Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

Podcast Pro odlikuje se visoko izlaznom dinamičkom kapsulom koja omogućava mikrofonu da snimi veliku jasnoću, bogatstvo i dubinu. Mikrofon takođe nudi odlično bočno odbacivanje zahvaljujući super kardioidnom polarnom paternu. Ovo je sjajno za snimanje vokala u okruženjim gde ima gužvi. Zahtevajući manje gaina od tradicionalnih dinamičnih mikrofona, Podcast Pro se može brzo podesiti zahvaljujući plug and play XLR povezivanju. Ovo omogućava trenutnu vezu sa interfejsima, zvučnim karticama i mikserom. S obzirom da je mikrofon dizajniran posebno za izgovorenu reč, biti potrebno malo ili nikakvog EQ-a pri podešavanju Podcast Pro-a. High-grade konstrukcija i dizajn The Podcast Pro izrađen je korišćenjem unutrašnje pregrade i tri sloja zvučne zaštite, sa unutrašnjim pop filterom koji pomaže u borbi protiv plosivnog zvuka. To takođe obezbeđuje da pri upravljanju Podcast Pro-om nije potrebno spoljni vetrobran. Bez obzira da li snimate u profesionalnom studiju, kućnom okruženju, radio stanici ili okruženju uživo, Podcast Pro će se odlično pokazati svaki put. Karakteristike Dinamički mikrofon sa tesnim superkardioidnim paternom Idealno za podkast,emitovanje emisija, radio, voiceover i gejming Snima zadivljujuće detalje i dubinu Nije potreban nikakav EQ Rezultati studijskog kvaliteta po neverovatnoj ceni Dizajniran, razvijen i ručno izrađen u UK Pokriveno doživotnom garancijom Crni završni sloj Specifikacije: Tip mikrofona: dinamički Polar patern: superkardioidni Frekventni odziv: 50Hz – 15kHz Osetljivost: -50dB ±2dB Impedansa: ≤600 Ohms Konektor: Three-pin XLR Napajanje: Fantomsko napajanje nije potrebno Dimenzije: 180 x 82 x 60 mm Težina: 320g Proizvodni kod: ST-PODCAST-PRO

EMOTION WITH PERFECTION Broadcast is a much more immediate way to reach the listeners than studio recording. That’s why Neumann decided to develop a line of microphones that specifically addresses the needs and working conditions of radio DJs, announcers, newscasters, talk show hosts, and all those who guide us through the day with their stories, good vibes, and the latest information. The BCM 705 is designed to convey emotion with perfection. Its characteristic shape is functionally optimized for use with industry standard microphone boom arms. Thanks to its elastic microphone mount and a newly designed internal capsule suspension, the BCM 705 is doubly protected against rumble. An internal foam screen protects the capsule from “pops” as well as dirt, moisture and nicotine. For increased hygiene, the headgrille twists off easily for quick cleaning. DYNAMIC While its sibling, the red badged BCM 104, is a condenser microphone, the BCM 705 is a dynamic microphone with a moving coil capsule, indicated by a green Neumann logo. Dynamic capsules are quite sturdy, and while they sound less natural than condenser transducers, carefully designed specimens – such as this – exhibit a distinctive appeal which has become associated with “the sound of FM”, especially in the United States with its long standing tradition of private radio. The BCM 705 is particularly well suited for local radio stations and small studios. Its hypercardioid pattern and close-speech optimized capsule help to keep extraneous noises off the air, even if the sound-proofing is less than perfect. The BCM 705’s frequency response is specifically tailored for the human voice. A gentle presence boost above 2 kHz enhances speech intelligibility, while a soft bass roll-off compensates for the proximity effect, creating a low-end which is full but never boomy. The BCM 705 does not require phantom power and is extremely easy to setup: Simply connect it to a microphone input, and you’re ready do go on air! Although the BCM 705 is primarily designed for speech applications in broadcast environments, it wouldn’t be a Neumann microphone, if it couldn’t be used in the recording studio, too. Being a dynamic microphone, the BCM 705 can handle high SPLs with ease, which makes it an excellent choice for screaming vocalists, bright brass instruments, and loud guitar cabinets. Functionally optimized design Specially designed dynamic capsule Optimized for close speech Hypercardioid pattern Integrated pop screen and shock mount Headgrille twists off easily for quick cleaning Acoustical operating principle Pressure gradient transducer Directional Pattern Hypercardioid Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 1.7 mV/Pa = –55.4 dB ± 1 dB Rated Impedance 200 ohms Rated load impedance 10 kohms Equivalent noise level, CCIR 1 32 dB Equivalent noise level, A-weighted 2 18 dB-A Signal-to-noise ratio, CCIR (re. 94 dB SPL) 3 62 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 4 76 dB Weight 500 g Diameter 64 mm Length 85 mm Height 110 mm (without suspension)

Superior broadcast sound quality High Sensitivity Super-cardioid polar pattern Designed to withstand adverse environmental conditions 50% less self-noise than the majority of shotgun microphones Extremely low handling noise High level of immunity to radio frequency interference True Condenser (external RF biased) Includes durable aluminium storage cylinder for transport, pop filter, mic clip and large zip pouch Designed for professional use on film, television, ENG & wherever high resolution broadcast audio is required 10 year extended warranty when you register your microphone As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue. Machined from solid brass and available in either anti-glare, nickel-plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining light weight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials. The RØDE NTG3 shotgun microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty. NTG3 Specifications Acoustic Principle Line Gradient Active Electronics RF Bias Capsule 0.50" Polar Pattern Address Type End Frequency Range 40Hz - 20kHz Output Impedance 25Ω Maximum SPL 130dBSPL Maximum Output Level 8.2mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -30.0dB re 1 Volt/Pascal (31.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 13dBA Power Options Weight 163.00g Dimensions 255.00mmH x 19.00mmW x 19.00mmD Output Warranty 1 year with free extension to 10 years following registration here IN THE BOX: NTG3 RF-Bias Shotgun Microphone RM5 Durable Microphone Clip WSNTG3 Pop Filter Pop Filter Aluminium Storage Cylinder ZP2 Padded Zip Pouch (large)

