 1.827V RMS, 223mW MAXIMUM LEVEL @ 62R: 4.18V Peak, 2.95V RMS, 280mW MAXIMUM LEVEL @ 600R: 7.72V Peak, 5.46V RMS, 100mW 1/4” TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield) USB-C High Speed BUS POWER: MIN REQUIREMENT: 0.9A @ 5V >=USB 3.0 Port MAX REQUIREMENT: 1.5A @ 5V USB-C: Provides higher headphone outputs levels No. of INPUT CHANNELS: 10 No. of OUTPUT CHANNELS: 6 DSP MIXER LATENCY ROUND TRIP (in-to-out): 44.1kHz 0.65mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 48.0kHz 0.6mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 88.2kHz 0.33mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 96.0kHz 0.31mS

Inputs/Outputs:2 x MADI I/O, optical and coaxial (BNC) MIDI input and output: via virtual MIDI port Clock modes: master (internal) and slave (MADI input) Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync/DDS) Jitter: < 1 ns, internal and all inputs Jitter sensitivity: PLL operates even at 100 ns Jitter Seamless Redundancy operation with both inputs TotalMix: 2048 channel mixer with 48-bit internal resolution TotalMix: latency-free submixes and perfect ASIO Direct Monitoring Interface: USB 2.0, bus-powered Comes with DIGICheck, RME's ultimate measurement, analysis and test tool A perfect companion Mixer, router, format converter, stream splitter, signal repeater - the MADIface USB is a perfect addition to any MADI system. Clock sources can be selected via MADI, AES or Word Clock. You can use it to create redundancy, for automatic failover, and even for creating mixes with extremely low latency between the optical, coaxial and USB 2.0 audio inputs altogether! The MADIface USB can be easily integrated into a broad range of applications. MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality. Its sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME. Features and Operation Modes MADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode. The option Disable TotalMix completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal. In 64 Channel Mix mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog. The option AutoSelect activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails. In 128 Channel Mix mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away. SteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices. MIDI over MADI technology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows. DIGICheck - Test, Measurement and Analysis Tool for Mac & Windows The Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also available.

TRUE THUNDERBOLT PERFORMANCE Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. LOW LATENCY Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. DEVOURS BITS, SIPS CPU Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. 16×16 ANALOG I/O MODULE (ONE INCLUDED) 16 channels of I/O simultaneously: Analog IN: 16 balanced inputs on 2 DSUB 25-pin connectors Coax IN: S/PDIF on 1 RCA connector Analog OUT: 16 balanced outputs on 2 DSUB 25-pin connectors Coax OUT: Supports SPDIF on 1 RCA connector 8×8 ANALOG I/O + 8×8 AES/OPTICAL I/O (ONE INCLUDED) 16 channels of I/O simultaneously. INPUTS: Analog IN: 8 balanced inputs on 1 DSUB 25-pin connector AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical IN: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax IN: 2 channels of S/PDIF, up to 192 kHz OUTPUTS: Analog OUT: 8 balanced outputs on 1 DSUB 25-pin connector AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical OUT: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax OUT: 2 channels of S/PDIF, up to 192 kHz FEATURES: Best AD/DA conversion of any Thunderbolt audio interface Best per-channel value of any interface in its category Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the USA PRODUCT SPECIFICATIONS CONDITION New WIDTH 19 in DEPTH 3.5 in HEIGHT 3.5 in CHASSIS 19-inch Rack-mount RACK SPACES 2u CHANNELS 24-Channel DIGITAL INPUTS 10 ANALOG INPUTS 24 INPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical DIGITAL OUTPUTS 10 ANALOG OUTPUTS 26 OUTPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical COMPUTER CONNECTION Thunderbolt CLOCK I/O In, Out MAXIMUM SAMPLING RATE 192 kHz DIGITAL FORMAT ADAT, S/PDIF, SMUX

TRUE THUNDERBOLT PERFORMANCE Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. LOW LATENCY Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. DEVOURS BITS, SIPS CPU Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. 16×16 ANALOG I/O MODULE (ONE INCLUDED) 16 channels of I/O simultaneously: Analog IN: 16 balanced inputs on 2 DSUB 25-pin connectors Coax IN: S/PDIF on 1 RCA connector Analog OUT: 16 balanced outputs on 2 DSUB 25-pin connectors Coax OUT: Supports SPDIF on 1 RCA connector 8×8 ANALOG I/O + 8×8 AES/OPTICAL I/O (ONE INCLUDED) 16 channels of I/O simultaneously. INPUTS: Analog IN: 8 balanced inputs on 1 DSUB 25-pin connector AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical IN: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax IN: 2 channels of S/PDIF, up to 192 kHz OUTPUTS: Analog OUT: 8 balanced outputs on 1 DSUB 25-pin connector AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical OUT: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax OUT: 2 channels of S/PDIF, up to 192 kHz FEATURES: Best AD/DA conversion of any Thunderbolt audio interface Best per-channel value of any interface in its category Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the USA PRODUCT SPECIFICATIONS CONDITION New WIDTH 19 in DEPTH 3.5 in HEIGHT 3.5 in CHASSIS 19-inch Rack-mount RACK SPACES 2u CHANNELS 24-Channel DIGITAL INPUTS 10 ANALOG INPUTS 24 INPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical DIGITAL OUTPUTS 10 ANALOG OUTPUTS 26 OUTPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical COMPUTER CONNECTION Thunderbolt CLOCK I/O In, Out MAXIMUM SAMPLING RATE 192 kHz DIGITAL FORMAT ADAT, S/PDIF, SMUX

Producenti, muzičari, podkasteri, pevači USB Type-C konektivnost 2 kombo XLR-1/4” ulaza za mikrofonske / linijske / instrumentalne ulaze Dva 1/4" ulaza + četiri 1/4” izlaza 2 izlaza za slušalice 24-Bit / 192 kHz konverteri USB-C napajanje / Mac, Windows Fantomsko napajanje i MIDI I/O Dualni USB hab za kontrolere klavijature Pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 4, prenosivi 4x4 USB Type-C audio/MIDI interfejs koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svoja 2 low-noise mic/line/instrument pretpojačala, MiniFuse 4 pomaže pevačima-autorima pesama, muzičarima, dizajnerima zvuka, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. MiniFuse 2 pruža obilje konekcija. Pored dualnih XLR-1/4" kombo ulaza, postoje dva 1/4" izlaza i četiri 1/4” linijskih izlaza, kao i para izlaza za slušalice sa individualnim kontrolama jačine zvuka, i ugrađeni USB 2.0 Type-A hub, koji je savršen za povezivanje kontrolera klavijature. Interfejs takođe uključuje tradicionalne 5-pinske MIDI socket-e za integraciju MIDI opreme. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Inspirišite se i izrazite se kroz zvuk kad god i gde god sa ovim kompletnim portabl interfejsom lakim za korišćenje. Bez obzira da li ste pevač-autor pesama, klavijaturista, kompozitor ili nešto između, uživajte u kvalitetu preciznog zvuka, pametnim karakteristikama i odličnom integrisanom softveru. Kreativna konektivnost MiniFuse 4 spaja vaše ideje i vaš finalni muzički proizvod pomoću svojih ulaza i izlaza. Njegovi dualni XLR-1/4" kombo ulazi sa Fantomskom snagom od 48V omogućava vam lako snimanje dva mikrofona, Hi-Z instrumenta ili line-level izvora. Sinhronizujte i snimajte svoje MIDI uređaje sa 5-pinskim DIN konekcijama. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnim USB Type-A hub utičnicom. Na kraju, konektujte USB uređaje kao što je MIDI klavijatura sa dodatnim Tip-A USB-om. Visokokvalitetni zvuk Za audiofile, MiniFuse 4 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn MiniFuse 4 je dizajniran da vas prati na vašim last-minute sesijama, u kratkim rokovima i spontanim muzičkim momentima. MiniFuse nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Ponesite svoj zvuk sa sobom, gde god da idete. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Vrhunski softver MiniFuse dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte sve uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style autotjunom sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

