AIRMATE-USB 8 channel (with 6 triple and 2 dual inputs) radio production console, Model 2012 6x Mic inputs, 12x stereo line inputs, 4x inserts on Mic input 1-4, 2x USB stereo send/return, 2x Telephone Hybrids. We designed the Airmate-USB to fulfil the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And... every line level line B input can be converted into a phono (grammophone) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. EXTENSIVE MASTER SECTION FOCUSED ON RADIO. This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Faderstart generates in the Mic mode a Mic-on sig­nalling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external Hybrids. NOW IS THE TIME TO INSTALL YOUR OWN PRODUCTION ROOM. The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programmes. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer. TECHNICAL SPECIFICATIONS INPUTS Mic inputs: bal, 2kOhm, XLR. Phantom: 48 volt. Noise: - 122 dBr (A-weighted). Sensitivity: - 70dB min, OdB max. Insert: -10dBv in/out. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. 2 Track return: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereo USB Fully compliant with USB 2.0 playback and record mode. HID Functions: Volume/Mute TELEPHONE HYBRIDS RJ-11 connectors for phone line/dialler Mix Minus rejection @1kHz -60dB. OUTPUTS Left/Right: + 4 dBu bal. XLR. Monitor/Aux : + 4dBu unbal. on Cinch. Cleanfeed/Announcer: + 4dBu, Jacks. Tape outp: -10dBv, unbal. Cinch. Headphone: 16-600 Ohm, Jack. Announcer: 16-600 Ohm, Jack. EQUALIZER High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz bell curve. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.009% max at 1 kHz. Start switch: reed relay. Ledbars: 21 segment. Power Consumption: 25VA REMOTE RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.) Center Contact = Tip Normally Closed = Shield Normally Open = Ring OVERALL Frequency response 10-60.000 Hz (+/- 0.5dB). Distortion: <0.009% max at 1 kHz. Dimensions: 483x356x95 mm ( 8HE ) . Weight: 9 kg. DIMENSIONS Left-Right 19" rack mountable. (482mm width) Front-Back: 356mm (8HE). Height: 95mm. Space below front panel: 20mm Weight: 11 kg. For Drop through mounting cut a hole of 450 x 330 mm (console height is 95mm)

Faderstarts and Cleanfeeds are standard We designed the Airmate-USB to fulfill the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And… every line level line B input can be converted into a phono (record player) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. Built in Telephone Hybrids This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Fader start generates in the Mic mode a Mic-on signaling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external analog and digital Hybrids. Built in VoIP or Telco channels We now have dedicated VoIP channels available for the AIRMATE-USB, or a combination of one TELCO module and one VoIP module. If you still want to use a classic analogue or digital Hybrid we have designed a cleanfeed output on pin 1-4 of the RJ11 connector. You can return the Hybrid signal on the line input of the VoIp module. Please tell your dealer the combination you want. Now is the time to install your own production room The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The focal point in a production studio The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programs. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer.

Shure SM7B Jedan od omijenih vokalnih mikrofona kako među amaterima, tako i među profesionalnim korisnicima. Često ćete ga videti u studijima, još češće u radio stanicama i podcast studijima. Ono što ga izdvaja od ostatka Shure SM serije je magnetni "shield", bass roll-off i presence boost kontrola, interni shock mount i pop-filter. Svakako komad koji morate imati ukoliko se bavite bilo kakvim studijskim radom. Triton Audio FetHead Mikrofonsko Pretpojačalo FetHead iz fabrike TritonAudio je nisko-šumno linijsko mikrofonsko pretpojačalo koje poboljšava zvuk ribbon i dinamičkih mikrofona. Zvuk im postaje konkretniji sa jačim tranzijentima. Elektronika je smeštena u metalno kućište sa balansiranim tropolnim ženskim XLR ulazom i muškim XLR izlazom. FetHead je prikladan za upotrebu kod kuće, u studiju, na turnejama i u drugim situacijama.

The Rode DS2 is a compact desktop studio arm designed for quiet and flexible microphone positioning in podcasting spaces, broadcast radio studios, voiceover studios, and similar environments. The DS2 features a heavy base designed to balance and support microphones weighing up to 31.7 oz, so there's no need for clamps or mounting equipment. The boom arm offers two adjustable pivot points that extend up to 15" vertically, allowing you to easily position your mic for optimal results. Cable management guides are provided to keep your setup neat and tidy. A 3/8" to 1/4" thread adapter is also provided, allowing you to mount a wide range of different screw threads. Use for mics, lights, phones, and cameras Supports up to 31.7 oz Heavy base requires no clamp or mounting Two pivot points for flexible, accurate positioning 15" vertical reach Low-noise operation Includes 3/8 to 1/4" adapter