A must-have for guitarists and brass players alike, the Sontronics Delta 2 is the successor to the original Delta, which was our first ever ribbon mic designed specifically to handle high-SPL sources such as guitar amps, sax and brass. Perfect for studio as well as live use, the phantom-powered Delta 2 delivers all the intimate tone and subtlety you’d expect from a ribbon microphone while being rugged enough to capture powerful signals without overloading or clipping. A favourite with many guitarists and instrumentalists – from Radiohead’s Ed O’Brien to the brass players of the London Metropolitan Orchestra – Delta 2 will guarantee amazing results, whether you’re in the studio or on the road. Hand-built in the UK, the Delta 2 is crafted using our own proprietary circuit that boasts premium-grade components, including a custom-wound transformer made to our own design. Ours are the only ribbon mics in the world to also feature RFI filters in the circuit to prevent radio frequency interference entering the signal, making our mics perfectly suited to live use. The same care has been taken with the build, right down to the gauge of British stainless steel mesh used for the grille, the military-spec anodised finish of the aluminium side pieces and the precision-engineered shockmount. With Delta 2 you will see and feel the quality as well as hear it! Microphone type Ribbon Polar pattern Figure-of-eight Frequency response 20Hz to 15kHz Sensitivity (0dB = 1V/Pa @ 1kHz) 6mV/Pa -45dB ±1dB Impedance ≤150 Ohms Max. SPL (for 0.5% THD @ 1kHz) 140dB Equivalent noise level 10dB (A-weighted) Connector 3-pin XLR Power Phantom power 48V required What's included Sontronics Delta 2 microphone, shockmount, ABS flightcase Product weight 368g (617g with shockmount) Packaged weight 4,593g Product dimensions 164 x 72 x 35mm Packaged dimensions 477 x 372 x 190mm Packaged dimensions January 2018

The large-diaphragm dynamic capsule utilizes a supercardioid pickup pattern to effectively reduce ambient sound such as room noise at the sides of the mic. To isolate the pickup element from handling noise, vibrations, and rumble, the ZDM-1 employs an integrated shock-absorbing mechanism. The ZDM-1's integral humbucking circuit improves the signal-to-noise ratio by inhibiting electromagnetic interference from common sources such as wireless devices, power lines, computer displays, and more. The all-metal body and grille afford ruggedness and durability for reliable use session after session. The ZDM-1 includes a pivoting mic stand mount for easy positioning and a custom windscreen for attenuation of plosives and breath noise. Large-diaphragm dynamic design captures smooth, broadcast-quality sound Classic end-address style Supercardioid polar pattern provides focused pickup and excellent isolation High 135 dB SPL handling ensures clean recordings every time 50 Hz to 18 kHz frequency response with tight bass and smooth highs enhances vocal tone for radio, podcasting, and more Internal shockmount provides isolation from bumps and handling noise Built-in humbucking circuit rejects electromagnetic interference Balanced XLR output connector All-metal body and grille stands up to daily use Includes pivoting mic stand mount, threaded adapter, and custom windscreen Zoom ZDM-1 Specs Microphone Primary Applications Studio Recording, Broadcast Form Factor Stand/Boom Mount Sound Field Mono Operating Principle Pressure Gradient Capsule 1 x Dynamic Polar Pattern Supercardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter None Tone Adjustment None Indicators None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 50 Hz to 18 kHz Maximum SPL 135 dB SPL Impedance 200 Ohms Load Impedance 200 Ohms (Minimum) Sensitivity -54 dBV/Pa Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male Headphone Connector None Physical Color Black Mounting 3/8"-16 Female, 5/8"-27 Female (with Included Hardware) Included Case None Included Filters None Construction Material Metal Dimensions ø: 2.12 x L: 5.19" / ø: 5.38 x L: 13.18 cm Weight 14.11 oz / 400 g Packaging Info Package Weight 1.31 lb Box Dimensions (LxWxH) 8.4 x 5.1 x 3.5"

FAITHFUL While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more-cost effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages). OMNIDIRECTIONAL Despite its attractive pricing, the KM 183 offers state-of-the-art Neumann engineering. Its omnidirectional pattern is uniform and largely frequency-independent. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 183’s pressure transducer capsule is equalized for a flat frequency response in the diffuse field. In the free field (i.e. close to the sound source), it has a treble boost of approximately 7 dB at 10 kHz. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 183 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 140 dB free from distortion. Due to its low impedance output stage, the KM 183 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses. APPLICATIONS The KM 183 is a universal microphone for studio applications. Its transparent sound makes the KM 183 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. As a pressure transducer, the KM 183’s low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings. Thanks to its superior off-axis behavior, the KM 183 works extremely well in stereo and surround setups. Due to its small size, the KM 183 is visually unobtrusive and well suited to TV and radio applications. Omnidirectional polar pattern with excellent off-axis behavior Diffuse-field equalized Pressure transducer with unlimited bass response Very low self-noise (13 dB-A) Transformerless circuitry Compact size, visually unobtrusive Acoustical operating principle Pressure transducer Directional Pattern Omnidirectional Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 12 mV/Pa ± 1 dB Rated Impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 24 dB Equivalent noise level, A-weighted 2 13 dB-A Maximum SPL for THD 0.5% 3 140 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 70 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 81 dB Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connector XLR 3 F Weight approx. 80 g Diameter 22 mm Length 107 mm

