Now everyone can plug in their guitar, bass or other instrument and enjoy killer tone on their iPhone, iPad, iPod touch or Mac — with the release of iRig 2, the world’s most popular guitar interface is now better than ever before. Plug and play simplicity on every device If you loved iRig's versatility, you'll love iRig 2's new adjustable gain dial, which works with its built-in 1/8" TRRS output connector to give you a true plug-and-play experience with your iPhone, iPad, iPod touch or Mac. Volume levels vary from instrument to instrument and from device to device. And while the original iRig provided superior sound, it was limited in that you were unable to customize the input gain level to your particular setup. With iRig 2, you get an input gain dial that gives you the power to ensure high-quality sound in every situation. This means that you'll be able to perform at your best no matter whether you're connecting a wailing 3 humbucker electric guitar or a jazzy archtop to your iPhone. Likewise, its 1/4” instrument input works with your guitar, bass or any line-level instrument. Just plug into it like you would into a stompbox or amplifier. It’s as simple as that. A Swiss Army knife for sound Want to take it to the stage? iRig 2's new 1/4” output jack lets you use iRig 2 with an amplifier as a part of your live rig without the use of an adaptor. This opens up a whole world of opportunities when paired with AmpliTube for iOS, IK's powerful guitar and bass multi-effects processor. It provides you with a vast library of meticulously modeled virtual stompbox effects, amplifiers and other gear that you can use as a part of your physical rig when you're jamming with friends, at a practice session, in the recording studio or performing live. Or, if you want to be discreet, plug your headphones into the included 1/8” headphone output. Even better is that iRig 2 features a switch that lets you select between a processed signal and a clean "thru" input signal. This means you can also use your mobile device as a tuner, recorder or other tool while preserving the purity of a 100% analog signal path. iRig 2 is there to help you make your practice and performance sessions as easy as possible. It comes with a microphone stand mount and Velcro strip that allow you to easy attach it for performance alongside other convenient tools like IK's iKlip range of mic supports for all sizes of smartphones and tablets. Features The sequel to the best-selling iRig interface 1/4” instrument input for use with guitar, bass and other line instruments 1/4” amplifier output for use with an external amplifier without an adaptor 1/8” TRRS output for use with iPhone, iPad, iPod touch and Mac 1/8” headphone output Compact and lightweight design Selectable dual-mode switch: FX and THRU Input gain thumbwheel for easy signal control Comes with microphone stand Velcro strip Comes with AmpliTube FREE for iOS (free download on the App Store) iRig HD 2 A digital rig with physical presence With iRig 2, you’ll be able to enjoy AmpliTube for iOS (the #1 app for guitar players). It's ready to go right out of the box. It comes with a powerful cross-platform suite of apps and software that includes free versions of AmpliTube for iOS and AmpliTube for Mac/PC. To use, just download your preferred version for iOS from the App Store. Then plug your guitar or bass into iRig 2, plug your amplifier or headphones into your device and launch the app. Immediately you'll see something very familiar: a complete guitar rig. AmpliTube for iOS recreates your entire guitar or bass signal chain in your mobile device and also — depending on your device — provides you with other advanced features, like multi-track recording and editing, high-quality export and more. And while iRig 2 is the ideal companion to AmpliTube for iOS, it also works with any other recording, processing, tuning or music app.