iRig Acoustic is another IK Multimedia industry first — it’s an innovative, patent-pending, acoustic guitar microphone pickup that installs in seconds that you use to perform live and record with on an iPhone and iPad. iRig Acoustic provides professional high-quality sound, simple installation and freedom to play and record everywhere. And with the AmpliTube Acoustic companion app, you’ll have in the palm of hand the world’s first and most powerful acoustic tone sculping and refinement studio for playing anywhere, any time. Sound quality of studio mics — only better There’s no argument that the best acoustic guitar sound reproduction comes from placing a high-end condenser studio microphone in just the right position in front of the guitar. iRig Acoustic, when used with AmpliTube Acoustic, is designed to perfectly replicate that ideal mic placement and accurately capture the full frequency range, tonal character and complex harmonics and overtones of acoustic guitars. It's able to do this thanks to the combination of its uniquely designed microphone enclosure, which combines the latest MEMS (MicroElectrical-Mechanical System) microphone technology with an omnidirectional polar pattern, placement of the microphone just inside the sound hole where the output is optimal and the sound is very detailed and focused, and the “calibration” process that optimizes the guitar sound like it is being miked externally with a high quality studio microphone. These technologies combine to capture the "complete picture" of an acoustic guitar — every vibration and sonic interaction — unlike piezo-electric pickups or magnetics that just capture the vibrations of the body top or strings. Simply put, iRig Acoustic delivers a pure and full representation of an acoustic guitar's tonal characteristics. iRig Acoustic utilizes a MEMS microphone to deliver amazingly real acoustic sound. MEMS (MicroElectrical-Mechanical System) is the cutting edge of microphone technology — you are most likely already utilizing this technology without even knowing for many smartphones use MEMS technology mics. These microphones are very efficient and offer outstanding reliability and audio capture. They deliver a very precise compensation and accurate flat frequency response while being very resistant to mechanical vibrations that produce unwanted sounds, thus providing a very clear, open tone. In addition, MEMS mics are very durable and stable so iRig Acoustic will deliver consistent, detailed and focused sound performance after performance. Easy installation – clip on, plug in iRig Acoustic offers you the convenience of being easy to install (or remove) on any guitar — no modification of any instrument is required to use iRig Acoustic. It simply securely clips on to the rim of the soundhole of an acoustic instrument and you’re ready to play. Because you can easily install and remove it, you can use iRig Acoustic on all of your acoustics, even during the same set! True mobility What truly makes iRig Acoustic unique is the fact that it delivers studio-quality sound AND allows players to freely move around on stage or in the studio without feedback or altering the sound. This is virtually impossible to do when utilizing traditional acoustic miking techniques in the studio or in live performance situations. Headphones or Line Out iRig Acoustic plugs into your device headphone/input jack with a standard 1/8” TRRS cable that also allows you to monitor your performance thanks to the female stereo output jack placed on the in-line cable. Plug your headphones into this jack for private practice and monitoring, or you can line out to a mixer or powered speaker for full stereo acoustic performance. Steel String, Classical, Ukes, Oh My! The body of iRig Acoustic is made of soft non-marring rubber material so it prevents scratches and marks when being installed or removed from an instrument. It can be installed on any stringed instruments with a circular sound-hole — steel-string acoustics, nylon-string classicals, ukuleles and more. AmpliTube Acoustic Your complete mobile acoustic tone studio iRig Acoustic comes with AmpliTube Acoustic FREE (download on the App Store), the new acoustic-specific AmpliTube app designed for processing and recording acoustic guitar and ukuleles. First, when used with iRig Acoustic, the AmpliTube Acoustic app features a calibration and setup process that measures and optimizes the frequency response of your acoustic instrument and provides the “sweet spot” sonic clarity, tonal characteristics and projection that you normally get in the studio with an expensive high-end studio condenser microphone positioned in just the right spot. iRig Acoustic and AmpliTube Acoustic deliver that ultimate level of acoustic realness and character as an optimized system for a fraction of the cost. As an acoustic tone studio, AmpliTube Acoustic features top-of-the-line emulations of popular acoustic amplifiers — 2 solid state amps and one tube amp, all with their own built-in effects sections — and stompbox effects, including a live performance “Feed Kill” feedback eliminator (hey, it happens), an acoustic compressor, graphic EQ and Parametric EQ; a 12-String emulator, a “Bass Maker” octave pedal, plus a “Body Modeler” that converts the sound of your guitar into another style of guitar. Need a parlor guitar sound for a specific song? No problem — just use the body modeler! AmpliTube Acoustic also features all the goodies that make AmpliTube the world’s most popular mobile guitar and bass tone studios — a 4-track looper, 8-track recorder/DAW, speed trainer and UltraTuner, the world’s most accurate digital tuner. AmpliTube Acoustic is your new complete mobile Acoustic tone studio! Now, finally go mobile with your Acoustic iRig Acoustic is the first affordable, innovative, patent-pending microphone pickup that installs in seconds — it quickly mounts securely in the soundhole of your flattop acoustic. Plug the 1/8” TRRS jack into the headphone jack of your compatible iPhone, iPad, iPhone touch, and it delivers the full range true natural sound of your Acoustic guitar right to your device and right to your audience. iRig Acoustic works with GarageBand for iPhone/iPad by itself, but for the best sound quality use it with AmpliTube Acoustic (free or full version) and route the audio to a GarageBand track using the Inter-App audio routing feature.