Profesionalni inženjeri zvuka znaju da im jedino posedovanje pravog mikrofona omogućava da uhvate suštinu umetničkog izvođenja. Zato studiji "svetskog" nivoa nude najrazličitije vrste mikrofona - bez obzira na zahteve tehničara, odgovarajući mikrofon bi uvek trebalo da bude pri ruci. Sa tehnološkim napretkom snimanja koji je omogućio mnogima pravljenje snimaka u sopstvenim studijskim prostorima, audio inženjeri su često u situaciji da im je potreban jedan mikrofon koji jednako dobro pokriva različite "koloseke" odnosno zvučne izvore, kroz žanrovsku raznolikost. Kondenzatorski mikrofon je pravo rešenje za ovakve zahteve, obzirom na njegove mogućnosti pokrivanja širokog frekvencijskog opsega - bez dodavanja naročitog kolorita. Što je obimniji spektar snimljenog materijala, to je više informacija s kojima se u miksovanju može raditi. Kondenzatorski mikrofon Axis (do)nosi dizajn kola koji će pružiti sve navedeno...i više od toga. Sa Fluid Audiom, reprezentativan kvalitet i profesionalni rezultati dolaze u neskladu sa "premijum" cenama. Features Large capsule (34mm) with gold-sputtered diaphragm Cardioid polar pattern High sensitivity and low noise High SPL (to record loud sources such as drums) Elegant and durable brass housing Gold plated output connectors Technical data Polar pattern Cardioid Capsule 34mm large gold-sputtered diaphragm Frequency range 20Hz-20kHz Sensitivity 12.4mV/Pa ( -38dBV/Pa +/- 3 dB @ 1kHz ) Rated impedance 100Ω Rated load impedance 1000Ω Equivalent noise level 16dB A-weighted Max Acoustic SPL 136dB SPL ( @1kHz,1% THD into 1KΩ load ) Signal-to-noise ratio ( A-weighted @94dB ) 77 dB Maximum output +11 dBu ( @1kHz,1% THD into 1KΩ load ) Connector 3-pin gold plated XLR female Power requirement 48V +/- 4V phantom power supply

OMNIPRESENT YET UNIQUE The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The legend continues: To this day, no professional recording studio is complete without a Neumann U 87 Ai. The U 87 Ai is the epitome of a large diaphragm condenser microphone. Its tapered body and iconic headgrille design have become part of the collective consciousness: This is what a studio microphone looks like. The same is true of its sound: The U 87 Ai represents studio quality; it has become the gold standard by which other microphones are measured. What sets the U 87 Ai apart is its unique combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma. It just sounds right! This makes the U 87 Ai both versatile and instantly recognizable. CLASSIC NEUMANN ENGINEERING Technically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube driven predecessor, but the U 87 Ai realizes them by means of a unique FET circuit with a minimal signal path and a transformer balanced output, ensuring maximum signal integrity and high common mode rejection. The result is a studio microphone of unmatched clarity. Its natural sound and unique midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike, as well the prime choice for speech applications, such as voice over, dubbing, and audio books. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitar to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ais is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music. The world’s most famous studio microphone Classic sound, instantly recognizable yet versatile Balanced frequency response Three polar patterns: omni, cardioid, figure-8 Switchable low cut and pad Very low self-noise Acoustical operating principle Pressure gradient transducer Directional Pattern Omnidirectional, cardioid, figure-8 Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa ± 1 dB (Omni/cardioid/8) Rated Impedance 200 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 26/23/25 dB (Omni/cardioid/8) Equivalent noise level, A-weighted 2 15/12/14 dB-A (Omni/cardioid/8) Maximum SPL for THD 0.5% 3 117 dB (cardioid) Maximum SPL for THD 0.5% with preattenuation 4 127 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 5 68/71/69 dB (Omni/cardioid/8) Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 6 79/82/80 dB (Omni/cardioid/8) Maximum output voltage -6 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 0.8 mA Matching connector XLR 3 F Weight 500 g Diameter 56 mm Length 200 mm

FAITHFUL While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages). HYPERCARDIOID Despite its attractive pricing, the KM 185 offers state-of-the-art Neumann engineering. Its hypercardioid pattern is frequency-independent; rejection of rearward sound (120°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 185’s frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 185 has a very low self-noise of only 15 dB-A and can handle high sound pressure levels of up to 142 dB free from distortion. Due to its low impedance output stage, the KM 185 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses. APPLICATIONS The KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 185 a superb microphone for acoustic instruments, such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion. Its high rejection at 120° without off-axis coloration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat. Although the KM 185 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 185 is visually unobtrusive and well suited to TV and radio applications. Uniform hypercardioid pattern without off-axis coloration High suppression of unwanted sound Linear frequency response with a slight treble lift Low self-noise (15 dB-A) Low impedance output for long cable runs without transmission losses Compact size, visually unobtrusive Acoustical operating principle Pressure gradient transducer Directional Pattern Hypercardioid Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 10 mV/Pa ± 1 dB Rated Impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 24 dB Equivalent noise level, A-weighted 2 15 dB-A Maximum SPL for THD 0.5% 3 142 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 70 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 79 dB Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connector XLR 3 F Weight approx. 80 g Diameter 22 mm Length 107 mm

