Get Flexible On-the-go Recording from This USB Interface! The OCTA-CAPTURE by Roland packs eight impressively pristine VS PREAMPs and exceptional 24-bit/192kHz AD/DA conversion into a single affordable USB 2.0 interface. If you demand high channel count and superb audio quality from a multichannel interface built with on-the-go convenience in mind, then the OCTA-CAPTURE is the perfect companion to your laptop Mac or PC. It has 40-bit DSP-driven cue mixing onboard that lets you set up four independent stereo mixes quickly and easily. An Auto Input Level Adjustment also lets you instantly set the ideal input level of each of the OCTA-CAPTURE's analog inputs with just the push of a button. And thanks to Roland's extreme low-latency driver, you can use the OCTA-CAPTURE efficiently with almost any Mac of PC DAW. Roland OCTA-CAPTURE USB Interface Features at a Glance: 8 x premium VS PREAMP mic preamps (XLR combo) AUTO-SENS function intelligently sets optimal input levels for all preamps Extremely stable low-latency VS STREAMING driver 4 x independent software-controlled Direct Mixers for creating custom monitor mixes Internal 40-bit DSP processing for cue mixing Supports most major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers Includes Ableton Live Lite Software Dimensions: 11-3/16" x 6-1/4" x 2" Weight: 2.9 lbs. For professional-quality multitrack recording you can take anywhere, pick up an affordable Roland OCTA-CAPTURE USB interface!

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Kratki opis Dijagonala : 55" [ 140 cm ] Energetska klasa G Rezolucija : 3840 x 2160 (4K) Smart : da Android : da Boja : crna Tjuner : analogni i digitalni Garancija: 3 godine Detalji VOX DLED televizor 55ADWC2B - vs 9.0 UHD Smart Dijagonala ekrana: 55" Rezolucija ekrana: 4K (3840 x 2160 pix) Odziv slike: 60 Hz Tip ekrana: Direct LED slim Forma ekrana: ravan Odnos stranica: 16:9 Smart TV: da Android 9.0 Tip tjunera: DVB-T2/C/S2 H.265 HEVC HDR10, HLG, Dolby Digital Plus(DD+) Snaga zvučnika: 2 x 8 W RMS WiFi Integrisan, Miracast LAN Priključci: - 3 x HDMI - 2 x USB - 2 x Antenna Input - AV input - RJ-45 - CI - SPDIF - izlaz za slušalice PVR Sleep Timer Multilanguage OSD Hotel Mode Vesa standard: 200 x 200 Tip postolja: nožice Dimenzije sa postoljem: 1241 x 782 X 240 mm Dimenzije bez postolja: 1241 x 720 x 83 mm Težina: 12,9 kg Boja: crna

Our rugged CK-40 microphone body and capsule assembly are precision machined of BRASS. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The Discreet Class A Low-Noise FET circuitry will yield pleasing professional results comparable to much more expensive designs. Any studio can proudly offer the stereo CK-40 as a group vocal mic, room mic, piano mic, or utility condenser due to its versatility...It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile Avantone CK-40 Stereo Class A FET microphone features twin LARGE 35mm center-terminated pressure gradient transducers. Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule/grill assembly rotates UP TO 90 degrees relative to the lower capsule/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident / Blumlein, M-S) The 2 sets of pad, pattern select & LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill/capsule while the rear switches control the upper rotating headgrill.) The 3 patterns allow the CK-40 to be used in a variety of situations including M-S recording. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track. The CK-40 operates on standard 48 volt phantom power and includes a 5-Pin mic cable that plugs into the included 1x2 stereo splitter box. Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp/console channel. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. So many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni vs cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc... Specifications Type: Stereo True Condenser Microphone Polar Pattern(s): Cardioid, Omni, Figure-8 (x2) Capsule: (2) Dual plate 35mm gold sputtered diaphragm / brass assembly Frequency Response: 20-20,000 Hz +/- 3dB Output Impedance: <=250 Ohms / transformer isolated Sensitivity: -40dB S/N Ratio: 77dB re 1Pa Maximum SPL: 147 dB (0.5% THD @1000Hz) Equivalent Noise Level: 17dB (A weighted EC651) Output Connector: Male XLR 5 pin with included breakout box and cable High-Pass Switch: 80 Hz 6dB/octave Attenuation Switch: -10dB Power Requirement: Standard 48 Volt Phantom (x2) 3mA current consumption Included Accessories: Shockmount Padded Wooden Box Foam Filter 2x1 splitter box 30' Cable Metal road case Dimensions: 27.6mm X 49mm Weight: .95 kgs / 2.1 lbs Finish: Polished Nickel trim / Metallic Cabernet Red Body Features Features Each CK-40 Mic is individually serialized. Uses Include: Studio group vocals, acoustic guitar, mandolin, drum overheads, piano, room mic, etc... Standard Items Supplied: Avantone CK-40 Stereo Multi-Pattern FET Microphone Avantone Custom Retro Shockmount W/ Extra Elastic bands 1 x 2 Splitter Box (Stereo Breakout Box) Elegant padded genuine wooden Mic box 30' 5-pin cable Foam wind filter Padded Aluminum storage / travel case Owners Manual

The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to. Aston Spirit The Spirit represents one of the biggest engineering advancements in the microphone industry in decades. Nominated for the prestigious NAMM TEC Award in 2017 and universally acclaimed as one of the best mics on the market today at any price, it achieves a level of technical excellence and performance never before seen at this price point. Origin vs Spirit - Sound distinction The Spirit can be considered our ‘pro’ mic option, simply because of its revealing and incredibly polished sound. It’s transformer based circuit gives oodles of headroom, which means more ‘air’ and ‘space’ to the sound, and an incredible amount of detail and harmonic content. It’s a big, expensive-sounding mic that will allow you to get the very best results possible from any recording. A sports car of a mic… it’ll give you fabulous results if you treat it with respect and give your best. Spirit is a superb all-rounder mic, delivering a stunningly transparent vocal sound, yet equally suited to recording pretty much any instrument. If you want one of the most professional sounds out there, Spirit is your mic. There is a lot of subjective talk about ‘this mic for this application… the perfect vocal mic, the perfect instrument mic etc’ … yes, sometimes that can be the case, but mostly this is just manufacturers trying to make the easy sale. Tell someone, ‘this is ideal for guitar recording’ and they’ll migrate to that product. The truth is somewhat different from the marketing hype. Most good condenser microphones will be equally at home on vocals and various instruments. This is especially true of both the Origin and Spirit, which find themselves on everything from vocals for the likes of Noel Gallagher and Kylie Minogue, to drums for Arcade Fire and Geoff Dugmore (Elton John, Tina Turner, Bruce Springsteen) and live guitar cab mics for Radiohead's Thom Yorke So more important is to go for a mic which gives you the sound that you want. The Origin, by comparison, is the cornerstone of the Aston brand, our first mic, and a global best seller. Simple, but incredibly well engineered, and perfect for everyone from budding singer-songwriters to seasoned industry pros. The Origin’s sound can be best described as ‘forgiving’… it doesn’t flatter to deceive but its ultra-smooth and pure sound, while rich with detail, will not overload with harmonics and leave you reaching for the EQ. It sounds, well, just like you do. So, If you’re looking for a really good all-rounder, which will make your playing, or your singing, sound incredibly natural and true and easy to manage in the mix, then the Origin is the mic for you. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Spirit comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Spirit just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Spirit (and it looks awesome too!). Transducer Type Condenser Acoustic Operating Principle Pressure Gradient Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Noise Level 14dB A-Weighted Sensitivity at 1kHz into 1kohm 23.7mV/Pa Maximum SPL for THD 0.5% 138dB Signal-to-Noise Ratio (rel. 94dB SPL) 80dB A-Weighted Polar pattern Omni/Cardioid/Figure-of-Eight Pad Switches -20dB/-10dB/0dB Low-Cut Filter 80Hz Product length 175 mm / 6.89 in Product width 54 mm / 2.13 in Product weight 625 g / 1.38 lb

A2 TECHNOLOGY The A2 continues the success of our fully mechanical automatic turntables. With the A2, you can now select the drop off point for 7“ (singles) or 12“ (LPs) for 45 RPM records. We have also added 78 RPM to the system allowing you to dig back into old shellac collections. To enjoy listening to your A2, just press start and the tonearm automatically moves to the lead in groove of the record. Once playing, the automatics are completely taken out of the equation. And because the automatics are working entirely mechanically – no additional electronics needed – they truly do not influence or degrade sound quality during playback! At the end of the record, the tonearm is automatically brought back and gently lowered into its resting position and the motor shut off. Why sub-chassis? Automatic turntables have many small mechanical parts, which means you need more hollow space in the chassis to fit them. Hollow spaces are the biggest problem as they always reinforce resonances. By using a sub-chassis, you decouple the tonearm and drive from the chassis. In other words, a sub-chassis is a MUST for automatic turntables and enables them to reach excellent sound performance. Floating sub-chassis The A2 employs a sub-chassis construction, where the tonearm, platter bearing and motor are mounted onto a separate floating sub-chassis. This isolates all the most critical turntable elements further and adds an extra layer of protection against outside noise, resonances and interference. This has especially big advantages, when your loudspeakers are very close to the turntable. Pro-Ject Design Philosophy Adding Pro-Ject designs and ideas, we have spent a lot of time on the A2‘s clean design language. You will see similarities to iconic designs of the German audio industry. Today, we believe that this minimalistic approach is very much modern again. IMPROVED AUTOMATIC MECHANISM We have invested in a new aluminium diecast top for the whole sub-chassis and automatic mechanism. We have tried to avoid plastic parts from the original German automatic design as much as possible. This is the first time in all the 50 years of its existance that the original automatic design has received an improvement like this. Due to the new aluminium diecast cover and the massive chassis, the whole sub-chassis construction is more effective and isolates unwanted resonance much better. MASSLESS TRACKING FORCE ADJUSTMENT The A2 uses a new system for setting the tracking force. As usual, you first level out the tonearm with the damped counterweight. Damping the counter- weight makes the tonearm as a whole more robust and decouples the counterweight from the tonearm reducing resonant frequencies. Afterwards the tracking force is set by turning a dial directly on the tonearm bearing. Not only is this system very fast, precise and efficient, it also keeps the center of gravity directly on top of the bearing center. The spring based anti-skating can also be adjusted directly on the tonearm base. IMPROVED TONEARM & CARDANIC BEARING The A2 features an 8.3” ultra-light-mass aluminium tonearm with an improved tonearm tube with