Dva najbolja Scarlett pretpojačala za mikrofone koja su ikad proizvedena – sada sa Air modalitetom – za ozvučavanje gitara i snimanje vokala Dva ulazna priključka za instrumente sa visokim hedrumom, za direktno priključenje Vaše gitare ili bas gitare Konverteri visokih performansi, omogućavajući Vam da snimate, miksujete i reprodukujete audio snimke sa studijskim kvalitetom, bilo gde Easy Start alatka, koja olakšava više nego ikad da odmah počnete da snimanjem VAŠA MUZIKA, ODMAH Scarlettov najprodavaniji audio interfejs, millioni muzičara koriste 2i2 za zapisivanje i snimaje svakog dana. Kombinujući pretpojačala za mikrofone treće generacije koji zvuče prirodno i Air modalitet, koji se ugleda na naša originalna ISA pretpojačala, 2i2 pruža muzičarima maksimum od njihovih mikrofona, na bilo kom mestu, u bilo kom trenutku. To je kao snimanje u studiju. NAJBOLJI ZVUK, NA LAK NAČIN Postizanje snimaka studijskog kvaliteta kod kuće nikad nije bilo lakše. Easy Start Vas omogućava Vam da postavite setap, da snimate i reprodukujete u nekoliko minuta. Naša pretpojačala za mikrofone, ulazni priključci za instrumente sa visokim hedrumom i sada već čuveni Gain Halos znače da je postignut sjajan zvuk. Mi smo se pobrinuli za tehnologiju, a Vi se možete fokusirati na muziku. VAŠI SNIMCI SE RAZVIJAJU VEĆ 30 GODINA Mi proizvodimo pretpojačala za mikrofone već 30 godina, a pretpojačala treće generacije su najbolja za koje je Scarlett ikad čuo. 24-bitni/192kHz konverteri omogućavaju da Vaši snimci budu jasni i precizni. Air modalitet unosi živost u vokale, dodavajući jedinstvene precizne detalje. Decenije našeg iskustva znače da Scarlett zvuči baš kao i Vi. NAŠA TEHNOLOGIJA JE ZVUK Neverovatno pouzdan, Focusrite hardver Vas neće izneveriti. Ukoliko pak naiđete na problem, možete se osloniti na naš globalni tim za podršku i dvogodišnu garanciju kako bi se problem rešio. Zvuk. SVI ALATI KOJI SU VAM POTREBNI ZA PRODUKCIJU, NA PRAVI NAČIN, ODMAH Vaš 2i2 audio interfejs dolazi sa celokupnim asortimanom softvera za snimanje, zvukovima i priključcima koje možete odabrati: Avid® Pro Tools® | First Focusrite Creative Pack: stotine virtuelnih instrumentalnih zvukova, 500MB lupova, i efekata sjajnog zvuka Ableton® Live Lite™: vodeći softver za snimanje muzike u industriji Tromesečna Splice Sounds pretplata: Pristupite milionima snimaka, lupova i zvučnih preseta visokog kvaliteta, bez plaćanja autorskih prava, sa svakodnevnim novim izdanjima XLN Audio Addictive Keys: Pristupite jednoj od četiri virtuelne tastature kada registrujete vaš prvi Focusrite ili Novation hardver. Softube Time and Tone Bundle: tri od Softube eha svetske klase, priključaka za odlaganje i distorziju kao i mastering alatka laka za upotrebu Focusrite Crveni Plug-in Suite: precizno oblikuje naš klasični Red 2 ekvilajzer i Red 3 kompresor DETALJNE SPECIFIKACIJE Uvek navodimo vrednosti performansi 'iz stvarnog sveta' (merene prema AES17 standardu). Neke kompanije navode čipset performanse, što može dovesti do zabune, a evo i zašto. Da biste provetili podržane operativne sisteme, kliknite ovde. PODRŽANE FREKVENCE UZORKOVANJA 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz IZLAZI ZA MIKROFON Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 111dB (A-weighted) THD+N <0.0012% Noise EIN -128dBu (A-weighted) Maksimalna ulazna jačina 9dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 3kΩ LINIJSKI ULAZI Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 22dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110dB (A-weighted) THD+N <0.03% Maksimalna ulazna jačina 12.5dBu (pri minimalnoj jačini) Raspon jačine 56dB Impedansa 1.5MΩ LINIJSKI/IZLAZI ZA MONITOR Dinamički opseg (linijski izlazi) 108dB THD+N <0.002% Maksimalna izlazna jačina (0 dBFS) 15.5dBu Impedansa 430Ω IZLAZI ZA SLUŠALICE Dinamički opseg 104dB (A-weighted) THD+N <0.002% Maksimalna izlazna jačina 7dBu Impedansa <1Ω

Windy6 FireWire Recording Interface Made for Music. The INFRASONIC Windy6 Audio/MIDI Interface is all-around gear for creation, providing high quality audio and MIDI in and out of your computer at reasonable price. It features high-speed IEEE-1394, FireWire Bus; the Windy6 gives your computer high quality 6 inputs, 6 outputs including 2 digital input and 2 digital output audio interface. 6-in/ 6-out FireWire High-Performance Audio/MIDI interface 4-in/4-out analog I/O, 2-in/2-out S/PDIF I/O 4 balanced inputs - 2 x NEUTRIK짰 XLR/TRS combo jack, 2 x 1/4inch TRS phone jack - Flexible Line/Hi-Z input - A/D converter: Dynamic Range 113dBA 2 x MIC pre-amp features on front panel - +48V Phantom power - Channel Insert 1/2 for connecting serial out board effects 4 Servo-balanced outputs (1/4inch TRS phone jack) - D/A converter: Dynamic Range 115dBA Coaxial type S/PDIF I/O Supports up to 24-bit/192kHz 16ch MIDI I/O Affordable 2 FireWire ports available multi-devices link Heavy-Duty Aluminum body Hi-gain and Hi-powered class AB headphone amps Controllable the mixed level between output 1/2 and output 3/4 ASIO2, WDM, DirectSound supports Core audio/ Core MIDI supports

Renowned AD/DA Conversion Lyra-1 cuts no corners in its design and boasts the same trusted Prism Sound converters used on countless hit records. It's ultra-transparent characteristic means what you put into the Lyra-1 is exactly what you get out of it. Pristine Pre-Amplification Featuring a single class-A microphone preamp, Lyra-1 guarantees superbly clean, detailed recordings that capture a performance the way it was intended. Soft-Clip Limiting Lyra's analog input channels include a switchable Prism Sound 'Overkiller' circuit. This soft-clip limiter gently absorbs transients and allows signal levels to be pushed to their limits without risk. Quality Support Prism Sound's reputation for audio excellence has been matched only by its top-quality after-sales support and technical advice. The longevity of a Prism Sound product is a testament to the dedicated team behind it. Prism Sound LYRA 1 Specs Form Factor Rackmount (Rack-Mountable with Optional Hardware) Display 1 x Color Channels of I/O 2 Input / 2 Output Built-In DSP None Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Built-In Microphone None Input Level Adjustment 1 x Knob Expansion Slots None Signal Processing Pad -20 dB Gain/Trim Range 10 dB to 65 dB (in 1 dB Steps) Connectivity Analog Audio I/O 1 x XLR 3-Pin Balanced Mic/Line Input 2 x 1/4" TRS Balanced Mic/Line Input 2 x 1/4" TRS Balanced Line Output Phantom Power 48 V (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x SC-Plug Optical ADAT / S/PDIF Output Host Connection / USB 1 x USB-B Host Connection Protocol Not Specified by Manufacturer USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance Frequency Response 20 Hz to 20 kHz Impedance Inputs: 14.5 Ohms Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range 115 dB THD -107 dB THD+N -106 dB / 0.0005% Crosstalk < -120 dB Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Bit Depths 24-Bit Clocking Internal: Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.5 or Later (64-Bit Only) Windows 8 or Later (32/64-Bit) *As of August, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Mobile Device Compatibility None Required Hardware USB-A Port Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 90 to 250 VAC, 50 / 60 Hz AC/DC Power Adapter 90 to 250 VAC Power Consumption 15 W Physical Rackmount Size 1 RU Operating Humidity 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 19 x 9.5 x 1.8" / 483 x 242 x 44.5 mm Weight 4.6 lb / 2.1 kg