Furman AP-230 is noise sniffer that provides an analysis of noise power which can be heard. The device is used for detecting disturbance such as electromagnetic interference (EMI) and radio frequency interference (RFI) on the power grid. These disturbances can affect electrical circuits because of either their electromagnetic radiation or electromagnetic induction. These disturbances may detain, disrupt, limit, or lower the effective performance of the device. They can cause simple degradation of data or even, a total loss of data. However, by using the Furman AP-230 noise sniffer, all of these disturbances can be detected to prevent the users from the risk of any loss that may occur. For rear rack illumination, Furman AP-230 uses gooseneck lamp which is a kind of light fixture where a lamp is attached to an adjustable and flexible shaft. It allows the users to place the light source without making any movement to the item or fixture that they will illuminate. The gooseneck lamp used by Furman AP-230 is the lamp with a voltage of 12 volt and a current of 1.5 amp. Furthermore, Furman AP-230 also sports Series Mode Protection (SMP) and Linear Filtering Technology (LiFT). It gets noise attenuation of 10dB at 10 kHz, 40 dB at 100 kHz and 100 dB at 10 MHz. Features: • Noise attenuation of 10dB at 10 kHz, 40 dB at 100 kHz and 100 dB at 10 MHz. • Sporting Series Mode Protection (SME) and Linear Filtering Technology (LiFT) • Gooseneck lamp to illuminate the rear rack Specification: • Delay connection (in second): 0, 0.5, 5, and 10 • Noise Attenuation: 10 dB @ 10 kHz, 40 dB @ 100 kHz, 100 dB @ 10 MHz • Dimensions: 19 “/ 1U, depth 27 cm, • Weight: 5 kg • Gooseneck lamp voltage: 12 V • Gooseneck lamp current: 0.5 A

The ultra-compact XB-10 is perfect for small radeo or internet broadcast studios, college and university radeo stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the ‘Talk’ feature. XB-10’s preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MusiQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. Output Limiter A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. CompACT Compressor XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

Klasični shotgun mikrofon superkardeoidne usmerene karakteristike, namenjen specifičnim visokozahtevnim aplikacijama u broadcast, televizijskoj i filmskoj industriji, kao i u profesionalnim radijskim aplikacijama i Napomenaištu. Kondenzatorska kapsula ovog mikrofona, zajedno sa vrhunskom SMT elektronikom osigurava kontrolisan dijagram usmerenosti s visokim stepenom suzbijanja neželjenih ambijentalnih šumova. Pored velikog frekventnog opsega i visoke dinamike, ovaj mikrofon može raditi na 48V fantomskom napajanju ili se može napajati standardnom AA 1,5V alkalnom baterijom, što ga čini upotrebljivim i u terenskim uslovima. Zahvaljujući odličnim tonskim karakteristikama i dobroj ceni, sve je češće deo opreme TV stanica. U kompletu sa mikrofonom dolazi RM5 nosač mikrofona, WSVM zaštitnik od vetra i ZP1 torba za transport. Tehnička specifikacija: * Acoustic Principle: Line Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: SuperCardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 250Ω * Maximum SPL: 131dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 6.9dBu (@ 1kHz, 1% THD into 1KΩ load) * Sensitivity: -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 18dB-A * Power Options: +48V phantom power; AA Battery * Weight: 161.00gm * Dimensions: 280.00mmH x 22.00mmW x 22.00mmD * Output: XLR Output