YOU SPEAK – THE WORLD LISTENS Broadcast is a much more immediate way to reach the listeners than studio recording. That’s why Neumann decided to develop a microphone that specifically addresses the needs and working conditions of radio DJs, announcers, newscasters, talk show hosts, and all those who guide us through the day with their stories, good vibes, and the latest information. The BCM 104 is designed to convey emotion with perfection. Its characteristic shape is functionally optimized for use with industry standard microphone boom arms. Thanks to its elastic mount, the BCM 104 is well protected against structure borne noise. An integrated pop screen behind the headgrille protects the capsule from air blasts and plosives. For increased hygiene, the headgrille twists off easily for quick cleaning. The large diaphragm condenser capsule of the BCM 104 captures each nuance of your voice without coloration or unwanted artifacts. The BCM 104’s electronic circuit has an extremely low self-noise of only 7 dB-A and can handle enormous sound pressure levels of up to 138 dB without distortion. Its balanced output operates transformerless to ensure minimal hum interference and high common mode rejection against extraneous signals e.g. from computer screens. A subsonic filter suppresses frequencies below 20 Hz. For close speech operation, an optional 100 Hz low cut is available to compensate for the proximity effect. A second switch activates a –14 dB preattenuation to reduce the BCM 104’s output level for use with equipment designed for dynamic microphones (which typically have a much lower sensitivity than condenser microphones). Both switches are hidden inside the microphone as the low cut and preattenuation options are usually selected only once, at setup. DESIGNED FOR THE HUMAN VOICE The BCM 104 has a fixed cardioid pattern with excellent rejection of rearward sound. Its frequency response is very linear with a gentle presence boost around 4 kHz and a slight treble lift above 10 kHz for enhanced speech intelligibility. Due to its outstanding transient response, the BCM 104 captures each nuance of the human voice with stunning detail. Because of its wide frequency response, the BCM 104 can be used for much more than speech applications, e.g. sung vocals and a wide variety of instruments. Functionally optimized design Specially designed large diaphragm condenser capsule Tight cardioid pattern Integrated pop screen and shock mount Headgrille twists off easily for quick cleaning Internal pad and low cut switches Acoustical operating principle Pressure gradient transducer Directional Pattern Cardioid Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 22 mV/Pa = –33.1 dBV ± 1 dB Sensitivity at –14 dB attenuation 4.4 mV/Pa Rated Impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 18 dB Equivalent noise level, A-weighted 2 7 dB-A Maximum SPL for THD 0.5% 3 138 dB Maximum SPL for THD 0.5% with preattenuation 4 152 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 5 76 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 6 87 dB Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connector XLR 3 F Weight 500 g Diameter 64 mm Length 85 mm Height 110 mm (without suspension)

FAITHFUL While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages). CARDIOID Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses. APPLICATIONS The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications. Uniform cardioid pattern without off-axis coloration Linear frequency response with a slight treble lift Very low self-noise (13 dB-A) Low impedance output for long cable runs without transmission losses Transformerless circuitry Compact size, visually unobtrusive Acoustical operating principle Pressure gradient transducer Directional Pattern Cardioid Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 15 mV/Pa ± 1 dB Rated Impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 22 dB Equivalent noise level, A-weighted 2 13 dB-A Maximum SPL for THD 0.5% 3 138 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 72 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 81 dB Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 3.2 mA Matching connector XLR 3 F Weight approx. 80 g Diameter 22 mm Length 107 mm