iRig Stream Pro overview XLR / 1/4” combo input with +48V phantom power Stereo line input via RCA connectors Headphone out with integrated mic input 2nd headphone/line out for cameras, mixers and more Up to 96 kHz / 24-bit resolution for pro-level sound Pre-mixes audio sources to stereo or 4 separate channels Loopback+ lets you mix in audio or route from app to app Powered by 2 AA batteries, bus power or optional PSU Can power your device (with optional PSU) Works with all your favorite apps Mix and stream up to 4 audio sources iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4” combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along. XLR / 1/4" combo input This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass. RCA stereo input Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input. 3.5mm TRRS input/headphone output A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation. Device Loopback This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device. Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favorite apps. Pristine, professional sound – every time iRig Stream Pro offers 24-bit, 96 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform. An adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly. Switchable direct monitoring lets you audition your sound before going live, so you’ll never have to ask your listeners how you sound again. Need to cough? A front-panel MUTE button instantly mutes the XLR / 1/4” input so you can duck out of your stream and re-join silently without disrupting the other inputs. Stereo or multichannel? You get both! iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4” combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc. Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favorite DAW. Pro results with Loopback+ Multichannel mode offers another advantage. Loopback+ is powerful new feature that lets you route either or both channels 3 and 4 to audio apps such as MixBox, AmpliTube or VocaLive for processing and then route their outputs through the Loopback feature and into channels 1+2 going to your streaming app. Now you can actually use these apps on your iOS or Android device as a front-end processor for all streaming apps. It’s like using them as a plug-in for more creative and professional-sounding streams. Crank it up to 11 iRig Stream Pro is ideal for guitarists who want to stream with the best quality possible and have the ability to blend in other audio sources. And with Loopback+ for processing their sound in AmpliTube iOS, the possibilities are limitless for sharing incredible guitar and bass tones with the world anytime. Get connected, stay connected iRig Stream Pro makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC. And with two AA batteries, you can enjoy hours of reliable performance anywhere. Or, connect via bus power on your Mac/PC for battery-free operation. And an optional PSU not only powers iRig Stream Pro, it will keep your iPhone or iPad charged as well for even the longest sessions. Comprehensive compatibility iRig Stream Pro works with any app that records or streams audio or video, so you’ll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) – an easy-to-use, high-quality audio and video recording app. Record, trim, edit and share, right from your device. The Creator series from IK Multimedia puts you in the spotlight with fast and easy tools to help you create professional content. Its budget-friendly solutions are ideal for YouTubers, podcasters, live streamers and other social media platforms, and include a variety of mobile and studio-friendly microphones, interfaces and smartphone stands. With convenient features and flexible options, you’ll be covered wherever and whenever inspiration strikes. iRig Stream Pro Specifications Common Type: 2 in/2out or 4 in/2out Conversion: 24-bit A/D, 24-bit D/A Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device. Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input. Device Connection: mini-DIN Dimensions: 123 mm/4.84” x 67 mm/2.63” x 40 mm/1.57” Weight: 146g Line input Connector: 2x RCA (unbal.) Left/Right Nominal Input Level: -10 dBV Head Room: 10 dB - Level @ max Input Impedance: 16.5k Ohms Frequency Response: from 20 Hz to 20 kHz (-1.5 dB) Microphone Input Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground Microphone Input Level: from 3.8 mV RMS to 388 mV RMS Microphone Input Impedance: approx 2 kOhms Analog Gain Range: 40 dB Phantom Power: +48 V ± 4 V Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min from 20 Hz to 20 kHz (-3 dB) Gain @ max Instrument Input Instrument Input: unbalanced, Hi-Z, TS 1/4” Jack, Tip: signal / Shield: ground Instrument Input Level: from 70 mV RMS to 1.8 V RMS Instrument Input Impedance: 1M Ohms Analog Gain Range: 28 dB Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min from 20 Hz to 20 kHz (-3 dB) Gain @ max Headset/Phones Connector: 1/8” TRRS jack (CTIA wiring standard) Supply voltage: > 2,5 V Microphone gain: Adjustable with numbered thumbwheel Frequency Response: 20 Hz – 20 kHz Headphone Level control: numbered thumbwheel Battery Life Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load Note: all measurements made with Stream Level knob at 0dB. Package includes iRig Stream Pro interface Lightning to mini-DIN connection cable with charging features (60cm/23.62") USB C-Type to mini-DIN connection cable (60cm/23.62") USB A-Type to mini-DIN connection cable (60cm/23.62") 2x 1.5V AA battery Velcro strip Compatibility iOS Devices Compatible with iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone SE (2nd generation), iPhone SE, iPhone 11 Pro Max, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone 6, iPad (8th generation), iPad Pro 10.5-inch, iPad Pro 12.9-inch (2nd generation), iPad Pro 9.7-inch, iPad Pro 12.9-inch (1st generation), iPad Air (3rd generation), iPad Air 2, iPad mini (5th generation), iPad (7th generation), iPad (6th generation), iPad (5th generation), iPod touch (7th generation), iPod touch (6th generation). Also compatible with all newer iPhone, iPad and iPod touch models. Computers Mac®: macOS® 10.6 or later. One free USB port. Windows®: One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed. Download the iRig ASIO driver here. Android Devices Compatible with Android devices running Android 5 or later and with USB digital audio capabilities. Micro-USB-OTG mini-DIN cable (sold separately) may be required (depending on device model).

Furnished with 24-bit / 192 kHz converters performing well beyond the interface's price point, the Apollo Twin USB gives musicians, producers, songwriters, and audio engineers the appreciable value of clear, high-resolution recording and mixing with low distortion (-110 dB) and great dynamic range (118 dB). The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Twin USB's face. In addition to the two primary analog inputs, you can record up to eight more channels by connecting external preamps with ADAT or S/PDIF optical outputs to the TOSLINK optical input port on the Apollo Twin USB. The built-in DUO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Equipped with a dedicated stereo monitor feed, a front-panel headphone output, and two additional 1/4" line outputs, the Apollo Twin USB can serve as the monitor controller for your studio's speakers and headphones. Plus, its clearly visible input and output meters help you keep track of your levels. At any point, you can increase the power of the Apollo Twin USB through integration of qualified Universal Audio hardware. Add UAD-2 PCIe DSP accelerator cards, UAD-2 Satellite Firewire, and UAD-2 Satellite USB to expand DSP resources without abandoning the Apollo Twin USB. Heritage Edition The Heritage Edition features the same Apollo Twin USB interface found in the standard edition, but with more plug-ins. The standard Apollo Twin USB includes the Realtime Analog Classics bundle (14 plug-ins), and the Heritage Edition adds 11 more plug-ins for a total of 25 revered UA-powered plug-ins. The Power of Apollo Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins DUO Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware USB 3.0 connectivity for Windows computers (USB 3.0 SuperSpeed cable included) Convenient desktop form factor with reliable AC powering (external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Studio 10x6 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel, Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control Two additional 1/4" line-level outputs, may be used for alternate monitor outputs Add up to eight extra input channels via one TOSLINK optical ADAT port (may alternatively be used for stereo S/PDIF) Expandable DSP Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Universal Audio Twin USB Specs Form Factor Desktop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 6 Outputs at 192 kHz Digital: 8 Inputs / 0 Outputs at 48 kHz 4 Inputs / 0 Outputs at 96 kHz 2 Inputs / 0 Outputs at 192 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Input Level Adjustment 1 x Knob Expansion Slots None Signal Processing Pad -20 dB (Switchable per Channel) Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 to +65 dB High-Pass Filter 75 Hz Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced/Unbalanced Monitor Output 2 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) Host Connection / USB 1 x USB-B Host Connection Protocol USB 3.0 / 3.1/3.2 Gen 1 USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance Frequency Response Mic, Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.1 dB Line, Headphone, Monitor Outputs: 20 Hz to 20 kHz ±0.1 dB Maximum Input Level Mic Inputs: +26 dBu (Min Gain, with Pad) Line Inputs: +20.2 dBu Hi-Z Inputs: +12 dBu Maximum Output Level Line/Monitor Outputs: +20.2 dBu Headphone Output Power 80 mW into 600 Ohms (Max) Impedance Mic Inputs: 5.4 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Line/Monitor Outputs: 600 Ohms Dynamic Range Mic Inputs: 118 dBA Line Inputs: 117.5 dBA Hi-Z Inputs: 117 dBA Monitor Outputs: 115 dBA Line Outputs: 118 dBA Headphone Outputs: 113 dBA SNR Mic Inputs: 118 dBA Line Inputs: 117.5 dBA Hi-Z Inputs: 117 dBA Monitor Outputs: 115 dBA Line Outputs: 118 dBA Headphone Outputs: 113 dBA THD+N Mic Inputs: -110 dBFS Line Inputs: -108 dBFS Hi-Z Inputs: -101 dBFS Monitor Outputs: -105 dBFS Line Outputs: -107 dBFS Headphone Outputs: -101 dBFS EIN Mic Inputs: -127 dBu CMRR Mic Inputs: > 70 dB Digital Audio dBFS Reference Level Line Inputs: +4 dBu = 0 dBFS Monitor Outputs: +14 / +20 dBu = 0 dBFS (Selectable) Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility Windows 7 Windows 8.1 Windows 10 (64-Bit Only) *As of June, 2022: Check with manufacturer for the most up-to-date compatibility Included Software None Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i3 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available USB 3.0 / 3.1/3.2 Gen 1 Port USB Cable (Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 12 W (Maximum) Physical Anti-Theft Features Kensington Security Slot Operating Humidity 20 to 80% Operating Temperature 32 to 95°F / 0 to 35°C Storage Temperature -40 to 176°F / -40 to 80°C Dimensions 6.31 x 5.86 x 2.6" / 16.03 x 14.88 x 6.6 cm (Chassis Only) 6.31 x 6.2 x 2.6" / 16.03 x 15.7 x 6.6 cm (Including Controls and Protrusions) Weight 2.4 lb / 1.1 kg Packaging Info Package Weight 4.11 lb Box Dimensions (LxWxH) 7.9 x 7.8 x 5.5"

