Slobodno nas kontaktirajte: [email protected] Centrala 0652703332 Novi Sad 0652452411 Karakteristike: Telo: američka lipa Vrat sa vijcima: pečeni javor Fingerboard: Ebanovina Drvo smrti umetnuti prstima Skala: 648 mm (25,51″) Prečnik prstne table: 305 mm (12,01″) Širina matice: 42 mm (1,65″) Graf Tech nut Profil vrata: AZ Oval C – debljina na 1. pragu: 21 mm / debljina na 12. pragu: 23 mm 24 Frets Pikapi: 2 Fishman Fluence Tim Henson Signature Active/Alnico (bridž i vrat) 1 kontrola jačine zvuka i 1 tona 5-smerni prekidač Gotoh MG-T tjuneri za zaključavanje Chrome hardver Boja: Srebrna Incl. gig bag Tim Henson iz Polifije oduševio je publiku svojim idiosinkratičnim stilom tehničkog uništavanja otkako su najraniji nezavisno izdati EP-ovi benda izbačeni početkom 2010-ih. Prikladno, Ibanez TOD10 Tim Henson Signature je čvrsta električna gitara visokih performansi sa prilagođenim podešavanjima i funkcijama skrojenim za gimnastiku sa flot-prstima. TOD10 je izgrađen oko tela američke lipe, koje pokazuje topao, režući akustični ton sa hiper-definisanim srednjim vrednostima. Set Timovih prepoznatljivih višeglasnih Fishman Fluence hambakera daje mnoštvo tonova, od škripavog čišćenja do visokooktanskog grind-a. Vrat od pečenog javora TOD10 se može pohvaliti Ibanezovim udobnim AZ ovalnim „C“ oblikom, a njegov prst od ebanovine sa 24 praga i radijusom od 12 inča dizajniran je da pristane na najzahtevnije ručne manevre. Takođe dobijate Gotoh T1502 tremolo za savijanje, uvijanje i ronjenje sa spot-on intonacijom. TOD10 Tim Henson Signature je zaokružen Graph Tech navrtkom, Gotoh štimerima za zaključavanje, osvetljenim bočnim markerima i umetkom na prstima „Drvo smrti“ koji privlači pogled. Pečeni javorov vrat i prst od ebanovine Pečeni javorov vrat TOD10 Tim Henson Signature nudi povećanu stabilnost, izdržljivost, vodootpornost i toleranciju na temperaturne promene. Osim toga, AZ Ovalni „C“ oblik vrata lepo ispunjava vašu ruku na donjim pragovima, istovremeno pružajući moderniji osećaj kada igrate visoko. TOD10 se hvali brzosvirajućom pločom od ebanovine prečnika 12 inča sa 24 praga od nerđajućeg čelika. Takođe dobijate Graph Tech maticu i Gotoh štimere za zaključavanje. Osvetljene bočne tačke daju vam odličnu referentnu tačku na mračnim scenama. Umetak „Drvo smrti“ koji okreće glavu daje savršenu završnicu prstu ove čvrste električne gitare. Razmer: 648 mm/25,5″ a : Širina 42 mm na NUT b : Širina 57 mm na 24 F c : Debljina 20,5 mm na 1F d : Debljina 22,5 mm na 12F Radijus: 305 mmR ..sa Fishman Fluence Tim Henson humbuckerima Fishman Fluence Tim Henson hambakeri u Ibanez TOD10 Tim Henson Signature-u isporučuju najtraženije tonove virtuoza Poliphije, od čišćenja zvona do užarenih provoda. Za razliku od većine žičanih modela, Fluence zvučnici uspevaju da opsluže ovaj masivni arsenal tonova bez problema sa bukom ili induktivnošću. Povrh toga, Fishman Fluence Tim Henson humbuckeri vam pružaju izbor od tri izrazito različita glasa, plus mnoštvo kombinacija pickup-a kojima se može pristupiti preko namenskog push-pull pot-a i 5-smernog prekidača oštrice. Kada je birač pickup-a u položaju vrata i dugme za ton je gurnuto, aktivira se hambaker sa punim vratom i u glasu 1. Kada je birač pickup-a između vrata i srednjeg položaja, aktivira se samo spoljni kalem zbirnog zvuka. i nalazi se u glasu 3. Kada je birač pickup-a u srednjem položaju, oba hambakera su potpuno aktivirana i u glasu 1. Kada je birač pickup-a između srednjeg i bridge položaja, spoljašnji kalem prednjeg pickup-a i unutrašnji kalem bridge pickup je aktiviran i u glasu 3. Kada je birač zvuka u bridge poziciji, aktiviran je full bridge hambucker i u glasu 1. Kada je birač pickup-a u položaju vrata sa dugmetom tona povučenim nagore, vratni hambaker je potpuno aktiviran i u Glasu 2. Kada je birač pickup-a između vratnog i srednjeg položaja, aktivira se samo spoljna zavojnica vratnog pickup-a i to u Glasu 3. Kada je birač pickup-a u srednjem položaju, spoljna zavojnica prijemnika za vrat je aktivirana. prednji