Overview Two-channel, portable, high-resolution USB audio interface for Mac OS and Windows. Balanced mic/line analog and coaxial/optical SPDIF I/O, with up to 24 bit/192 kHz resolution. 48V phantom, peak limiters and high-pass filter on microphone inputs. Stand-alone operation allows use as microphone preamplifier and A/D converter. USB bus powered. Key Features Extended bandwidth, low-noise microphone preamplifiers with 48 V phantom, limiters, high-pass filters, and 15 dB pad. Dynamic range greater than 114 dB (in 24-bit operation). Flat 10 Hz to 40 kHz (@96 kHz SR) audio bandwidth with very low distortion characteristics. Each input individually selectable between microphone, line, and aux level signals (both channels selected simultaneously for S/PDIF connections). Precision, 23-segment, multicolor LED peak/VU meter, selectable between input and output sources. High-output headphone amplifier can drive a wide range of headphones. Balanced outputs on XLR connectors with dedicated level control can be used to drive line- or mic-level inputs. Mix control enables zero-delay monitoring of source audio, computer audio, or a mix of both source and computer audio for multitrack recording or computer telephony. Phono (RCA) jacks connect Aux Output to external loudspeakers or preamplifiers. Bus powering via USB for convenient, single-cable connection to the computer. In Stand-Alone mode the USBPre 2 operates as a microphone preamplifier and analog-to-digital converter. Hardware loop-through for test and measurement to send computer audio directly back to an input. High-strength extruded aluminum chassis. Mac® OS X 10.4+, Windows®XP/Vista/7, and Linux, class-compliant audio device. Additional features controlled by hardware DIP switches on the back panel; no software-only features and no control panel. USBPre 2 Portable High-Resolution Audio Interface Sound Devices’ USBPre® 2 is a high-resolution, portable hardware interface for Mac- and Windows-based digital audio. The USBPre 2 is the industry’s highest performance and most flexible portable interface, connecting professional microphones, line-level sources, consumer audio electronics, and S/PDIF digital sources with Mac OS and Windows computers via USB. Precision Microphone Preamplifiers USBPre 2 includes two discrete-transistor microphone preamps with 24-bit converters and sampling rates up to 192 kHz. These preamplifiers provide the highest performance in any portable interface. Their topology is shared with Sound Devices’ award-winning 744T Digital Audio Recorder. Peak limiters, high-pass filters, and a 15 dB pad provide overload protection. All analog-to-digital and digital-to-analog conversion is performed by the USBPre 2 for superior audio performance. Computer Connectivity USBPre 2 allows for simple plug-and-play connection to computers running Mac OS, Windows, and Linux. There are no drivers to install for the USBPre 2 and there are no software-only features. All additional controls and settings are available on back panel DIP switches. The USB port also provides power to the unit, both when connected as an audio interface and when used in Stand-Alone operation. As a class-compliant audio device, the USBPre 2 is limited to a maximum data rate of 24-bit, 48 kHz in Windows, Linux, and Mac OS versions 10.4 to 10.5.7. Mac OS 10.5.8 and higher support the audio class 2.0 device and can address the USBPre 2 up to 24-bit, 192 kHz. To enable higher sampling rates in Windows OS, download the available Windows ASIO driver. Output Connectivity Flexibility To interconnect with sound systems big and small, the USBPre 2 includes numerous output connection types, including balanced mic- or line-level on XLR, unbalanced consumer line-level on RCA, S/PDIF coaxial (RCA) and optical (Toslink). The outputs have their own, dedicated front-panel level control. Use the balanced line-level signals to connect to powered loudspeakers. Use the optical S/PDIF to connect to hi-fi systems. Use the coaxial S/PDIF output in Stand-Alone mode for a portable microphone preamplifer with digital output for any production application. Informative Metering Accurate signal level metering is essential for any sound engineer. The USBPre 2 includes a 23-segment, multicolor LED meter for precise level indication. The meter is switchable between input signal metering and playback signal metering. The meter indicates both VU and peak (PPM) ballistics. Field-Tested Reliability Like all of Sound Devices products, the USBPre 2 is designed to stand up to the most demanding environments. Its extruded aluminum chassis and aluminum panels, machined knobs, metal connectors, and laser-etched nomenclature are designed to hold up to years of abuse. Stand-Alone Operation The USBPre 2 can be used in Stand-Alone mode where it operates as a high-quality, portable microphone preamplifier and analog-to-digital converter. Digital signals connected to the USBPre 2 are converted to analog and available at the