Producenti, muzičari, podkasteri, pevači USB Type-C konektivnost 2 kombo XLR-1/4” ulaza za mikrofonske / linijske / instrumentalne ulaze Dva 1/4" ulaza + četiri 1/4” izlaza 2 izlaza za slušalice 24-Bit / 192 kHz konverteri USB-C napajanje / Mac, Windows Fantomsko napajanje i MIDI I/O Dualni USB hab za kontrolere klavijature Pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 4, prenosivi 4x4 USB Type-C audio/MIDI interfejs koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svoja 2 low-noise mic/line/instrument pretpojačala, MiniFuse 4 pomaže pevačima-autorima pesama, muzičarima, dizajnerima zvuka, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. MiniFuse 2 pruža obilje konekcija. Pored dualnih XLR-1/4" kombo ulaza, postoje dva 1/4" izlaza i četiri 1/4” linijskih izlaza, kao i para izlaza za slušalice sa individualnim kontrolama jačine zvuka, i ugrađeni USB 2.0 Type-A hub, koji je savršen za povezivanje kontrolera klavijature. Interfejs takođe uključuje tradicionalne 5-pinske MIDI socket-e za integraciju MIDI opreme. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Inspirišite se i izrazite se kroz zvuk kad god i gde god sa ovim kompletnim portabl interfejsom lakim za korišćenje. Bez obzira da li ste pevač-autor pesama, klavijaturista, kompozitor ili nešto između, uživajte u kvalitetu preciznog zvuka, pametnim karakteristikama i odličnom integrisanom softveru. Kreativna konektivnost MiniFuse 4 spaja vaše ideje i vaš finalni muzički proizvod pomoću svojih ulaza i izlaza. Njegovi dualni XLR-1/4" kombo ulazi sa Fantomskom snagom od 48V omogućava vam lako snimanje dva mikrofona, Hi-Z instrumenta ili line-level izvora. Sinhronizujte i snimajte svoje MIDI uređaje sa 5-pinskim DIN konekcijama. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnim USB Type-A hub utičnicom. Na kraju, konektujte USB uređaje kao što je MIDI klavijatura sa dodatnim Tip-A USB-om. Visokokvalitetni zvuk Za audiofile, MiniFuse 4 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn MiniFuse 4 je dizajniran da vas prati na vašim last-minute sesijama, u kratkim rokovima i spontanim muzičkim momentima. MiniFuse nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Ponesite svoj zvuk sa sobom, gde god da idete. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Vrhunski softver MiniFuse dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte sve uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style autotjunom sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

In creating UAD plug-ins, the company's DSP engineers work with the original hardware manufacturers, using their exact schematics and best units, to deliver the experience of processing audio with classic analog equipment. The accelerator's SHARC processors and USB 3.0 SuperSpeed technology offers reduced plug-in latency comparable to that of FireWire 800. Included with the unit is the Analog Classics plug-in bundle featuring the UA 610-B Preamp and EQ, along with Legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizer, UA Precision Enhancer Hz, Precision Mix Rack Collection, and RealVerb Pro plug-ins. Run UAD Powered Plug-Ins via USB 3.0 on Windows-based PCs Four SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Access over ninety plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins "on the road" for mixing on Windows-based PCs Combine with other UAD-2 devices, including UAD-2 PCIe cards, UAD-2 Satellite FireWire, and Apollo Twin USB desktop interface Compatible with Pro Tools, Cubase, Live, and more Universal Audio UAD-2 Specs Form Factor Tabletop Connectivity Host Connection / USB 1 x USB Type-B (USB 3.0 / 3.1 Gen 1) Compatibility OS Compatibility Windows 7 Windows 8.1 Windows 10 (64-Bit Only) *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) RTAS VST Processor Requirement Intel Core i3 (Minimum) Intel Core i7 or Better (Recommended) Storage Requirements 6 GB Required Hardware Available USB 3.0 / 3.1 Gen 1 Port Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 5.2 lb Box Dimensions (LxWxH) 9.7 x 9.6 x 7.5"

In creating UAD plug-ins, the company's DSP engineers work with the original hardware manufacturers, using their exact schematics and best units, to deliver the experience of processing audio with classic analog equipment. The accelerator's SHARC processors and USB 3.0 SuperSpeed technology offers reduced plug-in latency comparable to that of FireWire 800. Included with the unit is the Analog Classics plug-in bundle featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizer, UA Precision Enhancer Hz, Precision Mix Rack Collection, and RealVerb Pro plug-ins. Run UAD Powered Plug-Ins via USB 3.0 on Windows-based PCs Eight SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Access over ninety plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins "on the road" for mixing on Windows-based PCs Combine with other UAD-2 devices, including UAD-2 PCIe cards, UAD-2 Satellite FireWire, and Apollo Twin USB desktop interface Compatible with Pro Tools, Cubase, Live, and more Universal Audio UAD-2 Specs Form Factor Tabletop Connectivity Host Connection / USB 1 x USB Type-B (USB 3.0 / 3.1 Gen 1) Compatibility OS Compatibility Windows 7 Windows 8.1 Windows 10 (64-Bit Only) *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) RTAS VST Processor Requirement Intel Core i3 (Minimum) Intel Core i7 or Better (Recommended) Storage Requirements 6 GB Required Hardware Available USB 3.0 / 3.1 Gen 1 Port Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 5.4 lb Box Dimensions (LxWxH) 8.6 x 8.5 x 5.6"