pickup i unutrašnji kalem bridge pickup-a su aktivirani iu Glasu 3. Kada je birač pickup-a između srednjeg i mosta položaja, spoljašnji kalem prednjeg pickup-a i unutrašnji namotaj bridge pickup-a su aktivirani i u glasu 3, (ista postavka kao kada je izabrana sredina). Kada je birač zvuka u poziciji bridge-a, aktiviran je full bridge humbucker i u Voice 2. Super-stabilan Gotoh T1502 tremolo Razvijen u saradnji sa Gotoh-om, T1502 TOD10 omogućava preskakanje žica bez napora i hibridno biranje zahvaljujući uskom razmaku žica. Učitavanje tremolo ruke gitare je lako zahvaljujući utičnici za fiksiranje i držanje T1502, a podešavanje obrtnog momenta ruke omogućava fina podešavanja bez ikakvih alata. Zavrtnji za zaključavanje na T1502 zaključavaju zavrtnje na mestu, povećavajući rezonanciju instrumenta i obezbeđujući odličnu stabilnost podešavanja. Kao što biste očekivali, plutajući tremolo sistem T1502 u 2 tačke postiže zapanjujuće glatko tremolo kretanje u oba smera. Kada se gitara drži u poziciji za sviranje, nalazi se petosmerni prekidač za biranje u blizini izreza za kolena na donjem delu tela. Dugme ispred njega, prema vratu, je dugme za jačinu zvuka, a dugme bliže kraju tela je dugme za ton, koje takođe služi kao Fishman Fluence Voicing prekidač. Prekidač Fishman Fluence Voicing menja ton zvučnih signala preko elektronskog kola. Kada se pritisne dugme za ton, glas 1 i glas 3 su aktivni, a kada se dugme za ton izvuče, glas 2 i glas 3 su aktivni. Kombinacija zvukova koja se koristi je zasnovana na kombinaciji zvuka koja je izabrana preko 5-smernog prekidača. Sajt proizvođača

Opis Ovaj model je inspirisan Gregovom kolekcijom vintage gitara ali sa dodatkom modernih inovacija. Oblik tela je baziran na klasičnom “Telecaster” obliku, povećanih dimenzija, dodatim izdignutim centralnim delom i šupljom komorom ispod pickguarda radi boljeg sustaina i rezonantnosti dok vrat od pečenog javora sa kompenzovanim radijusom doprinosi boljoj svirljivosti. Ovaj model je opremljen Fishman Greg Koch Signature Gristle-Tone hum-free, punjivim, aktivnim magnetima. Magneti se pune preko USB ulaza koji se nalazi pored gitarskog ulaza. Karakteristike: – Telo: korina – Magneti: Fishman Greg Koch Signature Gristle-Tone – Kobilica: Wilkinson Classic 3-Saddle Bridge – Vrat: pečeni javor – Skala: 25 1/2″ – Profil vrata: Medium oval – Fingerboard: pečeni javor – Radijus fingerboarda: 10˝-14″ – Pragovi: 22 jumbo – Truss rod: Single action – Čivije: Reverend pin-lock – Češalj: 43mm Boneite – Kontrole: Volume, Tone, Midrange Boost i 3-way Switch – Žice: 10-46 – Boja: -Wow Red -Blucifer -Pow Yellow Fishman Greg Koch Signature Gristle-Tone – aktivni magneti koji su hum-free (nemaju zujanje koje je karakteristika single coil magneta), pune se povezivanjem gitare preko USB ulaza koji se nalazi pored gitarskog ulaza – jacka. Wilkinson kobilica – ova kobilica ima sedla od mesinga koja su unikatno oblikovana, kompenzovana radi bolje intonacije i sustaina. Roasted Maple Neck – ili pečeni javor je javor koji se tretira toplotom od 150 stepeni celzijusa kako bi se uklonili šećeri, vlaga i nečistote. Ovakav javor je lakši, stabilniji i ima predivnu karamel boju. Krajnji rezultat je vrat vintage izgleda koji je stabilan i ne zahteva česta sezonska podešavanja. Boneite nut – Reverend Guitars na svim svojim gitara ugrađuje češljeve od sintetičke kosti, Boneite materijala koji je konzistentniji od prave kosti, smanjuje frikciju žica i tako poboljšava štim. Pure Tone Jack – Sve Reverend gitare imaju ugrađen ulaz za gitaru od proizvođača Pure Tone Technologies. Standardni ulazi imaju jedan kontakt ali Pure Tone ulaz ima dva, kako bi audio signal i pouzdanost bili na najvišem nivou. Treble Bleed Circuit – Sve Reverend gitare imaju ugrađeno Treble Bleed kolo koje „čuva“ treble dok smanjujete volume kontrolu. Kada smanjite standardnu volume kontrolu osećate kako se gubi treble na tonu, sa Treble Bleed Circuit to više nije slučaj. Initialed Headstock – Svaka Reverend gitara je ručno potpisana inicijalima tehničara koji je podesio, pregledao i testirao. Takođe, i serijski broj je ručno napisan od strane istog tehničara.