headphone, XLR, and RCA outputs. Stand-Alone operation requires the unit to be connected to a USB power source. Stand-Alone mode is a great option when an additional microphone preamplifer, A-D converter, or D-A converter is required. One-year standard warranty turns into two-years upon registration. Click here for more information. What’s in the box: USBPre 2 computer audio interface 2-meter USB A to USB B Cable 4 Adhesive Rubber “Bumpers” Analog Inputs Frequency Response (reference 1 kHz, at 96 kHz Sample Rate) 10 Hz – 40 kHz, ± 0.5 dB (any input to PC recording) 10 Hz – 40 kHz, ± 0.5 dB (PC source to AUX output) THD+N (22 Hz – 22 kHz measurement bandwidth) 0.05% max (any input to PC recording, gain control at min, input driven to -6 dB FS) 0.009% max (AUX output, 0 dB V output, 100 ohm load) 0.05% max (HEADPHONES output, 2 V rms output, 600 ohm load) E.I.N. (MIC inputs) -127 dBu min (22 Hz – 22 kHz bandwidth, 150 ohm source, gain control fully clockwise, 15 dB pad out) Input Clipping Level (1% THD) Mic: -10 dBu Mic (15 dB pad): +4 dBu Line: +28 dBu (19.45 V rms) Aux: +9 dBu (2.18 V rms) Input Sensitivity (typical, for 0 dB FS) Mic: -9 dBu min, -60 dBu max Mic (15 dB pad): +6 dBu min, -58 dBu max Line: +29 dBu min, +10 dBu max Aux: +12 dBu min, -7 dBu max. Input Impedance (actual) Mic: 4k ohm, active-balanced Mic (15 dB pad): 4k ohm, active-balanced Line: 60k ohm, active-balanced Aux: 80k ohm, active-balanced Input Limiter Threshold Mic: -4 dBFS Low Cut Mic: 80 Hz, -3 dB, 12 dB per octave Phantom Power 48 V through 6.8k ohm resistors. Each mic input will supply 10 mA Outputs Output Clipping Level (1% THD, PC-controlled output levels at max) Balanced XLR: +18 dBu with 100k ohm load Aux: +8 dBu (2.0 V rms) with 100k ohm load Headphones: +11 dBu (2.75 V rms) with 600 ohm load Output Impedance Headphone (Actual): 22 ohms Balanced XLR (Line level): 500 ohms Balanced XLR (Mic level): 5 ohms Aux: 2k ohms Recording S/PDIF Digital 24 or 16 bit input A/D Converter 24-bit resolution. 114 dB typical dynamic range (22 Hz – 22 kHz bandwidth, A-weighted) D/A Converter 24-bit resolution. 112 dB typical dynamic range (22 Hz – 22 kHz bandwidth, A-weighted) Sample Rates / Bit Depths Recording: 8, 16, or 24-bit at 8, 16, 32, 44.1, 48, 96, or 192 kHz Playback: 24-bit at 8, 16, 32, 44.1, 48, 96, or 192 kHz Master Clock Crystal based, low jitter Metering 48 segments, 44 dB total range, peak ballistics. 0 dB on meter = 0 dB FS (0 dB referenced to full scale digital) Powering USB bus powered, soft-start meets USB hot-plugging power requirements (5 V, 100 mA max current drawn during enumeration) 5 V, 500 mA max current from USB port (USBPre 2 will not function if connected through a passive USB connection or hub) Dimensions (unpackaged) 4.3 cm x 18 cm x 10 cm (H x W x D) 1.7 in. x 7.25 in. x 4.25 in. (H x W x D) Weight 0.5 kg 1.13 lbs. Certifications Meets FCC Part 15 Class B Complies with the Requirements of European Directive 89/336/EEC

Apollo Solo is the world’s finest Thunderbolt 3-powered desktop recording audio interface for Mac and Windows — delivering class‑leading audio conversion, two Unison™ mic preamps, and a suite of onboard UAD plug-ins for recording album‑quality results, in real time. This compact 2x4 interface starts with esteemed Apollo A/D and D/A conversion to sonically outperform anything in its class. And with its Unison technology and built-in UAD‑2 processing, you can record through classic studio tools including the UA 610‑B Tube Preamp & EQ, LA‑2A and 1176 compressors, and more — with near‑zero latency. NOW YOU CAN: Record with class-leading A/D and D/A conversion — as heard on hundreds of hit records Track with near-zero latency through mic preamp and guitar amp emulations from Neve,® API,® Fender,® and more using Unison™ technology* Mix with included UAD plug‑ins like the Teletronix® LA‑2A and 1176 compressors, Pultec® EQs, and more Includes LUNA Recording System — a fully-integrated and inspiring music production application (Mac only) Create on-the-go with a sonically superior, bus-powered interface with rugged all‑metal construction Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class Unison™ Technology for Stunning Mic and Guitar Preamp Emulations Apollo Solo's Unison technology gives you the tone, touch, and “feel” of the world's most sought‑after preamps. These include the bundled UA 610‑B Tube Preamp, plus authentic mic preamp emulations from Neve® and API,® plus guitar amp emulations from Fender® and Marshall® — complete with their signature impedance, gain stage “sweet spots,” and component‑level circuit behaviors.* The secret to Unison is its hardware‑software integration between Apollo Solo’s mic preamps and its onboard UAD-2 processing. Simply place a Unison preamp plug-in on your mic input in Apollo's Console software, and it physically reconfigures Apollo’s impedance and gain staging — giving you the classic tube and transformer sounds of the world’s most recorded mic preamps and guitar amps.