bigger diameter. The is a perfect match for the slightly heavier Ortofon 2M Red. In combination we retain the super fast response and all transient detail with lots of fine microdynamics, while the new 2M Red adds a lot of body and musical warmth. The tonearm bearing has received a major upgrade, is now made out of aluminium and features a 4-pin-point cardanic construction with steel tip ball bearings from our own production. This allows for unhindered and free tonearm movement with the lowest amount of friction possible. The A2 will track your vinyl records with the utmost of precision and tightness. WHY ULTRA-LIGHT-MASS TONEARM? Since forever, there has been this technical discussion about light-weight tonearms with high compliance MM cartridges vs. heavy tonearms with low compliance MC cartridges. Both approaches have advantages and disadvantages and you‘ll find detailed analysis in concerned literature. However, when it comes to automatic turntables, we NEED ultra-light-mass tonearms. There is no way around it. We need the automatic mechanics to be like those in mechanical watches: small and precise. A heavy tonearm would result in a rougher mechanical design as much higher masses have to be moved. Therefore, the A2 reaches performance hights like no other automatic turntable on the market. Audiophile Features Ortofon 2M Red Moving-Magnet Cartridge 2M Red is an all-purpose cartridge that delivers open, dynamic sound with a slight touch of warmth. (*US Version comes with Sumiko Rainier) New Headshell Carbon fibre reinforced anti-magnetic headshell The headshell is made of carbon fibre reinforced polymer which makes it super stable and rigid, all while keeping the weight at a lowest to work perfectly with the ultra-light-mass tonearm design. Heavy MDF main chassis Heavy and avoids hollow spaces The new heavy MDF main chassis is made and designed in Austria and carefully hand painted in a luxurious 8-layer matt black finish. It provides a very sturdy base for the sub-chassis and reduces hollow spaces to avoid resonances. Such a massive chassis is very unusual in this price range and the base for natural sound. Floating sub-chassis With aluminium diecast top Isolating all the most critical turntable elements adds an extra layer of protection against outside noise. A must for automatic turntables. Damped Platter Precision balanced aluminium The damping ring on the inside adds weight and reduces resonances. In the last step the platter is turned and precision balanced to receive its fine edges and lowest wow and flutter deviations. Connect it E Semi-balanced RCA cable To guarantee a perfect connection to your amp we use a high-quality phono RCA cable. Our Connect it E is a semi-balanced, low-capacitance cable, with superior shielding. 33/45/78 RPM Ready for singles, LPs & shellacs No need to change the belt position. Easily change speed with the push of only a single button & listen to your favourite LP, single or shellac. Automat Line Handmade in Germany The A2 is fully handmade in Germany and looks back on decades of experience. Paired with Pro-Ject technology, it sets new standards in automatic turntable design. Speed: 33, 45, 78 (electronic speed change) Drive principle: belt drive, fully automatic Platter: damped aluminium platter Wow & flutter: 33: +/-0,14%; 45: +/-0,12% Speed drift: 33: +/-0,27%; 45: +/-0,22% Signal to noise: 74dB Tonearm: ultra-light-mass 8,3” aluminium tonearm Effective arm length: 211mm Overhang: 19,5mm Included accessories: 15V DC / 0,8A power supply, dust cover, 7‘‘ single adapter, feltmat, phono cable Power consumption: 1,5W Dimensions: 430 x 150 x 365 mm (WxHxD) Weight: 7,3 kg net / 10 kg with packaging