Originalni model Sontronics SIGMA bio je jedan od naših najpopularnijih mikrofona zahvaljujući neverovatnim performansama i vrednosti koja se dobija za ovaj novac i brzo je postao obavezan u studijima i prostorima širom sveta. Nakon naših eksperimenata sa najkvalitetnijim komponentama (što je rezultiralo našim lepo urađenim, višestruko nagrađivanim ARIA i MERCURY ventilnim kondenzatorskim mikrofonima), rešili smo da se okrenemo ribon mikrofonima, i nakon dve godine istraživanja, značajnih ulaganja i neumornog testiranja, nova generacija ribon mikrofona neuporedivog kvaliteta je rođena. "SIGMA 2 podiže tehnologiju ribon mikrofona na potpuno novi nivo, kombinujući lepi, detaljni zvuk koji se savršeno uklapa u bilo koji studio ili živi miks." TREVOR COLEY, osnivač/dizajner, Sontronics Dizajniran iz temelja, novi SIGMA 2 ručno je rađen u našem Sontronics HK-u i koristi sopstvenu jedinstvenu strukturu, elektroniku napravljenu u Britaniji, uključujući vrhunski prilagođeni transformator (rađen isključivo za nas u rodnom gradu Poole ), precizno sečenu i oblikovanu britansku membranu od nerđajućeg čelika i CNC obrađene metalne unutrašnje i spoljašnje delove. Kolo SIGMA 2 uključuje RFI (intereferenca radio frekvencije) filtere koji obezbeđuju da signal SIGMA 2 ostane bez referenci i čine mikrofon još pogodnijim za upotrebu uživo nego ranije. Naši su jedini ribon mikrofoni na svetu koji imaju ovu karakteristiku! SIGMA 2 ima izuzetno visoku osetljivost i neverovatno nizak sopstveni šum, što ga čini idealnim za snimanje vokala, govora, solo duvačkih instrumenata, gudačkih instrumenata i gitarskih pojačala *, pružajući izuzetno detaljan, tačan, prirodan zvuk. Koristeći isti super osetljivi ribon motor kao i original, SIGMA 2 nudi zadivljujuću jasnoću i definiciju u gornjem delu, ali sada takođe daje bogatiji srednji i niski ton. Par SIGMA 2 (bilo odvojeno ili u X Y konfiguraciji) može se koristiti za ekstremno efektivno mikroskopiranje i izvođenje u sobi, pijanino ili koncertni klavir, gudački kvartet i druge ansamble. "SIGMA hvata performanse sa posebnom toplinom i vajbom kako rade samo vintage ribon mikrofoni. To je novi vintage standard!" MICHAEL 'FISH' HERRING, UMETNIK/PRODUCENT (Prince, Cristina Aguilera, 2Pac, Mariah Carey) SIGMA 2, kao i sa bilo kojim ribon mikrofonom, treba ga koristiti sa pažnjom, jer je njegov ribon element vrlo osetljiv. Međutim, uz razuman položaj i pažljivo rukovanje, SIGMA 2 će vam stalno davati neverovatne rezultate. Za detaljnija uputstva o korišćenju i održavanju SIGMA 2 ili servisu vašeg ribon elementa, pogledajte naše uputstvo. SIGMA 2 isporučuje se sa svojim jedinstvenim šok maunt držačem u čvrstom, ABS koferu obloženom penom, koji će vaš mikrofon sigurno čuvati između sesija ili kada se transportuje iz jednog mesta u drugi. Garantujemo Vam da ćete se zaljubiti u SIGMA 2. Upozoreni ste! ======================== Kao i svi Sontronics mikrofoni, SIGMA 2 pokrivena je DOŽIVOTNOM GARANCIJOM, iako sam ribon element nije, jer podleže različitim nivoima habanja, zavisno od načina na koji se koristi. Ako se ribon počne istezati ili se na bilo koji način ošteti, možemo ugovoriti zamenu putem vašeg lokalnog Sontronics servisnog centra ili direktno kod nas u Sontronics sedištu u Engleskoj. Kontaktirajte nas za više detalja. *SIGMA 2 treba koristiti sa velikom pažnjom na gitarskim pojačalima, tako da ribon element ne bude preopterećen ili oštećen... ili isprobajte naš model DELTA 2, koji je napravljen specijalno za gitarska pojačala i druge izvore sa visokim SPL-om. NAJVAŽNIJE KARAKTERISTIKE • ribon mikrofon sa fantomskim napajanjem • proizveden u UK • čist, prirodan, detaljan zvuk • punije srednje i niske frekvencije • jedinstveni Sontronics šok maunt PREPORUČEN ZA… • vokale • akustične gitare • gitarska pojačala (koristiti pažljivo!) • solo žičane i drvene duvačke instrumente • klavir • u paru kao viseći mikrofoni i za sobno ozvučavanje SPECIFIKACIJE Polarni patern: oblik osmice Frekventni odziv: 20Hz - 15kHz Osetljivost: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Impedansa: ≤150 Ohms Ekvivalentni nivo šuma: 10dB (A-otežani) Maksimalni SPL (for 0.5% THD @ 1kHz): 125dB Napajanje: Potrebno fantomsko napajanje 48V Konektor: 3-pin XLR Dimenzije: 164 x 50 x 32mm Težina: 421g (841g sa šok mauntom) Oprema: šok maunt, kofer

The Shure MV7 fulfills the needs of anyone who demands a broadcast-quality sound from their podcast microphone, no matter the setup: whether you work with an audio interface, or prefer to record directly into your computer over USB, this microphone will do the job. The mic offers a clear and present sound, extensive controls, rugged accessories, and seamless integration with the free ShurePlus MOTIV Desktop App for convenient effects right out of the gate. Legendary Broadcast Sound The mic takes its design and sonic cues from the Shure SM7B, a classic used on countless podcasts and radio broadcasts. Use the mic in close proximity to your voice and you'll find it exhibits a clear, intelligible, and high-quality sound. Optimized frequency response for rich and natural vocal reproduction Works with Your Analog or Digital Setup Thanks to its multiple outputs, you can use this mic with nearly any podcasting setup. The mic works with your audio interface, field recorder, mixer, or computer (over USB Mini-B) as well as select Android devices, and select iOS devices. Rugged Appointments for Sound and Use Like the SM7B, the MV7 has a built-in pop filter to protect against plosives and p-pops, greatly simplifying your editing process. With its built-in ready-to-mount yoke, the mic offers a build quality that is rugged, with an all-metal construction for reliability in mission-critical circumstances. Unidirectional Polar Pattern for the Untreated Room The mic features a unidirectional cardioid polar pattern, which is the best natural defense against room noise: since the capsule mostly captures what's directly in front of it, you won't pick up as much room noise as you would with another polar pattern. Depending on your particular room, you may still need a little room treatment, or some noise-reduction software, to address issues such as your computer's hum or your air conditioner—but the chances of that are markedly lower with a cardioid polar pattern. Integrated Controls & High-Quality USB Audio On the USB side, the mic provides broadcast-quality specs and intuitive functionality. Capture audio at sample rates and resolutions up to 48 kHz / 24-bit, which is the standard for editing and mixing broadcast audio. Use the integrated touch-panel interface on the mic itself to control levels, headphone volumes, monitor mix, and mic-mute. Built-In 3.5mm Headphone Monitoring with Mix Control The mic offers a headphone jack for monitoring. Just plug a pair of headphones into the MV7's 3.5mm jack, and you'll be able to listen to your high-quality audio in all its glory. In addition to its touch-panel control surface, the mic gives you a blend knob, which comes in handy for recording music: you can use it to adjust the balance between your mic's pickup and any pre-recorded audio. USB Connection Right Out of the Box Two cables are included, one a USB Mini Type-B to USB Type-A, the other a USB Mini Type-B to USB Type-C Included Software to Make Recording Easier The free ShurePlus MOTIV Desktop Application will let you save your own presets, enable auto-level, add compression, EQ the signal, and more. Shure MV7 Specs Microphone Form Factor Desktop Sound Field Mono Capsule 1 x Dynamic Polar Pattern Unidirectional Orientation End Address Circuitry Solid-State High-Pass Filter None On-Board Controls Gain, Headphone Volume, Mic Mute Windscreen Built-In Performance Frequency Range 50 Hz to 16 kHz Maximum SPL Unidirectional: 132 dB SPL Impedance Unidirectional: 314 Ohms at 1 kHz Sensitivity Unidirectional: -55 dBV at 1 kHz Unidirectional: -47 dBFS/Pa at 1 kHz Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Output Connectors (Digital) 1 x USB Type-B Female (on Mic) Headphone Connector 1 x 1/8" / 3.5 mm Cable Length 10' / 3.0 m (Straight) Digital Audio A/D Conversion 16 / 24-Bit Sample Rate 44.1 / 48 kHz Operating System Support Android, Windows, iOS, macOS/OS X Mobile Device Compatibility iPad or Later iPhone 6th Gen. or Later iPod RAM Requirement 2 GB Minimum Power Bus Power USB / Lightning Physical Color Silver Mounting 5/8"-27 Female Construction Material Metal Dimensions ø: 2.6 x L: 2.1" / ø: 66.5 x L: 53.6 mm (Microphone) H: 6.5 x W: 3.6 x L: 6" / H: 164 x W: 90.2 x L: 153.6 mm (Microphone, with Mount) Weight 1.21 lb / 0.55 kg Packaging Info Package Weight 2.435 lb Box Dimensions (LxWxH) 12.4 x 6.1 x 4.3"