Korg Monologue Black Analogni sintisajzer Potpuno programabilna, analogna sinteza za sve tipove muzicara; Monologue je sledeca generacija monofonog analognog sintisajzera koji deli duh vec proslavljenog minilogue-a, sa kompletno novim zvukovima i mocnim, novim funkcijama. Monologue poseduje 25 dirki i potpuno je programabilan analogni sintisajzer. Dok deli svoj elegantan izgled, pot-po-funkciji i visoki kvalitet izrade, nalik na najprodavaniji Minilogue, Monologue je zaista jedinstven novi sintisajzer za sve vrste muzicara koji ukljucuje nove zvukove i mogucnost oblikovanja zvuka, po neverovatnoj ceni! Beautiful and Powerful. Your own monologue! Next-generation monophonic analog synthesizer in a vivid five-color lineup. Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features. The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities – at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a lineup that gives you a choice of five eye-catching colors, this compact instrument has a strong personality to match your own. Dodatne informacije Specifikacija Keyboard: 25-keys (Slim-key, velocity sensitive) Sound Generation: Analog synthesis Program: 100 programs (80 Presets / 20 Users) Each program includes microtuning and sequence data settings Main Synthesis Parameters: MASTER Drive VCO1 Wave (Saw, Triangle, Square), Shape VCO2 Octave, Wave (Saw, Triangle, Noise), Sync/Ring, Pitch, Shape MIXER VCO1, VCO2 FILTER Cutoff, Resonance EG Type (A/D, A/G/D, G), Attack, Decay, Int, Target (Pitch, Pitch 2, Cutoff) LFO Wave (Saw, Triangle, Square), Mode (Fast, Slow, 1-Shot), Rate, Int, Target (Pitch, Shape, Cutoff) Sequencer: 16-step monophonic sequencer Motion sequence can be used on up to four parameters Microtuning: 32 settings (20 Preset tunings / 6 User scales / 6 User octaves) Each setting can be set the key. Controls: 23 dedicated panel controls deliver immediate parameter access A slider can control different parameters for each program Display: Real-time OLED oscilloscope provides visual feedback of parameter changes Connectors: Headphones (6.3mm stereo phone jack) Output (6.3mm monaural phone jack) Audio In (6.3mm monaural phone jack) Sync In (3.5mm monaural mini jack) Sync Out (3.5mm monaural mini jack) MIDI In MIDI Out USB Type B Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6 Or AC adapter (DC 9V) (optional) Battery Life: Approximately 6 hours (using alkaline batteries) Approximately 8 hours (using nickel-metal hydride batteries) Power Consumption: 2.5 W Dimensions: (W x D x H): 350 x 276 x 76 mm / 13.78" x 10.87" x 2.99" Weight: 1.7 kg / 3.78 lbs. Color Variations: Silver, Black, Red, Dark Blue, Gold Included Items: AA alkaline battery x 6 (for verifying operation) Accessories: AC adapter (DC 9V) Sync Cable SQ-CABLE-6

Korg Monologue Silver Analogni sintisajzer Potpuno programabilna, analogna sinteza za sve tipove muzicara; Monologue je sledeca generacija monofonog analognog sintisajzera koji deli duh vec proslavljenog minilogue-a, sa kompletno novim zvukovima i mocnim, novim funkcijama. Monologue poseduje 25 dirki i potpuno je programabilan analogni sintisajzer. Dok deli svoj elegantan izgled, pot-po-funkciji i visoki kvalitet izrade, nalik na najprodavaniji Minilogue, Monologue je zaista jedinstven novi sintisajzer za sve vrste muzicara koji ukljucuje nove zvukove i mogucnost oblikovanja zvuka, po neverovatnoj ceni! Beautiful and Powerful. Your own monologue! Next-generation monophonic analog synthesizer in a vivid five-color lineup. Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features. The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities – at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a lineup that gives you a choice of five eye-catching colors, this compact instrument has a strong personality to match your own. Dodatne informacije Specifikacija Keyboard: 25-keys (Slim-key, velocity sensitive) Sound Generation: Analog synthesis Program: 100 programs (80 Presets / 20 Users) Each program includes microtuning and sequence data settings Main Synthesis Parameters: MASTER Drive VCO1 Wave (Saw, Triangle, Square), Shape VCO2 Octave, Wave (Saw, Triangle, Noise), Sync/Ring, Pitch, Shape MIXER VCO1, VCO2 FILTER Cutoff, Resonance EG Type (A/D, A/G/D, G), Attack, Decay, Int, Target (Pitch, Pitch 2, Cutoff) LFO Wave (Saw, Triangle, Square), Mode (Fast, Slow, 1-Shot), Rate, Int, Target (Pitch, Shape, Cutoff) Sequencer: 16-step monophonic sequencer Motion sequence can be used on up to four parameters Microtuning: 32 settings (20 Preset tunings / 6 User scales / 6 User octaves) Each setting can be set the key. Controls: 23 dedicated panel controls deliver immediate parameter access A slider can control different parameters for each program Display: Real-time OLED oscilloscope provides visual feedback of parameter changes Connectors: Headphones (6.3mm stereo phone jack) Output (6.3mm monaural phone jack) Audio In (6.3mm monaural phone jack) Sync In (3.5mm monaural mini jack) Sync Out (3.5mm monaural mini jack) MIDI In MIDI Out USB Type B Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6 Or AC adapter (DC 9V) (optional) Battery Life: Approximately 6 hours (using alkaline batteries) Approximately 8 hours (using nickel-metal hydride batteries) Power Consumption: 2.5 W Dimensions: (W x D x H): 350 x 276 x 76 mm / 13.78" x 10.87" x 2.99" Weight: 1.7 kg / 3.78 lbs. Color Variations: Silver, Black, Red, Dark Blue, Gold Included Items: AA alkaline battery x 6 (for verifying operation) Accessories: AC adapter (DC 9V) Sync Cable SQ-CABLE-6

Korg Monologue Blue Analogni sintisajzer Potpuno programabilna, analogna sinteza za sve tipove muzicara; Monologue je sledeca generacija monofonog analognog sintisajzera koji deli duh vec proslavljenog minilogue-a, sa kompletno novim zvukovima i mocnim, novim funkcijama. Monologue poseduje 25 dirki i potpuno je programabilan analogni sintisajzer. Dok deli svoj elegantan izgled, pot-po-funkciji i visoki kvalitet izrade, nalik na najprodavaniji Minilogue, Monologue je zaista jedinstven novi sintisajzer za sve vrste muzicara koji ukljucuje nove zvukove i mogucnost oblikovanja zvuka, po neverovatnoj ceni! Beautiful and Powerful. Your own monologue! Next-generation monophonic analog synthesizer in a vivid five-color lineup. Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features. The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities – at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a lineup that gives you a choice of five eye-catching colors, this compact instrument has a strong personality to match your own. Dodatne informacije Specifikacija Keyboard: 25-keys (Slim-key, velocity sensitive) Sound Generation: Analog synthesis Program: 100 programs (80 Presets / 20 Users) Each program includes microtuning and sequence data settings Main Synthesis Parameters: MASTER Drive VCO1 Wave (Saw, Triangle, Square), Shape VCO2 Octave, Wave (Saw, Triangle, Noise), Sync/Ring, Pitch, Shape MIXER VCO1, VCO2 FILTER Cutoff, Resonance EG Type (A/D, A/G/D, G), Attack, Decay, Int, Target (Pitch, Pitch 2, Cutoff) LFO Wave (Saw, Triangle, Square), Mode (Fast, Slow, 1-Shot), Rate, Int, Target (Pitch, Shape, Cutoff) Sequencer: 16-step monophonic sequencer Motion sequence can be used on up to four parameters Microtuning: 32 settings (20 Preset tunings / 6 User scales / 6 User octaves) Each setting can be set the key. Controls: 23 dedicated panel controls deliver immediate parameter access A slider can control different parameters for each program Display: Real-time OLED oscilloscope provides visual feedback of parameter changes Connectors: Headphones (6.3mm stereo phone jack) Output (6.3mm monaural phone jack) Audio In (6.3mm monaural phone jack) Sync In (3.5mm monaural mini jack) Sync Out (3.5mm monaural mini jack) MIDI In MIDI Out USB Type B Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6 Or AC adapter (DC 9V) (optional) Battery Life: Approximately 6 hours (using alkaline batteries) Approximately 8 hours (using nickel-metal hydride batteries) Power Consumption: 2.5 W Dimensions: (W x D x H): 350 x 276 x 76 mm / 13.78" x 10.87" x 2.99" Weight: 1.7 kg / 3.78 lbs. Color Variations: Silver, Black, Red, Dark Blue, Gold Included Items: AA alkaline battery x 6 (for verifying operation) Accessories: AC adapter (DC 9V) Sync Cable SQ-CABLE-6