Apollo x8p allows music engineers, producers, and project studios to track, overdub, and mix with elite-class A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or Windows. Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 22 interface laps the competition with eight Unison™-enabled mic preamps, all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time — plus it includes LUNA Recording System, giving you a fully‑integrated music production application. Record with elite-class A/D and D/A conversion — nearing the widest dynamic range and lowest noise available, at any price Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time Track through 8 Unison-enabled mic preamps — with fully authentic emulations from Neve,® API,® Manley,® Helios,® and more Includes LUNA Recording System — a fully-integrated and inspiring music production applicationElite-Class A/D and D/A Conversion With thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust. With 129 dB dynamic range and -119 dB THD+N, Apollo x8p’s open, natural sound rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing. Realtime UAD HEXA Core Processing Apollo x8p features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide. Unison Technology: The Genuine Sound of Neve, API & Manley Preamps Perfect for engineers, producers, and project studio owners, Apollo x8p features eight Unison-enabled mic preamps, letting you track large projects through exacting mic preamp emulations from Neve, API, Manley, Helios, SSL, and Universal Audio. A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware. The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard HEXA Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps. Apollo x8p Features & Specs 16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac) Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size 8 Unison-enabled mic preamps with realtime preamp emulations from Neve, API, SSL, Manley, Universal Audio, and more† Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt) Surround monitor controller up to 7.1 format Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately. UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers Interface Specifications Inputs Combo Mic/Line Inputs 8 Balanced XLR/TRS DB25 Line Inputs 8 Balanced via 25-pin D-sub Instrument (Hi-Z) Inputs 2 Unbalanced ¼" TS Digital Inputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz ADAT: 4 channels @ 176.4 – 192 kHz S/PDIF: 2 channels @ 44.1 to 96 kHz (Switchable ADAT or S/PDIF) A to D Conversion Mic Preamps Dynamic Range: 122 dB (A-weighted) THD+N: -115 dB (0.00019%) Frequency Response: 20 Hz – 20 kHz, ±0.05 dB Line Inputs Dynamic Range: 123 dB (A-weighted) THD+N: -113 dB (0.00022%) Frequency Response: 20 Hz – 20 kHz, ±0.04 dB Outputs DB25 Line Outputs 8 Balanced via 25-pin D-sub Monitor Outputs 2 Balanced ¼" TRS Headphone Outputs 2 Stereo ¼" TRS Digital Outputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz ADAT: 4 channels @ 176.4 – 192 kHz S/PDIF: 2 channels @ 44.1 to 96 kHz (Switchable ADAT or S/PDIF) D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted) THD+N: -118 dB (0.00011%) Frequency Response: 20 Hz – 20 kHz, ±0.07 dB Monitor Outputs Dynamic Range: 129 dB (A-weighted) THD+N: -118 dB (0.00012%) Frequency Response: 20 Hz – 20 kHz, ±0.06 dB Headphone Outputs Dynamic Range: 125 dB (A-weighted) THD+N: -102 dB (0.00080%) Frequency Response: 20 Hz – 20 kHz, ±0.05 dB

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical. The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX). Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs. TotalMix Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. Here are some typical applications for TotalMix: Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends. Unlimited routing of inputs and outputs (free utilisation, patchbay functionality). Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions. Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output. Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions. Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals. Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals. DIGICheck - Test, Measurement and Analysis Tool for Mac & Windows The Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also SPECS Digiface USB Input Optical ADAT / SPDIF 4 x TOSLINK, format according to Alesis specification SPDIF compatible (IEC 60958) Standard: 32 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 16 channels 24 bit 96 kHz Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter when synced to input signal: <1 ns Output Optical ADAT / SPDIF 4 x TOSLINK, format according to Alesis specification SPDIF compatible (IEC 60958) Standard: 32 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 16 channels 24 bit 96 kHz Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz Output Analog Phones 33/34 Dynamic range (DR): 110 dB RMS unweighted, 113 dBA Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz THD@-1dBFS:-96dB,0.0016% THD+N @ -1 dBFS: -95 dB, 0.0017 % Channel separation: > 100 dB Output: 6.3 mm TRS jack, unbalanced Output impedance: 2 Ohm Output level at 0 dBFS, 1 kOhm load: +9.5 dBu Max power @ 0.1% THD: 50 mW Digital Clocks: Internal, ADAT In, SPDIF In Low Jitter Design: < 1 ns in PLL mode, all inputs Internal clock: 800 ps Jitter, Random Spread Spectrum Jitter suppression of external clocks: > 30 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Supported sample rates: 28 kHz up to 200 kHz General Power supply: USB bus power Typical power consumption: 1.2 Watts Current at 5 V bus power operation: 230 mA Max power consumption: below 2 Watts Dimensions (WxHxD): 128 x 22 x 55 mm (5.04" x 0.87" x 2.2") Weight: 220 g (0.49 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing

The USB Dual Pre is powered via the USB bus. An internal 9 Volt battery, or optional external 12V power supply (or any combination of USB, battery & power supply) can be used depending on application. When running powered by battery alone, you should expect in excess of 50 hours of operation with phantom power off. Battery life will drop to approximately 20 hours (depending on microphone) when phantom powering is engaged (still enough time to get through an average session). The built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus. For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs. This lets you use the 1/4-inch outputs as either preamplifier outputs or as the monitor feed to your powered monitors. The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed. USB Connectivity to Desktop and Laptop Computers Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs Up to 48 dB of Clean Gain n Built-in Low Noise Phantom Power Supply Latency Free Monitoring Mix and Level Controls Independent Channel Gain Controls 1/4-inch TRS Balanced Monitor and 1/8-inch Headphone Monitor Outputs Includes Audacity Recording & Production Software Flexible 3-way Power from USB, External Supply, or 9 Volt Battery Includes USB Cable – Everything Needed To Start Recording Today!