Plug the mic into your computer's USB input, plug a pair of headphones into the capsule's underside, and you're ready to go. Set up your custom mic chain from the Axino software, which gives you classic preamp emulations alongside compressors, equalizers, and other studio tools (a gate, an expander, and more). Monitor right through the microphone and record the tone of a classic mic right into your DAW, or record flat and add/change the mic modeling in your DAW. A tabletop stand, a shockmount, and a USB cable are included. Flawless Performance, Effortless Setup Axino Synergy Core is an intuitive system designed to handle high-quality recording, monitoring, and playback, all without latency. The device is designed to propel workflow at multiple angles to allow creativity to take the lead. Whether you're at home or on the road, Axino Synergy Core is the ultimate recording system that does it all. Sonically Accurate USB Condenser Microphone Axino Synergy Core is a large-diaphragm microphone designed to record the natural character, detail, and resonance of instruments and vocalists alike. The large, gold-sputtered membrane offers low self-noise, while the cardioid pickup pattern minimizes background noise, enabling the microphone to capture any sound effortlessly. A hybrid amp design, featuring Antelope Audio's renowned Discrete preamp technology, has been implemented to achieve a transparent, uncolored sound. Transparency is key for adding emulations and mic models in post. Your Own Virtual Mic Locker The Axino Synergy Core uses Antelope Audio's microphone Modeling Engine, which allows you to record with recreations of classic microphones. The mic ships with 18 emulations of dynamic, tube, and FET condenser microphones to record and monitor in real time. This system grants flexible workflow and the opportunity to experiment with different mic emulations to find the perfect sound. You can also record audio in its natural, unprocessed state, and use the emulations within a plug-in in your DAW, so long as you have an iLok 2 or iLok 3 for authorization. Fully Optimized Audio Interface for Professional Results The same cutting-edge technology from Antelope Audio's top audio interfaces also powers the Axino Synergy Core. The combination of precise 64-bit AFC clocking and professional AD/DA conversion yields pristine audio quality at resolutions up to 192 kHz / 24-bit. To ensure high-fidelity audio reproduction, the headphone output has been equipped with a DAC chip delivering 124 dB of headroom. Expandable Synergy Core Effects Collection The Antelope Synergy Core platform unlocks access to a selection of real-time effects processed entirely on DSP & FPGA chips. The device comes bundled with 10 Synergy Core effects specially chosen to enrich any recording. Within the bundle you'll get compressors, EQs, preamps and dynamic processors, perfect for achieving the ultimate radio-ready sound. In addition, over 80 analog-modeled effects are available to purchase from the Antelope Audio Software Store. List of Mic Emulations Included Emulations include: Berlin 47 FT Berlin 47 TU Berlin 49T Berlin 57 Berlin 67 Berlin 87 Berlin K86 Berlin M103 Berlin M251 Berlin V563 Hamburg 441 Illinois 7B Illinois 57 Minnesota 20 Tokyo 800T Vienna 12 Vienna 112 Vienna 414 List of Included FX Effects Include: VEQ-55A (3-Band EQ / HPF / LPF) BAE-1073 (3-Band EQ / HPF) BAE-1073MP (Mic / Line Preamp) FET-A76 (FET Compressor / Limiting Amplifier) OPTO 2A (Tube Optical Compressor / Limiter) GYRAF GYRATEC IX (Dual-Tube Mic Preamp with HPF) MASTER DE-ESSER (De-Esser) POWERGATE (Noise Gate) POWEREX (Expander) AURAVERB (Reverb) Microphone Primary Applications Studio Recording Form Factor Stand/Boom Mount Intended Sound Sources Vocals, Speech/Voice Over Sound Field Mono Capsule Condenser Diaphragm 1.3" / 34 mm (Condenser) Polar Pattern Cardioid Orientation Side Address Circuitry Solid-State Pad -10 dB High-Pass Filter None Tone Adjustment None Gain Adjustment None Indicators None On-Board Controls Gain/Sensitivity, Headphone Volume Windscreen None Performance Frequency Range 20 Hz to 20 kHz Maximum SPL 140 dB SPL Sensitivity 34 dB at 1 kHz Dynamic Range 124 dB Equivalent Noise Level 17 dB A-Weighted Connectivity Output Connectors (Analog) None Output Connectors (Digital) 1 x USB Type-B Female (on Mic) Headphone Connector 1 x 1/8" / 3.5 mm Wireless Connectivity None Bluetooth None Digital Audio A/D Conversion 24-Bit Sample Rate 192 kHz Digital Signal Processing Compressor, Delay, EQ, Gain, Limiter, Mic Modeling, Noise Reduction, Reverb, Sound Presets Operating System Support Windows, macOS/OS X Power Bus Power USB Operating Voltage 5 V Operating Current Consumption 500 mA Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Desktop Stand (Included) Mounting Thread Size 5/8"-27 Female Included Case None Included Filters None Dimensions H: 2 x W: 2.2 x L: 7.4" / H: 50 x W: 56 x L: 188 mm Weight 15.3 oz / 435 g Packaging Info Package Weight 4.975 lb Box Dimensions (LxWxH) 10 x 8.9 x 5.5"