Introduction With the Webstation you can now own a modern broadcast mixer for a very attractive price. This new and handbuild piece of precision equipment is build around proven low noise circuitry. It is an intelligent mixer with an internal USB control section that comfortably enhances daily use and even has a built in silence detector. It is a reliable workhorse for the self-op production D.J. There is a built in Telephone VoIP functionality, 3 in/out channels of stereo USB and 2 very low noise Mic inputs. The WEBSTATION is ideal for ON-AIR, Production work and perfect for streaming to the web. The WEBSTATION accepts and instantly controls a maximum of 3 in/out stereo channels from your Play-out software. It is built into a heavy duty metal RF shielded chassis. Easily “drops” into your furniture to give that exciting radio look. Build with a strong powder coated front panel for durability and it is the result of more than 48 years of experience at D&R's research and development department. MIC, LINE, USB and Internal VoIP The WEBSTATION mixer has 2 balanced, phantom powered mic inputs with inserts for voice processors. Six stereo line inputs, 3x USB channels and 1x Telephone VOIP channel. If you want to connect an analog phone line, the Cleanfeed output can be connected to an external Hybrid. Only one physical USB connection is the interface to transfer 3 stereo audio channels + VoIP signal from and to your PC and also includes all data from the control section and the software meter application. The VoIP Channel 6 is at the same time also routed to the main USB connector. Talk back to the VOIP channel is by pushing both "Mic CUE" and "VoIP CUE" to make conversation with callers very easy prior to broadcasting. The Webstation has a very musical 2 band equalizer. High quality low noise mic inputs with built in low cut filters and software switchable phantom powering on board. Straight Forward Master Section The WEBSTATION’s modules can be easily tailored to your own needs with the included software program page shown below. All 6 modules have their own page, where you can program Cue reset enabled by Line, Mic, Fader, On etc. The Mic On busses (for your ON-AIR light) can be enabled by Line or Mic or USB. A great feature is the ability to program your own switch colors, activate the CRM mute module and program the Studio Remote. Additionally if you want your Phantom power on or off this is individually programmable per channel. All personal settings can be stored(write) and loaded (read). See how in the the configuration manager shown below. Also the master section has various options to fine trim the mixer to your needs. On th left you see the software pages that can be programmed by yourself and it gives you an overview of its possibilities. There are settings that adjust the Silence Detection with parameters for Threshold, Interval time and the source. You can even program the switch colors you personally like. Also the CUE bus can be set to behave interlocking, which means that when you select another CUE the earlier selected CUE automatically switches off. Don't let the simple lay-out fool you, there is much going on beneath the front panel to make your life easier as DJ! Specifications: Six dual inputs 2 band EQUALIZER Windows / Mac compatible Built in auto Silence detector 3 USB in/out channels for Play-out software 2 Mic inputs, switchable 48 volt Phantom Play out USB control section for 12 jingles CRM and Phone outputs Built in VoIP functionality Internal NON STOP switching Extra Cleanfeed output for external Hybrids Bi directional Cue communication buss Incoming VoIP phone calls visible on screen Ideal for Production, Voice tracking, On-AIR