Izgrađen na osnovu 60 godina iskustva izrade audio uređaja kompanije Universal Audio, Apollo Twin X samouvereno nadmašuje sve u svojoj klasi sa 127 dB D/A dinamičkog opsega, zajedno sa uključenim UAD analognim emulacijskim plug-inovima i LUNA Recording System-om, koji vam pruža kompletno opremljeni analogni studio na vašem desktopu. Snimajte i miksujte sa prvoklasnom A/D i D/A konverzijom — sa najširim dinamičkim opsegom i najnižim nivoom šuma u odnosu na bilo koji desktop interfejs. Dva pretpojačala sa Unison tehnologijom— snimajte numere sa skoro nultom latencijom sa emulacijama pretpojačala od Helios, Neve, API, Manley i ostalih* Onboard UAD obrada omogućava vam da stvarate numere i miksujete u realnom vremenu sa uključenim Teletronix LA‑2A i 1176 kompresorima, Pultec EQs, 610‑B cevnim pretpojačalom i još toga Sadrži LUNA Recording System — u potpunosti integrisanu i inspirišuću aplikaciju za muzičku produkciju Dva Unison pretpojačala: Dobićete autentični zvuk Neve®, Helios, API, Manley i još toga Apollo Twin X ima dva Unison-enabled mikrofonska pretpojačala, što vam omogućava da pravite numere zahvaljujući emulacijama mikrofonskih pretpojačala Neve®, Helios, API, Manley, Universal Audio i mnogih drugih. Ekskluzivna kod UA Audio interfejsa, Unison tehnologija pogađa ton ovih traženih cevnih i solid state mikrofonskih pretpojačala — uključujući njihovu ulaznu impedansu, “sweet spot-ove,” na bini i ponašanja kola na nivou komponenti originalnog hardvera. Tajna Unison tehnologije leži u njenoj integraciji hardvera i softvera između Apollo mikrofonskih pretpojačala i njene onboard UAD-2 DUO Core DSP akceleracije. Jednostavno stavite Unison plug-in za pretpojačalo u vaš mikrofonski ulaz u in Apollo Console softver i on fizički rekonfiguriše Apollo interfejs impedansu — tako da možete da utonete u klasične zvukove svetski najsnimanijih mikrofonskih pretpojačala. Pogledajte Unison Shoot Out (hardver vs. softver) video Prvoklasna A/D i D/A konverzija Sa hiljadama hit pesama i stotinama albuma koji su osvojili Grammy nagrade, Apollo interfejsi se koriste za svakodnevno stvaranje izuzetnih zvučnih zapisa. Kako bi poboljšali prethodnu generaciju Apollo interfejsa koji su vodeći u klasi audio konverzije, UA inženjeri redizajnirali su Twin audio konverziju kako bi isporučili upečatljivih 127 dB dinamičkog opsega i -117 dB THD + N, dajući Apollo TWIN X prostrani, organski zvuk koji lako staje rame uz rame sa high end konvertorima. Apollo: Izbor New-School profesionalaca Apollo je potvrđen izbor profesionalaca koji prave hitove, koji su navikli da snimaju najpoznatije albume Kendrick Lamar-a (DAMN.), Chris Stapleton-a (Iz A sobe: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), i mnogih drugih. Apollo linija interfejsa dobila je nekoliko nagrada od Sound on Sound, Future Music, i Electronic Musician — kao i prestižnu TEC nagradu za kompjuterski audio hardver tokom pet uzastopnih godina. Komplet klasičnih analognih plug-inova Direktno iz kutije, Apollo Twin X ima kolekciju neverovatnih emulacijskih plug-inova uključujući svetski jedini autentični Teletronix LA-2A, 1176LN, Pultec EQs, i UA 610-B cevno pretpojačalo i ekvilajzer. Razvijen od strane svetski priznatih algoritamskih inženjera Universal Audia, ovi analogni klasični plug-inovi u realnom vremenu uspostavljaju standard na osnovu koga se sve ostale hardverske emulacije procenjuju. Od toplote cevi Pultec EQ-a na gitarama, do nežnog limitiranja LA-2A na vokalima, vaši snimci će odskočiti u bogat, zvučno kompleksan analogni zvuk. Pogledajte Plug-Inove | Pogledajte live tracking video Uđite u svet UAD Plug-Inova Pored uključenih analognih klasičnih plug-inova u realnom vremenu, Apollo Twin USB Vam omogućava da koristite celu biblioteku nagrađivanih UAD plug-inova — uključujući vintage ekvilajzere, kompresore, reverbe, tejp mašine i još toga — sa skoro nultom latencijom, bez obzira na veličinu bafera vašeg audio softvera i bez opterećivanja procesora na vašem računaru. Sa ekskluzivnim emulacijama Neve, Studer, Manley, API, Ampex, Lexicon, Fender, i