Get a professional podcast sound with audio interfaces, hard disk recorders, or direct to computers and mobile devices with the Shure MV7 Podcast Mic, styled here in black. This is a high-quality, broadcast-style dynamic microphone, one that has both a conventional XLR connection and a USB port. The Shure MV7 fulfills the needs of anyone who demands a broadcast-quality sound from their podcast microphone, no matter the setup: whether you work with an audio interface, or prefer to record directly into your computer over USB, this microphone will do the job. The mic offers a clear and present sound, extensive controls, rugged accessories, and seamless integration with the free ShurePlus MOTIV Desktop App for convenient effects right out of the gate. Legendary Broadcast Sound The mic takes its design and sonic cues from the Shure SM7B, a classic used on countless podcasts and radio broadcasts. Use the mic in close proximity to your voice and you'll find it exhibits a clear, intelligible, and high-quality sound. Optimized frequency response for rich and natural vocal reproduction Works with Your Analog or Digital Setup Thanks to its multiple outputs, you can use this mic with nearly any podcasting setup. The mic works with your audio interface, field recorder, mixer, or computer (over USB Mini-B) as well as select Android devices, and select iOS devices. The device is also MFi-certified. Rugged Appointments for Sound and Use Like the SM7B, the MV7 has a built-in pop filter to protect against plosives and p-pops, greatly simplifying your editing process. With its built-in ready-to-mount yoke, the mic offers a build quality that is rugged, with an all-metal construction for reliability in mission-critical circumstances. Unidirectional Polar Pattern for the Untreated Room The mic features a unidirectional cardioid polar pattern, which is the best natural defense against room noise: since the capsule mostly captures what's directly in front of it, you won't pick up as much room noise as you would with another polar pattern. Depending on your particular room, you may still need a little room treatment, or some noise-reduction software, to address issues such as your computer's hum or your air conditioner—but the chances of that are markedly lower with a cardioid polar pattern. Integrated Controls & High-Quality USB Audio On the USB side, the mic provides broadcast-quality specs and intuitive functionality. Capture audio at sample rates and resolutions up to 48 kHz / 24-bit, which is the standard for editing and mixing broadcast audio. Use the integrated touch-panel interface on the mic itself to control levels, headphone volumes, monitor mix, and mic-mute. Built-In 3.5mm Headphone Monitoring with Mix Control The mic offers a headphone jack for monitoring. Just plug a pair of headphones into the MV7's 3.5mm jack, and you'll be able to listen to your high-quality audio in all its glory. In addition to its touch-panel control surface, the mic gives you a blend knob, which comes in handy for recording music: you can use it to adjust the balance between your mic's pickup and any pre-recorded audio. USB Connection Right Out of the Box Two cables are included, one a USB Mini Type-B to USB Type-A, the other a USB Mini Type-B to USB Type-C. Included Software to Make Recording Easier The free ShurePlus MOTIV Desktop Application will let you save your own presets, enable auto-level, compression, limiting, and EQ the signal, and more. DSP modes allow you to tweak the sound on the way in. Shure MV7 Specs Microphone Primary Applications Podcast, Audio for Video Form Factor Desktop Intended Sound Sources Vocals Sound Field Mono Capsule 1 x Dynamic Polar Pattern Unidirectional Orientation End Address Circuitry Solid-State High-Pass Filter None Gain Adjustment 0 to +36 dB On-Board Controls Gain/Sensitivity, Headphone Volume, Mic Mute Windscreen Built-In Performance Frequency Range 20 Hz to 20 kHz Maximum SPL Unidirectional: 132 dB SPL Impedance Unidirectional: 314 Ohms at 1 kHz Sensitivity Unidirectional: -55 dBV at 1 kHz Unidirectional: -47 dBFS/Pa at 1 kHz Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Output Connectors (Digital) 1 x USB Type-B Female (on Mic) Headphone Connector 1 x 1/8" / 3.5 mm Cable Length 10' / 3.0 m (Straight) Digital Audio A/D Conversion 16 / 24-Bit Sample Rate Up to 44.1 / 48 kHz Operating System Support Android, Windows, iOS, macOS/OS X Mobile Device Compatibility iPad or Later iPhone 6th Gen. or Later iPod RAM Requirement 2 GB Minimum Power Bus Power USB / Lightning Physical Color Black Mounting 5/8"-27 Female (via Integrated Hardware) Construction Material Metal Dimensions ø: 2.6 x L: 2.1" / ø: 66.5 x L: 53.6 mm (Microphone) H: 6.5 x W: 3.6 x L: 6" / H: 164 x W: 90.2 x L: 153.6 mm (Microphone, with Mount) Weight 1.21 lb / 0.55 kg