Mixcast 4 PODCAST MIXER, RECORDER, USB AUDIO INTERFACE& STREAMER Mixcast 4 makes professional content creation easy. For Podcast creation, live streaming, event production, or voice over, Mixcast 4 will mix and record mic inputs, internal sounds and music via the trigger pads, and external audio input from your phone or PC. Together with the TASCAM Podcast Editor software, a complete solution - including both waveform editing and sound pad control - is provided from pre-production to completion. Stress-free touch panel control Equipped with 4 mic inputs and 4 individual headphone outputs, the Mixcast 4 is always ready for production thanks to the installed auto-mixing function that will automatically adjust optimal levels and set mic priority with no troublesome configuration for a perfect mix. The Mixcast 4 also showcases a 5-inch color touch screen that provides quick and intuitive access to desired menu control settings. One-stop workstation with a variety of functions From audio recording to the mixing of recorded audio, the Mixcast 4 offers a one-stop solution with multiple convenient functions such as 14-track multi-track recording direct to the unit's SD card.Not only with four mic inputs, but also with Bluetooth®, a LINE IN (3.5mm TRRS) connection, and PC connectivity allows the unit to easily mix and record phone conversations/sound sources and let 7 people in maximum join the program. In addition, it supports Talkback function for internal conversation that will not be on the main recording. The Talkback output has been expanded to USB/ Bluetooth/ LINE IN (3.5mm TRRS) connection in addition to the headphone outputs. (supported from V1.30) Enhance content with real-time sound effects The Mixcast 4 comes with fully customizable sound pads. In addition to preset sound effects, users can flexibly assign new sounds or even pre-recorded mic sounds that have been recorded on the unit. The Mixcast 4 sound pads also allow for easy and real time voice effects such as voice transformation, reverb, and more to make live-streams and recordings even more interesting and fun. For the real time effects, common settings can be applied for up to 4 mic inputs simultaneously. (supported from V1.20) The playback level of each sound pad can be adjusted, and pad banks can be switched while recording.(supported from V1.30) Features at a Glance Podcast production of up to 7 people 4 mic inputs with auto-mix , 4 headphone outputs USB input, Bluetooth input, LINE IN (3.5mm TRRS) input Invite guests and friends: Mix-Minus to connect call-ins with echo-free audio via Bluetooth, USB input or 4-pole TRRS audio cable Sound pads for instant sound triggering and effects Easy and intuitive control using the 5-inch touch panel Fully compatible with the dedicated TASCAM Podcast Editor software to cover the entire production workflow Direct internal multi-track recording to SD card (up to 14 tracks) 14in/2out USB audio interface Nine language options including English, French, German, Italian, Spanish, Russian, Chinese, Japanese and Korean Spec description Recorder specifications Recording media SD cards (64 MB to 2 GB), SDHC cards (4 GB to 32 GB), SDXC cards (48 GB to 512 GB) Recording/playback formats WAV(BWF) 48 kHz, 24 bit, 2 ch Stereo/14 ch Poly Max. recordable tracks 14 tracks (12 track + 2 mix) Analog audio input ratings MIC INPUT jacks (1-4) Connectors XLR/TRS combo jacks XLR XLR-3-31 (1: GND, 2: HOT, 3: COLD) TRS 6.3mm (1/4") standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND) Maximum input level +10 dBu (when LEVEL at min.) Nominal input level -10 dBu (when LEVEL at min.) Minimum input level -76.5 dBu (when LEVEL at max.) Gain range 66.5 dB Input impedance 2.1 kΩ PHONES (TRRS) 1 jack (CTIA standard) Connector 3.5 mm (1/8") 4-pole mini jack Maximum input level +4 dBV (when LEVEL at min.) Nominal input level -16 dBV (when LEVEL at min.) Minimum input level -82.5 dBV (when LEVEL at max.) Gain range 66.5 dB Input impedance 2 kΩ LINE IN (TRRS) jack (CTIA standard) Connector 3.5 mm (1/8") 4-pole mini jack Maximum input level +8 dBV Nominal input level -12 dBV Input impedance 12 kΩ LINE IN L/R (balanced) jacks Connectors 6.3mm (1/4") standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND) Maximum input level +24 dBu Nominal input level +4 dBu Input impedance 11 kΩ Analog audio output ratings PHONES jacks (1-4) Connectors 6.3mm (1/4") standard stereo jacks Maximum output 45 mW + 45 mW (0.1% THD+N or less, into 32Ω load) Working Impedance 16 to 600Ω PHONES (TRRS) 1 jack (CTIA standard) Connector 3.5 mm (1/8") 4-pole mini jack PHONES (TRRS) 1 output splits from PHONES 1 output LINE OUT (TRRS) jack (CTIA standard) Connector 3.5 mm (1/8") 4-pole mini jack Maximum output level -25 dBu Nominal output level -45 dBu Output impedance 100 Ω MONITOR OUT L/R (balanced) jacks Connectors 6.3mm (1/4") standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND) Maximum output level +20 dBu Nominal output level +0 dBu Output impedance 200 Ω LINE OUT jack Connector 3.5mm (1/8") stereo mini jack Maximum output level +6 dBv Nominal output level -14 dBv Output impedance 200 Ω USB Connector USB Type-C Transfer Format USB2.0 HIGH SPEED Device Class Mass-storage class USB Audio Class 2.0(USB class-compliant) USB Audio Sampling Rate 48 kHz Bit Depth 24 bit Number of inputs 14 channels *Output from this unit Number of outputs 2 channels *Input to this unit Bluetooth® Output class 2 (about 10m* unobstructed transmission distance) Supported profile A2DP Supported A2DP codecs SBC, AAC Supported A2DP content protection SCMS-T Recording times (in hours: minutes) Recording format: 24-bit / 48kHz WAV 14 ch: 0:35 (4 GB) / 1:10 (8 GB) 2 ch: 4:07 (4 GB) / 8:15 (8 GB) The recording times shown above are not continuous recording times. They are total recordable times for SD/SDHC/SDXC cards. Power Dedicated AC adapter (PS-P1220E NUT), DC 12 V Power consumption 12.5 W (maximum) Weight 2.55 kg Operating temperature range 0 - 40°C Dimensions 374.8(W) × 56.5(H) × 263.6(D) mm (excluding protrusions) 374.8(W) × 71.2(H) × 266.7(D) mm (including protrusions) Include items AC adapter (PS-P1220E NUT), USB Type-C to Type-C cable, Owner's manual (inc. warranty), TASCAM ID registration guide * The transmission distance is an estimate. The transmission distance may vary depending on the surrounding environment and radio wave conditions. Audio Performance Mic amp EIN (equivalent input noise) -125 dBu or less (150Ω termination, LEVEL at max.) Frequency response Mic input jacks (1-4) 20 Hz - 20 kHz: +0.3 dB / -0.3 dB (JEITA) S/N ratio 101 dB( Mic input jacks (1-4), channel faders at 0, 20kHz SPCL LPF +A-Weight) Distortion 0.003% ( Mic input jacks (1-4), 1kHz sine wave, channel faders at 0, 20kHz SPCL LPF) Crosstalk 95 dB or more Note: Measurement conditions conform to JEITA CP-2905B. Computer system requirements Windows Compatible computers Windows computer with a USB 2.0 (or higher) * Operation is not guaranteed using the TASCAM driver with ARM64 CPUs. Mac Compatible computers Mac with a USB 2.0 (or higher) * Verified with Intel and Apple Silicon (M1 and M2) hardware