Powered by eight SHARC processors, the standalone DSP accelerator provides extensive plug-in instantiation for large mixes without taxing the host computer, and while delivering world-class analog emulation. The Custom edition goes a little further: it gives you three additional UAD plug-ins of your choice, provided you download them within forty days of your purchase. Other benefits of the Thunderbolt 3 equipped DSP accelerator include greater UAD plug-in instances (the interface requires less of its own DSP to function when compared with previous versions), improved performance at higher sample rates, and reduced UAD plug-in latency. Additionally, the unit can supercharge existing Apollo interfaces and other UAD-2 DSP Accelerator systems by creating expanded systems for running complex mixes. Included with the unit is the company's Analog Classics bundle, featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizers, UA Precision Enhancer Hz, CS-1 Precision Channel, and RealVerb Pro plug-ins. Note: Thunderbolt cable required and available separately. Run UAD Powered plug-ins via Thunderbolt 3 connections on new Macs Run UAD Powered Plug-Ins via Thunderbolt 1 and 2 connections with an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (available separately) 8 SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Download any three UAD plug-ins of your chance, so long as you do so within 40 days of purchase Access over 100 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins on the road for mixing on Thunderbolt-equipped Macs Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Combine with other UAD-2 devices, including UAD-2 PCIe card(s), Apollo audio interfaces, and additional Satellites Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Universal Audio UAD-2 Satellite TB3 Specs Form Factor Tabletop Connectivity Host Connection / USB 2 x USB Type-C (Thunderbolt 3) Compatibility OS Compatibility Windows 10 (64-Bit Only) macOS 10.12 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) Audio Units (AU) RTAS VST Storage Requirements 6 GB Required Hardware Thunderbolt 3 Cable (Not Included) Available Thunderbolt Port Thunderbolt 3 to Thunderbolt Adapter (Not Included, Required for Thunderbolt 1 and 2 Connections) Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 4.96 lb Box Dimensions (LxWxH) 8.5 x 8.5 x 5.6"

Powered by four SHARC processors, the standalone DSP accelerator provides extensive plug-in instantiation for large mixes without taxing the host computer, and while delivering world-class analog emulation. Other benefits of the Thunderbolt 3 equipped DSP accelerator include greater UAD plug-in instances (the interface requires less of its own DSP to function when compared with previous versions), improved performance at higher sample rates, and reduced UAD plug-in latency. Additionally, the unit can supercharge existing Apollo interfaces and other UAD-2 DSP Accelerator systems by creating expanded systems for running complex mixes. Included with the unit is the company's Analog Classics bundle, featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizers, UA Precision Enhancer Hz, CS-1 Precision Channel, and RealVerb Pro plug-ins. Note: Thunderbolt cable required and available separately. Run UAD Powered plug-ins via Thunderbolt 3 connections on new Macs Run UAD Powered Plug-Ins via Thunderbolt 1 and 2 connections with an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (available separately) 4 SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Access over 100 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins on the road for mixing on Thunderbolt-equipped Macs Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Combine with other UAD-2 devices, including UAD-2 PCIe card(s), Apollo audio interfaces, and additional Satellites Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Universal Audio UAD-2 Satellite TB3 Specs Form Factor Tabletop Connectivity Host Connection / USB 2 x USB Type-C (Thunderbolt 3) Compatibility OS Compatibility Windows 10 (64-Bit Only) macOS 10.12 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) Audio Units (AU) RTAS VST Storage Requirements 6 GB Required Hardware Thunderbolt 3 Cable (Not Included) Available Thunderbolt Port Thunderbolt 3 to Thunderbolt Adapter (Not Included, Required for Thunderbolt 1 and 2 Connections) Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 4.95 lb Box Dimensions (LxWxH) 8.5 x 8.5 x 5.6"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x6 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features two XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the six 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x6's face. In addition to the six primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x6. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x6, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x6 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), six 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x6 is capable of acting as a 5.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x6 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x6. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 16x22 audio interface with two Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 6x6 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional six 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 5.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x6 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X6 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 6 Inputs / 12 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 6 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 6 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Maximum Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Maximum Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.45 lb Box Dimensions (LxWxH) 23 x 16.5 x 6.8"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x8 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features four XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the eight 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x8's face. In addition to the eight primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x8. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x8, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x8 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), eight 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x8 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x8 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x8. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 18x24 audio interface with four Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 8x8 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional eight 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 7.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X8 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 8 Inputs / 14 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 4 Preamps Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 4 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 8 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 8 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Maximum Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Maximum Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 17.55 lb Box Dimensions (LxWxH) 23 x 16.8 x 6.8"

Furnished with Universal Audio's flagship 24-bit / 192 kHz conversion, the Apollo x16 gives engineers in commercial recording studios, concert tours, and postproduction facilities the confidence of recording and mixing with detailed imaging, unbelievably low distortion (-129 dB), and unmatched dynamic range (133 dB). Additionally, its switchable headroom setting facilitates proper level-matching with large-format consoles and a variety of boutique and pro-level audio equipment. The interface features 16 balanced analog line-level inputs and outputs on DB25 connectors, perfect for patching in external mic preamps and custom signal chains or hooking up to a bunch of channels on a classic analog mixing board. You also get a pair of XLR monitor outputs and stereo AES/EBU I/O, which can be utilized when you need to connect a dedicated feed to a mastering system or if you wish to incorporate alternative stereo converters. Utilize the BNC wordclock input and output jacks to accurately clock to house sync or lock other digital equipment to the Apollo x16. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The included Realtime Analog Classics Plus plug-in bundle empowers you with 16 top-notch plug-ins ranging from compressors and EQs to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x16 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls as well as full input and output metering capabilities. In addition to the dedicated stereo XLR monitor output, the 16 line outputs can feed alternate monitors and outboard processors. In fact, the Apollo x16 is capable of acting as a 7.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x16 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x16. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). The Power of Apollo X Track, overdub, and mix with UA's flagship AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Commercial Studio 18x20 audio interface with 16 balanced analog line-level inputs and outputs via DB25 multipin connectors Stereo XLR monitor output with level control Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Stereo AES/EBU input and output on XLR jacks, ideal for interconnecting mastering converters BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Workflow-Enhancing Features Built-in multichannel monitor controller with assignable dim or mono mode, works with main, alt, or even 7.1 surround sound speaker setups Integrated talkback and cues for easy communication and slate functionality Extensive front-panel metering and indication Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 16 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle, which supports VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs UA 610-B Tube Preamp and EQ Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) Pultec EQP-1A EQ (Legacy) Pultec Pro EQ (Legacy) Teletronix LA-2A Leveling Amplifier (Legacy) Raw Distortion Fairchild 670 Compressor (Legacy) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x8p becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X16T Specs Form Factor Rackmount Display 18 x Multi-Segment LED Meter Channels of I/O Analog: 16 Inputs / 18 Outputs at 192 kHz Digital: 2 Inputs / 2 Outputs at 192 kHz Maximum Sampling Rate 192 kHz / 24-Bit Number of Mic Preamps None Solo/Mute Mute per Master Pad None High-Pass Filter None Expansion Slots None Connectivity Analog Audio I/O 2 x DB-25 25-Pin Balanced Line/8-Channel Input 2 x DB-25 25-Pin Balanced Line/8-Channel Output 2 x XLR 3-Pin Balanced Monitor Output Phantom Power None Digital Audio I/O 1 x XLR 3-Pin AES3 Input 1 x XLR 3-Pin AES3 Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Line Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.02 dB Monitor Outputs: 20 Hz to 20 kHz ±0.2 dB Maximum Input Level Line Inputs: +24 dBu (Balanced, +4 dBu) +6.2 dBV (Balanced, -10 dBV) Maximum Output Level Line/Monitor Outputs: +24 dBu (+4 dBu) +10 dBV (-10 dBV) Impedance Line Inputs: 10 Kilohms Line/Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Line Inputs: 124 dBA Line Outputs: 127 dBA Monitor Outputs: 133 dBA THD+N Line Inputs: -115 dB / 0.00018% (1 kHz, +23 dBu Input) Line Outputs: -123 dB / 0.000068% (1 kHz, at -1 dBFS) Monitor Outputs: -129 dB / 0.000037% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources AES3, Internal, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 17.15 lb Box Dimensions (LxWxH) 23 x 16.5 x 6.8"

Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power Mix with UAD plug-ins like the included Teletronix® LA-2A and 1176 compressors, Pultec® EQs, and 610-B Preamp Track with near-zero latency through preamp emulations from Neve,® API,® Manley® and more using Unison™ technology† Unison Technology: The Genuine Sound of Neve, SSL, API & Manley Preamps Apollo Twin features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, SSL, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps. A Full Suite of Classic Analog Processing Onboard Right out of the box, Apollo Twin USB provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged. From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound. Access the World of UAD Powered Plug-Ins Beyond the included Realtime Analog Classics plug-ins, Apollo Twin USB lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing. Next-Generation A/D and D/A Conversion Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo Twin provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more. Now with Vintage Amps New for Apollo Twin USB is Unison technology on the front panel instrument input, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier. A Sleek, Low-latency App With Apollo Twin’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more. Features Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately. Unison™ technology offers stunning models of classic tube and transformer-based mic preamps USB 3 connection for easy connectivity on Windows-based recording systems Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output Two digitally controlled analog monitor outputs for full resolution at all listening levels Up to eight channels of additional digital input via Optical connection Uncompromising analog design, superior components, and premium build quality Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs USB System Requirements Windows 10 64-Bit Edition Available built-in USB 3 SuperSpeed port* Intel Core i3, Core i5, Core i7, or Xeon processor* 6 gigabytes available storage USB 3.0 SuperSpeed cable (included) Internet connection to download software and authorize UAD plug-ins Compatible VST, RTAS, or AAX 64 plug-in host DAW software For additional compatibility information, visit help.uaudio.com *Notes: Quad Core i7 or better recommended 2-in-1 systems (notebook/tablet) are not recommended USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

Each of the eight Antelope Discrete mic preamps has its own phantom power and up to 65 dB of gain, so the interface is primed and ready for recording all sorts of microphones, instruments, or even line-level signals from outboard gear. Equipped with two independently adjustable headphone outputs, balanced monitor outs, eight line outputs, and two reamp sends, the Discrete 8 Pro Synergy Core can act as your studio's hub for multiple sets of headphones, mixes, monitor feeds, and more. Its ADAT and S/PDIF digital I/O ports are perfect for expanding your setup with digital gear such as external converters, and the wordclock input and outputs ensure professional synchronization with other interfaces and clocks. Updates to the Pro Model Compared to the Discrete 8 Synergy Core, the Discrete 8 Pro Synergy Core delivers improved performance with greater dynamic range, less total harmonic distortion and noise, and double the available channel strips for effects processing. Also, it replaces Thunderbolt 2 connectivity with Thunderbolt 3 (in addition to USB 2.0). High-Fidelity Conversion and Clocking The Discrete 8 Pro has been upgraded with studio-ready 192 kHz converters (up to 130 dB of headroom) and Antelope Audio's proprietary 64-bit AFC clocking. With the interface in your rack, you can experience a new level of detail in your recordings and enjoy a wider soundstage for an exceptional stereo image in audio playback. Transparent Preamps Antelope Audio's discrete preamp topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in high gain (up to 65 dB), minimal noise, and precise sound capture for pristine, transparent recordings. Extensive Connectivity The Discrete 8 Pro Synergy Core offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on a DB25 connector, two reamp outputs, a pair of monitor outputs, two headphone outputs, plus 16-channel ADAT and stereo S/PDIF I/O are at your disposal. For your computer connection, you have USB 2.0 and Thunderbolt 3 ports. All I/O is available at any time and can be used simultaneously without the need to change setups, making it easy to work on multiple sessions. Tools for Guitarists Plug in your guitar directly to one of the two Hi-Z enabled inputs and instantly sculpt your tone with guitar amps and cabinet models. Add compression, EQ, and AuraVerb while playing through your preferred amp, cabinet, and microphone combination. The Discrete 8 Pro's two reamp outputs allow you to connect any of your effect pedals or outboard gear, and record that sound back into your preferred DAW. Word Clock for Pro Sync Three wordclock outputs let you distribute the interface's highly stable clock signal across your studio while the wordclock input allows you to sync the Discrete 8 Pro Synergy Core with other gear. Versatile Control Panel A virtual routing patch-bay on the Discrete 8 Pro Synergy Core streamlines the routing process and even adds creative possibilities. Apart from the intuitive routing, the software control panel allows you to create presets, quickly configure mixes, and more. With the enhanced processing, you can add effects on every input source. Pushing the FX Further The 37 effects included with Discrete 8 Pro are modeled after iconic studio equipment and can be applied in real time during monitoring, postproduction, and live recording. Aside from the exclusive compressors, EQs, and preamps, the interface comes with 22 guitar amps and cabs, a guitar tuner, and a signature reverb that are processed with near-zero latency entirely inside the interface, putting zero load on your host CPU. The onboard Synergy Core contains the processing power of a complex multi-rack setup which enables you to load effects on up to 16 channel strips (double the available channel strips compared to the original Discrete 8 Synergy Core). At any time, you can expand your effects collection by purchasing more classic go-to units, true rarities never before recreated in digital form, and 3rd party effects like Antares Auto-Tune Synergy. Session Recall For every individual recording scenario, you can save session files and create exact snapshots of your effects chains, so you can load them later without losing your progress. Ready for Mic Modeling The interface's Modeling Engine is ready to be paired with the Edge line of microphones (available separately) for real-time use of vintage microphone emulations. Workflow-Enhancing Features Direct hardware monitoring with Synergy Core effects processed in real time with imperceptible latency Expanded routing capabilities—switch audio sources per channel based on a drop-down menu sequence or make use of a virtual routing matrix Customizable presets complete with signal routing, level adjustments, mixer settings, and submixes Front panel with independent headphone and monitor volume knobs and buttons for sample rate configuration, and hands-on control of core parameters Hardware relay-based gain knobs for each preamp plus mode control (mic / line / Hi-Z) via push sequence Supports standalone operation Wireless control of software features from a separate computer connected to the same network Footswitch input supports functionality as a single footswitch to control the dim function and as a dual footswitch to control both the talkback and dim functions 37 Real-Time Effects The collection of 37 Synergy Core effects is powered by the Synergy Core proprietary onboard platform, which uses two DSP chips and one FPGA chip for real-time effects processing with imperceptible latency. BA-31: Germanium mic preamp Gyraf Gyratec IX: Dual tube mic preamp with high-pass filter Clear Q: Parametric EQ VEQ-1A: 2-band tube EQ VMEQ-5: 3-band tube midrange EQ VEQ-HLF: Tube 2-band high- and low-pass filters VCA160: VCA compressor/limiter Stay-Levin: Vari-Mu tube compressor FET-A76: FET compressor/limiting amplifier X903: VCA compressor/limiter PowerFFC: Feed-forward compressor Power Gate: Noise gate Power EX: Expander Auraverb: Reverb A-Tuner: Guitar tuner Plexi 59 (UK): Tube guitar amp Bass SuperTube VR: Tube guitar amp Darkface 65 (US): Tube guitar amp Top30 (UK) Bright: Tube guitar amp Tweed Deluxe (US): Tube guitar amp Overange 120 (UK): Tube guitar amp BurnSphere (DE) Lead: Tube guitar amp Marcus II (US) Lead: Tube guitar amp Modern (US) CH3: Tube guitar amp Rock 75 (UK): Tube guitar amp Rock 22.10 (UK): Tube guitar amp Darkface 65 2x12: Guitar cabinet Top30 2x12: Guitar cabinet Modern 4x12: Guitar cabinet Green 2x12: Guitar cabinet Vintage 4x12: Guitar cabinet Green 4x12: Guitar cabinet Caliper 50 1x10: Guitar cabinet Bluelux 1x12: Guitar cabinet Clst 1x12: Guitar cabinet England 4x12: Guitar cabinet Bass Tube 1x15: Guitar cabinet Antelope DISCRETE 8 PRO SYNERGY CORE Specs Form Factor Rackmount Display 1 x Color Channels of I/O Analog: 8 Inputs / 14 Outputs Digital: 18 Inputs / 18 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone 1 x (Talkback) Input Level Adjustment 8 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Mic Inputs: Up to +65 dB Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x DB-25 25-Pin Balanced Line Output (DC-Coupled) 2 x 1/4" TRS Unbalanced Headphone Output (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Balanced/Unbalanced Monitor/Re-Amp Output Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX Support, S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX Support, S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) 1 x USB Type-B (USB 2.0) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 3 x BNC Word Clock Output Network I/O None MIDI I/O None Other I/O 1 x 1/4" TS Footswitch Input Wireless Connectivity None Performance Maximum Input Level Mic Inputs: +18 dBu Maximum Output Level Line/Monitor Outputs: +20 dBu Dynamic Range Mic Inputs: 122 dB (A-Weighted) A/D Converters: 122 dB D/A Converters: 121 dB Monitor Outputs: 130 dB THD Mic Inputs: -116 dB THD+N A/D Converters: -116 dB D/A Converters: -100 dB Monitor Outputs: -115 dB EIN Mic Inputs: -128 dBu A-Weighted Digital Audio Sample Rates 32 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) 64-Bit (Clocking) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms Input Voltage: 3 V p-p Output Voltage: 3 V p-p Lock Range: 32 to 192 kHz Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS Windows Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: BA-31 Gyraf Gyratec IX Equalization: Clear Q VEQ-1A VEQ-HLF VMEQ-5 Dynamics: FET-A76 PowerFFC Power EX Power Gate Stay-Levin VCA160 X903 Reverb & Room: Auraverb Tuning: A-Tuner Guitar & Bass: Bass SuperTube VR Bass Tube 1x15 Bluelux 1x12 BurnSphere (DE) Lead Clst 1x12 Caliper 50 1x10 Darkface 65 2x12 Darkface 65 (US) England 4x12 Green 2x12 Green 4x12 Marcus II (US) Lead Modern 4x12 Modern (US) CH3 Overange 120 (UK) Plexi 59 (UK) Rock 22.10 (UK) Rock 75 (UK) Top30 2x12 Top30 (UK) Bright Tweed Deluxe (US) Vintage 4x12 Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port or USB 2.0 Port Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements AC/DC Power Adapter (Included) AC/DC Power Adapter 18 V, Center-Positive (Included) Physical Rackmount Size 1 RU Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 19 x 8.7 x 1.7" / 48.3 x 22 x 4.4 cm Weight 6.6 lb / 3.0 kg Packaging Info Package Weight 9.085 lb Box Dimensions (LxWxH) 25.6 x 14.1 x 3.8"