2-person audio solution that fits in a pocket delivers professional broadcast-quality sound directly into iPhones, iPads, Android devices, Windows PCs and Mac Computers Includes 2 wired lavalier mics (one with a 9.8-foot cable and the other with a 16.4-foot cable) and 3 output cables (Lightning for Apple devices, USB-C for Android, USB-A for PC and Mac computers) High-quality built-in microphone preamps and analog-to-digital converter provide premium sound quality with no batteries or charging required for operation Features ultra-compact design with durable all-metal construction, omnidirectional lavalier microphones with locking connectors to prevent accidental unplugging and stereo mode for music recording Dedicated 1/8” (3.5mm) headphone output for real-time monitoring during recording (app dependent) and playback, integrated volume buttons Two high-quality wired omnidirectional lavalier microphones are included, one with a 9.8-foot (3m) cable and the other with a 16.4-foot (5m) cable to give you flexible positioning options. Three output cables are included as well. One features an Apple-Certified MFi Lightning connector for direct connection to iPhones and iPads. Another features a USB-C connector for Android devices that have USB-C ports. You also get a standard USB-A output cable for connection to Windows PCs and Mac computers. The Smart V2M features high-quality built-in microphone preamps and a premium analog-to-digital converter that provide the best possible sound quality, no matter what mobile device or computer you connect it to. No batteries or charging is required to operate the Smart V2M. The ultra-compact design features durable, all-metal construction so it can travel with you anywhere. The lavalier microphones have locking connectors that prevent them from accidentally getting unplugged. The microphone inputs on the Smart V2M are also compatible with microphones that are wired with a locking 1/8" (3.5mm) connector that are wired for Sennheiser or Rode. Meaning, you can choose from hundreds of lavaliers, headsets and specialty mics in that wiring configuration to expand or enhance your system. A headphone jack is provided for monitoring during recording and playback, and dedicated buttons control the volume. A Mono/Stereo switch lets you choose how the audio is mixed. Stereo mode is useful for keeping the two connected microphones on separate tracks, which gives you more options for how you can edit the sound in audio or video editing software. Stereo mode is also useful for recording music. Mono mode is often preferable when connecting a single microphone, or you want to mix both microphones into one stereo output for applications like live-streaming or podcasts. Sturdy integrated loops on the Smart V2M enable you to mount it to stands or your belt with included hook-and-loop fasteners. When you need to deliver broadcast quality sound without compromises using the most compact and lightweight equipment possible, the Smart V2M is a completely flexible solution that’s compatible with a wide variety of mobile devices and computers. ITEM INCLUDES 1 x Smart V2M audio interface 1 x Lavalier microphone with a 9.8-foot cable and locking, gold-plated connector 1 x Lavalier microphone with a 16.4-foot cable and locking, gold-plated connector 2 x Alligator-style mic clips 2 x Fitted foam windscreens 1 x Micro USB to Apple Lightning cable 1 x Micro USB to USB-C cable 1 x Micro USB to USB-A cable 1 x Hook-and-loop cable wraps 1 x Storage bag 1 x User manual 1 x Warranty card Specifications Frequency Response: 20Hz to 20kHz Gain: 0-30dBu Sampling Frequency: 44.1 kHz, 48 kHz Bitrate: 16Bit, 24Bit Inputs: 2 x 1/8" (3.5mm) Outputs: 1 x Micro USB port, 1 x 1/8" (3.5mm) headphone jack Power Requirements: Supplied by iOS devices, Android devices, Windows and Mac computers Cables: Micro USB to Apple MFi Certified Lightning, Type-C, USB-A Dimension: 2.5 x 2.5 x 0.98" (6.5 x 6.5 x 2.5 cm) Weight: 8.82 oz (250 g)