Mikrofon je dobio dve nagrade u svoje prve dve kritike: 10/10 Excellence nagradu od Music Tech Magazine i Editor's Choice nagradu od Pro Tools Expert-a, and won the Highly Commended award from Trusted Music Stores. MERCURY je takođe kandidat za druge tri nagrade: MusicRadar's Best kada se radi o Tech nagradama, Sound On Sound magazine's 2018 Gear nagrade i Music Tech magazine's Gear of the Year nagrade. Poželite nam sreću! Dizajniran od strane Sontronics' osnivača Trevor Coley-ja i razvijen zajedno sa dvrhunskim umetnicima I producentima kao i uz savete inženjera Abbey Road studija, MERCURY je ručno izrađen u UK u sedištu Sontronics-a. Pomerajući stvari unapred u odnosu na naš višestruko nagrađivani model ARIA, za Sontronics MERCURY korišćene su najkvalietnije komponente (od kojih većina ima manje od 1% tolerancije, koja se do sad nije čula kod mikrofona po ovoj ili bilo kojoj drugoj ceni) ručno birane, ECC81/12AT7 vacuum cev proizvedena u Evropi, što sve rezultira apsolutno savršenim rezultatima, za koju god primenu da ga koristite. "MERCURY je jednostavno neverovatan… bogat ali i otvorenog zvuka, gladak ali i pun detalja. To je moj prvi izbor svaki put. Volim ga toliko, treba mi par!" JAMES IVEY, producent/multi-instrumentalist i tehnički urednik za for Tools Expert POGLEDAJTE VIDEO KRITIKU OVDE MERCURY vam daje beskrajan izvor polarnih paterna od višesmernih do oblika osmice i svega između, kontrolisanih putem kontrolnog tastera ispred prekidača za napajanje. Mikrofon takođe ima taster (0, -10dB) i low-cut filter (linearni, 75Hz) kontrole i profesionalno napajanje sa medicinskim filterom za sprečavanje interferencije, ima neverovatno nizak sopstveni šum za cevni mikrofon (manje od 12dB, A-otežani), što ga čini nezaobilaznim mikrofonom za bilo koji studio koji ima za cilj postizanje najboljih rezultata. "MERCURY mikrofon je sigurno najbolji mikrofon koji sam ikad imao u svojoj karijeri! Ima neverovatno nizak nivo sopstvenog šuma i fantastični opseg polarnih paterna i zvuči sjajno na mom didžeriduu, indijanskim flautama i perkusijama" ADAM RIVIERE, multi-instrumentalista/kompozitor/producent "MERCURY se razvijao skoro tri godine," kaže Sontronicsov dizajner i osnivač Trevor Coley, "i zaista predstavlja vrhunac kvalitetnih komponenti i britanski inženjering u kombinaciji sa našom strašću stvaranja svestranih, lepo izrađenih mikrofona koji ne košta pravo bogatstvo. "Već smo imali neverovatne fidbekove od vrhunskih umetnika koji su toliko voleli da rade sa prototipom da su kupili pravu stvar, a MERCURY se redovno upoređuje sa vintage ventilskim mikrofonima koji koštaju i do deset puta više. Svaki studio treba da ga ima!" "MERCURY zvuči apsolutno neverovatno sa toplim baršunastim zvukom i svetlucavim izgledom" MARC JB, producent/remix autor (Bimbo Jones) i recenzent (Music Tech časopis) Kao i svi Sontronics mikrofoni, MERCURY je pokriven našom jedinstvenom DOŽIVOTNOM GARANCIJOM koja se jednostavno aktivira tako što ćete nam poslati e-mail sa detaljima o vašoj kupovini (za više informacija: www.sontronics.com/warranty). Kontaktirajte Vašeg najbližeg prodavca ili Vašeg lokalnog distributera (spisak ovde) da biste kupili, naručili ili organizovali demo! NAJVAŽNIJE KARAKTERISTIKE ventilski/cevni kondenzatorski mikrofon • promenljivi polarni paterni • dizajniran tako da zvuči zapanjujuće dobro na čemu god da radite beta testiran sa vrhunskim producentima i umetnicima uključujući Gary-ja Barlow-a PREPORUČEN ZA… • muške i ženske vokale • voiceover • klavir i žičane instrumente • akustične gitare i gitarska pojačala • limene, duvačke i narodne instrumente • bubnjeve i perkusije • ensemble, choral & orchestral • sobno snimanje i kao viseći mikrofon SPECIFIKACIJE Polarni patern: koji se menja od višesmernog do oblika osmice i svega između Frekventni odziv: 20Hz - 20kHz Pad: 0, -10dB Filter: Linearni, 75Hz Osetljivost: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Impedansa: ≤200 Ohms Ekvivalentni nivo šuma: <12dB (A-otežani) Maksimalni SPL (for 0.5% THD @ 1kHz): 125dB Napajanje: 115/230V *fantomsko napajanje nije potrebno* Konektor: 8-pin konektor (mikrofon), 3-pin XLR-M (napajanje) Dimenzije: 250 x 90 x 80mm Težina: 1034g samo mikrofon, 1463g sa šok mauntom, 1942g napajanje Oprema: drvena kutija (za Mercury mikrofon), šok maunt, kablovi, napajanje, aluminijumski kofer