još toga,† to je kao da imate beskonačni anlogni studio, direktno na vašem desktopu. A za razliku od konkurentskih interfejsa, ovi DSP plug-inovi su takođe dostupni na vašem DAW-u za miksovanje. Snimajte sa vintage pojačalima Novinu kod Apollo Twin USB predstavlja Unison tehnologija kod ulaza za instrument na prednjoj strani koja vam omogućava emulacije gitarskih i bas pojačala kao što je Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959 i Ampeg B-15N Bas pojačalo. LUNA sistem za snimanje Deep Apollo integracija sa brzim, prirodnim procesom rada Apollo X serija interfejsa radi sa svim većim DAW-ovima. Ali oni postaju u potpunosti integrisani sistem sa LUNA-om, inovativnom aplikacijom za muzičku produkciju za Mac od Universal Audio. Koristite LUNA-in ubrzani nadzor nad realnim vremenom ™ i napajajte svoj radni tok mnoštvom ugrađenih funkcija i opcionalnih proširenja - od originalnog Neve zbrajanja i integrisane trake Studer, do inspirativnog LUNA instrumenata i još više. Dodatna povezivanja i ugrađeni Talkback Sa svoja dva onboard pretpojačala opremljena Unison tehnologijom, dva izlaza i optičkim ADAT/SPDIF ulazom— kao i daljinsko upravljanje posvećenim monitorom i ugrađeim Talkback mikrofonom —10 x 6 Apollo Twin X pruža Vam I/O koji Vam je potreban za numere i mikseve. Napravite Networked Studio Korisnici bilo kojeg Apollo interfejsa opremljenog Thunderboltom mogu da kombinuju do četiri Apollo-a i ukupno 6 UAD-2 uređaja - dodajući I / O i DSP kako studio raste. Jednom kada proširite svoj studio pomoću Apollo x6, x8, x8p ili x16 ugradive jedinice, možete da koristite Apollo Twin X kao desktop monitor, a da i dalje dodirnete dodatnu I / O i DSP snagu. *Apollo Twin X uključuje “Realtime Analog Classics” UAD plug-in-ove. Ostali UAD plug-inovi se odvojeno prodaju na www.uaudio.com. OSNOVNE KARAKTERISTIKE Desktop 10 x 6 Thunderbolt 3 audio interface za Mac i Windows sa prvoklasnom A/D i D/A konverzijom nasleđenom direktno od čuvenih Apollo X interfejsa sa rackmountom. 2 mikrofonska pretpojačala sa Unison tehnologijom nude fantastične modele klasičnih cevnih mikrofonskih pretpojačala i gitarskih pojačala zasnovanih na transformatoru. UAD-2 DUO ili QUAD Core obrada za rad uz pomoć vintage kompresora, ekvilajzera, tejp mašina, mikrofonskih pretpojačala i plag-inova za gitarska pojačala za skoro nultom latencijom. Stvarajte sa LUNA Recording Sistemom — u potpunosti integrisanom aplikacijom za snimanje napravljenom za Apollo (Mac/Thunderbolt) Front-panel sa ulazom za Hi-Z instrument opremljenim Unison™ tehnologijom i izlazom za slušalice Ugrađeni Talkback mikrofon za komunikaciju za studijom i snimanjem cue-ova Poboljšana monitorska funkcionalnost uključujući funkcije kojima se upravlja na daljinu Mono, Mute, DIM i ALT monitor kontrole Do 8 kanala dodatnog digitalnog ulaza putem Optical ADAT ili S/PDIF Uključuje "Realtime Analog Classics" UAD plag-inove koji imaju Teletronix LA-2A i 1176 kompresore, Pultec ekvilajzere UA 610-B cevno pretpojačalo i ekvilajzer i još mnogo toga. Ostali UAD plaginovi se prodaju posebno Pokreće UAD plug inove uz pomoć VST, RTAS, i AAX 64 u svim boljim DAW-ovima Beskompromisni analogni dizajn, superiorne komponente i prvoklasni kvalitet izrade Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers Sistemski zahtevi Apollo X serije SVI: Thunderbolt 3 kabl (nije uključen) Internet veza za preuzimanje softvera i autorizaciju UAD plug-inova 6 gigabajta raspoloživog prostora Quad Core i7 ili bolji processor preporučen Za dodatne informacije o kompatibilnosti, posetite help.uaudio.com MAC: Dostupan Thunderbolt 1, 2, ili 3 port Thunderbolt 1 i 2 povezivanja zahtevaju Apple Thunderbolt 3 na Thunderbolt 2 Adapter (nije uključen) macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, ili 10.15 Catalina PC: Dostupan Thunderbolt 3 port Windows 10 (64-Bit izdanje) UKLJUČENI PLUG-INOVI Realtime Analog