Channels of I/O 32 Inputs / 28 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Inputs 2 Analog Audio I/O 16 x 1/4" TRS Balanced Line Input 2 x Combo XLR-1/4" TRS Balanced Mic/Line/Hi-Z Input (Front Panel) 1 x 1/8" / 3.5 mm TRS Line Input (Front Panel) 10 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone/Re-Amp Output (Shared with Rear Panel Input) 1 x 1/4" TRS Headphone Output 1 x 1/8" / 3.5 mm TRS Headphone Output Digital Audio I/O 2 x TOSLINK Optical ADAT Input 2 x TOSLINK Optical ADAT Output Host Connection 1 x USB-C (Class-Compliant) OS Compatibility macOS 10.13 or Later Windows 10 or Later *As of October, 2023: Check with manufacturer for the most up-to-date compatibility Power Requirements AC/DC Power Adapter (Included) Channels of I/O 32 Inputs / 28 Outputs Built-In DSP Yes Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Inputs 2 Built-In Microphone No Input Level Adjustment Knob Expansion Slots No Signal Processing Pad Mic: -20 dB (Switchable per Channel) Line: -12 dB (Switchable per Channel) Line: -10 dB (Switchable per Channel) Hi-Z: -10 dB (Switchable per Channel) Solo/Mute Solo, Mute per Master Connectivity Analog Audio I/O 16 x 1/4" TRS Balanced Line Input 2 x Combo XLR-1/4" TRS Balanced Mic/Line/Hi-Z Input (Front Panel) 1 x 1/8" / 3.5 mm TRS Line Input (Front Panel) 10 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone/Re-Amp Output (Shared with Rear Panel Input) 1 x 1/4" TRS Headphone Output 1 x 1/8" / 3.5 mm TRS Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 2 x TOSLINK Optical ADAT Input 2 x TOSLINK Optical ADAT Output Host Connection 1 x USB-C (Class-Compliant) Host Connection Protocol USB 2.0 USB (Non-Host) 3 x USB-A (External Storage, MIDI I/O) Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output 1 x 1/8" / 3.5 mm Clock Output Network I/O No MIDI I/O 1 x DIN 5-Pin Input 2 x DIN 5-Pin Output/Thru Wireless No Performance Frequency Response Line Inputs: 20 Hz to 20 kHz ±0.06 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.1 dB Mic Inputs: 20 Hz to 20 kHz ±0.08 dB Monitor Outputs: 20 Hz to 20 kHz ±0.02 dB Line Outputs: 20 Hz to 20 kHz ±0.04 dB Maximum Input Level Line: +24 dBu (Rear) +22 dBu (Front) Hi-Z: 20 dBu Mic: 22 dBu Maximum Output Level Monitor: 20 dBu Line: 24 dBu Headphone: 14.4 dBu Headphone Output Power 271 mW into 33 Ohms Impedance Line Inputs: 20 Kilohm Hi-Z Inputs: 1.1 Megohm Mic Inputs: 2.7 Kilohms Monitor Outputs: 240 Ohms (Balanced) 120 Ohms (Unbalanced) Line Outputs: 240 Ohms (Balanced) 120 Ohms (Unbalanced) Headphone Outputs: 5 Ohms Dynamic Range Line Inputs: 118 dBA Hi-Z Inputs: 114 dBA Mic Inputs: 117 dBA Monitor Outputs: 126 dBA Line Outputs: 120 dBA Headphone Outputs: 109 dBA THD+N Line Inputs: -113 dBA Hi-Z Inputs: -105 dBA Mic Inputs: -110 dBA Speaker Outputs: -114 dBA Line Outputs: -106 dBA Headphone Outputs: -103 dBA EIN -129.5 dBu A-Weighted Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Bit Depths 24-Bit Sync Sources ADAT, Internal, Word Clock Audio Storage & Playback Media/Memory Card Slot No Compatibility OS Compatibility macOS 10.13 or Later Windows 10 or Later *As of October, 2023: Check with manufacturer for the most up-to-date compatibility Included Software No Processor Requirement Mac: Intel Core i5 Apple M1 RAM Requirements 4 GB Storage Requirements 4 GB Mobile App Compatible No *As of October, 2023: Check with manufacturer for the most up-to-date compatibility Power Power Requirements AC/DC Power Adapter (Included) AC/DC Power Adapter Included Physical Rackmount Size 1 RU (with Included Hardware) Dimensions 17.3 x 11.6 x 1.7" / 43.9 x 29.5 x 4.3 cm Packaging Info Package Weight 11.37 lb Box Dimensions (LxWxH) 23.9 x 13.4 x 5.4"