Line, instrument, or microphone sources can be connected via the stereo 1/4" TRS inputs, two 1/4" instrument inputs, and two XLR 3-pin inputs. Phantom power is selectable as are the input pads and built-in limiters. The four 1/4" line outputs are ideal for connecting to speakers and power amps, while the front-panel 1/4" jack offers dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Lyra 2 is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, and XLR to RCA adapters are included. Signal Path Analog and digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, analog and digital outputs, and stereo headphone outputs can be played independently. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors, and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Lyra 2 is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Lyra 2 is UAC2 compliant, it will also work with recent Linux and Android builds, although no control panel is provided. Flexible I/O Utilizing the same mic amps as Orpheus, the Lyra offers software-controlled gain in 1 dB steps, switchable phantom power, 20 dB pads, and low noise and distortion. The inputs are auto-sensing with software override. Inputs one and two can be microphone, instrument, or line. Analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with the four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Stable Clocking State-of-the-art clock generation with proprietary hybrid 2-stage DPLL keeps jitter to a minimum. The sample rate can be sourced from the local clock, BNC word clock, or digital input stream. Prism Sound Lyra 2 Specs Form Factor Desktop Channels of I/O 6 Input / 4 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Built-In Microphone None Expansion Slots None Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 2 Channels) Solo/Mute None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input 2 x 1/4" TRS Balanced/Unbalanced Line Input 4 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input Host Connection / USB 1 x USB-B Host Connection Protocol Not Specified by Manufacturer Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB / Ethernet MIDI I/O None Wireless Connectivity None Performance Impedance Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) Sample Rate Converter: 138 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.5 or Later Windows Vista or Later (32/64-Bit) *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Included Plug-Ins None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Mobile Device Compatibility None Power Power Requirements USB Bus Power AC Input Power 90 to 250 VAC, 50 / 60 Hz Power Consumption 15 W Physical Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 11.2 x 9.5 x 2" / 285 x 242 x 50 mm (with Feet) Weight 4.6 lb / 2.1 kg Packaging Info Package Weight 6.75 lb Box Dimensions (LxWxH) 17.5 x 12.25 x 5.5"

Features Stereo line input over RCA connectors Audio level LED indicators to dial in the right gain fast Up to 48kHz / 24bit resolution for crystal clear sound Pre-mixes audio sources down to stereo or mono Loop-back mixes incoming signals with your device’s audio Headphone out with integrated mic input to talk over your music Powered by your device for use on the go Works with all your favorite apps Custom ASIO driver for superior performance on Windows machines Mix and stream up to 3 audio sources iRig Stream makes it easy to connect all your audio sources and route them to a streaming or recording app. Send the digital output of your smartphone, tablet or laptop into iRig Stream, mix it with external audio sources like mixers, DJ decks, keyboards and more. Add your voice from earbuds (or an iRig Mic) and send all 3 signals back to your device to popular apps like Instagram, or just your built-in camera app. Get connected iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC – even the latest devices. 2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you’re looking to stream your DJ set, record band practice, jam along with your favorite song, or even host a podcast, iRig Stream lets you connect a massive range of gear. Sound your best iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you’ll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly. Make your voice heard iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously. The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation. Designed for apps If you’re ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won’t lose anything panned to one side. Comprehensive compatibility iRig Stream works with any app that records or streams audio or video, so you’ll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) – an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device. Built to go and to last iRig Stream is compact enough to slip into the pocket of your backpack, so it’s ideal for use on the go. It runs off your device’s battery, so there’s no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions. The Creator series from IK Multimedia puts you in the spotlight with fast and easy tools to help you create professional content. Its budget-friendly solutions are ideal for YouTubers, podcasters, live streamers and other social media platforms, and include a variety of mobile and studio-friendly microphones, interfaces and smartphone stands. With convenient features and flexible options, you’ll be covered wherever and whenever inspiration strikes.