Classics Sa Realtime Analog Classics plag-inovima, dobićete legendarne kompresore kao što je Teletronix® LA-2A i ekvilajzere kao što je Pultec® EQP-1A, fantastične emulacije gitarskih i bas pojačala, kao i UA poznato 610-B cevno pretpojačalo i EQ plug-in. UA 610-B Tube Preamp and EQ Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology. UA 610-B cevno pretpojačalo i EQ Obogatite svoje zapise ikonskom toplinom i karakterom klasičnog hardvera koji se koristi kod svih, od Duke Ellingtona do Coldplay-a. Emulirajući ceo signalnu putanju, uključujući cevna pojačala, transformatore i nelinearnosti kola, 610-B cevno pretpojačalo i EQ dodatak ubrizgavaju organske detalje i zasićenost bilo kojem signalu - bilo da ponovo pojačavate ili pratite kroz 610- B putem Unison ™ tehnologije Universal Audio. Marshall® Plexi klasično pojačalo Nesporan gospodar rokenrola i gitarskih pojačala, Marshall “Plexi” pojačalo je legendarno kao i muzika koju je pomogao da se stvori. Od Džimija Hendriksa, Džimija Pejdža, Duan Almana do Erika Kleptona, Plexi mešavina režanja, sustain-a, glatkoće i prostote definisala je rok zvuk. Razvijen od strane Softube-a, Marshall Plexi plug-in klasičnog pojačala omogućava zvuk ovog čuvenog pojačala sa savršeno pozicioniranim mikrofonom od inženjera Tonija Plata koji je snimio Back in Black i Highway to Hell od AC/DC. Teletronix® LA-2A klasično leveling pojačalo (cevni optički kompresor) (Legacy) Sa svojom nežnom programski zavisnom optičkom kompresijom i precizno dizajniranim cevnim pojačalom, LA-2A je pravi kompresor za prefesionalne mikseve širom sveta — naročito za vokale. Peak smanjenje i gain kontrole neverovatno lake za korišćenje daju vam idealnu optičku kompresiju zvuka za gitaru, bas, bubnjeve i još toga. 1176SE/LN® klasična pojačala sa limiterima (Legacy) Dobijte klasičnu ultra brzu FET kompresiju od svetski najpriznatijeg kompresor-a. 1176 će obogatiti punch-om, prisustvom i karakterom kao i autentičnom distorzijom na bubnjevima, vokalima, gitarama i basevima. 1176LN se može čuti na bezbroj pesama, od Led Zeppelin-a, do White Stripes i Michael-a Jackson-a. Pultec® Pro Ekvilajzeri (Legacy) Miksujte sa dva najtraženija hardverska EQ ikad napravljena — MEQ-5 ekvilajzerom srednjeg opsega i EQP-1A programskim ekvilajzerom. Obe ove ikone zasnovane na cevima isporučuju glatke i svilenkaste EQ krive sa mnogo toplog analognog karaktera. Ampeg® SVT-VR klasično bas pojačalo Predstavljen 1969. godine, Ampeg SVT bas pojačalo je još uvek suvereni vladar cevnog bas zvuka sa velikom snagom. Razvijen od strane Brainworx, plug-in Ampeg SVT-VR klasičnog bas pojačala savršeno hvata sirovu snagu i udare koji su napravili ovo svestrano pojačalo za rok, fank i soul muzičare. Snimajte u realnom vremenu koristeći Unison™ tehnologiju pretpojačala za zvuk, osećaj i dodir pravog SVT bas pojačala, ili transformišite DI numere sa gromoglasnim klasičnim tonom. Precision Mix Rack kolekcija S obzirom da ima Precision Channel strip, Precision Reflection Engine, i Precision Delay Modulation plug-inove, Precision Mix Rack kolekcija pruža četiri moderna, visoko pouzdana plug-ina za snimanje i miksovanje. Moćna i intuitivna, Precision Mix Rack kolekcija omogućava vam impresivni komplet — savršen za početnike i profesionalce. Sirova distorzija Oblikovana na osnovu Pro Co Rat vintage modela iz ranih -’80s, sirova distorzija isporučuje svu krupnu dinamiku legendarnog stompbox-a. A sa Unison™ tehnologijom, možete da se uključite u Apollo Twin, 8, ili u 8p-ovu prednju stranu Hi-Z instrument jack i iskusiti istu interakciju kola, gain opseg i clip tačke za pravi zvuk, osećaj i odgovor originalnog hardvera. RealVerb Pro Omogućujući vam da dizajnirate sobu onako kako to čujete, RealVerb Pro nadilazi jednostavno velike / male ili tamne / svetle, pružajući vašim izvorima glatku kontrolu difuzije bez izobličenja i ultra dugačak reverb rep.