1-in/3-out USB audio interface that captures everything in ONE device Z-TONE impedance-adapting input enhances your pickups’ true sound PURE and JFET input stages go instantly from modern to vintage tones ACTIVE/PASSIVE pickup selector optimizes the signal flow from the start Class-A mic preamp offers transparent sound for acoustic guitar and vocals High-definition 24-bit/192 kHz audio conversion keeps your signal crystal clear Amp Out with ground loop interrupter is perfect for simplified Tone Modeling MIDI Input and Output to connect keyboards, E-drum kits, controllers and more 2 programmable inputs for expression pedals and/or single/double switches Includes AmpliTube 5 SE, TONEX SE and Ableton Live Lite Made for guitar and bass players Every electric and bass guitar is different and AXE I/O ONE’s Z-TONE input circuit allows you to dial in the perfect tone for recording by changing the impedance of the guitar input to go from a tighter/sharper tone to a thicker/bolder tone on the same instrument. The Class A JFET input buffer adds the midrange focus, warmth and harmonic enhancement highly sought after by guitar players, while an Active/Passive pickup selector allows precise input settings at the flip of a switch. Take control of your sound Unique to AXE I/O family, the ONE also features external controller inputs to connect switches or volume pedals to control the included software hands-free, without ever having to stop playing. You can also use AXE I/O ONE’s MIDI input and output to connect floor controllers or iRig Stomp I/O to add even more real-time controls. Real amp integration with Amp Out The exclusive Amp Out allows players to connect directly to a guitar amplifier or a guitar rig for practicing using a hybrid setup of virtual and real guitar gear. Or it can be used for reamping, the technique of recording a dry guitar signal and using external gear for processing, or even to capture your own real rig and turn it into a plug-in using the included artificial intelligence software. A massive bundle of tones With both AmpliTube 5 SE and TONEX SE included, you’ll have instant access to a huge library of thousands of gear models and presets to record and play right out of the box, and AXE I/O ONE works with any recording application. AmpliTube 5 SE includes 80 pieces of gear that cover a wide range of stomp and rack effects, amps, cabs, speakers, mics and rooms with complex series/parallel rig chains easily built by drag and drop to emulate any type of sound. TONEX SE is the new and revolutionary AI Machine Modeling software that’s taking the world by storm, offering not only thousands of rigs that are indistinguishable from the real thing but also the possibility of modeling any real rig and turning it into a plug-in. You can model your amps, cabs or pedals including distortion, overdrive, EQ, fuzz, boost and more, and play them inside TONEX and AmpliTube. Both software applications include access to the ToneNET online service where there are now over 6,000 AmpliTube presets and 10,000 TONEX tone models to explore, produced and expanded daily by a thriving community of guitar and bass players. Plug and play straight away AXE I/O ONE is USB-C bus powered and requires no external power supply. To start recording is as easy as plug and play. Just hit record right out of the box with the included easy-to-use AmpliTube 5 SE multitrack standalone application or, for more sophisticated composition, Ableton Live Lite software is included to take it to the next level. Everything is easy to set up and easy to use whenever inspiration strikes. AXE I/O ONE’s MIDI input and output also allow you to connect keyboard controllers or any other MIDI controllers to play virtual instruments or control the included software with external MIDI gear or vice versa. Plus AXE I/O ONE also works with the latest iPads for use with TONEX SE iOS (also included), the free AmpliTube CS iOS app and a huge variety of compatible apps. High-quality tracks anywhere Great recordings require uncompromised quality and AXE I/O ONE delivers professional audio with sample rates up to 192 kHz, 108 dB dynamic range and 9 Hz-45 kHz frequency response. And for recording acoustic instruments and vocals via the XLR mic input, AXE I/O ONE features a PURE Class-A mic preamp with phantom power for ultra-transparent and clean recording, without any unwanted coloration, preserving the true sonic character of your vocal, acoustic guitar, piano or other instrument. Super compact and easy to carry in a backpack or gig bag, AXE I/O ONE can also quickly become the ideal interface for recording on the go.