Analog and Semi-Modular Synthesizer with Dual VCOs, Ring Modulator, External Signal Processor, 16-Voice Poly Chain and Eurorack Format Amazing analog synthesizer with dual VCO design allows for insanely fat music creation Authentic reproduction of original circuitry with matched transistors and JFETs Pure analog signal path based on authentic VCO, VCF and VCA designs Semi-modular architecture with default routings requires no patching for immediate performance First and second generation filter design (high pass/low pass with peak/resonance) 4 variable oscillator shapes with variable pulse widths and ring modulation for ultimate sounds Dedicated and fully analog triangle/square wave LFO 2 analog Envelope Generators for modulation of VCF and VCA 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution — main module can be transferred to a standard Eurorack case 36 controls give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection Designed and engineered in the U.K. A Brief History of Analog Synthesis The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”. Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”. Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built. Mellotron Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Arp 2600 Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Minimoog Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Yamaha CS-80 In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song. Sequential Circuits Prophet 5 Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. A Passion for Keyboards Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends – the BEHRINGER legacy had begun. The rest, as they say, is history... K-2 Although only produced from 1978 to 1983, Korg synthesizers have been favored by numerous world-famous artists including: Aphex Twin; Arcade Fire; the BBC Radiophonic Workshop; Daft Punk; Depeche Mode; A Flock of Seagulls; Gorillaz; Orchestral Manoeuvres in the Dark; Snarky Puppy and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future! Pure Analog Signal Path Great care has been taken in engineering the K-2, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors and JFETs. This highly-focused attention to detail is what gives K-2 its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination. Rock Right out-of-the Box! Your K-2 comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right! Versatile VCF The very heart of K-2’s sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2’s VCF Peak controls provide emphasis to the signals at the crossover frequency. Vintage Oscillators K-2’s authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2’s waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2’s pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects. The Envelope, Please... Make that envelopes! K-2’s Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz – and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control. 16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), K-2’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Eurorack Ready Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system. Controls & Connectivity We just can’t help ourselves – like you, we’re gear-heads, too. For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path! Unleash Your Imagination When it comes to not just pushing envelopes but creating them, K-2 gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer K-2!

Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation 32 semi-weighted full-size keys for great playability Pure analog signal path based on legendary VCO, VCF and VCA designs to recreate the classic sound performance Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm and octave-divided square sub-oscillator Resonant VCF can be modulated with ADSR, LFO, keyboard tracking and bender controller 6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects ADSR envelope generator for incredible wave shaping Easy-to-use 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects Attachable handgrip included with pitch bend wheel and pitch modulation trigger Guitar strap included for live jamming on stage Bender assignable to VCO, VCF and pitch mod wheel on attachable handgrip Noise generator can be used as modulation source for distortion-like effects Incredible portamento function for fantastic sound effects Pulse wave can be modulated by LFO, envelope and manually 57 sliders and switches to give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation for connection to keyboard/sequencer Designed and engineered in the U.K. A Brief History of Analog Synthesis The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”. Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”. Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built. Mellotron Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007 Arp 2600 Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499 Minimoog Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Attribute author: glacial23 - Early Minimoog Uploaded by clusternote, CC BY-SA 2.0 Yamaha CS-80 In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song. Image attribution: Pete Brown from Gambrills, MD, USA (DSC00539) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons Sequential Circuits Prophet 5 Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. Image attribution: original uploader was Felix2036 at Dutch Wikipedia derivative work: Clusternote (Sequential_Circuits_Prophet_5.jpg) [Public domain], via Wikimedia Commons Which brings us to 1977... A Passion for Keyboards Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends – the BEHRINGER legacy had begun. The rest, as they say, is history... MS-1-RD The 1980s and ’90s spawned a new “wave” of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-RD lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-RD is sure to become your favorite keyboard. Owning the MS-1-RD is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future! True to the Original Great care has been taken in engineering the MS-1-RD, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – and all the way out to the otherworldly sounds of your imagination. Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-RD lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right! Versatile Oscillator MS-1-RD’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best. Versatile VCF The very heart of MS-1-RD’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-RD’s VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise. The Envelope, Please... MS-1-RD’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation. Onboard Sequencer & Arpeggiator MS-1-RD’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-RD are fun, mesmerizing and totally addictive... Own the Stage When you’re ready to strut your stuff and get a little centerstage time, the MS-1-RD has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own! Modulate Me to the Max! In addition to the great sound-sculpting features already mentioned, the MS-1-RD has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-RD’s Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually – for sounds ranging from mild to wild! Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, MS-1-RD has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output. Unleash Your Imagination When it comes to not just pushing envelopes but creating them, MS-1-RD gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer MS-1-RD! Visit your dealer to experience the stunning MS-1-RD, or get yours online today. MUSIC never felt this good!