Common AD and DA resolution: 24-bit Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz Host connection: USB Type-C socket Instrument Input Input impedance:1 MOhms Maximum input level: +9 dBu Frequency response: From 20 Hz to 20 kHz within 3 dB (96 kHz sample rate) Dynamic range: 115 dB(A) Amp Output Configuration: Unbalanced Output impedance: 3.3 kOhms Output level: 0 dBFS corresponds to -2 dBu Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate) Dynamic range: 97 dB(A) Headphone Output Output impedance: 22 Ohms Maximum output level: approx 8 mW into 32 Ohms load Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate) Dynamic range: 95 dB(A) Package includes iRig HD X interface USB-C to USB-C cable (60 cm/23.62") USB-C to Lightning cable (60 cm/23.62") Dimensions Size: 99 mm/3.9" x 42 mm/1.65" x 25 mm/0.98" Weight: 54 g/1.9 oz. Compatibility iOS Devices Made for: iPhone 14 Pro Max, iPhone 14 Pro, iPhone 14 Plus, iPhone 14, iPhone SE (2nd and 3rd generation), iPhone 13 Pro Max, iPhone 13 Pro, iPhone 13, iPhone 13 mini, iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Air (3rd, 4th and 5th generation), iPad (9th generation), iPad mini (5th and 6th generation), iPad Pro 12.9-inch (1st, 2nd, 3rd, 4th and 5th generation), iPad Pro 11-inch (2nd and 3rd generation), iPad (8th generation), iPad Pro 11-inch, iPad Pro 10.5-inch, iPad Pro 9.7-inch, iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad (5th, 6th and 7th generation), iPod touch (6th and 7th generation). Also compatible with all newer iPhone, iPad and iPod touch models. Computers Mac®: macOS 10.6 or later. One free USB port. Windows®: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed. Download the iRig ASIO driver here. image Android Devices Compatible with Android devices running Android 5 or later and with USB digital audio capabilities. Key features Compact, 24-bit/96 kHz audio interface for guitar or bass Connects directly to iPhone or iPad and Mac/PC Audiophile-grade 1/8″ stereo out for headphones and monitors 1/4″ Amp out connects to amps, pedalboards or FRFR speakers Ideal for guitar and bass players of all levels For practice, finding tones, jamming, recording and streaming What’s new Low-noise input with a dynamic range of 115 dB accepts all guitar pickup types, passive or active USB-C Bus-powered by host device Elegant, easy-to-use single-knob interface with LED ring Ultra-fast onboard tuner Loopback+ virtual FX loop adds professional guitar tone to any app Includes AmpliTube 5 SE and TONEX SE for Mac/PC Unlocks TONEX SE plus full version features and gear of AmpliTube for iPhone/iPad (Free download from App Store) Your new mobile dream rig iRig HD X + TONEX and AmpliTube for iPhone and iPad gives you an incredibly versatile mobile rig with 2 powerful ways to find your sound: TONEX using IK’s AI Machine Modeling technology, and AmpliTube offering the ultimate tone processing and recording studio. Play, practice and record on your mobile device with the most authentic and hyper-realistic gear models ever made. Ultra-compact, high-quality audio iRig HD X features a whisper quiet and transparent instrument preamp with wide frequency response and dynamic range that ensures every nuance of your playing is accurately translated while preserving the true tone of your instrument. The Headphone Out and Amp Out are equally high end offering exceptional sound quality in a device this portable. One knob to do it all iRig HD X sports an all-new enclosure featuring a LED ring input level indicator that also doubles as an ultra-fast and precise tuner for the connected instrument. Its ergonomic, multi-function knob lets users quickly adjust headphone level, loopback functions, direct monitoring and the tuner. Reach your guitar goals faster Practicing should be fun. With iRig HD X you’ll be inspired by professional guitar tone while you learn. From anywhere, easily connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It’s that easy! Discover the best tones online iRig HD X comes with AmpliTube 5 SE with 80 models covering all the “must have” gear. You also get TONEX SE for Mac/PC and iOS, which includes 200 Premium Tone Models plus unlimited user Tone Model downloads from ToneNET. You can browse, demo and download new guitar and bass tones within TONEX or build the ultimate guitar rig with AmpliTube 5. Have fun playing along Imagine finding perfect guitar tones from ToneNET for songs you love. Got a few minutes to play? Just plug-in and open up AmpliTube or TONEX and start jamming with incredible tone. No need to plug in a pedalboard or out-board gear. Play along with backing tracks on YouTube or from your music library or streaming service. Staying inspired has never been this easy. Recording audio tracks iRig HD X is recognized by all desktop and iOS recording apps. TONEX and AmpliTube for Mac/PC work standalone or as plug-ins inside your favorite DAW so it’s easy to record a DI or a processed guitar part. You can use the Loopback+ feature of iRig HD X (which acts like a virtual FX loop) to route your guitar signal first to TONEX or AmpliTube and then into your recording app. Recording and streaming Video The same feature that lets you record processed audio on your mobile device also lets you record or stream video with your amazing guitar tones sounding crystal clear. Use the Loopback+ feature of iRig HD X to route your guitar signal first to TONEX or AmpliTube and then into the video recording App on your iPhone or your streaming App of choice. You fans will love how great you sound. With more ways to connect on more devices and with all your favorite apps, iRig HD X is your all-access pass to limitless musical experiences. Ideal for all players Whatever your level and style of music, iRig HD X will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and sharing the music you make with others. Sound better, play more and improve faster throughout a lifetime of guitar with iRig HD X.